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This programme contains some strong language | 0:00:02 | 0:00:08 | |
'This is Impractical Jokers, the hidden camera show | 0:00:20 | 0:00:23 | |
'where four friends compete to embarrass each other | 0:00:23 | 0:00:25 | |
'in everyday situations. | 0:00:25 | 0:00:28 | |
-'The jokers are Joel Dommett...' -Balls, balls, balls. | 0:00:28 | 0:00:30 | |
-'..Roisin Conaty...' -Nip-nips. | 0:00:30 | 0:00:32 | |
-'..Paul McCaffrey...' -Yeah! | 0:00:32 | 0:00:34 | |
-'..and Marek Larwood.' -Look at me! | 0:00:34 | 0:00:36 | |
Pushing each other to the limit, | 0:00:36 | 0:00:38 | |
they take it in turns to complete embarrassing challenges. | 0:00:38 | 0:00:40 | |
They've got to do or say | 0:00:40 | 0:00:42 | |
everything the jokers tell them, via a hidden earpiece | 0:00:42 | 0:00:45 | |
Howl like a werewolf. | 0:00:45 | 0:00:46 | |
HE HOWLS | 0:00:46 | 0:00:48 | |
But if they refuse, they lose and face a humiliating forfeit. | 0:00:48 | 0:00:52 | |
It's a ruthless fight to the finish | 0:00:52 | 0:00:54 | |
where there are no winners, just a loser. | 0:00:54 | 0:00:57 | |
It's time for challenge one, | 0:01:03 | 0:01:05 | |
and our jokers are posing as photographers in a shopping centre, | 0:01:05 | 0:01:09 | |
where they'll be taking portrait photos of members of the public. | 0:01:09 | 0:01:12 | |
But they've got to do and say | 0:01:12 | 0:01:13 | |
everything the other jokers tell them to, via the hidden earpiece, | 0:01:13 | 0:01:17 | |
and if they refuse, they lose. | 0:01:17 | 0:01:19 | |
First up, it's Marek. | 0:01:19 | 0:01:22 | |
Hello there, would you like a free portrait today? Today only. | 0:01:22 | 0:01:24 | |
Brilliant. Thank you so much. Absolutely free, a bit of fun. | 0:01:24 | 0:01:27 | |
We're doing it cos we're thinking of setting up a shop, | 0:01:27 | 0:01:29 | |
so we're doing lots of free ones today, to get people interested. | 0:01:29 | 0:01:32 | |
-Just take a seat there. What's your name? -Rebecca. -My name's Marek. | 0:01:32 | 0:01:35 | |
-Thank you so much. -Nice to meet you. | 0:01:35 | 0:01:37 | |
-Let's do a couple of shots. -Drop to the floor. | 0:01:37 | 0:01:39 | |
Got some new techniques - I'm just going to do this... | 0:01:39 | 0:01:42 | |
Now start rolling across the floor, photographing. | 0:01:42 | 0:01:45 | |
That is perfect. Don't worry about that. That is perfect. | 0:01:45 | 0:01:50 | |
I mean, that is really... | 0:01:50 | 0:01:51 | |
This is some of the best stuff I've ever done. | 0:01:51 | 0:01:54 | |
Keep smiling. Look at the camera, please. That's it. | 0:01:56 | 0:02:00 | |
I mean, this is amazing. | 0:02:00 | 0:02:02 | |
That is beautiful, actually. | 0:02:02 | 0:02:05 | |
Keep looking at the camera. | 0:02:05 | 0:02:07 | |
Don't worry about that. Get out of it. | 0:02:10 | 0:02:13 | |
Do some sexy poses. | 0:02:13 | 0:02:14 | |
-Wonderful. That is wonderful. -Get lower, lower. | 0:02:14 | 0:02:16 | |
-Keep looking to... -More sexy, more sexy. | 0:02:16 | 0:02:19 | |
-Get sexy. -More sexy. | 0:02:19 | 0:02:21 | |
It helps if I pose, too. | 0:02:21 | 0:02:24 | |
I mean, I can do my human tripod, if you want. | 0:02:24 | 0:02:27 | |
-No. -Wonderful. You've been brilliant, thank you. | 0:02:27 | 0:02:29 | |
You're made of magic. I'm made of sand. | 0:02:29 | 0:02:32 | |
Perfect, perfect. | 0:02:32 | 0:02:34 | |
So, Marek passed his challenge and gets the first pass of the day. | 0:02:34 | 0:02:38 | |
Next up, it's Roisin. | 0:02:38 | 0:02:41 | |
-Hiya, would you be interested in a free photo today? -Free photo? -Yeah! | 0:02:41 | 0:02:44 | |
-Some people say a picture tells 1,000 words. -Me? I think one. | 0:02:44 | 0:02:50 | |
-I think one. -'Ah, yeah!' | 0:02:50 | 0:02:53 | |
That word is... | 0:02:54 | 0:02:56 | |
ah, yeah! | 0:02:56 | 0:02:58 | |
-Take one picture of him, then one of yourself. -One for you. | 0:03:00 | 0:03:03 | |
One for me. | 0:03:03 | 0:03:05 | |
