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Last week, five acts were cheeky. am speechless. Creeky. Fantastic. | :00:13. | :00:18. | |
And meaty. You can dance. And as they say - never work with animals. | :00:18. | :00:23. | |
Or comedians in dresss. Get your hand off there. Tim Vine was the | :00:23. | :00:28. | |
public's choice. And the soapstars got the judges' vote to secure | :00:28. | :00:35. | |
their place in the final. Tonight - five more acts perform live. We | :00:35. | :00:45. | |
:00:45. | :01:08. | ||
must be bacing. Let's Dance. -- we Live from Television Centre, it's | :01:08. | :01:13. | |
the stars for Comic Relief. Please welcome your hosts, Alex | :01:13. | :01:23. | |
:01:23. | :01:40. | ||
Hello and welcome to Let's Dance for Comic Relief. It's time for | :01:40. | :01:48. | |
your week lidos of choreographical chaos here in our temple of dance - | :01:48. | :01:55. | |
- your weekly dose. We've raided the fancy dress | :01:55. | :01:59. | |
department. They are here to perform memorable dance routines. | :01:59. | :02:04. | |
We have two great performances. Paloma Faith will be here. And we | :02:04. | :02:09. | |
have a real treat in store with actual professional dancers. The | :02:09. | :02:13. | |
cast of the West End show chorusline will be high-kicking all | :02:13. | :02:23. | |
:02:23. | :02:24. | ||
over the stage -- Chorus Line. We also have the second part of One | :02:24. | :02:28. | |
Direction's recent visit to Africa. There are five acts waiting | :02:28. | :02:32. | |
backstage. Let's meet the people hoping to launch themselves into | :02:32. | :02:41. | |
the dancing stratosphere. Here they Dancing tonight for Comic Relief: | :02:41. | :02:48. | |
they're rae wannabes, it's the staff and pupils of Waterloo Road. | :02:48. | :02:56. | |
-- real wannabes. The competition will be hot. It's going to be | :02:56. | :03:00. | |
fierce. Some might say spicy. Hoping to make a good impression, | :03:00. | :03:07. | |
Jon Culshaw. Lovely, right. Bringing a lot of razzle dazzle to | :03:07. | :03:15. | |
the stage, Rosemary Shrager and Kim Woodburn. | :03:15. | :03:20. | |
Shaking your booty, comedienne Katherine Ryan. | :03:20. | :03:28. | |
Serious dancing. And me, two very different things. And proving that | :03:28. | :03:35. | |
on this show, anything goes, Corrie's Antony Cotton. I do | :03:35. | :03:40. | |
remember it - but not how to do it. Let's do this. | :03:40. | :03:45. | |
APPLAUSE Now you won't believe what is in | :03:46. | :03:50. | |
store for you. In fact, even when you have seen it, you still won't | :03:50. | :03:55. | |
believe it. But it is a competition. We really need judges. Heaven knows | :03:55. | :04:01. | |
we really need judges. Instead we have these three. Fresh from the | :04:01. | :04:10. | |
Strictly ballroom, Lisa Riley, Jason Manford and music wonder, | :04:10. | :04:20. | |
:04:20. | :04:33. | ||
Paloma Faith. Get into it, Manford. And you, yes, | :04:33. | :04:37. | |
you at home have the power to give one act that special gift of an | :04:37. | :04:41. | |
automatic place in the final. You can vote by phone or for free, | :04:41. | :04:50. | |
through the internet. Go to Webb Red and have a look. - | :04:50. | :04:59. | |
bbc.co.uk/rednoseday. And our first act will be judged by | :04:59. | :05:02. | |
that panel of experts. I only say that because it is better than | :05:02. | :05:08. | |
saying - that lot over there. Jason, long time no see. | :05:08. | :05:14. | |
Paloma, you are performing for us. Lots of work for you tonight. But | :05:14. | :05:17. | |
leasia, you were brilliant on Strictly, you got to the semi- | :05:17. | :05:21. | |
finals. How do you think our stars will feel backstage? I know exactly | :05:21. | :05:25. | |
how they are feeling. Thumping with nerves. It's live. I know how they | :05:25. | :05:28. | |
are feeling. They have to go out there, give it millions and they | :05:28. | :05:34. | |
will be sorted. They will be all right. Less lippy, lippy, more | :05:34. | :05:38. | |
jiggy, jiggy. I tell you what we want, what we really, really, want. | :05:38. | :05:44. | |
I think I know what. We really want to see our first act tonight - the | :05:44. | :05:54. | |
:05:54. | :05:54. | ||
cast of Waterloo Road. I'm Rebecca. Tomy. Victoria. Marlene. Karl. | :05:54. | :06:04. | |
:06:04. | :06:04. | ||
are the cast of Waterloo Road. Take five, everyone. Omg, guys, | :06:04. | :06:12. | |
look who is here, it is the Let's Dance letter. Did we make it? | :06:12. | :06:18. | |
You might not know this, but me and the kids met long before Waterloo | :06:18. | :06:23. | |
Road. We used to dance in a tribute act together. We were pretty good, | :06:23. | :06:31. | |
actually. We're very lucky. We actually look quite a lot like the | :06:31. | :06:36. | |
characters we play in the tribute band. Have I got thising on right? | :06:36. | :06:46. | |
I've missed you. We have to just become those characters. You know. | :06:46. | :06:52. | |
So we've been working really hard, rehearsing all the old dance moves. | :06:52. | :06:56. | |
Move give me the point, now the pout. This tribute band will only | :06:56. | :07:01. | |
work if we get those moves just right. Pointier. Poutier. Now, that | :07:01. | :07:07. | |
is very good. Once we get those old outfits on, | :07:08. | :07:16. | |
the magic will just come floating back. | :07:16. | :07:23. | |
We've still got the moves - right! Sorry. | :07:23. | :07:31. | |
Yes, it's the Spice Girls, with scary, scary, scary and scary. Also | :07:31. | :07:41. | |
:07:41. | :07:41. | ||
Apology for the loss of subtitles for 114 seconds | :07:41. | :09:35. | |
APPLAUSE You were be a slaughtly brilliant. | :09:35. | :09:45. | |
:09:45. | :09:46. | ||
Come on over. What a great opener to the show. Mou you could have | :09:46. | :09:52. | |
shaved. I think it frames the face, though. Sporty Spice is more hairy. | :09:52. | :09:57. | |
We come to you first, Lisa, a great opener. You literally did bring | :09:57. | :10:02. | |
spice. You were amazing. I feel like a proud mother watching you. | :10:02. | :10:12. | |
:10:12. | :10:12. | ||
But Karl, I'm sorry, you absolutely shone. Thank you. You were great. | :10:12. | :10:17. | |
Jason, spicy enough for you? It is like a flakback, like they are in | :10:17. | :10:21. | |
the room. You are definitely the best act so far, I would say that. | :10:21. | :10:25. | |
The boys were enjoying it a little bit too much for me. Well into it. | :10:26. | :10:31. | |
You should take this on the road. Brilliant. | :10:31. | :10:36. | |
Paloma? I've got goosebumps but mainly because the BBC haven't paid | :10:36. | :10:46. | |
:10:46. | :10:55. | ||
