Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
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Through dance, great battles were lost and won. You were the best. | 0:00:27 | 0:00:36 | |
Sir, Robert the Great. Rufus, the Warrior. Heroes, James and Charlie. | 0:00:36 | 0:00:44 | |
You've got it, sunshine. All hoping to achieve dance ploor glory. | 0:00:44 | 0:00:52 | |
Supereer. But who will be crowned Let's Dance champion 2012? | 0:00:52 | 0:00:57 | |
competition just got interesting. For a group of brave new | 0:00:57 | 0:01:07 | |
0:01:07 | 0:01:32 | ||
celebrities, their dance adventure It's Let's Dance for Sport Relief. | 0:01:32 | 0:01:42 | |
0:01:42 | 0:02:01 | ||
So, please, welcome your hosts, Hello and welcome to Let's Dance. | 0:02:01 | 0:02:07 | |
Whoop with every fibre of your being if you've missed us! | 0:02:07 | 0:02:11 | |
Brilliant. Yes, we're back with a show that's bigger and better than | 0:02:11 | 0:02:16 | |
ever. Now, it is, of course, an Olympic year and a Sport Relief | 0:02:16 | 0:02:24 | |
year. So to celebrate we have more sparkling celebrities and more epic | 0:02:24 | 0:02:31 | |
dances. If you haven't seen the show before, we mix epic dance | 0:02:31 | 0:02:36 | |
routines with household names. get ready for the most fun you can | 0:02:36 | 0:02:41 | |
have with classic dances, a load of brave celebrities, and limited | 0:02:41 | 0:02:47 | |
rehearsal time. And what's more, it's all for a good cause. Indeed. | 0:02:47 | 0:02:56 | |
So, we're seeing stars risk life and limb and careers, if that | 0:02:56 | 0:02:59 | |
wasn't enough, we have some very great guests, the brilliant Jessie | 0:02:59 | 0:03:09 | |
0:03:09 | 0:03:12 | ||
And we have to warn viewers...Oh, Here we go. This next announcement | 0:03:12 | 0:03:22 | |
0:03:22 | 0:03:23 | ||
will contain screaming. JLS will be here! | 0:03:23 | 0:03:27 | |
But, tonight, only two acts can go through to our final. Now, you at | 0:03:27 | 0:03:33 | |
home will pick one of them and our panel will pick the other. And what | 0:03:33 | 0:03:38 | |
a panel! Who better to judge a dance competition than a failed ex- | 0:03:39 | 0:03:47 | |
businessman from Leeds, a gigantic ex-school teacher, and an ex--agony | 0:03:47 | 0:03:54 | |
aunt from the Daily Mail. It's Keith Lemon, Greg Davies and Graham | 0:03:54 | 0:04:04 | |
0:04:04 | 0:04:12 | ||
Norton! Oh, yes, indeed. So that's our | 0:04:12 | 0:04:17 | |
judging panel. And what those guys don't know about dancing....is | 0:04:17 | 0:04:23 | |
vast! Not a clue. He's not wrong. We'll hear lots more from them | 0:04:23 | 0:04:31 | |
later, but, first, let's see who's dancing tonight. East End ers' | 0:04:31 | 0:04:39 | |
Tamika and Laurie. Comedian Terry Alderton. | 0:04:39 | 0:04:46 | |
Cricketer Darren Gough. DJs Tony and David. | 0:04:46 | 0:04:56 | |
0:04:56 | 0:04:59 | ||
Shoothing stars Angelos and Ulrika. -- shooting stars. | 0:04:59 | 0:05:07 | |
Now, Graham, coming to you, first. What do the five acts have to do to | 0:05:07 | 0:05:11 | |
impress you this evening. looking for nothing short of | 0:05:11 | 0:05:18 | |
perfection, and failing that, partial nudity. Oh, I don't know | 0:05:18 | 0:05:26 | |
about that. Graham, you're extremely tall so you're more than | 0:05:26 | 0:05:35 | |
qualified to judge on this show. What are you looking for? | 0:05:35 | 0:05:41 | |
ballet Romabard trained, so what what you're saying. So I'm looking | 0:05:41 | 0:05:47 | |
for fluidity of movement and someone who can send me to tears. | 0:05:47 | 0:05:54 | |
You're on the right show. Now, Mr Lemon. Dare I ask, who do you have | 0:05:54 | 0:06:02 | |
your eye on this evening? I don't know who's in it. We just showed | 0:06:02 | 0:06:09 | |
you. I was just writing down phrases "good start to the show," | 0:06:09 | 0:06:18 | |
"maybe not as good as you want to be" "not as good as the proper | 0:06:18 | 0:06:26 | |
dance." And we have him back year after year! | 0:06:26 | 0:06:32 | |
Now, here we go, to kick things off our first act are two actresses | 0:06:32 | 0:06:38 | |
from a TV show well known for its glitz, glamour and show-stopping | 0:06:38 | 0:06:46 | |
dance routines. And I'm lying, because they're have EastEnders. | 0:06:46 | 0:06:56 | |
0:06:56 | 0:06:57 | ||
It's Tamika and Laurie Brett. I'm Laurie Brett. And I'm Tamika | 0:06:57 | 0:07:07 | |
Empson. And we're both actresses. am so glad we are doing this dance. | 0:07:07 | 0:07:15 | |
So am I. I have a few ideas for our routine. I'm thinking burlesque, | 0:07:15 | 0:07:20 | |
show girls, feathers, big eye make- up. I think I should come up with | 0:07:21 | 0:07:26 | |
the chore yaing fee, the main performance. I mean, Jane was a | 0:07:26 | 0:07:32 | |
lead on the show for a long time. What are you saying? When did you | 0:07:32 | 0:07:40 | |
join the Square? Hold on a minute, I've had some major leading story | 0:07:40 | 0:07:46 | |
lines. Remember the CCTV, and I stole the booze. Are you having a | 0:07:46 | 0:07:52 | |
laugh, that wasn't a story line. When they blew up my B&B, people | 0:07:52 | 0:07:57 | |
died in that fire. But I survived. I had it much rougher than you. | 0:07:57 | 0:08:06 | |
Before you joined the show I had my stomach shot by my evil stepson. | 0:08:06 | 0:08:11 | |
And I've nearly had my eyes torn out. That's rough. You don't know | 0:08:11 | 0:08:21 | |
0:08:21 | 0:08:21 | ||
the meaning of the word "rough." Yes, I do. I was with Ian Beale for | 0:08:21 | 0:08:31 | |
seven years....oofrpblgts yeah, but...fair enough. | 0:08:31 | 0:08:41 | |
0:08:41 | 0:08:45 | ||
From EastEnders, dancing the... Drum roll. Stop that. Get off. | 0:08:45 | 0:08:51 | |
Dancing to Telphone by Lady Gaga and Beyonce, all in the name of | 0:08:51 | 0:08:56 | |
Sport Relief, it's Tamika and Sport Relief, it's Tamika and | 0:08:56 | 0:09:06 | |
0:09:06 | 0:09:06 | ||
Laurie. # Hello, hello, baby, you called I | 0:09:06 | 0:09:11 | |
can't hear a thing # I have done more service in the | 0:09:11 | 0:09:15 | |
club # You're breaking up on me | 0:09:15 | 0:09:25 | |
# Sorry, I cannot hear you # I'm kind of busy | 0:09:25 | 0:09:30 | |
# K-k-kind of busy # Just a second | 0:09:30 | 0:09:39 | |
# I cannot hear you # You knew that I was scared | 0:09:39 | 0:09:49 | |
0:09:49 | 0:10:11 | ||