One for you. | 0:03:07 | 0:03:09 | |
One for me. | 0:03:09 | 0:03:11 | |
-One for you... -Roisin, if you part the curtains, | 0:03:11 | 0:03:14 | |
there's a lovely backdrop that we've prepared for you. | 0:03:14 | 0:03:17 | |
We're going to have a new backdrop, just to spice things up. | 0:03:17 | 0:03:20 | |
JOKERS GIGGLE | 0:03:24 | 0:03:27 | |
-'How do you like that?' -That is... | 0:03:29 | 0:03:33 | |
I've stopped working out though, so I've lost my physique. | 0:03:33 | 0:03:38 | |
Would you like to stand just up next to the backdrop? | 0:03:38 | 0:03:41 | |
Ask him if he's seen your thighs. | 0:03:41 | 0:03:43 | |
Have you seen my thighs? | 0:03:43 | 0:03:44 | |
-They used to call me the nutcracker. -They used to call me the nutcracker. | 0:03:44 | 0:03:50 | |
-Get him to put his hand on your thigh. -If you just put your hand on the backdrop. | 0:03:50 | 0:03:54 | |
OK, no. That's enough of that backdrop. | 0:03:55 | 0:03:58 | |
Easy, Tiger! | 0:03:58 | 0:03:59 | |
Start taking photos of his crotch. | 0:04:00 | 0:04:03 | |
Roisin refuses the money shot, | 0:04:09 | 0:04:10 | |
so she gets the first fail of the day. | 0:04:10 | 0:04:13 | |
Now, it's Paul. | 0:04:13 | 0:04:15 | |
OK, let's just get a couple going, just to start off with. Smile. | 0:04:17 | 0:04:21 | |
-Lovely. -'A bit more.' -A bit more. | 0:04:22 | 0:04:25 | |
A bit less. | 0:04:25 | 0:04:27 | |
And just a touch less. | 0:04:27 | 0:04:29 | |
-'A tiny bit more.' -A tiny bit more. | 0:04:29 | 0:04:31 | |
Now try the backdrop. | 0:04:34 | 0:04:35 | |
Right, OK. So, just going to be doing... | 0:04:35 | 0:04:39 | |
Just going to do something behind this curtain. | 0:04:39 | 0:04:43 | |
God. Oh, no. | 0:04:53 | 0:04:54 | |
OK, I'm really sorry about this. | 0:04:57 | 0:04:59 | |
That's the wrong backdrop, sorry. | 0:05:01 | 0:05:03 | |
'Oh, no!' | 0:05:03 | 0:05:06 | |
I am sorry about that. | 0:05:06 | 0:05:08 | |
Paul refuses to take a photo with the backdrop, | 0:05:08 | 0:05:12 | |
so he gets a fail. | 0:05:12 | 0:05:14 | |
Last up, it's Joel. | 0:05:14 | 0:05:16 | |
What do you want, macho pictures? | 0:05:16 | 0:05:18 | |
What do you want? Sort of, macho pictures? Macho stuff. | 0:05:18 | 0:05:21 | |
Take a seat. Let's do this. | 0:05:21 | 0:05:24 | |
Gradually move closer until the camera is touching his forehead. See how close you can get. | 0:05:24 | 0:05:28 | |
Keep smiling. | 0:05:28 | 0:05:30 | |
Lovely. | 0:05:30 | 0:05:33 | |
Come on, that's great. That is great. | 0:05:33 | 0:05:37 | |
All right, ah! | 0:05:38 | 0:05:39 | |
What a brain! | 0:05:39 | 0:05:42 | |
-You are quite close. -Yeah, man! | 0:05:42 | 0:05:45 | |
Start moving it down his body. Just taking the camera down his body, just pushing against him. | 0:05:45 | 0:05:49 | |
HE WHEEZES Come on. | 0:05:50 | 0:05:52 | |
Here we go, that's great. That is great. Take a stand. | 0:05:58 | 0:06:02 | |
-Yes, that's the one. -Just go up against his nipple. | 0:06:02 | 0:06:05 | |
There we go. That's the one. | 0:06:12 | 0:06:14 | |
That the close-up. | 0:06:14 | 0:06:17 | |
-I just wanted to get them lively. -I want to get them lively a bit. | 0:06:17 | 0:06:19 | |
Take a picture of your own crotch | 0:06:19 | 0:06:21 | |
and say, "This one's for you, sweetheart." | 0:06:21 | 0:06:23 | |
Joel loses his bottle and gets his first fail. | 0:06:27 | 0:06:30 | |
So, at the end of the first challenge, | 0:06:33 | 0:06:35 | |
Roisin, Joel and Paul all have one fail each. | 0:06:35 | 0:06:38 | |
Time for challenge two. | 0:06:38 | 0:06:40 | |
The jokers will be taking it in turns | 0:06:40 | 0:06:42 | |
to pitch their fake autobiographies to a focus group. | 0:06:42 | 0:06:45 | |
They've got to say everything that appears on the projector screen | 0:06:45 | 0:06:48 | |
about their book, which the other jokers have written. | 0:06:48 | 0:06:50 | |
Whoever's pitch scores the lowest from the focus group gets a fail. | 0:06:50 | 0:06:55 | |
