Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
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In 2012, one man dared to dream. The winner is... Roland Rivron. | :00:15. | :00:18. | |
It's been a year since I lifted that trophy and looking back now | :00:18. | :00:24. | |
it's almost too emotional. But now it's someone else's time to shine. | :00:24. | :00:29. | |
This year's contenders better be ready. They need to train hard, | :00:29. | :00:33. | |
they need to believe and they might need to get their legs waxed. | :00:33. | :00:43. | |
:00:43. | :01:09. | ||
Ready for a new winner? Let's Live from Television Centre, it's | :01:10. | :01:14. | |
Let's Dance For Comic Relief! Please welcome your hosts, Alex | :01:14. | :01:24. | |
:01:24. | :01:38. | ||
Jones and Steve Jones! Let's Dance For Comic Relief is | :01:38. | :01:45. | |
back with a bang! There will be amazing dance moves. Ridiculous | :01:45. | :01:55. | |
:01:55. | :02:03. | ||
outfits. And plain old-fashioned... We have two acts to will leave you | :02:03. | :02:08. | |
delirious with excitement. We are going to be joined by the lovely | :02:08. | :02:12. | |
Kimberley Walsh. There she is. Easy on the pork scratchings, we are not | :02:12. | :02:19. | |
made of money. Performing a new single those Irish rogues The | :02:19. | :02:24. | |
Script. There is Danny shooting some arrows. Glad he can sing, he | :02:25. | :02:28. | |
is rubbish at darts. We will be taking a look at the world | :02:28. | :02:33. | |
exclusive new video for the new Comic Relief single from the | :02:33. | :02:37. | |
biggest boy band on the planet, One Direction. It's certainly an | :02:37. | :02:43. | |
exciting time to be a 14-year-old girl. It really is. OK, audience, | :02:43. | :02:48. | |
we have five acts back stage dancing for your money. They're | :02:48. | :02:55. | |
your private dancers, but in a good way, of course. Here they are. | :02:55. | :03:05. | |
:03:05. | :03:06. | ||
Dancing tonight for Comic Relief, soap legends, Claire Sweeney, | :03:06. | :03:14. | |
Natalie Natalie Cassidy, Ricky Groves and Dean Gaffney. | :03:14. | :03:19. | |
Channelling her inner diva Olivia Lee. I would describe my | :03:19. | :03:24. | |
performance as fierce, animalistic, crazy. Comedian, actor and King of | :03:24. | :03:34. | |
:03:34. | :03:36. | ||
the punchline, Tim Vine. It's easy than I thought it was. Comedians | :03:36. | :03:45. | |
Hal Cruttenden, Mark Dolan and Shaun Keaveny as Destiny's Dad. | :03:45. | :03:49. | |
Hoping to deliver a knockout performance, championship box Ericy | :03:49. | :03:54. | |
Hatton. -- Ricky Hatton. I am a better dancer now than I am a boxer. | :03:55. | :04:00. | |
Just another Saturday night for me, I think. | :04:00. | :04:07. | |
There they are, amongst them an MBE, a Guinness World Record and an ex- | :04:07. | :04:11. | |
street cleaner from Walford. better to judge people ill-suited | :04:11. | :04:19. | |
to dance than people ill-suited to judge? Please welcome our panel, | :04:19. | :04:29. | |
:04:29. | :04:51. | ||
Tameka Empson and Bradley Walsh and Fabulous. Tonight five acts will | :04:52. | :04:56. | |
dance but only two will go true to -- through the final. One of these | :04:56. | :05:03. | |
will be chosen by you, dear viewers. You can vote by phone or free on | :05:03. | :05:07. | |
the internet. That's right, welcome to the future, check it out! The | :05:07. | :05:12. | |
other will be chosen by our panel of experts. I say experts, Mel's | :05:12. | :05:19. | |
expert is more in the area of soggy bottoms and floury pwaps. Speaking | :05:19. | :05:27. | |
of which, Alex. Bap off, Steve. Lovely jig on the way in. You | :05:27. | :05:31. | |
earned your dance stripes last year. How do you think our stars will be | :05:31. | :05:35. | |
feeling tonight ahead of the performances? They will be feeling | :05:35. | :05:40. | |
slightly nervous. But I am hoping they're going to go deep within | :05:40. | :05:45. | |
them to perform for us tonight, to really live the artist they're | :05:45. | :05:51. | |
playing. Any advice for them? be, just be. Be happy. Go for it. | :05:51. | :05:56. | |
Just do it. I was Beyonce. You were. What a great Beyonce she was, as | :05:56. | :06:05. | |
well. APPLAUSE OK, let's talk more dance, let's | :06:05. | :06:09. | |
melt some faces with our first performance. We are starting with | :06:09. | :06:17. | |
every soap star's dream. It's the ultimate mash-up of what BAFTA call | :06:17. | :06:20. | |
continuing drama series. There's bound to be a punchup in the bar | :06:20. | :06:30. | |
:06:30. | :06:32. | ||
later. I am Claire Sweeney. I am Natalie Cassidy. I am Ricky Groves. | :06:32. | :06:38. | |
I am Dean Gaffney. We are the soap stars! | :06:38. | :06:42. | |
All right, sweet cheeks. It's been a while. You have a nerve showing | :06:42. | :06:45. | |
your face here. After everything you have done. Everything I have | :06:45. | :06:50. | |
done? You were the one sleeping with my brother. How dare you! | :06:51. | :06:55. | |
Leave it. He ain't worth it. Look what the cat dragged in. Don't you | :06:55. | :07:05. | |
:07:05. | :07:06. | ||
start on me. You You ain't my real dad. Aren't I? Dad! Princess. | :07:06. | :07:14. | |
you been cheating on me? Don't you hit my dad. Get out of my pub! Shut | :07:14. | :07:20. | |
up! You might not like it, but we all have to start getting along | :07:20. | :07:25. | |
together like a proper family. We have been asked to dance for Comic | :07:25. | :07:31. | |
Relief. Together. But we hate each other. I am not dancing with her. | :07:31. | :07:35. | |
It's all right, I have had a word with the big guy. He's agreed to | :07:35. | :07:39. | |
knock us into shape. Not the big guy. He is coming here? Everything | :07:39. | :07:49. | |
:07:49. | :07:59. | ||
LAUGHTER Hi guys. He is the big guy? Let's | :07:59. | :08:04. | |
dance! Yes, the big man's back. Claire | :08:04. | :08:13. | |
Sweeney, Natalie Cassidy, Ricky Groves and Dean Gaffney with You | :08:13. | :08:23. | |
:08:23. | :08:23. | ||
Apology for the loss of subtitles for 122 seconds | :08:23. | :10:26. | |
Can't Stop The Beat from Hairspray, APPLAUSE AND CHEERING | :10:26. | :10:36. | |
:10:36. | :10:38. | ||
You were brilliant! Come over. It's not easy to start, but well done. | :10:38. | :10:43. | |
You were brilliant. Natalie, you look like you have had 15 cups of | :10:43. | :10:49. | |
coffee in three minutes there. And look at you. Thank you, it's very | :10:49. | :10:55. | |
liberating indeed. You did so well. What did you make of the | :10:55. | :11:02. | |
performance? Brilliant! Really brilliant. It was the stage | :11:03. | :11:08. | |
performance. I think you guys should start another show by itself. | :11:08. | :11:18. | |
