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There are thousands of passionate home hairstylists all over Britain, | 0:00:04 | 0:00:08 | |
and we've whittled them down to a very talented eight. | 0:00:08 | 0:00:12 | |
-Hair's my life, really. -It's been my passion for a long, long time. | 0:00:12 | 0:00:17 | |
It's just everything I want to do. | 0:00:17 | 0:00:19 | |
In this specially kitted out warehouse, | 0:00:20 | 0:00:22 | |
they're about to go head-to-head with scissors, combs and curlers... | 0:00:22 | 0:00:26 | |
Get the first cut wrong, you're gone. | 0:00:27 | 0:00:29 | |
..all in a bid to be crowned Britain's best amateur hairstylist. | 0:00:29 | 0:00:32 | |
I need to win this. This would mean so much to me, man. | 0:00:32 | 0:00:36 | |
Over the next six weeks, they'll be cutting, drying | 0:00:36 | 0:00:39 | |
and finishing everything from a bob to a beehive, a Mohican to a quiff. | 0:00:39 | 0:00:43 | |
-I've done it wrong! -I don't think I've breathed for the first hour. | 0:00:43 | 0:00:47 | |
And each week, one person will be sent home. | 0:00:47 | 0:00:50 | |
I can't even think about how I'd feel if they told me that would be it. | 0:00:50 | 0:00:54 | |
Scrutinising their every move will be the judges. | 0:00:54 | 0:00:57 | |
-Get ready, they're on the warpath! -Look at that, we've got a hold. | 0:00:57 | 0:01:00 | |
A big chunk, it looks like it's been bitten. | 0:01:00 | 0:01:02 | |
With over 30 years' experience styling royal hair, | 0:01:02 | 0:01:06 | |
Denise McAdam won't accept anything less than the very best. | 0:01:06 | 0:01:10 | |
I'm a bit disappointed. Not good enough. | 0:01:12 | 0:01:15 | |
You've lost the whole length of the sides. | 0:01:15 | 0:01:17 | |
Alain Pichon is a top session stylist | 0:01:17 | 0:01:19 | |
whose celebrity clients include David Beckham. | 0:01:19 | 0:01:23 | |
The angle's not strong enough. This line's not good enough. | 0:01:23 | 0:01:26 | |
Not sufficient, really, to what we were asking. | 0:01:26 | 0:01:28 | |
It's time to find out who's got what it takes | 0:01:32 | 0:01:34 | |
-to cut and style their way to victory. -Ha! | 0:01:34 | 0:01:38 | |
The stylists are set. | 0:01:38 | 0:01:40 | |
The judges are ready. | 0:01:40 | 0:01:42 | |
Welcome to Hair. | 0:01:42 | 0:01:44 | |
Wow! | 0:01:44 | 0:01:45 | |
Hello, guys, welcome to Hair. | 0:02:00 | 0:02:02 | |
THEY LAUGH IN SURPRISE | 0:02:02 | 0:02:03 | |
Have a seat. Take a load off. You're home! | 0:02:03 | 0:02:06 | |
-Relax. -Good. -Wow. | 0:02:06 | 0:02:07 | |
Nervous? Excited? | 0:02:07 | 0:02:10 | |
Excited? Nervous? | 0:02:10 | 0:02:11 | |
-THEY LAUGH NERVOUSLY -Yeah? -Excited. | 0:02:11 | 0:02:14 | |
Well, listen, congratulations on winning a place in the competition. | 0:02:14 | 0:02:17 | |
Hundreds of people applied, but you eight, you were the best. | 0:02:17 | 0:02:21 | |
But now, my friends, you'll need to showcase all your talent | 0:02:21 | 0:02:25 | |
and expertise to get far in this competition. | 0:02:25 | 0:02:29 | |
Which brings me beautifully to the subject of the judges, | 0:02:29 | 0:02:33 | |
the people who are going to be watching you like hawks | 0:02:33 | 0:02:35 | |
over the coming weeks. By royal appointment, Denise McAdam, | 0:02:35 | 0:02:39 | |
and celebrity superstar hairdresser Alain Pichon. | 0:02:39 | 0:02:42 | |
-Denise, Alain, fabulous. -Wow! Welcome. | 0:02:44 | 0:02:47 | |
Here's the guys. Here's the judges. | 0:02:47 | 0:02:49 | |
Each week you will face three challenges | 0:02:49 | 0:02:51 | |
designed to test your every skill. | 0:02:51 | 0:02:53 | |
The first challenge, our judges want you to create a hairstyle | 0:02:53 | 0:02:57 | |
incorporating a set element. This week's set element, a quiff. | 0:02:57 | 0:03:02 | |
A thick lock of hair brushed upwards and backwards away | 0:03:02 | 0:03:06 | |
from the forehead that must stand at least 7cm high. | 0:03:06 | 0:03:10 | |
Are we clear? Look at them. Lambs to the slaughter. | 0:03:10 | 0:03:13 | |
Your models are ready. You have 1.5 hours. Your time starts now. | 0:03:15 | 0:03:21 | |
In this challenge, the stylists have been allowed to choose | 0:03:21 | 0:03:25 | |
-the type of hair they are working with... -Hello. -Hi. -I'm Dominika. | 0:03:25 | 0:03:28 | |
Let's get you dry. | 0:03:28 | 0:03:30 | |
..and can use any method they want | 0:03:30 | 0:03:32 | |
to make their quiffs reach the 7cm requirement. | 0:03:32 | 0:03:35 | |
What I'm going to do is Danny Zuko-style. | 0:03:35 | 0:03:39 | |
You'll see. It'll look so cool. | 0:03:39 | 0:03:42 | |
I can definitely get 7cm of quiff | 0:03:42 | 0:03:44 | |
out of this hair, so I'm really happy with that! | 0:03:44 | 0:03:48 | |
As well as reaching the height, the quiffs should not look | 0:03:48 | 0:03:51 | |
out of place with the rest of the hairstyle, | 0:03:51 | 0:03:53 | |
and Denise and Alain will be judging | 0:03:53 | 0:03:55 | |
how well the stylists achieve this balance. | 0:03:55 | 0:03:58 | |
I do know how to do a quiff to my standard already. | 0:03:58 | 0:04:01 | |
I'm quite nervous, I think. | 0:04:01 | 0:04:03 | |
I'm nervous to see what everyone else does as well, | 0:04:03 | 0:04:05 | |
and to see what the competition is, I think. | 0:04:05 | 0:04:08 | |
I told them my crude definition of a quiff, | 0:04:09 | 0:04:12 | |
but give me the artistic definition. | 0:04:12 | 0:04:14 | |
Well, originally, it was made during the 18th century, Marie Antoinette. | 0:04:14 | 0:04:18 | |
-That word is French, it's got to be - quiff. -That's right. | 0:04:18 | 0:04:20 | |
-It was called "quaff" at the time. -Quaff! | 0:04:20 | 0:04:22 | |
-You have a bit of a quiff yourself. -I've got a quiff? -Yes! | 0:04:22 | 0:04:25 | |
-A variation of it. -I've got a quaff. | 0:04:25 | 0:04:26 | |
Why have you asked them to do a quiff today? | 0:04:26 | 0:04:29 | |
It's got really good hairdressing techniques in it. | 0:04:29 | 0:04:32 | |
Backcombing, folding, adding padding to get the height. | 0:04:32 | 0:04:37 | |
What type of judges are you going to be? | 0:04:37 | 0:04:38 | |
Are you going to go in with an iron fist? | 0:04:38 | 0:04:40 | |
This is the first challenge, will you give them a bit of leeway, | 0:04:40 | 0:04:43 | |
or go, "No, not 7cm. Get out!" | 0:04:43 | 0:04:45 | |
It's got to be high. | 0:04:45 | 0:04:47 | |
It needs to be completely integrated so we see a style from 360 degrees. | 0:04:47 | 0:04:52 | |
We don't want someone to make a quiff up here | 0:04:52 | 0:04:54 | |
and plonk it on the top of the head. | 0:04:54 | 0:04:55 | |
I'm quite happy that it is a quiff. | 0:04:58 | 0:05:00 | |
I do quite like them, so it's not something that is a challenge for me. | 0:05:00 | 0:05:05 | |
16-year-old Kobi has just left school. | 0:05:06 | 0:05:08 | |
He lives in Devon with his mum, sister and brothers. | 0:05:08 | 0:05:12 | |
Hair has influenced me a lot. | 0:05:12 | 0:05:15 | |
My sister has sort of been my model for the whole of my years. | 0:05:15 | 0:05:19 | |
You look like a model! We do photoshoots and stuff like that. | 0:05:19 | 0:05:23 | |
I really, really want to be top dog. I want to win. | 0:05:23 | 0:05:27 | |
Don't you look good? | 0:05:27 | 0:05:29 | |
Kobi is planning a polished quiff | 0:05:29 | 0:05:31 | |
with two vertical rolls at the back. | 0:05:31 | 0:05:34 | |
So, Kobi, what is your influence, what is your overall look? | 0:05:34 | 0:05:37 | |
More of a fashion statement piece rather than an everyday sort of look. | 0:05:37 | 0:05:42 | |
-Do you see it on a catwalk more than in a restaurant? -Yes, something like that, catwalk work, photography work. | 0:05:42 | 0:05:46 | |
-You like statement in hair? -Yes. | 0:05:46 | 0:05:49 | |
Kobi is backcombing his model's hair | 0:05:49 | 0:05:51 | |
to give it the volume he needs for his design. | 0:05:51 | 0:05:54 | |
What I'm doing now is pushing the hair outwards | 0:05:54 | 0:05:57 | |
and then getting a comb and making as much texture as I can | 0:05:57 | 0:06:01 | |
just to build and help create the shape. | 0:06:01 | 0:06:03 | |
He combs the hair down from the tips, causing it to tangle and knot. | 0:06:03 | 0:06:08 | |
The knots form a pad or mesh at the roots, which gives the hair volume. | 0:06:08 | 0:06:12 | |
Amy is also using this technique to build her quiff. | 0:06:14 | 0:06:17 | |
I think because I'm used to backcombing loads of people's hair, | 0:06:17 | 0:06:20 | |
it comes dead quick and easy to me now. | 0:06:20 | 0:06:22 | |
Amy is a beautician from Middlesbrough | 0:06:23 | 0:06:25 | |
who does her wedding hair at the weekends. | 0:06:25 | 0:06:28 | |
I've been doing it for years for my friends. | 0:06:28 | 0:06:30 | |
-Does that feel all right? -That feels lovely. | 0:06:30 | 0:06:32 | |
I've got a close group of friends, we'll spend quite a lot of time together. | 0:06:32 | 0:06:35 | |
She'll make me come round and do about eight styles on my hair. | 0:06:35 | 0:06:39 | |
Someone always ends up saying to me, "Amy, play with my hair, | 0:06:39 | 0:06:41 | |
"do this, do that." So we all look exactly the same! | 0:06:41 | 0:06:44 | |
Any plans a bridal-inspired quiff, | 0:06:45 | 0:06:48 | |