-First up, it's Marek. -Hello, Stuart, how are you doing? | 0:06:55 | 0:06:58 | |
I'm just going to take you through... | 0:06:58 | 0:07:01 | |
the book that's going to be published. | 0:07:01 | 0:07:03 | |
Just a few ideas from chapters, to see if people are interested, | 0:07:03 | 0:07:06 | |
so I can work out which bits are best to focus on, get people's ideas. | 0:07:06 | 0:07:10 | |
So, it's My Life. My name's Marek Larwood. OK, let's have a good look. | 0:07:10 | 0:07:15 | |
I can't sleep without a hankey. | 0:07:15 | 0:07:17 | |
Erm... It's sort of like a security blanket thing. | 0:07:17 | 0:07:21 | |
Things people don't know about me - this is where it gets a bit more interesting. | 0:07:23 | 0:07:27 | |
I put this voice on. It's like a nervous thing, nervous thing. | 0:07:27 | 0:07:32 | |
It's not my actual voice. | 0:07:32 | 0:07:33 | |
My real voice is probably a bit nicer than this. | 0:07:33 | 0:07:36 | |
OK. Erm... | 0:07:36 | 0:07:38 | |
JOKERS GIGGLE | 0:07:38 | 0:07:41 | |
And I'm one-tenth bisexual. | 0:07:41 | 0:07:45 | |
-Have you ever heard of that before? -No. | 0:07:46 | 0:07:49 | |
It's sort of... | 0:07:49 | 0:07:52 | |
You know, I suppose you like the idea of it. | 0:07:52 | 0:07:56 | |
OK. | 0:07:57 | 0:07:59 | |
I like boobs. | 0:07:59 | 0:08:01 | |
I mean, I probably didn't need to write that as an actual thing. OK. | 0:08:03 | 0:08:06 | |
OK. | 0:08:06 | 0:08:07 | |
Um... | 0:08:07 | 0:08:09 | |
This... | 0:08:09 | 0:08:11 | |
is... | 0:08:11 | 0:08:13 | |
That's a graph. | 0:08:13 | 0:08:17 | |
That's a graph. I just sort of compiled this. | 0:08:17 | 0:08:20 | |
A lot of it's just guesswork. | 0:08:20 | 0:08:22 | |
The End. | 0:08:23 | 0:08:25 | |
The End. That's my book. Thank you for listening. | 0:08:25 | 0:08:28 | |
I'm going to give you some paper to mark me | 0:08:28 | 0:08:30 | |
on what bits you liked about my book. | 0:08:30 | 0:08:32 | |
Thank you very much, lovely to meet you. Take care. | 0:08:32 | 0:08:34 | |
Thanks a lot. Take care. | 0:08:34 | 0:08:35 | |
Based on what we saw, if we're basing it on what I think they want... | 0:08:35 | 0:08:38 | |
I'd be very reluctant... | 0:08:38 | 0:08:41 | |
-How low would you go? -I would be two or three. -I was going to say three. | 0:08:41 | 0:08:45 | |
Let's say three. | 0:08:45 | 0:08:46 | |
So, the focus group scores Marek three, | 0:08:46 | 0:08:49 | |
meaning that's the figure to beat, to avoid getting a fail. | 0:08:49 | 0:08:53 | |
'He looks like he's waiting for his parole officer.' | 0:08:55 | 0:08:59 | |
'Someone's told him Paul Weller's dead.' | 0:08:59 | 0:09:01 | |
THEY LAUGH | 0:09:01 | 0:09:02 | |
Hello there. Thank you very much for doing this. | 0:09:04 | 0:09:06 | |
Basically, this is my book. | 0:09:06 | 0:09:08 | |
My Life, by Paul McCaffrey - Working title. | 0:09:08 | 0:09:10 | |
So, I'm just sort of looking to get a bit of feedback, really. | 0:09:10 | 0:09:13 | |
Just to see, kind of, how people feel about it, really. | 0:09:13 | 0:09:16 | |
Things people don't know about me. | 0:09:18 | 0:09:20 | |
Originally from Southampton. Have you ever been? | 0:09:21 | 0:09:26 | |
OK. | 0:09:27 | 0:09:28 | |
Big balls. | 0:09:28 | 0:09:30 | |
Big balls. | 0:09:32 | 0:09:33 | |
Nicknames I've had. | 0:09:39 | 0:09:42 | |
Swimming Paul. | 0:09:42 | 0:09:44 | |
Don't have to explain that one. | 0:09:44 | 0:09:47 | |
Paul Table. | 0:09:47 | 0:09:50 | |
Paul. | 0:09:51 | 0:09:53 | |
Bit unimaginative, but... | 0:09:54 | 0:09:56 | |
Non-tug days. | 0:09:57 | 0:09:58 | |
I think it's important to have them. | 0:09:58 | 0:10:01 | |
Easter Sunday, definite no-no. | 0:10:02 | 0:10:04 | |
Most funerals. There has been the odd one. I will say, most funerals. | 0:10:07 | 0:10:12 | |
The End. | 0:10:13 | 0:10:14 | |
And it's been really nice to meet you both | 0:10:16 | 0:10:18 | |
and I hope you enjoyed what you saw. | 0:10:18 | 0:10:20 | |
Not a lot happened. | 0:10:20 | 0:10:22 | |