:11:18. | :11:20. | ||
You were no different to the other dancers. I loved it. I loved it all. | :11:20. | :11:30. | |
:11:30. | :11:35. | ||
Brilliant! Now, Bradley. You chucked your bloomers. Well, I | :11:35. | :11:41. | |
think they need to do a bit more solo skating. And use all of the | :11:41. | :11:49. | |
rink and not so many lifts. That's just in the shoes. A great start to | :11:49. | :11:57. | |
the show. Tremendous. And lovely Mel. They were delicious, like a | :11:57. | :12:05. | |
tempting tray of baked goods. Natalie with the chequered biscuit. | :12:05. | :12:12. | |
Dean as crisp as a brandy snap, Claire the pink fondant fancy and | :12:12. | :12:17. | |
Ricky, the big old tart. Amazing. That's what our panel thought of | :12:17. | :12:22. | |
them. Steve, do our soap supporters agree? | :12:22. | :12:31. | |
Let me investigate. I am with Phil, Charlotte and Chloe. You are Dean's | :12:31. | :12:37. | |
16-year-old twin daughters. Do you the Matt. You must be -- you do the | :12:37. | :12:41. | |
maths. You must be proud. He was better than we thought he was going | :12:41. | :12:48. | |
to be. Are you embarrassed at all. A bit. OK. Would you say that's | :12:48. | :12:53. | |
more East End or West End? It was the perfect combination. East End | :12:53. | :12:58. | |
meets West End. I would love to see that on the stage. Nat, your | :12:58. | :13:03. | |
dancing skills are better than your trumpet skills. Well done. Back to | :13:03. | :13:10. | |
you, sweetie. If our soap stars left you on a dancing cliff-hanger, | :13:10. | :13:18. | |
and you want to see the performance Omnibus, then you need to vote. For | :13:18. | :13:27. | |
the first time ever, you can sign in and vote for free online. | :13:27. | :13:32. | |
Register now. Voting won't open until all our acts have performed. | :13:32. | :13:39. | |
If you vote too soon it won't count. A round of applause, and a special | :13:39. | :13:44. | |
round of applause for Dean who survived a car crash only to throw | :13:44. | :13:49. | |
himself into something nearly more terrifying. Who is next? | :13:49. | :13:52. | |
A woman who spent her career making fools of other people on television, | :13:52. | :14:00. | |
what goes around comes around. Welcome to Let's Dance, Olivia Lee. | :14:00. | :14:07. | |
Hello, I am Olivia Lee. I am so delighted that I have been asked to | :14:07. | :14:14. | |
do this. I love dancing. Dancing is great. Just wish I could do it. I | :14:14. | :14:21. | |
am a terrible dancer. I have two left feet. No, seriously, twoeuf | :14:21. | :14:26. | |
left -- I have two left feet. I finally decided I am going to do | :14:26. | :14:33. | |
something about it. Hey, Olivia, are you all right? Well, is it | :14:33. | :14:38. | |
curable? Yes, it is. I have seen this a few times before. Is there | :14:38. | :14:45. | |
anything you can do? Yes, there is, just wait a second. If I just... | :14:45. | :14:51. | |
This is a right shoe. Don't know if you are aware, but you don't two | :14:51. | :14:55. | |
two left feet, you have been wearing two left shoes. You need a | :14:55. | :15:00. | |
right shoe. A right shoe? Yeah. I will give you a prescription for a | :15:01. | :15:04. | |
few more and you should be all right. All this time I have been | :15:04. | :15:13. | |
wearing two left shoes? Yeah. ha! I feel like such a... It's been | :15:13. | :15:17. | |
a while and if I am honest I haven't noticed any improvement in | :15:17. | :15:23. | |
my condition. I am wearing the right shoes. I am not convinced the | :15:23. | :15:33. | |
:15:33. | :15:43. | ||
right shoes are any better. Time to She does have surprisingly large | :15:43. | :15:49. | |
feet for a woman. Now get ready to witness the true horror unfold. | :15:49. | :15:51. | |
Channelling the diva that is Lady Gaga, for your pleasure, please | :15:52. | :16:01. | |
:16:02. | :16:02. | ||
Apology for the loss of subtitles for 122 seconds | :16:02. | :18:28. | |
CHEERING, APPLAUSE Yes! What is the name of your dog? | :18:28. | :18:38. | |
:18:38. | :18:41. | ||
George. He is my dance coach. has done an amazing dock. -- job. | :18:41. | :18:46. | |
He is just excited because I look like a dog's dinner. A Bradley, | :18:46. | :18:52. | |
what do you think? I thought that was brilliant. Parts of that dress | :18:52. | :18:59. | |
at the start were running at Chepstow this afternoon. He is just | :18:59. | :19:05. | |
excited to see you. What is that? He does not like what you're saying, | :19:05. | :19:15. | |
:19:15. | :19:15. | ||
Bradley. You had better be nice. will speak loudly. He is coming | :19:16. | :19:21. | |
back. He is coming back. What are the chances of this part of the | :19:21. | :19:31. | |
:19:31. | :19:32. | ||
show going wrong? Extremely high. Mel? He is coming back. George, | :19:32. | :19:42. | |
:19:42. | :19:48. | ||
calm down. Tameka, you scared of dogs? Yes. Tameka, have a sit down. | :19:48. | :19:56. | |
First up, you can dance. I am standing up. You can dance, you | :19:56. | :20:06. | |
:20:06. | :20:06. | ||
were Lady GaGa. It was amazing. The clock hands, the facial expressions. | :20:06. | :20:13. | |
And the coming out of the White refracting. I loved that. Tameka? | :20:13. | :20:23. | |
:20:23. | :20:29. | ||
It was really good. It is the barking. Stop it, please. | :20:29. | :20:37. | |
Everything is fine. Six minutes in and the whole show has descended | :20:37. | :20:46. | |
into chaos. Look to I have found. It is Angelos. How are you? I am | :20:46. | :20:53. | |
very well. You dance with Ulrika Jonsson last year. How do you think | :20:53. | :21:01. | |
Olivia compared to Ulrika Jonsson? That was perfection. I do not know, | :21:01. | :21:07. | |
I was not watching. Why? I was looking at that dress, thinking, if | :21:07. | :21:12. | |
no one else wants that I will have it for my dinner. All right, back | :21:12. | :21:22. | |
:21:22. | :21:24. | ||
to you. That is disgusting. If you've gone gaga for Olivia, then | :21:24. | :21:28. | |
take off your meat gloves and write this number down. Call 09011 98 10 | :21:28. | :21:30. | |
02, or vote online at bbc.co.uk/rednoseday. Don't vote | :21:30. | :21:40. | |
:21:40. | :21:42. | ||
until we open the vote later. Let's hear it for Olivia and George! Kids | :21:42. | :21:49. | |
and animals, eh? At this point in the show, if you looked up the word | :21:49. | :21:51. | |
"dance" in the Concise English Dictionary, it would read "see | :21:51. | :21:55. | |
Olivia Lee and The Soap Stars". But there are still three acts left to | :21:55. | :21:58. | |
dance. Can they, too, enter the pantheon of immortality? Only time | :21:58. | :22:01. | |
will tell. Here's what's on the way. The boys get busy with some | :22:01. | :22:06. | |
