Browse content similar to Time. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language | 0:00:02 | 0:00:04 | |
Five magicians go head-to-head to find out | 0:00:04 | 0:00:06 | |
who is better than the rest. | 0:00:06 | 0:00:08 | |
Oh, my God! That's amazing! | 0:00:08 | 0:00:10 | |
The stakes are deadly. | 0:00:10 | 0:00:12 | |
Because the loser will face a trick | 0:00:12 | 0:00:14 | |
that's killed or injured magicians in the past. | 0:00:14 | 0:00:17 | |
-GIRL SCREAMS -This... | 0:00:17 | 0:00:20 | |
is Killer Magic. | 0:00:20 | 0:00:22 | |
Can we get medical help? | 0:00:23 | 0:00:25 | |
So, let's meet the five magicians. | 0:00:25 | 0:00:28 | |
First up, it's our resident purple-haired bombshell | 0:00:28 | 0:00:30 | |
Jasz Vegas. | 0:00:30 | 0:00:32 | |
I would describe my style of magic as lots of fun and very quirky. | 0:00:32 | 0:00:36 | |
So, if you can sign her name in the white bit. | 0:00:36 | 0:00:38 | |
I quite like to do things that really involve my audience | 0:00:38 | 0:00:41 | |
and then, at the last minute, add something in that wasn't expected. | 0:00:41 | 0:00:45 | |
-Have a look, yeah. -Bloody hell! | 0:00:45 | 0:00:47 | |
Next up, it's hashtag-lad Damien O'Brien. | 0:00:48 | 0:00:51 | |
I definitely try and play to the close-up as much as I can | 0:00:51 | 0:00:54 | |
cos I know my strengths. | 0:00:54 | 0:00:55 | |
-Take this one. -King of hearts, right? | 0:00:55 | 0:00:57 | |
-Yes. -But, I will jump out of my comfort zone | 0:00:57 | 0:00:59 | |
and I'll play with some big boy toys too. | 0:00:59 | 0:01:01 | |
Oh, shit! Look! It's inside the fish. | 0:01:01 | 0:01:05 | |
This champion eyebrow raiser | 0:01:05 | 0:01:07 | |
is geeky mind-reader Chris Cox. | 0:01:07 | 0:01:09 | |
My magic's different from the other magicians | 0:01:09 | 0:01:11 | |
in that it's a bit shitter. | 0:01:11 | 0:01:13 | |
I want you, Joe, to think of any superhero for me. | 0:01:13 | 0:01:15 | |
I try do my reading stuff, influencing, that type of nonsense. | 0:01:15 | 0:01:18 | |
-Tell me, what superhero are you thinking of? -Wonder Woman. | 0:01:18 | 0:01:21 | |
People see me, they freak out. | 0:01:23 | 0:01:25 | |
And then when I do a trick, they freak out even more. | 0:01:25 | 0:01:27 | |
-I can believe that. -It's crazy. -Yeah. | 0:01:27 | 0:01:29 | |
Say hello to handsome fellow Ben Hart, the gent. | 0:01:29 | 0:01:34 | |
Magic is pretty unique in that anything is possible. | 0:01:34 | 0:01:37 | |
I need to borrow a coin and also a note. | 0:01:37 | 0:01:39 | |
It should be approached with imagination and with generosity. | 0:01:39 | 0:01:43 | |
-SHE GASPS -Do you see what's happening? | 0:01:43 | 0:01:46 | |
It's completely weird, isn't it? | 0:01:46 | 0:01:47 | |
-I'm shaking. -Are you shaking? Oh, no. It's OK, it's going to be OK. | 0:01:47 | 0:01:51 | |
Finally, it's our ray of sunshine in the shape of Goth Dee Christopher. | 0:01:51 | 0:01:55 | |
I like to do things that really get to people. | 0:01:55 | 0:01:59 | |
This is going to hurt. | 0:01:59 | 0:02:01 | |
Oh, my God. That noise! | 0:02:01 | 0:02:03 | |
The idea of a bit of risk and a bit of danger | 0:02:03 | 0:02:05 | |
and something that is a bit more brutal excites me. | 0:02:05 | 0:02:10 | |
Oh, my God. I was like pulling that nail out his foot. | 0:02:10 | 0:02:14 | |
Not only will our five magicians be competing, | 0:02:14 | 0:02:16 | |
they'll also be scoring each other out of ten, | 0:02:16 | 0:02:19 | |
all of them trying to avoid that killer trick. | 0:02:19 | 0:02:22 | |
-MOBILE PHONE BEEPS Here we go, text is in. -Oh-ho. | 0:02:22 | 0:02:25 | |
Which this week is... | 0:02:25 | 0:02:27 | |
-Russian Roulette. -Oh. | 0:02:27 | 0:02:29 | |
That sounds ominous, doesn't it? | 0:02:29 | 0:02:30 | |
Over the years, there have been hundreds of tricks using | 0:02:30 | 0:02:33 | |
the high-stakes danger of Russian roulette. | 0:02:33 | 0:02:34 | |
They have maimed many magicians, cutting themselves, | 0:02:34 | 0:02:37 | |
burning themselves, slamming their hands onto spikes. | 0:02:37 | 0:02:41 | |
This week's lowest scorer will put their body in peril. | 0:02:41 | 0:02:45 | |
Yes, this twisted version of Russian roulette raises the odds. | 0:02:45 | 0:02:48 | |
We've designed a roulette chair, it's less about chance | 0:02:48 | 0:02:50 | |
and more about pain, as five ropes are attached to different parts | 0:02:50 | 0:02:54 | |
of the loser's anatomy. | 0:02:54 | 0:02:56 | |
Four of the five will be cut...but which four? | 0:02:56 | 0:02:59 | |
One wrong decision and our unlucky magician might be saying goodbye | 0:02:59 | 0:03:03 | |
to a precious piece of flesh. | 0:03:03 | 0:03:05 | |
All they need now is a theme to base their tricks on. | 0:03:09 | 0:03:12 | |
-Time. -Time. | 0:03:12 | 0:03:14 | |
All right, so that's what? That's clocks, watches, | 0:03:14 | 0:03:16 | |
-the general concept of... -Of time. -Travel. -Time travel. Speed. | 0:03:16 | 0:03:19 | |