There wasn't anything to it, really. | 0:10:22 | 0:10:24 | |
-Give him four. -Let's say a four. | 0:10:24 | 0:10:26 | |
So Paul scores a four, | 0:10:26 | 0:10:28 | |
meaning he beats Marek and gets himself a pass. | 0:10:28 | 0:10:31 | |
Next up, it's Roisin. | 0:10:31 | 0:10:33 | |
OK, so I'm just going to give you a snapshot of the book. | 0:10:33 | 0:10:37 | |
A feel, so that I can work out where the strengths are | 0:10:37 | 0:10:40 | |
and where the weaknesses are and stuff like that. | 0:10:40 | 0:10:42 | |
Is that all right? Brilliant. So, just go through it. | 0:10:42 | 0:10:45 | |
Things I'm not proud of, in order from least least proud | 0:10:45 | 0:10:50 | |
to most least proud. | 0:10:50 | 0:10:52 | |
Generally, most things. | 0:10:54 | 0:10:55 | |
I wipe from the back to the front. | 0:11:01 | 0:11:03 | |
That's just common sense. | 0:11:05 | 0:11:08 | |
This is one of my favourite bits of the book. | 0:11:08 | 0:11:11 | |
Things I will eat once they've been on the floor. | 0:11:11 | 0:11:15 | |
Everything. Absolutely everything. | 0:11:16 | 0:11:19 | |
My favourite things are... | 0:11:19 | 0:11:23 | |
-tiramisu. -I love tiramisu. | 0:11:23 | 0:11:25 | |
You love tiramisu? You're going to love this book. A lot about tiramisu. | 0:11:25 | 0:11:29 | |
Other favourite things. | 0:11:29 | 0:11:31 | |
She's going to go mental right now. | 0:11:31 | 0:11:33 | |
THEY LAUGH | 0:11:38 | 0:11:39 | |
And, erm... | 0:11:39 | 0:11:43 | |
over eight inches. | 0:11:43 | 0:11:44 | |
And... | 0:11:44 | 0:11:46 | |
Yeah. I mean, they are... What's not to like about that? | 0:11:49 | 0:11:53 | |
They'd be everyone's favourite. | 0:11:53 | 0:11:56 | |
That's the end. My name's Roisin and I hope you enjoyed my book. | 0:11:56 | 0:12:01 | |
-What do you want to give it out of ten? Six? -Yeah. | 0:12:01 | 0:12:05 | |
Roisin bags herself a six | 0:12:05 | 0:12:06 | |
and, in the process, gets a pass. | 0:12:06 | 0:12:09 | |
Finally, it's Joel. | 0:12:09 | 0:12:11 | |
If he's to avoid getting a fail, | 0:12:11 | 0:12:13 | |
he must score higher than Marek's three. | 0:12:13 | 0:12:15 | |
Welcome, welcome. | 0:12:15 | 0:12:17 | |
So, basically, today I'm just going to show you general topics and ideas | 0:12:17 | 0:12:21 | |
that will be contained in my book. | 0:12:21 | 0:12:23 | |
Let's just crack straight on. Just crack straight on. | 0:12:23 | 0:12:26 | |
Things people don't know about me. | 0:12:26 | 0:12:28 | |
I instinctively smile when I hate someone. So, erm... | 0:12:30 | 0:12:33 | |
There we go. | 0:12:35 | 0:12:36 | |
I laugh about smiling when I... HE SUBSIDES INTO LAUGHTER | 0:12:40 | 0:12:44 | |
So, erm... These are my top fart noises. | 0:12:47 | 0:12:51 | |
PRRRT! | 0:12:51 | 0:12:52 | |
BLEURT! | 0:12:57 | 0:12:58 | |
PLOOP! | 0:13:03 | 0:13:04 | |
That was a wet one. | 0:13:04 | 0:13:06 | |
I don't know whether that's something I want to include in my book. | 0:13:17 | 0:13:21 | |
Let's do a... | 0:13:21 | 0:13:24 | |
There we go, skip over that one. | 0:13:25 | 0:13:27 | |
That is the end. | 0:13:27 | 0:13:29 | |
-That is literally the end of my life. -Out of ten? -I would just say one. | 0:13:29 | 0:13:34 | |
So Joel scores a sorry one, | 0:13:36 | 0:13:38 | |
meaning he comes last and gets a fail. | 0:13:38 | 0:13:41 | |
At the halfway mark, after two challenges, | 0:13:41 | 0:13:44 | |
Joel is in last place, with two fails. | 0:13:44 | 0:13:47 | |
Challenge three, and the jokers will be taking it in turns | 0:13:49 | 0:13:52 | |
to drive a remote-controlled car around a park. | 0:13:52 | 0:13:55 | |
But the car is actually being controlled by the other jokers, | 0:13:55 | 0:13:58 | |
who will be deliberately crashing it into members of the public. | 0:13:58 | 0:14:01 | |
Whichever joker gives in and walks away with the fewest crashes loses. | 0:14:01 | 0:14:06 | |
It's all to play for, and remember, whoever gets the most fails overall | 0:14:06 | 0:14:09 | |
