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-Five magicians... -Follow me. -..go head-to-head... | 0:00:02 | 0:00:05 | |
to find out who is better than the rest. | 0:00:05 | 0:00:06 | |
LAUGHTER AND SCREAMING | 0:00:06 | 0:00:08 | |
-So predictable! -No! That's not normal. | 0:00:08 | 0:00:10 | |
The stakes are deadly, because the loser will face a trick | 0:00:10 | 0:00:12 | |
that's killed or injured magicians in the past. | 0:00:12 | 0:00:15 | |
This programme contains some strong language. | 0:00:15 | 0:00:20 | |
This...is Killer Magic. | 0:00:20 | 0:00:21 | |
-Cut the power, cut the power! You -BLEEP -kidding me? | 0:00:21 | 0:00:24 | |
So, let's meet the five magicians trying to out-trick each other. | 0:00:24 | 0:00:28 | |
First up is a man who's never lost a staring competition - | 0:00:28 | 0:00:31 | |
Dee Christopher, the Goth. | 0:00:31 | 0:00:32 | |
Pop the bulb inside a bag. If I could ask you | 0:00:34 | 0:00:36 | |
to hold hands for me? Wonderful. | 0:00:36 | 0:00:38 | |
'I like my show to feel like a good horror movie.' | 0:00:38 | 0:00:41 | |
We're going to try and make something amazing | 0:00:41 | 0:00:44 | |
happen at the moment we make contact and complete the circle. | 0:00:44 | 0:00:46 | |
-OK. -All right? | 0:00:46 | 0:00:48 | |
The one thing in magic that excites me the most is seeing something new. | 0:00:48 | 0:00:52 | |
-GIRL ON LEFT GASPS -Oh, my God. | 0:00:52 | 0:00:55 | |
-Oh, my God. -That's amazing. | 0:00:55 | 0:00:58 | |
Our next magician is this guy, Damien O'Brien, the geezer. | 0:00:58 | 0:01:01 | |
I'll definitely try and play to the close-up as much as I can, | 0:01:01 | 0:01:04 | |
cos I know my strengths. | 0:01:04 | 0:01:06 | |
-What was the one playing card you thought of? -Seven of hearts. | 0:01:06 | 0:01:09 | |
But I will jump out my comfort zone and play with some big boy toys too. | 0:01:09 | 0:01:14 | |
I'll go down the cards, you can see them. | 0:01:14 | 0:01:16 | |
Right, behind that six, there's one playing card turned over. | 0:01:16 | 0:01:20 | |
Take it out, have a look. | 0:01:20 | 0:01:22 | |
Ho-ho-ho! | 0:01:22 | 0:01:23 | |
This woman with a flagrant disregard for playing cards is | 0:01:23 | 0:01:26 | |
the colourfully-coiffed Jasz Vegas, | 0:01:26 | 0:01:28 | |
our resident bizarre trickstress. | 0:01:28 | 0:01:30 | |
Check out the needle for me. Just take it, check it's real. | 0:01:30 | 0:01:34 | |
-Eh, definitely. -I think around all the guys I do get quite competitive, | 0:01:34 | 0:01:37 | |
but I think that just adds to the fun. | 0:01:37 | 0:01:39 | |
I think you should expect things that are a bit edgy, | 0:01:39 | 0:01:42 | |
a bit different, I'd like to say maybe beautifully strange. | 0:01:42 | 0:01:45 | |
I don't think it matters if you're a girl or a guy, | 0:01:45 | 0:01:48 | |
I think what matters is doing great magic. | 0:01:48 | 0:01:51 | |
This heart-throb is Chris Cox, | 0:01:51 | 0:01:53 | |
the mind-reading geek. | 0:01:53 | 0:01:54 | |
I'm going to get you to think of, like, a singer or a band. | 0:01:54 | 0:01:57 | |
Give me a "la-la-la-la". | 0:01:57 | 0:01:58 | |
-FLAT: -# La-la-la-la. # -Hold that thought. | 0:01:58 | 0:02:00 | |
'Hopefully I'm going to make the other magicians laugh a bit, | 0:02:00 | 0:02:03 | |
'and then be amazed. I love people going,' | 0:02:03 | 0:02:06 | |
"Ha-ha-ha - oh, my God, how did he do that?" | 0:02:06 | 0:02:08 | |
-Are you thinking of Queens of the Stone Age? -Yes! -Is that it?! | 0:02:08 | 0:02:12 | |
-Thanks so much. BOTH: -Bye! | 0:02:12 | 0:02:15 | |
And finally, with his classic good looks, | 0:02:15 | 0:02:17 | |
it's Ben "the heartbreaker" Hart, our gent. | 0:02:17 | 0:02:21 | |
Erm, I've got a cigarette lighter here. | 0:02:21 | 0:02:24 | |
They've always got these warning labels on, and they terrify me. | 0:02:24 | 0:02:27 | |
Magic is pretty unique in that anything is possible. | 0:02:27 | 0:02:30 | |
So I'll remove the label like that... | 0:02:30 | 0:02:31 | |
So it should be approached with imagination and generosity. | 0:02:31 | 0:02:35 | |
-Watch this very, very closely. -No! | 0:02:36 | 0:02:40 | |
-Nooo! -Yeeees! | 0:02:40 | 0:02:42 | |
Now, not only will our five magicians be competing, | 0:02:42 | 0:02:45 | |
they'll also be scoring each other out of ten, all of them | 0:02:45 | 0:02:49 | |
trying to avoid that Killer Trick, which this week is... | 0:02:49 | 0:02:52 | |
-The guillotine! La guillotine. ALL: -Ooh... | 0:02:52 | 0:02:56 | |
I've seen guillotine illusions and I'm always terrified. | 0:02:56 | 0:02:59 | |
Guillotines killed thousands and thousands of people. | 0:02:59 | 0:03:02 | |
This killer trick is inspired by the French Revolution's | 0:03:02 | 0:03:06 | |
