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This programme contains some strong language. | 0:00:02 | 0:00:06 | |
Five magicians go head-to-head to | 0:00:06 | 0:00:08 | |
find out who is better than the rest. | 0:00:08 | 0:00:10 | |
The stakes are deadly... | 0:00:10 | 0:00:12 | |
..because the loser will face a trick | 0:00:12 | 0:00:14 | |
that's killed or injured magicians in the past. | 0:00:14 | 0:00:17 | |
SHE SQUEALS Shut up. | 0:00:17 | 0:00:18 | |
-This... -I feel sick. | 0:00:18 | 0:00:20 | |
..is Killer Magic. | 0:00:20 | 0:00:22 | |
-You're -BLEEP -kidding me. | 0:00:23 | 0:00:25 | |
No, I'm not and mind your language. | 0:00:25 | 0:00:26 | |
So let's meet the five magicians putting their reputations | 0:00:26 | 0:00:29 | |
and possibly their lives on the line. | 0:00:29 | 0:00:31 | |
There's Damien O'Brien, | 0:00:31 | 0:00:32 | |
street magician and precision shaving expert. | 0:00:32 | 0:00:35 | |
Close-up magic is really great | 0:00:35 | 0:00:37 | |
'because it's in the people's hands.' | 0:00:37 | 0:00:38 | |
There's no stage, | 0:00:38 | 0:00:40 | |
'no elaborate sets.' | 0:00:40 | 0:00:41 | |
It's as real as it gets. | 0:00:41 | 0:00:42 | |
'It's right in front of them.' | 0:00:42 | 0:00:44 | |
Put the white ball on whatever card you feel it's closest to. | 0:00:44 | 0:00:47 | |
-On the nine. -On the nine, right? | 0:00:47 | 0:00:48 | |
'I will work really hard to make it memorable.' | 0:00:48 | 0:00:52 | |
Take it out. Turn it straight over, have a look. | 0:00:52 | 0:00:55 | |
-THEY LAUGH -Wow. | 0:00:55 | 0:00:57 | |
Jasz Vegas, alternative magician, burlesque dancer | 0:00:57 | 0:01:00 | |
and master of blue steel. | 0:01:00 | 0:01:02 | |
The sort of magic you can expect from me is the unexpected. | 0:01:02 | 0:01:04 | |
Can you just check that's a real nail for me? | 0:01:04 | 0:01:06 | |
'I like to do things' | 0:01:06 | 0:01:07 | |
that are edgy, that are different | 0:01:07 | 0:01:08 | |
'and beautifully strange.' | 0:01:08 | 0:01:10 | |
Don't ask her to help you out with DIY though, | 0:01:10 | 0:01:12 | |
she'll have an item from your tool box into an orifice | 0:01:12 | 0:01:14 | |
before you know it. | 0:01:14 | 0:01:15 | |
Next up it's Ben Hart, a young gent with fast fingers | 0:01:15 | 0:01:18 | |
and an excellent hairdresser. | 0:01:18 | 0:01:20 | |
Magic is all about the audience who are there. | 0:01:20 | 0:01:22 | |
This coin will go from here, watch it go. | 0:01:22 | 0:01:24 | |
'It's got to do with how does the audience interact emotionally' | 0:01:24 | 0:01:27 | |
with the magic that you're doing. | 0:01:27 | 0:01:29 | |
And it reappears on your shoulder. | 0:01:29 | 0:01:31 | |
'Cos magic happens' | 0:01:31 | 0:01:32 | |
only in people's heads, nowhere else. | 0:01:32 | 0:01:33 | |
This gorgeous specimen is Chris Cox, mind bender and all-round geek. | 0:01:36 | 0:01:40 | |
My main job here is to entertain, hopefully to make people laugh. | 0:01:40 | 0:01:44 | |
There you go, grab hold of it and show the camera it. Do as I do. | 0:01:44 | 0:01:46 | |
'And mix lots of different techniques together to make it look' | 0:01:46 | 0:01:49 | |
like I can read minds, but I can't. | 0:01:49 | 0:01:51 | |
But I am good at lying though. | 0:01:51 | 0:01:53 | |
And just think of your time, tell me your time. | 0:01:53 | 0:01:56 | |
4:17. | 0:01:56 | 0:01:57 | |
Have a look at the clock, Ian. | 0:01:57 | 0:01:59 | |
IAN LAUGHS | 0:01:59 | 0:02:01 | |
And finally, Dee Christopher, a Goth who by all accounts | 0:02:01 | 0:02:04 | |
is a barrel of laughs. | 0:02:04 | 0:02:05 | |
The one thing in magic that excites me the most is seeing something new. | 0:02:05 | 0:02:10 | |
Seeing something original, something with edge. | 0:02:10 | 0:02:13 | |
Prepare for dramatic voice, | 0:02:18 | 0:02:19 | |
because not only are the magicians competing, | 0:02:19 | 0:02:21 | |
they're also scoring each other out of ten, | 0:02:21 | 0:02:23 | |
all of them trying to avoid that killer trick. | 0:02:23 | 0:02:27 | |
Dear magicians, uh, this week's killer trick is electroshock. | 0:02:27 | 0:02:32 | |
This week's losing magician will feel the force | 0:02:32 | 0:02:35 | |
of hundreds of thousands of volts of electricity, | 0:02:35 | 0:02:38 | |
more than enough to fry your brain. | 0:02:38 | 0:02:40 | |
That is horrible. | 0:02:40 | 0:02:42 | |
Yeah, look at all the electricity flying around. | 0:02:42 | 0:02:44 | |
If one of our magicians gets caught up in that, | 0:02:44 | 0:02:46 | |
we will have a human barbecue on our hands. | 0:02:46 | 0:02:48 | |
Tricks involving electrical errors | 0:02:48 | 0:02:49 | |
have certainly killed magicians in the past. | 0:02:49 | 0:02:52 | |
You know, the Great Lafayette wired a plug up wrong | 0:02:52 | 0:02:55 | |
and it burnt the whole theatre down. | 0:02:55 | 0:02:56 | |
-On a trick? -Yeah, he died. | 0:02:56 | 0:02:57 | |
-He wasn't just wiring up a new blender or something? -No. | 0:02:57 | 0:03:00 | |
-My God. Did anyone else die? -That's an electricity related death. | 0:03:00 | 0:03:03 | |