for central heating. I'm absolutely now a massive fan. I think we had a | :10:55. | :11:02. | |
little moment with Gerry and Sporty. We tried. Ginger and Sporty were | :11:02. | :11:08. | |
out of this world. Well thank you, that's what our | :11:08. | :11:11. | |
soap-supporters think, that's what the panel thinks, what do they | :11:11. | :11:18. | |
think? I'm joined by Waterloo Road co-star, Georgie. Was that up to | :11:18. | :11:23. | |
the high standards of the show? was exactly what I expected of them. | :11:23. | :11:29. | |
Superb. Were you annoyed you didn't get the call? Did you have the | :11:29. | :11:33. | |
Scary Spice wig ready? I can live with it. I'm glad they did it | :11:33. | :11:39. | |
instead of me, I can assure you. Karl and Tommy, did they need any | :11:39. | :11:45. | |
persuasion to be Posh and Sporty. They took to it like a rat up a | :11:45. | :11:50. | |
drainpipe. There was a fight over who got to wear the highheels but | :11:50. | :11:53. | |
Tommy won. Tommy really won! Thank you for your time. | :11:53. | :12:00. | |
Alex, back to you. Brilliant. So if you want to see the spice Girls | :12:00. | :12:03. | |
reunite for the millionth time, you reunite for the millionth time, you | :12:03. | :12:13. | |
:12:13. | :12:15. | ||
reunite for the millionth time, you Don't vote until all the acts have | :12:15. | :12:20. | |
dance or your vote won't count. But please give it up for the brilliant | :12:20. | :12:28. | |
Waterloo Road. As you have already seen, here on | :12:28. | :12:32. | |
Let's Dance, we demand perfection from all our celebrity acts. For | :12:32. | :12:42. | |
:12:42. | :12:42. | ||
the fist time ever, here is a look at our rigorous audition process. | :12:42. | :12:47. | |
I'm Jon Culshaw, comedian and I'm Jon Culshaw, comedian and | :12:47. | :12:57. | |
:12:57. | :13:01. | ||
Um, reality check. That was probably the most ridiculous | :13:01. | :13:06. | |
performance I have ever seen in my life. I can't believe I'm taking | :13:06. | :13:12. | |
advice from someone who looks like a sultana. Sorry, petal it, has to | :13:12. | :13:18. | |
be a "no." Ozzie? I don't know what you are asking me for, I can barely | :13:18. | :13:25. | |
stand up let alone (BEEP) dance. It is going to be three noes. | :13:25. | :13:31. | |
What a week. Claudia, what is the dance | :13:31. | :13:38. | |
dance I'm going to do, at any rate it, starts like this, ah, ah, ah. | :13:38. | :13:43. | |
Do you need the lavvie for a little wee? No, um, in fact, yes, exactly. | :13:43. | :13:51. | |
Next. Oh, you are auditioning, | :13:51. | :13:55. | |
auditioning, standing on the star, not next to the star but on the | :13:55. | :14:02. | |
star and you are standing on it. Will you stand on the (BEEP) star. | :14:02. | :14:05. | |
No, this is not my dance, I'm trying to fill. Obviously, it's a | :14:05. | :14:13. | |
OK, so, we've got a situation. We don't have a celebrity dancer. | :14:13. | :14:17. | |
We've got to have someone to really connect with the public. Hang on a | :14:17. | :14:27. | |
:14:27. | :14:36. | ||
minute, what about that fella over So the cleaner got gig. He is no | :14:36. | :14:40. | |
ordinary cleaner. The man of many faces, Jon Culshaw. But can he do | :14:40. | :14:46. | |
the impression of a good dancer? We are about to find out. Dancing to | :14:46. | :14:50. | |
Fatboy Slim's praise praise - please welcome, Jon. Sorry, he is | :14:50. | :15:00. | |
:15:00. | :15:00. | ||
Apology for the loss of subtitles for 114 seconds | :15:00. | :16:55. | |
where? He is where? What is he John jn cull Shaw. | :16:55. | :17:02. | |
-- Jon Culshaw. Come and join me, Jon. That made me | :17:02. | :17:08. | |
so happy. Fabulous. But what do our esteemed panel think? Jason? Coming | :17:08. | :17:14. | |
to you first. A lot of time judges on these show say you have been on | :17:14. | :17:17. | |
a journey. You literally have, from reception to here. I thought that | :17:17. | :17:21. | |
was brilliant. I thought the place might go up with the amount of | :17:21. | :17:27. | |
nylon being rubbed together. But well-played. Paloma? Well I'm | :17:27. | :17:34. | |
astounded by the styling. I think it's so current. So now and like it | :17:34. | :17:39. | |
really brings out the colours in your eyes, your hair and all your | :17:39. | :17:47. | |
dancers as well, phenomenal. Brilliant image. Gorgeous all of | :17:47. | :17:51. | |
them. It was like a party in a charity shop with all of you. You | :17:51. | :17:58. | |
must be knackered legging it around the BBC. I was worn out before we | :17:58. | :18:03. | |
started. I enjoyed it. Well done. started. I enjoyed it. Well done. | :18:03. | :18:04. | |
started. I enjoyed it. Well done. Really good. | :18:04. | :18:10. | |
So a big fat thumbs-up here. What is going on over there. | :18:10. | :18:14. | |
I'm joined by Deborah Stephenson. Lovely to see you. How did Jon feel | :18:14. | :18:19. | |
ahead of his performance, he must ahead of his performance, he must | :18:19. | :18:23. | |
have been so nervous. I don't think he does. He takes everything in his | :18:23. | :18:27. | |
stride. The only dance I have seen him do is the Brucie dance. | :18:27. | :18:34. | |
does that go? I will leave it to him. We heard what Paloma said. | :18:34. | :18:39. | |
What would your version say this is a bit cheeky. Well, you | :18:39. | :18:47. | |
know, I believe that, in this world, and in this society, that you have | :18:47. | :18:53. | |
got to be a bit entertaining and a bit fun and a bit cookie and a bit | :18:53. | :19:01. | |
bonkers, so... You know, John jns with all those things, just a bit | :19:01. | :19:08. | |
like me -- Jon was all those things, just a bit like me, really.! She is | :19:08. | :19:17. | |
waving, it is fine. We are also joined by Emma Sams. I used to want | :19:17. | :19:27. | |
to be you. What did you think was the most bizarre being in the Cobl, | :19:27. | :19:34. | |
ys? Or Jon's performance? He was bizarre. If Jon's Fatboy Slim gave | :19:34. | :19:39. | |
awe wide green, show your awe wide green, show your | :19:39. | :19:43. | |
awe wide green, show your appreciation by voting: -- gave you | :19:43. | :19:51. | |
a wide grin. Don't vote until we tell you. Otherwise your vote won't | :19:51. | :20:01. | |
:20:01. | :20:02. | ||
So have Jon and the cast of Waterloo Road danced into your | :20:02. | :20:06. | |
hearts? Don't make up your mind yet. There are three more actsdesperate | :20:06. | :20:10. | |
to get out here. Or maybe just desperate to get out. Here is what | :20:10. | :20:18. | |
is coming up: Rosemary Shrager and Kim Woodburn are dancing for | :20:18. | :20:24. | |
diamonds. Joop Antony Cotton leaves the cobbles of Corrie to dance the | :20:24. | :20:29. | |