terrifyingly effective instrument of choice for separating | 0:03:06 | 0:03:09 | |
posh people from their bonces. | 0:03:09 | 0:03:11 | |
Madame Guillotine. | 0:03:11 | 0:03:12 | |
So they know what they're trying to avoid - | 0:03:15 | 0:03:16 | |
all they need now is a theme to base their tricks on. | 0:03:16 | 0:03:19 | |
Let's just hope Chris doesn't sing it. | 0:03:19 | 0:03:20 | |
-# Money, money, mo-ney... # -Oh, dear. | 0:03:20 | 0:03:23 | |
-JASZ: -# Money! # -No RICH pickings | 0:03:23 | 0:03:24 | |
for this trick, I would imagine. | 0:03:24 | 0:03:26 | |
That was a pretty POOR joke. | 0:03:26 | 0:03:27 | |
-Take it, it's yours. -Oh, dear. | 0:03:29 | 0:03:31 | |
I don't think they get out much. Now remember, | 0:03:31 | 0:03:33 | |
all the magic you're seeing is performed in front of | 0:03:33 | 0:03:35 | |
real people with real reactions, there are no actors, | 0:03:35 | 0:03:37 | |
no camera tricks and no CGI - mainly because we couldn't afford any. | 0:03:37 | 0:03:41 | |
First up it's Damien, | 0:03:41 | 0:03:42 | |
and he's off down the rub-a-dub to put a Lady Godiva in the slots. | 0:03:42 | 0:03:46 | |
It's probably best if I let him explain. | 0:03:46 | 0:03:48 | |
One of my favourite places to come and chill out is the pub, | 0:03:48 | 0:03:51 | |
and I've got a trick which is very pub-based and my style, | 0:03:51 | 0:03:55 | |
and I think it's going to be absolutely great | 0:03:55 | 0:03:57 | |
for the theme of money too. | 0:03:57 | 0:03:58 | |
Cheers. | 0:03:58 | 0:04:00 | |
OTHERS LAUGH | 0:04:00 | 0:04:01 | |
Happy days. | 0:04:01 | 0:04:03 | |
I have one bad problem when I come to the pub. | 0:04:03 | 0:04:05 | |
I end up spending more money on them than I do behind the bar | 0:04:05 | 0:04:07 | |
and having a good time. | 0:04:07 | 0:04:09 | |
And that being said, got a fiver? | 0:04:09 | 0:04:11 | |
-Cool, and can you sign your name on the fiver? -Mm-hmm. | 0:04:13 | 0:04:18 | |
Really big. | 0:04:18 | 0:04:20 | |
-Rachel? -Yep. -Now that's your £5? -Yep. | 0:04:21 | 0:04:24 | |
-You'd know that if you were to see that again, right? -Yep. | 0:04:24 | 0:04:26 | |
We're going to go and play the fruit machine. | 0:04:26 | 0:04:29 | |
Oh, shit. | 0:04:29 | 0:04:31 | |
Ah, that fruit machine don't take bank notes. | 0:04:31 | 0:04:34 | |
LAUGHTER | 0:04:38 | 0:04:39 | |
And now we get five pound coins. Now we can play the fruit machine! | 0:04:39 | 0:04:44 | |
-Jackpot - 40 quid. -Mm-hmm. -Put all five of them in. | 0:04:44 | 0:04:48 | |
One, two, three, four... | 0:04:48 | 0:04:51 | |
-Five. -..five. There we go. | 0:04:51 | 0:04:54 | |
FRUIT MACHINE JINGLE | 0:04:54 | 0:04:56 | |
Nothing. Second time. | 0:04:56 | 0:04:57 | |
Oh, third time. Third time lucky. | 0:04:59 | 0:05:01 | |
HE SNIGGERS | 0:05:01 | 0:05:03 | |
Go on, again. | 0:05:03 | 0:05:05 | |
Nothing yet. Last time. | 0:05:06 | 0:05:08 | |
Yes! You got three oranges! | 0:05:10 | 0:05:12 | |
Look at that, a fruit machine that pays out real fruit. | 0:05:14 | 0:05:18 | |
Bring them over here. If you could put your three oranges down? | 0:05:18 | 0:05:21 | |
And push one forwards. | 0:05:21 | 0:05:23 | |
-OK. Get rid of that one? Is this the one you pushed forward? -Yeah. -OK. | 0:05:23 | 0:05:26 | |
First orange. | 0:05:26 | 0:05:28 | |
Nothing. Second one. | 0:05:30 | 0:05:33 | |
-Nothing. -Mm-hmm. -Third orange. | 0:05:34 | 0:05:37 | |
If I untwist this slowly... | 0:05:49 | 0:05:51 | |
Look. | 0:05:51 | 0:05:53 | |
Inside you'll see... | 0:05:53 | 0:05:54 | |
GASPS AND LAUGHTER | 0:05:54 | 0:05:55 | |
I don't want to touch it. Slowly pull it out. | 0:05:55 | 0:05:58 | |
Unfold it. | 0:06:00 | 0:06:01 | |
Oh, my God! | 0:06:03 | 0:06:04 | |
Your £5 that we burnt, what came from the orange from that machine! | 0:06:04 | 0:06:09 | |
-It went up in flames. -It was gone. -That was kind of scary. | 0:06:12 | 0:06:15 | |
They went absolutely fucking crazy, didn't they? That was great. | 0:06:15 | 0:06:19 | |
Inside you'll see... | 0:06:19 | 0:06:20 | |
Reactions like that is why I do magic. | 0:06:22 | 0:06:24 | |
RACHEL LAUGHS | 0:06:24 | 0:06:25 | |
-And it's wet of orange. -I can feel the orange juice. -It still stinks. | 0:06:25 | 0:06:30 | |
That's one way to get your vitamin C. | 0:06:30 | 0:06:32 | |
There were quite a lot of segments to the trick. | 0:06:32 | 0:06:34 | |
Take it, have it, it's yours. | 0:06:34 | 0:06:37 | |
Ohh! | 0:06:37 | 0:06:38 | |
Turning the lights out with a high-five could be the best trick of the show. | 0:06:38 | 0:06:41 | |
-Let's get Damien's scores. -New zest, old trick, I give it a... | 0:06:41 | 0:06:45 | |
I was a big fan of Damien's fruit machine trick, so he gets... | 0:06:47 | 0:06:51 | |