Bootylicious moves. It is everything, the joy, the pain, the | :22:06. | :22:11. | |
beauty. Boxing champion Ricky Hatton goes head over heels to | :22:11. | :22:19. | |
entertain your. And prepare to scream. We take an exclusive look | :22:19. | :22:29. | |
:22:29. | :22:34. | ||
at One Direction's new Comic Relief single. Yes, lot still to come. -- | :22:34. | :22:38. | |
lots still to come. Remember, our celebs aren't doing this just to | :22:38. | :22:42. | |
impress you, but to raise money for Comic Relief and to help change | :22:42. | :22:46. | |
lives here in the UK and in Africa. And it's easy for you at home to | :22:46. | :22:50. | |
help. To donate �5, all you have to do is text yes to 70005. Texts cost | :22:50. | :22:52. | |
�5 plus your standard network message charge and the whole �5 | :22:52. | :22:56. | |
goes to Comic Relief. You must be 16 or over, and please ask the bill | :22:56. | :22:59. | |
payer's permission. For full terms and conditions and more information, | :22:59. | :23:01. | |
go to bbc.co.uk/rednoseday. Our next performance comes from a man | :23:01. | :23:05. | |
who broke the world record for most jokes told in an hour. But will | :23:05. | :23:14. | |
tonight be his biggest punchline yet? It's Tim Vine. Hello, I am Tim | :23:14. | :23:24. | |
:23:24. | :23:26. | ||
Vine, comedian. No, seriously. The BBC asked me if I like to do Let's | :23:26. | :23:30. | |
Dance for Comic Relief. I said I would do it, but can you teach me | :23:30. | :23:37. | |
how to do the splits. They said, how flexible are you? I said, I | :23:37. | :23:42. | |
cannot do Tuesday. The choreographer asked me if I I was | :23:42. | :23:47. | |
any good at dancing. I said I was brought up on a fairground, I am a | :23:47. | :23:51. | |
Super Waltzer. I used to be a ballet dancer, it kept me on my | :23:51. | :24:00. | |
toes. I come from a family of dancers. The other day my dad's | :24:00. | :24:04. | |
sister walked into the rooms binning round in circles. I thought, | :24:04. | :24:10. | |
my giddy and. I have a friend who has two left feet. He would have, | :24:10. | :24:20. | |
:24:20. | :24:22. | ||
he is a horse. -- my giddy aunt. I know someone with an invisible suit. | :24:22. | :24:27. | |
It will be interesting to see what they make me wear. There is no | :24:27. | :24:33. | |
turning back now. The steering wheel is broken. I am suddenly | :24:33. | :24:39. | |
racked with nerves. I think I will be hopeless. I do not know why I | :24:39. | :24:47. | |
put myself through this. Tim is literally seconds away from | :24:47. | :24:51. | |
the biggest moment of his life. He is in the zone. We definitely | :24:51. | :24:58. | |
should not disturb him. Tim! I am honoured. This man is ready for | :24:58. | :25:07. | |
battle. Over to you. This is going to be good. Rocking His Body to | :25:07. | :25:10. | |
Justin Timberlake, all in the name of Comic Relief and for your votes, | :25:10. | :25:20. | |
:25:20. | :25:20. | ||
Apology for the loss of subtitles for 122 seconds | :25:20. | :27:18. | |
MUSIC: "Rock Your Body" by Justin You were awesome. You still look | :27:18. | :27:26. | |
good, even with the moustache coming off. Very good. One word for | :27:26. | :27:30. | |
that, effortless. That is what do you think. What did the panel | :27:30. | :27:39. | |
think? That fig work was beyond nifty. Unbelievable. The hat, the | :27:39. | :27:46. | |
movement with the hat was amazing. I am saying that there is a new | :27:47. | :27:56. | |
hybrid on the block. Move over, beer is a new hybrid on the block. | :27:56. | :28:03. | |
Move over Justin Timberlake. works. At Tameka? You took my | :28:03. | :28:10. | |
breath away. You really did. Forget Justin Timberlake, there is a new | :28:10. | :28:15. | |
guy in town. I took my breath away. Mate, you | :28:15. | :28:25. | |
:28:25. | :28:26. | ||
were great. You rocked my body. you expect it to go that well? | :28:26. | :28:31. | |
be honest, I am pleased I am still a bright. I could not even say it | :28:31. | :28:37. | |
properly. Do not worry. Bradley? think he looks like a 40-year-old | :28:37. | :28:44. | |
Bruce Forsyth. For tea, that will do me. That was fantastic. The | :28:44. | :28:54. | |
:28:54. | :29:03. | ||
stuff you have had to learn, I am If Tim rocked your world, then this | :29:03. | :29:06. | |
is the number you need. Call 09011 98 10 03 or vote online by pointing | :29:06. | :29:12. | |
your mouse at bbc.co.uk/rednoseday. But please, don't try and vote | :29:13. | :29:22. | |
:29:23. | :29:38. | ||
until later. Let's hear it for Now comedians Hal Cruttenden, Mark | :29:38. | :29:45. | |
Dolan and Shaun Keaveny. I am Shaun. I am Hal. I am Mark. We are | :29:45. | :29:50. | |
comedians. Are we? Not really. said, the headphones are working | :29:50. | :29:56. | |
it's just you have it set down on the channel! I love that. That's | :29:56. | :30:04. | |
the maddest story I ever heard. Brilliant. I don't get it. Listen | :30:04. | :30:07. | |
guys, there are no other people in the world I would rather be doing | :30:07. | :30:12. | |
Let's Dance with, than 2002. sweet. Destiny's Child as you have | :30:12. | :30:18. | |
never seen them before. Amazing. am in. We should sort out who is | :30:18. | :30:23. | |
being who. It's the elephant in the room. As I look most like her, I | :30:23. | :30:28. | |
should be Beyonce. What?! Are you serious? It has to be me. I am the | :30:28. | :30:33. | |
most popular of the three. Just like Beyonce is the most popular, | :30:33. | :30:36. | |
therefore I am Beyonce. Listen, your show is a great listen. But | :30:36. | :30:41. | |
you are on the radio. There's the clue. Obviously I am the eye Candy. | :30:41. | :30:46. | |
I think I am Beyonce, I would have you down as Kelly. I am not sure | :30:46. | :30:50. | |
you are any of them, but you can have Michelle. Michelle? I don't | :30:50. | :30:54. | |
want to be Michelle! You should not be... You are such a... You are | :30:54. | :31:01. | |
more of a Kelly. Enough! I am Beyonce! OK. Frankly, I have had | :31:01. | :31:06. | |
enough of all this negativity. You are doing my head in. I am going to | :31:06. | :31:13. | |
go back to my trailer. You sort out the other. I am not bothered. | :31:13. | :31:23. | |
:31:23. | :31:26. | ||
Goodbye! He is so Beyonce! We will find out. Omjid is here. Nice to | :31:26. | :31:35. | |
see you, you are a good mate of Hal's, how gutted will he be not to | :31:35. | :31:41. | |
be Beyonce? He will be gutted. And his only friends and family are me | :31:41. | :31:46. | |
and I don't like him. He is a real diva and his name sounds like it's | :31:47. | :31:51. | |
something you put in soup. He won't look like he is someone that works | :31:51. | :31:57. | |