-Time travel. Forwards and backwards. -Time is quite magical. | 0:03:19 | 0:03:22 | |
Thanks, Ben, that is why we chose it. | 0:03:22 | 0:03:23 | |
OK, remember our five magicians are performing in front of real people. | 0:03:23 | 0:03:27 | |
There are no stooges, no camera tricks, no funny business. | 0:03:27 | 0:03:30 | |
Just magic. | 0:03:30 | 0:03:32 | |
First to flex their magical muscles is housewives' favourite Ben. | 0:03:32 | 0:03:36 | |
He's in a laboratory rewriting the rules of time...apparently. | 0:03:36 | 0:03:40 | |
Course he is. | 0:03:40 | 0:03:41 | |
I'm feeling pretty confident about my trick. But | 0:03:41 | 0:03:43 | |
my audience is made up of scientists. | 0:03:43 | 0:03:46 | |
So they're going to be a bit analytical. | 0:03:46 | 0:03:48 | |
So I'm worried about that. | 0:03:48 | 0:03:50 | |
Hello, nice to meet you. I understand that you're scientists. | 0:03:50 | 0:03:53 | |
And as scientists, you monitor and study the passage of time | 0:03:53 | 0:03:56 | |
in everything you do. | 0:03:56 | 0:03:58 | |
And as humans, our lives are completely led by time. | 0:03:58 | 0:04:01 | |
They already seem fascinated. | 0:04:01 | 0:04:03 | |
And it's not just these two Ben has to impress. | 0:04:03 | 0:04:05 | |
The other magicians are loitering in the background | 0:04:05 | 0:04:07 | |
and will give their verdicts at the end. | 0:04:07 | 0:04:08 | |
And personally, I feel completely lost without my watch on. | 0:04:08 | 0:04:11 | |
Makes me panic. | 0:04:11 | 0:04:13 | |
But as a magician, I have a... | 0:04:14 | 0:04:16 | |
a strange way of always being able to tell the time. | 0:04:16 | 0:04:19 | |
So, I will need a piece of ice... | 0:04:19 | 0:04:22 | |
Oh, it's quite cold. For example, that piece. | 0:04:22 | 0:04:25 | |
And I'm going to attempt to heat it...in such a way... | 0:04:25 | 0:04:28 | |
that I can reform it. | 0:04:28 | 0:04:30 | |
Like this. | 0:04:30 | 0:04:32 | |
HE BLOWS REPEATEDLY | 0:04:32 | 0:04:35 | |
-No! -No! | 0:04:35 | 0:04:37 | |
And I can inflate it into something you might be familiar with. | 0:04:37 | 0:04:40 | |
-It's a...it's a test tube isn't it? -Yeah. | 0:04:40 | 0:04:42 | |
And I've also got some salt here, which is the arch nemesis of ice. | 0:04:42 | 0:04:46 | |
And I will...pour some of this into the test tube. | 0:04:46 | 0:04:51 | |
-Like this. -Oh, that's a waste of salt. | 0:04:51 | 0:04:53 | |
Some(!) | 0:04:53 | 0:04:55 | |
Some, yeah. Quite a lot actually. | 0:04:55 | 0:04:57 | |
OK. | 0:04:57 | 0:04:58 | |
I will now attempt to heat the top. | 0:04:58 | 0:05:02 | |
And let it fold in on itself, like that. | 0:05:02 | 0:05:05 | |
-Can you see? And then... -That's a bit weird. | 0:05:05 | 0:05:07 | |
And then...bit more heat... | 0:05:07 | 0:05:10 | |
I can twist it. | 0:05:13 | 0:05:15 | |
-And it becomes a sand timer. -No. | 0:05:15 | 0:05:18 | |
Do you want to...? You can touch it. | 0:05:18 | 0:05:20 | |
-Let me feel that, please. -Great. | 0:05:20 | 0:05:22 | |
Now, admittedly that's quite a lot of work to go to | 0:05:22 | 0:05:24 | |
just to be able to track time. | 0:05:24 | 0:05:26 | |
If I turn it back up the opposite way, | 0:05:26 | 0:05:28 | |
the salt flows from that chamber, back to that chamber, | 0:05:28 | 0:05:31 | |
which means that time must be going backwards. | 0:05:31 | 0:05:34 | |
-Yeah. -And if time's going backwards, we're all a little bit younger now. | 0:05:34 | 0:05:37 | |
That's fantastic, stop the wrinkling. | 0:05:37 | 0:05:40 | |
And, in fact, if we go back far enough, | 0:05:40 | 0:05:41 | |
that goes back to a piece of ice. | 0:05:41 | 0:05:44 | |
-Wow. -And the salt is back in the salt shaker. | 0:05:45 | 0:05:48 | |
-Have you realised that... -Oh, my God! What? -I know. | 0:05:48 | 0:05:51 | |
And the watch... | 0:05:51 | 0:05:54 | |
is back on my wrist. | 0:05:54 | 0:05:56 | |
God. | 0:05:56 | 0:05:57 | |
Hello, nice to meet you, I understand that you're scientists. | 0:05:57 | 0:06:01 | |
He had an ice bowl and he blew, um... | 0:06:01 | 0:06:04 | |
sort of like, a test tube from it, a glass one. | 0:06:04 | 0:06:07 | |
-No! -No! | 0:06:07 | 0:06:09 | |
And I was just, "How did that happen?" | 0:06:09 | 0:06:12 | |
I didn't catch that at all, | 0:06:12 | 0:06:13 | |
when the watch reappeared on his wrist I was like, "Oh, my God!" | 0:06:13 | 0:06:16 | |
I was, like, didn't even see it and I was watching really closely. | 0:06:16 | 0:06:19 | |
I've had a lot of fun doing that. | 0:06:19 | 0:06:20 | |
I think that their brains, sort of, exploded. | 0:06:20 | 0:06:22 | |
Oh, my God! What? | 0:06:22 | 0:06:23 | |
They couldn't really comprehend everything. | 0:06:23 | 0:06:25 | |
It's bizarre. I'm no fan of it, nah. | 0:06:25 | 0:06:28 | |
I can't cope. | 0:06:28 | 0:06:29 | |
So let's see how his magical competitors scored him. | 0:06:31 | 0:06:35 | |