It was nice to see Damien take a classic of magic | 0:06:52 | 0:06:55 | |
and make it his own, so I shall give him... | 0:06:55 | 0:06:58 | |
I enjoyed this trick, I'll give it an eight. | 0:07:00 | 0:07:03 | |
So that gives Damien a healthy balance of 31. | 0:07:03 | 0:07:05 | |
Next up, it's smooth operator Ben Hart's turn to impress. | 0:07:06 | 0:07:10 | |
So our theme this week is money, so I thought I'd do a magic trick | 0:07:10 | 0:07:14 | |
using coins, but where I never touch the coins. | 0:07:14 | 0:07:17 | |
So I thought I'd try to manipulate objects with my shadows. | 0:07:17 | 0:07:20 | |
And to help Ben with his manipulation... | 0:07:20 | 0:07:22 | |
Mm! | 0:07:22 | 0:07:24 | |
..it's comedian and presenter Joel Dommett. | 0:07:24 | 0:07:26 | |
So scared right now. | 0:07:26 | 0:07:28 | |
-He knows how to strike a pose. -Yes! | 0:07:28 | 0:07:31 | |
-Joel, I've invited you here, into my brain. -It's nice. Sparse. | 0:07:31 | 0:07:36 | |
I don't know what they're doing in here. They're squatting, I think. | 0:07:36 | 0:07:39 | |
Will you have a look at those coins for me? Check they are normal coins. | 0:07:39 | 0:07:42 | |
They are old, they are silver coins. | 0:07:42 | 0:07:45 | |
-Yep, this is an American half dollar. -That is true. | 0:07:45 | 0:07:49 | |
OK, if it's OK, I'd like you to sort of kneel down with me. | 0:07:49 | 0:07:53 | |
-We've brought a rug for it. -Oh, well, if you've brought a rug then fine! | 0:07:53 | 0:07:57 | |
Oh, God. Now, guys behind me, gather round. Come on, don't be shy. | 0:07:57 | 0:08:02 | |
Now, before I go any further, Joel, | 0:08:02 | 0:08:03 | |
could you check there's nothing sticky on my hands? | 0:08:03 | 0:08:07 | |
-There is nothing sticky on his hands. -Makes a change. | 0:08:07 | 0:08:10 | |
And there's nothing up my sleeves. | 0:08:10 | 0:08:12 | |
I'm going to attempt to move the coins using just | 0:08:13 | 0:08:16 | |
the shadows of my hands. Just the shadows. | 0:08:16 | 0:08:18 | |
HE WHISTLES | 0:08:20 | 0:08:22 | |
And that coin goes from there to there. | 0:08:22 | 0:08:24 | |
HE WHISTLES | 0:08:24 | 0:08:25 | |
And it goes from here to here. | 0:08:25 | 0:08:27 | |
HE WHISTLES From here to here. | 0:08:27 | 0:08:29 | |
HE WHISTLES From here to here. | 0:08:29 | 0:08:31 | |
HE WHISTLES From here to here. | 0:08:31 | 0:08:33 | |
-That's brilliant. -Let's stand up, | 0:08:33 | 0:08:34 | |
cos it's hurting my knees. I'm going to take it a step further. | 0:08:34 | 0:08:37 | |
-I've got a pen here. -Mm-hmm. | 0:08:37 | 0:08:39 | |
-Conveniently, there's four letters in your name. -There is. | 0:08:39 | 0:08:42 | |
And would you write one of the letters on each coin for me? | 0:08:42 | 0:08:45 | |
But try and make it distinctive so that you'll recognise it | 0:08:45 | 0:08:48 | |
when you see it again. Put 'em together, what have you got? | 0:08:48 | 0:08:51 | |
-BOTH: -Jelo! | 0:08:51 | 0:08:54 | |
-Right, Joel, could you hold on to those? -Thank you. | 0:08:54 | 0:08:56 | |
I'm going to move the light now. | 0:08:56 | 0:08:58 | |
-Over here. Hope you can still see. -Yes. | 0:08:59 | 0:09:04 | |
-Are you ready for this, Joel? -Born ready, mate. | 0:09:05 | 0:09:08 | |
-Crikey. -The reason for these tweezers is | 0:09:08 | 0:09:11 | |
so I don't get accused of sexual molestation, because... | 0:09:11 | 0:09:14 | |
I don't know why, this is the bit where I'd get accused. | 0:09:14 | 0:09:16 | |
Yeah, yeah, yeah. When you're undoing my buttons. | 0:09:16 | 0:09:20 | |
-Cos I'm going to put one coin in each of your four pockets. -OK. | 0:09:20 | 0:09:24 | |
Right, Joel, we'll start with the J, going to go in here, | 0:09:25 | 0:09:28 | |
I hope I don't hit you in the face. | 0:09:28 | 0:09:29 | |
-Oh, oh... We made contact there. -We made contact. -In there. | 0:09:29 | 0:09:33 | |
And another 50 cents in here. What you going to spend that one on? | 0:09:33 | 0:09:37 | |
-A 50 Cent album. -Oh, nice! -Very clever. | 0:09:37 | 0:09:40 | |
And an E, if you could raise your arm for me. | 0:09:40 | 0:09:43 | |
-Oh... I thought I'd pinched your skin then. -No. -The last one is your L. | 0:09:43 | 0:09:49 | |
Stick the L in here. | 0:09:49 | 0:09:51 | |
And now, you know I can't use sleight of hand, | 0:09:51 | 0:09:53 | |
because those four coins are in your four pockets. | 0:09:53 | 0:09:55 | |
But I'm going to attempt to use sleight of shadow. I love the magician's pose. | 0:09:55 | 0:09:58 | |
-LAUGHTER -Is this...? | 0:09:58 | 0:10:01 | |
I look pretty comfortable, right? | 0:10:01 | 0:10:03 | |
-Oh, my God. -Be natural. -Is the magic happening yet? | 0:10:03 | 0:10:07 | |
