Pennod 1 Les Miserables: Y Daith i'r Llwyfan
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Transcript
| Line | From | To | |
|---|---|---|---|
-Subtitles | 0:00:00 | 0:00:00 | |
-Subtitles - -Subtitles | 0:00:00 | 0:00:01 | |
-Les Miserables. | 0:00:02 | 0:00:04 | |
-A true phenomenon. | 0:00:04 | 0:00:06 | |
-The longest-running musical -in the West End. | 0:00:06 | 0:00:10 | |
-A staggeringly successful show, -seen by over 70m people... | 0:00:14 | 0:00:19 | |
-..in 22 languages and 43 countries. | 0:00:20 | 0:00:23 | |
-The film version of the show -won three Oscars. | 0:00:24 | 0:00:27 | |
-The first Welsh language version -of Les Mis was performed in 2005... | 0:00:33 | 0:00:37 | |
-..as part of the Urdd Eisteddfod -in the Millennium Centre. | 0:00:37 | 0:00:41 | |
-A decade later, -as part of the Centre's... | 0:00:44 | 0:00:48 | |
-..and the Cardiff Urdd camp's -10th birthday... | 0:00:48 | 0:00:52 | |
-..the show is being staged -once more. | 0:00:52 | 0:00:55 | |
-This is a chronicle of the journey -from first audition to final note... | 0:00:56 | 0:01:01 | |
-..including the support -of Sir Cameron Mackintosh... | 0:01:01 | 0:01:05 | |
-..to provide a stage for Wales' -most exciting young talent. | 0:01:05 | 0:01:09 | |
-Ysgol Glanaethwy, February 2015. | 0:01:17 | 0:01:20 | |
-A magnet for North Wales' -young, exciting talent... | 0:01:21 | 0:01:24 | |
-..who hope to create a favourable -impression on Cefin Roberts. | 0:01:24 | 0:01:29 | |
-Ready to go! | 0:01:30 | 0:01:32 | |
-Let me welcome you -to Ysgol Glanaethwy. | 0:01:33 | 0:01:35 | |
-Casting begins today for Les Mis. | 0:01:35 | 0:01:40 | |
-Being part of a production like this -will be a huge challenge for us all. | 0:01:40 | 0:01:46 | |
-When you come here... | 0:01:46 | 0:01:49 | |
-..just stand on your mark. | 0:01:49 | 0:01:51 | |
-It's almost like the X Factor. | 0:01:51 | 0:01:54 | |
-Just stand here. | 0:01:54 | 0:01:55 | |
-Before the music starts, Cefin wants -to test the auditionees' rhythm. | 0:01:56 | 0:02:01 | |
-I want you to clap -four bars of four. | 0:02:03 | 0:02:05 | |
-One, two, three, go. | 0:02:06 | 0:02:08 | |
-There was one extra. | 0:02:16 | 0:02:17 | |
-The last bar was five instead -of four. Learn to count! | 0:02:18 | 0:02:22 | |
-Counting with an orchestra is vital. | 0:02:22 | 0:02:25 | |
-This time, take the fourth beat -out of the first two bars. | 0:02:25 | 0:02:30 | |
-One, two, three, go. | 0:02:30 | 0:02:31 | |
-Ready. One, two, three. | 0:02:40 | 0:02:41 | |
-It wasn't long before stamping and -complex clapping was introduced. | 0:02:44 | 0:02:49 | |
-Good, well done. | 0:02:55 | 0:02:57 | |
-Good, well done. - -I was nervous this morning. | 0:02:57 | 0:02:59 | |
-This is my first ever audition. | 0:02:59 | 0:03:01 | |
-It's very important. | 0:03:01 | 0:03:03 | |
-I'm a bit nervous but those nerves -had settled by the end. | 0:03:04 | 0:03:09 | |
-A little! | 0:03:09 | 0:03:11 | |
-# There, out in the darkness | 0:03:11 | 0:03:17 | |
-# Scarce to be counted | 0:03:17 | 0:03:21 | |
-# Fallen from God | 0:03:21 | 0:03:25 | |
-# With order and light | 0:03:25 | 0:03:28 | |