I know Ben can do a lot more with his tricks, | 0:06:35 | 0:06:36 | |
but his time stuff, I really enjoyed. | 0:06:36 | 0:06:39 | |
Seven. | 0:06:39 | 0:06:41 | |
Seven. | 0:06:41 | 0:06:42 | |
Cool trick, but he can do better. | 0:06:42 | 0:06:45 | |
I give it a seven. | 0:06:45 | 0:06:47 | |
Ben's trick had some great moments in it. | 0:06:47 | 0:06:49 | |
So I'm going to give it a... | 0:06:49 | 0:06:51 | |
Eight. | 0:06:54 | 0:06:55 | |
That gives Ben a comfortable 29. | 0:06:55 | 0:06:58 | |
Right, Damien's turn now. | 0:06:59 | 0:07:00 | |
I ain't going to lie, I'm a little bit nervous this week | 0:07:00 | 0:07:03 | |
because this ain't really my style...of magic. | 0:07:03 | 0:07:07 | |
Despite his refusal to wear formal footwear, | 0:07:07 | 0:07:09 | |
he's managed to sneak past security into a VIP champagne bar... Ooh! | 0:07:09 | 0:07:12 | |
..where he's managed to impress | 0:07:12 | 0:07:14 | |
Emily and Rhiona with his time trick. | 0:07:14 | 0:07:16 | |
In life, we all have these amazing memories, | 0:07:16 | 0:07:18 | |
different points in time where we look back and think, | 0:07:18 | 0:07:21 | |
"Wow, this was really incredible." | 0:07:21 | 0:07:23 | |
Emily, what was that one memory you have? | 0:07:23 | 0:07:26 | |
It was the first time I ever actually met my American auntie. | 0:07:26 | 0:07:29 | |
I went over to Florida to meet her. | 0:07:29 | 0:07:30 | |
That's cool. OK...um, before we take this a bit further, | 0:07:30 | 0:07:33 | |
either one of you have a bit of change? | 0:07:33 | 0:07:35 | |
-Yes, I do actually. -I'm a magician, I don't get paid that much so... | 0:07:35 | 0:07:38 | |
-Loving the banter. -Cheers, that'll do. | 0:07:38 | 0:07:41 | |
-Thank you. -That's great. | 0:07:41 | 0:07:42 | |
Now, Emily, what was the year you went and saw your auntie? | 0:07:42 | 0:07:46 | |
-2000. -2000? OK. | 0:07:46 | 0:07:49 | |
I'm just going to write...2000 on the coin. | 0:07:49 | 0:07:52 | |
OK? So now, we know that's your coin | 0:07:52 | 0:07:55 | |
of the year you went and saw your auntie in Florida. | 0:07:55 | 0:07:59 | |
I've got, um... | 0:07:59 | 0:08:01 | |
-an empty bottle of champagne, essentially. -Oh. | 0:08:01 | 0:08:03 | |
We were out partying last night. | 0:08:03 | 0:08:05 | |
I tell you what, uh... | 0:08:05 | 0:08:06 | |
Can you hold your hand up for me, just like this? | 0:08:06 | 0:08:09 | |
Squeeze the neck of the bottle really tight. | 0:08:09 | 0:08:12 | |
I'm going to take the coin that says 2000 on it. | 0:08:12 | 0:08:15 | |
OK? Now you've seen a ship in a bottle before, right? | 0:08:15 | 0:08:19 | |
I'm going to put time in a bottle. | 0:08:19 | 0:08:21 | |
So watch if I just... | 0:08:21 | 0:08:24 | |
COIN RATTLES | 0:08:24 | 0:08:26 | |
Just like that. Can you see that? And that's this coin... | 0:08:26 | 0:08:29 | |
-Yep. -With 2000 on it. | 0:08:29 | 0:08:32 | |
-The other side of the bottle. -Yeah. | 0:08:33 | 0:08:36 | |
If you hold your hand up for me... | 0:08:36 | 0:08:38 | |
Watch, cup 'them together, both of them. | 0:08:38 | 0:08:40 | |
Watch. | 0:08:40 | 0:08:42 | |
If I can just... | 0:08:42 | 0:08:44 | |
Slowly, it slowly starts to... | 0:08:44 | 0:08:46 | |
out the bottle. | 0:08:46 | 0:08:48 | |
Just like that. Show each other, as well. | 0:08:48 | 0:08:51 | |
-Both have a look, show it... -Is that is definitely your coin. | 0:08:51 | 0:08:53 | |
Show 'em, show 'em, show 'em all. | 0:08:53 | 0:08:56 | |
-You can keep hold of that. -Thank you. -Now, you said you went to Florida | 0:08:56 | 0:08:59 | |
-in 2000? -Hmm. -And that was an important memory. -Hmm. | 0:08:59 | 0:09:01 | |
Now, I'm going to give you a gift to, you know, look back on that memory | 0:09:01 | 0:09:05 | |
and celebrate it. | 0:09:05 | 0:09:06 | |
So, look, if I took the bottle... And watch. | 0:09:06 | 0:09:08 | |
I just focus, and it slowly starts to chill. And it also seals back up. | 0:09:08 | 0:09:13 | |
And watch, if I do it right, | 0:09:13 | 0:09:15 | |
it actually fills with champagne again. | 0:09:15 | 0:09:19 | |
-Feel it. -No! | 0:09:19 | 0:09:21 | |
One last thing, um, what was the year? | 0:09:23 | 0:09:26 | |
2000. | 0:09:26 | 0:09:28 | |
I'd have been close, that was 2006, but um, | 0:09:28 | 0:09:30 | |
that would've been really good. | 0:09:30 | 0:09:31 | |
So look, watch, I tell you what, if I just rub on the vintage date, | 0:09:31 | 0:09:34 | |
I'll turn it to 2000 for you. GIRLS GASP | 0:09:34 | 0:09:36 | |
And then you can open that bottle on the next memorable experience. | 0:09:36 | 0:09:39 | |
Thank you. It's insane. | 0:09:39 | 0:09:42 | |
I think we know which one's Damien's favourite. | 0:09:42 | 0:09:44 | |
I still can't work it out. Still in shock. | 0:09:44 | 0:09:46 | |
-Really, really good magic. -Yeah. | 0:09:46 | 0:09:49 | |
I'm really happy. I hope the other magicians are happy. | 0:09:51 | 0:09:55 | |
So, what did these two ladies think of Damien's charms? | 0:09:55 | 0:09:58 | |