with pin curls at the back. | 0:06:48 | 0:06:50 | |
I think I might backcomb it a bit more, | 0:06:50 | 0:06:52 | |
but I'm just trying to get the height to begin with before I pin it in. | 0:06:52 | 0:06:56 | |
Amy is using a brush to backcomb, which does concern me. | 0:06:56 | 0:06:59 | |
It is backcombing. She really needs use a tail comb. She just goes... | 0:06:59 | 0:07:04 | |
..and all she creates is a mesh of nothing in the middle. | 0:07:05 | 0:07:08 | |
She's not going to get the thickness and volume, | 0:07:08 | 0:07:10 | |
and I'm concerned she's not going to reach the height. | 0:07:10 | 0:07:12 | |
I want quite a lot of height with it. | 0:07:14 | 0:07:16 | |
We've been set the limit of 7cm minimum, | 0:07:16 | 0:07:18 | |
but I'm going to go a bit higher to make an impact. | 0:07:18 | 0:07:21 | |
Polish-born Dominika is the only stylist who's chosen a male model. | 0:07:25 | 0:07:29 | |
I've been learning how to do it in on online videos. | 0:07:29 | 0:07:35 | |
It cost me £3! | 0:07:35 | 0:07:36 | |
Dominika moved to the UK from Poland nine years ago. | 0:07:38 | 0:07:42 | |
I get lots of stuff from charity shops, | 0:07:42 | 0:07:44 | |
something sparkly, colourful or weird. | 0:07:44 | 0:07:47 | |
If you feel like treating yourself, just go to the pound shop! | 0:07:47 | 0:07:50 | |
She's attempting a Teddy Boy-style quiff with a short back and sides. | 0:07:52 | 0:07:56 | |
I know I'm just the one who is cutting the hair today, | 0:07:58 | 0:08:01 | |
and it is the first challenge, so I thought, OK, I need to challenge myself, | 0:08:01 | 0:08:05 | |
so I'm going to cut, and we will see if I risk it good or not. | 0:08:05 | 0:08:09 | |
Dominika is using a classic barbering technique. | 0:08:10 | 0:08:14 | |
By clippering the back and sides of her model's head, | 0:08:14 | 0:08:17 | |
she'll emphasise the volume of the hair on top. | 0:08:17 | 0:08:19 | |
Does your hair grow quick? SHE LAUGHS | 0:08:19 | 0:08:22 | |
Dominika has taken on the quiff as the way we all think about it, | 0:08:22 | 0:08:25 | |
the Teddy Boy look. | 0:08:25 | 0:08:27 | |
Back in the '50s, | 0:08:29 | 0:08:30 | |
the Teddy Boy quiff became the hairstyle of rebellion. | 0:08:30 | 0:08:33 | |
Teddy Boys, I don't like them. | 0:08:33 | 0:08:35 | |
I don't like their style of dress, it's just to prove what they are, | 0:08:35 | 0:08:38 | |
and they're very ignorant. | 0:08:38 | 0:08:39 | |
Back then it was the norm for men to have short hair, | 0:08:39 | 0:08:42 | |
so when boys started to wear it long on top, it was seen as an outrage. | 0:08:42 | 0:08:46 | |
Frankly, I don't know what to say. The boy's got me worried. | 0:08:46 | 0:08:50 | |
-Hi, Annie. -Hello. -This is looking interesting. | 0:08:52 | 0:08:55 | |
How do you feel you're going to reach the height? | 0:08:55 | 0:08:57 | |
I'm going to use some paddings. | 0:08:57 | 0:08:59 | |
What I've been doing at home is cutting my paddings | 0:08:59 | 0:09:02 | |
and bringing the hair forward, this section here, rolling it back. | 0:09:02 | 0:09:07 | |
24-year-old Annie is from Leeds. She works as a critical care nurse. | 0:09:09 | 0:09:14 | |
I'm just going to disconnect this, all right? | 0:09:14 | 0:09:17 | |
I think doing hair is kind of like an outlet of switching off | 0:09:17 | 0:09:21 | |
and just being able to enjoy it. | 0:09:21 | 0:09:23 | |
Friends I've made at work will go, | 0:09:23 | 0:09:25 | |
"Do you mind just sticking my hair up for me, Annie?" | 0:09:25 | 0:09:27 | |
There you are, free to go back to work. | 0:09:29 | 0:09:31 | |
Annie wants to create a '50s-style quiff, | 0:09:31 | 0:09:34 | |
which back then was called an elephant's trunk. | 0:09:34 | 0:09:37 | |
I'm using this padding here just to kind of create | 0:09:40 | 0:09:44 | |
the kind of smoother roll. | 0:09:44 | 0:09:46 | |
I want to make sure it looks good. | 0:09:46 | 0:09:49 | |
I've done a quiff before, | 0:09:54 | 0:09:55 | |
probably not so extravagant, on friends and family, | 0:09:55 | 0:09:59 | |
and just random places. | 0:09:59 | 0:10:02 | |
Self-taught Marvin has been styling hair at home | 0:10:03 | 0:10:06 | |
since he was a teenager. | 0:10:06 | 0:10:08 | |
I think I'm very good at doing hair | 0:10:08 | 0:10:10 | |
for the sheer fact that I was self-taught for everything I know. | 0:10:10 | 0:10:15 | |
I think now it's time to take it to that next level where | 0:10:15 | 0:10:20 | |
I get the recognition that I feel that I deserve. | 0:10:20 | 0:10:23 | |
Marvin is attempting a waved quiff, which will be braided on one side. | 0:10:25 | 0:10:29 | |
I'm going to take my fingers and start the base of my China bump. | 0:10:30 | 0:10:36 | |
As I'm twisting, it's kind of creating a tension with the hair. | 0:10:37 | 0:10:42 | |
Marvin twists his model's wet hair into knots called China bumps. | 0:10:42 | 0:10:47 | |
When the bumps are dried and unravelled, | 0:10:47 | 0:10:50 | |
the hair will spring up, giving him the volume needed for his quiff. | 0:10:50 | 0:10:54 | |
It's better for the hood dryer. | 0:10:54 | 0:10:56 | |
It's just a lot less stress than to stand there and dry it. | 0:10:56 | 0:10:59 | |
Just trying to save arm power, really. | 0:10:59 | 0:11:01 | |
It's the first challenge, | 0:11:01 | 0:11:03 | |
so I thought I'd go with something that I know, | 0:11:03 | 0:11:05 | |
I know I can do and it's something that I enjoy to do as well. | 0:11:05 | 0:11:08 | |
25-year-old Laura is a 1940s and '50s enthusiast. | 0:11:08 | 0:11:13 | |
I get my inspiration from looking at old photos of my nan, | 0:11:13 | 0:11:16 | |
my granny, from the '40s and '50s. | 0:11:16 | 0:11:19 | |
A lot of my friends say that I'm a bit of a Disney character | 0:11:19 | 0:11:22 | |
and perhaps a little bit in Cuckoo Land. | 0:11:22 | 0:11:25 | |
I've got birds flying around my head. | 0:11:25 | 0:11:28 | |
Laura has designed a rockabilly quiff | 0:11:28 | 0:11:31 | |
with a high ponytail at the back. | 0:11:31 | 0:11:33 | |
I'm giving it a '50s vibe, a high-top ponytail | 0:11:33 | 0:11:35 | |
and then I'm going to do a really big barrel roll | 0:11:35 | 0:11:37 | |
on the front of the hair. | 0:11:37 | 0:11:38 | |
To make her barrel-shaped roll, | 0:11:38 | 0:11:40 | |
Laura takes backcombed hair stiffened with hairspray | 0:11:40 | 0:11:44 | |
and rolls it by hand to the side of the forehead. | 0:11:44 | 0:11:47 | |
That was nerve-racking! Cool, its curved really well. | 0:11:50 | 0:11:53 | |
Laura isn't the only stylist using a rolling technique. | 0:11:57 | 0:12:01 | |
-So, what kind of quiff are you going to go for? -I've gone from the roll. | 0:12:01 | 0:12:04 | |
I've gone for the height and then kind of rolled it, | 0:12:04 | 0:12:06 | |
rather than the normal back quiff. | 0:12:06 | 0:12:08 | |
I haven't actually practised this one. I'm winging it! | 0:12:08 | 0:12:11 | |
Sit down, then. | 0:12:12 | 0:12:14 | |
30-year-old Katie from Cheshire practices new styles on her two kids. | 0:12:14 | 0:12:18 | |
-I don't want it to hurt. -It's not going to hurt. | 0:12:18 | 0:12:21 | |
-Ow! -I do the children's hair, mostly Daisy's hair, the eldest, | 0:12:21 | 0:12:25 | |
because she's got long hair right down her back. | 0:12:25 | 0:12:27 | |
You're all done, Dais. | 0:12:27 | 0:12:28 | |
Wow! | 0:12:30 | 0:12:32 | |
I say it myself, but she does have the best hair in school. We do try! | 0:12:32 | 0:12:36 | |
Katie plans an intricate up-do | 0:12:36 | 0:12:38 | |
to show off her rolled quiff. | 0:12:38 | 0:12:40 | |
So what made you take your quiff to a twist and a roll style? | 0:12:40 | 0:12:44 | |
-What made you decide on that? -It's just more to look at. | 0:12:44 | 0:12:46 | |
Because if it's just brought back, | 0:12:46 | 0:12:48 | |
you've only got the detail at the back. | 0:12:48 | 0:12:50 | |
So, Katie and Laura, I'm the most concerned, | 0:12:50 | 0:12:53 | |
because their quiff is looking like a roll. | 0:12:53 | 0:12:55 | |
A quiff should come out right from the hairline, | 0:12:55 | 0:12:58 | |
reach the right height. Here it's not going back, it's going sideways. | 0:12:58 | 0:13:02 | |
When you look at it in profile, it's not looking like a quiff at all. | 0:13:02 | 0:13:06 | |
I'm just feeling a bit on edge, bit tense about how it's all going. | 0:13:09 | 0:13:13 | |
Ebuni lives in Essex and she's a part-time teacher. | 0:13:14 | 0:13:18 | |
I'm really, really competitive. I can't help it. | 0:13:18 | 0:13:21 | |
Bottom out, good posture. | 0:13:21 | 0:13:22 | |
Unlucky. | 0:13:23 | 0:13:24 | |
As far as I'm concerned, there's no-one else involved, | 0:13:24 | 0:13:27 | |
just me and the judges. | 0:13:27 | 0:13:28 | |
I have to make sure that I'm the winner. | 0:13:30 | 0:13:32 | |
Ebuni's quiff will be finished with | 0:13:32 | 0:13:34 | |
rolls at the back and braids at the side. | 0:13:34 | 0:13:36 | |
This roll is just, it's not secure. | 0:13:36 | 0:13:41 | |
It's still rolled, but it's just kind of hanging in the wind. | 0:13:43 | 0:13:46 | |
I've had to get a few more pins and hopefully secure it | 0:13:46 | 0:13:48 | |
so that it doesn't fall off her head again. | 0:13:48 | 0:13:51 | |