dream. And from behind the panel to centre-stage. Paloma performs her | :20:29. | :20:39. | |
latest single. We'll have the second part of One | :20:39. | :20:43. | |
Direction's report from Africa very soon. Now this year you can help by | :20:43. | :20:50. | |
donating �5. All you have to do is text "yes" to 7005. Texts cost �5 | :20:50. | :20:54. | |
plus the standard network message charge. The whole �5 goes to Comic | :20:54. | :20:55. | |
charge. The whole �5 goes to Comic charge. The whole �5 goes to Comic | :20:55. | :21:02. | |
Relief. You must be 16 or over. Ask the bill payers' permission for | :21:02. | :21:09. | |
permission. Up next, the Duchess of Dirt gets | :21:10. | :21:19. | |
jiggy with the Countess of Cooking. Otherwise known as the Queen of | :21:19. | :21:26. | |
clean and Kim Woodburn and TV chef, Rosemary Shrager. I'm Rosemary. | :21:26. | :21:35. | |
Kim, the Queen of clean. We are Kim, the Queen of clean. We are | :21:35. | :21:38. | |
here to do the most sexy dance. # Working nine to five, what a way | :21:38. | :21:40. | |
to make a living # Getting by | :21:40. | :21:44. | |
# It's all taking and no giving # You must use your mind | :21:44. | :21:51. | |
# And you never get the credit # It's enough to drive you crazy if | :21:51. | :22:01. | |
:22:01. | :22:23. | ||
I pay you could clean. Rosemary! Hello. Hello. Good news, girls, | :22:23. | :22:28. | |
after all these years, it's finally happened, I've got you a dancing | :22:28. | :22:33. | |
gig. Fantastic. Is it the Royal Ballet. Strictly Come Dancing. | :22:33. | :22:40. | |
Backing dancers for the Pussycat Dolls. Even better. So, are you | :22:40. | :22:50. | |
free? Let me see if I can free up my schedule swroo. Leave it with me. | :22:50. | :23:00. | |
:23:00. | :23:07. | ||
Girls. Girls. All sorted dear. Two iconic music legends as you | :23:07. | :23:16. | |
have never seen them before. Channelling Marilyn Monroe and Jane | :23:16. | :23:26. | |
:23:26. | :23:26. | ||
Apology for the loss of subtitles for 114 seconds | :23:26. | :25:31. | |
APPLAUSE Simply divine. Rosemary, Kim, come | :25:31. | :25:37. | |
join us. I'm going to be the filling in a | :25:37. | :25:43. | |
Monroe and Russell sandwich. Come and join us over here. Please, | :25:43. | :25:47. | |
ladies, snuggle up. Paloma, what did you think of that? I love you | :25:47. | :25:56. | |
both. I think Rosemary, you are now my pin-up. You were so brilliant. I | :25:56. | :26:03. | |
love it. Thank you. I can't say anything bad. I'm also very envious | :26:03. | :26:11. | |
of your costumes. Lisa, what are you thinking? Sexy pink dehave as. | :26:11. | :26:19. | |
Definitely. -- divas. You must have loved it with all these beautiful | :26:19. | :26:24. | |
boys around you, in your element. Is that something you tend to enjoy, | :26:24. | :26:31. | |
all those young mens? Well, my shus here, you fool. I'll take that as a | :26:32. | :26:39. | |
yes. -- my husband. Jason, can you handle all this? It was, I mean, no. | :26:39. | :26:43. | |
I felt the same way. I mean, I don't know how you did it. I don't | :26:43. | :26:48. | |
know how you did it, but you were born for it. You are wasted cooking | :26:48. | :26:53. | |
and cleaning. You want to do this from now on. I imagine, I don't | :26:53. | :26:57. | |
want to start rumours but there is definitely something going on with | :26:57. | :27:04. | |
you or three of those lads. It was electric out there. Well he flipped | :27:04. | :27:10. | |
my bosoms. I thought - I'll have some of that, yes. | :27:10. | :27:18. | |
Rosemary? I'm trying to catch my breath. I saw that. I'm not sure | :27:18. | :27:25. | |
how that dance routine was allowed to be pre-watershed. It was that | :27:25. | :27:29. | |
hot. If Rosemary and Kim left you hot. If Rosemary and Kim left you | :27:29. | :27:37. | |
hot. If Rosemary and Kim left you quivering, call: Remember, not to | :27:37. | :27:43. | |
vote until later, injury wise you will send this pair around. | :27:43. | :27:53. | |
:27:53. | :27:58. | ||
Let's hear it for the wonderful Next up, all the way from Canada, a | :27:58. | :28:02. | |
new girl on the comedy block. Here is what happened when our producer | :28:02. | :28:10. | |
met Katherine Ryan. I'm Katherine Ryan. I'm a | :28:10. | :28:17. | |
comedienne. I love you. Let's Dance for Comic Relief. Have | :28:17. | :28:25. | |
you been practising? Have I? Have you?? Have I? I have. Wonderful. | :28:25. | :28:32. | |
want to introduce you to my secret weapon. I've got a dog. I can see | :28:32. | :28:41. | |
that. Lassi Littlest HHobo,. What does that tell you about dogs on | :28:41. | :28:46. | |
TV? Too many of them. There are never enough. Dolly here is going | :28:46. | :28:51. | |
to win me the show. Why don't I show you what we've got? Dolly, do | :28:52. | :29:01. | |
:29:02. | :29:20. | ||
what we practised at home. Look at That was awful. It was really... | :29:20. | :29:26. | |
Terrible. I think you'd better get back to rehearsals. Oh, and it's a | :29:26. | :29:33. | |
no to the dog. It's all right, I didn't want to dance with that | :29:33. | :29:43. | |
:29:43. | :29:52. | ||
crazy fool. I'm a serious actor. No more dogs, please. | :29:52. | :29:59. | |
Dancing to Starships by Nicki Minaj. Please, give a massive Let's Dance | :29:59. | :30:03. | |
welcome to the fabulous bs Katherine Ryan. -- to the fabulous | :30:03. | :30:13. | |
:30:13. | :30:13. | ||
Apology for the loss of subtitles for 114 seconds | :30:13. | :32:14. | |
Katherine, brilliant. Come on over. How are you? That was brilliant. | :32:14. | :32:20. | |
Thanks. You are so brave. But it is a suit, I guess, isn't it? | :32:20. | :32:27. | |
Obviously, we knew that. Oh, and see can let it down. Whether did | :32:27. | :32:33. | |
you think Lisa? Awesome. I know wardrobe have designed that suit on | :32:33. | :32:39. | |
my best assets. Why not, girl? You look fantastic. Brilliant. You must | :32:39. | :32:43. | |
have enjoyed that Jason? I did. It was brilliant. I know Katherine | :32:43. | :32:51. | |
from... Look me in the eye. I know her from the comedy circuit. She is | :32:51. | :32:56. | |
a fabulous comedienne. I hope that's how you will close your show | :32:56. | :33:03. | |
when on tour. It's my opener. Thanks for ruining it. Paloma, | :33:03. | :33:09. | |
wasn't she great? I want to know what your tattoo says? - does it | :33:09. | :33:17. | |
say chicken and chips? Paloma Faith is the best artist ever. Oh my... | :33:17. | :33:23. | |
She has my vote. I'm loving this, bikini, neon, bright. Excellent. | :33:23. | :33:28. | |
And she remains in character, or is that how you are, Katherine?? It is | :33:28. | :33:33. | |
