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Let's do this. | 0:00:19 | 0:00:21 | |
This is Impractical Jokers, the hidden camera show where | 0:00:22 | 0:00:25 | |
four comedians compete to embarrass each other in everyday situations. | 0:00:25 | 0:00:29 | |
The jokers are: Joel Dommett. | 0:00:29 | 0:00:32 | |
That really happened, didn't it? That really happened. | 0:00:32 | 0:00:35 | |
Roisin Conaty. | 0:00:35 | 0:00:37 | |
Can I what you? | 0:00:37 | 0:00:38 | |
-Paul McCaffrey. -Bless you, my children. | 0:00:38 | 0:00:40 | |
And Marek Larwood. | 0:00:40 | 0:00:42 | |
Gribby growbbler. | 0:00:42 | 0:00:44 | |
They have to do and say everything the others tell them, | 0:00:44 | 0:00:48 | |
or face a forfeit. | 0:00:48 | 0:00:49 | |
It's a ruthless fight to the finish where there's no winner, | 0:00:49 | 0:00:53 | |
just a loser. | 0:00:53 | 0:00:54 | |
Aw! | 0:00:54 | 0:00:55 | |
-We've always wanted to work in the movies. -The big screen. | 0:01:04 | 0:01:08 | |
Where have you gone? | 0:01:08 | 0:01:09 | |
So, we're here at the multiplex, | 0:01:09 | 0:01:10 | |
where we're working behind the snack counter. | 0:01:10 | 0:01:12 | |
Let's make dreams come true today. | 0:01:12 | 0:01:14 | |
And the challenge is to do and say what the other judges tell us. | 0:01:14 | 0:01:18 | |
Swallow it. | 0:01:18 | 0:01:19 | |
And, if we refuse... | 0:01:19 | 0:01:21 | |
-Sorry... -We lose. | 0:01:21 | 0:01:23 | |
First up is Roisin. | 0:01:26 | 0:01:28 | |
I think she really fits in there, you know? | 0:01:28 | 0:01:31 | |
-She looks like she's just come back from her 15th fag of the day. -Cheeky sod. Hello. | 0:01:31 | 0:01:35 | |
Oh, here we go. | 0:01:36 | 0:01:38 | |
-Sweet or salted? -Sweet. | 0:01:38 | 0:01:39 | |
Right, shout it really loud | 0:01:39 | 0:01:41 | |
as if it's someone else is going to get it. | 0:01:41 | 0:01:42 | |
Sweet popcorn! | 0:01:42 | 0:01:44 | |
Why isn't someone bringing my sweet popcorn? | 0:01:44 | 0:01:47 | |
Where's the sweet popcorn, guys? | 0:01:47 | 0:01:49 | |
Anything else I can get you? | 0:01:51 | 0:01:52 | |
Just the sweet popcorn? Sweet popcorn! | 0:01:52 | 0:01:56 | |
INAUDIBLE | 0:01:56 | 0:02:01 | |
Say, I've got an angry one here. This bloke's going crazy. | 0:02:01 | 0:02:05 | |
Hurry up, he's going mental out here! | 0:02:05 | 0:02:07 | |
Ask him to calm down. It'll be there in a minute. | 0:02:07 | 0:02:09 | |
Calm down, honestly, someone's coming... | 0:02:09 | 0:02:11 | |
-All right mate, you need to relax. -You've just got to relax, relax. | 0:02:11 | 0:02:14 | |
It'll be a minute. Come on! | 0:02:14 | 0:02:17 | |
Now only put one bit of popcorn in, bit by bit and count it. | 0:02:19 | 0:02:24 | |
-Two. -Two. Count it. | 0:02:24 | 0:02:26 | |
-Three. -Keep going. | 0:02:26 | 0:02:27 | |
Four, five... | 0:02:27 | 0:02:29 | |
How many did you want again? | 0:02:29 | 0:02:33 | |
Did you not have any dinner? | 0:02:33 | 0:02:35 | |
You've got loads there. Right. | 0:02:36 | 0:02:40 | |
Just call it 40 pound? | 0:02:40 | 0:02:42 | |
Roisin performs all her challenges, and earns herself a pass. | 0:02:44 | 0:02:49 | |
Next up, it's Paul. | 0:02:49 | 0:02:52 | |
Paul, didn't you used to work in a supermarket? | 0:02:52 | 0:02:55 | |
They genuinely wouldn't let me operate a till. | 0:02:55 | 0:02:58 | |
That's the level of trust they had in me. Here we go. | 0:02:58 | 0:03:01 | |
Could I ask you to come round to this till, lady, | 0:03:02 | 0:03:04 | |
because I'm not allowed round there. | 0:03:04 | 0:03:07 | |
-Personal reasons. -Personal reasons. -What are they? | 0:03:07 | 0:03:09 | |
But really, really, really personal reasons. | 0:03:09 | 0:03:12 | |
But really, really personal reasons...so personal. | 0:03:12 | 0:03:15 | |
I'd only tell you how personal if I got invited on Oprah, or something. | 0:03:15 | 0:03:18 | |
I'd only probably tell you if I was actually invited on Oprah, | 0:03:18 | 0:03:21 | |
-or something - that's how personal these problems are. -Right. | 0:03:21 | 0:03:24 | |
I don't really want to go into it, but... | 0:03:24 | 0:03:26 | |
But if I was to tell you, I'd tell you like this. | 0:03:26 | 0:03:28 | |
Let's just say if I was to tell you, I'd tell you like this. | 0:03:28 | 0:03:31 | |