Yeah, loads of people died. | 0:03:03 | 0:03:04 | |
So it wasn't just him, he took out the whole theatre? | 0:03:04 | 0:03:06 | |
It was really tragic, it started as a joke | 0:03:06 | 0:03:08 | |
-but now it's turned really dark. -Too soon? | 0:03:08 | 0:03:09 | |
Thanks for lowering the tone. | 0:03:09 | 0:03:11 | |
What the magicians need now is a theme to base their tricks on. | 0:03:11 | 0:03:14 | |
This week's challenge is to perform tricks incorporating... | 0:03:14 | 0:03:18 | |
Ooh! | 0:03:20 | 0:03:21 | |
I don't own any gadgets. | 0:03:21 | 0:03:22 | |
Oh, actually, I got a pen here, Chris. | 0:03:22 | 0:03:25 | |
You just...just click it on for me, activate the pen. | 0:03:25 | 0:03:28 | |
Ahh! | 0:03:28 | 0:03:29 | |
CHRIS LAUGHS IN PAIN | 0:03:29 | 0:03:31 | |
What the hell's wrong with your pen!? | 0:03:31 | 0:03:33 | |
All the magicians are performing in front of real members of the public. | 0:03:33 | 0:03:36 | |
You're seeing genuine reactions as the magic happens. | 0:03:36 | 0:03:39 | |
There are no camera tricks, no special effects, | 0:03:39 | 0:03:41 | |
and given the reckless abandon with which that electric pen | 0:03:41 | 0:03:43 | |
is being used, no health and safety checks. | 0:03:43 | 0:03:46 | |
First to show off his gadget is Damien, | 0:03:47 | 0:03:49 | |
who's desperate to steal the limelight. | 0:03:49 | 0:03:51 | |
Everyone has a camera these days | 0:03:53 | 0:03:55 | |
and it's probably one of the biggest gadgets out there | 0:03:55 | 0:03:57 | |
so I thought let's use a camera today. | 0:03:57 | 0:04:01 | |
Damien's doing a photo shoot with Radio 1 Extra's Sarah Jane Crawford | 0:04:01 | 0:04:04 | |
and some of her mates. | 0:04:04 | 0:04:05 | |
Of course, he could've photographed the four other magicians | 0:04:05 | 0:04:08 | |
but no-one wants to see that. | 0:04:08 | 0:04:10 | |
I wanted to do some magic for you guys. | 0:04:10 | 0:04:12 | |
Now, I have got a deck of cards with me. | 0:04:12 | 0:04:14 | |
So as you can see, every single card is completely different. | 0:04:14 | 0:04:19 | |
So, Sarah, I just want you to point at one, OK? | 0:04:19 | 0:04:21 | |
-OK, I'm on it. -As I go through. | 0:04:21 | 0:04:23 | |
Any card you want, just point at it. This one? | 0:04:23 | 0:04:25 | |
-Yeah. -You sure? -Yeah. | 0:04:25 | 0:04:27 | |
-OK, take your card, have a look at it. It's all right. -I'm like... | 0:04:27 | 0:04:30 | |
-I kind of caught a little glimpse of it, it's all right. -No, you didn't. | 0:04:30 | 0:04:33 | |
Yes, I did, it's the king of hearts. | 0:04:33 | 0:04:34 | |
I've got a little sticker here, which we will put on. | 0:04:34 | 0:04:40 | |
What I'm going to do, I'm going to write down king of hearts | 0:04:40 | 0:04:42 | |
on the back of it. | 0:04:42 | 0:04:43 | |
So that way we know it's your card whichever way you look at it. | 0:04:43 | 0:04:48 | |
OK, so from the front and from the back it will be the king of hearts. | 0:04:48 | 0:04:52 | |
So, king of hearts, that's your card, OK? That's yours. | 0:04:52 | 0:04:55 | |
So, as you've got your card, | 0:04:55 | 0:04:57 | |
-you're going to pose for a couple of photographs for me. -OK. | 0:04:57 | 0:05:00 | |
So if you could stand right here on our spot here, | 0:05:00 | 0:05:02 | |
hold it out just like that. | 0:05:02 | 0:05:03 | |
All right. | 0:05:03 | 0:05:04 | |
She's done this before. That's it. | 0:05:05 | 0:05:09 | |
Bit more. Oh, look, see. One more. | 0:05:09 | 0:05:13 | |
Great. You can follow me over here and we're going to use the lights | 0:05:13 | 0:05:17 | |
so you can see your card, king of hearts, right in... | 0:05:17 | 0:05:20 | |
We can see it, actually, quite clearly through the light. | 0:05:20 | 0:05:22 | |
It's kind of weird - you can see all the ink. | 0:05:22 | 0:05:25 | |
It says king of hearts, right? Which is yours, which we wrote down. | 0:05:25 | 0:05:29 | |
Watch the writing, come close, look. Watch. | 0:05:29 | 0:05:32 | |
-What? -The more you concentrate, | 0:05:32 | 0:05:36 | |
the more the writing will slowly start to disappear. | 0:05:36 | 0:05:39 | |
Oh, my goodness. | 0:05:41 | 0:05:44 | |
But do you know the reason it says "gone"? | 0:05:44 | 0:05:46 | |
Because, it completely has gone. | 0:05:47 | 0:05:50 | |
Oh, my God. Oh, my God. | 0:05:50 | 0:05:52 | |
That's it, the only real evidence of your card existing | 0:05:52 | 0:05:55 | |
is in the photograph and that's the great thing about taking photos. | 0:05:55 | 0:05:58 | |
You can, you know, look back on 'em. | 0:05:58 | 0:06:00 | |
I'm going to get one of the photos up to the screen. | 0:06:00 | 0:06:02 | |
This is so weird. I'm scared now, I'm not going to lie. | 0:06:02 | 0:06:05 | |
Let's see how good my photography work... Oh! Boom! | 0:06:05 | 0:06:09 | |
-I am sick. -No, that's good. Strong. Strong. | 0:06:09 | 0:06:12 | |
-Blue steel. -That is good. -Yeah. | 0:06:12 | 0:06:14 | |
So, that's the only real evidence of your card actually existing | 0:06:14 | 0:06:18 | |
in the photograph now. | 0:06:18 | 0:06:19 | |
-OK, cos that was the card you picked, right? -Yeah. | 0:06:19 | 0:06:22 | |