-# You are the sentinels | 0:03:30 | 0:03:32 | |
-# Silent and sure | 0:03:34 | 0:03:37 | |
-# Till we come face to face | 0:03:38 | 0:03:41 | |
-# Till we come face to face # | 0:03:41 | 0:03:43 | |
-While some sang, in a nearby room -Carys Edwards tries to identify... | 0:03:44 | 0:03:48 | |
-..the acting talent -of this young group. | 0:03:49 | 0:03:52 | |
-Most of them have seen the show. | 0:03:53 | 0:03:55 | |
-They have a good idea of what it is. | 0:03:55 | 0:03:57 | |
-I'm trying to instil in them the -idea that they are poor, they smell. | 0:03:58 | 0:04:02 | |
-For a youngster, that's difficult. | 0:04:03 | 0:04:06 | |
-I'm auditioning with four people -I've never met before. | 0:04:06 | 0:04:12 | |
-We had to pretend to be in a pub. | 0:04:12 | 0:04:14 | |
-We're drunk and I'm -pretending to be a prostitute... | 0:04:15 | 0:04:19 | |
-..trying to attract this man. | 0:04:19 | 0:04:21 | |
-It was so difficult. | 0:04:21 | 0:04:23 | |
-It's so different to who I am -as a person. I had to change. | 0:04:23 | 0:04:27 | |
-As these youngsters -pretend to be drunk... | 0:04:33 | 0:04:36 | |
-..it's time for the next crew -to sing. | 0:04:36 | 0:04:39 | |
-Which attributes -is Cefin searching for? | 0:04:39 | 0:04:42 | |
-At times, it's a very dark show. | 0:04:42 | 0:04:44 | |
-We're searching for maturity... | 0:04:44 | 0:04:46 | |
-..and the ability to empathise -with this story... | 0:04:47 | 0:04:50 | |
-..on top of being good singers. | 0:04:50 | 0:04:52 | |
-The singing is important -but I want a balance of both. | 0:04:52 | 0:04:56 | |
-# Tonight, my life is in pieces | 0:04:56 | 0:05:03 | |
-# Nowhere to turn as darkness falls | 0:05:04 | 0:05:11 | |
-# Everything I yearn in life -lies at my feet | 0:05:12 | 0:05:18 | |
-# As the night closes in on me # | 0:05:21 | 0:05:26 | |
-Last night, -Mam checked her email properly. | 0:05:26 | 0:05:29 | |
-There was a link - -if I wanted a part as a character... | 0:05:30 | 0:05:33 | |
-..I had to learn a song. | 0:05:33 | 0:05:35 | |
-Last night was stressful! | 0:05:35 | 0:05:37 | |
-Lois Glain Postle, On My Own. | 0:05:37 | 0:05:39 | |
-I was on YouTube -trying to learn the song. | 0:05:39 | 0:05:43 | |
-I watched how other singers -sang the song. | 0:05:43 | 0:05:46 | |
-I tried to put myself -in that girl's shoes. | 0:05:46 | 0:05:49 | |
-# Without him | 0:05:50 | 0:05:51 | |
-# I feel his arms around me | 0:05:52 | 0:05:55 | |
-# And when I lose my way | 0:05:56 | 0:05:58 | |
-# I close my eyes | 0:05:58 | 0:06:01 | |
-# And he has found me # | 0:06:01 | 0:06:04 | |
-The scope for the chorus -to act in this show is huge. | 0:06:08 | 0:06:12 | |
-There's a darker, deeper level -to this show. | 0:06:13 | 0:06:17 | |
-When you smile, -yes, it's this smile. | 0:06:17 | 0:06:21 | |
-It's not this smile. | 0:06:22 | 0:06:23 | |
-"Jeez, we're having a great time! | 0:06:23 | 0:06:25 | |
-"We're having a hard time and -we're smiling through gritted teeth. | 0:06:26 | 0:06:30 | |
-"Life's hard" | 0:06:31 | 0:06:32 | |
-# But the tigers come at night | 0:06:32 | 0:06:36 | |