Now watch. Stay very, very still. You may even feel this. | 0:10:07 | 0:10:11 | |
-Oh, crikey. -I'm going to attempt to take the first coin. | 0:10:11 | 0:10:14 | |
Using just my shadows. | 0:10:14 | 0:10:16 | |
HE WHISTLES To here. | 0:10:16 | 0:10:18 | |
LAUGHTER I'll make the next coin... | 0:10:20 | 0:10:22 | |
travel from here... | 0:10:22 | 0:10:24 | |
HE WHISTLES ..to here. | 0:10:24 | 0:10:26 | |
I'll make the last coin travel from here... | 0:10:28 | 0:10:30 | |
HE WHISTLES | 0:10:30 | 0:10:31 | |
Go inside your pocket, it's vanished. | 0:10:33 | 0:10:34 | |
-Completely gone? -It's gone, mate. -And it's going to travel over... | 0:10:36 | 0:10:39 | |
..to here. HE WHISTLES | 0:10:41 | 0:10:43 | |
Go inside your pocket, take out al four coins. | 0:10:43 | 0:10:45 | |
We should have them all, the J, the O, the E and the L. | 0:10:45 | 0:10:47 | |
What? | 0:10:47 | 0:10:49 | |
-One... -That's the J. | 0:10:49 | 0:10:53 | |
-Two. -Is that the L? | 0:10:53 | 0:10:56 | |
-O. -The E! | 0:10:56 | 0:10:59 | |
-There's an E. -There we go - Joel! | 0:10:59 | 0:11:02 | |
Yes! We did it! | 0:11:02 | 0:11:04 | |
Trying to figure it out. Like... He was all in different pockets. | 0:11:06 | 0:11:12 | |
I'm just... I think... I feel a bit weird... | 0:11:13 | 0:11:16 | |
I feel a bit weird about it. | 0:11:16 | 0:11:18 | |
Wee-wee-wee... | 0:11:18 | 0:11:19 | |
I'm pretty sure that went well enough for me to avoid the Killer Trick. | 0:11:19 | 0:11:22 | |
I wasn't very excited about the idea of getting my head | 0:11:22 | 0:11:25 | |
chopped off by a guillotine. | 0:11:25 | 0:11:26 | |
I thought it was really great, it was amazing, | 0:11:26 | 0:11:29 | |
and I'm...kind of confused. | 0:11:29 | 0:11:30 | |
A lovely bit of sleight-of-hand magic from Ben, | 0:11:30 | 0:11:33 | |
it was amazing to watch. | 0:11:33 | 0:11:35 | |
I don't really... I don't trust... I don't trust the world any more. | 0:11:35 | 0:11:39 | |
Scores then, please. | 0:11:39 | 0:11:41 | |
Not since Cliff Richard has anyone done | 0:11:41 | 0:11:43 | |
anything as good with The Shadows. | 0:11:43 | 0:11:44 | |
-I'll give it an eight. -I'll give him a... | 0:11:44 | 0:11:48 | |
He gets an eight. | 0:11:48 | 0:11:49 | |
Ben's trick was really impressive, so I'm going to give it... | 0:11:51 | 0:11:54 | |
So, with high scores all round, Ben leapfrogs Damien into | 0:11:57 | 0:12:00 | |
first place with an impressive score of 32. | 0:12:00 | 0:12:02 | |
Next up, it's Dee, the Goth, but will his money-themed | 0:12:02 | 0:12:05 | |
magic trick keep him away from the guillotine? | 0:12:05 | 0:12:07 | |
I'm talking about alchemy going back to the times where | 0:12:07 | 0:12:10 | |
they were trying to turn lead into gold. | 0:12:10 | 0:12:12 | |
Got me thinking about mixology, cocktail making, | 0:12:12 | 0:12:14 | |
so I'm bringing the people to a cocktail bar to show them | 0:12:14 | 0:12:18 | |
my own kind of cocktail, I guess, a cocktail of mystery. | 0:12:18 | 0:12:22 | |
Have any of you guys heard of alchemy? | 0:12:22 | 0:12:25 | |
The definition is "the profound art of taking base substances | 0:12:25 | 0:12:28 | |
"and changing them into precious metals." | 0:12:28 | 0:12:31 | |
-So lead to gold, et cetera. -How very educational. | 0:12:31 | 0:12:34 | |
Fire...was often used as the catalyst for these experiments, | 0:12:34 | 0:12:39 | |
where they'd take something worthless... | 0:12:39 | 0:12:43 | |
..and change it... | 0:12:45 | 0:12:47 | |
-Whoa. -..into something... | 0:12:50 | 0:12:52 | |
..very precious. | 0:12:53 | 0:12:54 | |
I've got a silver ring here. | 0:12:57 | 0:12:59 | |
It's my understanding that perhaps if I was to heat up the metal... | 0:12:59 | 0:13:07 | |
and melt it down... | 0:13:07 | 0:13:09 | |
What the fuck?! | 0:13:09 | 0:13:11 | |
..we could potentially analyse the solution | 0:13:12 | 0:13:16 | |
and figure out a way to replicate it. | 0:13:16 | 0:13:18 | |
For instance, uh... we could use a straw. | 0:13:20 | 0:13:23 | |
If I was to take a drop of this. Just a single drop. | 0:13:25 | 0:13:28 | |
That'll do. | 0:13:30 | 0:13:31 | |
And try and cool it down. | 0:13:34 | 0:13:35 | |
We should be able to solidify it... | 0:13:42 | 0:13:43 | |
..into something new. | 0:13:45 | 0:13:46 | |
BEARDED MAN LAUGHS | 0:13:46 | 0:13:49 | |
But, you know, these old-fashioned silver coins are no good to us, | 0:13:49 | 0:13:54 | |
they're not accepted here as currency anyway, so to have the | 0:13:54 | 0:13:57 | |
maximum get out of this you'd have to really deposit it in the bank. | 0:13:57 | 0:14:01 | |
What the fuck?! | 0:14:01 | 0:14:03 | |
It's all about the plastic these days. | 0:14:05 | 0:14:09 | |
I have a pen here, would you like to click that and sign your name? | 0:14:09 | 0:14:15 | |