So watch, I'm going to do something, check this out. | 0:06:22 | 0:06:25 | |
If I just put my hand up like this, come closer, guys, so you can see. | 0:06:27 | 0:06:31 | |
Watch. | 0:06:31 | 0:06:32 | |
I think I can get it, just...right... | 0:06:32 | 0:06:36 | |
-I can take it out of the screen. -No! -What? -What you doing? | 0:06:39 | 0:06:43 | |
And it's backed with the king of hearts all normal on the back | 0:06:43 | 0:06:46 | |
from the beginning. | 0:06:46 | 0:06:48 | |
How it all looked from when we first originally wrote down. | 0:06:48 | 0:06:51 | |
-What have you done? -Show those guys. | 0:06:51 | 0:06:54 | |
What have you done? | 0:06:56 | 0:06:58 | |
No, that is too weird. | 0:07:00 | 0:07:02 | |
'So dodgy. I'm just not sure of anything any more. | 0:07:02 | 0:07:05 | |
-'I hate the idea of just things disappearing, like... -Yeah.' | 0:07:05 | 0:07:08 | |
But disappearing in that way is too weird. | 0:07:08 | 0:07:10 | |
I just can't even get my head around it. | 0:07:10 | 0:07:12 | |
There's millions of people at home now scratching at their television | 0:07:12 | 0:07:15 | |
trying to pull me out the screen, but they ain't getting it. | 0:07:15 | 0:07:18 | |
You ain't pulling me out the screen. | 0:07:18 | 0:07:21 | |
Apart from you. | 0:07:21 | 0:07:22 | |
Please stop flirting with the viewers, Ben. | 0:07:22 | 0:07:24 | |
So how did Damien's trick go down with the other magicians? | 0:07:24 | 0:07:27 | |
Sure, it was a card trick | 0:07:27 | 0:07:29 | |
but I thought it was a really flashy one, I'll give it a seven. | 0:07:29 | 0:07:32 | |
It was like trick photography but live and so it gets... | 0:07:32 | 0:07:35 | |
an eight. | 0:07:35 | 0:07:37 | |
I think Damien's trick was great so I'm going to give it... | 0:07:37 | 0:07:40 | |
..eight. | 0:07:43 | 0:07:44 | |
Beautiful people, beautiful trick... | 0:07:44 | 0:07:47 | |
Eight. | 0:07:47 | 0:07:48 | |
So that's a massive 31 for Damien. | 0:07:48 | 0:07:51 | |
It's a great score | 0:07:51 | 0:07:52 | |
but will it be enough? | 0:07:52 | 0:07:54 | |
Next up it's mind-reader Chris with some typically geeky gadget magic. | 0:07:55 | 0:08:00 | |
The internet is my gadget of choice, I love the internet. | 0:08:00 | 0:08:02 | |
I do hope he's cleared his history | 0:08:02 | 0:08:04 | |
before showing us what's on that screen. | 0:08:04 | 0:08:06 | |
I don't think anyone's tried mind reading | 0:08:06 | 0:08:07 | |
over the internet before and I'm not sure whether it's going to work | 0:08:07 | 0:08:10 | |
but if it does, I think it'll be pretty good. | 0:08:10 | 0:08:12 | |
And today Chris is reading two minds, | 0:08:12 | 0:08:14 | |
which by my calculations makes it doubly impressive. | 0:08:14 | 0:08:16 | |
Yes, it's internet sensations and Radio 1 DJ's Dan and Phil. | 0:08:16 | 0:08:19 | |
-Hello! -Hi, Chris. -Hi, Chris. | 0:08:19 | 0:08:23 | |
Well, thank you for joining me. So, first things first. | 0:08:23 | 0:08:25 | |
Take off your clothes. | 0:08:25 | 0:08:27 | |
Um, this is... | 0:08:27 | 0:08:28 | |
I wasn't aware it would be that kind of magic trick. | 0:08:28 | 0:08:31 | |
I'm actually naked, these clothes are tattooed onto me. | 0:08:31 | 0:08:34 | |
-What is behind you? -Well... -A towel? | 0:08:34 | 0:08:37 | |
Yeah, I've had to cover this up, | 0:08:37 | 0:08:38 | |
this is my I love Dan and Phil poster, didn't want to freak you out. | 0:08:38 | 0:08:41 | |
-Oh, obviously. -Yeah. | 0:08:41 | 0:08:43 | |
Yeah, that makes sense, thanks. | 0:08:43 | 0:08:44 | |
So, you should've been sent a big box of stuff, | 0:08:44 | 0:08:46 | |
do you have a big box of stuff? | 0:08:46 | 0:08:47 | |
-Yes. -We have a big box. | 0:08:47 | 0:08:49 | |
-It says uh, "Do not open until Chris tells you." -Oh. | 0:08:49 | 0:08:52 | |
-So we won't do that. -Good. | 0:08:52 | 0:08:54 | |
So I'm going to do a personality test with you | 0:08:54 | 0:08:57 | |
and since this is the BBC, I have a generic magazine. | 0:08:57 | 0:09:00 | |
-Nice. -Oh, nice, you made the front cover. | 0:09:00 | 0:09:02 | |
-Yeah, I know. -I'm really happy for you. | 0:09:02 | 0:09:03 | |
Also, this is a girl's magazine, so you're going to do | 0:09:03 | 0:09:06 | |
a female personality test to get in touch with your feminine side. | 0:09:06 | 0:09:09 | |
Good, it's probably going to be more accurate then. It's fine. | 0:09:09 | 0:09:11 | |
Sounds good to me. | 0:09:11 | 0:09:12 | |
Dan, this is your personality test. | 0:09:12 | 0:09:15 | |
Question one - the day before your holiday begins, | 0:09:15 | 0:09:18 | |
-an important work project lands on your desk, what do you do? -OK. | 0:09:18 | 0:09:23 | |
A - tell your boss, "No can do." | 0:09:23 | 0:09:25 | |
B - cancel the trip. | 0:09:25 | 0:09:27 | |
Or C - work hard until the last minute and then arrange for cover. | 0:09:27 | 0:09:30 | |
A, you're an A - tell your boss, "No can do." | 0:09:31 | 0:09:34 | |
Out of interest where would you be going on holiday? | 0:09:34 | 0:09:36 | |
Japan. | 0:09:36 | 0:09:37 | |
Good. Question two for you. | 0:09:37 | 0:09:39 | |