an unforetoon ate accident. We are almost the same. I've worked in the | :33:33. | :33:38. | |
UK a long time. I'm acclimatising. I'm becoming less friendly. Let's | :33:39. | :33:42. | |
see what Katherine's family say? I'm join bid somebody who kind of | :33:42. | :33:50. | |
knows her. She gave birth. It's Katherine's mother, Julie. How are | :33:50. | :33:56. | |
you? How are you? Julie has flown, 3,562 miles from Toronto to be here | :33:56. | :34:00. | |
today. The question on everybody's lips is - was it worth it? Well, | :34:00. | :34:05. | |
that had to be the most unlady-like spectacle that I have seen since | :34:05. | :34:10. | |
the night before she moved to lo London. Spill the beans. So, yes, | :34:10. | :34:17. | |
it was worth it. Did you realise your daughter had so much junk in | :34:17. | :34:22. | |
the trunk?? She gets it from her mama! The best answer, ever. By the | :34:22. | :34:28. | |
way, am I right this thinking today is your birthday? Yes. Happy | :34:28. | :34:34. | |
birthday to Julie. Why so sad? Well, as much as I dent | :34:34. | :34:40. | |
exactly like getting older, it's better than the alternative, so I'm | :34:40. | :34:45. | |
kind of happy. You look awesome. Thank you very much. So do you, | :34:45. | :34:50. | |
Steve? I feel there is a vibe between us. Is something happening | :34:50. | :34:57. | |
right now? Well... Alex, back to right now? Well... Alex, back to | :34:57. | :34:58. | |
right now? Well... Alex, back to you. We are not surprised. If you | :34:58. | :35:06. | |
want to see Katherine back on this stage, in that outfit then call: or | :35:06. | :35:15. | |
Don't vote until all our acts have perform, though. Katherine Ryan, | :35:16. | :35:22. | |
everybody. APPLAUSE | :35:22. | :35:26. | |
Now on Coronation Street our next star is used to a lot of drama. Is | :35:26. | :35:29. | |
he prepared for the tears, trauma and tragedy that is Let's Dance. | :35:30. | :35:39. | |
:35:40. | :35:46. | ||
I'm Antony Cotton. I play Sean in Coronation Street. | :35:46. | :35:51. | |
I grew up watching comic relae. I watch it rel inously. It will's be | :35:51. | :35:58. | |
fun. -- religiously. It'll be fun. What matters is people phone up and | :35:58. | :36:03. | |
vote and they raise money for Comic Relief. Here is the real deal. I've | :36:03. | :36:09. | |
only got dance. I've only edited the music. To count me in there | :36:09. | :36:16. | |
is... And it goes on and on and on and I'm literally like, huh, we get | :36:16. | :36:21. | |
this first phrase done, oh, no, we only have the room until 25 and | :36:21. | :36:26. | |
there are 25 old woman wearing lycra coming in for a zum ba class | :36:26. | :36:30. | |
all looking at Sean from Corrie doing a tap dance. They are like, | :36:30. | :36:36. | |
how old are you? 38. Oh, you look all right. I'm dripping wet and it | :36:36. | :36:46. | |
:36:46. | :36:46. | ||
# Until olden days... # Again, again Take 2. And that's what | :36:46. | :36:52. | |
matters. That's the end game, raising money. | :36:52. | :36:57. | |
It's been an intense evening of dancing and going last just adds to | :36:57. | :37:01. | |
the pressure. The last thing Antony needs now is some kind of | :37:01. | :37:06. | |
distraction. What's Gail plait really like? Do one. Does Deirdre | :37:06. | :37:12. | |
really need those glasss? Really do one. Over to you, Alex. He didn't | :37:12. | :37:17. | |
need that. From the carboot to the care home it'll become clear in a | :37:17. | :37:20. | |
moment. Believe me this is something special. Dancing to | :37:20. | :37:30. | |
:37:30. | :37:32. | ||
Anything Goes, please welcome, Fred, keep your hands to yourself. | :37:32. | :37:38. | |
All right my love, put the record on. Patience. | :37:38. | :37:48. | |
:37:48. | :37:48. | ||
Apology for the loss of subtitles for 114 seconds | :37:48. | :39:36. | |
That was excellent. Antony, come on over. Congratulations. That was | :39:36. | :39:42. | |
brilliant. Who knew? Oh, out of breath, obviously. Have you tapped | :39:42. | :39:47. | |
before? I have when I was a kid, but not since I was 16. About five | :39:47. | :39:57. | |
:39:57. | :40:03. | ||
years ago! Of course. Can you do a little bit for us now? Very good. | :40:03. | :40:07. | |
It was quite distracting, we know he is talented but tapping like | :40:07. | :40:12. | |
that. Proper dancing, proper talent. Proper choreography. What are you | :40:12. | :40:15. | |
doing on this show? That's the question. | :40:15. | :40:19. | |
It was brilliant. I wasn't expecting it at all. I have seen | :40:19. | :40:25. | |
you like at dos and that, dancing when you have ahad a few drinks. | :40:25. | :40:30. | |
But that was proper dancing, proper skills. I know your name is Cotton, | :40:30. | :40:40. | |
but you are as smooth as silk. Paloma, what did you make? | :40:40. | :40:46. | |
Astonished. What are you lot like backstage at Coronation Street? Is | :40:46. | :40:55. | |
Ken Barlow a pole dancer? How did you know?! Amazing. There is all | :40:55. | :41:01. | |
these unveiled talents going on on Corrie. I expect Coronation Street | :41:01. | :41:06. | |
the musical next, I reckon. We do our best. My mind is blown. Is that | :41:06. | :41:11. | |
a good thing? Very good. Lisa? can't be biased. He is my best | :41:11. | :41:16. | |
friend. He is unreal. You nailed it. I am used to you doing this after | :41:16. | :41:21. | |
four gin and tonics in my kitchen but full showbiz, loving it, what | :41:21. | :41:25. | |
you do best. Very chuffed. It was lovely. Thank you, thank you very | :41:25. | :41:31. | |
much. Excellent work young man. Let's see what what your friends | :41:31. | :41:37. | |
think. I'm joined by past and current co-stars, Suranne and Jenny. | :41:37. | :41:44. | |
Guys, what happened? I'm a assuming you two have been out for a couple | :41:44. | :41:51. | |
of sherberts with Antony, has he ever exhibited such panache and | :41:52. | :41:58. | |
style I don't know if they are the same tap shoes we had on, that he | :41:58. | :42:04. | |
had them since he was 15. No, I have new ones but I rehearsed in | :42:04. | :42:13. | |
them. You don't do them in the outfit. No, in my pyjamas. I knew | :42:13. | :42:18. | |
him 23 queers ago as a tap dancing rabbit. You can't say that and let | :42:18. | :42:23. | |
it go. It was, what was it, Alice in Wonderland. He was the rabbit. | :42:23. | :42:31. | |
He was tapping. He was the rabbit. She was the tap-dancing fireman. | :42:31. | :42:36. | |
Tell me more laterment Thank you so much. What a great effort. | :42:36. | :42:40. | |
much. What a great effort. much. What a great effort. | :42:40. | :42:43. | |
Hopefully we'll see you later.. Antony needs your votes to make it | :42:43. | :42:53. | |