in a soup kitchen. That got a big laugh, thank you very much! Has he | :31:57. | :32:01. | |
got a good booty shake? He is a real star and I am sure this will | :32:01. | :32:06. | |
be the first of many things Hal will do. Prepare yourselves. This | :32:06. | :32:16. | |
:32:16. | :32:18. | ||
is about to happen. They're about to get Bootylicious as Des -- | :32:18. | :32:28. | |
:32:28. | :32:28. | ||
Apology for the loss of subtitles for 122 seconds | :32:28. | :34:28. | |
APPLAUSE AND CHEERING Wow. Gentlemen, breath-taking. | :34:28. | :34:34. | |
Destiny's Dad, will you come and join us, please. It's taken five | :34:34. | :34:40. | |
series, but you have done it. I am speechless. Come and join me. | :34:40. | :34:46. | |
Tameka, what do you have to say about what just happened? She's | :34:46. | :34:56. | |
:34:56. | :34:57. | ||
speechless, I am not surprised, darling. I am speechless. Destiny... | :34:57. | :35:07. | |
Destiny? It's our destiny. I love you. I love you. This is just | :35:07. | :35:16. | |
really, destiny. I see Barbie, I see Thelma. Do you see men in drag? | :35:16. | :35:23. | |
I see medication, that's what I see. Boys, next stop Sugar Hut, | :35:23. | :35:29. | |
Brentwood, you are in. Fantastic. Look at Mark! Mel, anything to say? | :35:29. | :35:36. | |
I see three pairs of fine legs. They've got great legs. Look at | :35:36. | :35:42. | |
Mark, those are like David Bowie's legs. I have been on Slimfast two | :35:42. | :35:49. | |
years for this. I am starting mine. It was brave. And good. It felt - I | :35:49. | :35:54. | |
felt good, I felt warm. I felt slightly aroused. I am not | :35:54. | :35:59. | |
surprised. That's overwhelmingly positive. Thank you, panel. If you | :35:59. | :36:04. | |
think they deserve your vote, trust me dancing in heels like that is | :36:04. | :36:14. | |
:36:14. | :36:19. | ||
Vote Vote as soon as the vote opens later. You go and reapply your | :36:19. | :36:27. | |
lippy and I will join you later. Off you go, Destiny's Dad. I cannot | :36:27. | :36:31. | |
look away! Alex, tell us what's happening next. | :36:31. | :36:36. | |
What was that? Right, time for something completely unexpected. If | :36:36. | :36:39. | |
you thought Destiny's Dad was strange this is going to knock you | :36:40. | :36:49. | |
:36:50. | :36:50. | ||
out, it's boxing legend, Ricky Hatton. I am Ricky The Hitman | :36:50. | :37:00. | |
:37:00. | :37:13. | ||
My trainer always told me that He said, you won't be a good | :37:13. | :37:20. | |
fighter, until you learn how to move your body. It's about balance, | :37:20. | :37:26. | |
co-ordination, focus and footwork. Dance around your opponent, he said | :37:26. | :37:30. | |
and hit him with knockout moves. I thought why dance around my | :37:30. | :37:38. | |
opponent, when I can dance for my opponent. # Come on, let's twist | :37:38. | :37:48. | |
:37:48. | :38:24. | ||
One, two, three, four... Five, six seven eight! | :38:24. | :38:28. | |
Will he dance like a butterfly? Let's hope so. Allow your jaw to | :38:28. | :38:33. | |
drop at its own pace. Dancing to a Robbie Williams classic for Comic | :38:33. | :38:37. | |
Relief, seconds out, it's Ricky Hatton! | :38:37. | :38:47. | |
:38:47. | :38:47. | ||
Apology for the loss of subtitles for 122 seconds | :38:47. | :40:49. | |
APPLAUSE AND CHEERING Thank you, Ricky. Come and join us, | :40:49. | :40:59. | |
:40:59. | :40:59. | ||
Sir. Come on over here, Ricky. Are you OK? Well done. Panel, what | :40:59. | :41:07. | |
would you like to say to the champion boxer? Extraordinary. I | :41:07. | :41:10. | |
thought, I tell you what, I thought it was brilliant. I got to praise | :41:10. | :41:14. | |
the BBC as well for putting that production value into that and | :41:14. | :41:21. | |
making you up, getting the outfit, all the dancers and the ring and to | :41:21. | :41:29. | |
send some fat bloke on in the stall. We messed the finish up. Can we | :41:29. | :41:35. | |
please hurry up so I can get out of this. Mel, what are you thinking? | :41:35. | :41:42. | |
am transfixed, Ricky, by the sort of - the sequence. Yeah, it's great. | :41:42. | :41:48. | |
That was premen douse. I have -- tremendous. Make-up have done you | :41:48. | :41:54. | |
proud. Thank you very much. Did you enjoy that? I loved it. You did | :41:54. | :41:59. | |
entertain me, trust me. You entertained. The outfit, I say take | :41:59. | :42:06. | |
it home, babe. I am going out in it later. Can I come? I thought it was | :42:06. | :42:13. | |
good, good production value, as well. This is a great last - | :42:13. | :42:17. | |
finishing to the show. If you want to see Ricky punching above his | :42:17. | :42:25. | |
waegt in the -- his weight in the final call or vote for free online. | :42:25. | :42:30. | |
Hold your horses, voting will open imminently. For now, give it up for | :42:30. | :42:34. | |
the wonderful Ricky Hatton. Thank you, Sir. | :42:34. | :42:38. | |
APPLAUSE AND CHEERING Don't forget still to come we have | :42:38. | :42:42. | |
that exclusive preview of One Direction's new Comic Relief single | :42:42. | :42:47. | |
and performances from The Script and the jaw-droppingly beautiful | :42:47. | :42:53. | |
Kimberley... Why would you do that?! Saoeupl excited. -- I am so | :42:53. | :43:03. | |
:43:03. | :43:11. | ||
excited, the phonelines are now Thank you very much girls. Off you | :43:12. | :43:17. | |
go. That was wonderful. Very good. Finally, you can start voting for | :43:17. | :43:21. | |
your favourite act to win. Remember, only two of tonight's acts can go | :43:21. | :43:25. | |
through to our Grand Final. Every vote counts. This being the BBC, | :43:25. | :43:29. | |
with great voting comes great responsibility. And a serious | :43:29. | :43:32. | |
announcement about terms and conditions. Here to make it is one | :43:32. | :43:38. | |
of our previous winning acts, James Thornton and Charlie Baker. I am | :43:38. | :43:45. | |
James. And this is Charlie. Charlie says hi. Since we won in 2011, | :43:45. | :43:49. | |
dancing has taken over Charlie's life. He is only able to | :43:49. | :43:53. | |
communicate through the language of tap. OK. I am getting there. | :43:53. | :43:56. | |
Charlie is very keen to explain the terms and conditions. For those of | :43:56. | :44:04. | |
you that aren't fluent I am going to try and translate. Here we go. | :44:04. | :44:10. | |
Calls cost 10p from a BT land line. Other networks may vary and calls | :44:10. | :44:15. | |
from mobiles will cost considerably more. | :44:16. | :44:20. | |
Alternatively you can vote online for free. You will also find full | :44:20. | :44:28. | |
terms and continues there. Please get the bill payer's | :44:28. | :44:31. | |