faces a humiliating forfeit at the end of the show. | 0:14:09 | 0:14:13 | |
First up, it's Joel, | 0:14:13 | 0:14:16 | |
who's currently in last place, so he really needs a pass. | 0:14:16 | 0:14:19 | |
This is so horrible. | 0:14:19 | 0:14:21 | |
I can't look. It's too embarrassing. | 0:14:26 | 0:14:27 | |
He just keeps reversing back into him! | 0:14:43 | 0:14:45 | |
He's getting pissed off. | 0:14:45 | 0:14:48 | |
Hi, why do you keep doing this? | 0:14:50 | 0:14:53 | |
Need to get better at this. | 0:14:53 | 0:14:55 | |
Joel gives up after five crashes, | 0:14:55 | 0:14:57 | |
so that's the number to beat, to avoid getting a fail. | 0:14:57 | 0:15:01 | |
Next, it's Marek. | 0:15:01 | 0:15:02 | |
-Right into her arse. -Yeah. | 0:15:04 | 0:15:06 | |
Yeah. | 0:15:07 | 0:15:09 | |
JOKERS CHUCKLE | 0:15:22 | 0:15:25 | |
Let's get a good run-up. | 0:15:25 | 0:15:26 | |
Oh, God. | 0:15:37 | 0:15:38 | |
Ah, uh... | 0:15:40 | 0:15:41 | |
Come on, Marek. | 0:15:41 | 0:15:43 | |
Here we go. | 0:15:44 | 0:15:45 | |
Sorry, I don't think it's working. | 0:15:49 | 0:15:52 | |
Sorry. | 0:15:52 | 0:15:53 | |
Marek bails out after six crashes, beating Joel | 0:15:53 | 0:15:56 | |
and getting that all-important pass. | 0:15:56 | 0:15:59 | |
Now, it's Paul. | 0:15:59 | 0:16:01 | |
-Go, go, go. -Quick. -Follow him. | 0:16:01 | 0:16:04 | |
And again. | 0:16:08 | 0:16:09 | |
THEY CHUCKLE | 0:16:10 | 0:16:11 | |
And then reverse again. Reverse again. | 0:16:15 | 0:16:17 | |
And again. | 0:16:23 | 0:16:25 | |
What?! Don't kill him. | 0:16:25 | 0:16:27 | |
CAR SCREECHES | 0:16:30 | 0:16:31 | |
JOKERS LAUGH | 0:16:31 | 0:16:33 | |
Follow him really slowly, and stop when he stops. | 0:16:36 | 0:16:38 | |
Just follow him really slowly. | 0:16:38 | 0:16:40 | |
Go. Go. Get him. | 0:16:40 | 0:16:42 | |
I've got his foot. | 0:16:42 | 0:16:44 | |
Paul's had enough and walks away. | 0:16:58 | 0:17:00 | |
But he's got seven crashes, so he avoids a fail. | 0:17:00 | 0:17:03 | |
So Roisin needs to beat Joel's score of five crashes to get a pass. | 0:17:05 | 0:17:08 | |
Let me cover you. | 0:17:10 | 0:17:12 | |
I think we're going to do a speed one. | 0:17:25 | 0:17:28 | |
-Get some speed up. -I know. | 0:17:28 | 0:17:30 | |
You might maim them. | 0:17:31 | 0:17:33 | |
I can't look at them. | 0:17:36 | 0:17:37 | |
She's going round them in circles. | 0:17:42 | 0:17:45 | |
Ooh. She's clocked her. | 0:17:45 | 0:17:48 | |
-ROISIN: -Sorry. | 0:17:48 | 0:17:49 | |
Sorry, sorry. | 0:17:51 | 0:17:53 | |
Sorry. Sorry. | 0:17:53 | 0:17:55 | |
Sorry. | 0:17:55 | 0:17:56 | |
Roisin bottles it after only four crashes, | 0:17:57 | 0:18:00 | |
which is the lowest score, and she gets her second fail of the day. | 0:18:00 | 0:18:04 | |
-Fucking bastards. Right over her hand. -Good driving, Roisin. | 0:18:04 | 0:18:08 | |
Excellent. | 0:18:08 | 0:18:09 | |
Which means, as we head into the final challenge, | 0:18:09 | 0:18:12 | |
it's all to play for, with Joel and Roisin | 0:18:12 | 0:18:14 | |
neck-and-neck on two fails each. | 0:18:14 | 0:18:16 | |
Challenge four and the jokers are posing as foreign-language | 0:18:19 | 0:18:22 | |
teachers, getting prospective students to read phrases | 0:18:22 | 0:18:24 | |
written by the other jokers, but they won't know | 0:18:24 | 0:18:27 | |
the English translation till they turn over the card. | 0:18:27 | 0:18:29 | |
They must do and say everything the other jokers tell them, | 0:18:29 | 0:18:32 | |
and if they don't sign up a new student, they fail. | 0:18:32 | 0:18:35 | |
First up, it's Paul. | 0:18:35 | 0:18:38 | |
-Pleased to meet you. Thanks very much for coming. -That's all right. | 0:18:38 | 0:18:41 | |
Hi. So, er...let's learn bloody German. | 0:18:41 | 0:18:44 | |
These are flash cards. Basically, I'm going to be going through some common phrases. OK. | 0:18:48 | 0:18:52 | |
Hallo. | 0:18:52 | 0:18:53 | |
-Hallo. -Hallo. -OK. | 0:18:55 | 0:18:57 | |
Hello. | 0:18:57 | 0:18:58 | |
