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-# Nestling high in the mountains | 0:00:23 | 0:00:28 | |
-# Lies the fairest valley of all | 0:00:28 | 0:00:34 | |
-# Haunt of the stoat and fox | 0:00:35 | 0:00:39 | |
-# And home to the kestrel and hawk # | 0:00:40 | 0:00:48 | |
-Today, Porthmadog -is a lively and busy town. | 0:00:59 | 0:01:02 | |
-Few of the tourists who come here -will know that it was once home.... | 0:01:03 | 0:01:09 | |
-..to Eifion Wyn, -one of our most popular poets. | 0:01:09 | 0:01:12 | |
-But he didn't seek noise -and hustle and bustle. | 0:01:13 | 0:01:17 | |
-He was attracted by nature, -"nestling high in the mountains." | 0:01:17 | 0:01:21 | |
-28 New Street, Porthmadog. | 0:01:30 | 0:01:32 | |
-This was the poet's home. | 0:01:32 | 0:01:34 | |
-To make it easier -for other poets to find... | 0:01:35 | 0:01:38 | |
-..he painted the Gorsedd logo -above the door. | 0:01:39 | 0:01:42 | |
-It's still here to this day. | 0:01:43 | 0:01:45 | |
-He enjoyed company, -but a select company. | 0:02:01 | 0:02:05 | |
-He would be pestered by people -who wanted a poem from him. | 0:02:05 | 0:02:09 | |
-This is the way he went to work -at the slate company office in town. | 0:02:09 | 0:02:13 | |
-He would sneak out via the back door. | 0:02:13 | 0:02:16 | |
-I know it comes, the honey month -With its tumult in the willows. | 0:02:29 | 0:02:33 | |
-Despite his clandestine ways... | 0:02:35 | 0:02:37 | |
-..Eifion Wyn -was a very plain speaker. | 0:02:37 | 0:02:40 | |
-He'd say things quite openly. | 0:02:41 | 0:02:43 | |
-He was no stranger -to arguments in the press. | 0:02:43 | 0:02:46 | |
-He liked to praise himself too. | 0:02:47 | 0:02:49 | |
-He says this in a preface -to one of his books. | 0:02:49 | 0:02:52 | |
-"I well know that -it is not wholly bereft of merit. | 0:02:53 | 0:02:56 | |
-"There are many who would -call it self-aggrandizement." | 0:02:56 | 0:03:01 | |
-Eifion Wyn was quite a character. | 0:03:01 | 0:03:04 | |
-I'd say that Eifion Wyn, -above all, was a romantic poet. | 0:03:04 | 0:03:09 | |
-He was his era's main lyric poet, -according to Williams Parry. | 0:03:10 | 0:03:14 | |
-He typically wrote poems about love. | 0:03:14 | 0:03:17 | |
-There were poems about nature. | 0:03:17 | 0:03:19 | |
-He praised the beauty -of the countryside. | 0:03:20 | 0:03:23 | |
-He wrote Welsh patriotic songs too. | 0:03:23 | 0:03:26 | |
-They're somewhat sentimental. | 0:03:26 | 0:03:29 | |
-In that respect, -I would suggest this. | 0:03:29 | 0:03:32 | |
-He was Ceiriog's heir -in the 20th century. | 0:03:32 | 0:03:35 | |
-Eifion Wyn was born on 2nd May, 1867. | 0:03:40 | 0:03:44 | |
-He taught at Snowdon Street school -in Porthmadog. | 0:03:50 | 0:03:54 | |
-He was also a renowned preacher, -very much in demand every Sunday. | 0:03:57 | 0:04:02 | |
-But preaching on Sunday -and teaching on Monday didn't mix. | 0:04:06 | 0:04:13 | |
-He would travel quite far to preach. | 0:04:13 | 0:04:16 | |
-He sometimes couldn't get back -for school at 9.00am on a Monday. | 0:04:16 | 0:04:20 | |
-His enraged headmaster -wrote an entry in the school logbook. | 0:04:21 | 0:04:26 | |
-"This preaching business must stop." | 0:04:26 | 0:04:29 | |
-Ultimately, -it was the teaching that stopped. | 0:04:31 | 0:04:34 | |
-He became an office clerk -at a slate works in Porthmadog. | 0:04:34 | 0:04:38 | |
-It's not clear -whether he enjoyed his job. | 0:04:39 | 0:04:42 | |