Slightly freaked out. | 0:09:58 | 0:10:00 | |
Yeah, I'm a bit scared of him now. | 0:10:00 | 0:10:02 | |
Weird. He's weird. | 0:10:02 | 0:10:05 | |
It was great close-up magic done in a perfect environment for close up. | 0:10:05 | 0:10:09 | |
-Cheers. -Thank you. -Thank you. | 0:10:09 | 0:10:11 | |
A pithy analysis, Chris. | 0:10:12 | 0:10:14 | |
Right, time for the scores. | 0:10:14 | 0:10:16 | |
It was nice seeing Damien do a trick that was more sentimental. | 0:10:16 | 0:10:19 | |
So I'm going to give him a... | 0:10:19 | 0:10:20 | |
She has ruined that condom. | 0:10:21 | 0:10:23 | |
Eight. | 0:10:24 | 0:10:25 | |
I'll give it eight. | 0:10:25 | 0:10:26 | |
He gets a seven. | 0:10:26 | 0:10:28 | |
It was classy and amazing, so it gets... | 0:10:28 | 0:10:30 | |
..an eight. | 0:10:32 | 0:10:33 | |
That is a total of 31 for Damien, which is now the score to beat. | 0:10:33 | 0:10:36 | |
Up next, it's brain meddler Chris Cox. | 0:10:38 | 0:10:41 | |
I'm going to try and break time a little bit in this one | 0:10:41 | 0:10:44 | |
and hack the future. Yeah, it's a thing. | 0:10:44 | 0:10:46 | |
He's giving a group of journalism and media students | 0:10:46 | 0:10:49 | |
a mind-reading internship at his fictitious tabloid organisation | 0:10:49 | 0:10:52 | |
the Daily Cox. Also, this character he's doing | 0:10:52 | 0:10:55 | |
definitely needs its own spin-off show. | 0:10:55 | 0:10:57 | |
You want to impress me, you better impress me, | 0:10:57 | 0:10:59 | |
I'm the boss, this is my newspaper, what's your name? | 0:10:59 | 0:11:01 | |
-Sammy. -OK, Sammy. Right, you're going to be our editor, | 0:11:01 | 0:11:03 | |
-is that all right? -Yes. -You haven't got a choice. Editor's what you are. | 0:11:03 | 0:11:06 | |
We're going to come up with a brand-new page for the Daily... | 0:11:06 | 0:11:09 | |
PHONE RINGS Sorry, I've got a phone call. | 0:11:09 | 0:11:11 | |
Ooh! Looks like it's a phone call from the uh... | 0:11:11 | 0:11:14 | |
phone call from the future. | 0:11:14 | 0:11:16 | |
Hello? | 0:11:16 | 0:11:18 | |
Ah! Hi, Chris Cox from the future. | 0:11:18 | 0:11:21 | |
You sound sexy and important. | 0:11:21 | 0:11:23 | |
Yeah, oh, OK, yeah, I've got this. | 0:11:23 | 0:11:26 | |
Uh-huh. | 0:11:26 | 0:11:28 | |
Tell me what to write. | 0:11:28 | 0:11:29 | |
Right, that's the headline. Then what? | 0:11:31 | 0:11:33 | |
By-line. | 0:11:35 | 0:11:36 | |
Yeah, I can draw that. | 0:11:38 | 0:11:41 | |
Feature. | 0:11:41 | 0:11:43 | |
Thanks very much, bye. Lovely. | 0:11:44 | 0:11:46 | |
So what we have here is tomorrow's news today. | 0:11:47 | 0:11:51 | |
I'll seal them up inside this. | 0:11:51 | 0:11:53 | |
Pop them just up here. | 0:11:56 | 0:11:59 | |
Fully in sight but just out of reach. Bit like your dreams, Sammy. | 0:12:00 | 0:12:04 | |
GIRLS LAUGH Right. | 0:12:04 | 0:12:05 | |
Let's get on with making the news. | 0:12:05 | 0:12:07 | |
What's the headline story? | 0:12:07 | 0:12:08 | |
It's the Daily Cox, it's a newspaper all about me. | 0:12:08 | 0:12:10 | |
Sammy, you're the editor. | 0:12:10 | 0:12:12 | |
-Sex scandal. -Sex scandal. It's a good start. | 0:12:12 | 0:12:14 | |
-OK, at the end, Laura. -Cox In Magaluf. | 0:12:14 | 0:12:17 | |
Cox In Magaluf. Amy! | 0:12:17 | 0:12:19 | |
-Cox Rescues Orphans. -Rescues orphans. | 0:12:19 | 0:12:21 | |
A nice humanitarian look. What do we want to go for, Sammy? | 0:12:21 | 0:12:24 | |
-You're the editor, what's the big story here? -I like the Magaluf one. | 0:12:24 | 0:12:27 | |
Cox In Magaluf. OK, let's run with this. | 0:12:27 | 0:12:28 | |
Is that the headline on its own, Sammy, or is it more than that? | 0:12:28 | 0:12:31 | |
Cox On Magaluf Beach. | 0:12:31 | 0:12:33 | |
Cox On Magaluf Beach, are you sure? | 0:12:33 | 0:12:35 | |
-Yeah. -Lock it in, bang it home, whack it in. | 0:12:35 | 0:12:38 | |
We need to work out a strap line for that, | 0:12:38 | 0:12:40 | |
which sells the story slightly further. | 0:12:40 | 0:12:42 | |
Sammy, what's our strap line? | 0:12:42 | 0:12:43 | |
What's the interesting reason to keep reading? | 0:12:43 | 0:12:46 | |
You're having a sex scandal with the Royal Family. | 0:12:46 | 0:12:48 | |
Always with the sex scandal with you, Sammy, what's going on? | 0:12:48 | 0:12:51 | |
-What do we think? -Why...why not? -You want it? | 0:12:51 | 0:12:53 | |
-Well, cool, let's go with it. -Give me the proper phrasing then. | 0:12:53 | 0:12:55 | |
Sexy romp with mystery royal. | 0:12:55 | 0:12:58 | |
Next thing is we need a by-line. | 0:12:58 | 0:13:00 | |
This is who it's by. So what shall we call them? | 0:13:00 | 0:13:02 | |
Sammy give me a first name. | 0:13:02 | 0:13:03 | |
-Uh...Melissa. -Melissa. Amy give me a first name. | 0:13:03 | 0:13:06 | |
-Stephen. -Rebecca two, give me a second name. | 0:13:06 | 0:13:09 | |
-Ferguson. -Laura, give me a second name. | 0:13:09 | 0:13:12 | |