-Are you going to use this against me? -I'd never dream of such a thing. | 0:14:15 | 0:14:18 | |
Wow. Congratulations, David, | 0:14:20 | 0:14:23 | |
you've just signed yourself into five grand's worth of debt. | 0:14:23 | 0:14:27 | |
There is one problem with this situation, | 0:14:27 | 0:14:30 | |
and that's that nobody really cracked the code to alchemy. | 0:14:30 | 0:14:34 | |
Or if they did, the secrets remained well-hidden. | 0:14:34 | 0:14:37 | |
So that means that everything you've seen today was simply...an illusion. | 0:14:44 | 0:14:48 | |
Ohh... | 0:14:51 | 0:14:54 | |
Fear not, sometimes reality is sweeter. | 0:14:54 | 0:14:59 | |
You signed your name on a credit card. | 0:14:59 | 0:15:02 | |
-Yep. -I placed it into an envelope and it inexplicably vanished. | 0:15:02 | 0:15:05 | |
It's now appeared... | 0:15:05 | 0:15:07 | |
..in a very safe place. Inside the zipper compartment... | 0:15:11 | 0:15:16 | |
-of my wallet. -..in his pocket! | 0:15:16 | 0:15:21 | |
If my memory serves me correctly, | 0:15:21 | 0:15:23 | |
David, I believe this debt belongs to you. | 0:15:23 | 0:15:26 | |
As an audience, they didn't really know what to expect, | 0:15:31 | 0:15:33 | |
so when there was the big flash of fire and the silver leaf appeared, | 0:15:33 | 0:15:37 | |
-they were hooked from there. -Insane. I don't... | 0:15:37 | 0:15:41 | |
His hands didn't go in his pocket, it's like... I don't understand! | 0:15:41 | 0:15:46 | |
I don't understand how he did it. | 0:15:46 | 0:15:48 | |
I absolutely loved Dee's trick, it was charming, | 0:15:48 | 0:15:50 | |
it was skilled, it was amazing. | 0:15:50 | 0:15:52 | |
It was really good solid magic that took advantage of | 0:15:52 | 0:15:55 | |
different textures, there was plastic and metal... | 0:15:55 | 0:15:58 | |
It ticked all the boxes for me. | 0:15:58 | 0:16:00 | |
Thumbs up, I think it went pretty well. | 0:16:00 | 0:16:03 | |
So let's see how his competitors scored him. | 0:16:03 | 0:16:06 | |
I think Dee's trick was so amazing, so I'm going to give him a... | 0:16:06 | 0:16:09 | |
I liked Dee's trick, but I'm going to give him... | 0:16:13 | 0:16:16 | |
Dee got amazing reactions, but the trick wasn't golden for me, | 0:16:16 | 0:16:20 | |
so he gets... | 0:16:20 | 0:16:21 | |
I didn't think Dee was being himself. | 0:16:21 | 0:16:23 | |
Strong trick, but I'll only give it a seven. | 0:16:23 | 0:16:26 | |
So, Dee scores 31, still a big total, but at the moment it | 0:16:26 | 0:16:30 | |
puts him in line for the chopping block, | 0:16:30 | 0:16:32 | |
tied in last place with Damien. | 0:16:32 | 0:16:33 | |
Time now for our mind-reading magician Chris Cox to wow us | 0:16:35 | 0:16:38 | |
with his money-themed trick, and look, he's celebrating | 0:16:38 | 0:16:41 | |
a made-up birthday with a bunch of people he doesn't know. | 0:16:41 | 0:16:43 | |
-What a turn out. -Pink top! | 0:16:43 | 0:16:45 | |
I can't believe you're here, I haven't seen you in literally ever! | 0:16:45 | 0:16:48 | |
Birthdays always mean one thing to me - money! | 0:16:48 | 0:16:51 | |
He's asking his rent-a-crowd group of strangers to pick out a card | 0:16:51 | 0:16:55 | |
and scribble in their own unique birthday message. | 0:16:55 | 0:16:58 | |
My name's Chris. So "To Chris", "Dear Chris", anything like that. | 0:16:58 | 0:17:02 | |
My surname's Cox, do with that what you want. | 0:17:02 | 0:17:04 | |
LAUGHTER Now, one of you, | 0:17:04 | 0:17:06 | |
let's have a look. | 0:17:06 | 0:17:07 | |
You've got good-looking shoes, I think | 0:17:07 | 0:17:09 | |
that means you've got a bit of cash. | 0:17:09 | 0:17:10 | |
-Have you got some money on you? -Ehh, a wee bit. | 0:17:10 | 0:17:12 | |
All right, will you give me a birthday treat of a bit of cash? | 0:17:12 | 0:17:16 | |
I promise you'll get it back - in as much cheese | 0:17:16 | 0:17:19 | |
and pineapple from the hedgehog as you want. It's a good deal. | 0:17:19 | 0:17:21 | |
-Sounds like a fair deal. -Happy with that? | 0:17:21 | 0:17:24 | |
You can go first, head on over to the cards, pick out your card, | 0:17:24 | 0:17:26 | |
and then write me out a nice little message, | 0:17:26 | 0:17:29 | |
put the money in the card and the money in the envelope. | 0:17:29 | 0:17:31 | |
I'll stand over here so I can't see what you're doing. | 0:17:31 | 0:17:34 | |
And then pop onto a table and write me a nice little message, | 0:17:34 | 0:17:37 | |
jokey insult if you want, and pop your money in it and tell me | 0:17:37 | 0:17:40 | |
when you're done. | 0:17:40 | 0:17:41 | |
-That's me. -Yep? Next person, if you want to go over. | 0:17:41 | 0:17:44 | |
OK, next person, off you go. | 0:17:44 | 0:17:46 | |