-But in that quiet office, -he could think about his poetry. | 0:04:42 | 0:04:47 | |
-He didn't enjoy the best of health. | 0:04:49 | 0:04:51 | |
-He caught pneumonia -as a two-year-old. | 0:04:52 | 0:04:55 | |
-That left its mark on him -for the rest of his life. | 0:04:55 | 0:04:58 | |
-He suffered from lung ailments. | 0:04:58 | 0:05:01 | |
-He considered becoming a minister, -but gave up the idea. | 0:05:01 | 0:05:05 | |
-He believed that his poor health -was an issue. | 0:05:05 | 0:05:08 | |
-It would have been too much for him. | 0:05:09 | 0:05:11 | |
-Eifion Wyn wasn't his real name. | 0:05:18 | 0:05:20 | |
-He was christened Eliseus Williams. | 0:05:21 | 0:05:23 | |
-Eifion Wyn was a bardic name. | 0:05:24 | 0:05:26 | |
-He became known as Eifion Wyn -from the moment he won this Chair. | 0:05:26 | 0:05:31 | |
-He won it at the Pwllheli -town eisteddfod of 1886. | 0:05:31 | 0:05:35 | |
-It now stands proudly in the foyer -of Porthmadog's primary school. | 0:05:35 | 0:05:40 | |
-The school is named after him. | 0:05:40 | 0:05:42 | |
-What is the sea and its tides - -God's very first Creation? | 0:05:44 | 0:05:49 | |
-Go now to the Autumn woods -When a rainbow's in the trees. | 0:05:56 | 0:06:00 | |
-One thing strikes you -about his poems. | 0:06:01 | 0:06:04 | |
-They're easy to understand. | 0:06:04 | 0:06:06 | |
-This probably explains -his great popularity. | 0:06:06 | 0:06:10 | |
-His books sold by the thousand, -not by the hundred. | 0:06:10 | 0:06:13 | |
-Two of his hymns -remain firm favourites even now. | 0:06:13 | 0:06:17 | |
-"Gospel of peace, -oh, go thee worldwide." | 0:06:17 | 0:06:20 | |
-"Place on my head your sacred hand." | 0:06:21 | 0:06:23 | |
-His love poems -are still heart-warming. | 0:06:24 | 0:06:28 | |
-Take it as a treasure and keep it. | 0:06:40 | 0:06:43 | |
-I'll try to do without to please you. | 0:06:44 | 0:06:47 | |
-Take it as a heart -that's whole, my love. | 0:06:48 | 0:06:51 | |
-I would not want half -of my own heart. | 0:06:51 | 0:06:54 | |
-Take it as a toy -but remember my cry. | 0:07:06 | 0:07:09 | |
-It's a fragile plaything -that gold cannot buy. | 0:07:10 | 0:07:14 | |
-Take it by itself, -don't look for more. | 0:07:22 | 0:07:25 | |
-The heart won't coexist -as one of two. | 0:07:26 | 0:07:29 | |
-Send me your old one -please, in exchange. | 0:07:32 | 0:07:35 | |
-Your part-used heart will do for me. | 0:07:36 | 0:07:40 | |
-As a lyric poet, -there's a clarity there. | 0:07:57 | 0:08:01 | |
-There's beauty too, -and that element of sweetness. | 0:08:01 | 0:08:04 | |
-Contemporary poets described -lyrical poetry as old sweetness. | 0:08:05 | 0:08:09 | |
-We must remember that Eifion Wyn -came in the wake of The New Bard. | 0:08:10 | 0:08:14 | |
-Poets who were preachers wrote -philosophical, abstract pieces. | 0:08:15 | 0:08:20 | |
-Nobody quite understood them. | 0:08:20 | 0:08:22 | |
-There was no problem -with Eifion Wyn. | 0:08:22 | 0:08:25 | |
-His poems were direct and simple. | 0:08:25 | 0:08:28 | |
-His work appealed to ordinary folk. | 0:08:28 | 0:08:31 | |
-In his day, his themes -struck a chord with his readers. | 0:08:31 | 0:08:37 | |
-Poets are a funny lot. | 0:08:47 | 0:08:49 | |
-They'll choose a girl's name -as it suits them. | 0:08:49 | 0:08:53 | |
-Menna, or Men, -was a popular name at the time. | 0:08:53 | 0:08:56 | |
-But it makes for good cynghanedd, -and rhymes well. | 0:08:57 | 0:09:00 | |
-Many of Eifion Wyn's -love poems refer to Men... | 0:09:00 | 0:09:04 | |