-Ronald. -Ronald. | 0:13:12 | 0:13:14 | |
-Watson. -Watson. | 0:13:14 | 0:13:15 | |
You get to make the name up, what shall we go for? | 0:13:15 | 0:13:17 | |
-Melissa Watson. -Melissa Watson, are we sure? -Yeah. | 0:13:17 | 0:13:20 | |
Lock it in, bang it home. By Melissa Watson. | 0:13:20 | 0:13:22 | |
It's going well. We need a picture. | 0:13:22 | 0:13:23 | |
Amy. | 0:13:23 | 0:13:25 | |
Um...just like a pair of boxers in the sand with a tiara. | 0:13:25 | 0:13:29 | |
-A pair of boxer shorts and a tiara... -And a tiara. | 0:13:29 | 0:13:32 | |
-..in the sand? -With a crab next to it. | 0:13:32 | 0:13:34 | |
With a crab next to it? Good luck, everyone. | 0:13:34 | 0:13:36 | |
Now, we've got one final thing to do, | 0:13:36 | 0:13:38 | |
is to work out what the inside feature is. | 0:13:38 | 0:13:40 | |
This is the big splash that makes people want to buy the paper. | 0:13:40 | 0:13:42 | |
-Cox for breakfast. -I like that. | 0:13:42 | 0:13:44 | |
Yes? Cox for breakfast. | 0:13:44 | 0:13:46 | |
So I'll say, inside, "Cox for breakfast." | 0:13:46 | 0:13:48 | |
Before you came in, would you have thought | 0:13:48 | 0:13:50 | |
-you'd have come up with any of that stuff? GIRLS: -No. | 0:13:50 | 0:13:52 | |
It's weird how the brain works, isn't it? | 0:13:52 | 0:13:54 | |
You know what? We've created tomorrow's news today. | 0:13:54 | 0:13:57 | |
That's what we've done. If you know tomorrow's news today, | 0:13:57 | 0:13:59 | |
that is where you can make the money. | 0:13:59 | 0:14:01 | |
Out of sight, out of reach. That's all we've been doing. | 0:14:01 | 0:14:04 | |
Out of sight, out of reach. | 0:14:04 | 0:14:05 | |
-That's been in your eye line the whole time, correct? -Yeah. | 0:14:05 | 0:14:08 | |
No-one can get up there. | 0:14:08 | 0:14:09 | |
You've created a newspaper that you've just invented right now? | 0:14:09 | 0:14:13 | |
Have a little look at the Daily Cox. | 0:14:16 | 0:14:19 | |
Shut up. Oh, my God! | 0:14:19 | 0:14:20 | |
"Cox On Magaluf Beach." | 0:14:20 | 0:14:22 | |
There's our headline. The strap line is, "Sexy romp with mystery royal." | 0:14:22 | 0:14:26 | |
Who's it by? It's by Melissa Watson, | 0:14:26 | 0:14:30 | |
there she is. And there's the picture of the crab with the boxers | 0:14:30 | 0:14:33 | |
on the beach. GIRLS LAUGH | 0:14:33 | 0:14:34 | |
Lovely little umbrella. You can see that's sand. | 0:14:34 | 0:14:36 | |
And inside..."Cox for breakfast." | 0:14:36 | 0:14:39 | |
You think you're original journalists, | 0:14:39 | 0:14:41 | |
you're so predictable! GIRLS LAUGH | 0:14:41 | 0:14:44 | |
I don't really understand how our random thoughts | 0:14:44 | 0:14:47 | |
can be communicated onto a piece of paper... | 0:14:47 | 0:14:49 | |
before we'd even thought of them. | 0:14:49 | 0:14:52 | |
-Shut up. -Cox On Magaluf Beach, there's our headline. | 0:14:52 | 0:14:57 | |
They seemed to really...properly have their minds blown, | 0:14:57 | 0:15:00 | |
which is exactly what I wanted from this trick. | 0:15:00 | 0:15:03 | |
It was more about newspapers and more about him | 0:15:03 | 0:15:05 | |
than it was about time. | 0:15:05 | 0:15:06 | |
He did phone himself from the future to deliver tomorrow's news. | 0:15:06 | 0:15:09 | |
But anyway, let's see how the magicians scored Chris. | 0:15:09 | 0:15:12 | |
There was far too many Cox puns for me. | 0:15:12 | 0:15:14 | |
Seven. | 0:15:14 | 0:15:15 | |
Didn't really strike a chord with me. | 0:15:15 | 0:15:17 | |
So for that reason, I'll give it...a six. | 0:15:17 | 0:15:20 | |
Six. | 0:15:23 | 0:15:24 | |
I was a big fan of Chris' newspaper trick, so he gets... | 0:15:24 | 0:15:27 | |
an eight. | 0:15:27 | 0:15:28 | |
27 for Chris, then. | 0:15:28 | 0:15:30 | |
So, as it stands, he's facing the Russian Roulette killer trick. | 0:15:30 | 0:15:34 | |
-MAN: -Arghhhh! | 0:15:34 | 0:15:36 | |
Hoping she'll do better, is Jasz. | 0:15:36 | 0:15:39 | |
This trick is quite different to my usual style, | 0:15:39 | 0:15:41 | |
so I'm quite excited about trying something outside of my comfort zone | 0:15:41 | 0:15:44 | |
and hopefully I'll get points for that. | 0:15:44 | 0:15:46 | |
Hi, girls, I'm Jasz, what's your name? | 0:15:46 | 0:15:48 | |
-I'm Heather. -I'm Stacey. | 0:15:48 | 0:15:50 | |
I'm here today to show you a trick based around the concept of time. | 0:15:50 | 0:15:53 | |
And to help me explain this concept, I have some items. | 0:15:53 | 0:15:56 | |
I have a rose bush. | 0:15:58 | 0:16:00 | |
Heather can you come join me up here a moment? | 0:16:00 | 0:16:02 | |
I'd like you to sign a leaf for me. | 0:16:02 | 0:16:04 | |
OK. OK. So I'll give you the pen. | 0:16:04 | 0:16:06 | |
Fantastic. | 0:16:09 | 0:16:11 | |
So if I just pull your leaf... | 0:16:12 | 0:16:14 | |
off of the bush... | 0:16:14 | 0:16:17 | |
And I want to cover the bush back up again. | 0:16:17 | 0:16:19 | |
Remember to be delicate, that's a very expensive pla... | 0:16:19 | 0:16:22 | |