Do you want to read this one out? | 0:19:00 | 0:19:02 | |
Ich habe ein Glockenspiel bis mein Hintern. | 0:19:02 | 0:19:05 | |
OK. | 0:19:05 | 0:19:06 | |
I've got a glockenspiel up my bum. | 0:19:10 | 0:19:12 | |
HE LAUGHS | 0:19:12 | 0:19:13 | |
Don't know when you'd need that, but it's always good to know. | 0:19:15 | 0:19:18 | |
-OK. -Just going to finish off with a traditional German dance. | 0:19:18 | 0:19:22 | |
-Are you a dancer? -Oh, I love a bit of dancing. -Slap my thigh! | 0:19:22 | 0:19:26 | |
This dance contains all of the German words in moves. | 0:19:26 | 0:19:30 | |
This dance will basically communicate all of the words in moves. | 0:19:30 | 0:19:34 | |
And then put one hand on your nipple, and off. Look at him. | 0:19:35 | 0:19:38 | |
'Look at him.' | 0:19:38 | 0:19:41 | |
Say Bundesliga. | 0:19:41 | 0:19:42 | |
Bundesliga. | 0:19:42 | 0:19:44 | |
Bundesliga. | 0:19:47 | 0:19:48 | |
Bundesliga. | 0:19:48 | 0:19:50 | |
-'Again. Bundesliga.' -Bundesliga. | 0:19:50 | 0:19:52 | |
-'Really angry, shout Bundesliga.' -Bundesliga! | 0:19:52 | 0:19:55 | |
Bundesliga! | 0:19:57 | 0:19:59 | |
-'All right. Sit down. Sit back down.' -Phew! | 0:19:59 | 0:20:01 | |
-After that taster, would you be interested in signing up for a whole course? -Yeah. | 0:20:01 | 0:20:05 | |
-No! -Bundesliga. -Is that it? | 0:20:05 | 0:20:08 | |
Paul successfully signs up a student, and gets another pass. | 0:20:08 | 0:20:12 | |
Next is Marek. | 0:20:12 | 0:20:13 | |
-Right, OK. Have you ever tried any Icelandic before? -No. | 0:20:15 | 0:20:19 | |
OK. Right, let's start off with...some flash cards. Just some basic stuff. | 0:20:19 | 0:20:24 | |
Mit-naf-uuurrr. | 0:20:24 | 0:20:26 | |
-Mit-naf-uuurrr. -Perfect. | 0:20:26 | 0:20:28 | |
To get the right sound, you need to close your mouth more - like this. | 0:20:28 | 0:20:31 | |
To get the sound on that, you need to just close your mouth a bit more. | 0:20:31 | 0:20:34 | |
So it's... | 0:20:34 | 0:20:36 | |
With your mouth like an arsehole. | 0:20:36 | 0:20:38 | |
So it's just a bit, sort of... A bit like an arsehole sort of thing. | 0:20:38 | 0:20:41 | |
OK, so let's move onto the next one, then. | 0:20:42 | 0:20:45 | |
'Do it in the style of a really old man.' | 0:20:45 | 0:20:47 | |
This is quite a traditional old person's sentence, | 0:20:47 | 0:20:50 | |
so I'll do it in an old man's voice. | 0:20:50 | 0:20:52 | |
-COMEDY OLD MAN'S VOICE: -Kuldi vind... | 0:20:52 | 0:20:54 | |
Kuldi vindur... | 0:20:59 | 0:21:00 | |
'Older. Older.' | 0:21:00 | 0:21:01 | |
Ge... Sorry, I'm not old enough. I need to add another ten years on that. Sorry. | 0:21:01 | 0:21:05 | |
JOKERS CHUCKLE | 0:21:05 | 0:21:06 | |
-RASPING: -Kuldi vindur... | 0:21:06 | 0:21:09 | |
geirvorturnar minar... | 0:21:09 | 0:21:12 | |
Let's see what that means. | 0:21:12 | 0:21:13 | |
It's, um... The cold wind is turning... | 0:21:15 | 0:21:18 | |
my nipples into coat pegs. OK. | 0:21:18 | 0:21:20 | |
JOKERS EXPLODE WITH LAUGHTER | 0:21:20 | 0:21:22 | |
'Tell her one of the most beautiful things you've ever heard...' | 0:21:24 | 0:21:26 | |
One of the most beautiful things I ever heard... | 0:21:26 | 0:21:29 | |
..is the mating call of a reindeer. | 0:21:29 | 0:21:31 | |
I defy you not to be moved by this. | 0:21:35 | 0:21:37 | |
It's the mating call of the reindeer. | 0:21:37 | 0:21:39 | |
So I'll just do this quickly. | 0:21:39 | 0:21:42 | |
HOO-HOO! | 0:21:42 | 0:21:44 | |
HOO! I'm being hunted, so... | 0:21:46 | 0:21:48 | |
HOO-HOO! | 0:21:48 | 0:21:50 | |
HOO-HOO! | 0:21:50 | 0:21:52 | |
Please don't get me, which translated into Norway is... | 0:21:52 | 0:21:54 | |
HOO-HOO-HOO-HOO! | 0:21:54 | 0:21:56 | |
HE NEIGHS | 0:21:58 | 0:21:59 | |
HE NEIGHS | 0:22:00 | 0:22:03 | |
So that's, er... That's the reindeer. | 0:22:03 | 0:22:05 | |
-Would you consider taking my class, as a class? -I don't think so. | 0:22:07 | 0:22:12 | |
Marek's student refuses to sign up, | 0:22:14 | 0:22:16 | |