-..but the poems were probably -about his wife, Annie. | 0:09:04 | 0:09:08 | |
-I loved you in your youth, Men | 0:09:13 | 0:09:15 | |
-My heart knows, as does yours | 0:09:15 | 0:09:18 | |
-Before your April fades, Men | 0:09:18 | 0:09:20 | |
-Before your buds become flowers. | 0:09:20 | 0:09:23 | |
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-The fairest valley of all. | 0:09:40 | 0:09:44 | |
-As Mererid mentioned, Eifion Wyn -was involved in poetic quarrels. | 0:09:49 | 0:09:54 | |
-Most certainly, -a storm broke out in 1900. | 0:09:55 | 0:09:59 | |
-He was runner-up -for the National Eisteddfod Chair. | 0:09:59 | 0:10:02 | |
-He was so sure that his ode, -Y Bugail, had deserved better... | 0:10:02 | 0:10:06 | |
-..that he published it -so that the public could decide. | 0:10:07 | 0:10:12 | |
-He came second to Pedrog. | 0:10:13 | 0:10:15 | |
-Pedrog had won the Chair previously. | 0:10:15 | 0:10:18 | |
-Eifion Wyn's opinion was clear. | 0:10:18 | 0:10:21 | |
-One should win the Chair -only once at the Eisteddfod. | 0:10:21 | 0:10:26 | |
-One effort to captivate the nation. | 0:10:27 | 0:10:30 | |
-Something similar happened in 1902. | 0:10:44 | 0:10:47 | |
-There was an Eisteddfod competition -for six lyric poems. | 0:10:47 | 0:10:51 | |
-Ora Pro Nobis was one entry. | 0:10:51 | 0:10:53 | |
-Our father, remember the seaman -at night by his mast | 0:10:54 | 0:10:58 | |
-His ship is so tiny -and your ocean so vast. | 0:10:58 | 0:11:03 | |
-He published the poems, -with a preface as follows. | 0:11:03 | 0:11:07 | |
-"These lyrics, as presented, -can speak for themselves. | 0:11:07 | 0:11:12 | |
-"They were considered -second best by Job." | 0:11:12 | 0:11:16 | |
-That was a pointed remark -about the adjudicator, JT Job. | 0:11:16 | 0:11:20 | |
-Our Father, remember the birds | 0:11:22 | 0:11:29 | |
-Our Father, remember the seaman. | 0:11:29 | 0:11:33 | |
-However, winning -also brought its problems. | 0:11:37 | 0:11:40 | |
-He won first prize -at the National Eisteddfod... | 0:11:40 | 0:11:43 | |
-..for 12 englynau -on the subject The Garden... | 0:11:44 | 0:11:47 | |
-..among them the famous englyn -about heather flowers. | 0:11:47 | 0:11:50 | |
-The pretty growth of a silent force. | 0:11:50 | 0:11:52 | |
-However, the work prompted -an even bigger controversy. | 0:11:53 | 0:11:57 | |
-One W Arthur Roberts -of London wrote this... | 0:11:58 | 0:12:01 | |
-..after the 1906 Eisteddfod, -in a letter to the press. | 0:12:02 | 0:12:05 | |
-"I cannot for the life of me -understand what merit was seen... | 0:12:06 | 0:12:10 | |
-"..in Eifion Wyn's winning englyn -to the heather flowers. | 0:12:10 | 0:12:15 | |
-"I know an englyn when I see one, -as well as the next man. | 0:12:15 | 0:12:19 | |
-"But I cannot even find as much... | 0:12:19 | 0:12:22 | |
-"..as the grain of a mustard seed -here in descriptive poetry terms." | 0:12:22 | 0:12:27 | |
-A slap in the face, I'd say. | 0:12:27 | 0:12:29 | |
-You're right, but Eifion Wyn -himself pulled no punches. | 0:12:29 | 0:12:33 | |
-Cybi protested at an Eisteddfod -about not being awarded the Chair. | 0:12:33 | 0:12:38 | |
-Was Eifion Wyn the adjudicator? | 0:12:39 | 0:12:41 | |
-Yes, and it all kicked off -between them in the press. | 0:12:41 | 0:12:45 | |
-This is what he said about Cybi. | 0:12:45 | 0:12:47 | |
-"Poor Cybi, with his giant's face -and his dwarf's nape. | 0:12:47 | 0:12:51 | |