# And now coming after me # Should have left my phone at home | 0:10:11 | 0:10:21 | |
0:10:21 | 0:10:25 | ||
# 'Cos this is wrath or sad # I'm going out | 0:10:25 | 0:10:30 | |
Stop it, I don't want to hear any more | 0:10:30 | 0:10:34 | |
Had been had been stop calling, stop calling | 0:10:34 | 0:10:41 | |
# I don't want to hear any more # Stop calling, | 0:10:41 | 0:10:49 | |
# Stop calling # On the dance floor | 0:10:49 | 0:10:59 | |
0:10:59 | 0:11:22 | ||
Tax yeeck ia, -- Tamika, Laurie, come join us, girls. | 0:11:22 | 0:11:26 | |
I'm no dance judge but that felt like the perfect start to the show. | 0:11:26 | 0:11:35 | |
Are you happy with that? It went by in a flash, I'm happy. Tamika? | 0:11:35 | 0:11:42 | |
Rrrrrrr. What did the panel make of it? For the love of God, ladies, | 0:11:42 | 0:11:47 | |
it's seven o'clock in the evening. You could have heated up your tea | 0:11:47 | 0:11:53 | |
on that. Hot or not, Lady Gaga would have been proud. | 0:11:53 | 0:11:57 | |
You looked like you loved it. haven't seen the original video, | 0:11:57 | 0:12:05 | |
but it can't have been better than that. It wasn't. Honestly, half way | 0:12:05 | 0:12:10 | |
through I just started roaring like a lion. I wasn't in control. It was | 0:12:10 | 0:12:17 | |
feral. And Keith, at the end. Come on. | 0:12:17 | 0:12:24 | |
Lost for words, surely not? Honestly, I was going to trivialise | 0:12:24 | 0:12:32 | |
it, and mock it, but honestly, I got all butterflies, right to my | 0:12:32 | 0:12:37 | |
hidden bits. It was amazing! And I'm not just saying that, because | 0:12:37 | 0:12:40 | |
we were told to give toff input, but that was amazing. | 0:12:40 | 0:12:46 | |
Thank you. It was amazing. Now, if you went | 0:12:47 | 0:12:56 | |
Gaga over their version of Telphone then pick up yours and dial: | 0:12:56 | 0:13:02 | |
Please don't call now. Lines aren't open until all the acts have | 0:13:02 | 0:13:06 | |
performed. And don't forget to ask who pays the bill for permission | 0:13:06 | 0:13:13 | |
before you call. And, of course, if you do call, you'll be raising | 0:13:13 | 0:13:16 | |
money for Sport Relief. Thank you very much, the great Tamika and | 0:13:16 | 0:13:20 | |
Laurie. They were brilliant. Where do we go | 0:13:20 | 0:13:25 | |
from there? Well, let's see. We have a bit of a tradition on this | 0:13:25 | 0:13:32 | |
show of coaxing men into women's clothing. I assure you our next | 0:13:32 | 0:13:38 | |
celebrity can walk that thin line between masculinity and femininity | 0:13:38 | 0:13:44 | |
perfectly. It's six-foot, bald, football playing, Terry Alderton. | 0:13:44 | 0:13:49 | |
I'm Terry and apparently I talk to myself. | 0:13:49 | 0:13:56 | |
Some people won't understand what the hell is going on at this point. | 0:13:56 | 0:14:01 | |
You can't entertain all the people all the time. That's what mother | 0:14:01 | 0:14:05 | |
said. Mother was always right. Yes, of course, I'm going to have | 0:14:05 | 0:14:10 | |
to tpwhi it and talk to the other half and then I'll let you know. Is | 0:14:10 | 0:14:20 | |
0:14:20 | 0:14:21 | ||
that all right? OK, bye bye. So, that was the agent. I know. | 0:14:21 | 0:14:25 | |
wants us to do that Let's Dance. Which is great news. I don't know | 0:14:25 | 0:14:31 | |
about that because every male comic who goes on that show ends up | 0:14:31 | 0:14:35 | |
prancing around in make-up and a dress. I know, it's going to be | 0:14:36 | 0:14:45 | |
0:14:46 | 0:14:50 | ||
amazing. No, I'm not doing drag. come on. We'll look fabulous in an | 0:14:50 | 0:14:57 | |
evening gown. A few sequins. don't know. How about the make-up | 0:14:57 | 0:15:07 | |
to a minimum? Subtle lipstick, and something to bring the eyes out and | 0:15:07 | 0:15:13 | |
the dance can be not too silly. just don't want to be the bloke | 0:15:13 | 0:15:18 | |
who's wearing the dress for a cheap laugh. You won't be. Promise? | 0:15:18 | 0:15:28 | |
0:15:28 | 0:15:30 | ||
promise. He could count himself lucky, he | 0:15:31 | 0:15:38 | |
wanted to be boat the cheemy girls. Now, brace yourself -- Cheeky Girls. | 0:15:38 | 0:15:48 | |
0:15:48 | 0:15:49 | ||
Now, brace yourselves, dancing to Proud Mary, by teen -- Tina Turner, | 0:15:49 | 0:15:58 | |
it's Terry Alderton. # Workin for the man every night and day | 0:15:58 | 0:16:08 | |
0:16:08 | 0:16:08 | ||
# Big wheel keep on turning # Proud Mary, keep on burning | 0:16:08 | 0:16:15 | |
# And we're rollin, Rollin, yeah | 0:16:15 | 0:16:25 | |
0:16:25 | 0:16:34 | ||
Rollin on a river # Rollin on the river | 0:16:35 | 0:16:38 | |
# Oh, I look to do a job in the city | 0:16:38 | 0:16:44 | |
# Workin for the man Had been had been big wheels keep | 0:16:44 | 0:16:49 | |
on turning # Proud Mary, keep on burning | 0:16:49 | 0:16:52 | |
# Rollin, # Rollin | 0:16:52 | 0:16:56 | |
# Rollin on a river # We're rollin | 0:16:56 | 0:17:06 | |
0:17:06 | 0:17:14 | ||
# Rollin # Rollin, | 0:17:14 | 0:17:24 | |
0:17:24 | 0:18:01 | ||
# Rollin, yeah WOLF WHISTLES | 0:18:01 | 0:18:06 | |
Hello, Terry. How are you doing? Yeah, gangster, man, gangster. | 0:18:06 | 0:18:13 | |
Chafing, chafing. Did you enjoy that? Is there any lipstick on my | 0:18:13 | 0:18:18 | |
teeth. Just a smudge. That's the least of your worries. Let's find | 0:18:18 | 0:18:24 | |
out what the panel thought. Graham, do you have any words for that? | 0:18:25 | 0:18:32 | |
That was physical poetry. His femininity was aTownending. In the | 0:18:32 | 0:18:38 | |
opening line-up, I couldn't tell which was Terry. My only wish is | 0:18:38 | 0:18:47 | |
that someone keeps the only Tina Turner away from YouTube for a few | 0:18:47 | 0:18:52 | |
weeks, for fear she summables on this. But it was excellent. Thank | 0:18:52 | 0:18:58 | |
you. Des he make a good woman? thought the dance was phenomenal. | 0:18:58 | 0:19:02 | |
The facial expressions fascinated me. I genuinely thought we would | 0:19:02 | 0:19:07 | |
have to get a paramedic for a little bit. But the dance was | 0:19:07 | 0:19:14 | |
amazing. It's doubley amazing, as I walked into Terry's dressing room | 0:19:14 | 0:19:22 | |
before the show and he did that whole dance with a tin of baked | 0:19:22 | 0:19:29 | |