So, while shopping, Dan, | 0:09:39 | 0:09:40 | |
you and a friend spot a top that you both love, | 0:09:40 | 0:09:43 | |
but there's only one left, do you let her have it? | 0:09:43 | 0:09:47 | |
A - yeah, it's not worth fighting over. | 0:09:48 | 0:09:50 | |
B - hell, no, you'll tear it out of her hands. | 0:09:50 | 0:09:53 | |
Or C - you'll try and steer her towards another top. | 0:09:53 | 0:09:56 | |
A, B or C? | 0:09:56 | 0:09:57 | |
I like how insidious option C is, | 0:09:57 | 0:09:59 | |
cos you're kind of getting what you want but not in a direct way, | 0:09:59 | 0:10:02 | |
that's me. | 0:10:02 | 0:10:03 | |
Good, excellent, so that's C. | 0:10:03 | 0:10:05 | |
Assuming it was a top that you two fought over, | 0:10:05 | 0:10:07 | |
I'm imagining it would be a T-shirt, | 0:10:07 | 0:10:09 | |
what would be the one thing printed on the T-shirt? | 0:10:09 | 0:10:11 | |
-Robot. -Robot it is. OK, robot on your T-shirt, good to know. -Yep. | 0:10:11 | 0:10:15 | |
-When you hear about a great job that your college roommate has got... -OK. | 0:10:15 | 0:10:19 | |
-..do you think, "I know there's a great job out there for me too?" -OK. | 0:10:19 | 0:10:24 | |
B - wow, I wish I could land a position like that. | 0:10:24 | 0:10:28 | |
Or C - just wait, I'm going to get a better one. | 0:10:28 | 0:10:31 | |
I don't like C's attitude, do you? That's...calm down. | 0:10:31 | 0:10:35 | |
I'm going to go with A. | 0:10:35 | 0:10:36 | |
A - I know there's a great job out there for me too. | 0:10:36 | 0:10:39 | |
-Yeah. -Somewhere. | 0:10:39 | 0:10:40 | |
Full of positivity. | 0:10:40 | 0:10:41 | |
Right, so, here are the answers. | 0:10:41 | 0:10:44 | |
-So number 1 you answered A, what are your scores for that? -Five. | 0:10:44 | 0:10:49 | |
For two, you answered C. | 0:10:49 | 0:10:52 | |
And that gives me 15. | 0:10:52 | 0:10:53 | |
-Very nice. And for three you answered A. -Ten. | 0:10:53 | 0:10:56 | |
-Ten. -Ten. -Jesus. OK. | 0:10:56 | 0:10:58 | |
Do you want to add that up? What did you get? | 0:10:58 | 0:11:00 | |
-30! -30. | 0:11:00 | 0:11:03 | |
OK, if you scored between 25 and 35, it says, | 0:11:03 | 0:11:06 | |
"Yes, you have ambitions and work to reach them. | 0:11:06 | 0:11:10 | |
"That makes you likely to succeed and likeable." | 0:11:10 | 0:11:14 | |
-Does that sound like you? -It's like the happy ending. | 0:11:14 | 0:11:17 | |
-You scored 30 in total, correct? -30, yeah. | 0:11:17 | 0:11:20 | |
And your scores were five, 15 and ten, yeah? | 0:11:20 | 0:11:26 | |
-Yeah. -Total of 30 and succeed and likeable. | 0:11:26 | 0:11:28 | |
-You've got a box of stuff, yeah? -Yeah. | 0:11:28 | 0:11:30 | |
This arrived at your flat at 6am this morning, yeah? | 0:11:30 | 0:11:33 | |
It did, it woke me up. Destroying the house. | 0:11:33 | 0:11:37 | |
Go! | 0:11:37 | 0:11:38 | |
There's a mouse mat, what's on that? | 0:11:38 | 0:11:40 | |
Five, 15 and ten! | 0:11:40 | 0:11:41 | |
And a mug with 30. | 0:11:44 | 0:11:47 | |
And the top of the CD box, look at the top of the CD box. | 0:11:47 | 0:11:50 | |
Success and likable. | 0:11:50 | 0:11:52 | |
Oh, my God, what? | 0:11:52 | 0:11:54 | |
-Yes. -He's a demon. -But there's more. | 0:11:54 | 0:11:57 | |
If I take it off you'll see - succeed and likable, | 0:11:58 | 0:12:02 | |
30, five, 15 and ten and also this tiny bit here | 0:12:02 | 0:12:07 | |
if you can see it - in Japan, I will wear a robot T-shirt. | 0:12:07 | 0:12:11 | |
-No. -Shut up. -No. | 0:12:11 | 0:12:13 | |
Can you see it? | 0:12:13 | 0:12:15 | |
My mind has just imploded, | 0:12:15 | 0:12:17 | |
is there a little bit of brain leaking out of my ear? | 0:12:17 | 0:12:19 | |
-Yeah, it's just leaking out of your ear. -Look. -A torrent. | 0:12:19 | 0:12:21 | |
To me, this was the perfect form of gadget, | 0:12:21 | 0:12:23 | |
it involved computers and the internet. Amazing. | 0:12:23 | 0:12:26 | |
-He's a demon. -He sold his soul, Phil. | 0:12:26 | 0:12:28 | |
-PHIL WHISPERS -He's a demon. | 0:12:28 | 0:12:30 | |
We can be impressed by it but at the end of his life, | 0:12:30 | 0:12:32 | |
-he's the one that's going to pay for it. -Yeah. | 0:12:32 | 0:12:34 | |
But what did the other magicians make of Chris' | 0:12:34 | 0:12:36 | |
online personality prediction? | 0:12:36 | 0:12:38 | |
I enjoyed the webcam trick. I'm going to give it a... | 0:12:38 | 0:12:40 | |
I loved Chris' trick and so it gets... | 0:12:44 | 0:12:46 | |
a seven. | 0:12:46 | 0:12:48 | |
I give it...a seven. | 0:12:48 | 0:12:50 | |
I'm going to give it a... | 0:12:50 | 0:12:51 | |
So, mind-reader Chris scores 28 | 0:12:55 | 0:12:57 | |
leaving him an obvious candidate | 0:12:57 | 0:12:59 | |
to be a human barbecue. | 0:12:59 | 0:13:00 | |
Anyone fancy a skinny wiener? | 0:13:00 | 0:13:02 | |
Next, it's Ben who's raided the BBC's costume drama department | 0:13:03 | 0:13:07 | |
and is taking us back to the early days of magical performance | 0:13:07 | 0:13:09 | |
to demonstrate his gadget. | 0:13:09 | 0:13:12 | |
I think the other magicians will be impressed. | 0:13:12 | 0:13:14 | |