Half an hour left, guys. 30 minutes. | 0:13:51 | 0:13:55 | |
Marvin is unravelling his dry China bunts to form his waved quiff. | 0:13:57 | 0:14:02 | |
Once I've taken this out, then I'll start working on my volume. | 0:14:03 | 0:14:07 | |
I should have enough to work with. | 0:14:08 | 0:14:09 | |
It's starting to take shape now. | 0:14:11 | 0:14:13 | |
(Oh, come on. Calm down, calm down.) | 0:14:15 | 0:14:18 | |
This bit is just getting a little bit fiddly. | 0:14:19 | 0:14:22 | |
I'm struggling, because spraying hairspray on | 0:14:22 | 0:14:24 | |
is making these little wispy hairs go really, really crispy. | 0:14:24 | 0:14:27 | |
I've just got to make sure that that doesn't ruin | 0:14:27 | 0:14:29 | |
the whole polished look. | 0:14:29 | 0:14:31 | |
Do I like that? Do I not like that? | 0:14:31 | 0:14:33 | |
Would you say that was a quiff? | 0:14:33 | 0:14:34 | |
This is so elaborate, I don't even know what to call it beyond "quiff". | 0:14:34 | 0:14:38 | |
At the moment, it's changing from my really polished look that I wanted. | 0:14:38 | 0:14:41 | |
This is so not what I planned. | 0:14:41 | 0:14:43 | |
I can see your hands are shaking a bit. | 0:14:43 | 0:14:46 | |
Five minutes left. | 0:14:50 | 0:14:51 | |
You have five minutes. | 0:14:51 | 0:14:54 | |
There's so much pressure, so much pressure. | 0:14:54 | 0:14:57 | |
How many clips do you think you've put in my hair? | 0:14:58 | 0:15:01 | |
I don't know... | 0:15:01 | 0:15:02 | |
OK, so you know the competition | 0:15:02 | 0:15:04 | |
requires height of seven centimetres? | 0:15:04 | 0:15:06 | |
Yeah. I think it is seven centimetres, isn't it? | 0:15:06 | 0:15:10 | |
I might need to get a ruler. | 0:15:10 | 0:15:11 | |
Now, I've kind of got this... | 0:15:15 | 0:15:18 | |
I'm just styling it now, just trying to get it secured. | 0:15:18 | 0:15:21 | |
Marvin, you should pull your jeans up - your bum's hanging out. | 0:15:22 | 0:15:26 | |
That's it, guys, no more trimming or tweaking - you're done. | 0:15:32 | 0:15:37 | |
He's got both ears - all good. | 0:15:38 | 0:15:42 | |
-Shall we take a closer look? -I think so. -I can't wait. | 0:15:42 | 0:15:46 | |
Let's go to Kobi first. | 0:15:46 | 0:15:47 | |
You're quiff is looking fabulous with the Princess Leia-feel | 0:15:53 | 0:15:55 | |
going through the back | 0:15:55 | 0:15:57 | |
and you've got some fantastic height. | 0:15:57 | 0:15:59 | |
I bet when Alain puts that comb in, there's seven centimetres there. | 0:15:59 | 0:16:02 | |
My eye can tell me. | 0:16:02 | 0:16:03 | |
-Perfect. -Perfect. | 0:16:05 | 0:16:06 | |
Wasn't sure about the front blending with the rest, | 0:16:07 | 0:16:09 | |
it feels a little bit alienated. | 0:16:09 | 0:16:12 | |
What do you mean by that? | 0:16:12 | 0:16:13 | |
I though that was the point - to make this stand out. | 0:16:13 | 0:16:15 | |
It is standing out, it's not a problem. | 0:16:15 | 0:16:17 | |
But as you can see, it doesn't blend with the rest. | 0:16:17 | 0:16:20 | |
It looks like two different hairstyles. | 0:16:20 | 0:16:22 | |
Ebuni! What have you been up to? | 0:16:22 | 0:16:25 | |
I'm going to test. Well... | 0:16:30 | 0:16:33 | |
That's the main problem. | 0:16:34 | 0:16:36 | |
You had a lot of hair there that you | 0:16:36 | 0:16:38 | |
could have got that quiff quite easily. | 0:16:38 | 0:16:40 | |
-Plenty of hair. -How sharp is that?! | 0:16:40 | 0:16:42 | |
Is it really jabbing into the top of our models' heads? | 0:16:42 | 0:16:46 | |
She's not a turkey. | 0:16:46 | 0:16:48 | |
You were spending a lot of time with this knot at the back. | 0:16:48 | 0:16:51 | |
So much time on this little bit | 0:16:51 | 0:16:53 | |
and not working on the task that you were given. | 0:16:53 | 0:16:55 | |
Let's take a look at what Dominika's been up to over here. | 0:16:58 | 0:17:02 | |
Not sure it's reaching the height. | 0:17:05 | 0:17:06 | |
You had the length, you could have pulled it up. | 0:17:06 | 0:17:08 | |
This is the main characteristic that was required for this hairstyle. | 0:17:08 | 0:17:14 | |
But I still like it. | 0:17:14 | 0:17:16 | |
Thank you. | 0:17:16 | 0:17:17 | |
Unfortunately, we're not there, uh? | 0:17:23 | 0:17:26 | |
Feels like it's dropped a little bit, kind of the risk that | 0:17:26 | 0:17:29 | |
you've taken in doing your own technique of twisting the hair. | 0:17:29 | 0:17:33 | |
Overall, she looks great, and that's important. | 0:17:33 | 0:17:35 | |
-And you've done some fabulous techniques. -Thank you. | 0:17:35 | 0:17:38 | |
Not sure if it's 100% a quiff. | 0:17:40 | 0:17:42 | |
It feels more like a roll. | 0:17:42 | 0:17:44 | |
You started with the right height, but maybe if you can see now... | 0:17:44 | 0:17:48 | |
Not sure - no, it's not reaching. | 0:17:48 | 0:17:49 | |
-Mm-hm. -So you're missing an inch. | 0:17:49 | 0:17:52 | |
This is an example of a quiff made with a roll effect. | 0:17:59 | 0:18:02 | |
-Going to check now... -OK. | 0:18:02 | 0:18:05 | |
Well in the tens, surely. | 0:18:05 | 0:18:06 | |
You have reached. Well done. | 0:18:06 | 0:18:08 | |
I like the finish, I like the inspiration. | 0:18:08 | 0:18:12 | |
Be careful of all this little hair. | 0:18:12 | 0:18:14 | |
I really feel this should be going up. | 0:18:14 | 0:18:16 | |
It's great to see the perfect height is there - look. | 0:18:21 | 0:18:25 | |
-So, I'm very happy with it. -Thank you very much. | 0:18:25 | 0:18:28 | |
This is the perfect quiff, as far as the shape. | 0:18:28 | 0:18:31 | |
Right from the back, beautiful even distribution of the shape. | 0:18:31 | 0:18:36 | |
Top marks. Well done, Annie. Fabulous work. | 0:18:36 | 0:18:38 | |
Thank you very much. | 0:18:38 | 0:18:39 | |
Overall, it could walk down an aisle for a wedding, | 0:18:46 | 0:18:48 | |
but I just feel there's an element where you've lost the quiff, | 0:18:48 | 0:18:51 | |
and it's just gone a little bit more beehivey at the back. | 0:18:51 | 0:18:54 | |
It's because your backcombing was very weak, | 0:18:54 | 0:18:56 | |
and I feel that you should have used a tail comb, | 0:18:56 | 0:18:59 | |
not a back brush. | 0:18:59 | 0:19:00 | |
You would have got a far better result. | 0:19:00 | 0:19:03 | |
This is the area we should be reaching, we're far from it. | 0:19:03 | 0:19:06 | |
Do that again and I'll push everything forward. | 0:19:06 | 0:19:09 | |
I'm not sure this is exactly what we were looking for. | 0:19:09 | 0:19:13 | |
Congratulations, guys, on completing your first challenge! | 0:19:18 | 0:19:21 | |
Fabulous work. | 0:19:21 | 0:19:22 | |
Go take a break in the prep room, have a nice cup of tea. | 0:19:22 | 0:19:25 | |
The judges comments, I feel, it's all a bit of a blur now, | 0:19:27 | 0:19:30 | |
so I know that they were positive. | 0:19:30 | 0:19:34 | |
I think what the judges said was fair, | 0:19:34 | 0:19:36 | |
but it's frustrating when you know you can do better. | 0:19:36 | 0:19:40 | |
It's just made me want to work harder | 0:19:40 | 0:19:42 | |
and show off what I can really do. | 0:19:42 | 0:19:44 | |
I was impressed by what the others had actually done to their models. | 0:19:44 | 0:19:48 | |
There's some pretty tough competition. | 0:19:48 | 0:19:51 | |
The next challenge is a precision-cutting round. | 0:19:56 | 0:19:58 | |
The contestants will be expected to expertly cut, | 0:19:58 | 0:20:01 | |
and perfectly finish one of the hairdressing world's most | 0:20:01 | 0:20:04 | |
classic styles, the perfect one-length cut. | 0:20:04 | 0:20:07 | |
Round two, the blockhead challenge. | 0:20:09 | 0:20:12 | |
This round is all about precision and accuracy. | 0:20:12 | 0:20:16 | |
Alain, give us a twirl and the details, please. | 0:20:16 | 0:20:18 | |
Check it out. This is it. | 0:20:18 | 0:20:20 | |
The perfect one-length baseline. | 0:20:20 | 0:20:22 | |
Look at the effectiveness of that cut. | 0:20:22 | 0:20:24 | |
Every single hair is at the same length. | 0:20:24 | 0:20:27 | |
It's all about the finish, so I'm looking for very sleek, | 0:20:27 | 0:20:30 | |
beautifully straight blow-dry, lovely smooth, shiny hair. | 0:20:30 | 0:20:34 | |
Needless to say, your blockheads are in a hell of a mess. | 0:20:34 | 0:20:37 | |
You'll be given one hour and ten minutes in order to achieve this. | 0:20:37 | 0:20:41 | |
You will be ranked on your efforts, so keep that in mind - no pressure. | 0:20:41 | 0:20:45 | |
Grab a blockhead! Time starts now! Good luck! | 0:20:45 | 0:20:48 | |
The one-length is the most basic cut in a | 0:20:53 | 0:20:55 | |
professional hairdresser's repertoire. | 0:20:55 | 0:20:58 | |
Just pleased that she doesn't feel | 0:20:58 | 0:20:59 | |
so that I can be really rough with her hair, | 0:20:59 | 0:21:02 | |
cos it's quite tangled. | 0:21:02 | 0:21:04 | |
They're cutting real human hair on identical blockheads, | 0:21:04 | 0:21:08 | |
so that the judges can assess the finished cuts precisely. | 0:21:08 | 0:21:12 | |
To be honest I know nothing about cutting. | 0:21:12 | 0:21:15 | |
I was quite nervous, but, I'm feeling quite excited about it. | 0:21:15 | 0:21:18 | |
I'm excited to, like, have a go at it. | 0:21:18 | 0:21:21 | |