:42:53. | :42:56. | ||
through. If he has tapped into your The vote willing start in a few | :42:56. | :43:00. | |
moments but for now give us a little skree. Oh, he has gone, all | :43:00. | :43:07. | |
the way -- a little scream. Lots more to could. Our panellist, | :43:07. | :43:13. | |
Paloma Faith will be performing and the cast of the Chorus Line will be | :43:13. | :43:23. | |
:43:23. | :43:23. | ||
providing razzle dazzle and of course we'll be finding out who... | :43:23. | :43:27. | |
HORN SOUNDS It is called revenge. have really small ears. I know. I | :43:28. | :43:37. | |
:43:38. | :43:41. | ||
have to interrupt because the votes Awesome, thank you gentlemen. | :43:41. | :43:45. | |
That's proper dancing. Thanks guys, off you go. I'm going to take that | :43:46. | :43:50. | |
off you. You are not. It is make your mind up time. Pick up your | :43:50. | :43:54. | |
phones and log on to the website to vote for your favourite to win. | :43:54. | :43:58. | |
Please bear in mind although this seems a bit of a laugh, we here at | :43:58. | :44:01. | |
Let's Dance take our voting seriously and we have terms and | :44:01. | :44:06. | |
conditions. Here to give you the conditions. Here to give you the | :44:06. | :44:07. | |
conditions. Here to give you the lowdown is Katie Brand. Obviously | :44:07. | :44:16. | |
you remember me as run runner-up for Let's Dance 2010. Winning is | :44:16. | :44:23. | |
fine but being the runner-up is important. The Swedish football | :44:23. | :44:30. | |
team for president 1958 World Cup Final. Michael Ball, it's runner-up | :44:30. | :44:35. | |
for the Eurovision Song Contest in 1982. To shrot for your winner | :44:35. | :44:39. | |
calls cost 10p, from BT. Overnetworks may vary and calls | :44:39. | :44:45. | |
from mobiles will cost more or alternatively you can vote online | :44:45. | :44:55. | |
for free, at Webb Red. - bbc.co.uk/rednoseday. You will also | :44:55. | :44:59. | |
find terms and conditions. Please get the bill payer's permission | :44:59. | :45:04. | |
before you call. Voting will close in approximately 15 minutes. | :45:04. | :45:09. | |
Remember, it's the taking part that Remember, it's the taking part that | :45:09. | :45:17. | |
Katie Brand there. Always the bridesmaid, never the bride. Such a | :45:17. | :45:20. | |
shame. Five amazing acts have given everything but you have the | :45:20. | :45:25. | |
toughest job of all, choosing the winner. In many ways, this is more | :45:25. | :45:29. | |
difficult in choosing a career or a life partner. To help you on this | :45:29. | :45:39. | |
:45:39. | :45:39. | ||
Apology for the loss of subtitles for 114 seconds | :45:39. | :47:22. | |
path of self-discovery, here is a It's tough. Last week we saw some | :47:22. | :47:26. | |
of the boys from One Direction visiting a hospital in Africa. If | :47:26. | :47:31. | |
you remember it, had a huge affect on Zane. This week Harry and Liam | :47:31. | :47:34. | |
find out how widespread and devastating malaria can be for | :47:34. | :47:38. | |
children. Some viewers may find this a tough watch. We are here in | :47:39. | :47:43. | |
the main emergency room. It is a vaing atmosphere, quiet, nobody is | :47:43. | :47:50. | |
talking. -- it is a strange atmosphere. | :47:50. | :47:57. | |
You can just hear kids crying. She's just not very well, the poor | :47:57. | :48:07. | |
:48:07. | :48:13. | ||
thing. This little boy is three. And he has malaria and is very | :48:13. | :48:18. | |
anaemic. That's why the bottoms of his feet and his hands are so white. | :48:18. | :48:22. | |
Be honest with me, how ill is he? He is very ill. Sometimes if they | :48:23. | :48:32. | |
:48:33. | :48:33. | ||
come in too late, you are not able to save them. | :48:33. | :48:37. | |
No movement, too weak to even cry. Watching Kofi and his mum was | :48:38. | :48:45. | |
simply heart-breaking. He is too weak to even hold his own head up. | :48:45. | :48:51. | |
It's horrible to watch. What's frustrating is malaria could be | :48:51. | :48:58. | |
prevented. �5 will pay for a moss Kyoto net or emergency medicine so | :48:58. | :49:04. | |
that kids like Kofi wouldn't be this ill. Please donate, text | :49:04. | :49:14. | |
:49:14. | :49:27. | ||
"yes." Text "yes" to 7005 to donate You will be glad to know that Kofi | :49:27. | :49:30. | |
made a full recovery and was discharged from hospital. But not | :49:30. | :49:40. | |
:49:40. | :49:46. | ||
everyone is so lucky. You can help. Affection "YES" TO 7005 So far we | :49:46. | :49:53. | |
have seen truly unique performances. We have had a brilliant panellist | :49:53. | :50:03. | |
:50:03. | :50:09. | ||
tonight, but now to perform her # I know a man who fills his | :50:09. | :50:12. | |
emptiness # With strangers # I know a girl who drinks herself to sleep | :50:12. | :50:22. | |
:50:22. | :50:27. | ||
at night. # You can't change her.# I know people who use chat rooms as | :50:27. | :50:37. | |
:50:37. | :50:42. | ||
confessionals. # I know down and outs who once | :50:42. | :50:48. | |
were, # Once they were professionals. | :50:48. | :50:55. | |
# Wipe it off your sleeve. # Your superiority. | :50:55. | :51:02. | |
# Don't roll your eyes, my sweet. # We're just the same.# We all get | :51:02. | :51:11. | |
desperate sometimes # Feeling black and blue. | :51:11. | :51:17. | |
# I know you'll find it hard to accept it sometimes. | :51:17. | :51:24. | |
# We all feel black and we feel blue .# Wipe it off your sleeve | :51:24. | :51:34. | |
:51:34. | :51:39. | ||
# Your superiority. # Don't roll your eyes, my sweet. | :51:39. | :51:43. | |
# I know a rich man who has everything you could wish for. | :51:43. | :51:47. | |
# But children. # I know an old lady who talks a | :51:48. | :51:53. | |
lot but could teach you # If you listen | :51:53. | :51:56. | |
# I know people who believe in gods and demons | :51:56. | :52:02. | |
# I know ones who think there's nothing there at all | :52:02. | :52:08. | |
# Wipe it off your sleeve # Your superiority | :52:08. | :52:15. | |
# Don't roll your eyes, my sweet # We're just the same | :52:15. | :52:23. | |
# We all get desperate sometimes # Feeling black and blue | :52:23. | :52:27. | |
# I know you'll find it hard to accept it sometimes | :52:27. | :52:36. | |
# We all feel black and we feel blue | :52:36. | :52:42. | |
# Wipe it off your sleeve # Your superiority | :52:42. | :52:50. | |
# Don't roll your eyes, my sweet # Wipe it off your sleeve | :52:50. | :53:00. | |
:53:00. | :53:10. | ||
# Your superiority # Don't roll your eyes, my sweet. # | :53:10. | :53:20. | |
:53:20. | :53:21. | ||
She is just fabulous. Thank you Paloma. Congratulations. | :53:21. | :53:25. | |
And congratulations. Now, I hope you are texting and | :53:25. | :53:29. | |