-# With their voices soft as thunder | 0:06:39 | 0:06:45 | |
-# As they tear your hope apart | 0:06:47 | 0:06:51 | |
-# As they turn your dream to shame # | 0:06:53 | 0:07:06 | |
-Today was an amazing day, -a great experience. | 0:07:07 | 0:07:10 | |
-If I had the part, -it would be amazing. | 0:07:10 | 0:07:13 | |
-It'd be the best thing -that's ever happened to me. | 0:07:13 | 0:07:17 | |
-After six busy sessions -in North Wales... | 0:07:17 | 0:07:21 | |
-..the search switches to Cardiff -but Rhian is feeling the pressure. | 0:07:21 | 0:07:25 | |
-We've arrived at -the Millennium Centre in Cardiff. | 0:07:27 | 0:07:31 | |
-After two days, -I'm starting to lose my voice. | 0:07:31 | 0:07:34 | |
-It's a different experience, -different surroundings. | 0:07:35 | 0:07:38 | |
-The auditions and auditionees -are different. | 0:07:39 | 0:07:42 | |
-It's strange -how different locations vary. | 0:07:42 | 0:07:45 | |
-The standard is very high again. | 0:07:45 | 0:07:48 | |
-It's a frightening experience. | 0:07:48 | 0:07:51 | |
-We're whittling it down -to 120 from 250. | 0:07:51 | 0:07:54 | |
-# From the table in the corner | 0:07:56 | 0:08:00 | |
-# They could see a world reborn | 0:08:01 | 0:08:05 | |
-# And they rose with voices ringing | 0:08:07 | 0:08:11 | |
-# And I can hear them now! | 0:08:11 | 0:08:15 | |
-# The very words that they had sung | 0:08:16 | 0:08:20 | |
-# Became their last communion | 0:08:22 | 0:08:26 | |
-# On this lonely barricade | 0:08:28 | 0:08:32 | |
-# At dawn # | 0:08:32 | 0:08:35 | |
-Carys has found a real bar -in Cardiff! | 0:08:38 | 0:08:42 | |
-The singing is a lot too nice, -wouldn't you say? | 0:08:44 | 0:08:48 | |
-It's too nice - you should be -spitting out the words. | 0:08:48 | 0:08:51 | |
-I'd love one of the main parts -but if not... | 0:08:52 | 0:08:55 | |
-..from today's experience... | 0:08:55 | 0:08:57 | |
-..being in the chorus -would be so much fun. | 0:08:57 | 0:09:00 | |
-I've learnt new skills -watching other people work. | 0:09:03 | 0:09:06 | |
-I've brought my own ideas -and we've all worked well together. | 0:09:06 | 0:09:10 | |
-There's a buzz, a lovely atmosphere. | 0:09:11 | 0:09:13 | |
-It would be a privilege -just to be on stage. | 0:09:14 | 0:09:17 | |
-When you think about -all the children we've seen... | 0:09:18 | 0:09:23 | |
-..it's killing me! | 0:09:23 | 0:09:25 | |
-If I hear 'master of the house' -again... | 0:09:25 | 0:09:27 | |
-When Kevin, Rhian and John come down -to see the ensemble work... | 0:09:29 | 0:09:35 | |
-..they notice things they didn't -notice when they were singing. | 0:09:35 | 0:09:39 | |
-# And I know it's only in my mind | 0:09:40 | 0:09:46 | |
-# That I'm talking to myself -and not to him | 0:09:46 | 0:09:53 | |
-# And although I know -that he is blind | 0:09:55 | 0:10:00 | |
-# Still I say, -there's a way for us # | 0:10:01 | 0:10:08 | |
-The four of us, as directors, -have marked the auditionees... | 0:10:08 | 0:10:13 | |
-..for different aspects. | 0:10:14 | 0:10:15 | |
-Voice and communication. | 0:10:16 | 0:10:18 | |
-At the end of the day, which ones -deserve the prominent parts... | 0:10:19 | 0:10:23 | |