Only one of the cards contains a bank note, | 0:17:46 | 0:17:48 | |
but with loads of identical envelopes, | 0:17:48 | 0:17:50 | |
can Chris use his skill to find the one that contains the money? | 0:17:50 | 0:17:53 | |
Perfect. Can you go through the cards | 0:17:53 | 0:17:55 | |
and make sure they're all sealed down? | 0:17:55 | 0:17:57 | |
And then give them a bit of a mix for me. | 0:17:57 | 0:17:59 | |
Bring the cards over to me and then rejoin your group. Thank you. | 0:17:59 | 0:18:03 | |
So one of these cards now has the money in it. | 0:18:03 | 0:18:05 | |
No money! Not a happy birthday for me. | 0:18:08 | 0:18:11 | |
Do you want to take that and stand over here for me? Next one. | 0:18:11 | 0:18:14 | |
No money! Not a happy birthday for me. | 0:18:14 | 0:18:15 | |
Come and stand over here for me. Come on down. | 0:18:15 | 0:18:19 | |
That is not the smell of cash, that is the smell of disappointment! | 0:18:19 | 0:18:22 | |
Not a happy birthday - next one. No, not a happy birthday. | 0:18:22 | 0:18:26 | |
Mmm, maybe a happy birthday. | 0:18:28 | 0:18:30 | |
Definitely not a happy birthday. | 0:18:31 | 0:18:33 | |
Not a happy birthday. | 0:18:35 | 0:18:37 | |
Not a happy birthday! | 0:18:37 | 0:18:41 | |
Not a happy birthday. I think that's the happy birthday with the money there. | 0:18:41 | 0:18:44 | |
-Come and join me over here. -You do? | 0:18:44 | 0:18:45 | |
So I think that's the envelope with the cash, I think | 0:18:45 | 0:18:48 | |
these are the eight envelopes with no cash. | 0:18:48 | 0:18:50 | |
On the count of three, open your envelopes, throw it on the floor, | 0:18:50 | 0:18:53 | |
check there's no cash inside and hold your card in front of you. | 0:18:53 | 0:18:55 | |
Are you ready? Not you. One, two, three! | 0:18:55 | 0:18:59 | |
No cash, no cash, no cash, anyone got any money? There's no birthday money! | 0:18:59 | 0:19:03 | |
OK, hold your cards in front of you. | 0:19:03 | 0:19:05 | |
so, by process of elimination, we've found the card with money in it. | 0:19:05 | 0:19:08 | |
So I think you have written in your card... | 0:19:08 | 0:19:11 | |
Not "Dear Chris", I think you wrote "To Chris", is that right? | 0:19:11 | 0:19:15 | |
-Yeah. -There's no way I know what you've written, | 0:19:15 | 0:19:17 | |
-it just came into your mind as you were sat writing it, yeah? -Yeah. | 0:19:17 | 0:19:20 | |
I think you wished me not a happy birthday, but a pleasant birthday. | 0:19:20 | 0:19:27 | |
-"Kind regards, Tom." -Yeah. -Is that what you wrote? -Yeah! | 0:19:27 | 0:19:31 | |
-Yes, it is. -There's something more though, isn't there? | 0:19:31 | 0:19:33 | |
You drew a little picture, yes? | 0:19:33 | 0:19:35 | |
LAUGHTER | 0:19:35 | 0:19:36 | |
I don't think it's a cock and balls, I think it's a picture of me, | 0:19:36 | 0:19:40 | |
did you draw a picture of me in it, Tom? | 0:19:40 | 0:19:41 | |
-Well, I tried my best, but it's pretty bad. -It's pretty bad. | 0:19:41 | 0:19:45 | |
And did you select an eight-year-old birthday card? | 0:19:45 | 0:19:48 | |
-I think so. -Yes! Will you show everyone | 0:19:48 | 0:19:49 | |
the eight-year-old birthday card | 0:19:49 | 0:19:51 | |
and inside it I think Tom put a £20 note. | 0:19:51 | 0:19:53 | |
Here we go, it's the eight-year-old birthday card. | 0:19:53 | 0:19:55 | |
"To Chris, have a pleasant birthday", and there's the picture of me. | 0:19:55 | 0:19:59 | |
"Kind regards, Tom." And there's the twen... | 0:19:59 | 0:20:02 | |
MUSIC CUTS OUT Oh! | 0:20:02 | 0:20:03 | |
A tenner?! Is that all this is worth? | 0:20:03 | 0:20:06 | |
This is an expensive spread, | 0:20:06 | 0:20:08 | |
I've paid you all more than that to be here! | 0:20:08 | 0:20:11 | |
-Ten quid, Tom... -Take it or leave it. | 0:20:11 | 0:20:13 | |
LAUGHTER | 0:20:13 | 0:20:14 | |
You hang on to it a second, | 0:20:14 | 0:20:16 | |
-that's your tenner that you put in for me, yeah? -Mm-hmm. | 0:20:16 | 0:20:18 | |
Tom, every note in the world is unique, | 0:20:18 | 0:20:21 | |
cos they've all got serial numbers on them. | 0:20:21 | 0:20:24 | |
Let me have a little look | 0:20:24 | 0:20:25 | |
at the serial number, come and stand next to me here. | 0:20:25 | 0:20:27 | |
And will you, nice and loud, it's printed here, | 0:20:27 | 0:20:30 | |
give me the first number? | 0:20:30 | 0:20:32 | |
-Six. -Good. And now the next number. | 0:20:32 | 0:20:35 | |
-Nine. -Is the next number a seven? | 0:20:35 | 0:20:38 | |
-Yes, it is. -And then the next one? | 0:20:38 | 0:20:40 | |
-Five. -Yep? -Nine. -Yep? -Four. | 0:20:40 | 0:20:43 | |
-Uh-huh? -Five, three. -Yeah! | 0:20:43 | 0:20:46 | |
It's my birthday. I'll look after that, that's my birthday money. | 0:20:46 | 0:20:49 | |