Many years ago in a faraway galaxy... | 0:03:31 | 0:03:34 | |
I'm sorry, why do I feel like I'm opening up to you? | 0:03:34 | 0:03:37 | |
You just seem like you've got very trustworthy faces. | 0:03:37 | 0:03:40 | |
A long time ago in a galaxy far away... | 0:03:40 | 0:03:42 | |
Now go into movie voice. | 0:03:42 | 0:03:44 | |
-As a young man. -A young man. | 0:03:44 | 0:03:46 | |
Who could've been Liam Gallagher. | 0:03:46 | 0:03:48 | |
That could've been Liam Gallagher... | 0:03:48 | 0:03:50 | |
You've been hit by a spade. | 0:03:50 | 0:03:52 | |
You've been hit by a spade. | 0:03:56 | 0:03:58 | |
Go on. | 0:03:58 | 0:04:00 | |
What can I get you, ladies? | 0:04:00 | 0:04:02 | |
So Paul refuses and get a fail. | 0:04:05 | 0:04:09 | |
Next on duty, it's Marek. | 0:04:09 | 0:04:13 | |
Marek does not look like he should be working in customer services. | 0:04:15 | 0:04:19 | |
-At all. -No. | 0:04:19 | 0:04:20 | |
Like if you were to employ him you'd keep him in the store room, wouldn't you? | 0:04:20 | 0:04:24 | |
I failed my food hygiene certificate. | 0:04:24 | 0:04:26 | |
I can imagine if you had a job like this | 0:04:26 | 0:04:28 | |
you'd be sticking your dick in the popcorn. | 0:04:28 | 0:04:30 | |
That's how I failed it. | 0:04:30 | 0:04:31 | |
Hello. | 0:04:35 | 0:04:37 | |
Three? | 0:04:38 | 0:04:40 | |
Three hotdogs. Get in. | 0:04:42 | 0:04:47 | |
Use your hands. Use your hands. | 0:04:47 | 0:04:49 | |
-Ah! -Ah! It's really hot. | 0:04:49 | 0:04:51 | |
And wave it, wave it in their face, wave it in their face. | 0:04:51 | 0:04:54 | |
-Three separate ones? -Yeah. | 0:04:55 | 0:04:57 | |
-So you all want one? -Yeah. | 0:04:57 | 0:04:59 | |
Ah! | 0:04:59 | 0:05:01 | |
Throw it across the room. | 0:05:04 | 0:05:05 | |
That's really...it's too hot. | 0:05:05 | 0:05:07 | |
Oh, my God, again! | 0:05:09 | 0:05:11 | |
What you trying to do to me? | 0:05:11 | 0:05:12 | |
Ah! | 0:05:12 | 0:05:13 | |
I can see why they're called hot dogs, I tell you. | 0:05:15 | 0:05:17 | |
Right, last one. Will have to be two, I'm afraid. | 0:05:19 | 0:05:22 | |
If you come round to this till here, please. Do you want ketchup? | 0:05:22 | 0:05:26 | |
Put it in your mouth and say, is that enough? | 0:05:26 | 0:05:29 | |
Just keep filling your mouth, Marek. | 0:05:29 | 0:05:30 | |
Is that enough? | 0:05:30 | 0:05:31 | |
Keep filling it. Keep filling it. | 0:05:31 | 0:05:33 | |
Tell me when to stop. Tell me when to stop. | 0:05:33 | 0:05:35 | |
Keep doing it. Keep doing it. | 0:05:35 | 0:05:37 | |
Now, straight face, look at them | 0:05:41 | 0:05:43 | |
and go, you're going to ruin these hot dogs. | 0:05:43 | 0:05:46 | |
You're going to ruin these hot dogs. | 0:05:46 | 0:05:48 | |
Swallow it. | 0:05:48 | 0:05:50 | |
If you don't swallow it, you lose. | 0:05:50 | 0:05:52 | |
I don't want to swallow it! | 0:05:52 | 0:05:54 | |
Marek refuses to swallow, and also gets a fail. | 0:05:58 | 0:06:02 | |
Finally, behind the counter, it's Joel. | 0:06:02 | 0:06:05 | |
-How you doing, Pedro? -My name is Pedro. Hello. | 0:06:06 | 0:06:10 | |
Pedro, como estas? | 0:06:10 | 0:06:11 | |
Oui, monsieur. | 0:06:11 | 0:06:13 | |
-Hi there, what can I get for you? -Popcorns? | 0:06:15 | 0:06:18 | |
Popcorns? Popcorns - we have more than one, it's good. | 0:06:18 | 0:06:21 | |
Are they Spanish, Pedro? | 0:06:21 | 0:06:22 | |
Ask them if they're Spanish. | 0:06:22 | 0:06:25 | |
-Are you guys Spanish? -Yeah. | 0:06:25 | 0:06:27 | |
-So am I. -So am I. So am I. | 0:06:27 | 0:06:30 | |
So am I, si, si, si, si... | 0:06:30 | 0:06:33 | |
Si, si, si, si. | 0:06:33 | 0:06:35 | |
Yeah, Pedro. Me llamo Pedro. | 0:06:35 | 0:06:38 | |
Tell them where you're from, Joel. | 0:06:38 | 0:06:41 | |
I'm from town called Lisbon. | 0:06:41 | 0:06:44 | |
That's not even in Spain! | 0:06:44 | 0:06:46 | |
How you say...? | 0:06:46 | 0:06:47 | |
How you say...? | 0:06:47 | 0:06:48 | |
-Plenty... -Plenty... | 0:06:48 | 0:06:50 | |
Puss-puss. | 0:06:50 | 0:06:52 | |
Eh... | 0:06:59 | 0:07:01 | |
How you say... | 0:07:01 | 0:07:04 | |
mucho... | 0:07:04 | 0:07:08 | |
mucho, mucho... | 0:07:08 | 0:07:10 | |
Puss-puss. | 0:07:12 | 0:07:13 | |
Joel chickens out, and fails. | 0:07:16 | 0:07:19 | |
Meaning that after the first challenge, Marek, Paul, | 0:07:19 | 0:07:22 | |