-..who joins the chorus... | 0:10:23 | 0:10:25 | |
-..and who, unfortunately, -will no longer work with us... | 0:10:25 | 0:10:30 | |
-..after this session? | 0:10:30 | 0:10:31 | |
-Such a pity, -but that's how it goes. | 0:10:31 | 0:10:34 | |
-I've been turned down -more than once! | 0:10:34 | 0:10:36 | |
-A month later, the Millennium -Centre is the backdrop... | 0:10:40 | 0:10:43 | |
-..in the journey to discover -who will play the main parts. | 0:10:44 | 0:10:48 | |
-Today is recall day -for the main parts. | 0:10:48 | 0:10:52 | |
-We have time on the main stage... | 0:10:52 | 0:10:55 | |
-..to listen to them perform -at least one of the solos... | 0:10:55 | 0:10:59 | |
-..I think is most suitable for them -for the part. | 0:10:59 | 0:11:02 | |
-Before singing on stage, an -opportunity to warm up the voices... | 0:11:04 | 0:11:08 | |
-..under the guidance -of musical director John Quirk. | 0:11:09 | 0:11:13 | |
-# How strange, the feeling -that my life's begun at last | 0:11:16 | 0:11:21 | |
-# The feeling -that my life's begun at last | 0:11:22 | 0:11:25 | |
-Not... # The feeling -that my life's begun at last | 0:11:25 | 0:11:28 | |
-Just act it. | 0:11:28 | 0:11:30 | |
-# How strange, the feeling -that my life's begun at last | 0:11:30 | 0:11:36 | |
-# This change, can people -really fall in love so fast? # | 0:11:36 | 0:11:41 | |
-Good. Thank you. | 0:11:41 | 0:11:44 | |
-# So many things unclear | 0:11:45 | 0:11:49 | |
-# So many things unknown # | 0:11:49 | 0:11:53 | |
-I wouldn't mind if you just forgot -the words and showed you were happy. | 0:11:53 | 0:11:57 | |
-# Now the love in my life is so near | 0:11:59 | 0:12:04 | |
-# Find me now, find me here # | 0:12:05 | 0:12:13 | |
-Better. | 0:12:14 | 0:12:15 | |
-Show me, -in whichever physical way you can... | 0:12:17 | 0:12:20 | |
-.."I'm so in love." | 0:12:20 | 0:12:23 | |
-After all the singing, -it's decision time. | 0:12:38 | 0:12:42 | |
-A huge challenge for -Cefin, John, Rhian and Carys. | 0:12:42 | 0:12:47 | |
-Helping the team -choose the best cast... | 0:12:53 | 0:12:56 | |
-..two greats -in the world of musicals. | 0:12:56 | 0:12:59 | |
-Producer Sir Cameron Mackintosh... | 0:13:00 | 0:13:02 | |
-..and his main casting advisor -Trevor Jackson. | 0:13:03 | 0:13:06 | |
-Cardiff has always been -a wonderful place to audition. | 0:13:08 | 0:13:11 | |
-It's in the culture. | 0:13:11 | 0:13:13 | |
-We'll hear their advice to Cefin -and the team after the break. | 0:13:13 | 0:13:18 | |
-. | 0:13:18 | 0:13:18 | |
-Subtitles | 0:13:22 | 0:13:22 | |
-Subtitles - -Subtitles | 0:13:22 | 0:13:24 | |
-Four were recalled -for the part of Marius. | 0:13:27 | 0:13:31 | |
-# There's a grief -that can't be spoken | 0:13:31 | 0:13:36 | |
-# There's a pain goes on and on | 0:13:37 | 0:13:42 | |
-# Empty chairs at empty tables | 0:13:42 | 0:13:47 | |
-# Now my friends are dead and gone | 0:13:47 | 0:13:51 | |
-# Here they talked of revolution | 0:13:55 | 0:13:58 | |
-This guy's very good. | 0:13:59 | 0:14:01 | |
-Wales never disappoints. | 0:14:03 | 0:14:05 | |