permission before you call and the vote closes in approximately 15 | :44:31. | :44:41. | |
minutes. Charlie would also like to add that he is available for the | :44:41. | :44:51. | |
:44:51. | :44:53. | ||
next series of Strictly Come James and Charlie there, showing | :44:53. | :44:57. | |
just how deeply Let's Dance affects all our acts. Now with such riches | :44:57. | :45:03. | |
on offer tonight, how can you possibly choose between them? If | :45:03. | :45:06. | |
the choice is just too much for you to cope with, here's a reminder of | :45:06. | :45:11. | |
what we here at Let's Dance like to what we here at Let's Dance like to | :45:11. | :45:15. | |
think of as performance art. For the Soap Stars call 09011 98 10 | :45:15. | :45:25. | |
:45:25. | :45:25. | ||
Apology for the loss of subtitles for 122 seconds | :45:25. | :46:44. | |
It is such a shame Ricky didn't manage to fly. Every one of our | :46:44. | :46:47. | |
amazing acts tonight are here for one reason, to raise money for | :46:47. | :46:50. | |
Comic Relief. And they're in good company, as the biggest boyband in | :46:50. | :46:53. | |
the world, One Direction, have also been lending their support. Here's | :46:53. | :46:56. | |
what happened when they visited a hospital in Ghana last month. Some | :46:56. | :47:03. | |
of you may find this hard to watch. We're in the capital of Ghana at | :47:03. | :47:07. | |
the Children's Hospital. It is full of babies desperately ill because | :47:07. | :47:11. | |
they missed vital vaccinations that they really needed. | :47:11. | :47:15. | |
I am a little bit nervous and scared of what I might see, but we | :47:15. | :47:20. | |
have come here today to look at what our money can do to help. | :47:20. | :47:25. | |
Police to meet you. Walking through the hospital is heartbreaking. The | :47:25. | :47:30. | |
children are so sick, from malnutrition to pneumonia. There is | :47:30. | :47:37. | |
an air of tension and sadness on the wards. Where is the baby's mum? | :47:37. | :47:47. | |
She has died. How are you doing, if you OK? | :47:47. | :47:52. | |
The baby was so weak. When she coughed, you could hear her ribs | :47:52. | :48:00. | |
rattling. It is just crazy, what is going on here. If the child had | :48:00. | :48:04. | |
been vaccinated, and the child would not have even needed to be | :48:04. | :48:10. | |
easier in the first place. And it is just a simple vaccination? | :48:10. | :48:18. | |
This is why it is ridiculous, because it only cost �5. This could | :48:18. | :48:27. | |
prevent this from happening, �5, that is all you have to pay. That | :48:27. | :48:36. | |
was probably the hardest thing I have ever had to do. It is so hard. | :48:36. | :48:46. | |
I have never experienced anything like this in my life. Babies, not | :48:46. | :48:51. | |
even one year-old, and it costs �5. even one year-old, and it costs �5. | :48:51. | :49:01. | |
:49:01. | :49:07. | ||
You just have to pick up the phone. Just take DS. -- Just text yes. I | :49:07. | :49:11. | |
Just take DS. -- Just text yes. I promise it will make a difference. | :49:11. | :49:15. | |
It couldn't be easier to donate. With just one text message you can | :49:15. | :49:18. | |
donate �5 to Comic Relief, and it could save a life. Texts cost �5 | :49:18. | :49:21. | |
plus your standard network message charge and the whole �5 goes to | :49:21. | :49:25. | |
Comic Relief. You must be 16 or over and please ask the bill | :49:25. | :49:28. | |
payer's permission. For full terms and conditions, and more | :49:28. | :49:38. | |
:49:38. | :49:38. | ||
information, go to bbc.co.uk/rednoseday. | :49:38. | :49:41. | |
And of course a big thank you to the boys. The boys are also | :49:41. | :49:44. | |
releasing this year's Comic Relief single and we've got a world | :49:44. | :49:47. | |
exclusive look at the video later in the show! | :49:47. | :49:50. | |
Time now for the first of two fantastic music performances. Here | :49:50. | :50:00. | |
:50:00. | :50:05. | ||
with their new single, If You Could # Oh, if you could see me now | :50:05. | :50:09. | |
# It was February 14, Valentine's # The roses came, but they took you | :50:09. | :50:11. | |
away # Tattooed on my arm is a charm to | :50:11. | :50:13. | |
disarm all the harm # Got to keep myself calm | :50:14. | :50:17. | |
# But the truth is you're gone # And I'll never get to show you | :50:17. | :50:20. | |
these songs # Dad, you should see the tours | :50:20. | :50:23. | |
that I'm on # I see you standing there next to | :50:23. | :50:25. | |
# Always singing along, yeah, arm in arm | :50:25. | :50:28. | |
# And there are days when I'm losing my faith | :50:28. | :50:30. | |
# Because the man wasn't good, he was great | :50:30. | :50:32. | |
# He'd say music was the home for your pain | :50:33. | :50:35. | |
# And explain, I was young, he would say | :50:35. | :50:39. | |
# Take that rage, put it on a page # Take the page to the stage | :50:39. | :50:42. | |
# Blow the roof off the place # I'm trying to make you proud | :50:42. | :50:45. | |
# Do everything you did # I hope you're up there with God | :50:46. | :50:49. | |
# Saying that's my kid # I still look for your face in the | :50:49. | :50:51. | |
crowd # Oh, if you could see me now | :50:51. | :50:56. | |
# Would you stand in disgrace or take a bow? | :50:56. | :51:03. | |
# Oh, if you could see me now # If you could see me now, would | :51:03. | :51:06. | |
you recognise me? # Would you pat me on the back or | :51:06. | :51:09. | |
would you criticise me? # Would you follow every line on my | :51:09. | :51:12. | |
tear-stained face? # Put your hand on a heart that was | :51:12. | :51:18. | |
cold as the day you were taken away # I know it's been a while but I | :51:18. | :51:22. | |
could see you clear as day # Right now, I wish I could hear | :51:22. | :51:27. | |
you say # I drink too much and I smoke too | :51:27. | :51:31. | |
much # But if you can't see me now | :51:31. | :51:34. | |
that's a must # You used to say I won't know I | :51:34. | :51:37. | |
will until it cost me # Like I won't know real love till | :51:37. | :51:40. | |
I've loved then I've lost it # And if you've lost a sister, | :51:40. | :51:43. | |
someone's lost a mom # And if you've lost a dad, then | :51:43. | :51:46. | |
someone's lost a son # And they're all missing now, and | :51:46. | :51:49. | |
they're all missing now # So if you get a second to look | :51:49. | :51:52. | |
down at me now # Mum, Dad, I'm just missing you | :51:52. | :51:55. | |
# I still look for your face in the crowd | :51:55. | :51:59. | |
# Oh, if you could see me now # Would you stand in disgrace or | :51:59. | :52:01. | |
take a bow? # Oh, if you could see me now | :52:01. | :52:05. | |