and Joel are level with one fail each. | 0:07:22 | 0:07:25 | |
We're here in Leicester Square, where we're giving away | 0:07:28 | 0:07:31 | |
free theatre tickets to a show. | 0:07:31 | 0:07:33 | |
-What show, pray tell? -Ah... | 0:07:33 | 0:07:35 | |
They don't know the name of the show until they open the envelope and see the tickets. | 0:07:35 | 0:07:39 | |
It's called Everyone's Bisexual Once. | 0:07:39 | 0:07:41 | |
Why Do Potatoes Have To Die? | 0:07:41 | 0:07:42 | |
The Inside Of His Bra. | 0:07:42 | 0:07:44 | |
And if they can't convince someone to take the ticket, they lose. | 0:07:44 | 0:07:48 | |
OK, no worries. | 0:07:48 | 0:07:50 | |
First up, it's Marek. | 0:07:55 | 0:07:57 | |
-Blue trainers, and blue jumper. -Yeah, you've matched it, mate. | 0:07:58 | 0:08:01 | |
You look like you were dressed by Pixar. | 0:08:01 | 0:08:04 | |
I just need to get rid of these tickets. | 0:08:04 | 0:08:06 | |
Hello, I don't suppose you're looking for some theatre tickets tonight. | 0:08:06 | 0:08:10 | |
I've got these to give away for free. OK... | 0:08:10 | 0:08:14 | |
Hello there. I've got two free tickets to the theatre tonight | 0:08:14 | 0:08:16 | |
if you fancy going? I can't give them away to... | 0:08:16 | 0:08:18 | |
I mean, I'm a real person with real feelings, so... | 0:08:18 | 0:08:21 | |
Just don't even look at me. Excuse me, mate, | 0:08:21 | 0:08:23 | |
I've got some theatre tickets that I've got too many of. | 0:08:23 | 0:08:25 | |
I don't suppose you want tickets to go and see... | 0:08:25 | 0:08:28 | |
I don't really. What is it? | 0:08:28 | 0:08:29 | |
It's called... | 0:08:29 | 0:08:31 | |
Everyone Ends Up Bumming. | 0:08:33 | 0:08:36 | |
No? Are you sure I can't give you...? No? OK. | 0:08:36 | 0:08:39 | |
Hello there, I'm trying to get rid of some free tickets to see shows I don't need. | 0:08:41 | 0:08:45 | |
I don't suppose you a ticket to see... | 0:08:45 | 0:08:49 | |
Mr Poopy's Ploppy Plop Plop Show? | 0:08:49 | 0:08:52 | |
It's just... it's a good show, actually, | 0:08:54 | 0:08:56 | |
and if you like plops there's at least three in it guaranteed. | 0:08:56 | 0:08:59 | |
-This evening? -It's this evening, yeah. | 0:08:59 | 0:09:02 | |
-We have already tickets. -Where are you... What are you going to see? | 0:09:02 | 0:09:05 | |
Phantom Of The Opera. | 0:09:05 | 0:09:07 | |
This is like that but with more plops in it. | 0:09:07 | 0:09:10 | |
All right. Sorry to bother you, I'm trying to get rid of some theatre tickets I bought too many of. | 0:09:11 | 0:09:15 | |
I've got a couple of spare tickets. I don't want the money for them. I'm just - they're free. | 0:09:15 | 0:09:19 | |
It's called Cats: But This Time With Real Cats. | 0:09:19 | 0:09:21 | |
You sure? It's supposed to be really good. | 0:09:21 | 0:09:24 | |
You get them for free. | 0:09:24 | 0:09:25 | |
Meow, like that. But, but like a cat, an actual cat. | 0:09:25 | 0:09:30 | |
This is a cat-astrophe. | 0:09:30 | 0:09:32 | |
Marek doesn't manage to give away any theatre tickets, | 0:09:32 | 0:09:35 | |
and bags himself a fail. | 0:09:35 | 0:09:36 | |
Next up, Paul. | 0:09:38 | 0:09:40 | |
I'm supposed to be going to the theatre tonight around here. | 0:09:41 | 0:09:43 | |
The people I was supposed to be going with aren't coming. | 0:09:43 | 0:09:46 | |
I've got left with these. I don't want any money for them. I don't want to waste them. | 0:09:46 | 0:09:49 | |
Two tickets for the theatre tonight. | 0:09:49 | 0:09:51 | |
They're absolutely free. | 0:09:51 | 0:09:53 | |
-What's the show? -It's for a show called Bot-Clog. | 0:09:53 | 0:09:59 | |
It's been getting really good reviews. | 0:09:59 | 0:10:01 | |
I mean, you might want to give them to someone else, | 0:10:01 | 0:10:04 | |
Bot-Clog - everyone's talking about it. | 0:10:04 | 0:10:06 | |
Excuse me lads, basically I've been lumped with all these tickets | 0:10:06 | 0:10:10 | |
and I'm giving them away basically for free. | 0:10:10 | 0:10:12 | |
A couple of free theatre tickets? | 0:10:12 | 0:10:15 | |
Yeah? It's for a show called The Generous Pervert. | 0:10:15 | 0:10:19 | |
What's that about Paul? | 0:10:19 | 0:10:22 | |
What's it about? It's autobiographical. | 0:10:22 | 0:10:25 | |