-In this part, it's the only place -in the country you can go and... | 0:14:06 | 0:14:10 | |
-..find young leading men. | 0:14:10 | 0:14:12 | |
-What's extraordinary is the -technique you don't get everywhere. | 0:14:12 | 0:14:18 | |
-They all know how to sing properly. | 0:14:18 | 0:14:21 | |
-Three were hopeful for the -comic part of Madame Thenardier. | 0:14:21 | 0:14:25 | |
-# I used to dream -that I would meet a prince | 0:14:25 | 0:14:28 | |
-She's got a great look, this one. | 0:14:28 | 0:14:31 | |
-# Have you seen -what's happened since? | 0:14:31 | 0:14:36 | |
-# Master of the house, -master and a half # | 0:14:37 | 0:14:40 | |
-I like her. I think the other girl -is more naturally comic. | 0:14:41 | 0:14:46 | |
-She's got a good strength -as an actress. | 0:14:46 | 0:14:49 | |
-# Raise it up your master's a**e | 0:14:50 | 0:14:52 | |
-# Raise it up your master's a**e | 0:14:52 | 0:14:54 | |
-# Everybody raise a glass -to the master of the house! # | 0:14:55 | 0:14:58 | |
-The audience will love them. | 0:14:58 | 0:15:00 | |
-Hey! | 0:15:01 | 0:15:03 | |
-Yes. And she doesn't need -to do sassy acting... | 0:15:03 | 0:15:07 | |
-..too much. | 0:15:08 | 0:15:09 | |
-Who was the fortunate one... | 0:15:09 | 0:15:12 | |
-..recalled for the role -of Madame Thenardier's husband? | 0:15:12 | 0:15:16 | |
-# Master of the house, -quick to catch yer eye | 0:15:17 | 0:15:19 | |
-# Never wants a passer-by -to pass him by | 0:15:20 | 0:15:23 | |
-He's a little older Dodger. | 0:15:23 | 0:15:25 | |
-He's a little older Dodger. - -He's a great character. | 0:15:25 | 0:15:26 | |
-# Nuh nuh nuh nuh nuh nuh nuh | 0:15:27 | 0:15:29 | |
-# Duh duh duh duh duh duh duh duh | 0:15:29 | 0:15:31 | |
-Sorry, guys. | 0:15:31 | 0:15:32 | |
-# But lock up your valises, Jesus! -Won't I skin you to the bone # | 0:15:35 | 0:15:38 | |
-You might have to get him through -for cheek. | 0:15:40 | 0:15:42 | |
-Yeah, I like him. | 0:15:43 | 0:15:45 | |
-15 years time we'll... | 0:15:46 | 0:15:47 | |
-15 years time we'll... - -I'm sure. 10. | 0:15:47 | 0:15:48 | |
-The part of Jean Valjean -requires a strong voice. | 0:15:48 | 0:15:54 | |
-# What have I done, sweet Jesus, -what have I done? | 0:15:54 | 0:15:58 | |
-# Become a thief in the night, -become a dog on the run # | 0:15:58 | 0:16:01 | |
-It's a good look. | 0:16:01 | 0:16:03 | |
-Yeah, it is. | 0:16:03 | 0:16:05 | |
-It's a good voice but... | 0:16:07 | 0:16:10 | |
-..it just needs a bit more rawness. | 0:16:10 | 0:16:12 | |
-It's almost too beautiful for this. | 0:16:13 | 0:16:15 | |
-It's like a younger brother. | 0:16:15 | 0:16:17 | |
-He doesn't look -a Jean Valjean to me. | 0:16:18 | 0:16:20 | |
-He's got the intensity... | 0:16:22 | 0:16:24 | |
-..which, you know, I don't know -if the voice is quite low enough... | 0:16:24 | 0:16:29 | |
-..for a Javert... | 0:16:29 | 0:16:30 | |
-..but he's too young for that. | 0:16:31 | 0:16:33 | |
-But maybe, do you think -he's an Enjolras? | 0:16:33 | 0:16:36 | |
-The two contenders for Eponine -are Lois Glain Postle and Jodi Bird. | 0:16:36 | 0:16:42 | |
-# On my own | 0:16:42 | 0:16:45 | |
-# Pretending he's beside me | 0:16:45 | 0:16:50 | |