beans in his thighs. Keith, what did you think? The fireworks | 0:19:29 | 0:19:35 | |
worried me a little bit. And again the face. And then I wrote Silence | 0:19:35 | 0:19:45 | |
0:19:45 | 0:19:45 | ||
Of the Lambs. Put the dog in the bucket. This is | 0:19:45 | 0:19:50 | |
getting far too weird. Thank you very much, panel, very, very nice | 0:19:50 | 0:20:00 | |
0:20:00 | 0:20:05 | ||
indeed. So, if Terry as Tina left And remember, all of your calls | 0:20:05 | 0:20:09 | |
raise money for Sport Relief. Thank you very much, Terry Alderton, | 0:20:09 | 0:20:16 | |
off you go. Don't call now, the lines are not | 0:20:16 | 0:20:22 | |
open. Remarkable. He is attractive, mind. | 0:20:22 | 0:20:27 | |
Very. Before we move on, I have an apology to make. It's been brought | 0:20:27 | 0:20:31 | |
to our attention that our next act can actually dance. How this | 0:20:31 | 0:20:34 | |
happened, we don't know. We are tracking down the person | 0:20:34 | 0:20:39 | |
responsible and they will be destroyed. That's a bit much. He's | 0:20:39 | 0:20:48 | |
a world-class cricketer and a Strictly first-class dancer. It's | 0:20:48 | 0:20:53 | |
Darren Gough. Hello, I'm Darren Gough, I've been a cricketer all my | 0:20:53 | 0:21:01 | |
life. Since probably five years old when I first picked up a cricket | 0:21:01 | 0:21:11 | |
0:21:11 | 0:21:12 | ||
bat until retiring at 37 years old, when I retired. I was captain for | 0:21:12 | 0:21:19 | |
Yorkshire. But do people stop me in a street and say I was brilliant | 0:21:19 | 0:21:27 | |
for Yorkshire? Joo no? I played for England, do people come up in the | 0:21:27 | 0:21:36 | |
street and say, "You were great for England? No? And yet, I do one | 0:21:36 | 0:21:41 | |
dance show and it won't leave me alone. Everywhere I go, dance is | 0:21:41 | 0:21:50 | |
stalking me. Cricket star, Darren Gough... | 0:21:51 | 0:21:55 | |
as though it's trying to lure me back on to that dance floor. Some | 0:21:55 | 0:22:01 | |
days are better than others. But recently, I feel as though | 0:22:01 | 0:22:09 | |
dance is closing in on me and I'm running out of places to hide. | 0:22:09 | 0:22:15 | |
# Dancing, dancing # I know that eventually it will get me. | 0:22:15 | 0:22:20 | |
# I feel like dancing # Before I know it, I'll be back on | 0:22:20 | 0:22:29 | |
that stage, grinning like the fool I am. The shame! | 0:22:30 | 0:22:35 | |
If you want to hide from dance then there's no better place than this | 0:22:35 | 0:22:40 | |
studio. He's right. For Sport Relief, dancing to The Gym Mambo | 0:22:40 | 0:22:50 | |
0:22:50 | 0:22:58 | ||
from West Side Story, it's Darren # Mambo | 0:22:58 | 0:23:08 | |
0:23:08 | 0:23:08 | ||
Apology for the loss of subtitles for 123 seconds | 0:23:08 | 0:25:11 | |
Dazzer. Clearly e y, you've get previous. You, Sir, can dance. Are | 0:25:11 | 0:25:19 | |
you happy with that OK. It was fabulous. It's been seven years, | 0:25:19 | 0:25:25 | |
2005 I was champion. I really enjoyed it. These guys were | 0:25:25 | 0:25:31 | |
brilliant. Panel, what were you thinking? What a treat. Seven years | 0:25:31 | 0:25:36 | |
on, your gift for the dance is undiminished, Sir. That was really | 0:25:36 | 0:25:42 | |
lovely. If I toffs voice a criticism, and it's a small one. I | 0:25:42 | 0:25:47 | |
would say the hair seems slightly stiff and underrehearsed. That's | 0:25:47 | 0:25:51 | |
all I'm saying. Other than that, it was lovely. And you know, the hair | 0:25:51 | 0:25:57 | |
might come back better and do later. You've got something to work on. | 0:25:57 | 0:26:03 | |
I've always got something to work on. He was good, wasn't he. He's | 0:26:03 | 0:26:11 | |
still got it? I used to be a big Fred Astaire fan and after watching | 0:26:11 | 0:26:17 | |
that, I realise I now hate him. I blacked out about 30 to 40 times | 0:26:17 | 0:26:24 | |
during that performance. I thought it was awesome. I had a full | 0:26:24 | 0:26:29 | |
nosebleed and I'm pretty sure I dislocated a hip. So you're happy | 0:26:29 | 0:26:35 | |
with it? You enjoyed it? I thought it was the greatest dance that has | 0:26:35 | 0:26:42 | |
ever been televised. We're glad you confirmed that, it could have gone | 0:26:42 | 0:26:47 | |
either way. Keith, on the end, was he good? He was technically on | 0:26:47 | 0:26:53 | |
points, I thought. I did write down Terry and June. Because you remind | 0:26:53 | 0:27:00 | |
me of Terry from Terry and June. Even Darren Gough is too young to | 0:27:00 | 0:27:10 | |
know who that is. I do know who they are. No, it was very good and | 0:27:10 | 0:27:17 | |
all those girls were bang tidy. And my eyes were just... But, yes, as a | 0:27:17 | 0:27:23 | |
dance, so far, that technically was the most one that was on the points. | 0:27:23 | 0:27:29 | |
Thank you, Keith. So, if you don't want the Gough to be off, the | 0:27:29 | 0:27:39 | |
0:27:39 | 0:27:46 | ||
Don't call yet, your vote won't count and you may still be charged. | 0:27:46 | 0:27:55 | |
Let's hear it for Darren Gough, everyone. | 0:27:55 | 0:28:00 | |
OK, let's get serious. No more messing around. Our next act have | 0:28:00 | 0:28:06 | |
over 100 years of showbiz between them. They were great, great stars | 0:28:06 | 0:28:13 | |
to your great, great grandparents. It's the original superstar DJs | 0:28:13 | 0:28:21 | |
Tony Blackburn and David Hamilton. We're known as disc jockeys. | 0:28:21 | 0:28:25 | |
half, mate. They are amongst Britain's most successful DJs and | 0:28:25 | 0:28:32 | |
have been at the top of their game since the 1960s. Do you like the T- | 0:28:32 | 0:28:36 | |
shirt? I definitely think this is the style that will catch on for | 0:28:36 | 0:28:42 | |
Christmas. It's the new look for '77. We caught up with them as they | 0:28:42 | 0:28:47 | |
prepared for their appearance on Let's Dance for Sport Relief. | 0:28:47 | 0:28:53 | |
nice to do a bit of something for charity. For charity, yes. But a | 0:28:53 | 0:28:57 | |
chance for all those girls out there to feast on their favourite | 0:28:57 | 0:29:02 | |
eye candy. When we do a big TV show like this, the first thing we do is | 0:29:02 | 0:29:08 | |
hit the gym hard. Absolutely. This doesn't come free. Tony, I'm | 0:29:08 | 0:29:13 | |