It's just about this sort of weird, perverted guy that walks | 0:10:25 | 0:10:27 | |
round Leicester Square giving away free theatre tickets. | 0:10:27 | 0:10:30 | |
You should enjoy it. Have a good night. | 0:10:30 | 0:10:31 | |
-All the best. -Unbelievable. | 0:10:31 | 0:10:33 | |
Paul manages to successfully give away three theatre tickets | 0:10:34 | 0:10:37 | |
earning himself a pass. | 0:10:37 | 0:10:39 | |
Next up, it's Roisin. | 0:10:42 | 0:10:44 | |
Excuse me, sir, I've got some tickets. I'm giving them | 0:10:45 | 0:10:48 | |
away free to the theatre. | 0:10:48 | 0:10:49 | |
I bought too many. Do you want them? | 0:10:49 | 0:10:51 | |
Tickets for what? | 0:10:51 | 0:10:52 | |
The tickets to a show called... | 0:10:52 | 0:10:54 | |
It's called, Susan Piss. | 0:10:59 | 0:11:01 | |
No? | 0:11:05 | 0:11:07 | |
It's a hard sell. It's a hard sell. | 0:11:07 | 0:11:10 | |
Hiya, I bought too many shows.... | 0:11:12 | 0:11:14 | |
I bought too many tickets for a theatre show. | 0:11:14 | 0:11:17 | |
They're completely free. | 0:11:17 | 0:11:19 | |
Would you like them? I don't want them. | 0:11:19 | 0:11:21 | |
-What is it? -It's a theatre show it's on tonight, | 0:11:21 | 0:11:23 | |
it's called, it's called... | 0:11:23 | 0:11:25 | |
Space Vag. | 0:11:25 | 0:11:26 | |
It's OK. | 0:11:28 | 0:11:30 | |
Everyone likes vag, everyone likes space. | 0:11:30 | 0:11:32 | |
Everyone likes space, and everyone likes vag. | 0:11:32 | 0:11:35 | |
No worries. | 0:11:35 | 0:11:37 | |
Roisin doesn't manage to give away any tickets | 0:11:39 | 0:11:41 | |
and bags herself a fail. | 0:11:41 | 0:11:43 | |
Finally, it's Joel. | 0:11:45 | 0:11:46 | |
What's it like being dressed like the pavement today, Joel? | 0:11:48 | 0:11:51 | |
Great. I like to be camouflaged at all times. | 0:11:51 | 0:11:54 | |
Hey, guys, I've got some free tickets just to offer you | 0:11:55 | 0:11:58 | |
and I've just bought too many theatre tickets, | 0:11:58 | 0:12:00 | |
that's all, and I've got a couple left and I'm just trying to... | 0:12:00 | 0:12:03 | |
-Are they free? -They're free. Yeah. I'm just wondering whether you wanted them. | 0:12:03 | 0:12:06 | |
It's for a... It's for a show, it's called... | 0:12:06 | 0:12:09 | |
It's called, Farts That Look Like Children. | 0:12:09 | 0:12:13 | |
-Oh. When is it? -Tonight. | 0:12:15 | 0:12:18 | |
So, but you can use them all week so... | 0:12:18 | 0:12:20 | |
It's called... It's good, apparently it's amazing. | 0:12:20 | 0:12:23 | |
It's on at arse past eight. | 0:12:23 | 0:12:25 | |
Apparently it's on at... It's on at arse past eight. | 0:12:25 | 0:12:27 | |
Yeah, just take them. | 0:12:29 | 0:12:31 | |
You can give them to a friend if you want it's fine | 0:12:31 | 0:12:33 | |
Yeah. It'll be absolutely great. Thank you so much. | 0:12:33 | 0:12:35 | |
Take care. | 0:12:35 | 0:12:37 | |
Well done, pavement boy. | 0:12:37 | 0:12:39 | |
Hey, mate, how's it going? I've just... | 0:12:39 | 0:12:40 | |
I've bought too many theatre tickets. I'm just trying to get some... | 0:12:40 | 0:12:43 | |
I'm just trying to give them away basically. | 0:12:43 | 0:12:45 | |
I feel bad, and I just don't want them to go to waste that's all. | 0:12:45 | 0:12:48 | |
You're giving them away? What show's it for? | 0:12:48 | 0:12:50 | |
The show it's for... Sorry, it's the... | 0:12:50 | 0:12:54 | |
it's The Pube Show. | 0:12:54 | 0:12:55 | |
I've never heard of that one. | 0:12:57 | 0:12:59 | |
It's like, you know that opening scene of | 0:12:59 | 0:13:01 | |
Edward Scissorhands when he's cutting all the bushes. | 0:13:01 | 0:13:03 | |
-It's at the Bush Theatre. -Yeah. | 0:13:03 | 0:13:06 | |
It's at the Bush Theatre. | 0:13:06 | 0:13:07 | |
-What time's it on? -It's on at... it's at 7:30 tonight. | 0:13:07 | 0:13:10 | |
It's supposed to be pu-perb. | 0:13:10 | 0:13:11 | |
It's supposed to be pu-perb. | 0:13:11 | 0:13:14 | |
It's supposed to be great, man, just take them. | 0:13:15 | 0:13:18 | |
Joel gives away a respectable two tickets and gets himself a pass. | 0:13:21 | 0:13:25 | |
Meaning that after two challenges | 0:13:26 | 0:13:28 | |
Marek is the current loser on two fails. | 0:13:28 | 0:13:31 | |
Now we're cheesemongers giving away free samples. | 0:13:34 | 0:13:38 | |