I've never cut hair before in my life, | 0:21:21 | 0:21:26 | |
so this is quite a challenge. | 0:21:26 | 0:21:29 | |
This is easy. | 0:21:30 | 0:21:32 | |
Grab all the hair, gather it up in a ponytail, big scissors, | 0:21:32 | 0:21:36 | |
snip - got yourself a one-length. | 0:21:36 | 0:21:38 | |
50 quid, please. | 0:21:38 | 0:21:39 | |
No, no, no, no, it's not that easy. | 0:21:39 | 0:21:41 | |
What we try to avoid is graduation. | 0:21:41 | 0:21:43 | |
What is graduation? | 0:21:43 | 0:21:45 | |
It's when the length is uneven. | 0:21:45 | 0:21:47 | |
-Like a wedge... -Different-lengthed hairs... | 0:21:47 | 0:21:50 | |
-Correct. -OK, and there's no graduation here? | 0:21:50 | 0:21:53 | |
It's all the same length. | 0:21:53 | 0:21:54 | |
You can see, perfect one-length is there. | 0:21:54 | 0:21:57 | |
Golden rule, and to make sure that this length is exactly square, | 0:21:57 | 0:22:02 | |
is that you cut from behind your model. | 0:22:02 | 0:22:05 | |
So you keep your bodyweight at the back, | 0:22:05 | 0:22:07 | |
-and everything stays back here. -So, no moving the blockhead? | 0:22:07 | 0:22:10 | |
No moving the blockhead and no moving round the blockhead. | 0:22:10 | 0:22:12 | |
If the stylists start twisting the blockhead, | 0:22:12 | 0:22:15 | |
you'll cut off this corner. | 0:22:15 | 0:22:17 | |
And you'll create a round shape at the back. It'll be round. | 0:22:17 | 0:22:20 | |
To make sure all the hair is exactly the same length, | 0:22:24 | 0:22:27 | |
the stylists should divide it into sections. | 0:22:27 | 0:22:31 | |
Sectioning hair makes it more manageable to cut, | 0:22:31 | 0:22:34 | |
and every haircut has its own sectioning pattern. | 0:22:34 | 0:22:37 | |
A standard pattern for the one-length | 0:22:38 | 0:22:40 | |
consists of five sections - | 0:22:40 | 0:22:42 | |
a central parting, two leading diagonally down to the nape, | 0:22:42 | 0:22:46 | |
and a further two on the crown. | 0:22:46 | 0:22:48 | |
Just started off sectioning the hair | 0:22:48 | 0:22:50 | |
and I'm just going to take it layer by layer. | 0:22:50 | 0:22:52 | |
I've had lots of different hairstyles in my lifetime, | 0:22:52 | 0:22:55 | |
I go to the hairdressers, so sitting in the mirror, chatting and looking | 0:22:55 | 0:22:58 | |
what they've done, it's obviously sunk into my brain somehow! | 0:22:58 | 0:23:02 | |
After sectioning, the stylists must make their first cut. | 0:23:04 | 0:23:08 | |
This is called the baseline, or guide. | 0:23:08 | 0:23:11 | |
It should be perfectly straight, | 0:23:11 | 0:23:13 | |
as it's the level that every single hair must reach. | 0:23:13 | 0:23:16 | |
It's really difficult cos my hands are quite shaky at the minute. | 0:23:21 | 0:23:25 | |
It just feels so unnatural holding a pair of scissors. | 0:23:29 | 0:23:32 | |
There's no margin for error - it's precision. | 0:23:38 | 0:23:41 | |
To follow the baseline accurately, the stylist should | 0:23:44 | 0:23:47 | |
bring down narrow sections of hair, so the guide can be seen underneath. | 0:23:47 | 0:23:52 | |
The first section's got a different length. | 0:23:52 | 0:23:54 | |
Second, you have to bring each section down, | 0:23:56 | 0:23:59 | |
use the fine teeth of the comb, go below with your scissors, have the | 0:23:59 | 0:24:03 | |
block through the teeth, you'll be able to create you perfect line. | 0:24:03 | 0:24:07 | |
Ebuni has moved her blockhead to start cutting from the side. | 0:24:10 | 0:24:15 | |
This is breaking Denise's golden rule. | 0:24:15 | 0:24:18 | |
So, how do you feel about the haircut challenge? | 0:24:19 | 0:24:22 | |
You guys said perfect, but at the moment I'm getting mediocre. | 0:24:22 | 0:24:26 | |
I'm not getting that perfect straight line - looks a bit staggered. | 0:24:26 | 0:24:30 | |
I think I would be thinking about the position of your head. | 0:24:30 | 0:24:33 | |
Working from the back of it and how that head is positioned. | 0:24:33 | 0:24:37 | |
All right. Thank you. | 0:24:37 | 0:24:39 | |
30 minutes left, guys. | 0:24:45 | 0:24:47 | |
Get it done - clock's ticking. | 0:24:47 | 0:24:49 | |
With most of the cuts now complete, | 0:24:50 | 0:24:52 | |
the stylists should turn their attention to the second | 0:24:52 | 0:24:55 | |
part of the challenge - a perfect straight blow-dry. | 0:24:55 | 0:25:00 | |
I'm not the best blow-dryer, but... | 0:25:00 | 0:25:03 | |
how hard can a brush and a blow-dryer in one hand be? | 0:25:03 | 0:25:06 | |
When judging the blow-dry, I'll be looking for that lovely sleek, | 0:25:08 | 0:25:12 | |
smooth cuticle, so you get beautiful shiny hair. | 0:25:12 | 0:25:15 | |
A smooth cuticle? | 0:25:15 | 0:25:16 | |
Cuticle is the top layer of the hair. | 0:25:16 | 0:25:18 | |
You've got to get the brush and dryer together, | 0:25:18 | 0:25:21 | |
so that top layer is literally polished. | 0:25:21 | 0:25:24 | |
-OK. -Too hot a hairdryer, dryer too close to the hair, | 0:25:24 | 0:25:28 | |
the hair literally goes, "Ah, don't do that to me!" | 0:25:28 | 0:25:31 | |
So you're going to watching out for people going gung-ho, | 0:25:31 | 0:25:33 | |
crazy with the hairdryer in the last two in the last two minutes? | 0:25:33 | 0:25:36 | |
Absolutely. We want beautiful hair. | 0:25:36 | 0:25:38 | |
I'm flattening the cuticle by making sure I blow-dry the hair | 0:25:42 | 0:25:46 | |
completely flat against the growth, so it grows straight down. | 0:25:46 | 0:25:49 | |
This is quite straightforward for me, yeah. | 0:25:51 | 0:25:53 | |
Can I get a plaster, please? I cut myself. | 0:25:57 | 0:26:00 | |
I can hear blow-dryers, so I'm getting a bit worried. | 0:26:00 | 0:26:02 | |
Running out of time, got a little bit panicked | 0:26:02 | 0:26:05 | |
and I've cut my finger just a little bit. | 0:26:05 | 0:26:07 | |
Thank you. | 0:26:10 | 0:26:11 | |
I feel for you a little bit cos you killed it in the first round... | 0:26:12 | 0:26:16 | |
Shut up! Don't say that. | 0:26:16 | 0:26:18 | |
The judges loved your work, so now you're teacher's pet. | 0:26:18 | 0:26:20 | |
No! Don't be silly. | 0:26:20 | 0:26:23 | |
I've just got the one side left to do, so hopefully wont take too long. | 0:26:23 | 0:26:27 | |
As long as I get the majority dry, I can blast off the rest afterwards. | 0:26:27 | 0:26:31 | |
I'm just going through blow-drying. | 0:26:32 | 0:26:34 | |
I'm not really the best blow-dryer, but I've kind of worked out | 0:26:34 | 0:26:38 | |
a technique that helps and works for me. | 0:26:38 | 0:26:41 | |
I'm just kind of cleaning up as I'm going along. | 0:26:41 | 0:26:44 | |
-Excellent! -Thank you. | 0:26:44 | 0:26:45 | |
-See you in a minute. -Thank you. | 0:26:45 | 0:26:47 | |
Five minutes left. | 0:26:50 | 0:26:53 | |
You have five minutes. | 0:26:53 | 0:26:56 | |
In the last few minutes, it's vital that the stylists check that | 0:26:56 | 0:26:59 | |
all the hair is the same length | 0:26:59 | 0:27:01 | |
and that they tidy up any unevenness. | 0:27:01 | 0:27:03 | |
It's not a straight line at all. | 0:27:04 | 0:27:06 | |
But I'm just going to try and hide it an hope that they don't notice. | 0:27:08 | 0:27:11 | |
I've only got four minutes left | 0:27:13 | 0:27:15 | |
so I'm going to dry it off as smooth as I can. | 0:27:15 | 0:27:17 | |
It doesn't feel too bad. | 0:27:17 | 0:27:20 | |
I think it's more important to get the lines clean rather than | 0:27:20 | 0:27:23 | |
make sure it's fully dry. | 0:27:23 | 0:27:24 | |
That's it - scissors down, hairdryers off! | 0:27:28 | 0:27:30 | |
Step away from the severed heads. Annie! | 0:27:31 | 0:27:36 | |
Thank you. | 0:27:36 | 0:27:38 | |
The blockhead challenge is over. | 0:27:38 | 0:27:40 | |
You've all done your best, now it's time to hear from our judges. | 0:27:40 | 0:27:45 | |
Annie. | 0:27:45 | 0:27:46 | |
Annie, how did you go? | 0:27:51 | 0:27:52 | |
I was pretty nervous. | 0:27:52 | 0:27:55 | |
Step back, you can see the underneath. | 0:28:02 | 0:28:05 | |
There is shorter sections. | 0:28:05 | 0:28:07 | |
A bit of advice is sometimes to step back and look, in fact, | 0:28:09 | 0:28:13 | |
cos you stayed up close. | 0:28:13 | 0:28:14 | |
I watched you, you were up close all the time | 0:28:14 | 0:28:17 | |
-and you didn't stand back and actually look at this haircut. -OK. | 0:28:17 | 0:28:20 | |
-And you would have seen what Alain's just pointed out. -Yeah. Yeah. Yeah. | 0:28:20 | 0:28:23 | |
We're being strict, but it's the simplest first haircut. | 0:28:23 | 0:28:26 | |
If we don't nail that one, well, the rest won't be easy. | 0:28:26 | 0:28:30 | |
The other seven contestants, get ready - they're on the warpath. | 0:28:30 | 0:28:35 | |
What has Amy done here? | 0:28:37 | 0:28:40 | |
-Feels like you've ran out of a bit of time for your blow-dry. -Yes. | 0:28:43 | 0:28:46 | |
-Slightly damp. -Just at the end. | 0:28:46 | 0:28:48 | |
-How did you run out of time? -I spent too much time on the cutting. | 0:28:48 | 0:28:51 | |
I was trying to make it perfect. | 0:28:51 | 0:28:53 | |
There's a few little bits coming down, that's where you check the | 0:28:53 | 0:28:57 | |
haircut at the end, once the hair's combed, you can cut the remains. | 0:28:57 | 0:29:01 | |