so he gets his first fail of the day. | 0:22:16 | 0:22:18 | |
Now it's Joel. | 0:22:19 | 0:22:21 | |
With two fails, he desperately needs a pass, to avoid the forfeit. | 0:22:21 | 0:22:25 | |
-It's going to be interesting. Are you excited? -Yeah. | 0:22:25 | 0:22:28 | |
-Have you ever, sort of, approached Mandarin at all? -Never. | 0:22:28 | 0:22:32 | |
-So let's do some flash cards. -So this is just basic? | 0:22:32 | 0:22:35 | |
-Yeah, this is pretty basic stuff. -OK. | 0:22:35 | 0:22:38 | |
Tam-noo-wa-ashay-wassa-ooh-wadda-cow- tow-kun-yen-a-shi-shi. | 0:22:38 | 0:22:44 | |
-WHISPERS: -She's pretty good. | 0:22:44 | 0:22:46 | |
That means egg?! | 0:22:46 | 0:22:47 | |
That means egg. | 0:22:47 | 0:22:48 | |
-All of that means egg? -All of that means egg. | 0:22:51 | 0:22:54 | |
Just try this one. | 0:22:54 | 0:22:56 | |
Um...Wadda-ti-ee-tiem-dushay-ola- hoiz-hwa-long-beetra-a... | 0:22:56 | 0:23:04 | |
When she finishes, look at her and shout, "How dare you?" | 0:23:04 | 0:23:06 | |
How dare you? | 0:23:06 | 0:23:08 | |
It means... | 0:23:12 | 0:23:13 | |
my favourite film is Crouching Dragon, Hidden Hard-On. | 0:23:13 | 0:23:17 | |
-That's a thing. It's a thing. It's a thing. -Ask her if she's seen it. | 0:23:17 | 0:23:20 | |
-Have you seen it? -No. -Seen that film? -No. -It's a good one. | 0:23:20 | 0:23:24 | |
It's a really good one. Let's try a few more. | 0:23:24 | 0:23:27 | |
Swalla-washum-shvee-fit-sa-hao-si- bor-han. | 0:23:27 | 0:23:32 | |
This one means... Ooh... | 0:23:32 | 0:23:34 | |
You've... | 0:23:36 | 0:23:37 | |
You've made my crispy seaweed go limp. | 0:23:38 | 0:23:41 | |
Would you consider taking a slightly longer course with me in Cantonese? | 0:23:44 | 0:23:48 | |
-Probably. -Probably? | 0:23:48 | 0:23:50 | |
-She's going to take the course! -You're joking. | 0:23:50 | 0:23:53 | |
Claire, you're amazing. | 0:23:53 | 0:23:54 | |
Joel turns on the charm, gets her signature | 0:23:54 | 0:23:57 | |
and that all-important pass, | 0:23:57 | 0:23:59 | |
meaning if Roisin fails, she will be crowned this week's loser. | 0:23:59 | 0:24:02 | |
Peter. | 0:24:02 | 0:24:03 | |
Hello, Peter. I'm Roisin. Lovely to meet you. Thanks for coming along. | 0:24:03 | 0:24:07 | |
So we're going to be... I'm going to be going through some of the basics | 0:24:07 | 0:24:10 | |
of French, so first of all... | 0:24:10 | 0:24:12 | |
-Bonjour. -Bonjour. -Excellent. A-plus. | 0:24:12 | 0:24:15 | |
Tell him body language is very important with the French. | 0:24:15 | 0:24:18 | |
Body language, Peter, is very important with the French. | 0:24:18 | 0:24:22 | |
Tell him to shrug his shoulders like he doesn't give a shit. | 0:24:22 | 0:24:25 | |
So, um, if you could just | 0:24:25 | 0:24:27 | |
shrug your shoulders, like you don't give a shit. | 0:24:27 | 0:24:29 | |
-OK. Yeah, yeah. -Yeah? Bonjour. -Bonjour. | 0:24:29 | 0:24:33 | |
Tell him it's natural to get a boner | 0:24:33 | 0:24:35 | |
-while you're speaking this language. -OK. | 0:24:35 | 0:24:38 | |
OK. Peter, um... CLEARS THROAT | 0:24:38 | 0:24:40 | |
..as we're going through these cards, it is... | 0:24:40 | 0:24:44 | |
It's actually natural to get a boner | 0:24:44 | 0:24:47 | |
when you're learning a French class sometimes, so just don't worry. | 0:24:47 | 0:24:51 | |
Ignore it. | 0:24:51 | 0:24:52 | |
Anything you'd like to know how to say in French yourself? | 0:24:54 | 0:24:57 | |
Which turning off the roundabout do I take? | 0:24:57 | 0:24:59 | |
Say, to be honest, you just need to get a satnav. | 0:24:59 | 0:25:01 | |
You probably need to get a satnav. You don't need a dictionary for this. | 0:25:01 | 0:25:05 | |
THEY LAUGH BREATHLESSLY | 0:25:05 | 0:25:07 | |
You are now going to confess to a murder in French. | 0:25:09 | 0:25:12 | |
What I'm about to show you is, if it ever happens, because it can | 0:25:12 | 0:25:15 | |
happen - you go on holiday, you've had a night out, you have a drink, | 0:25:15 | 0:25:18 | |