During the sampling we're going to conduct a survey that | 0:13:38 | 0:13:41 | |
the other guys have created for us. | 0:13:41 | 0:13:42 | |
We have no idea what questions are in the survey. | 0:13:43 | 0:13:46 | |
What's your favourite cheese, Stephen? | 0:13:46 | 0:13:48 | |
Except they'll be utterly ludicrous. | 0:13:48 | 0:13:50 | |
When is it acceptable to ram-raid a butchers? | 0:13:50 | 0:13:53 | |
Our challenge is to ask our chosen questions no matter what they are. | 0:13:53 | 0:13:56 | |
And, if we refuse...we lose. | 0:13:56 | 0:13:59 | |
First up is Joel. | 0:14:02 | 0:14:04 | |
THEY LAUGH | 0:14:04 | 0:14:05 | |
The French cheese expert. | 0:14:05 | 0:14:07 | |
I've actually got a diploma in cheese, that's a true fact. | 0:14:07 | 0:14:10 | |
-That really doesn't surprise me Joel. -That you've got a Ph-Brie. | 0:14:10 | 0:14:14 | |
Hello there. Have a taste, have a taste. Feel free. | 0:14:14 | 0:14:18 | |
I'll just ask you a couple of questions. | 0:14:19 | 0:14:22 | |
Do you prefer hard cheese, soft cheese? | 0:14:22 | 0:14:24 | |
-Hard cheese. -Hard cheese. Oh, OK. | 0:14:24 | 0:14:26 | |
Prefer the hard... | 0:14:28 | 0:14:29 | |
Death, destruction, burn it all down the end is night, hatred | 0:14:29 | 0:14:34 | |
and death again, cheese... | 0:14:34 | 0:14:37 | |
Some poignant lyrics there from Mariah Carey. | 0:14:37 | 0:14:40 | |
But, which cheese do you think she was referring to? | 0:14:40 | 0:14:43 | |
-Cheddar. -Cheddar. | 0:14:46 | 0:14:48 | |
Now ask question 38. | 0:14:48 | 0:14:49 | |
-Sorry. -No chance. | 0:14:51 | 0:14:54 | |
I think he'll say it. He's such a chancer. | 0:14:54 | 0:14:56 | |
Is he going to ask this? He's so smooth. | 0:14:57 | 0:15:01 | |
Oh, straight in. | 0:15:03 | 0:15:05 | |
No, that's enough. | 0:15:06 | 0:15:07 | |
If you're that cocky, Joel, try number 22. | 0:15:07 | 0:15:09 | |
Yeah, come on, Joel. | 0:15:10 | 0:15:11 | |
Oh, this is tense. | 0:15:15 | 0:15:17 | |
No, I think that's it. | 0:15:17 | 0:15:18 | |
I think that's the last of the questions. | 0:15:18 | 0:15:20 | |
That's the last of the questions. | 0:15:20 | 0:15:22 | |
Oh, come on, man. | 0:15:22 | 0:15:25 | |
Joel refuses to ask the question, and gets himself a fail. | 0:15:25 | 0:15:28 | |
Next up, Marek. | 0:15:30 | 0:15:32 | |
-Do you like cheese? -I love cheese. | 0:15:33 | 0:15:35 | |
It's your lucky day. | 0:15:35 | 0:15:36 | |
Would you like to try some of my cheese. | 0:15:36 | 0:15:38 | |
OK. So, try that cheese and I'll ask you a first question. | 0:15:40 | 0:15:45 | |
OK, so what is your favourite cheese? | 0:15:45 | 0:15:47 | |
-Goat's cheese. -Goat's cheese. | 0:15:47 | 0:15:49 | |
-SHE BLEATS -Make the noise. | 0:15:49 | 0:15:51 | |
HE BLEATS | 0:15:51 | 0:15:52 | |
That's how they go isn't it? OK. | 0:15:52 | 0:15:54 | |
Ask question 12. | 0:15:54 | 0:15:56 | |
-Is this cheese related? -Yes, it is, yeah. | 0:16:01 | 0:16:04 | |
-No. -He's not a big cheese lover. OK. | 0:16:06 | 0:16:09 | |
Question 23 now, Marek. | 0:16:10 | 0:16:12 | |
Have you ever...? | 0:16:13 | 0:16:14 | |
-Who wrote these questions? -My boss wrote these. | 0:16:21 | 0:16:24 | |
I'm my own boss. | 0:16:24 | 0:16:25 | |
Well, I work for myself but um... | 0:16:25 | 0:16:27 | |
-Two what's? -Goths, you know. | 0:16:29 | 0:16:31 | |
-No. -OK, that's super. | 0:16:31 | 0:16:34 | |
Well done. | 0:16:34 | 0:16:35 | |
Yeah, cheesy Marek. | 0:16:35 | 0:16:36 | |
Definitely the weirdest uncheesy questions I've ever answered. | 0:16:36 | 0:16:39 | |
Thank you for your time. | 0:16:39 | 0:16:41 | |
Oh, my God. | 0:16:41 | 0:16:42 | |
Marek asks his questions and in return he gets a pass. | 0:16:44 | 0:16:47 | |
Next, it's Paul. | 0:16:50 | 0:16:52 | |
That's a... That's a Red Leicester. | 0:16:56 | 0:16:58 | |
Right, now, I'm just going to ask you a few quick questions. | 0:17:00 | 0:17:03 | |
On a scale of one to ten how much do you like cheese? | 0:17:03 | 0:17:05 | |
-Ten. -Ten? Oh, my God. I've never had a ten before. | 0:17:05 | 0:17:09 | |
-Really? -No. DEFCON three, OK. | 0:17:09 | 0:17:13 | |
Go to question 17, Paul. | 0:17:13 | 0:17:15 | |
Come on, Paul. You can do this. | 0:17:15 | 0:17:17 | |
Right, how would you rate my love life? | 0:17:17 | 0:17:20 | |