I think, I don't know how they'll deal with being | 0:13:14 | 0:13:17 | |
in this old-fashioned space, they're a bit modern, aren't they? | 0:13:17 | 0:13:19 | |
Damien the magician like, "Bzzz, I'm here in the music hall." | 0:13:19 | 0:13:22 | |
I think he's confused Damien with a house fly. | 0:13:22 | 0:13:25 | |
So, hello, everybody. | 0:13:25 | 0:13:26 | |
So you're probably wondering why | 0:13:26 | 0:13:28 | |
I've brought you here to this old theatre. | 0:13:28 | 0:13:30 | |
In fact this is the oldest music hall in the world. | 0:13:30 | 0:13:32 | |
Now, the reason why I brought you here is because I want to show you | 0:13:32 | 0:13:35 | |
an invention created almost 200 years ago | 0:13:35 | 0:13:37 | |
by a madman genius French magician called Robert Houdin. | 0:13:37 | 0:13:40 | |
-What's your name, sorry? -Lily. | 0:13:40 | 0:13:41 | |
Lily. Nice to meet you, Lily, I'm Ben. | 0:13:41 | 0:13:43 | |
-Could I borrow that ring? -Hm-mm. | 0:13:43 | 0:13:45 | |
I will treat it very nicely, I promise. | 0:13:45 | 0:13:47 | |
I'm going to wrap Lily's ring inside this pocket handkerchief. | 0:13:47 | 0:13:51 | |
Lily, will you just feel through there, | 0:13:51 | 0:13:53 | |
check that the ring really is inside? Yeah? | 0:13:53 | 0:13:55 | |
I'm going to leave it inside this oil lamp chimney | 0:13:55 | 0:13:59 | |
which will isolate it and the handkerchief inside here. | 0:13:59 | 0:14:05 | |
Now, because it's inside this piece of glass, | 0:14:07 | 0:14:10 | |
you know that I can't easily access it. | 0:14:10 | 0:14:13 | |
I don't want you to blink or you'll miss this. | 0:14:13 | 0:14:15 | |
Three, two, one. | 0:14:15 | 0:14:17 | |
And the handkerchief and ring vanish completely from inside the glass. | 0:14:18 | 0:14:25 | |
Now, this tree here is a piece of clockwork. | 0:14:25 | 0:14:29 | |
It uses coiled springs and twisted metal to recreate nature. | 0:14:29 | 0:14:33 | |
Now, the first thing that happens is the tree begins to blossom. | 0:14:33 | 0:14:37 | |
-What? -Growing orange blossom. | 0:14:39 | 0:14:42 | |
And after the tree has blossomed, oranges begin to grow. | 0:14:42 | 0:14:46 | |
Starting small and slowly growing bigger. | 0:14:46 | 0:14:48 | |
I think it's quite beautiful. | 0:14:51 | 0:14:52 | |
I'm going to remove one of these oranges | 0:14:54 | 0:14:58 | |
so that you can see that this is a real orange | 0:14:58 | 0:15:01 | |
and not some kind of clockwork orange, | 0:15:01 | 0:15:03 | |
but a real orange with juice and pips. | 0:15:03 | 0:15:07 | |
And in the final stage of this strange piece, | 0:15:07 | 0:15:10 | |
the orange at the top divides itself. | 0:15:10 | 0:15:13 | |
And two mechanical butterflies start to flap their wings | 0:15:15 | 0:15:18 | |
and fly from inside the centre and they carry between them... | 0:15:18 | 0:15:22 | |
a handkerchief. | 0:15:22 | 0:15:24 | |
And tied in the centre of the handkerchief... | 0:15:24 | 0:15:27 | |
is a ring. | 0:15:27 | 0:15:28 | |
And can you confirm for me, Lily, that this is your ring | 0:15:34 | 0:15:38 | |
-having just grown off a mechanical tree, it is? -Yeah. | 0:15:38 | 0:15:41 | |
It's still as amazing now as it ever was. | 0:15:41 | 0:15:43 | |
That was amazing. I've not seen anything like that before. | 0:15:48 | 0:15:51 | |
Oh, I think it was awesome. | 0:15:51 | 0:15:53 | |
The oranges growing from the tree, that was dope. | 0:15:53 | 0:15:56 | |
I thought it was amazing. | 0:15:56 | 0:15:57 | |
I absolutely loved every minute of it, it was so beautiful. | 0:15:57 | 0:16:00 | |
So Jasz liked it and it was a hit with the audience | 0:16:00 | 0:16:03 | |
but how do the other magicians feel? | 0:16:03 | 0:16:05 | |
A beautiful bit of magic, | 0:16:05 | 0:16:06 | |
strong seven. | 0:16:06 | 0:16:08 | |
I give him... | 0:16:08 | 0:16:09 | |
an eight. | 0:16:09 | 0:16:10 | |
I'm going to give it a... | 0:16:10 | 0:16:12 | |
I'm giving Ben... | 0:16:15 | 0:16:17 | |
..seven | 0:16:19 | 0:16:20 | |
So, Ben's fruity performance | 0:16:22 | 0:16:23 | |
scores an impressive 30 | 0:16:23 | 0:16:24 | |
leaving him safe | 0:16:24 | 0:16:26 | |
from the killer trick, | 0:16:26 | 0:16:27 | |
which promises to Taser the lowest scoring magician | 0:16:27 | 0:16:29 | |
with a million volts of electricity. | 0:16:29 | 0:16:32 | |
Next, let's see how Jasz gets on. | 0:16:35 | 0:16:37 | |
She's trying to persuade shoppers to buy a fake gadget | 0:16:37 | 0:16:39 | |
they just can't live without. | 0:16:39 | 0:16:41 | |
She's being followed by hidden cameras | 0:16:41 | 0:16:43 | |
and a few discreet | 0:16:43 | 0:16:44 | |
undercover magicians. | 0:16:44 | 0:16:46 | |
There they are. | 0:16:46 | 0:16:48 | |
I've got the ultimate gadget here, | 0:16:48 | 0:16:49 | |
so I'm...I'm in with a good chance of winning this week's theme | 0:16:49 | 0:16:52 | |
because it is the biggest gadget, I think, out of all of the tricks. | 0:16:52 | 0:16:57 | |
Big and small is exactly what the Resize 9000 promises to give you. | 0:16:57 | 0:17:03 | |
According to Jasz, this machine can work miracles growing or | 0:17:03 | 0:17:05 | |