-"Did ever a weaker opponent -stand on any field?" | 0:12:51 | 0:12:54 | |
-For one who wrote so beautifully, -he could be vitriolic too. | 0:12:55 | 0:12:59 | |
-He's remembered for adjudicating -the Crown competition of 1915... | 0:13:02 | 0:13:07 | |
-..at the Bangor National Eisteddfod. | 0:13:07 | 0:13:09 | |
-The subject was The City. | 0:13:10 | 0:13:12 | |
-He opposed awarding the prize -to TH Parry-Williams. | 0:13:12 | 0:13:16 | |
-He had one main reason for this. | 0:13:16 | 0:13:18 | |
-It was because his city -was full of evil and immorality. | 0:13:18 | 0:13:22 | |
-There was no temple, no faith, -no beauty in that city. | 0:13:23 | 0:13:28 | |
-He believed that poetry -should be uplifting. | 0:13:28 | 0:13:32 | |
-That was the standard that he set. | 0:13:32 | 0:13:34 | |
-He was criticized afterwards -by poets and fellow adjudicators. | 0:13:35 | 0:13:39 | |
-He was accused of being puritanical -and narrow-minded. | 0:13:40 | 0:13:44 | |
-He may well have been, -and he was a prickly fellow... | 0:13:44 | 0:13:48 | |
-..but he was a man -who kept his own high standards. | 0:13:48 | 0:13:51 | |
-Walking by the River Dwyfor, -he could find peace of mind. | 0:14:09 | 0:14:13 | |
-He'd put his quarrels behind him. | 0:14:13 | 0:14:15 | |
-He derived great pleasure -from fishing in this river. | 0:14:15 | 0:14:19 | |
-His muse visited him here -many times. | 0:14:19 | 0:14:23 | |
-I loved you, my Dwyfor, -In the morn of my world. | 0:14:24 | 0:14:31 | |
-The babbling of your waters -Has entered my soul. | 0:14:31 | 0:14:39 | |
-Many poets have compared -a river's flow with life's journey. | 0:14:41 | 0:14:45 | |
-It's especially appropriate, -as the Dwyfor is a short river. | 0:14:46 | 0:14:50 | |
-You can almost get to know it. | 0:14:51 | 0:14:53 | |
-You start at its source -in Cwm Pennant, and on to the sea. | 0:14:53 | 0:14:57 | |
-It changes with the landscape. | 0:14:59 | 0:15:01 | |
-Sometimes, it flows along smoothly. | 0:15:01 | 0:15:05 | |
-Gravel lies on the river bed. | 0:15:05 | 0:15:07 | |
-At other times... | 0:15:07 | 0:15:09 | |
-..it's white and foaming. | 0:15:09 | 0:15:12 | |
-In Yr Afon, -a poem written in simple language... | 0:15:13 | 0:15:17 | |
-..the river is portrayed -as a slave girl. | 0:15:17 | 0:15:22 | |
-She's imprisoned by the banks. | 0:15:22 | 0:15:24 | |
-She yearns -for the freedom of the sea. | 0:15:24 | 0:15:27 | |
-She longs to be able to rest... | 0:15:28 | 0:15:30 | |
-..in the vast waters of the oceans. | 0:15:31 | 0:15:33 | |
-It's a simple, lovely lyric. | 0:15:33 | 0:15:35 | |
-The slave of the banks | 0:15:47 | 0:15:49 | |
-And a cry for freedom | 0:15:49 | 0:15:51 | |
-That's the river, -daughter of the deep | 0:15:53 | 0:15:55 | |
-Trafficked from home. | 0:15:56 | 0:15:58 | |
-By night and in daylight | 0:16:01 | 0:16:03 | |
-On sand and on grit | 0:16:03 | 0:16:05 | |
-It keeps in all places -its face towards home | 0:16:05 | 0:16:09 | |
-Like a maiden abroad. | 0:16:09 | 0:16:11 | |
-The old shingle banks cannot slow it | 0:16:17 | 0:16:20 | |
-Nor greenwoods entice it -except for a rest. | 0:16:21 | 0:16:24 | |
-It must find the sea. | 0:16:25 | 0:16:27 | |
-It sighs so sadly | 0:16:31 | 0:16:33 | |
-On slopes and through fields | 0:16:33 | 0:16:35 | |
-The yearning persists -and won't go away | 0:16:37 | 0:16:40 | |
-Till it reaches the sea. | 0:16:42 | 0:16:44 | |
-Lest we think of Eifion Wyn -as a dour soul... | 0:17:07 | 0:17:10 | |