Paul McCaffrey "Cheese Man". | 0:17:20 | 0:17:23 | |
Disappointing, extremely disappointing, or non-existent? | 0:17:23 | 0:17:27 | |
-My own love life? -Mine. | 0:17:27 | 0:17:28 | |
-Disappointing. -Disappointing, you cheeky cow... | 0:17:30 | 0:17:36 | |
100% right though, well done. | 0:17:37 | 0:17:40 | |
They're getting on quite well. | 0:17:40 | 0:17:41 | |
Last question, is that you, or the cheese? | 0:17:43 | 0:17:45 | |
Is that you, or the cheese? | 0:17:52 | 0:17:54 | |
Oh, my God. | 0:17:54 | 0:17:56 | |
No! | 0:17:57 | 0:17:58 | |
I can't believe you asked that. | 0:17:58 | 0:18:01 | |
Paul asked all his questions so gets himself a pass. | 0:18:05 | 0:18:08 | |
Finally, it's Roisin. | 0:18:11 | 0:18:13 | |
Are those earrings or cheese wheels? | 0:18:14 | 0:18:17 | |
OK, if you just take a bite of cheese and then I'll just ask | 0:18:19 | 0:18:22 | |
you a couple of questions about the cheese, if that's all right? | 0:18:22 | 0:18:24 | |
It's Scottish cheese, so... | 0:18:24 | 0:18:27 | |
Madam how often would you say you eat cheese? | 0:18:27 | 0:18:30 | |
-Probably every day. -Every day? Wow. A big cheese eater. | 0:18:30 | 0:18:34 | |
Question 7 please. | 0:18:34 | 0:18:35 | |
In a sandwich. | 0:18:45 | 0:18:47 | |
In a sandwich you'd take it into the bedroom to watch the television. | 0:18:47 | 0:18:51 | |
OK. | 0:18:51 | 0:18:54 | |
The next question which follows on nicely number 50. | 0:18:54 | 0:18:57 | |
Can you what? | 0:19:01 | 0:19:03 | |
Let's have some more cheese. | 0:19:06 | 0:19:08 | |
Roisin completes her questions and earns herself a pass. | 0:19:14 | 0:19:18 | |
Meaning that after three challenges Marek and Joel are level | 0:19:18 | 0:19:21 | |
on two fails each, | 0:19:21 | 0:19:22 | |
and are in line to face the forfeit. | 0:19:22 | 0:19:25 | |
We're just hanging out in the cash and carry as you do. | 0:19:30 | 0:19:32 | |
Our challenge is to get from one end of the aisle to the other | 0:19:32 | 0:19:35 | |
in 60 seconds. Sounds simple enough? | 0:19:35 | 0:19:38 | |
No. | 0:19:38 | 0:19:39 | |
We can only move by touching another member of the public | 0:19:39 | 0:19:42 | |
and we can only go forwards not backwards. | 0:19:42 | 0:19:45 | |
If we can't get to the line in time we fail. | 0:19:45 | 0:19:49 | |
..and a free grope! | 0:19:49 | 0:19:51 | |
First up is Joel. Joel is currently joint loser with Marek. | 0:19:54 | 0:19:59 | |
So, should he fail this he could face this week's forfeit. | 0:19:59 | 0:20:03 | |
You good to go, Joel? | 0:20:03 | 0:20:04 | |
I think so. | 0:20:04 | 0:20:06 | |
Are you scared? | 0:20:06 | 0:20:07 | |
Yeah, I am a little bit actually. | 0:20:07 | 0:20:08 | |
-Come on, touch someone. -Now here we go, go, go, go | 0:20:08 | 0:20:11 | |
Come on, Joel. | 0:20:12 | 0:20:14 | |
Hey. Do I recognise you? | 0:20:14 | 0:20:16 | |
No, we did the em... | 0:20:16 | 0:20:18 | |
Didn't we meet at Tesco that time, with the em... | 0:20:20 | 0:20:24 | |
Sorry, what is your name? Sorry? | 0:20:24 | 0:20:25 | |
-I don't think so. -No? No, it wasn't you? | 0:20:25 | 0:20:27 | |
No? | 0:20:27 | 0:20:29 | |
What was your... Sorry, I didn't want to... The... What was the... | 0:20:29 | 0:20:35 | |
No? It wasn't? OK. No. Okay-dokey. Sorry. | 0:20:35 | 0:20:37 | |
Why do you have to be so creepy? | 0:20:37 | 0:20:39 | |
The clock's ticking. | 0:20:43 | 0:20:45 | |
Excuse me, actually I just... | 0:20:45 | 0:20:47 | |
I'm just over viewing your things. I've got this boot. | 0:20:47 | 0:20:49 | |
And, I... | 0:20:50 | 0:20:52 | |
It really ripped down the side, there's these ones down here. The... | 0:20:52 | 0:20:56 | |
Eh... I think it's these... These ones... | 0:20:58 | 0:21:01 | |
Why's he stopping there? | 0:21:01 | 0:21:03 | |
These ones... No, they're, wait maybe a bit further. | 0:21:03 | 0:21:06 | |
I think it's these ones. I think it's on the end. | 0:21:06 | 0:21:08 | |
Oh, no, we've gone past it. We've gone past it. | 0:21:08 | 0:21:11 | |
Oh, sorry. | 0:21:11 | 0:21:12 | |
Joel gets across the finish line in less than 60 seconds, | 0:21:14 | 0:21:17 | |
and earns himself a pass. | 0:21:17 | 0:21:18 | |
Next up, it's Roisin. | 0:21:20 | 0:21:22 | |
Lovely pyjamas you've got there. | 0:21:24 | 0:21:26 | |