# Oh, oh # Would you call me a saint or a | :52:05. | :52:08. | |
sinner? # Would you love me a loser or | :52:08. | :52:12. | |
winner? # Oh, oh | :52:12. | :52:17. | |
# When I see my face in the mirror # We look so alike that it makes me | :52:17. | :52:19. | |
shiver # I still look for your face in the | :52:19. | :52:28. | |
crowd # Oh, if you could see me now | :52:28. | :52:30. | |
# Would you stand in disgrace or take a bow? | :52:30. | :52:39. | |
# Oh, if you could see me now # I still look for your face in the | :52:39. | :52:46. | |
crowd # Oh, if you could see me now | :52:46. | :52:50. | |
# Would you stand in disgrace or take a bow? | :52:50. | :52:55. | |
# Oh, if you could see me now # Oh | :52:55. | :53:02. | |
# You could see, you could see me # You could see, you could see me | :53:02. | :53:12. | |
:53:12. | :53:12. | ||
now. APPLAUSE Thank you. | :53:13. | :53:22. | |
:53:23. | :53:29. | ||
Thank you. Thanks, boys! If you lot at home | :53:29. | :53:32. | |
don't mind, while you keep clicking and dialling and voting, I'm going | :53:32. | :53:36. | |
to pop in to our backstage boozer for a swift half. Welcome to | :53:36. | :53:39. | |
Shenanigans! There is supposed to be a party in | :53:39. | :53:45. | |
here. Where is the music. Do you like that, now we have a | :53:45. | :53:52. | |
party., and make the brand the landlady or Shenanigans, it is | :53:52. | :53:59. | |
Jodie Prenger. How are you? Are you all right? I am feeling amazing. Is | :53:59. | :54:03. | |
everybody behaving? They're behaving really well. What can I | :54:03. | :54:09. | |
get you? I am working so I best just have a pint of tequila. | :54:09. | :54:14. | |
would not do us a favour, would you? I would like a chance to dance | :54:14. | :54:19. | |
on the show. Not this again. Just because you're a West End star does | :54:19. | :54:23. | |
not mean you can perform on that stage. You will have to prove | :54:23. | :54:33. | |
:54:33. | :54:33. | ||
yourself in here. Or OK. Soap stars. I have got to say, Dean Gaffney, | :54:33. | :54:36. | |
Ardene nibbles as good in Shenanigans as they are in | :54:36. | :54:43. | |
hospital? Yes, they are. They are amazing. You are a legend. I am | :54:44. | :54:49. | |
told that your woke up from your damage cranium, and the first thing | :54:49. | :54:54. | |
you said was, tell them and good for Let's Dance. Exactly. It is for | :54:54. | :55:02. | |
charity. We are going for the sympathy vote! A round of applause, | :55:02. | :55:09. | |
he is a legend. Who is this magnificent woman next to you? | :55:10. | :55:15. | |
have only got five minutes left to vote. A thank you. Who is this | :55:15. | :55:24. | |
delightful lady? You are awful. have fingers like sausages. Enjoy, | :55:24. | :55:29. | |
good luck with the rest of the show. I need to speak to Olivia Lee. We | :55:29. | :55:33. | |
need to address what has been speaking about in the papers all | :55:33. | :55:37. | |
week, is it true that you and George are dating? Yes, but he just | :55:37. | :55:44. | |
blew me out. He has found a prettier girl. I do not know who. | :55:44. | :55:52. | |
We were watching you in practice this week. Look at this. I think I | :55:52. | :55:59. | |
need to spend more time with dogs. This is so much fun. So much fun | :55:59. | :56:03. | |
being attacked by dogs. That is when he was keen, but where is he | :56:03. | :56:09. | |
now. A You have been fantastic. With the exception of Dean Gaffney, | :56:09. | :56:15. | |
the bravest men on the show. Amazing. I need to run one thing | :56:15. | :56:20. | |
pasture, you are aware that when you are runty V8 goes on to the | :56:20. | :56:24. | |
Internet and it will live forever? Thank you for reminding me. How | :56:24. | :56:31. | |
awful. In perpetuity forever. Only until the end of the Internet. It | :56:31. | :56:38. | |
will stop. That is a long time. Seriously, so brave and so | :56:38. | :56:45. | |
fantastic. You are all absolute heroes. Back to you in the studio. | :56:45. | :56:54. | |
They absolutely are. How much fun are they having in Shenanigans? Can | :56:54. | :56:57. | |
you believe that this year is the 25th anniversary of Red Nose Day? | :56:57. | :57:00. | |
The past 25 years have been crammed full of memorable moments. So we | :57:00. | :57:03. | |
sent tonight's acts rummaging through the Red Nose archive to | :57:03. | :57:08. | |
share some of their favourites. I cannot believe Red Nose Day is 25 | :57:08. | :57:16. | |
years old. Is it 25? Imagine having a red nose for 25 years? I remember | :57:16. | :57:26. | |
:57:26. | :57:27. | ||
Comic Relief, all of the spivs. Brilliant. What was that? -- the | :57:27. | :57:35. | |
spoofs. Had a hell did his spoof of Autumnwatch when he went hunting | :57:35. | :57:42. | |
for celebrities. It is Ronnie Corbett. Alex Jones. One of my | :57:42. | :57:47. | |
favourites is Ricky Gervais's fake appeal. It was genius. I have been | :57:47. | :57:52. | |
asked many times to come here to Kenya. You really believe he is in | :57:52. | :57:58. | |
Africa. It is not your fault. managed to cry, did he? What are | :57:58. | :58:06. | |
you doing? I am doing one of these Comic Relief appeals from Africa. | :58:06. | :58:10. | |
This is BBC Television Centre. was probably in the studio I am in | :58:10. | :58:15. | |
now. It would not be the same without French and Saunders. What | :58:15. | :58:19. | |
movie are they going to destroy forever? I do not know what we're | :58:19. | :58:25. | |
supposed to be doing. One of the most striking performances I can | :58:25. | :58:30. | |
remember is on French bean Harry Potter. Who are you? I am Dobby. | :58:30. | :58:38. | |
The your favourite number? No, no. And that brilliant moment when | :58:38. | :58:44. | |
Ronnie Corbett is trying to peer over done French's Press. They are | :58:45. | :58:50. | |
the Queen's of television. Do you know how much money Comic Relief | :58:50. | :58:58. | |
has raised in 25 years? 600 million. 15,000 projects have been funded by | :58:58. | :59:01. | |
Comic Relief over the years. E each year we are raising more and more | :59:01. | :59:11. | |
:59:11. | :59:19. | ||
Well said, Ricky Hatton. Every single one of those famous faces | :59:19. | :59:22. | |
took part in Comic Relief to help raise money and save lives, just | :59:22. | :59:26. | |
like our acts tonight. So it's only fair that our guys get to have a | :59:26. | :59:27. | |
rest backstage. Let's get back to Shenanigans. | :59:27. | :59:31. | |
What goes on in Shenanigans stays in Shenanigans. It is a rule. Am | :59:31. | :59:35. | |
not going to blurt out that I saw Jodie making out with Danny from | :59:35. | :59:41. | |
The Script earlier. I would not do that. What on earth are you doing? | :59:41. | :59:49. | |