Yeah. | 0:29:01 | 0:29:02 | |
What's Kobi done here? | 0:29:03 | 0:29:04 | |
Looks pretty good to me, but what the hell do I know? | 0:29:04 | 0:29:08 | |
If you step back and look at the line, | 0:29:12 | 0:29:14 | |
through the middle it's gone a little bit bumpy. | 0:29:14 | 0:29:18 | |
You've sort of formed a bit of graduation. | 0:29:18 | 0:29:20 | |
The main feature of it is keeping the angle on the sides | 0:29:20 | 0:29:25 | |
and creating the straight line. | 0:29:25 | 0:29:27 | |
And, um, yeah, I think you've done a very good job. | 0:29:27 | 0:29:31 | |
Thank you. | 0:29:31 | 0:29:32 | |
The blow-dry's absolutely lovely. Nice, smooth cuticle. | 0:29:35 | 0:29:38 | |
You're just going slightly up on the edge. | 0:29:38 | 0:29:40 | |
I would say that the line is slightly off, actually. | 0:29:40 | 0:29:44 | |
You'll probably find that you took your body slightly the wrong way. | 0:29:44 | 0:29:47 | |
-You didn't stay balanced. -That's right. -Were you cutting it all...? | 0:29:47 | 0:29:51 | |
Probably, yeah. | 0:29:51 | 0:29:53 | |
Just want to do one thing... is give it a good shake | 0:29:57 | 0:30:01 | |
so we can see exactly how the hair's going to fall down straight after. | 0:30:01 | 0:30:05 | |
You can see the hair's perfectly straight. | 0:30:05 | 0:30:08 | |
This shows a great blow-dry because the cuticle's lovely and smooth | 0:30:08 | 0:30:12 | |
so when you tip it upside down, it doesn't tangle | 0:30:12 | 0:30:15 | |
and it easily brushes through. | 0:30:15 | 0:30:17 | |
When this client walks down the street in a gale, | 0:30:17 | 0:30:19 | |
she still looks fabulous. | 0:30:19 | 0:30:21 | |
Look at that. It's pretty perfect. | 0:30:21 | 0:30:23 | |
-Fabulous. Nice one, Marvin. -Thank you. -Well done. | 0:30:23 | 0:30:26 | |
I like the length, | 0:30:27 | 0:30:29 | |
and the line is there. | 0:30:29 | 0:30:32 | |
-I think the blow-dry could have been a little smoother. -Yes. -I agree. | 0:30:32 | 0:30:36 | |
-You maybe dried it a bit too fast or... -OK. | 0:30:36 | 0:30:39 | |
-So the ends are looking a little raw. -Sure. -It's a good attempt. -Thank you. | 0:30:39 | 0:30:43 | |
That's a good-looking line. You've done a good job. | 0:30:46 | 0:30:49 | |
Well blow-dried. As we move it, the line's just floating. | 0:30:49 | 0:30:53 | |
Dominika straight-fingers. | 0:30:53 | 0:30:56 | |
I love this haircut. | 0:31:00 | 0:31:02 | |
-For me, this is a girl who knows how to have a good time. -Absolutely. | 0:31:02 | 0:31:05 | |
Not like these prissy, straight-cut librarian types over here. | 0:31:05 | 0:31:08 | |
-She's got a flick in her hair. -Oh, yeah. | 0:31:08 | 0:31:10 | |
Do you understand the difference from this to what was asked? | 0:31:10 | 0:31:13 | |
Yeah. I can see straightway that it's not what you wanted. | 0:31:13 | 0:31:16 | |
I watched so many cutting videos, I was trying to get the technique right | 0:31:16 | 0:31:19 | |
and I couldn't remember which way to do it | 0:31:19 | 0:31:21 | |
and I looked around and was like, "Oh, my gosh. Everybody's got a dead straight line | 0:31:21 | 0:31:25 | |
"and mine looks like Rachel from Friends." | 0:31:25 | 0:31:27 | |
-So you understand where you went wrong? -Yeah. | 0:31:27 | 0:31:29 | |
Just the point where you were going through the sides | 0:31:29 | 0:31:31 | |
and you carried on going down the sides. | 0:31:31 | 0:31:34 | |
You have to keep the natural fall of the hair | 0:31:34 | 0:31:36 | |
but direct it backwards to create that hair. | 0:31:36 | 0:31:38 | |
-Not quite what the challenge was. -Yeah. | 0:31:38 | 0:31:41 | |
The judges will now rank the blockheads in reverse order. | 0:31:41 | 0:31:46 | |
I can see what you mean about the angle of the block. | 0:31:46 | 0:31:49 | |
I didn't get a chance to finish the full hair properly. | 0:31:49 | 0:31:52 | |
I'm hoping that I'm not right near the bottom. | 0:31:52 | 0:31:55 | |
-Even in the finish, you can see... -The shine. | 0:31:55 | 0:31:57 | |
It wasn't what they wanted at all | 0:31:57 | 0:31:58 | |
and I thought I'm out of the competition. | 0:31:58 | 0:32:01 | |
This is just going so pear shaped. | 0:32:01 | 0:32:03 | |
That's a nice shape. | 0:32:03 | 0:32:04 | |
Nice precision. | 0:32:04 | 0:32:06 | |
I can't blow-dry a lick | 0:32:06 | 0:32:09 | |
but it seemed to work | 0:32:09 | 0:32:11 | |
and I think I done the best. | 0:32:11 | 0:32:13 | |
Overall, I think we've made our decision. | 0:32:13 | 0:32:16 | |
Yeah, I think we know who we're going for. | 0:32:16 | 0:32:18 | |
Our judges have been ranking your efforts. | 0:32:20 | 0:32:23 | |
What we haven't told you is that the rankings | 0:32:23 | 0:32:26 | |
has a direct effect on the model you will choose | 0:32:26 | 0:32:30 | |
in the final round. | 0:32:30 | 0:32:32 | |
You can see, just behind me there in the prep room, | 0:32:32 | 0:32:35 | |
our board, which has eight pictures | 0:32:35 | 0:32:38 | |
of eight different models | 0:32:38 | 0:32:40 | |
with very different types and lengths of hair. | 0:32:40 | 0:32:44 | |
The winner of the blockhead round gets to pick their model first. | 0:32:44 | 0:32:49 | |
And the results are as follows. | 0:32:49 | 0:32:52 | |
In bottom place is... | 0:32:53 | 0:32:55 | |
..Ebuni. | 0:32:56 | 0:32:58 | |
In seventh place - Amy. | 0:32:58 | 0:33:01 | |
In sixth place is Annie. | 0:33:01 | 0:33:05 | |
Fifth is Laura, | 0:33:05 | 0:33:07 | |
in fourth place Kobi | 0:33:07 | 0:33:09 | |
and third Katie. | 0:33:09 | 0:33:11 | |
And in second place... | 0:33:11 | 0:33:12 | |
..Dominika. | 0:33:15 | 0:33:17 | |
Marvin, you've won the blockhead challenge. | 0:33:17 | 0:33:20 | |
Awesome. | 0:33:20 | 0:33:22 | |
The theme of tomorrow's final challenge is... | 0:33:25 | 0:33:29 | |
fairy tale. | 0:33:29 | 0:33:31 | |
Whether you go mad with extensions | 0:33:31 | 0:33:33 | |
to recreate Rapunzel | 0:33:33 | 0:33:36 | |
or get Cinderella ready to go to the ball, | 0:33:36 | 0:33:39 | |
it's entirely up to you. | 0:33:39 | 0:33:42 | |
Marvin, you came first in the blockhead challenge, | 0:33:42 | 0:33:44 | |
which means you'll get first choice of tomorrow's hair. | 0:33:44 | 0:33:48 | |
Ebuni, you won't have any choice. | 0:33:48 | 0:33:51 | |
Go take a look at the board. | 0:33:51 | 0:33:53 | |
On the board are models representing the three major hair types - | 0:33:54 | 0:33:59 | |
European, African and Asian, | 0:33:59 | 0:34:03 | |
some of which has been chemically treated, | 0:34:03 | 0:34:06 | |
either bleached or relaxed. | 0:34:06 | 0:34:08 | |
Marvin, you're up first, sir. Whatever you want. | 0:34:08 | 0:34:13 | |
The hair type I picked has got a nice length to it. | 0:34:13 | 0:34:18 | |
Not too thick, not too short and it's not too layered. | 0:34:18 | 0:34:21 | |
It'll be much easier for me to work with. | 0:34:21 | 0:34:23 | |
As amateurs, the stylists have limited experience | 0:34:23 | 0:34:26 | |
in working with different types of hair. | 0:34:26 | 0:34:29 | |
Those who came low down in the ranking may find themselves | 0:34:29 | 0:34:33 | |
in unfamiliar territory in tomorrow's fairy-tale challenge. | 0:34:33 | 0:34:37 | |
The hair type isn't really one that I would have chosen | 0:34:37 | 0:34:40 | |
so trying to incorporate that into my ideas | 0:34:40 | 0:34:44 | |
is going to require a lot of thinking. | 0:34:44 | 0:34:47 | |
-Ebuni, she's all yours. -Thank you. | 0:34:47 | 0:34:50 | |
I would have liked to have tried something different | 0:34:50 | 0:34:53 | |
to show that I can work with European hair, | 0:34:53 | 0:34:56 | |
but I guess they gave me Afro hair so I'm going to show them | 0:34:56 | 0:34:58 | |
what I do on a day-to-day basis. | 0:34:58 | 0:35:01 | |
OK, let's talk individuals. Who's shining? | 0:35:11 | 0:35:15 | |
-Who are the ones to look out for? -I'd say that Marvin is shining. | 0:35:15 | 0:35:19 | |
A very impressive haircut. | 0:35:19 | 0:35:21 | |
From the first challenge, I think Annie did really well | 0:35:21 | 0:35:24 | |
with her quiff. She really impressed the whole group. | 0:35:24 | 0:35:28 | |
Who's struggling a little bit? | 0:35:28 | 0:35:30 | |
I believe Ebuni. She's had a hard time doing a haircut. | 0:35:30 | 0:35:34 | |
The first challenge, her quiff wasn't high enough. | 0:35:34 | 0:35:36 | |
With Amy, it wasn't really a quiff. It wasn't exactly what we asked for. | 0:35:36 | 0:35:41 | |
-Good morning. -ALL: Morning. -Welcome back. | 0:35:41 | 0:35:44 | |
Welcome back, one and all. | 0:35:44 | 0:35:46 | |
Today, you will face your final challenge in the freestyle round. | 0:35:46 | 0:35:50 | |
The theme is fairy tale. | 0:35:50 | 0:35:53 | |
The judges really want you to push yourselves, OK? | 0:35:53 | 0:35:56 | |
So don't hold anything back. | 0:35:56 | 0:35:58 | |
You have three-and-a-half hours for this challenge. | 0:35:58 | 0:36:01 | |
Get in there and do it. Let's go. | 0:36:01 | 0:36:04 | |
The freestyle round is a chance for the stylists to impress the judges | 0:36:04 | 0:36:08 | |
with both their technical and creative skills. | 0:36:08 | 0:36:11 | |
And they can use any amount of hair extensions | 0:36:11 | 0:36:14 | |
and accessories they wish. | 0:36:14 | 0:36:16 | |