voting like possessed people at home. Our celebrities here this | :53:29. | :53:33. | |
evening really do deserve your ajewelation and they deserve five | :53:33. | :53:43. | |
minutes to put their feet up -- adulatoin. | :53:43. | :53:52. | |
And That's why they are in our backstage boozer. | :53:52. | :53:57. | |
Let's have a chin-wag with our Let's have a chin-wag with our | :53:57. | :54:06. | |
landlady, Jody Prenger. Listen, babe, you couldn't do me a | :54:06. | :54:09. | |
big favour and give me the chance big favour and give me the chance | :54:09. | :54:15. | |
to dance. Not this again. Listen, reality check. What? You are the | :54:15. | :54:19. | |
landlady of a pub, a fake up, backstage at the BBC. It is not | :54:19. | :54:24. | |
going to happen. You are not a dancer. Why? Do me a favour, give | :54:24. | :54:30. | |
me a can and a packet of crisps. Tough love, ladies and gentlemen, | :54:30. | :54:35. | |
tough love. Sexy, confident. That's how I like my ladies and what I saw | :54:35. | :54:38. | |
this evening. Did you have fun? we? I have to tell you, I didn't | :54:38. | :54:44. | |
think I was going to get into the air. You ZI Don't know how, but I | :54:44. | :54:51. | |
ZKim, A good time? I had a very naughty man when I was in the air. | :54:51. | :54:56. | |
Clutching and probing, I have fingernail marks on my boss ums, | :54:56. | :55:04. | |
the dirty young beast. We have a message from someone who loves you. | :55:04. | :55:12. | |
I very much love both of you. It is not diamonds that's a girl's best | :55:12. | :55:17. | |
friend. It is words. You have a lot of them. You are good with them. | :55:17. | :55:22. | |
How lovely just to watch you dance - in silence. | :55:22. | :55:27. | |
Well that's typical of him. He has to have the last word. Very sweet. | :55:27. | :55:35. | |
Can I ask you something quickly. I think it would be foolish not to. | :55:35. | :55:38. | |
BELL RINGS Five minutes left. You are here. | :55:38. | :55:42. | |
Shenangians looks like the Queen Vic after the fire. Any chance you | :55:42. | :55:49. | |
could give it a once-over? I have, I'm appalled. Can you give it | :55:49. | :55:55. | |
another once-over. I have some cleaning products. Katherine Ryan. | :55:55. | :55:58. | |
Your mum must be incredibly proud of you this evening, we thought you | :55:58. | :56:03. | |
deserve a traet. We have something nice lined up. Take a look at the | :56:03. | :56:09. | |
monitor. She has the bit, you know the bit that makes you embarrassed. | :56:09. | :56:15. | |
The bit that goes - I better not do that. I don't think Katherine has | :56:15. | :56:21. | |
that bit, it is mission and Nicky minute does not have that bit. | :56:21. | :56:25. | |
have not got that bit. I don't care. At the end of your day, if your | :56:25. | :56:33. | |
children are healthy and well, life is great. So who cares? I concur. I | :56:33. | :56:39. | |
will congratulate you later. A tear came to my eye earlier seeing you | :56:39. | :56:45. | |
fly through TV C. I looked good. I feel worn out. | :56:45. | :56:52. | |
But most of all we're enjoying you and Alex saying... IN A WELSH | :56:52. | :57:00. | |
ACCENT Are you ready? Are you ready? This is' plain rude. Alex, I | :57:00. | :57:04. | |
say this every time because it is true. These people are heroes. | :57:04. | :57:09. | |
People at home, do what you have to do, vote, text. They deserve it. | :57:09. | :57:14. | |
Thank you, Steve, that was bang on, wasn't it? | :57:14. | :57:21. | |
Now over the past 25 years of Red Nose Day tonnes celebrities have | :57:21. | :57:27. | |
joined forces to help raise money for here and abroad. We sent | :57:27. | :57:33. | |
tonight's act rummaging through the archive to share some of their | :57:33. | :57:38. | |
clips. 25 years of Red Nose Day. years. Same age as me dear. | :57:39. | :57:48. | |
:57:49. | :57:52. | ||
wish. The celebrity cameos. right! Tony Blair and Catherine | :57:52. | :57:56. | |
Tate's Lauren. She thought I was jealous. I ain't even jealous. | :57:56. | :58:01. | |
are just thinking - Prime Minister say it. Look at my face. Is my face | :58:01. | :58:06. | |
bothered? Does my face look bothered? Are you messing with my | :58:06. | :58:11. | |
sniend face, bothered Showing I'm in touch with popular culture. I | :58:11. | :58:14. | |
ain't bothered. Who would have known that Tony Blair was such a | :58:14. | :58:23. | |
funny guy. Out. Rubbish. Amazeballs. Scary, is you Comfie. I loved the | :58:23. | :58:29. | |
interview with Posh and Becks. you want him to grow up to be a | :58:29. | :58:36. | |
footballer like his dad or a sirning, like Mariah Carey? | :58:36. | :58:42. | |
takes nerve to know you will be ripped to pieces. And still do it. | :58:42. | :58:47. | |
The smithy one with George Michael. It shows you how people are willing | :58:47. | :58:51. | |
to send themselves up You are a joke. I can't walk into Comic | :58:51. | :58:55. | |
Relief with you. It is about helping people like you. It is | :58:55. | :59:00. | |
almost like a conveyor belt. A never-ending dream of famous people. | :59:00. | :59:07. | |
I am the last-remaining Beatle. Keira Knightley is in there. One of | :59:07. | :59:14. | |
the funniest things I have seen. I love it. Did you know that since | :59:14. | :59:19. | |
198866 million of little red noses have been sold to raise over �6 | :59:19. | :59:24. | |
hunds million. Last year's Red Nose Day smashed the record. Let's hope | :59:24. | :59:32. | |
this year we can do even better. What an incredible total last year. | :59:32. | :59:35. | |
You know what Comic Relief is nothing without your support. | :59:35. | :59:39. | |
Please, keep texting and make this year bigger and better than ever. | :59:39. | :59:43. | |
All the details are on the screen right now. Steve, how is the party | :59:43. | :59:48. | |
going SNP Alex, we are partying like it's | :59:48. | :59:53. | |
1899 back here. A very exciting time. Jenny. Hello. You must be | :59:53. | :59:59. | |
proud of your man. So proud. So you should be. He just shone for me. I | :59:59. | :00:05. | |
am biased but he was brilliant. Where is Suranne, is she too good | :00:05. | :00:14. | |
for Shenangians? Yeah. Where is Antony... Cotton. Hotpot. What have | :00:14. | :00:20. | |
you got? Apparently a hotpot. My Bethy's doesn't look like that. | :00:20. | :00:28. | |
What is it? It is lamb. There is no horse in a Rovers' Return hotpot. | :00:28. | :00:33. | |
BELL RINGS Sorey, the lines are closed. | :00:33. | :00:39. | |
-- sorey. A quick shout with Waterloo Road. | :00:39. | :00:46. | |
Hi, how is it going? Gross. You are Sporty Spice, but you haven't | :00:46. | :00:53. | |