thinking of starting off with a little speed work for the arms. | 0:29:13 | 0:29:18 | |
That's cool. Get the guns right and everything else falls into place. I | 0:29:19 | 0:29:25 | |
wouldn't go as far as to say we're heart-throbs. I would! Do I need to | 0:29:26 | 0:29:31 | |
do a bit more work on these? Don't be ridiculous, they're perfect. | 0:29:31 | 0:29:38 | |
I thought so. Of course, we don't enjoy the gym time. No, it's just | 0:29:38 | 0:29:42 | |
that we feel we have a responsibility to our legion of | 0:29:42 | 0:29:49 | |
loyal female fans. It's a burden, really. My God, you're handsome, | 0:29:49 | 0:29:57 | |
David. So are you, Tony, so are you! | 0:29:57 | 0:30:05 | |
Yes, this is Tony and David. Just in case you were thinking that half | 0:30:05 | 0:30:10 | |
of JLS had come on early. It's a an easy mistake. They were certainly | 0:30:10 | 0:30:18 | |
hip in their day, but are their hips up to it now. Dancing for | 0:30:18 | 0:30:25 | |
Sport Relief, dancing to Push It by Salt-N-Pepa, it's Tony Blackburn | 0:30:25 | 0:30:35 | |
0:30:35 | 0:31:03 | ||
# I want you to push it # # Number one | 0:31:03 | 0:31:08 | |
# Try to show me # # Push it, | 0:31:08 | 0:31:18 | |
0:31:18 | 0:31:23 | ||
# Push it up # Off, baby, baby, | 0:31:23 | 0:31:33 | |
0:31:33 | 0:31:35 | ||
# Off, baby, baerks # Off, baby, come, give me a kiss. | 0:31:35 | 0:31:41 | |
# Can't you hear the music pumping hard now I wish you would, now push | 0:31:41 | 0:31:48 | |
# Push it good. # Push it real good | 0:31:48 | 0:31:56 | |
# Push it # Push it real good | 0:31:56 | 0:32:05 | |
# You've got me goin # I don't know what I'd do | 0:32:05 | 0:32:15 | |
0:32:15 | 0:32:31 | ||
# Off, baby, baby I personally don't think that could | 0:32:31 | 0:32:36 | |
have gone much better, how are you feeling about it, Tony? Well, at | 0:32:36 | 0:32:41 | |
least we're not out of breath. We had a lot of fun. Are you happy? | 0:32:41 | 0:32:47 | |
Can we do it again, right now? There's every chance. Let's chat | 0:32:47 | 0:32:53 | |
with the panel. Graham Norton, come on, Sir. Does it get any better. | 0:32:53 | 0:33:01 | |
That was geneious. I would say, of the dances we've seen so far that | 0:33:01 | 0:33:05 | |
contained the greatest element of danger. Am I wrong, even if the | 0:33:05 | 0:33:09 | |
show wasn't happening, you might have been doing that any way? | 0:33:09 | 0:33:15 | |
a safe bet. And also, very hard, I think. Lovely outfits and even I | 0:33:15 | 0:33:20 | |
wouldn't have known where to go with footwear, and I think the | 0:33:20 | 0:33:25 | |
Wonder Woman boots are a genius touch. This is what we wear any way. | 0:33:25 | 0:33:32 | |
I know. I've seen you out and about. It goes with anything. Ish. Graham, | 0:33:32 | 0:33:40 | |
that was brave, wasn't it? Well, I think it's very easy to mock...so | 0:33:40 | 0:33:46 | |
other people can say what they want. I thought it was some of the rawest | 0:33:46 | 0:33:51 | |
urban dance I've ever seen. There was an element of danger in there? | 0:33:51 | 0:33:57 | |
When I went to your dressing room and I saw you guys punching raw | 0:33:57 | 0:34:04 | |
meat. I knew we were in for a treat. Keith, help us out? I'm sweating | 0:34:04 | 0:34:10 | |
with laughing. I've always wondered what Jed wood might look like in | 0:34:10 | 0:34:20 | |
0:34:20 | 0:34:21 | ||
the future. That's all I could think of. I | 0:34:21 | 0:34:26 | |
thought it was amazing when you disappeared behind your initials | 0:34:26 | 0:34:32 | |
because I didn't know whereed' gone and then you poked your head back. | 0:34:32 | 0:34:40 | |
You were hoping we weren't coming back. And the leapfrog. When that | 0:34:40 | 0:34:44 | |
happened, a little tummy squeal came out. All right, I think they | 0:34:44 | 0:34:50 | |
loved it. So if you at home don't think Tony and David should push | 0:34:50 | 0:34:54 | |
off, you can vote for them when the lines are open after everyone else | 0:34:54 | 0:35:04 | |
0:35:04 | 0:35:05 | ||
has performed. And the money raised on your calls | 0:35:05 | 0:35:15 | |
will go to people who need it. Thank you very much for now, guys. | 0:35:15 | 0:35:24 | |
Now, a question. What do you get if you cross Sweden with Greece, Alex? | 0:35:24 | 0:35:34 | |
0:35:34 | 0:35:36 | ||
Flat-pack furniture that you can't a -- afford. I like the political | 0:35:36 | 0:35:45 | |
answer, but it's Angelos Epithemiou and Ulrika Jonsson. | 0:35:45 | 0:35:51 | |
This chain links my heart to your heart. But give it back at the end, | 0:35:51 | 0:36:01 | |
because it's also my bog chain. Today, Angelos is holding auditions | 0:36:01 | 0:36:05 | |
to find a dance partner for his next hit show, Let's Dance for | 0:36:05 | 0:36:10 | |
Sport Relief. I don't know what it is, but it's a great cause. Let's | 0:36:10 | 0:36:16 | |
get this show on the road. What I'm looking for is dancers. There must | 0:36:16 | 0:36:21 | |
be some confusion, because you've come dressed in your swimming | 0:36:21 | 0:36:27 | |
costumes. Next! Right, someone call a doctor, I | 0:36:27 | 0:36:33 | |
think he's having a fit. Stop it, stop it. You're | 0:36:34 | 0:36:43 | |
0:36:44 | 0:36:46 | ||
embarrassing yourself. # Big spender had been | 0:36:46 | 0:36:56 | |
0:36:56 | 0:37:07 | ||
This is explosive stuff. Listen, can you do the dates? No. Is there | 0:37:07 | 0:37:13 | |
anyone else? I'm afraid that's everyone. There is someone else, | 0:37:13 | 0:37:20 | |
actually. It's a long shot but she'll do anything for money. Hello, | 0:37:20 | 0:37:26 | |
Ulrika. No, no. Listen, right. I'm looking for a dance partner. No. | 0:37:26 | 0:37:32 | |
wait, wait. I've got thousands of pounds in cash here. You've got | 0:37:32 | 0:37:42 | |
0:37:42 | 0:37:43 | ||
four kids. You do the math. It went very well, I think. | 0:37:43 | 0:37:50 | |
Well, she didn't say yes. Was there enough money in that orange plastic | 0:37:50 | 0:37:59 | |
bag? Let's find out. Yes, dancing for Sport Relief it's Angelos and, | 0:37:59 | 0:38:09 | |
0:38:09 | 0:38:39 | ||
# Roxanne # # Roxanne, you don't have to put on | 0:38:39 | 0:38:43 | |
the red light # Roxanne, you don't have to sell | 0:38:43 | 0:38:53 | |
0:38:53 | 0:38:54 | ||