I'm really going to enjoy wearing them. | 0:21:26 | 0:21:27 | |
You can wear them with the tights. | 0:21:27 | 0:21:29 | |
SHE SPEAKS OTHER LANGUAGE | 0:21:29 | 0:21:31 | |
I know only English. | 0:21:33 | 0:21:36 | |
This is incredible. | 0:21:36 | 0:21:38 | |
No, Roisin, what are you doing? | 0:21:38 | 0:21:40 | |
What are you doing? You're moving! You're moving! | 0:21:40 | 0:21:42 | |
Whoa, whoa, whoa, hold upno, hold it. You're not touching him. | 0:21:42 | 0:21:45 | |
-No. -No, no that isit's not cool to speak a made up language | 0:21:45 | 0:21:48 | |
and then walk down the aisle on your own. Absolute fail. | 0:21:48 | 0:21:50 | |
Fail. | 0:21:50 | 0:21:51 | |
Roisin moved without touching, and gets a fail. | 0:21:51 | 0:21:54 | |
Next up, Paul. | 0:21:56 | 0:21:57 | |
What are you holding? | 0:21:58 | 0:21:59 | |
Shoes. | 0:22:01 | 0:22:02 | |
-Your big tactic's shoes. -Excuse me mate, have you seen these? | 0:22:02 | 0:22:05 | |
No, I know but they don't bloody work | 0:22:06 | 0:22:08 | |
Come and have a look at this, right? | 0:22:08 | 0:22:10 | |
-Don't you cross that line. -They're unbelievable. | 0:22:10 | 0:22:12 | |
You get up to a certain speed on these, | 0:22:12 | 0:22:14 | |
they're supposed to turn into electronic roller skates. | 0:22:14 | 0:22:16 | |
Oh, my God. | 0:22:16 | 0:22:18 | |
Come here and watch this. Come here. | 0:22:18 | 0:22:20 | |
Right turn round, you have to walk at quite a speed, OK? | 0:22:21 | 0:22:24 | |
Right go. Watch this. Watch this. | 0:22:24 | 0:22:25 | |
Right, it says at a certain speed they turn into wheels. | 0:22:25 | 0:22:28 | |
Go, go, go, look quick, quicker. | 0:22:28 | 0:22:29 | |
I think we need to go quicker than that. Let's go one, two, three. | 0:22:29 | 0:22:33 | |
You're nearly there! | 0:22:33 | 0:22:34 | |
No, I'm not. Seriously, look, that's what it says on the box. | 0:22:34 | 0:22:37 | |
Go, one last run. | 0:22:37 | 0:22:38 | |
Excuse me! | 0:22:44 | 0:22:45 | |
Have you seen these shoes? | 0:22:45 | 0:22:47 | |
-Oh, God. -Have you seen these shoes? | 0:22:48 | 0:22:51 | |
They're supposed to hover. | 0:22:51 | 0:22:53 | |
-What? -That's too far. | 0:22:53 | 0:22:56 | |
Seriously, that's what it says on the box, can you just help me | 0:22:56 | 0:22:59 | |
walk to this, | 0:22:59 | 0:23:00 | |
over to there. What shoes are supposed to hover, watch this. | 0:23:00 | 0:23:03 | |
Keep walking. | 0:23:03 | 0:23:04 | |
One, two, three, four... It says after ten steps, eight, | 0:23:04 | 0:23:08 | |
nine definitely don't work, do they? | 0:23:08 | 0:23:10 | |
-Unbelievable. -Paul does amazing time, and avoids himself a fail. | 0:23:10 | 0:23:16 | |
Finally it's Marek, the pressure is on. | 0:23:17 | 0:23:20 | |
-If he fails he will face this week's forfeit. -Oh, yeah. | 0:23:20 | 0:23:24 | |
Oh, my God, the tactics. | 0:23:24 | 0:23:26 | |
See, see, you see what I mean? | 0:23:27 | 0:23:29 | |
Marek, what are you doing? | 0:23:29 | 0:23:30 | |
-Bottled it straightaway. -Wow. | 0:23:30 | 0:23:32 | |
Do you know how much... Tell me, do you how much these... | 0:23:32 | 0:23:35 | |
Costco cards are? The card you need to buy these things are? | 0:23:35 | 0:23:39 | |
Because I've come shopping here, and I haven't bought the card yet. | 0:23:39 | 0:23:43 | |
You need to get the card first of all, or not? | 0:23:43 | 0:23:45 | |
-Yeah. -OK. -You see. | 0:23:45 | 0:23:47 | |
-Can I ask your advice? -Don't move. | 0:23:48 | 0:23:50 | |
I'm trying to get something for my nan for... | 0:23:50 | 0:23:53 | |
No, you're not touching her! | 0:23:53 | 0:23:55 | |
For Christmas. What's good for nan? | 0:23:55 | 0:23:57 | |
Can I just show you these ones here? | 0:23:57 | 0:23:59 | |
See if you think these ones are just as good, just down here I think. | 0:23:59 | 0:24:02 | |
You've actually gone backwards... unprecedented move. | 0:24:02 | 0:24:05 | |
No, Marek, that's it. That's game over I'm afraid. | 0:24:05 | 0:24:09 | |
Marek moves backwards and gets himself a fail. | 0:24:09 | 0:24:11 | |
Meaning with three fails to his name | 0:24:13 | 0:24:15 | |
Marek is today's loser | 0:24:15 | 0:24:16 | |
and must now face a forfeit designed by the other jokers. | 0:24:16 | 0:24:20 | |
Come on lose-y. Old lose-y, loser. | 0:24:22 | 0:24:24 | |