your beret's been nicked, and you end up killing someone. | 0:25:18 | 0:25:21 | |
Typical Friday. And so you've got to confess to a murder. | 0:25:21 | 0:25:26 | |
COMEDY FRENCH ACCENT: Uhhhhh.... J'ai killed 'im! | 0:25:26 | 0:25:28 | |
With the 'ammer. | 0:25:31 | 0:25:34 | |
I was on my 'olidays, and I killed 'im. | 0:25:34 | 0:25:38 | |
And I didn't 'ave a satnav. Oh, j'habite, j'habite Londres! | 0:25:38 | 0:25:44 | |
If I had to ask you today to say yes or no | 0:25:45 | 0:25:47 | |
whether you'd come back to my French class, would you do it? | 0:25:47 | 0:25:50 | |
-MAREK WHISPERS: -'No.' | 0:25:50 | 0:25:51 | |
Be honest. No. | 0:25:51 | 0:25:53 | |
Based on what you've told me today, | 0:25:53 | 0:25:55 | |
-and if I really wanted to learn French, no. -No. | 0:25:55 | 0:25:58 | |
Roisin doesn't sign up her student, so that's her third fail... | 0:25:58 | 0:26:02 | |
..making her this week's loser. | 0:26:05 | 0:26:07 | |
Time for Roisin to face the consequences. | 0:26:07 | 0:26:10 | |
THEY SING A BARBERSHOP HARMONY | 0:26:10 | 0:26:13 | |
BOYS: # Roisin! You're the loser Loser, loser! # | 0:26:16 | 0:26:20 | |
You are officially the loser, Roisin. | 0:26:20 | 0:26:22 | |
But don't worry, because you know how you like singing | 0:26:22 | 0:26:25 | |
the whole time? Well, you're going to get the chance to do that today. | 0:26:25 | 0:26:28 | |
You're going to be serenading a table of diners. | 0:26:28 | 0:26:30 | |
But what are you going to sing about? | 0:26:30 | 0:26:32 | |
We are going to give you a song title in your ear, Roisin, | 0:26:32 | 0:26:35 | |
of a song you have to completely make up on the spot. | 0:26:35 | 0:26:40 | |
You horrible arseholes. | 0:26:40 | 0:26:41 | |
-We just set the mark on how good the song needs to be. -Be lucky. | 0:26:41 | 0:26:45 | |
'Here we go now. He we go. Ah, ah, ah, yeah!' | 0:26:45 | 0:26:49 | |
'So, Roisin,' | 0:26:49 | 0:26:51 | |
have you found the table you want to sing to? There they are. | 0:26:51 | 0:26:54 | |
The big table. The nice big table. | 0:26:54 | 0:26:56 | |
'And the title of your song is going to be...' | 0:26:56 | 0:26:59 | |
Don't Touch Me With Those Grubby Fingers. | 0:26:59 | 0:27:02 | |
'Serenade the restaurant, Roisin, Serenade the restaurant.' | 0:27:02 | 0:27:06 | |
-'Right up to them. Right up to them.' -'Right up to the table, Roisin. Right up to the table.' | 0:27:08 | 0:27:12 | |
# Don't touch me with those gru... | 0:27:12 | 0:27:14 | |
SHE LAUGHS | 0:27:14 | 0:27:16 | |
# Don't touch me with those with those grubby hands | 0:27:16 | 0:27:21 | |
# Don't touch me with those grubby fingers | 0:27:21 | 0:27:25 | |
# Don't touch me with those grubby hands | 0:27:25 | 0:27:29 | |
# Don't touch me with those grubby fingers | 0:27:29 | 0:27:32 | |
# And if you had washed your hands I'd let you touch me, touch me | 0:27:33 | 0:27:38 | |
# With your grubby... # | 0:27:38 | 0:27:39 | |
We're going to change the track. | 0:27:39 | 0:27:41 | |
It's a reggae track called Babylon Disco. One, two, three, go. | 0:27:41 | 0:27:46 | |
# Dirty hands | 0:27:46 | 0:27:48 | |
-JAMAICAN ACCENT: -# And then I was at the Babylon disco | 0:27:48 | 0:27:52 | |
# Just dancin' to the music | 0:27:52 | 0:27:55 | |
# Dancin' in Babylon | 0:27:55 | 0:27:57 | |
# Just dancin', just dancin' | 0:27:57 | 0:28:00 | |
# I was dancin' in Babylon | 0:28:00 | 0:28:03 | |
# With my friend named Su-usan. # | 0:28:03 | 0:28:07 | |
Thank you very much. | 0:28:07 | 0:28:09 | |
-WEAK APPLAUSE -Thank you. Thanks, guys. | 0:28:10 | 0:28:13 | |
I'm actually traumatised. | 0:28:17 | 0:28:19 | |
That's all from Impractical Jokers this week. | 0:28:22 | 0:28:24 | |
Coming soon, the jokers will be analysing handwriting... | 0:28:24 | 0:28:28 | |
You might have worms. | 0:28:28 | 0:28:29 | |
..and trying not to scream. | 0:28:29 | 0:28:32 | |
SCREAMS LOUDLY | 0:28:32 | 0:28:34 | |
Subtitles by Red Bee Media Ltd | 0:29:00 | 0:29:03 |