I'm going to use tons of this. | 0:36:16 | 0:36:18 | |
Those who did well in the blockhead round | 0:36:18 | 0:36:20 | |
will be working with the hair type of their choice. | 0:36:20 | 0:36:22 | |
-I'm Rebecca. -Nice to meet you. | 0:36:22 | 0:36:24 | |
Others, who had little or no choice, will have to think on their feet, | 0:36:24 | 0:36:28 | |
and the stakes are high, | 0:36:28 | 0:36:30 | |
as at the end of this round, someone will be going home. | 0:36:30 | 0:36:34 | |
I'm going to put some extensions in here | 0:36:34 | 0:36:36 | |
and it's going to be ridiculously long. | 0:36:36 | 0:36:39 | |
So much hair, so excited. | 0:36:39 | 0:36:41 | |
I love the theme of fairy tale. I can be dead creative | 0:36:41 | 0:36:45 | |
and make it dead girly. | 0:36:45 | 0:36:47 | |
I think no matter how old you are, | 0:36:47 | 0:36:50 | |
everybody has wanted to be a part of a fairy tale | 0:36:50 | 0:36:53 | |
in some sort of way. | 0:36:53 | 0:36:55 | |
So the final challenge is styling. | 0:36:56 | 0:36:58 | |
The theme is fairy tale. That's exciting. | 0:36:58 | 0:37:00 | |
-Very exciting. -The sky's the limit. -Completely, | 0:37:00 | 0:37:03 | |
because they can use all sorts of techniques, accessories, | 0:37:03 | 0:37:06 | |
-and they can go for the fairies, the goblins... -Did you say "goblins"? | 0:37:06 | 0:37:10 | |
-Goblins, yeah. -I thought it had to be beautiful. | 0:37:10 | 0:37:13 | |
Beautifully done. It's their vision of a fairy tale. | 0:37:13 | 0:37:16 | |
I want to see big hair. I want to see how they're going to use | 0:37:16 | 0:37:19 | |
all the hair that we've provided, | 0:37:19 | 0:37:20 | |
making it ready to go on stage, | 0:37:20 | 0:37:22 | |
ready to go for a movie part. | 0:37:22 | 0:37:25 | |
Having come towards the bottom in the blockhead round, | 0:37:28 | 0:37:31 | |
Annie is working with much shorter hair than she was hoping for. | 0:37:31 | 0:37:35 | |
-Hey, Annie. -Hello. -Are you well? | 0:37:35 | 0:37:37 | |
I'm good. I'm a bit nervous today. | 0:37:37 | 0:37:39 | |
Have you got an idea of what your fairy tale is? | 0:37:39 | 0:37:43 | |
It's Snow Queen, Lord Of The Rings style, | 0:37:43 | 0:37:45 | |
-Game Of Thrones. -OK. | 0:37:45 | 0:37:47 | |
-I've had to slightly adapt it, just through the hair type. -Uh-huh. | 0:37:47 | 0:37:52 | |
I'm looking to use a wig cap | 0:37:52 | 0:37:55 | |
-and I'm going to be pulling the hair through... -Right. | 0:37:55 | 0:37:59 | |
..using a crochet needle to create a looped effect. | 0:37:59 | 0:38:02 | |
Hopefully! | 0:38:02 | 0:38:04 | |
So just checked Annie. Right now she's using a cap. | 0:38:04 | 0:38:07 | |
I'm seeing her pulling out hair | 0:38:07 | 0:38:10 | |
and it looks like bald hair with hair pooping out | 0:38:10 | 0:38:13 | |
and she's been shaved off - not very pretty. | 0:38:13 | 0:38:16 | |
Not sure where that's going to go. | 0:38:16 | 0:38:18 | |
A wig cap is normally used to cover hair when fitting wigs, | 0:38:18 | 0:38:21 | |
but Annie is pulling fine strands of hair through it to create | 0:38:21 | 0:38:25 | |
a looped effect. | 0:38:25 | 0:38:26 | |
This bit I'm doing now | 0:38:26 | 0:38:28 | |
is going to be the trickiest | 0:38:28 | 0:38:30 | |
because it's quite time consuming. | 0:38:30 | 0:38:34 | |
Whilst her model is left waiting, | 0:38:35 | 0:38:38 | |
Dominika is working on her design in the prep room. | 0:38:38 | 0:38:42 | |
I'm making a flower on the top of the head. | 0:38:42 | 0:38:45 | |
I want it to come with something not obvious, | 0:38:45 | 0:38:48 | |
so I thought, "Let's be slightly different | 0:38:48 | 0:38:51 | |
"and do Thumbelina - something tiny, but really cute." | 0:38:51 | 0:38:54 | |
She's building her petals out of wire mesh and fabric, | 0:38:54 | 0:38:58 | |
-covered in hair extensions. -It's a good idea. | 0:38:58 | 0:39:01 | |
It's a big project, too. | 0:39:01 | 0:39:02 | |
She's building some petals. They look quite chunky. | 0:39:02 | 0:39:06 | |
It's going to be hard to secure and balance into the head. | 0:39:06 | 0:39:10 | |
I am going to create a unicorn horn, | 0:39:10 | 0:39:14 | |
so sort of like a fantasy Pegasus horse. | 0:39:14 | 0:39:18 | |
Kobi will use a plait of his model's own hair | 0:39:18 | 0:39:21 | |
along with hair extensions | 0:39:21 | 0:39:24 | |
to cover a tower made of wire and florist's foam. | 0:39:24 | 0:39:28 | |
Oh, wow, that's heavy. | 0:39:28 | 0:39:30 | |
-It's going to be a whole lot heavier in a minute. -Oh! | 0:39:30 | 0:39:33 | |
Just seen Kobi. He's building a unicorn horn. | 0:39:33 | 0:39:36 | |
Not sure about the placement. | 0:39:36 | 0:39:39 | |
Unicorns should be on the front, so let's see what happens. | 0:39:39 | 0:39:42 | |
-I'm scared to move my head. -Don't be scared. | 0:39:42 | 0:39:45 | |
-So, Ebuni, you OK? -I'm good, thank you. | 0:39:47 | 0:39:49 | |
You couldn't choose your model yesterday. | 0:39:49 | 0:39:51 | |
-No. -Are you happy with the hair texture? | 0:39:51 | 0:39:54 | |
-Yes, it's the hair that grows on my head. -Yes. | 0:39:54 | 0:39:57 | |
-It's the hair that I work with. -And you understand the texture | 0:39:57 | 0:40:00 | |
and how to work with it. | 0:40:00 | 0:40:01 | |
As the hair's wet, what I'm adding is just a little bit of coconut oil. | 0:40:01 | 0:40:05 | |
Why coconut oil? | 0:40:05 | 0:40:07 | |
I find that it moisturises without making the hair too greasy. | 0:40:07 | 0:40:10 | |
-Uh-huh. -So when I blow-dry it, it doesn't come too sticky or hard. | 0:40:10 | 0:40:13 | |
It still gives me a lot of movement. | 0:40:13 | 0:40:15 | |
-Does it keep a shine through the hair? -Yeah. | 0:40:15 | 0:40:18 | |
As I just put that on, it's got a really nice look to it. | 0:40:18 | 0:40:21 | |
More important, have you got that fairy-tale style in your head? | 0:40:21 | 0:40:24 | |
It's going to be an up-do, | 0:40:24 | 0:40:26 | |
where her hair is braided up to the centre | 0:40:26 | 0:40:28 | |
then it's going to be bunned, and pin curls around it | 0:40:28 | 0:40:31 | |
to really decorate and make it look like she's walked out to greet her empire. | 0:40:31 | 0:40:35 | |
Having being ranked first yesterday in the blockhead round, | 0:40:39 | 0:40:42 | |
Marvin had his pick of the hair types. | 0:40:42 | 0:40:44 | |
I'm very pleased with the type of hair I'm working with today. | 0:40:46 | 0:40:49 | |
It's in between thick and thin | 0:40:49 | 0:40:51 | |
so it's very manageable. It's long with nice layers. | 0:40:51 | 0:40:55 | |
What is the character you're going to choose today? | 0:40:55 | 0:40:59 | |
She's like a princess of the woods kind of thing, | 0:40:59 | 0:41:02 | |
so she lives in big castle, tree house, | 0:41:02 | 0:41:05 | |
and everything's really messy. | 0:41:05 | 0:41:07 | |
She's at one with the animals and butterflies, | 0:41:07 | 0:41:10 | |
-so I'm just trying to go for a look like that. -Definitely fantasy? | 0:41:10 | 0:41:13 | |
With what I'm doing now, my pin curl, I didn't want my pin curl too neat | 0:41:13 | 0:41:16 | |
to help achieve the style that I'm looking for. | 0:41:16 | 0:41:20 | |
I just wanted to put a basic curl in it. | 0:41:20 | 0:41:22 | |
Marvin's hair, right now he's tonging the hair. | 0:41:22 | 0:41:25 | |
I'm not sure about the technique he's using - | 0:41:25 | 0:41:28 | |
starting from the ends, rolling into the roots. | 0:41:28 | 0:41:31 | |
I would have used the other way, going from the roots to the end. | 0:41:31 | 0:41:33 | |
Roots need to be secure to make clean, clean curls. | 0:41:33 | 0:41:37 | |
Let's see what happens. | 0:41:37 | 0:41:39 | |
LOUD SQUEAKING | 0:41:39 | 0:41:41 | |
I apologise. I do apologise. | 0:41:41 | 0:41:44 | |
Katie is cutting florist's foam | 0:41:44 | 0:41:48 | |
to make an accessory for her romantic fairy-tale design. | 0:41:48 | 0:41:52 | |
I am covering it with the black hair that matches my model's hair | 0:41:52 | 0:41:55 | |
to make a heart-shaped hairpiece. | 0:41:55 | 0:41:57 | |
You look like you've got a clear idea what your fairy tale is going to be. | 0:42:06 | 0:42:10 | |
I'm wanting a medieval sort of Rapunzel theme. | 0:42:10 | 0:42:12 | |
Still keeping it dead long but dead detailed at the back, | 0:42:12 | 0:42:15 | |
-but I'm going to work all flowers and things into it. -OK. -Interesting. Good luck. See you later. -Thank you. | 0:42:15 | 0:42:20 | |
Disappearing fast from the prep room stores, | 0:42:22 | 0:42:26 | |
are the hair extensions made of real and artificial hair? | 0:42:26 | 0:42:30 | |
Sweet! | 0:42:30 | 0:42:31 | |
No running! | 0:42:31 | 0:42:33 | |
Oh, I'm not allowed to run. | 0:42:33 | 0:42:36 | |
Amy has chosen artificial hair to get the length | 0:42:36 | 0:42:39 | |
for her Rapunzel pony tail. | 0:42:39 | 0:42:41 | |
Because it's made of plastic, | 0:42:41 | 0:42:43 | |
it's available of any length or colour, | 0:42:43 | 0:42:46 | |
but its hard texture makes it difficult to work with. | 0:42:46 | 0:42:49 | |
Amy, how's it going? | 0:42:49 | 0:42:51 | |
-It's going all right. I'm trying to brush this through. -What's the idea? | 0:42:51 | 0:42:54 | |
It's a Rapunzel theme | 0:42:54 | 0:42:56 | |