shaved? I think it frames my face. Not very feminine. I like it. | :00:53. | :00:59. | |
a leaf out of Tommy's book, look at this young lady. You have really | :00:59. | :01:05. | |
embraced the whole Posh thing. I genuinely believe David Beckham | :01:05. | :01:07. | |
would struggle to tell the difference. I have been getting | :01:07. | :01:14. | |
into character all day. No smiling. Designing clothes. Having a baby. | :01:14. | :01:18. | |
Have you enjoyed yourselves? Brilliant. We've really enjoyed | :01:18. | :01:21. | |
this week. It's been really worthwhile. I will crossmy fingers | :01:21. | :01:27. | |
for you. You guys are fantastic. You deserve it, really do. Last | :01:27. | :01:32. | |
week our karaoke was such a monumental success, I was | :01:32. | :01:36. | |
absolutely inundated by two people who said they really enjoyed it. So | :01:36. | :01:37. | |
we've decided to do it again, we've decided to do it again, | :01:37. | :01:47. | |
:01:47. | :01:49. | ||
This week's competitors, Rosemary and Kim. It's clash of the Titans | :01:49. | :01:53. | |
everyone. The song we've decided for them to sing, it is an obvious | :01:53. | :02:00. | |
one. It is Bonn Jovi's Living on a Prayer. Judgments will be passed by | :02:00. | :02:05. | |
Jenny McAlpine. Have you ne any experience in the | :02:05. | :02:08. | |
music industry? No, none whatsoever. You are probably still over- | :02:08. | :02:13. | |
qualified for this. So this is how it is going to work. Rosemary you | :02:13. | :02:18. | |
take the first verse, Kim, you take the second. The third verse, I say | :02:18. | :02:23. | |
everyman for himself. I want a slice of the pie. Are you guys in | :02:23. | :02:33. | |
:02:33. | :02:51. | ||
# For love # Cos it doesn't make a difference | :02:51. | :02:57. | |
if you make it or not # We've got each other | :02:57. | :03:04. | |
# We'll give it a shot # Oh, we're half way there | :03:04. | :03:10. | |
# Oh, oh, we're living on a prayer # Take my hand | :03:10. | :03:17. | |
# We'll make it, I severe # Oh, we're living on a prayer -- | :03:17. | :03:25. | |
we will he' make I I swear... # Well done. This is Mission | :03:26. | :03:35. | |
:03:36. | :03:38. | ||
impossible. Who are you going to award the wonderful prize? You were | :03:38. | :03:42. | |
both fabulous. But in the hope that Rosemary will make me a cake | :03:42. | :03:48. | |
afterwards, I award this to Rosemary. That winds up things back | :03:48. | :03:52. | |
here. Back to you, Alex. I don't know what to say about | :03:52. | :03:56. | |
that? Anyway, we are minutes away from revealing our winner. Thanks | :03:56. | :03:59. | |
to everyone who has voted and donated tonight. I hope this next | :03:59. | :04:05. | |
film will inspire you to keep giving. Last month I visited a | :04:05. | :04:09. | |
maternity award in Malawi to see why it is so crucial that pregnant | :04:09. | :04:14. | |
women get to hospital to give birth. For women in developing countries, | :04:14. | :04:18. | |
pregnancy is a difficult time. That's why getting to hospital can | :04:18. | :04:24. | |
be a life-saving difference to mothers and air their babies. This | :04:24. | :04:29. | |
lady gave birth yesterday. She started bleeding after giving birth | :04:29. | :04:33. | |
which is incredibly dangerous. There is just blood everywhere on | :04:33. | :04:39. | |
the bed. God! Severe bleeding can kill a woman in two hours if left | :04:39. | :04:47. | |
unattended. How is the mother doing now? How is she? She has to go to | :04:47. | :04:51. | |
the theatre so they can examine her properly. If that lady, who is | :04:51. | :04:53. | |
suffering from a bleeding was at home in her village, what do you | :04:53. | :04:58. | |
think would happen to her?? She would die because maybe they would | :04:58. | :05:03. | |
be thinking that the bleeding would stop and it would be a lot of time | :05:03. | :05:06. | |
before they would think about coming to the hospital. I think she | :05:06. | :05:11. | |
would die. She is in the best place here. Yeah. | :05:11. | :05:21. | |
:05:21. | :05:28. | ||
She's back with her baby. She's been incredibly lucky. She lost so | :05:28. | :05:32. | |
much blood they had to give her a blood transfusion. The fact that | :05:32. | :05:36. | |
they found a match but, that would only have happened in the hospital. | :05:36. | :05:42. | |
At home she would have had zero chance, really, of surviving. Comic | :05:42. | :05:46. | |
relief are funding this brilliant project that is teaching young | :05:46. | :05:49. | |
girls and women to get to hospital to deliver their babies safely | :05:49. | :05:54. | |
rather than delivering at home. �5 will pay for a teaching section to | :05:54. | :05:57. | |
will pay for a teaching section to will pay for a teaching section to | :05:57. | :06:03. | |
educate all these women. You can donate by texting YES to 7005. It | :06:03. | :06:13. | |
:06:13. | :06:21. | ||
You can make a difference now. up your phone and text YES. Make | :06:22. | :06:28. | |
your next text just one word YES. The whole �5 goes to Comic Relief. | :06:28. | :06:33. | |
You must be 16 or over. Ask the bill payer's permission for | :06:33. | :06:42. | |
permission. For all terms and continues go to the website. Time | :06:42. | :06:47. | |
now for more dancing but don't panic. This lot know what they are | :06:47. | :06:51. | |
doing. They are so good they could be a chorus line. In fact that's | :06:51. | :06:56. | |
exactly what they are. Straight from the West End, please welcome | :06:56. | :07:06. | |
:07:06. | :07:06. | ||
Apology for the loss of subtitles for 114 seconds | :07:06. | :09:25. | |
John Partridge and the cast of A Thank you to the cast of the Chorus | :09:25. | :09:30. | |
Line. Fantastic stuff. I thought we'd have a straw poll of who the | :09:30. | :09:35. | |
audience think will win? Who do you want to win? Jon Culshaw. Madam? | :09:35. | :09:41. | |
That one with the tap shoes. She is clearly paying attention. Who would | :09:41. | :09:46. | |
you like to see win, Michelle? Katherine Ryan. How about the lady | :09:46. | :09:51. | |
who broke my heart at the start of the show. Gail, who do you want to | :09:51. | :09:57. | |
see win? The lady who done Nicki Minaj. Katherine Ryan. See you, | :09:57. | :10:03. | |
later Gill. What are you thinking? Antony. Feepblly somebody who knows | :10:03. | :10:10. | |
someone's name. Finally. The votes are being counted by a | :10:10. | :10:13. | |
highly-trained team of students on work experience. We are moments | :10:13. | :10:18. | |
away from getting our winner. Fill some time, Jason. Lots of people | :10:18. | :10:23. | |
won't know this, but you areing on stage in the West End in Sweeney | :10:23. | :10:26. | |