Judges, you're not supposed to be injured. Get tied. Get out of here. | :59:49. | :59:58. | |
I want a pint. If these are the chaps I want to speak to. A voting | :59:59. | :00:05. | |
lines are closed. The lines are officially closed. You are the guys | :00:05. | :00:09. | |
I want to see. Ricky Hatton, a legend. I know you're disappointed | :00:09. | :00:14. | |
because you did not get to fly at the end? Camera you feeling? It is | :00:14. | :00:19. | |
one of those things but we are here for Comic Relief. It is for people | :00:19. | :00:24. | |
not as fortunate as us. I am very happy to have been here. The this | :00:24. | :00:29. | |
is true. Is it just as scary going out onto the stage as walking into | :00:29. | :00:38. | |
the ring? A little bit. I am out of my comfort zone. I am not thinking | :00:38. | :00:43. | |
as a second career as a dancer. I have never been shy to fall on my | :00:43. | :00:47. | |
backside. It is another Saturday night for me. We have a treat for | :00:47. | :00:55. | |
you. We have a little video clip. have been on a night out with Ricky | :00:55. | :01:01. | |
a few times, and one time, he was showing off his dance moves. He was | :01:01. | :01:06. | |
giving everyone away. No one was going near him, so that is why I | :01:06. | :01:09. | |
thought Reekie should only use his hands in the ring and not outside | :01:10. | :01:14. | |
the ring. He is a good lad, but I am gutted | :01:14. | :01:19. | |
that one of my fellow boxers has seen the end Lieke. It is not good | :01:19. | :01:26. | |
for the hard man image. How is your Let's Dance experience going? | :01:26. | :01:32. | |
great, the moustache has grown back. It has been great fun. I view a | :01:32. | :01:37. | |
Justin Timberlake fan? I certainly appreciate the fact he does a lot | :01:37. | :01:46. | |
of moves. He does a lot of nerves. Let me run this by you. Eyes yet -- | :01:46. | :01:50. | |
I heard earlier on that you guys are massive Elvis fans. Is that | :01:50. | :01:57. | |
true? A to stray. Everything on Let's Dance is a camp -- is a | :01:57. | :02:07. | |
:02:07. | :02:12. | ||
We have 40 seconds. You will be singing Elvis Presley's Suspicious | :02:12. | :02:19. | |
Minds. The chorus will be sung by both of you. Only one person | :02:19. | :02:24. | |
capable who has the ability to judge these boys and that's Mr | :02:24. | :02:31. | |
Voice, Mr Script, Danny from The Script! How are you doing? | :02:31. | :02:41. | |
:02:41. | :02:42. | ||
Fantastic. You can close your eyes if you want. Is there a button I | :02:42. | :02:52. | |
:02:52. | :02:53. | ||
can turn around again. Cue the music! | :02:53. | :03:00. | |
# We are caught in a trap # I can't walk out | :03:00. | :03:07. | |
# Because I love you too much baby #. Ladies and gentlemen, Mr Ricky | :03:07. | :03:11. | |
Hatton! # Why can't you see | :03:11. | :03:19. | |
# What you're doing to me # When you don't believe a word I | :03:19. | :03:28. | |
#. All together now! # We can't go on together | :03:28. | :03:38. | |
:03:38. | :03:39. | ||
# With suspicious minds # And we can't build our dreams | :03:39. | :03:47. | |
# on suspicious minds That's it. Danny, we have to be | :03:47. | :03:52. | |
quick. The World Championship boxer or the joke teller? I am going to | :03:52. | :03:57. | |
have to go for Ricky! Alex, Ricky is cleaning up back stage. Back to | :03:57. | :04:01. | |
you. Thanks, Steve. They're better | :04:01. | :04:08. | |
singers than dancers! Earlier, we saw Liam, Zayn and Niall visiting | :04:08. | :04:14. | |
Ghana. A few weeks ago Steve and I spent time at a hospital in Malawi | :04:14. | :04:20. | |
where malaria is rife. The children there desperately need your help. | :04:20. | :04:24. | |
Many hospitals are overwhelmed. It's down to one killer disease, a | :04:24. | :04:28. | |
disease which can easily be prevented. Can you tell us what's | :04:28. | :04:35. | |
wrong with your little girl? Malaria. | :04:35. | :04:45. | |
:04:45. | :04:47. | ||
What's wrong with the little one here? What about this little girl | :04:47. | :04:51. | |
over here? Malaria. Every single one so far | :04:51. | :04:57. | |
has been malaria. Malaria. Yeah. Children sick with | :04:57. | :05:00. | |
malaria continue to arrive throughout the night. | :05:00. | :05:07. | |
She's just come in now. Unconscious when she arrived. | :05:07. | :05:15. | |
been... Positive? In the treatment room is two-year-old Rafi. He is | :05:15. | :05:20. | |
obviously not well you can see his hand shaking. Are you OK? I imagine | :05:20. | :05:25. | |
there's not much worse for a mother than seeing their child like this. | :05:25. | :05:34. | |
Is this the first time he has had malaria? He is two years old and | :05:34. | :05:40. | |
this is the second time he has had malaria. The nurse just mentioned | :05:40. | :05:46. | |
that in here two days ago five children died and another one last | :05:46. | :05:52. | |
night. Horrific. Staggering statistic, isn't it? There are | :05:52. | :05:57. | |
simple, low-cost solutions that can make a big difference. | :05:57. | :06:01. | |
Mosquito nets, early testing kits and emergency medicine. You can | :06:01. | :06:11. | |
:06:11. | :06:20. | ||
anticipate all these children and - Every penny you can donate makes a | :06:20. | :06:24. | |
huge difference and we have made it as easy as possible for you. I can | :06:24. | :06:34. | |
:06:34. | :06:36. | ||
up your mobile and text "yes" to 70005. While votes are counted by | :06:36. | :06:40. | |
Lenny Henry and David Beckham we have a a fantastic performance with | :06:40. | :06:50. | |
:06:50. | :06:51. | ||
a show-stopping song, Defying Gravity from the musical Wicked, | :06:51. | :07:00. | |
# Something has changed within me # Something is not the same | :07:00. | :07:08. | |
# I'm through with playing by # The rules of someone else's game | :07:08. | :07:13. | |
# Too late for second guessing # Too late to go back to sleep | :07:13. | :07:20. | |
# It's time to trust my instincts # Close my eyes and live | :07:20. | :07:30. | |
:07:30. | :07:33. | ||
# It's time to try defying gravity # I think I'll try defying gravity | :07:33. | :07:38. | |
# Kiss me goodbye, I'm defying gravity | :07:38. | :07:48. | |
:07:48. | :07:51. | ||
# And you won't bring me down # I'm through accepting limits | :07:51. | :07:57. | |
# Cause someone says they're so # some things I cannot change | :07:57. | :08:02. | |
# Until I try I'll never know # Too long I've been afraid of | :08:02. | :08:08. | |
# Losing love I guess I lost # Well, if that's love | :08:08. | :08:18. | |
:08:18. | :08:18. | ||
# It comes at much too high a cost # I'm defying gravity | :08:18. | :08:23. | |
# Kiss me goodbye # I'm defying gravity | :08:23. | :08:33. | |
:08:33. | :08:33. | ||