-She's not doing that poor me thing. | 0:16:51 | 0:16:53 | |
-There's an optimism -about what she does. | 0:16:53 | 0:16:56 | |
-There is. | 0:16:56 | 0:16:58 | |
-Also, she's got all the technical -equipment to do it. | 0:16:58 | 0:17:02 | |
-# I feel his arms around me | 0:17:02 | 0:17:06 | |
-# And when I lose my way | 0:17:06 | 0:17:07 | |
-She's sweet. | 0:17:07 | 0:17:09 | |
-She's lovely... | 0:17:09 | 0:17:10 | |
-..but there is something innocent -about her face. | 0:17:11 | 0:17:14 | |
-# And I know | 0:17:14 | 0:17:16 | |
-You need to keep your eye on her... | 0:17:16 | 0:17:19 | |
-..for the future, -if she goes into the business. | 0:17:19 | 0:17:22 | |
-That's better. | 0:17:23 | 0:17:25 | |
-# And not to him | 0:17:26 | 0:17:28 | |
-# And although # | 0:17:28 | 0:17:30 | |
-Always needs to be -on the front foot, this number. | 0:17:32 | 0:17:35 | |
-She can only escape into her mind. | 0:17:35 | 0:17:38 | |
-They're both obviously -very talented... | 0:17:42 | 0:17:45 | |
-..but neither one of them goes, -"that's it" to me. | 0:17:45 | 0:17:49 | |
-If you could combine the pair -of them, you'd have an ideal. | 0:17:49 | 0:17:54 | |
-OK then, people... | 0:17:55 | 0:17:57 | |
-It's time to reveal the news -to the successful auditionees. | 0:17:58 | 0:18:02 | |
-Cefin was glad to be present -as he revealed his choices. | 0:18:02 | 0:18:06 | |
-The first call was a drama lesson -in Ysgol Bodedern. | 0:18:06 | 0:18:10 | |
-Please welcome Mr Cefin Roberts. | 0:18:10 | 0:18:12 | |
-Emyr, we want you to consider -playing the part of the bishop... | 0:18:18 | 0:18:22 | |
-..and be the understudy -for the master of the house. | 0:18:23 | 0:18:26 | |
-Do you accept? | 0:18:26 | 0:18:28 | |
-Gwen, we want you -to play the part of Fantine. | 0:18:33 | 0:18:37 | |
-You were fantastic. Well done. | 0:18:45 | 0:18:48 | |
-While Cefin was busy -in North Wales... | 0:18:57 | 0:18:59 | |
-..the author of the Welsh words, -Tudur Dylan... | 0:19:00 | 0:19:03 | |
-..revealed all in Ysgol Y Strade. | 0:19:03 | 0:19:05 | |
-Mr Jones, welcome. | 0:19:05 | 0:19:07 | |
-Thank you. Right then. | 0:19:07 | 0:19:10 | |
-Dear Osian, regarding the -Welsh language Les Miserables... | 0:19:12 | 0:19:17 | |
-..thank you for attending -the recent recall in Cardiff. | 0:19:17 | 0:19:21 | |
-Having thought long and hard... | 0:19:21 | 0:19:23 | |
-..we would like to offer -you the part of... | 0:19:23 | 0:19:26 | |
-..of Jean Valjean. | 0:19:26 | 0:19:28 | |
-We look forward to working with you -over the next few months. | 0:19:31 | 0:19:35 | |
-Are you serious? | 0:19:35 | 0:19:37 | |
-Excuse me. I have a visitor. | 0:19:40 | 0:19:42 | |
-We're casting Les Miserables -in the Millennium Centre. | 0:19:42 | 0:19:47 | |
-We're here to offer Dafydd -the part of Marius. | 0:19:47 | 0:19:50 | |
-I hope you're brave enough, -on camera, to accept the part. | 0:19:50 | 0:19:55 | |
-If you're not, I'm in trouble. | 0:19:55 | 0:19:57 | |
-Please congratulate Dafydd. | 0:19:57 | 0:19:59 | |
-I can't believe this. | 0:20:02 | 0:20:04 | |