shrinking anything you choose. | 0:17:05 | 0:17:07 | |
I once bought a pump from the internet that promised | 0:17:07 | 0:17:09 | |
a similar service. | 0:17:09 | 0:17:10 | |
Sadly, it didn't work. | 0:17:10 | 0:17:11 | |
Have you heard of the Resize 9000? | 0:17:11 | 0:17:14 | |
-BOTH: -No. | 0:17:14 | 0:17:15 | |
-Brilliant. So, the Resize 9000, have you heard of it? -No. | 0:17:15 | 0:17:17 | |
I see you've got bags there and things, yeah? | 0:17:17 | 0:17:20 | |
-And they're quite bulky, aren't they? BOTH: -Yeah. | 0:17:20 | 0:17:22 | |
This is where the Resize 9000 comes in | 0:17:22 | 0:17:24 | |
and solves all your bulk problems. | 0:17:24 | 0:17:26 | |
I'm going to show you what I mean. | 0:17:26 | 0:17:27 | |
If I take this apple and I pop it inside the Resize 9000, | 0:17:27 | 0:17:32 | |
just like so. | 0:17:32 | 0:17:33 | |
So it's in there. | 0:17:35 | 0:17:36 | |
Yep. | 0:17:36 | 0:17:37 | |
And we're just going to count down five seconds. | 0:17:37 | 0:17:39 | |
Five, four, three, two, one. | 0:17:39 | 0:17:44 | |
BELL DINGS Hear the ding | 0:17:44 | 0:17:46 | |
and it's done it's thing! | 0:17:46 | 0:17:48 | |
THEY LAUGH We look inside now... | 0:17:48 | 0:17:51 | |
The apple is a fraction of the size. | 0:17:51 | 0:17:53 | |
If you need your fruit that small, just buy a grape. | 0:17:53 | 0:17:56 | |
Now, for anyone who actually believes Jasz's sales patter, | 0:17:56 | 0:17:59 | |
let's be clear - this machine is a magic prop, | 0:17:59 | 0:18:01 | |
you cannot buy it in the shops, obviously. | 0:18:01 | 0:18:03 | |
But it does look pretty convincing. | 0:18:03 | 0:18:05 | |
Can I borrow your watch? | 0:18:05 | 0:18:06 | |
Yes. | 0:18:06 | 0:18:08 | |
Thank you very much. | 0:18:08 | 0:18:10 | |
So, now, if I put your watch inside the Resize 9000, | 0:18:10 | 0:18:14 | |
like so. | 0:18:14 | 0:18:16 | |
Oddly enough, I never thought of a watch as a huge, exhausting | 0:18:16 | 0:18:19 | |
thing to lug about, but never mind. | 0:18:19 | 0:18:20 | |
..two, one. BELL DINGS | 0:18:20 | 0:18:23 | |
Hear the ding and it's done it's thing. | 0:18:23 | 0:18:24 | |
If I look inside now, your watch is a fraction of the size. | 0:18:24 | 0:18:30 | |
This is what's so good about it. | 0:18:30 | 0:18:32 | |
It means, in my handbag, I can now pack a change of clothes. | 0:18:32 | 0:18:39 | |
It's a bit skimpy. | 0:18:39 | 0:18:40 | |
I can wear that at the weekend. | 0:18:40 | 0:18:42 | |
Also got my...my phone. | 0:18:42 | 0:18:44 | |
Good luck playing Candy Crush on that. | 0:18:44 | 0:18:47 | |
I can pack the manual for the Resize 9000. | 0:18:47 | 0:18:50 | |
So I'm going to make the manual larger again. | 0:18:50 | 0:18:53 | |
If I pop it back inside the Resize 9000, just like so. | 0:18:53 | 0:18:57 | |
And it's going to take more time, so I need more power, | 0:18:57 | 0:19:00 | |
so we're just going to have to wait until we hear the ding, OK? | 0:19:00 | 0:19:03 | |
She's really trying to make this catchphrase a thing, isn't she? | 0:19:03 | 0:19:06 | |
BELL DINGS Hey! | 0:19:06 | 0:19:07 | |
Hear the ding and it's done it's thing. | 0:19:07 | 0:19:09 | |
-There it is. -Shall we have a look inside now? | 0:19:09 | 0:19:11 | |
And we've got the Resize 9000 full size. | 0:19:11 | 0:19:16 | |
Yeah, but what happens if you put a Resize 9000 inside a Resize 9000? | 0:19:16 | 0:19:20 | |
Huh? Huh? Ah, we'll never know. | 0:19:20 | 0:19:22 | |
I did not expect that. I was just... | 0:19:22 | 0:19:24 | |
-Definitely the sales pitch. -Yeah. -I thought...yeah, I thought | 0:19:24 | 0:19:26 | |
-I was taking home a home appliance. -Ten-minute sales pitch. | 0:19:26 | 0:19:29 | |
It looks like they're sold. | 0:19:29 | 0:19:30 | |
It was really good, I don't actually know how she...done it. | 0:19:30 | 0:19:33 | |
The Resizer 9000, finally I got to see it in real life. | 0:19:33 | 0:19:36 | |
I've been looking on the infomercials for ages | 0:19:36 | 0:19:38 | |
and it was great to see it do its job. | 0:19:38 | 0:19:40 | |
Looks like a microwave up close, though, doesn't it? | 0:19:40 | 0:19:42 | |
Don't spoil it, Damien. | 0:19:42 | 0:19:43 | |
So, what do the magicians think of Jasz's gadget trick? | 0:19:43 | 0:19:46 | |
It was a lot of fun | 0:19:46 | 0:19:48 | |
but not really magical enough. | 0:19:48 | 0:19:49 | |
A six. | 0:19:49 | 0:19:50 | |
She gets a tiny little six. | 0:19:50 | 0:19:53 | |
This time, I've gone for... | 0:19:54 | 0:19:56 | |
a seven. | 0:19:56 | 0:19:58 | |
The Resize 9000, it wasn't a gadget. | 0:19:58 | 0:20:01 | |
Weren't as bad as a three, so it's going to get a five. | 0:20:01 | 0:20:04 | |
So, Jasz gets 24, | 0:20:04 | 0:20:06 | |
a weak performance that makes her | 0:20:06 | 0:20:07 | |
the prime candidate | 0:20:07 | 0:20:08 | |
for this week's killer trick. | 0:20:08 | 0:20:10 | |
Next to perform is Dee | 0:20:12 | 0:20:13 | |
and, worryingly, he's brought a guitar along. | 0:20:13 | 0:20:16 | |
This week's episode, the theme is gadgets. | 0:20:16 | 0:20:18 | |
So I've brought from home some of my favourite gadgets, | 0:20:18 | 0:20:21 | |