Oh, forget it. | 0:16:22 | 0:16:23 | |
I want to take you on a journey back in time. | 0:16:24 | 0:16:28 | |
Let's say...30 seconds. | 0:16:28 | 0:16:30 | |
Back to when you hadn't signed this leaf. | 0:16:31 | 0:16:34 | |
What was that? | 0:16:44 | 0:16:45 | |
I've just pulled your signature right off that leaf. | 0:16:45 | 0:16:49 | |
-Oh, my. -But we're going to go back further, OK? | 0:16:49 | 0:16:52 | |
So, if I pop this leaf...into the box. | 0:16:55 | 0:16:58 | |
And, Stacey, can you pop your hand out for me? | 0:16:59 | 0:17:03 | |
Pop the other hand on top. | 0:17:03 | 0:17:05 | |
So we're going to go back even further. | 0:17:05 | 0:17:07 | |
Let's say... | 0:17:07 | 0:17:09 | |
a season. | 0:17:09 | 0:17:11 | |
-Fuck off. -That's weird. | 0:17:17 | 0:17:19 | |
We are now back in autumn. | 0:17:21 | 0:17:23 | |
But I reckon we can go back even further than that. | 0:17:23 | 0:17:26 | |
So I pop that back in. | 0:17:26 | 0:17:28 | |
I want to go back to before this leaf even existed. | 0:17:28 | 0:17:31 | |
What?! | 0:17:35 | 0:17:37 | |
And if this box is empty, | 0:17:37 | 0:17:39 | |
that means that the bush must not exist. | 0:17:39 | 0:17:42 | |
That means this box must be empty too. | 0:17:42 | 0:17:44 | |
Oh, my...God. | 0:17:47 | 0:17:49 | |
But there's massive repercussions from playing with time. | 0:17:49 | 0:17:52 | |
So we need to go right back to the present. | 0:17:52 | 0:17:55 | |
When there was a bush. | 0:17:57 | 0:17:59 | |
THEY LAUGH | 0:17:59 | 0:18:02 | |
And.... | 0:18:02 | 0:18:04 | |
-Don't. -No. | 0:18:04 | 0:18:06 | |
Your signed leaf...was still attached to the plant. | 0:18:06 | 0:18:09 | |
It is. It's actually on there. | 0:18:11 | 0:18:14 | |
-Is that your writing? -That's my writing. | 0:18:14 | 0:18:15 | |
That's what I done, cos I did a really long L. | 0:18:15 | 0:18:18 | |
I really enjoyed performing it, which was great. | 0:18:18 | 0:18:21 | |
And I think the spectators really enjoyed watching it, | 0:18:21 | 0:18:24 | |
which is even better. | 0:18:24 | 0:18:25 | |
I don't understand how she got the leaf to disappear, at all. | 0:18:25 | 0:18:29 | |
What?! | 0:18:29 | 0:18:31 | |
Or get it back on the bush. | 0:18:31 | 0:18:33 | |
It's actually on there. | 0:18:33 | 0:18:34 | |
-Mind-blowing. Yeah. -Absolutely mind-blowing. | 0:18:34 | 0:18:37 | |
So, Jasz has an impressive bush. But what do the magicians think? | 0:18:37 | 0:18:39 | |
Quite a beautiful story to go backwards in time by seasons | 0:18:39 | 0:18:43 | |
and all these little increments, but I think, maybe, | 0:18:43 | 0:18:45 | |
Jasz could've actually...presented the trick with a little bit... | 0:18:45 | 0:18:49 | |
uh, more, perhaps, enthusiasm. | 0:18:49 | 0:18:52 | |
Well, that's Ben's verdict. But let's see how Jasz scores overall. | 0:18:52 | 0:18:56 | |
Loved the theatrical structure. | 0:18:56 | 0:18:59 | |
Seven. | 0:18:59 | 0:19:01 | |
Let the flower see the power. | 0:19:01 | 0:19:03 | |
I'll give it a six. | 0:19:03 | 0:19:05 | |
You're getting a seven. | 0:19:05 | 0:19:07 | |
It was beautiful traditional magic, which I give... | 0:19:07 | 0:19:11 | |
a seven. | 0:19:11 | 0:19:13 | |
That gives Jasz a score of 27 and ties her with Chris, | 0:19:13 | 0:19:17 | |
placing them both in line for the Russian Roulette killer trick. | 0:19:17 | 0:19:21 | |
With only Dee the Goth to go, | 0:19:23 | 0:19:25 | |
and his trick is taking place in his back garden. | 0:19:25 | 0:19:28 | |
I'm joking, of course. This trick is actually taking place in a cemetery. | 0:19:28 | 0:19:31 | |
Dee's gone back to Goth basics and hired Mariah Carey's wind machine. | 0:19:31 | 0:19:36 | |
It's very different from the big, flashy stuff | 0:19:36 | 0:19:38 | |
that we're used to, that get the big wow reactions. | 0:19:38 | 0:19:40 | |
It's something more slow burning, that has a deeper emotional impact. | 0:19:40 | 0:19:45 | |
Sounds intense. | 0:19:45 | 0:19:47 | |
Ladies, it's lovely to see you. My name's Dee. | 0:19:47 | 0:19:50 | |
-I'm Suzanne. -Suzanne. | 0:19:50 | 0:19:52 | |
-Paula. -And Paula. -Yeah. | 0:19:52 | 0:19:53 | |
If you'd like to walk with me. | 0:19:53 | 0:19:55 | |
Don't do it. | 0:19:55 | 0:19:56 | |
I'm fascinated by old things. I like to collect curios and antiquities. | 0:19:56 | 0:20:02 | |
The most fascinating thing for me is using my imagination | 0:20:02 | 0:20:05 | |
to try and figure out the origins or the back stories of these pieces. | 0:20:05 | 0:20:10 | |
With this particular piece... | 0:20:10 | 0:20:13 | |
this watch, | 0:20:13 | 0:20:15 | |
I didn't have to use my imagination... | 0:20:15 | 0:20:17 | |
because the keeper of the weird old shop that I got it from | 0:20:17 | 0:20:21 | |
told me all about it. | 0:20:21 | 0:20:23 | |
He told me that it used to belong to a young boy called Timothy Grainger, | 0:20:23 | 0:20:28 | |