Shower me in glory, let's party! | 0:20:49 | 0:20:52 | |
CHEERING, HE BLOWS PARTY HORN | 0:20:52 | 0:20:55 | |
Pump up the beats, DJ! | 0:20:55 | 0:20:56 | |
Eh, that was pretty crazy, I thought | 0:20:59 | 0:21:00 | |
he'd messed up at one point with getting £20 instead of £10. | 0:21:00 | 0:21:05 | |
-Ohh! A tenner?! -It was definitely the well shittest birthday party, | 0:21:05 | 0:21:10 | |
but it was a good trick! | 0:21:10 | 0:21:11 | |
There was quite a few cards up there, | 0:21:11 | 0:21:13 | |
there's only one bank note that has those numbers in | 0:21:13 | 0:21:17 | |
the entire world in that order, so it was a good trick. | 0:21:17 | 0:21:21 | |
How...? How do you...? | 0:21:21 | 0:21:23 | |
LAUGHTER | 0:21:23 | 0:21:25 | |
To know what the other magicians think about this, | 0:21:25 | 0:21:27 | |
you'd have to be some sort of mind-reader. | 0:21:27 | 0:21:29 | |
-Wait, what? -Well, let's find out. | 0:21:29 | 0:21:31 | |
There was a bit too much going on for me, | 0:21:31 | 0:21:33 | |
so Chris gets... | 0:21:33 | 0:21:35 | |
I'm going to give it... | 0:21:35 | 0:21:37 | |
I'm giving him a... | 0:21:40 | 0:21:42 | |
I was sorely disappointed | 0:21:44 | 0:21:45 | |
when I realised there was no whisky at Chris' party. | 0:21:45 | 0:21:48 | |
So I've given him a seven. | 0:21:49 | 0:21:51 | |
Oh, dear, the magicians have given Chris a party-poopoing 28, | 0:21:51 | 0:21:54 | |
putting his delicate head directly in line for the chop. | 0:21:54 | 0:21:56 | |
Next up, it's Jasz, and she's hoping to impress with her | 0:21:58 | 0:22:01 | |
money trick at this shop of curiosities. | 0:22:01 | 0:22:03 | |
Lots of nice stuff, fancy one of them myself. | 0:22:03 | 0:22:06 | |
For my trick this week I'm going to be printing money. | 0:22:06 | 0:22:08 | |
I mean, who wouldn't want to print money? | 0:22:08 | 0:22:10 | |
She's roped in a couple of bankers for her trick. | 0:22:10 | 0:22:13 | |
No, really, they are bankers. | 0:22:13 | 0:22:15 | |
If my printed money can fool bankers, then it can fool anyone. | 0:22:15 | 0:22:19 | |
And she plans to use some sort of magical forgery machine | 0:22:19 | 0:22:22 | |
that she's discovered. | 0:22:22 | 0:22:24 | |
-Sort of looks a bit like a pasta maker. -Yes. | 0:22:24 | 0:22:27 | |
-Have you ever made pasta before? -Yes, boiling water. | 0:22:27 | 0:22:32 | |
I have some paper here, worthless piece of blank paper, | 0:22:32 | 0:22:36 | |
can you have a look at that? | 0:22:36 | 0:22:38 | |
It's definitely paper. | 0:22:38 | 0:22:40 | |
So what would be the most amazing thing | 0:22:40 | 0:22:42 | |
I could do with this piece of paper? | 0:22:42 | 0:22:44 | |
-Careful. -If it turned into a tenner and ended up in my pocket. | 0:22:44 | 0:22:47 | |
Turning it into money is actually quite a good idea, I think | 0:22:47 | 0:22:50 | |
-I might give that a go. -OK. | 0:22:50 | 0:22:52 | |
Pop this in. | 0:22:53 | 0:22:54 | |
-Oh... -Impressive. -Have a look. | 0:22:58 | 0:23:00 | |
-"Bank of Magic." -Oh, it's only printed one side. | 0:23:02 | 0:23:07 | |
I'll pop that in there. We'll turn the machine down slightly. | 0:23:07 | 0:23:11 | |
Let's go to 20, they're much easier to shift. | 0:23:11 | 0:23:14 | |
Take another piece of paper. | 0:23:14 | 0:23:15 | |
Printing's quite difficult to do, | 0:23:17 | 0:23:18 | |
you've got to put it in really straight to get it lined up, | 0:23:18 | 0:23:21 | |
so if I put it in slightly off, it doesn't work. | 0:23:21 | 0:23:23 | |
I'm going to show you. | 0:23:23 | 0:23:24 | |
-Hmm, OK. -Oh, both sides. | 0:23:26 | 0:23:29 | |
I mean, it looks a bit dodgy, | 0:23:29 | 0:23:31 | |
but there is a way to make this much more convincing. | 0:23:31 | 0:23:35 | |
-Take your word for it. -Just going to use this to adjust the machine. | 0:23:35 | 0:23:39 | |
If I just tweak it like so. | 0:23:39 | 0:23:40 | |
Then... | 0:23:42 | 0:23:43 | |
Hopefully it will work better now. | 0:23:44 | 0:23:46 | |
So we've got another piece of paper now, as you can see. | 0:23:46 | 0:23:49 | |
And I want to mark it. Can you look in this drawer for me? | 0:23:49 | 0:23:52 | |
There should be some inks, I think. | 0:23:52 | 0:23:53 | |
-Yep. -Yeah, just pick out a colour. | 0:23:53 | 0:23:55 | |
-Red, fantastic. Can I borrow your thumb? -Which one? | 0:23:57 | 0:24:01 | |
LAUGHTER This one will do. | 0:24:01 | 0:24:04 | |
OK. | 0:24:04 | 0:24:05 | |
And just pop that on there. | 0:24:07 | 0:24:08 | |
This brings back memories. SHE LAUGHS | 0:24:10 | 0:24:13 | |
Thank you. | 0:24:14 | 0:24:16 | |
If I just run it through... | 0:24:18 | 0:24:20 | |
BANKERS LAUGH | 0:24:24 | 0:24:26 | |
-Check it out, check it's real. -Wow, that's pretty good. | 0:24:26 | 0:24:29 | |