your body to the night # His hand upon your face | 0:38:54 | 0:39:03 | |
# His hand upon your hand # His lips caress your skin | 0:39:03 | 0:39:13 | |
0:39:13 | 0:39:13 | ||
Apology for the loss of subtitles for 123 seconds | 0:39:13 | 0:40:12 | |
# Believe me when I say Bravo. Angelos and Ulrika, come and | 0:40:12 | 0:40:18 | |
join us, please. Extremely powerful stuff. Are you all right? Have you | 0:40:18 | 0:40:24 | |
got a bit of dry mouth going on there? OK, I'll go to Angelos. | 0:40:24 | 0:40:32 | |
we nailed it. Is that the opinion of the panel? Graham. Well, it was | 0:40:32 | 0:40:38 | |
beautiful. It had real savage nobodyility. Yeah, that's what I | 0:40:38 | 0:40:44 | |
put in the choreography. It was nice. Was I right in seeing a | 0:40:44 | 0:40:49 | |
slight whiff of Bride of Frankenstein in some of it? You | 0:40:49 | 0:40:55 | |
were holding her up. No. I liked it nonetheless. Greg, it was | 0:40:55 | 0:40:59 | |
passionate? I thought it was violent, beautiful, and I thought | 0:40:59 | 0:41:08 | |
Angelos, the way he got rid of the bag. It reminded me of a young | 0:41:08 | 0:41:16 | |
Wayne Sleep. I'd be happy to enter into a relationship with either of | 0:41:16 | 0:41:23 | |
you. Was there chemistry there? There was lots of passion. Ulrika, | 0:41:24 | 0:41:29 | |
you look really fit. I don't know how many kids you have, but you | 0:41:29 | 0:41:35 | |
haven't an ounce of timber on you, have you? Was that your own front | 0:41:35 | 0:41:42 | |
door in the video? Yes. I liked it. You're welcome any time. | 0:41:42 | 0:41:49 | |
Angelos, I really liked your shoes as well. Yes, they're lovely shoes. | 0:41:49 | 0:41:54 | |
I got them off eBay. They're very good. | 0:41:54 | 0:42:04 | |
0:42:04 | 0:42:04 | ||
So, if their tango gave you tingles, give them a tinkle. And when you do | 0:42:04 | 0:42:07 | |
call you'll be raising money for Sport Relief. | 0:42:07 | 0:42:13 | |
Thank you, guys. We'll see you a little bit later. | 0:42:13 | 0:42:19 | |
OK, so there we are. Not so much five celebrity dance acts as five | 0:42:19 | 0:42:24 | |
very real cries for help. Now, only the act with the highest number of | 0:42:24 | 0:42:28 | |
your votes will have an automatic place in the final. Our panel over | 0:42:28 | 0:42:31 | |
there, will then choose between the two acts with the next highest | 0:42:31 | 0:42:38 | |
number of votes, to see who joins your choice. Never let it be said | 0:42:38 | 0:42:42 | |
I'm not a gentleman, but it is right for you to do the first bit | 0:42:42 | 0:42:48 | |
of our favourite part of the show. Thank you very much, Steve. I can | 0:42:48 | 0:42:52 | |
announce that the phone lines are announce that the phone lines are | 0:42:52 | 0:42:55 | |
now open! There's nothing like it. Now, with the lines open, there's | 0:42:55 | 0:43:01 | |
another job that needs doing, that is only fit for a Dame. | 0:43:01 | 0:43:08 | |
Sn Hello, possums, this is Dame Edna, global stuper star and a | 0:43:08 | 0:43:13 | |
great friend of Sport Relief and Comic Relief. So I'm going to give | 0:43:13 | 0:43:19 | |
you the terms and conditions. The calls cost 50p from a BT landline | 0:43:19 | 0:43:24 | |
of which 36en 5p goes to Sport Relief. | 0:43:24 | 0:43:34 | |
0:43:34 | 0:43:37 | ||
Isn't that good? Other network may vary and calls from mobiles will be | 0:43:37 | 0:43:42 | |
considerably higher, of course. The lines close in 15 minutes and | 0:43:42 | 0:43:47 | |
please get the bill-payer's permission before you call. That's | 0:43:47 | 0:43:50 | |
very important. For more information visit the website. | 0:43:50 | 0:44:00 | |
0:44:00 | 0:44:01 | ||
And give, give, give. As I always What a scoop. Our second choice was | 0:44:02 | 0:44:06 | |
the Queen. So, who would you like to see back in the final in four | 0:44:06 | 0:44:11 | |
weeks' time? Here is a reminder of tonight's performances with those | 0:44:11 | 0:44:21 | |
0:44:21 | 0:44:21 | ||
Apology for the loss of subtitles for 123 seconds | 0:44:21 | 0:45:39 | |
Well, you at home might feel like a lie down after all that. But don't | 0:45:39 | 0:45:45 | |
do it yet, you can raise money for Sport Relief by phoning for your | 0:45:45 | 0:45:50 | |
favourite act. And your efforts don't have to end there. On Sunday | 0:45:50 | 0:45:54 | |
25 March thousands of people will be putting on their trainers and | 0:45:54 | 0:45:59 | |
track suits to take part in the Sport Relief Mile. This year we're | 0:45:59 | 0:46:04 | |
aiming for one million milers. Imagine that. Whether you do it | 0:46:04 | 0:46:09 | |
with your colleagues, school mates or just do it yourself, It's the | 0:46:10 | 0:46:16 | |
taking part that counts. I'm here to give you some training tips. | 0:46:16 | 0:46:25 | |
Staff jumps. Stretches. I'll show you. | 0:46:25 | 0:46:30 | |
We've had royalty run it. Politicians. It's not just the UK | 0:46:30 | 0:46:37 | |
that's running the Mile, it's gone global. Just manin how much one | 0:46:37 | 0:46:42 | |
million milers could raise. And the best thing about it is that by | 0:46:42 | 0:46:46 | |
taking part you'll be helping to change lives right here in the UK | 0:46:46 | 0:46:51 | |
and in the world's poorest countries. And you'll have a ball | 0:46:51 | 0:46:57 | |
doing it. You can run in the major cities all over the UK as well as | 0:46:57 | 0:47:01 | |
hundreds of local miles. Rise to the challenge. Sign up to the Sport | 0:47:01 | 0:47:11 | |
0:47:11 | 0:47:12 | ||
Relief Mile. Yes, it's going to wholly rock. | 0:47:12 | 0:47:19 | |
Now, have you signed up yet? signed twice. I shall go that extra | 0:47:19 | 0:47:25 | |
mile. Since their appearance on this programme last year, this | 0:47:25 | 0:47:31 | |
talented young lady has won dozens of awards and sold millions of | 0:47:31 | 0:47:36 | |
albums. With her latest single, damn know, it's the dazzling Jessie | 0:47:36 | 0:47:46 | |
James. # I'm feeling sexy and free | 0:47:46 | 0:47:52 | |
# Like glitter's raining on me # You like a shot of pure gold | 0:47:52 | 0:48:00 | |
# I think I'm about to explode # I can taste the tension like a | 0:48:00 | 0:48:05 | |
cloud of smoke in the air # Now, I'm breathing like I'm | 0:48:05 | 0:48:07 | |
running cause you're taking me there | 0:48:07 | 0:48:14 | |