a young boy who now lives six feet below where we're standing. | 0:20:28 | 0:20:32 | |
After his father gave this watch to him, he carried it everywhere. | 0:20:35 | 0:20:39 | |
Apparently, the watch stopped as his heart did. | 0:20:39 | 0:20:43 | |
I'd like you to hold onto this watch for the time being. | 0:20:43 | 0:20:46 | |
And we'll come back to it at the end. | 0:20:46 | 0:20:49 | |
It's my belief that if somebody had real magical powers, | 0:20:49 | 0:20:51 | |
one of the most attractive concepts... | 0:20:51 | 0:20:54 | |
would be to bring someone back that we've lost. | 0:20:54 | 0:20:57 | |
If only... | 0:21:03 | 0:21:06 | |
..for a few days. | 0:21:09 | 0:21:11 | |
What might be a better solution though is to prevent their death | 0:21:13 | 0:21:16 | |
in the first place. | 0:21:16 | 0:21:17 | |
You can see young Timothy... | 0:21:21 | 0:21:23 | |
he died when he was only 12 years old, in 1938, | 0:21:23 | 0:21:26 | |
as is etched on the gravestone. | 0:21:26 | 0:21:28 | |
He died due to surgical complications. | 0:21:28 | 0:21:31 | |
The doctors simply ran out of time. | 0:21:31 | 0:21:34 | |
Imagine if Timothy had been in hospital now, | 0:21:34 | 0:21:36 | |
with the techniques and the technology that we've got, | 0:21:36 | 0:21:38 | |
he may not have passed. | 0:21:38 | 0:21:40 | |
But perhaps, what might be more effective, | 0:21:40 | 0:21:43 | |
is to prevent the death from happening in the first place. | 0:21:43 | 0:21:46 | |
In that way, they could potentially have many more years, | 0:21:46 | 0:21:51 | |
many more amazing experiences, | 0:21:51 | 0:21:53 | |
if only we had that power. | 0:21:53 | 0:21:55 | |
-GIRLS LAUGH -Oh, my God! | 0:22:06 | 0:22:08 | |
Now, you can see... | 0:22:12 | 0:22:14 | |
Timothy Grainger lived a long and full life. | 0:22:14 | 0:22:18 | |
Full of many more experiences... | 0:22:18 | 0:22:20 | |
was only buried a few weeks ago, at age 88. | 0:22:20 | 0:22:24 | |
-It's been wonderful spending the evening with you. -It has, thank you. | 0:22:24 | 0:22:28 | |
But, really, I'm here to return this watch to it's rightful owner. | 0:22:28 | 0:22:32 | |
That it might tick again. | 0:22:32 | 0:22:35 | |
-Thank you very much, girls. -Thank you. -Thank you. | 0:22:35 | 0:22:38 | |
The whole time, I was just feeling a bit scared, like, | 0:22:44 | 0:22:46 | |
what's going to happen? And I thought it was quite eerie. | 0:22:46 | 0:22:50 | |
It was just, it was amazing, you know. | 0:22:50 | 0:22:53 | |
For me, I really enjoyed it | 0:22:53 | 0:22:55 | |
and it's something that resonates quite strongly with me. | 0:22:55 | 0:22:58 | |
Hopefully, this man has now had a fulfilling life | 0:22:58 | 0:23:00 | |
and it's not a tragedy about a wee boy...dying. | 0:23:00 | 0:23:03 | |
So, it's amazing. Very impressed. | 0:23:03 | 0:23:06 | |
It added a real nice element of romantic wistfulness to it, | 0:23:06 | 0:23:10 | |
-which I'm a fan of. -People have been dying to see that trick. | 0:23:10 | 0:23:13 | |
-Ooh! -Quite literally. | 0:23:13 | 0:23:15 | |
It wasn't really worth wait. | 0:23:15 | 0:23:16 | |
Can you high five in a graveyard, is that disrespectful? | 0:23:16 | 0:23:19 | |
Well, they're going to be cursed forever. | 0:23:19 | 0:23:21 | |
That is wrong on so many levels. | 0:23:21 | 0:23:22 | |
Right, let's get the scores. | 0:23:22 | 0:23:24 | |
I think Dee's presentation was great, | 0:23:24 | 0:23:26 | |
but I think the change should've been much more visual on his trick. | 0:23:26 | 0:23:29 | |
So I give it a... | 0:23:29 | 0:23:30 | |
..seven. | 0:23:32 | 0:23:33 | |
Dee, you're getting a six. | 0:23:33 | 0:23:36 | |
Dee's trick was a grave mistake, so it gets... | 0:23:36 | 0:23:39 | |
six. | 0:23:39 | 0:23:40 | |
I had really high hopes for Dee's trick, | 0:23:40 | 0:23:42 | |
but sadly, I didn't really care for it. | 0:23:42 | 0:23:44 | |
I'm only going to give it a five. | 0:23:44 | 0:23:46 | |
Oh, dear, Dee's theatrics didn't impress the magicians, | 0:23:46 | 0:23:49 | |
who scored him with a lowly 24. | 0:23:49 | 0:23:51 | |
Ladies and gentlemen, we have a winner. | 0:23:51 | 0:23:53 | |
And, more importantly, a loser. | 0:23:53 | 0:23:55 | |
So, let's tell the magicians. | 0:23:55 | 0:23:57 | |
This week's winner, with a total of 31 points is... | 0:23:57 | 0:24:02 | |
Damien. OTHERS CHEER | 0:24:02 | 0:24:05 | |
Champion. | 0:24:05 | 0:24:06 | |
The lowest scorer and the magician facing the danger | 0:24:06 | 0:24:09 | |
of the Russian Roulette killer trick is... | 0:24:09 | 0:24:11 | |
Ooh, this one doesn't sound good. | 0:24:11 | 0:24:13 | |
Dee. OTHERS LAUGH | 0:24:13 | 0:24:16 | |
Oh, Dee, have you got any piercings? | 0:24:16 | 0:24:17 | |
Well...basically... | 0:24:17 | 0:24:19 | |
This is incredible. He's... | 0:24:22 | 0:24:24 | |
Of everyone who loses, we get the one that's got a cock piercing. | 0:24:24 | 0:24:27 | |
Your cock could be up on the ceiling in a few minutes. | 0:24:27 | 0:24:29 | |