so I'm wanting this to be a big fish plait down the side, | 0:42:56 | 0:42:58 | |
-but I'm having a nightmare brushing this. -Are you going to get where you want to be? -Hopefully. | 0:42:58 | 0:43:02 | |
If I can get a brush through this! I'll leave you to it. | 0:43:02 | 0:43:05 | |
-Nice work. -Thank you. | 0:43:05 | 0:43:06 | |
Oh, my God! Please don't film me doing this! | 0:43:06 | 0:43:11 | |
To make her Queen of Hearts design, | 0:43:11 | 0:43:13 | |
Laura is using hair extensions for the first time. | 0:43:13 | 0:43:16 | |
I've just basically cut sections to add into the hair, | 0:43:16 | 0:43:20 | |
but at the minute, | 0:43:20 | 0:43:22 | |
the hair extension looks like this, | 0:43:22 | 0:43:24 | |
and I don't know what to do with it! | 0:43:24 | 0:43:27 | |
Guys, you have one hour left. That's one hour. | 0:43:29 | 0:43:33 | |
Dominika has yet to touch her model's hair. | 0:43:33 | 0:43:38 | |
All the petals are done. I'm attaching it to a wire, | 0:43:39 | 0:43:42 | |
making like a crown. You realise... there's not enough time. | 0:43:42 | 0:43:46 | |
-Did you miss me? -Yes. | 0:43:46 | 0:43:49 | |
Using a French plait as a base, | 0:43:49 | 0:43:51 | |
Dominika plans to attach her flower to the model's head | 0:43:51 | 0:43:54 | |
using plastic cable ties. | 0:43:54 | 0:43:57 | |
Is it heavy? | 0:43:57 | 0:43:59 | |
It's not too bad. | 0:43:59 | 0:44:01 | |
(It feels kind of bulky. Flowers are much more delicate. | 0:44:02 | 0:44:06 | |
-(Yeah. -It needs to be refined a little bit more. | 0:44:06 | 0:44:09 | |
(It's a little heavy the way it is.) | 0:44:09 | 0:44:12 | |
Seriously, why do I do it to myself? | 0:44:12 | 0:44:15 | |
Right, can you give your head a little wiggle? | 0:44:18 | 0:44:20 | |
I know it sounds stupid. | 0:44:20 | 0:44:21 | |
At the moment, it seems fine. | 0:44:22 | 0:44:25 | |
Instead of using his plait as a base, | 0:44:25 | 0:44:27 | |
Kobi is decorating his tower with it. | 0:44:27 | 0:44:30 | |
I've attached this structure that I've made by pins, | 0:44:32 | 0:44:36 | |
so it's all pinned in tightly. | 0:44:36 | 0:44:39 | |
Not by anything else, just all by pins. | 0:44:39 | 0:44:42 | |
Hold your nose and shut your eyes, yeah? | 0:44:42 | 0:44:45 | |
Ahead of the other stylists, | 0:44:45 | 0:44:47 | |
Marvin is putting the finishing touches to his fairytale design. | 0:44:47 | 0:44:51 | |
I've got some spare time left so I'll probably just sit down | 0:44:51 | 0:44:54 | |
and have a little chinwag with my model. | 0:44:54 | 0:44:55 | |
30 minutes left, guys. Get it done, clock's ticking. | 0:44:58 | 0:45:02 | |
That's not gold! | 0:45:11 | 0:45:12 | |
I see you've gone for something quite understated. | 0:45:23 | 0:45:25 | |
Something really subtle. | 0:45:25 | 0:45:27 | |
The question is, how far are we going? | 0:45:27 | 0:45:30 | |
I'm not going to take it any higher now. This is my limit. | 0:45:30 | 0:45:34 | |
You're going to give this lady a neck injury. Are you OK? | 0:45:34 | 0:45:36 | |
-Yes. -Does it feel like it's pulling your head back there? | 0:45:37 | 0:45:40 | |
-If I move my head backwards, which I'm not doing. -That's insane. | 0:45:40 | 0:45:45 | |
I don't have a word to describe what that is. | 0:45:47 | 0:45:49 | |
Look like some kind of Little Shop Of Horrors | 0:45:49 | 0:45:53 | |
Venus flytrap contraption. | 0:45:53 | 0:45:55 | |
It's not really a trap. It's a flower. | 0:45:56 | 0:45:58 | |
How often do you see your therapist? | 0:45:58 | 0:46:01 | |
That's a very personal question. | 0:46:01 | 0:46:03 | |
Ten minutes, guys. Just ten minutes. | 0:46:03 | 0:46:06 | |
SHE GASPS | 0:46:06 | 0:46:08 | |
I'm ready for that. | 0:46:08 | 0:46:10 | |
Every week in the freestyle round, | 0:46:10 | 0:46:12 | |
the models will be asked to parade their hair for the judges, | 0:46:12 | 0:46:15 | |
so in the final minutes it's vital the stylists | 0:46:15 | 0:46:18 | |
check their creations are stable and secure. | 0:46:18 | 0:46:22 | |
Just pop your head forward like that. | 0:46:22 | 0:46:24 | |
-Is that better? -Yeah. | 0:46:24 | 0:46:26 | |
Amy is putting the finishing touches to her Rapunzel pony tail. | 0:46:28 | 0:46:32 | |
The long piece I was using was synthetic | 0:46:32 | 0:46:34 | |
so I couldn't really get my brush through it, | 0:46:34 | 0:46:36 | |
so I wasn't able to apply it. | 0:46:36 | 0:46:38 | |
I think it's a bit lazy, really, but... | 0:46:38 | 0:46:40 | |
Unless I just take it out. | 0:46:42 | 0:46:43 | |
Oh, I am going to. | 0:46:46 | 0:46:48 | |
I'm just taking it out. | 0:46:48 | 0:46:49 | |
Two minutes left, everyone. | 0:46:51 | 0:46:52 | |
Two minutes remaining. | 0:46:52 | 0:46:55 | |
-Did I just see the Rapunzel bit fall off? -Yes. | 0:46:57 | 0:47:00 | |
Oh, my God, what's happening? Are you going to reattach it? | 0:47:00 | 0:47:03 | |
No, because I didn't have time to plait it | 0:47:03 | 0:47:05 | |
and because it wasn't the right style of hair, | 0:47:05 | 0:47:07 | |
I felt it looked a bit lazy. | 0:47:07 | 0:47:08 | |
-Do they know that you were going to attach that. -Yeah! | 0:47:08 | 0:47:10 | |
-I was going to say hide it. -Just kick it under the table. | 0:47:10 | 0:47:13 | |
Kick it under the table, don't mention it. | 0:47:13 | 0:47:15 | |
If they do mention it, just say, "What are you talking about?" | 0:47:15 | 0:47:18 | |
That's it, guys. The fairytale is over. | 0:47:25 | 0:47:29 | |
Step away from your models, please. | 0:47:29 | 0:47:31 | |
I don't really think that there's anything else I could have done. | 0:47:32 | 0:47:35 | |
I'm quite proud of it. | 0:47:35 | 0:47:36 | |
Once the judges come, they have a little surprise inside | 0:47:36 | 0:47:40 | |
and I just need to pull the string. | 0:47:40 | 0:47:42 | |
Denise and Alain will be looking to see | 0:47:44 | 0:47:46 | |
how well the designs fit the freestyle brief, | 0:47:46 | 0:47:49 | |
and that they stand up to 360-degree scrutiny. | 0:47:49 | 0:47:53 | |
-OK, let's go in for a closer look, shall we? -Yep. | 0:47:53 | 0:47:57 | |
OK. | 0:47:57 | 0:47:58 | |
Dominika. Check this out. Behold! | 0:47:58 | 0:48:01 | |
MUSIC: "Daydream In Blue" by I-Monster | 0:48:02 | 0:48:06 | |
You don't mind taking a walk, please? | 0:48:12 | 0:48:14 | |
You can see that she's really enjoying it as well. | 0:48:19 | 0:48:21 | |
LAUGHTER | 0:48:21 | 0:48:24 | |
Nicely done. | 0:48:26 | 0:48:27 | |
It held together and your petals are still there. | 0:48:27 | 0:48:31 | |
Big challenge, doing this hairstyle. | 0:48:31 | 0:48:34 | |
It was a bit of a gamble, but I think it was worth it. | 0:48:34 | 0:48:37 | |
-All your edges, I would have covered that up. -Yeah. | 0:48:37 | 0:48:40 | |
That's where it becomes a little bit too separate. | 0:48:40 | 0:48:44 | |
The theme is Thumbelina, isn't it? So where is Thumbelina? | 0:48:44 | 0:48:47 | |
-You have to open up the flower. -Ah! | 0:48:47 | 0:48:49 | |
-SINGING THEATRICALLY: -Ah, ah, ah! | 0:48:51 | 0:48:53 | |
-Look at that! -She's in there! -That's very sweet! -That is a fairytale. | 0:48:53 | 0:48:57 | |
-Absolutely. -It has to be... | 0:48:57 | 0:48:59 | |
Good try. | 0:48:59 | 0:49:00 | |
Having a go, that's what we're here for. | 0:49:00 | 0:49:02 | |
Well, very brave. | 0:49:02 | 0:49:04 | |
Let's check out Marvin. | 0:49:05 | 0:49:06 | |
UPBEAT MUSIC | 0:49:09 | 0:49:11 | |
So, I feel the forest is there but the nest is there too. | 0:49:23 | 0:49:27 | |
-What do you mean, nest? -It's like a bird nest on the top. | 0:49:27 | 0:49:29 | |
Not very precise elements of texture. | 0:49:29 | 0:49:32 | |
It's quite strawy. | 0:49:32 | 0:49:34 | |
If you want to make it messy, make a feature out of it. Make it big! | 0:49:34 | 0:49:38 | |
-Cool. -That's what you want to see - hair! | 0:49:38 | 0:49:40 | |
As much as possible. | 0:49:40 | 0:49:41 | |
You're just slightly lazy on your technique, I would say. | 0:49:41 | 0:49:45 | |
You could have lifted these pieces and curled those | 0:49:45 | 0:49:48 | |
and then they would have cascaded over. | 0:49:48 | 0:49:50 | |
-It would just have been finished. -Were you a little bit lazy, Marvin? | 0:49:50 | 0:49:55 | |
I probably... Yeah, I probably was. | 0:49:55 | 0:49:58 | |
MUSIC: "Dance Of The Sugarplum Fairy" by Tchaikovsky | 0:50:02 | 0:50:06 | |
-Oh, it's wobbling a little bit. -Can you put your head up? | 0:50:15 | 0:50:19 | |
I can if I go like this. | 0:50:20 | 0:50:21 | |
-OK, that's... -Otherwise it goes backwards. | 0:50:21 | 0:50:24 | |
Otherwise your head would just fall off. | 0:50:24 | 0:50:26 | |
Take a seat. | 0:50:26 | 0:50:27 | |
Well done. | 0:50:27 | 0:50:29 | |
So, was the positioning right for you? | 0:50:29 | 0:50:32 | |
I would have preferred if it was a little bit further upwards. | 0:50:32 | 0:50:35 | |
-Yeah, a little bit more than... -Yeah. | 0:50:35 | 0:50:37 | |
You know, unicorns usually come up from the front. | 0:50:37 | 0:50:39 | |
If you were standing in the right place, | 0:50:39 | 0:50:41 | |
you would be much better positioned. | 0:50:41 | 0:50:44 | |
OK? | 0:50:44 | 0:50:45 | |
I feel there's an engineering thing that's going on. | 0:50:45 | 0:50:48 | |