# Don't you know # You spin me out of control | 0:48:14 | 0:48:19 | |
# Ooh, ooh # We can do this all night | 0:48:19 | 0:48:23 | |
# Turn this club, skin tight # Baby, come on | 0:48:23 | 0:48:29 | |
# Pull me like a bass drum # Sparkin up a rhythm | 0:48:29 | 0:48:36 | |
# Baby, come on # Rock my world into the sunlight | 0:48:36 | 0:48:40 | |
# Make this dream the best I've ever known | 0:48:40 | 0:48:46 | |
# Dirty dancing in the moonlight # Take me down like I'm' domino | 0:48:46 | 0:48:52 | |
# Every second is a highlight # When we touch don't ever let me | 0:48:52 | 0:49:02 | |
0:49:02 | 0:49:05 | ||
# Dirty dancing in the moonlight # Take me down like I'm a domino | 0:49:05 | 0:49:13 | |
# You got me losing my mind # My heart beats out of time | 0:49:13 | 0:49:23 | |
0:49:23 | 0:49:23 | ||
# I'm seeing Hollywood stars You strike me like a guitar | 0:49:23 | 0:49:28 | |
# We can do this all night # Turn this club skin tight | 0:49:28 | 0:49:32 | |
# Baby, come on # Pull me like a bass drum | 0:49:32 | 0:49:38 | |
# Sparkin up a rhythm # Baby, come on | 0:49:38 | 0:49:44 | |
# Rock my world into the sunlight # Make this dream the best I've | 0:49:44 | 0:49:48 | |
ever known # Dirty dancing in the moonlight | 0:49:48 | 0:49:57 | |
# Take me down like I'm a dam know # Oh, baby, baby, you've got me | 0:49:57 | 0:50:01 | |
feeling so right # Oh, baby, baby dancing in the | 0:50:01 | 0:50:05 | |
moon slight # Oh, baby, baby, you've got me | 0:50:05 | 0:50:09 | |
feeling so right # Baby, baby | 0:50:09 | 0:50:15 | |
# Rock my world into the sunlight # Make this dream the best I've | 0:50:15 | 0:50:19 | |
ever known # Dirty dancing in the moonlight | 0:50:19 | 0:50:26 | |
# Take me down like I'm a domino # Every second is a highlight | 0:50:26 | 0:50:34 | |
# When we touch don't ever let me # Dirty dancing in the moonlight | 0:50:34 | 0:50:44 | |
0:50:44 | 0:50:48 | ||
# Take me down like I'm a domino # Thank you. | 0:50:48 | 0:50:55 | |
Now, not many people could get away with that catsuit. A phenomenal | 0:50:55 | 0:51:02 | |
performance there by Jessie J. I'm here in the family area, with lots | 0:51:02 | 0:51:06 | |
of EastEnders supporting their ladies. Have the ladies done the | 0:51:06 | 0:51:10 | |
square profound this evening? Absolutely. Did you see that. They | 0:51:10 | 0:51:18 | |
were amazing, weren't they. Get on the phone and vote. We want Lawrie | 0:51:18 | 0:51:25 | |
and Tamika to win. They were good, weren't they, should the real Lady | 0:51:25 | 0:51:30 | |
Gaga and Beyonce be worried? think so. They're careers are | 0:51:30 | 0:51:35 | |
finished and Tamika and Lawrie have taken over! Ricky, it's all for a | 0:51:35 | 0:51:39 | |
good cause, of course, but are Tamika and Lawrie properably | 0:51:40 | 0:51:44 | |
competive. Would they like to win? Did you see them do their thing, | 0:51:44 | 0:51:49 | |
they were going for it. They are in it to win it. Pick up and phone for | 0:51:50 | 0:51:56 | |
them, because their muscles are hurting right now. Brian, Ulrika's | 0:51:56 | 0:52:03 | |
support network. You've got the badges on the wrong way round. That | 0:52:03 | 0:52:08 | |
was quite passionate, is Angelos a threat? I just want him to keep his | 0:52:08 | 0:52:13 | |
hands off my wife. But, no, I foresee the nice tango sessions at | 0:52:13 | 0:52:20 | |
home, so...And What was in the bag? I don't know. It was pretty | 0:52:20 | 0:52:26 | |
interesting. Yeah..You Can't disclose that for tax purposes. | 0:52:26 | 0:52:32 | |
Fair enough. Over to Steve. Thank you, Alex. I'm back stage at the | 0:52:32 | 0:52:39 | |
Let's Dance for Sport Relief bar, Shenanigans. Don't ask questions. | 0:52:39 | 0:52:43 | |
Just go with it. Who is in here this evening? | 0:52:43 | 0:52:52 | |
Hello. You're supposed to follow me through the door, cameraman. You're | 0:52:52 | 0:52:57 | |
shattering the illusion. Now, in here, not only can you play | 0:52:57 | 0:53:07 | |
0:53:07 | 0:53:07 | ||
pool with JLS, but you've got John thrown in Have you got a shot for | 0:53:07 | 0:53:13 | |
us this evening? Yes, he's going to play the white and it will hit the | 0:53:13 | 0:53:20 | |
side eight times and drop in. No dancing involved. | 0:53:20 | 0:53:30 | |
0:53:30 | 0:53:32 | ||
Oh, yes. That's Shenanigan's. This, by the way is the Let's Dance | 0:53:33 | 0:53:38 | |
champions' board. Gods of men. Some gods of cross- | 0:53:38 | 0:53:43 | |
dressing men. But 2012, no names. There's hope for everybody. A very | 0:53:43 | 0:53:52 | |
exciting time. Tamika, if I can push you aside. We're filming this | 0:53:52 | 0:53:56 | |
in Elstree studios. A beautiful part of the world. This is the town | 0:53:57 | 0:54:02 | |
square if you want to have a look! Over here, this cup is what we will | 0:54:02 | 0:54:07 | |
be awarding the winner. That is the actual cup that the winner will get. | 0:54:07 | 0:54:12 | |
I also believe, much like the World Cup, it was found in a hedge by a | 0:54:12 | 0:54:17 | |
dog. That's exciting. Tamika, Lawrie, so close to the cup, can | 0:54:17 | 0:54:22 | |
you walk away with it? I think we can run with it. I'm feeling it. | 0:54:22 | 0:54:30 | |
That's big talk. Lawrie? She does all the talking for us both. | 0:54:30 | 0:54:34 | |
does good. Terry, I think you need to hear this. It's not a dream. | 0:54:34 | 0:54:40 | |
It's actually happening, you're on TV dressed as Tina Turner? Let's | 0:54:40 | 0:54:45 | |
not muck about, Steve, do you want to make an old lady happy? What | 0:54:45 | 0:54:52 | |
would I have to do? Anything you like, sweety. Dazzer, let's be | 0:54:52 | 0:54:59 | |
honest. You are the middle-aged Billy Elliot. You are northern and | 0:54:59 | 0:55:04 | |
you just want to dance? Are you happy? Yes, after seven years, it's | 0:55:04 | 0:55:10 | |
a great opportunity to do it again. And a great cause and a great | 0:55:10 | 0:55:16 | |
opportunity to meet some great people. And jealous! Tony Diddy, | 0:55:16 | 0:55:23 | |
thanks very much for bringing your own clothes this evening. Tell me | 0:55:23 | 0:55:29 | |
you're having fun? We are having fun. We've been on a journey. We | 0:55:29 | 0:55:36 | |
started as non-dancer, and we finished as non-dancers. But we've | 0:55:36 | 0:55:41 | |