That's the trick you should've done. | 0:24:29 | 0:24:32 | |
Dee...it's the moment of truth. | 0:24:36 | 0:24:39 | |
This is... | 0:24:41 | 0:24:43 | |
Russian Roulette. | 0:24:43 | 0:24:45 | |
Would you like to take a seat? | 0:24:45 | 0:24:47 | |
Dee is to be attached like a masochistic puppet | 0:24:49 | 0:24:52 | |
to the killer magic Russian Roulette chair. | 0:24:52 | 0:24:54 | |
Five means of torture are available. | 0:24:57 | 0:24:59 | |
However, only four of the lines will be cut to release the pain. | 0:24:59 | 0:25:04 | |
At risk, a £100 bottle of Dee's favourite whiskey. | 0:25:04 | 0:25:08 | |
-Meh. -SCREAMING | 0:25:08 | 0:25:10 | |
A rat trap on one hand. | 0:25:10 | 0:25:12 | |
burning candle wax on the other. | 0:25:12 | 0:25:16 | |
A clip attached to his beard - that's got to hurt. | 0:25:16 | 0:25:18 | |
And, of course, the piece de resistance - | 0:25:18 | 0:25:21 | |
a hook attached to his actual penis. | 0:25:21 | 0:25:25 | |
Whoa, whoa, whoa! Let go, let go! | 0:25:25 | 0:25:28 | |
He certainly seems to be enjoying himself. | 0:25:28 | 0:25:30 | |
Professional doctors are on hand | 0:25:30 | 0:25:32 | |
to check that Dee | 0:25:32 | 0:25:33 | |
is in fact...attached. | 0:25:33 | 0:25:36 | |
-Can you confirm that is on Dee's...? -Yes. | 0:25:36 | 0:25:40 | |
-It's a highly vascular area. -Yes. -Very vascular. | 0:25:40 | 0:25:43 | |
So if there's an injury, there'd be a lot of blood. | 0:25:43 | 0:25:45 | |
It would never be the same again. | 0:25:45 | 0:25:46 | |
LAUGHTER | 0:25:46 | 0:25:49 | |
Seven years at medical school for this. | 0:25:49 | 0:25:51 | |
Professional doctor Belinda will be picking four of the five | 0:25:51 | 0:25:54 | |
colour-coded ropes to be cut and has no idea | 0:25:54 | 0:25:56 | |
which of Dee's tortures they're attached to. | 0:25:56 | 0:25:59 | |
Which colour rope would you like me to cut? | 0:25:59 | 0:26:01 | |
Here goes. | 0:26:03 | 0:26:04 | |
-Green, please. -Green? | 0:26:04 | 0:26:06 | |
-Dee? -Yes? | 0:26:11 | 0:26:12 | |
-I hope you're ready. -No. | 0:26:12 | 0:26:15 | |
OTHERS: Ohhh! | 0:26:15 | 0:26:17 | |
-What was it? -It was my fucking chin, mate. | 0:26:17 | 0:26:20 | |
The moral of the story? Never grow a ropey looking beard. | 0:26:20 | 0:26:23 | |
Belinda, | 0:26:29 | 0:26:30 | |
what rope would you like to cut next? | 0:26:30 | 0:26:32 | |
Um... | 0:26:32 | 0:26:34 | |
-Black, please. -Black? | 0:26:36 | 0:26:38 | |
-Yeah. -What will black be attached to? | 0:26:38 | 0:26:41 | |
Is it the end for little Dee? | 0:26:41 | 0:26:43 | |
Three. | 0:26:44 | 0:26:46 | |
-BOTH: -Two. | 0:26:46 | 0:26:48 | |
One. | 0:26:48 | 0:26:49 | |
ALL GROAN | 0:26:49 | 0:26:52 | |
Well, we always knew this challenge would be whiskey. | 0:26:52 | 0:26:54 | |
Get it? Whiskey. | 0:26:54 | 0:26:57 | |
-I'm so sorry. -It's time to cut the third rope. | 0:26:57 | 0:26:59 | |
-Yeah. -Which colour would you like me to cut? | 0:26:59 | 0:27:01 | |
-Blue. -Blue? | 0:27:03 | 0:27:05 | |
-Argh! -LAUGHTER | 0:27:12 | 0:27:14 | |
It's the hot wax treatment. | 0:27:14 | 0:27:16 | |
-Fucking hell. -Dee? -What? | 0:27:16 | 0:27:18 | |
This is the moment of truth. | 0:27:18 | 0:27:19 | |
Yes, I fucking know, Damien O'Brien. | 0:27:19 | 0:27:21 | |
There are two left. | 0:27:21 | 0:27:23 | |
One attached to your manhood. | 0:27:23 | 0:27:25 | |
And a rat trap. | 0:27:25 | 0:27:27 | |
Belinda, this is all on you now. | 0:27:27 | 0:27:30 | |
Which colour rope would you like me to cut next? | 0:27:30 | 0:27:32 | |
-Yellow. -Yellow? | 0:27:32 | 0:27:33 | |
Yes. | 0:27:33 | 0:27:36 | |
Will Dee join the long list of magicians | 0:27:36 | 0:27:37 | |
to have broken their magic wands? | 0:27:37 | 0:27:39 | |
I can barely watch. | 0:27:39 | 0:27:41 | |
Arghhh! | 0:27:43 | 0:27:44 | |
What was it, the rat trap? | 0:27:46 | 0:27:47 | |
-Was it the trap? -It was the rat trap. -APPLAUSE | 0:27:47 | 0:27:51 | |
Evidently, the odds were in my favour today. | 0:27:53 | 0:27:55 | |
His cock is still attached. | 0:27:55 | 0:27:56 | |
Yeah, his cock's still attached, thank God. | 0:27:56 | 0:27:58 | |
Yeah, don't touch it, I'll...I'll undo that in a minute. | 0:27:58 | 0:28:02 | |
Dee's reproductive organs have survived | 0:28:02 | 0:28:04 | |
the deadly Russian Roulette trick. | 0:28:04 | 0:28:06 | |
Next time, someone might not be as lucky...on Killer Magic. | 0:28:06 | 0:28:09 | |
# I came in like a wrecking ball | 0:28:09 | 0:28:12 | |
# I never hit so hard in love | 0:28:12 | 0:28:16 | |
# All I wanted was to break your walls | 0:28:16 | 0:28:20 | |
# All you ever did was | 0:28:20 | 0:28:23 | |
# Wre-e-eck me | 0:28:23 | 0:28:25 | |
# I came in like a wrecking ball | 0:28:25 | 0:28:28 | |
# Yeah, I just closed my eyes and swung | 0:28:28 | 0:28:32 | |
# Left me crashing in a blazing fall | 0:28:32 | 0:28:36 | |
# All you ever did was... # | 0:28:36 | 0:28:39 |