-It's a little bit Leaning Tower of Pisa. -Bit more Marge Simpson. | 0:50:48 | 0:50:51 | |
And the main part was you made a ponytail in the middle | 0:50:51 | 0:50:54 | |
and then you didn't use the ponytail to support the head of hair. | 0:50:54 | 0:50:57 | |
When you create something, | 0:50:57 | 0:50:58 | |
the person wearing it must be very comfortable, | 0:50:58 | 0:51:00 | |
-and not have to feel that they're holding it. -Yeah. | 0:51:00 | 0:51:03 | |
Are you happy with that colour choice? | 0:51:03 | 0:51:05 | |
Um, I did run out of the colour of hair that I wanted, | 0:51:05 | 0:51:08 | |
-so I did, essentially, have to choose gold. -Right. | 0:51:08 | 0:51:12 | |
ORIENTAL-STYLE ELECTRONIC MUSIC | 0:51:15 | 0:51:18 | |
It's the same feeling as what you're very good at - | 0:51:26 | 0:51:29 | |
-doing bridal hair. -You've over-accessorised. | 0:51:29 | 0:51:32 | |
You've overdone these roses. | 0:51:32 | 0:51:34 | |
It's a bit wedding cake, not wedding hairstyle. | 0:51:34 | 0:51:37 | |
You did say Rapunzel, and I feel Rapunzel's lying on the floor. | 0:51:37 | 0:51:42 | |
I told you to hide that in a drawer. | 0:51:42 | 0:51:43 | |
When I looked at it, I just felt it was a bit lazy | 0:51:43 | 0:51:45 | |
compared to the rest of the hair, so I just pulled it out. | 0:51:45 | 0:51:48 | |
-I think your Rapunzel would have kept a fairytale in it. -Yeah. | 0:51:48 | 0:51:51 | |
Definitely. I agree. | 0:51:51 | 0:51:53 | |
It's a shame you took it out. | 0:51:53 | 0:51:54 | |
SWEEPING ELECTRONIC MUSIC | 0:51:57 | 0:52:00 | |
Could be a lot cleaner as far as the buns are going. | 0:52:08 | 0:52:12 | |
-It's still a technique which is quite basic. -Yeah. | 0:52:12 | 0:52:14 | |
The braiding's much more difficult. This seems to be your forte. | 0:52:14 | 0:52:17 | |
You've done it quite a few times. | 0:52:17 | 0:52:19 | |
-You didn't get quite enough support to get this... -Yeah. | 0:52:19 | 0:52:22 | |
-In fact, is this had been... -Just a little bit. -..that bit more, | 0:52:22 | 0:52:25 | |
it becomes fairytale princess, just with that one swoop. | 0:52:25 | 0:52:29 | |
Yeah. | 0:52:29 | 0:52:31 | |
UPBEAT MUSIC | 0:52:34 | 0:52:37 | |
All the darks on Valentine's Day. Here it is. | 0:52:43 | 0:52:47 | |
I really like it. I think you've done a great job. | 0:52:47 | 0:52:50 | |
The placement's right but I would emphasise the volume a lot more. | 0:52:50 | 0:52:54 | |
But it's well achieved and it looks pretty. | 0:52:54 | 0:52:57 | |
-Fabulous. -Well done, Katie. -Thank you. | 0:52:57 | 0:52:59 | |
MOODY ELECTRONIC MUSIC | 0:53:01 | 0:53:04 | |
-Laura, for me, I am in Alice in Wonderland. -Great. | 0:53:12 | 0:53:16 | |
The Queen of Hearts. | 0:53:16 | 0:53:18 | |
My only criticism - | 0:53:18 | 0:53:19 | |
-the balance of these roses... -Yep. | 0:53:19 | 0:53:21 | |
..is irritating me, | 0:53:21 | 0:53:23 | |
-because you didn't get them a little bit more even. -Sure. | 0:53:23 | 0:53:26 | |
-I would have brought some of the hair forward. -OK. | 0:53:26 | 0:53:29 | |
So you just have one element for prettiness. | 0:53:29 | 0:53:31 | |
-OK, pretty good. -Good work. | 0:53:32 | 0:53:34 | |
ELECTRONIC MUSIC | 0:53:36 | 0:53:39 | |
Well, Annie, that is definitely, I'd say, the Ice Queen. | 0:53:51 | 0:53:54 | |
-Yes! -So it definitely is a fairytale. | 0:53:54 | 0:53:56 | |
I love the length, the dramatic aspect of it. | 0:53:56 | 0:53:59 | |
As much as you caught the texture, it's moving well, | 0:53:59 | 0:54:01 | |
even on the catwalk she looked quite effective. | 0:54:01 | 0:54:04 | |
And I think the other thing is one accessory. | 0:54:04 | 0:54:07 | |
It just makes it and you've just gone | 0:54:07 | 0:54:08 | |
for one fabulous piece of jewellery. | 0:54:08 | 0:54:10 | |
Would you say you've been proven wrong about using the wig cap? | 0:54:10 | 0:54:13 | |
-She's done it well. Wonderful. -Really nice. -Thank you so much. | 0:54:13 | 0:54:17 | |
-Very, very good work. -Superb. | 0:54:17 | 0:54:18 | |
Guys, mind-blowing stuff, thank you so much for all your hard work. | 0:54:20 | 0:54:25 | |
The judges will now deliberate your fates. Well done. | 0:54:25 | 0:54:29 | |
Hearing the judge's comments | 0:54:32 | 0:54:34 | |
has kind of knocked me back a little bit. | 0:54:34 | 0:54:36 | |
I'm a bit worried that I might be going home. Hopefully not. | 0:54:36 | 0:54:40 | |
I don't want to go home. | 0:54:41 | 0:54:42 | |
I think now I've got a feel for it, I want to be creative with it | 0:54:42 | 0:54:45 | |
and do more things. | 0:54:45 | 0:54:46 | |
I'm feeling a little bit scared. | 0:54:46 | 0:54:49 | |
Today could be my last day. | 0:54:49 | 0:54:50 | |
I can't even drink, my hands are shaking. | 0:54:50 | 0:54:53 | |
So, two big decisions to be made. | 0:54:57 | 0:55:00 | |
Somebody's about to win the freestyle round | 0:55:00 | 0:55:02 | |
and somebody's about to go home. | 0:55:02 | 0:55:04 | |
-Who impressed you in the freestyle round? -I really liked Annie. | 0:55:04 | 0:55:08 | |
Wasn't sure at the beginning, but she really turned it up. | 0:55:08 | 0:55:11 | |
For me, Laura took me to the movies. | 0:55:11 | 0:55:13 | |
The overall shape and the techniques that she used were fabulous. | 0:55:13 | 0:55:17 | |
So who's the person who's looking most likely to face the chop? | 0:55:17 | 0:55:20 | |
I'd say that Marvin's escaped by a hair. | 0:55:20 | 0:55:23 | |
"By a hair!" | 0:55:23 | 0:55:25 | |
For me, well, there's two of them, Amy and Ebuni. | 0:55:25 | 0:55:28 | |
They did the same kind of work, they weren't up to scratch | 0:55:28 | 0:55:31 | |
with their technique. | 0:55:31 | 0:55:33 | |
Unfortunately, it's not enough. | 0:55:33 | 0:55:35 | |
Amy does bridal hair and she does it very well, | 0:55:35 | 0:55:38 | |
but she hasn't shown us anything else | 0:55:38 | 0:55:40 | |
and Ebuni has shown us, in the first round, braids and plaits | 0:55:40 | 0:55:44 | |
and in the third round, braids and plaits. | 0:55:44 | 0:55:46 | |
-They never left their comfort zone? -That's right. | 0:55:46 | 0:55:49 | |
And the other person I feel is in trouble is Kobi. | 0:55:49 | 0:55:52 | |
He didn't think about the foundations | 0:55:52 | 0:55:54 | |
and what he was actually creating, | 0:55:54 | 0:55:56 | |
he was just getting as high as he could | 0:55:56 | 0:55:58 | |
without thinking about it being on the head. | 0:55:58 | 0:56:00 | |
OK, well, you guys have got some tough decisions to make. | 0:56:00 | 0:56:04 | |
-I will leave you to it. Good luck. -Thank you. | 0:56:04 | 0:56:07 | |
I think she kept it safe. It's not what the competition's all about. | 0:56:09 | 0:56:12 | |
Put a lot of planning into it, but it didn't quite finish. | 0:56:13 | 0:56:17 | |
It would have been nice to see something else, wouldn't it? | 0:56:17 | 0:56:19 | |
It would be nice to see something different. | 0:56:19 | 0:56:21 | |
I think we've made our decision. | 0:56:23 | 0:56:25 | |
Hi, guys. | 0:56:26 | 0:56:27 | |
It's been fabulous watching you in action, | 0:56:27 | 0:56:29 | |
but as you know, only one of you can win the freestyle round | 0:56:29 | 0:56:33 | |
and our judges have come to a decision. | 0:56:33 | 0:56:35 | |
The person who's won the freestyle round is... | 0:56:37 | 0:56:39 | |
..Annie. | 0:56:42 | 0:56:44 | |
-Thank you so much. -Congratulations. Brilliant. | 0:56:44 | 0:56:47 | |
Thank you so much. | 0:56:47 | 0:56:49 | |
The bad news is that we do have to send one of you home. | 0:56:49 | 0:56:54 | |
I should tell you that this decision was made considering | 0:56:54 | 0:56:58 | |
all three of the challenges that you faced. | 0:56:58 | 0:57:00 | |
The person the judges have decided to send home is... | 0:57:00 | 0:57:04 | |
..Amy. | 0:57:11 | 0:57:12 | |
Oh, no, Amy! | 0:57:12 | 0:57:15 | |
Oh! | 0:57:15 | 0:57:17 | |
I wanted you to stay! | 0:57:17 | 0:57:19 | |
Aww, thanks. | 0:57:19 | 0:57:21 | |
We decided to send Amy home cos she didn't complete the challenges. | 0:57:21 | 0:57:25 | |
The quiff was flat, the cut was still wet | 0:57:25 | 0:57:28 | |
and the fairytale wasn't a fairytale. | 0:57:28 | 0:57:30 | |
-Thank you. -That was the most... | 0:57:32 | 0:57:34 | |
horrible, awful situation ever. | 0:57:34 | 0:57:37 | |
Oh, my gosh, I can't believe that I'm still here. | 0:57:37 | 0:57:40 | |
Oh! I'm so happy! Oh! | 0:57:40 | 0:57:41 | |
I'm just so happy that they kind of... | 0:57:43 | 0:57:45 | |
That they chose me to win. I couldn't believe it. | 0:57:47 | 0:57:50 | |
Looking round after every task, everyone's really good here, | 0:57:50 | 0:57:53 | |
so there's no-one I've looked at and thought, | 0:57:53 | 0:57:55 | |
"Oh, they should have went." | 0:57:55 | 0:57:56 | |
I think it's definitely the right decision they've made. | 0:57:56 | 0:57:59 | |
Next time on Hair... | 0:58:04 | 0:58:06 | |
It's the first time I've ever done a braided style. | 0:58:06 | 0:58:08 | |
I don't think I've breathed for the first hour! | 0:58:08 | 0:58:10 | |
Oh, I have no idea. | 0:58:10 | 0:58:11 | |
The challenge is making hats out of hair. | 0:58:14 | 0:58:18 | |
The best Mad Hatter made out of hair that I've ever seen. | 0:58:21 | 0:58:24 |