Todd. You will know how they are feeling. It is not easy coming out | :10:26. | :10:30. | |
on the stage. No, and when you are used to doing something else and | :10:30. | :10:34. | |
when it is not your main job. when you are on stage with people | :10:34. | :10:40. | |
who do it for their proper job, it is terrifying. Oaky doky. I'm back. | :10:40. | :10:43. | |
Soon we will be revealing. I have the all-important cards. The | :10:43. | :10:48. | |
results are in, everyone. They are in. OK. OK, five performed tonight | :10:49. | :10:54. | |
but only two can make it to the final. I'm so excited. I just can't | :10:54. | :10:57. | |
hide it. Please welcome our celebrity dancers, back to the | :10:57. | :11:05. | |
stage. Waterloo Road. | :11:05. | :11:14. | |
Antony Cotton. Jon Culshaw. | :11:14. | :11:24. | |
:11:24. | :11:30. | ||
Catherine Ryan. There they are. It's like the | :11:30. | :11:34. | |
world's weirdest identity parade. They are all guilty. | :11:34. | :11:38. | |
The two acts with the fewest votes will be asked to leave the stage, | :11:38. | :11:41. | |
never to darken our door again but the act with the highest number of | :11:41. | :11:46. | |
public votes will have a guaranteed place in the final. Acts, are you | :11:46. | :11:56. | |
:11:56. | :12:01. | ||
ready? YES. AUDIENCE, ARE YOU READY? Yes. | :12:01. | :12:08. | |
Jody are you ready? Ready. Save me a chicken wing. Here we go: In no | :12:08. | :12:17. | |
particular order, the first act to leave the competition is... I can't | :12:18. | :12:27. | |
:12:28. | :12:29. | ||
believe this, it's Jon Culshaw. What? What? I can't believe it. The | :12:29. | :12:39. | |
:12:39. | :12:40. | ||
second act to leave Let's Dance is... Rosemary and Kim. What is | :12:40. | :12:50. | |
:12:50. | :12:50. | ||
happening? Oh. Jon Culshaw and Rosemary and Kim thank you so much. | :12:50. | :12:55. | |
A really good effort. But now it is time to leave the stage in a really | :12:55. | :13:00. | |
embarrassing way. I don't want to do this to you. Off you go. | :13:00. | :13:05. | |
# Nah, nah, nah, nah # Hey, hey, goodbye | :13:05. | :13:15. | |
:13:15. | :13:15. | ||
# Nah, nah, nah, nah # Hey, hey, goodbye... # Oh, that's | :13:15. | :13:22. | |
embarrassing. I almost felt sorry for them. | :13:22. | :13:32. | |
:13:32. | :13:34. | ||
Almost. We must now choose our finalists. Cue the music. OK, three | :13:34. | :13:38. | |
acts left but only one of you is guaranteed a police in the final. | :13:38. | :13:42. | |
The act with the most public votes and going straight through to the | :13:42. | :13:52. | |
:13:52. | :13:57. | ||
It's Antony Cotton. APPLAUSE | :13:57. | :14:06. | |
Congrtlations Antony Cotton. -- congrtlations. Get ready for your | :14:06. | :14:09. | |
encore, you will be performing again at the end of the show. Oh he | :14:09. | :14:14. | |
can't believe it. He can't believe it, bless him. He did a good job, | :14:14. | :14:19. | |
though. OK, so just two acts remain, Waterloo Road and Katherine Ryan. | :14:19. | :14:24. | |
So you are the runners-up at this point. Now one of you will join | :14:24. | :14:29. | |
Antony Cotton on the final on 9th March, but the panel have to make | :14:29. | :14:34. | |
the decision who joins Antony Cotton. Now this is literally going | :14:34. | :14:37. | |
to be the biggest decision of your entire lives. Think carefully | :14:37. | :14:47. | |
before you answer. I didn't see that. Let them refresh their | :14:47. | :14:57. | |
:14:57. | :14:57. | ||
Apology for the loss of subtitles for 114 seconds | :14:57. | :15:38. | |
memories. A little reminder of how So, Waterloo Road, Katherine Ryan, | :15:38. | :15:44. | |
one of you will join Antony Cotton in the final on March 9th. But who | :15:44. | :15:51. | |
will it be? Leasey Riley, we'll come to you first, -- Lisa. Who is | :15:51. | :15:56. | |
your choice? They were phenomenal. They opened the show so brilliantly. | :15:56. | :16:01. | |
Katherine you were hilarious which is what Comic Relief is BI have to | :16:01. | :16:05. | |
be biased. I love you all dearly and I'm going to Waterloo Road | :16:05. | :16:14. | |
because you were amazing. Bias. Blatantly. Jason, you next, | :16:14. | :16:23. | |
who are you going for? Waterloo Road or Katherine Ryan? A bit of | :16:23. | :16:26. | |
pressure from the audience. I also thought they opened the show | :16:26. | :16:30. | |
brilliantly. I thought the boys were very brave and also very | :16:30. | :16:37. | |
talented. But for sheer comedy, and - I just really Jeopardy. And the | :16:37. | :16:43. | |
gamble of wearing that outfit, I'm going to have to go Katherine. | :16:43. | :16:48. | |
1-1. This one is going down to the wire, unprecedented, since last | :16:48. | :16:57. | |
week. Look what you have done stkpwhrfrblgts It's all on -- look | :16:57. | :17:02. | |
what you've done! The whole thing rests on me. I can't bear it. | :17:02. | :17:09. | |
Weight of BBC One is currently on your shoulders. I'm throwing down | :17:09. | :17:17. | |
my glow sticks in protest. This is too much. I never, ever, throw my | :17:17. | :17:22. | |
glow sticks. A decision. audience are so divided. | :17:22. | :17:29. | |
Well, the nation knows that I'm a big believer in a curvaceous, | :17:29. | :17:39. | |
:17:39. | :17:43. | ||
volume up tueous woman. I believe - - voluptuous woman. I believe in | :17:43. | :17:50. | |
the power of... You have to say it. Say the words. I believe in the | :17:50. | :17:57. | |
power of baby's got back. Katherine. Congratulations Katherine. You will | :17:57. | :18:03. | |
be joining Antony Cotton on the final on 9th March. Let's hear it | :18:03. | :18:09. | |
for all our acts. Two more acts through to the final. Only two more | :18:09. | :18:13. | |
spaces left. Five more acts will be battling it out on the dance there | :18:13. | :18:22. | |
are next week. Comedian Lee Nelson, Boyzone's Keith Duffy and Vanessa | :18:22. | :18:27. | |
Feltz like you have never seen her before will be dancing for your | :18:27. | :18:31. | |
pleasure. We also have music from the gorgeous Nicole Schertzinger | :18:31. | :18:41. | |
:18:41. | :18:44. | ||
and the gorgeous Justin Bieber. Please don't forget to text YES to | :18:44. | :18:50. | |
70005. It really is that easy. to dance us out, the gorgeous, | :18:50. | :18:55. | |
Antony Cotton. Get your hand off. You are not having a breather. | :18:55. | :19:05. | |
:19:05. | :19:20. | ||
right I'll put the record on. By Frank Sinatra Oh, no, please, no. | :19:20. | :19:30. | |
:19:30. | :19:30. | ||
Apology for the loss of subtitles for 114 seconds | :19:30. | :20:55. | |
Thank you. You can see the grand final in two weeks. That's all we | :20:55. | :20:59. |