my electric guitar and my amplifier. | 0:20:21 | 0:20:23 | |
'I want to do this trick.' | 0:20:23 | 0:20:24 | |
That's the main thing for me is, you know, | 0:20:24 | 0:20:26 | |
to do something that, uh, | 0:20:26 | 0:20:30 | |
you know, shows my love for music as well as magic. | 0:20:30 | 0:20:33 | |
I'm not much of a guitarist but I like to...I like to play. | 0:20:33 | 0:20:37 | |
I find it's useful to know how to strum a few chords | 0:20:37 | 0:20:40 | |
when composing music with my band to get some ideas across. | 0:20:40 | 0:20:43 | |
Yeah. | 0:20:43 | 0:20:44 | |
When it comes to writing music, my favourite thing in the world is | 0:20:44 | 0:20:47 | |
to go back to a suitably gothic feather quill, ink and sheet music. | 0:20:47 | 0:20:52 | |
So, I'm going to get you to think of a song that you'd like me | 0:20:52 | 0:20:55 | |
to try and play for you today. | 0:20:55 | 0:20:56 | |
Have you got one? | 0:20:56 | 0:20:58 | |
-Right, got one. -Yeah? Actually, I'll get you to change your mind. | 0:20:58 | 0:21:01 | |
OK. | 0:21:01 | 0:21:02 | |
-And change your mind one last time. -Right. | 0:21:02 | 0:21:05 | |
So you've now got a song in mind that you didn't know that you | 0:21:05 | 0:21:07 | |
were going to think of before you stepped through these doors. | 0:21:07 | 0:21:10 | |
So, for the first time, what is the song? | 0:21:10 | 0:21:13 | |
Umbrella by Rihanna. | 0:21:13 | 0:21:14 | |
One of Dee's favourites. | 0:21:14 | 0:21:16 | |
OK, um... | 0:21:16 | 0:21:18 | |
It's not my usual style. | 0:21:18 | 0:21:21 | |
Has that song even got any guitars in it? | 0:21:23 | 0:21:26 | |
I tell you what, I've got a better idea. | 0:21:26 | 0:21:27 | |
We'll use... | 0:21:27 | 0:21:29 | |
we'll use this tray and we'll use this ink. | 0:21:29 | 0:21:32 | |
You know sound travels in waves, like, vibrations? | 0:21:34 | 0:21:39 | |
Yeah. | 0:21:39 | 0:21:40 | |
We're going to try and use this ink to catch visually | 0:21:40 | 0:21:43 | |
what those vibrations look like. | 0:21:43 | 0:21:45 | |
-I'm going to get you to keep that song in the front of your mind... -OK. | 0:21:45 | 0:21:48 | |
..and I want you to place your hand on the amplifier. | 0:21:48 | 0:21:50 | |
I want you to imagine the thought of that song | 0:21:50 | 0:21:53 | |
travelling down your arm, | 0:21:53 | 0:21:55 | |
through the amplifier, into the ink. | 0:21:55 | 0:21:57 | |
I'm going to turn it up to 11. | 0:21:57 | 0:21:59 | |
MUSIC DROWNS OUT SPEECH | 0:22:12 | 0:22:14 | |
Look at that, a shape of an umbrella has formed in the ink. | 0:22:14 | 0:22:17 | |
There we go. See, it's starting to bubble up. | 0:22:17 | 0:22:19 | |
Can you see that? It's like the shape of an umbrella. | 0:22:21 | 0:22:23 | |
What the fuck? | 0:22:23 | 0:22:24 | |
Thank goodness she didn't think of the Thong Song. | 0:22:24 | 0:22:27 | |
Oh, my God. | 0:22:29 | 0:22:30 | |
We're not going to stop there. | 0:22:32 | 0:22:33 | |
Let's make use of this sheet music. | 0:22:33 | 0:22:36 | |
Look, you can see that every page is blank. | 0:22:36 | 0:22:39 | |
-Uh-huh. -Mm-hm. | 0:22:39 | 0:22:41 | |
I'm going to bend this up slightly and try and catch the ink inside. | 0:22:41 | 0:22:46 | |
Watch close. | 0:22:50 | 0:22:51 | |
-You see, it doesn't fall out at the bottom. -Yeah, it didn't. | 0:22:56 | 0:22:58 | |
That's weird. | 0:22:58 | 0:23:00 | |
THEY LAUGH | 0:23:00 | 0:23:02 | |
Not only that, if we turn it upside down... | 0:23:02 | 0:23:04 | |
..it also doesn't fall out at the top. | 0:23:06 | 0:23:08 | |
That's because the ink has now become | 0:23:10 | 0:23:11 | |
embedded in the paper... | 0:23:11 | 0:23:13 | |
..in the shape of Umbrella by Rihanna. | 0:23:15 | 0:23:19 | |
-What the actual fu...? -THEY LAUGH | 0:23:19 | 0:23:22 | |
"Umbrella, umbrella, umbrella, umbrella, umbrella," | 0:23:22 | 0:23:27 | |
right through to the end. | 0:23:27 | 0:23:29 | |
Oh, that is freaky. That is freaky. | 0:23:29 | 0:23:32 | |
That was freaky. | 0:23:35 | 0:23:36 | |
Yeah, it was weird. Like, really strange. | 0:23:36 | 0:23:39 | |
THEY LAUGH | 0:23:39 | 0:23:41 | |
I'm just trying to figure out, like, what he's... | 0:23:41 | 0:23:43 | |
-what...how...what...how it happened. -What he did, how did it do it? | 0:23:43 | 0:23:46 | |
-How he went about that. -Yeah, that was good. | 0:23:46 | 0:23:48 | |
I noticed that, um, Dee's magic spelling skills | 0:23:48 | 0:23:52 | |
aren't up to scratch, cos he'd spelt Umbrella wrong on the sheet music. | 0:23:52 | 0:23:55 | |
Don't blame him, blame the ink. | 0:23:55 | 0:23:56 | |
I like the way that Dee took heavy metal, | 0:23:56 | 0:23:58 | |
and an electric guitar, and a quill, and a cowboy hat, | 0:23:58 | 0:24:03 | |
and pinned them all together under the same 'umbrella'. | 0:24:03 | 0:24:05 | |
No! Have it. Take it, it's yours. | 0:24:05 | 0:24:08 | |
JASZ LAUGHS | 0:24:08 | 0:24:09 | |
Oh, good lord. | 0:24:09 | 0:24:11 | |
So, what do the other magicians make of Dee's brolly busking performance? | 0:24:11 | 0:24:14 | |
Dee's trick lacked spark. | 0:24:14 | 0:24:16 | |