-..we should remember -his love of sport. | 0:17:10 | 0:17:14 | |
-Cricket and snooker, -or billiards in particular. | 0:17:14 | 0:17:17 | |
-A letter from the young poet -R Williams Parry testifies to this. | 0:17:18 | 0:17:22 | |
-He had written to Eifion Wyn... | 0:17:22 | 0:17:25 | |
-..requesting a game of billiards -when he was next in Porthmadog. | 0:17:25 | 0:17:30 | |
-However, he sounded a warning note. | 0:17:30 | 0:17:33 | |
-"Thus I sing ye budding bards | 0:17:33 | 0:17:35 | |
-"Meddle ye not with billiards." | 0:17:35 | 0:17:37 | |
-Some lines and poems by Eifion Wyn -are still heard today. | 0:17:45 | 0:17:51 | |
-They're easy to sing -when set to music. | 0:17:52 | 0:17:55 | |
-We must also remember -his contribution as a hymn writer. | 0:17:55 | 0:17:59 | |
-Seven of his works -are in the Caneuon Ffydd hymn book. | 0:17:59 | 0:18:03 | |
-Eifion Wyn is still relevant. | 0:18:04 | 0:18:06 | |
-In his preface -to Telynegion Maes A Mor... | 0:18:16 | 0:18:19 | |
-..Eifion Wyn writes about how -he would love to be cherished.... | 0:18:20 | 0:18:24 | |
-..by his native people -as a lyric poet. | 0:18:24 | 0:18:27 | |
-Undoubtedly, his wish came true. | 0:18:28 | 0:18:31 | |
-Of all the images -we hold of Eifion Wyn.... | 0:18:31 | 0:18:34 | |
-..surely the most enduring -is the image of him... | 0:18:34 | 0:18:38 | |
-..as the lord of Cwm Pennant. | 0:18:38 | 0:18:40 | |
-The fairest valley of all. | 0:18:40 | 0:18:43 | |
-Nestling high in the mountains | 0:18:57 | 0:18:59 | |
-Lies the fairest valley of all | 0:18:59 | 0:19:02 | |
-Haunt of the stoat and fox | 0:19:02 | 0:19:04 | |
-And home to the kestrel and hawk. | 0:19:04 | 0:19:06 | |
-I don't own a foot's breadth of it | 0:19:08 | 0:19:10 | |
-Nor even a sheep or a dog | 0:19:11 | 0:19:13 | |
-But here by my fire at nightfall | 0:19:15 | 0:19:18 | |
-I feel that I am lord of it all. | 0:19:19 | 0:19:21 | |
-I love my single-chimneyed cottage | 0:19:32 | 0:19:34 | |
-You see in that little ravine | 0:19:35 | 0:19:37 | |
-Whitewash like snow on its gable | 0:19:37 | 0:19:40 | |
-And whinberry bushes all round. | 0:19:41 | 0:19:43 | |
-The door may be low as you enter | 0:19:44 | 0:19:46 | |
-But it's open by day and by night. | 0:19:47 | 0:19:50 | |
-Around it, -the tinkling welcoming bells | 0:19:51 | 0:19:54 | |
-Each season of two clear streams. | 0:19:54 | 0:19:57 | |
-If ever I go on a day trip | 0:20:03 | 0:20:05 | |
-To visit a town far away | 0:20:05 | 0:20:07 | |
-I find myself always listening | 0:20:08 | 0:20:10 | |
-For a croak or a whistle or bleat. | 0:20:10 | 0:20:13 | |
-I'm longing to see the old hillside | 0:20:15 | 0:20:17 | |
-And blueness like sea in the sky | 0:20:18 | 0:20:22 | |
-And feeling the moss under my feet | 0:20:22 | 0:20:25 | |
-As we stroll - Gwen, children and I. | 0:20:25 | 0:20:29 | |
-I'll love this cwm of my boyhood | 0:20:33 | 0:20:36 | |
-For as long as I love at all. | 0:20:36 | 0:20:38 | |
-Its slopes grow still dearer | 0:20:39 | 0:20:42 | |
-As old age holds me in thrall | 0:20:42 | 0:20:44 | |
-And I ask, with every new dawning | 0:20:46 | 0:20:48 | |
-My foot on the ridge where it bends | 0:20:49 | 0:20:51 | |
-Why, Lord, did you make -Cwm Pennant so fair | 0:20:53 | 0:20:58 | |
-While the life of a shepherd -soon ends? | 0:20:59 | 0:21:02 | |
-The life of a shepherd soon ends. | 0:21:05 | 0:21:10 | |
-S4C Subtitles by Adnod Cyf. | 0:21:38 | 0:21:40 | |
-. | 0:21:40 | 0:21:40 |