had fun. Are you happy with the performance? Swimmingly. | 0:55:41 | 0:55:44 | |
couldn't have gone any better. Congratulations all of you. The | 0:55:44 | 0:55:48 | |
best of luck. I'm being told you have approximately five minutes | 0:55:48 | 0:55:54 | |
left to vote. Blees do that, it will make -- please do that, it | 0:55:54 | 0:55:59 | |
will make a world of difference. These guys look pretty relaxed now, | 0:55:59 | 0:56:04 | |
but this week it's been different. Rehearsal time. We are going to | 0:56:04 | 0:56:11 | |
smash it. I just want to prove to myself I can do this. I've never | 0:56:11 | 0:56:16 | |
danced to music this quick. It's a struggle, I'll be honest. It's a | 0:56:16 | 0:56:21 | |
challenge. We've never danced before at all. I give up. | 0:56:21 | 0:56:30 | |
5, 6, 7, 8.. It can't be hard to do that, can | 0:56:30 | 0:56:39 | |
it? Out of shot, in shot. Raising money for charity. I've got a | 0:56:39 | 0:56:46 | |
reputation to keep up, though. Something has burst inside me. I | 0:56:46 | 0:56:56 | |
0:56:56 | 0:56:59 | ||
think it's called my integrity. We're fine! Get me out of here. | 0:56:59 | 0:57:05 | |
This is why I done it, because it gets you. It gets in touch with | 0:57:05 | 0:57:15 | |
0:57:15 | 0:57:20 | ||
everywhere. We're the eye candy for the more senior viewers. | 0:57:20 | 0:57:30 | |
0:57:30 | 0:57:33 | ||
Yeah, he's just spinning around. He's not a threat at all. | 0:57:34 | 0:57:39 | |
How are we going fare? Actually very badly! | 0:57:39 | 0:57:48 | |
Bring back Strictly. It's a lot slower. I'm here to win this. I'm | 0:57:48 | 0:57:52 | |
not coming second to no-one, I'm going to win this. So fix up, yeah. | 0:57:52 | 0:58:02 | |
Are you going to win? Yes. Yes. So, there isn't long enough to vote | 0:58:02 | 0:58:06 | |
for your favourite. Remember, just two of tonight's acts will make it | 0:58:06 | 0:58:12 | |
through to the Grand Final in four weeks' time. Now, we all know that | 0:58:12 | 0:58:17 | |
celebrities can be delicate little flours and need an ego massage. So | 0:58:17 | 0:58:21 | |
to do that, here are some of the supporters. I just want to say a | 0:58:21 | 0:58:26 | |
big good luck to everyone dancing tonight. I will be watching. I hope | 0:58:26 | 0:58:33 | |
it goes well. It's Tim here. Lots of luck with this incredible new | 0:58:33 | 0:58:37 | |
venture of yours, moving your legs around to something called music. | 0:58:37 | 0:58:44 | |
It's called dancing. I remember you said to me once, "Do you want to | 0:58:44 | 0:58:54 | |
dance?" and I said "yes" and you said "get some lessons." Angelos | 0:58:54 | 0:58:58 | |
and Ulrika, I'm sure your tango will be stunning. I've worked with | 0:58:58 | 0:59:02 | |
you and I know there's a huge amount of sexual tension between | 0:59:02 | 0:59:06 | |
you both and if only a small amount of that came through, you'll fly | 0:59:06 | 0:59:14 | |
away with this competition. Good luck. I hear you're dancing again, | 0:59:14 | 0:59:19 | |
Darren. I hope you can get into that suit, you've put on a few | 0:59:19 | 0:59:26 | |
pounds. Good luck. Knock them dead. Tamika and Lawrie, we all thought | 0:59:26 | 0:59:36 | |
0:59:36 | 0:59:36 | ||
you were a bit cook-coo, taking on Lady Gaga and Beyonce, but you're | 0:59:36 | 0:59:44 | |
fantastic. Good luck, girls. Go for it. Tony and David, people often | 0:59:44 | 0:59:49 | |
assume that radio DJs must be incredible dancers because we know | 0:59:49 | 0:59:56 | |
so much music. But that's not so. But you two, we have high hopes. | 0:59:56 | 1:00:02 | |
could be a knockout on the dance floor or a good, clean fight. May | 1:00:02 | 1:00:08 | |
the best boxer, I mean dancer, win. Good luck, guys. Lovely messages, | 1:00:08 | 1:00:14 | |
all sent from the heart. So the phone lines are now closed. Please | 1:00:14 | 1:00:19 | |
stop voting. If you do call now, your vote may not be counted but | 1:00:19 | 1:00:25 | |
you may still be chargeled -- charged. Here to tell us more about | 1:00:25 | 1:00:29 | |
how your money can make a difference are the just fabulous | 1:00:29 | 1:00:35 | |
JLS. Gentlemen, you've been hugely | 1:00:35 | 1:00:40 | |
involved in Sport Relief this year. Tell us all about it. Well, we went | 1:00:40 | 1:00:45 | |
out to Uganda and went and saw how the money is really helping people | 1:00:45 | 1:00:51 | |
out there. We saw some of the most heart-wrenching things. People are | 1:00:51 | 1:00:55 | |
living in hardendious conditions. You have to really be there to | 1:00:56 | 1:01:00 | |
understand. We went to see where they got water from and it was so | 1:01:00 | 1:01:04 | |
dirty, when we put a glass in the water we couldn't see our hand on | 1:01:04 | 1:01:08 | |
the other side. So it's important to raise as much money as possible. | 1:01:08 | 1:01:13 | |
Get everybody chipping in and show their support. And support relief | 1:01:13 | 1:01:18 | |
is an incredible choifrt. charities. And that's why you're | 1:01:18 | 1:01:24 | |
here. Thank you very, very much. I should say for everyone at home, | 1:01:24 | 1:01:29 | |
the film you're about to see is pretty harrowing stuff, so be | 1:01:29 | 1:01:34 | |
prepared. And you can still donate with a single text. Tonight is a | 1:01:34 | 1:01:39 | |
big night of entertainment but it's all for a very serious reason -- | 1:01:39 | 1:01:45 | |
raising money for things like vaccines that can save lives. | 1:01:45 | 1:01:54 | |
This is Margaret. Margaret is nine months old. She has come in today | 1:01:54 | 1:02:04 | |
with a complaint of diarrhoea. And she is severely dehydrated and at | 1:02:04 | 1:02:11 | |
risk of losing her life. Africa loses 100,000 babies to acute | 1:02:11 | 1:02:19 | |
diarrhoea. It is the biggest killer of | 1:02:19 | 1:02:24 | |
children, worse than AIDS and malaria. It's madness. The vaccine | 1:02:24 | 1:02:34 | |
is this big. A little thing that big. And it's like, that can just | 1:02:34 | 1:02:40 | |
prevent the loss of life. You can't see any kid in that state. It's not | 1:02:40 | 1:02:48 | |
right at all. Last year, we took part in the Comic Relief sketches | 1:02:48 | 1:02:53 | |