Gets a six. | 0:24:18 | 0:24:20 | |
I'm going to give him... | 0:24:20 | 0:24:22 | |
a six. | 0:24:22 | 0:24:23 | |
I loved it, so I'm going to give it... | 0:24:23 | 0:24:25 | |
Dee referencing Rihanna's Umbrella, what's not to like? | 0:24:29 | 0:24:32 | |
# 'Ella, 'ella. # | 0:24:32 | 0:24:33 | |
Seven, 'ella. | 0:24:33 | 0:24:35 | |
That is 27 for Dee and his guitar, | 0:24:35 | 0:24:38 | |
by no means the best | 0:24:38 | 0:24:39 | |
but certainly not the worst. | 0:24:39 | 0:24:41 | |
So, we know that he is in the clear | 0:24:41 | 0:24:43 | |
from the killer trick. | 0:24:43 | 0:24:45 | |
It's time to let the magicians know who's won. | 0:24:46 | 0:24:49 | |
-Damien! -Boo ya! | 0:24:52 | 0:24:55 | |
Champion! | 0:24:55 | 0:24:56 | |
Paper cuts, God! The paper cuts! | 0:24:56 | 0:24:58 | |
He's taken it modestly. | 0:24:58 | 0:25:00 | |
Yes! | 0:25:00 | 0:25:01 | |
Congratulations. | 0:25:01 | 0:25:03 | |
The magician facing the electroshock killer trick is... | 0:25:03 | 0:25:07 | |
It's Jasz! Oh, no! | 0:25:07 | 0:25:10 | |
-Oh, my God. -I'm going to die! | 0:25:10 | 0:25:13 | |
You will be at the end of hundreds of thousands of volts | 0:25:13 | 0:25:17 | |
and, as the winner, Damien gets to throw the switch. | 0:25:17 | 0:25:19 | |
-DAMIEN LAUGHS -Yes! -Ooh! | 0:25:19 | 0:25:22 | |
It's really going to hurt. | 0:25:22 | 0:25:23 | |
It might be a nice tingling sensation. | 0:25:23 | 0:25:25 | |
I don't think it's going to be. | 0:25:25 | 0:25:27 | |
So, it's time for Jasz to face this week's killer trick. | 0:25:27 | 0:25:30 | |
She needs to find a way to stay alive as electrical currents | 0:25:30 | 0:25:33 | |
strong enough to fry, I don't know, an army of elephants | 0:25:33 | 0:25:36 | |
is passed through her body. | 0:25:36 | 0:25:38 | |
-CURRENTS ZAP -Fucking hell. | 0:25:38 | 0:25:40 | |
-Jasz. -That's fucking terrifying. | 0:25:40 | 0:25:44 | |
I would say I'm a little bit of an adrenaline junkie, so this trick | 0:25:44 | 0:25:47 | |
excites me quite a lot even though I'm quite nervous at the prospect | 0:25:47 | 0:25:50 | |
of being struck by, you know, what is essentially lightening. | 0:25:50 | 0:25:53 | |
Jasz, today, will be hit with one million volts. | 0:25:53 | 0:25:58 | |
Now, usually, in a plug socket there's 240 volts, | 0:25:58 | 0:26:03 | |
so one million, I assume, is life-ending. | 0:26:03 | 0:26:07 | |
We've got some well-synchronised electricians on hand | 0:26:07 | 0:26:10 | |
just in case things go wrong | 0:26:10 | 0:26:12 | |
and a scientist to explain things and put Jasz very much at ease. | 0:26:12 | 0:26:16 | |
All right, so a million volts is the kind of voltage | 0:26:16 | 0:26:19 | |
they use in the national grid. | 0:26:19 | 0:26:21 | |
So if you get too near that, it's a kind of spark you might see | 0:26:21 | 0:26:23 | |
just before you died. | 0:26:23 | 0:26:24 | |
Wow. | 0:26:24 | 0:26:26 | |
Would it, like, you know, blow her into pieces? | 0:26:26 | 0:26:29 | |
Uh, it would have a serious effect on her, I think it's fair to say. | 0:26:29 | 0:26:33 | |
Calming words. | 0:26:33 | 0:26:34 | |
Jasz has only one hope for staying safe. | 0:26:34 | 0:26:36 | |
What we've got here is a thing called a Faraday cage, | 0:26:36 | 0:26:40 | |
and it looks a bit like a mosquito net but it's actually... | 0:26:40 | 0:26:43 | |
I wear tights thicker than that. | 0:26:43 | 0:26:44 | |
The crucial thing about this is it's actually made of stainless steel. | 0:26:44 | 0:26:47 | |
It looks like material but it's actually stainless steel. | 0:26:47 | 0:26:50 | |
There are some scientists who, although they know electricity | 0:26:50 | 0:26:53 | |
and the laws, will still not get in there. | 0:26:53 | 0:26:55 | |
So, I think you're pretty brave. | 0:26:55 | 0:26:57 | |
Are you serious? | 0:26:57 | 0:26:58 | |
-So, let's get you in the cage. -All right. | 0:26:58 | 0:27:00 | |
So... | 0:27:01 | 0:27:02 | |
OK, then, let's roll this giant condom over Jasz | 0:27:02 | 0:27:05 | |
and hope it offers maximum protection. | 0:27:05 | 0:27:07 | |
I'm not feeling very safe, guys. | 0:27:11 | 0:27:12 | |
It's time to flip the switch. | 0:27:18 | 0:27:20 | |
-SHE SCREAMS -Bloody hell! | 0:27:27 | 0:27:30 | |
CURRENTS ZAP | 0:27:30 | 0:27:34 | |
SHE SCREAMS | 0:27:34 | 0:27:35 | |
Fuck that shit! | 0:27:37 | 0:27:38 | |
HE LAUGHS | 0:27:40 | 0:27:43 | |
SHE SHRIEKS | 0:27:43 | 0:27:44 | |
I've just noticed, there is a tiny hole in this thing. | 0:27:44 | 0:27:47 | |
CURRENTS ZAP AND SHE SHRIEKS | 0:27:47 | 0:27:50 | |
-Is it scary? -Yeah. That is so fucking scary. | 0:27:53 | 0:27:56 | |
-I think I wet myself. -SHE LAUGHS | 0:28:03 | 0:28:06 | |
# Danger, danger | 0:28:07 | 0:28:09 | |
# High voltage | 0:28:09 | 0:28:11 | |
# When we touch | 0:28:11 | 0:28:13 | |
# And when we kiss | 0:28:13 | 0:28:15 | |
# Danger, danger | 0:28:15 | 0:28:17 | |
# High voltage | 0:28:17 | 0:28:19 | |
# When we touch | 0:28:19 | 0:28:20 | |
# When we kiss | 0:28:20 | 0:28:21 | |
# When we touch | 0:28:21 | 0:28:22 | |
# When we kiss... # | 0:28:22 | 0:28:24 |