# I think I'll try defying gravity # You won't bring me down | :08:33. | :08:43. | |
:08:43. | :08:45. | ||
# I just had a vision almost like a prophecy | :08:45. | :08:54. | |
# I know, it sounds crazy # True the vision's hazy | :08:54. | :09:00. | |
# But I swear some day I'll be # Flying so high | :09:00. | :09:05. | |
# I'm defying gravity # Kiss me goodbye | :09:05. | :09:15. | |
# I'm defying gravity # If you care to find me | :09:15. | :09:20. | |
# Look to the west and sky # Someone told me lately | :09:20. | :09:27. | |
# Everyone deserves a chance to fly # I'm defying gravity | :09:27. | :09:37. | |
:09:37. | :10:12. | ||
# You won't bring me down APPLAUSE AND CHEERING Thank you. | :10:12. | :10:22. | |
Here is a preview of the Comic Relief single. It's out on Monday, | :10:22. | :10:29. | |
we made the video our self. It's One Way Or Another. | :10:29. | :10:34. | |
# One way or another # I'm gonna see you | :10:34. | :10:44. | |
:10:44. | :10:45. | ||
# I'm gonna meet you # One day, maybe next week | :10:45. | :10:55. | |
:10:55. | :11:04. | ||
APPLAUSE AND CHEERING The single is available for | :11:04. | :11:08. | |
download tomorrow and to buy from the shops on Monday. You need to | :11:08. | :11:12. | |
pick up a copy. It will make a difference, I promise you. | :11:12. | :11:15. | |
they've danceded. You voted. The results are in. Only two of | :11:15. | :11:20. | |
tonight's acts will make it to the Grand Final. Let's bring back our | :11:20. | :11:30. | |
:11:30. | :11:37. | ||
celebrity dancers! The Soap Stars, Ricky Hatton | :11:37. | :11:47. | |
:11:47. | :11:50. | ||
Olivia Lee, Destiny's Dad, and Tim Vine! | :11:50. | :11:55. | |
APPLAUSE AND CHEERING What a sight. If you have been | :11:55. | :12:00. | |
affected by any of the issues raised tonight, like Ricky Hatton | :12:00. | :12:05. | |
in a skin-tight catsuit, you have yourselves to blame. The two acts | :12:05. | :12:08. | |
with the fewest votes will be asked to leave immediately with nothing | :12:08. | :12:12. | |
but their shame and the bus fare fare home. The act with the highest | :12:12. | :12:15. | |
number of votes will have a guaranteed place in the final. The | :12:15. | :12:19. | |
panel will then decide which of the two remaining acts will join them. | :12:19. | :12:28. | |
Here we go. Acts are you ready? Yes! Audience, are you ready? | :12:28. | :12:35. | |
Jodie, are you ready? I am ready. Ready for something by the looks of | :12:35. | :12:42. | |
it. The destiny of our dancers is about to be decided. Here we go. | :12:42. | :12:52. | |
:12:52. | :12:52. | ||
The first act to leave the competition is... | :12:52. | :12:59. | |
I don't want to say it, it's Olivia Lee. I am so sorry. George will be | :12:59. | :13:07. | |
heartbroken. Oh well, doesn't matter. | :13:07. | :13:16. | |
The second act to leave Let's Dance is... | :13:16. | :13:26. | |
This beggars belief, Destiny's Dad! Wow. Thank you. You tried your very | :13:26. | :13:30. | |
best. You have been amazing. But it's time for to you leave. Face | :13:30. | :13:40. | |
:13:40. | :13:53. | ||
your humiliation. Off you go. Harsh. | :13:53. | :14:03. | |
Bye. Let's find out who has danced their way into the final then. | :14:03. | :14:10. | |
the dramatic music, please. Thank you, Tony. Three acts left. Only | :14:10. | :14:20. | |
:14:20. | :14:23. | ||
one of you will go straight through to the final. That act is... | :14:23. | :14:28. | |
Tim Vine! APPLAUSE AND CHEERING. He has done it. Congratulations Tim | :14:28. | :14:33. | |
Vine. You go and get ready for your encore. You will be performing | :14:33. | :14:41. | |
again. Off you go, Sir. Well done. That's good, isn't it. Two acts | :14:41. | :14:46. | |
remain. The Soap Stars and Ricky Hatton. You are the runners-up. | :14:46. | :14:49. | |
Only one will be going through to the final. Panel, you have the | :14:49. | :14:53. | |
power to make or break their dreams. Before you do, here is a reminder | :14:53. | :15:03. | |
:15:03. | :15:42. | ||
MUSIC: "Let Me Entertain You" by Robbie Williams. | :15:42. | :15:48. | |
A simple yet somehow impossible choice, The Soap Stars or Ricky | :15:48. | :15:53. | |
Hatton? One will be joining Tim in the final, but to will it be? | :15:53. | :15:57. | |
Tameka, who would you like to see go through to the final on March | :15:57. | :16:06. | |
9th? It is a hard one. It is a hard one. The opening of the show was | :16:06. | :16:13. | |
great. As a routine, story telling, everybody played a part, there was | :16:13. | :16:20. | |
no difference between these guys and the dancers, it was great. The | :16:20. | :16:26. | |
ending, Let Me Entertain You, Just For the clitoris as well. I do not | :16:26. | :16:36. | |
:16:36. | :16:41. | ||
know. -- just for the glitter as well. Ricky, I love you, but I | :16:41. | :16:50. | |
think for the actual, everything, I am going to go with The Soap Stars. | :16:50. | :16:56. | |
One to The Soap Stars. I love you Ricky. A Bradley, we're coming to | :16:57. | :17:03. | |
you next. The Soap Stars are Ricky Hatton? Yes. You are just starling. | :17:03. | :17:13. | |
:17:13. | :17:20. | ||
Yes, you're right. Do you know what, the opening and the closing of the | :17:20. | :17:27. | |
show, I love them both. I am going to even get up. I am going with | :17:27. | :17:37. | |
:17:37. | :17:40. | ||
Ricky Hatton. It is all on you, Mel, and I have got to Russia. Sorry, I | :17:41. | :17:48. | |
am come for snacking. This is too stressful. George, get out. By I | :17:48. | :17:55. | |
loved Rikki, I am slightly scared of The Soap Stars. In terms of the | :17:55. | :18:03. | |
general show and the nailing of the routine, The Soap Stars. CHEERING | :18:03. | :18:06. | |
Congratulations to The Soap Stars and commiserations to Ricky. | :18:06. | :18:12. | |
Let's hear it for both our acts. That's it! We have our first two | :18:12. | :18:15. | |
finalists and next week, yet more stars will be gyrating for your | :18:15. | :18:18. | |
pleasure and votes, including Jon Culshaw, the cast of Waterloo Road, | :18:18. | :18:22. | |
Corrie's Antony Cotton and Kim Woodburn and Rosemary Shrager. Take | :18:22. | :18:24. | |
that, The Brits. We'll also have music from Paloma | :18:25. | :18:27. | |
Faith and some professional dancing from the cast of A Chorus Line. | :18:28. | :18:37. | |
:18:38. | :18:38. | ||
Now, to see us out it's tonight's vote topper. | :18:38. | :18:48. | |
:18:48. | :18:52. | ||
Don't forget, you can see our grand final on the 9th March. To see us | :18:52. | :19:02. | |
:19:02. | :19:02. | ||
Apology for the loss of subtitles for 122 seconds | :19:02. | :20:29. | |
We apologise for the accidental use of inappropriate language in these | :20:29. | :20:39. | |
:20:39. | :20:47. |