He's never held one of them before. | 0:24:29 | 0:24:31 | |
Yeah, check the watermark. | 0:24:31 | 0:24:33 | |
If I get caught with this... | 0:24:33 | 0:24:35 | |
-Oh, very good. -..it's got your thumbprint on it. | 0:24:35 | 0:24:37 | |
-Can I spend it? -No. | 0:24:37 | 0:24:39 | |
THEY LAUGH | 0:24:41 | 0:24:43 | |
Pop this in. | 0:24:43 | 0:24:45 | |
-Fantastic. -Amazing, actually. -Great way to make money. | 0:24:45 | 0:24:50 | |
"Bank of Magic." | 0:24:51 | 0:24:52 | |
I started off with fun, silly £10,000 notes | 0:24:52 | 0:24:55 | |
and then went to real money. | 0:24:55 | 0:24:57 | |
I didn't expect Jasz Vegas to be a criminal, make counterfeit money. | 0:24:59 | 0:25:04 | |
She seemed so sweet and innocent. | 0:25:04 | 0:25:06 | |
But was the trick on the money? | 0:25:06 | 0:25:08 | |
Hands up who liked the trick. | 0:25:08 | 0:25:10 | |
LAUGHTER | 0:25:10 | 0:25:13 | |
So what did the other magicians make of the trick? | 0:25:13 | 0:25:16 | |
It was a magical machine, but sadly for me, | 0:25:16 | 0:25:18 | |
not a very magical performance, so I'll give it a six. | 0:25:18 | 0:25:21 | |
It wasn't bad but it wasn't on the money. I'd give it five. | 0:25:21 | 0:25:25 | |
It gets... | 0:25:25 | 0:25:27 | |
a six. | 0:25:27 | 0:25:29 | |
It's nice to see Jasz's bad girl side come out, | 0:25:29 | 0:25:31 | |
so for that reason I shall give her a nine. | 0:25:31 | 0:25:35 | |
Even with Dee's generous scoring, | 0:25:35 | 0:25:37 | |
Jasz's money-themed trick has gone into negative equity with 26, | 0:25:37 | 0:25:41 | |
so we have a winner and more importantly a loser. | 0:25:41 | 0:25:43 | |
Off with their head! | 0:25:43 | 0:25:45 | |
It's time for them to discover their fate. | 0:25:45 | 0:25:47 | |
The scores are in. | 0:25:47 | 0:25:48 | |
This week's winning magician is... | 0:25:51 | 0:25:54 | |
HE TAPS ON DESK | 0:25:54 | 0:25:55 | |
..Ben Hart Throb. | 0:25:55 | 0:25:57 | |
Thank you. That surprised me frankly. It was a good week. | 0:25:59 | 0:26:02 | |
Strong week. | 0:26:02 | 0:26:04 | |
And...our loser this week is... | 0:26:04 | 0:26:07 | |
Young Jasz Vegas. | 0:26:07 | 0:26:09 | |
You're going to possibly die! | 0:26:11 | 0:26:14 | |
This is what's going to be the scene of your death. | 0:26:17 | 0:26:21 | |
Look at that, she's put her hair up especially. | 0:26:21 | 0:26:24 | |
She shouldn't have bothered. | 0:26:24 | 0:26:25 | |
It's completely based on the original guillotines used in France. | 0:26:25 | 0:26:28 | |
You're going to kneel down, stick your head through the hole. | 0:26:28 | 0:26:33 | |
I'm going to pull the cord which will drop the blade, | 0:26:33 | 0:26:36 | |
which will pass down at terrifying speed, | 0:26:36 | 0:26:39 | |
-you will be completely unharmed. -And I'll be fine, yeah? | 0:26:39 | 0:26:42 | |
-You promise? -Fresh as a daisy. -OK. | 0:26:42 | 0:26:44 | |
She sounds convinced, and just in case anything goes wrong, | 0:26:44 | 0:26:47 | |
we've invited a highly visible ambulance crew along. | 0:26:47 | 0:26:50 | |
Thank you, it's very reassuring having you here. | 0:26:50 | 0:26:52 | |
In your experience as paramedics, | 0:26:52 | 0:26:54 | |
have you ever come across something quite like this? | 0:26:54 | 0:26:57 | |
We've had lots of severe trauma but nothing involving a guillotine. | 0:26:57 | 0:27:01 | |
If you wouldn't mind stepping over there a safe distance away, | 0:27:03 | 0:27:06 | |
just in case anything does go wrong. | 0:27:06 | 0:27:08 | |
I don't want you guys to be held responsible. | 0:27:08 | 0:27:10 | |
If you just come around here, | 0:27:10 | 0:27:12 | |
you're going to have to kneel down about there. | 0:27:12 | 0:27:15 | |
Just here, yeah? | 0:27:15 | 0:27:17 | |
Jasz, it is traditional for me to ask you if you have any final words. | 0:27:19 | 0:27:23 | |
-Got any final words? -I'd quite like... | 0:27:23 | 0:27:25 | |
God's sake, Ben. | 0:27:25 | 0:27:26 | |
I've been waiting years to use this! | 0:27:26 | 0:27:28 | |
What? | 0:27:28 | 0:27:29 | |
Be very careful, I don't want you to smack your head or anything. | 0:27:31 | 0:27:34 | |
-You've got to bend forwards. -Now he's concerned about her head! | 0:27:34 | 0:27:37 | |
Heaven forbid she get a slight bump to the forehead | 0:27:37 | 0:27:39 | |
on her way down to putting it through a hole | 0:27:39 | 0:27:41 | |
below a razor-sharp blade. Let's do this then. | 0:27:41 | 0:27:44 | |
If you're of a nervous disposition, perhaps look away now? | 0:27:44 | 0:27:47 | |
-Jasz? -Yeah? | 0:27:47 | 0:27:49 | |
I sentence you to death for crimes against magic. | 0:27:49 | 0:27:53 | |
3, 2, 1. | 0:27:53 | 0:27:57 | |
Shit. Paramedics? | 0:28:02 | 0:28:04 |