-He came in today saying, -"Still haven't heard from them! | 0:20:04 | 0:20:09 | |
-"They said definitely by Sunday." | 0:20:09 | 0:20:12 | |
-Osian's eager to share the news -with his mother... | 0:20:13 | 0:20:17 | |
-..who happens to be a teacher -at the school. | 0:20:17 | 0:20:20 | |
-Thank you. | 0:20:31 | 0:20:33 | |
-Excuse me, Mrs Tranmere... | 0:20:35 | 0:20:38 | |
-..I have visitors from the Urdd -and the Millennium Centre. | 0:20:38 | 0:20:44 | |
-We hope Dewi will accept -one of the main parts... | 0:20:44 | 0:20:49 | |
-..in the show. | 0:20:53 | 0:20:55 | |
-Master of the house - -congratulations. Well done. | 0:20:55 | 0:20:58 | |
-I'm speechless. -I didn't expect that at all. | 0:21:04 | 0:21:07 | |
-Thank you very much. | 0:21:12 | 0:21:13 | |
-Hello, Jodi, this is for you. -It's a letter for you. | 0:21:14 | 0:21:18 | |
-Is this true? | 0:21:22 | 0:21:23 | |
-What is it? | 0:21:23 | 0:21:25 | |
-The role of Eponine in Les Mis. | 0:21:25 | 0:21:28 | |
-Well done, congratulations. | 0:21:28 | 0:21:30 | |
-Well done, congratulations. - -Oh, my gosh! | 0:21:30 | 0:21:31 | |
-Lois, we had fantastic auditions -for Eponine. | 0:21:35 | 0:21:40 | |
-After we spoke -to Cameron Mackintosh's office... | 0:21:40 | 0:21:44 | |
-..they asked us to consider -two of you for the part. | 0:21:44 | 0:21:48 | |
-Jodi Bird, a finalist -in Britain's Got Talent, and you. | 0:21:48 | 0:21:52 | |
-You were so close, we'd like -both of you to share the part... | 0:21:52 | 0:21:57 | |
-..performing two nights each. | 0:21:57 | 0:22:00 | |
-You were brilliant. | 0:22:02 | 0:22:04 | |
-Hi, Mum, I need to talk to you. | 0:22:04 | 0:22:08 | |
-You know the really big audition -I've just done? | 0:22:09 | 0:22:12 | |
-For Les Mis. | 0:22:13 | 0:22:14 | |
-Yes. | 0:22:14 | 0:22:15 | |
-I've just been offered the part -of Eponine. | 0:22:17 | 0:22:20 | |
-I know. | 0:22:22 | 0:22:24 | |
-She's not speaking. | 0:22:25 | 0:22:27 | |
-Mum? | 0:22:29 | 0:22:30 | |
-It's true, Vanessa, it's true. | 0:22:30 | 0:22:33 | |
-I'm in the middle of a music lesson. | 0:22:33 | 0:22:36 | |
-Quite right, get on with it. | 0:22:36 | 0:22:38 | |
-Thank you, Mum. | 0:22:39 | 0:22:41 | |
-I love you. | 0:22:41 | 0:22:43 | |
-Lois is here, -she wants to talk to you. | 0:22:45 | 0:22:48 | |
-Hi, Mam. | 0:22:49 | 0:22:51 | |
-Guess what. | 0:22:51 | 0:22:53 | |
-I've been offered the part -of Eponine in Les Mis. | 0:22:53 | 0:22:57 | |
-Yes. I have, straight up. | 0:22:59 | 0:23:03 | |
-They came to the school. | 0:23:04 | 0:23:06 | |
-Yes. | 0:23:09 | 0:23:11 | |
-I'm performing two nights, -sharing the role with Jodi Bird. | 0:23:11 | 0:23:17 | |
-She's performing two nights. | 0:23:17 | 0:23:19 | |
-I'll talk to you later, OK? | 0:23:37 | 0:23:40 | |
-Ta-ra. Love you. | 0:23:42 | 0:23:44 | |
-Join us next time -for the rehearsals... | 0:23:47 | 0:23:51 | |
-..and to hear about -an unexpected invitation... | 0:23:51 | 0:23:55 | |
-..to sing at a special celebration -in London. | 0:23:55 | 0:23:58 | |
-# The night that ends at last # | 0:23:58 | 0:24:00 | |
-S4C Subtitles by Adnod Cyf. | 0:24:14 | 0:24:16 | |
-. | 0:24:16 | 0:24:16 |