-Lose-y the losers. -Here you are. All right. | 0:24:24 | 0:24:27 | |
-Forfeit starring Marek Larwood. -Yeah. | 0:24:27 | 0:24:30 | |
What you're going to be doing is going up there | 0:24:30 | 0:24:33 | |
and pitching to an audience that we've assembled for you | 0:24:33 | 0:24:36 | |
a new film idea just to see if they want to invest in it. | 0:24:36 | 0:24:38 | |
-I know you haven't got a film idea, we've written one for you. -Oh, I see. | 0:24:38 | 0:24:41 | |
What you need to do is explain the plot, characters, | 0:24:41 | 0:24:43 | |
-a little bit of the dialogue, all right? -Yeah. | 0:24:43 | 0:24:45 | |
You never know, Marek, it might turn into a really successful film. | 0:24:45 | 0:24:48 | |
-Go on, in you go mate, come on. -Ah! | 0:24:48 | 0:24:50 | |
My next film is called... | 0:24:58 | 0:25:01 | |
..it's called My Damp Sock. | 0:25:03 | 0:25:05 | |
There can be many reasons that it's damp. | 0:25:06 | 0:25:08 | |
I mean the obvious one is... that the sock has been misused. | 0:25:08 | 0:25:13 | |
It's intriguing, isn't it? You want to know more. | 0:25:16 | 0:25:19 | |
-I certainly do. -Click on. | 0:25:19 | 0:25:23 | |
And the main plot lines, I'll just take you through those now. | 0:25:23 | 0:25:26 | |
So, the first plot line... | 0:25:26 | 0:25:28 | |
-What is it Marek? -Is... | 0:25:28 | 0:25:30 | |
Off you go. Off you go, Marek. | 0:25:30 | 0:25:32 | |
At the start there's a guy, he just... | 0:25:34 | 0:25:38 | |
..he's made a mistake, and he's used the sock to cover up the mistake. | 0:25:40 | 0:25:45 | |
THEY LAUGH | 0:25:45 | 0:25:47 | |
Plot line. | 0:25:47 | 0:25:48 | |
I'm going to play every character in this film this is quite ambitious. | 0:25:51 | 0:25:55 | |
Suspicious Basso... | 0:25:55 | 0:25:57 | |
We want some lines here. | 0:25:59 | 0:26:01 | |
COMEDY ACCENT: Why are you in my room again? | 0:26:02 | 0:26:05 | |
I thought... I thought I locked the door. | 0:26:05 | 0:26:09 | |
Have you been eating my sandwich? | 0:26:10 | 0:26:12 | |
David, who's Irish. | 0:26:16 | 0:26:18 | |
Give us a bit of David. | 0:26:18 | 0:26:19 | |
IRISH ACCENT: And, he's, "What's all that noise going on in that room with that... | 0:26:19 | 0:26:24 | |
-Sock. -Sock. | 0:26:24 | 0:26:26 | |
"...sock of yours again." | 0:26:26 | 0:26:28 | |
OK, next one, next one, Sexy Saddam. | 0:26:28 | 0:26:31 | |
-He's one of the leads. -That's one of the lead characters. | 0:26:33 | 0:26:35 | |
-He's not like Saddam Hussein, he... -He is like Saddam Hussein. | 0:26:35 | 0:26:38 | |
Oh, he is like Saddam Hussein. | 0:26:38 | 0:26:40 | |
But, just with a more sexual element. So, you don't... | 0:26:40 | 0:26:42 | |
If you were to get rid of all the aggression | 0:26:42 | 0:26:45 | |
and you put sex in instead. | 0:26:45 | 0:26:46 | |
I think you'll find he's very charismatic. | 0:26:46 | 0:26:49 | |
Now look behind you Marek there's a script, | 0:26:49 | 0:26:51 | |
and you are going to read some dialogue. | 0:26:51 | 0:26:53 | |
Oh, I see. | 0:26:53 | 0:26:54 | |
You can flick through those pages all you want, Marek, | 0:26:56 | 0:26:59 | |
there's nothing in there, mate. | 0:26:59 | 0:27:01 | |
THEY LAUGH | 0:27:01 | 0:27:02 | |
DAVID VOICE: I'm shy. Have I told you I'm shy yet? | 0:27:03 | 0:27:06 | |
SUSPICIOUS BASSO VOICE: Yes, you always saying that. | 0:27:06 | 0:27:09 | |
I'm beginning...beginning to get suspicious of you. | 0:27:09 | 0:27:12 | |
Sexy Saddam just came in. | 0:27:12 | 0:27:13 | |
DAVID VOICE: Now that's a damn character with his loving eyes is looking at me all funny. | 0:27:15 | 0:27:20 | |
So, that's it. I think... | 0:27:21 | 0:27:24 | |
Would anyone here be interested in investing in my film? | 0:27:25 | 0:27:28 | |
Any hands up? | 0:27:28 | 0:27:29 | |
That guy has lost the will to live. | 0:27:32 | 0:27:34 | |
OK. Right. Thank you very much for your time. | 0:27:34 | 0:27:36 | |
Thank you very much. | 0:27:36 | 0:27:37 | |
That's all for Impractical Jokers this week. | 0:27:44 | 0:27:47 | |
Next time the jokers go shop lifting, become business gurus... | 0:27:47 | 0:27:50 | |
This is my mantra, owls don't cry. | 0:27:50 | 0:27:52 | |
And, run a chicken shop. | 0:27:52 | 0:27:54 | |
Oh, he wants chicken, does he? | 0:27:54 | 0:27:56 |