and when you're performing, you just don't take in how much money | 1:02:53 | 1:02:59 | |
people give. It helps and saves lives it really, really does. It's | 1:03:00 | 1:03:05 | |
heart breaking. I have literally a chill all down my spine and all | 1:03:05 | 1:03:13 | |
over my body. Just being in this room. This little miracle medicine | 1:03:13 | 1:03:23 | |
1:03:23 | 1:03:23 | ||
right here costs just �5. Please text yes to 70005 and you can save | 1:03:23 | 1:03:27 | |
a child's life. It's powerful stuff, but the | 1:03:27 | 1:03:32 | |
message is clear. Vaccines really do saves lives. Yes, if you want to | 1:03:33 | 1:03:42 | |
1:03:43 | 1:03:53 | ||
donate you can give �5 to Sport And here are the boys now, | 1:03:53 | 1:04:03 | |
1:04:03 | 1:04:14 | ||
performing their latest single, Do # There's a girl dancing dirty over | 1:04:14 | 1:04:17 | |
there # Do you see what I see? | 1:04:17 | 1:04:21 | |
# The way she moves I just had to stop and stair | 1:04:21 | 1:04:28 | |
# Do you see what I see? # There's a DJ playing all our | 1:04:28 | 1:04:31 | |
favourite songs # Do you hear what I hear? | 1:04:31 | 1:04:35 | |
# We be drinking so we all just sing along | 1:04:36 | 1:04:44 | |
# Yeah, do you hear what I hear? # Dancing with you is so easy 'cos | 1:04:44 | 1:04:48 | |
you're beautiful # You make it hard for me, girl, | 1:04:48 | 1:04:54 | |
every time we're on the floor # I wanna kiss you 'cos I gotta | 1:04:54 | 1:04:58 | |
know that tonight is real # Do you feel what I feel? | 1:04:58 | 1:05:08 | |
1:05:08 | 1:05:10 | ||
# This beat is killing the club # Do you feel what I feel? | 1:05:10 | 1:05:15 | |
# Two people falling in love # Now the bartender's turning on | 1:05:15 | 1:05:21 | |
the lights # Do you see what I see? | 1:05:21 | 1:05:24 | |
# Got my car and it's waiting outside | 1:05:24 | 1:05:31 | |
# You should leave when I leave # Dancing with you is so easy 'cos | 1:05:31 | 1:05:35 | |
you're beautiful # You make it hard for me, girl, | 1:05:35 | 1:05:40 | |
every time we're on the floor # I wanna kiss you 'cos I gotta | 1:05:40 | 1:05:44 | |
know that tonight is real # Do you feel what I feel? | 1:05:44 | 1:05:54 | |
1:05:54 | 1:05:55 | ||
# This beat is killing the club # Do you feel what I feel? | 1:05:55 | 1:06:00 | |
# Two people falling in love # Can you feel the temperature | 1:06:00 | 1:06:03 | |
rising? # Do you feel the drink in your | 1:06:03 | 1:06:07 | |
cup? # Let me cast a beat and we'll ride | 1:06:07 | 1:06:14 | |
4 # Go ahead and put your hands up # Can you feel the temperature | 1:06:14 | 1:06:19 | |
rising? # Put your hands in the air, baby | 1:06:19 | 1:06:24 | |
# It's JLS # Do you feel what I feel? | 1:06:24 | 1:06:30 | |
# Put your hands up # Do you feel what I feel? | 1:06:30 | 1:06:37 | |
# This beat is killing the club # Do you feel what I feel? | 1:06:37 | 1:06:42 | |
# Two people falling in love # Do you feel what I feel? | 1:06:42 | 1:06:47 | |
# This beat is killing the club # Do you feel what I feel? | 1:06:47 | 1:06:55 | |
# Two people falling in love # Two peopleing falling in love | 1:06:55 | 1:07:00 | |
# Two people falling in love # Do you feel, do you feel, do you | 1:07:00 | 1:07:05 | |
feel what I feel? # Do you feel what I feel? | 1:07:05 | 1:07:15 | |
1:07:15 | 1:07:27 | ||
The fantastic JLS. Thank you so much. Now, I'm joined by Victoria | 1:07:27 | 1:07:32 | |
and Debby, Tony's wife. Now, has Tony always had the moves? | 1:07:33 | 1:07:36 | |
Certainly, I've never seen anything like that before. No. That's new | 1:07:36 | 1:07:42 | |
moves for me. And as his daughter, Vectra, how hideous was that to | 1:07:42 | 1:07:50 | |
watch? Yes, very, very hideous. No. I'm really proud of him, I thought | 1:07:50 | 1:07:57 | |
he did they well. Did they push it too far, Pat. Well, the leapfrog | 1:07:57 | 1:08:06 | |
bit was a bit of a worry. But from what I've heard, P Diddy tweeted in | 1:08:06 | 1:08:16 | |
1:08:16 | 1:08:18 | ||
and said it's all over for him so now it's to T-Bone and Diddy. No | 1:08:18 | 1:08:25 | |
PDidddy. Now, Ben, did Terry's performance | 1:08:25 | 1:08:29 | |
at Tina Turner affect his masculinity? I've never considered | 1:08:29 | 1:08:36 | |
him to be that masculine. And I've no idea he was blond as well and | 1:08:36 | 1:08:41 | |
that wig..and how good were his legs! I saw him last week and he | 1:08:41 | 1:08:46 | |
said he was doing this, and he didn't say a word about it. It was | 1:08:46 | 1:08:51 | |
a truly mistake lus experience. Really sexy and Terry's wife is | 1:08:51 | 1:08:54 | |
here too. Now, it's time to get down to | 1:08:54 | 1:08:58 | |
business. The nation awaits the results. There are only two spaces | 1:08:58 | 1:09:03 | |
in the final up for grabs. Let's welcome our five acts back on to | 1:09:03 | 1:09:13 | |
1:09:13 | 1:09:18 | ||
the stage. Tamika and Lawrie. Angelos and Ulrika. | 1:09:18 | 1:09:28 | |
1:09:28 | 1:09:32 | ||
Terry Alderton. Tony and David. | 1:09:32 | 1:09:42 | |
1:09:42 | 1:09:43 | ||
And Darren Gough. We've seen five celebrity acts show | 1:09:43 | 1:09:50 | |
us their moves tonight and they've been fabulous, fearless and | 1:09:50 | 1:09:55 | |
phenomenally funky. Well handled. Now, only the act with the highest | 1:09:55 | 1:10:00 | |
number of public votes will have a guaranteed place in the final. | 1:10:00 | 1:10:08 | |
are you ready? ALL: Yes. Audience, are you ready? ALL: Yeah! Small dog, | 1:10:08 | 1:10:18 | |
are you ready? GROWLS OK, it's time, let's do this. | 1:10:18 | 1:10:28 | |
1:10:28 | 1:10:38 | ||
The first act who will Conga no longer is.... | 1:10:38 | 1:10:45 | |
Darren Gough. That's an upset. That's an upset. | 1:10:45 | 1:10:55 | |
1:10:55 | 1:11:02 | ||
The next act facing extradition from boogie wonderland is.... | 1:11:02 | 1:11:12 | |
1:11:12 | 1:11:15 | ||
Angelos and Ulrika. So then there were three. Tamika | 1:11:15 | 1:11:20 | |
and Laurie, Terry Alderton and Tony and David. One of them has an | 1:11:20 | 1:11:24 | |
automatic place in the final. The other two will be begging at the | 1:11:24 | 1:11:28 | |
feet of our panel for the last remaining place. We now have the | 1:11:28 | 1:11:37 | |
result. OK, this is it. I can now reveal the act with the | 1:11:37 | 1:11:47 | |
1:11:47 | 1:11:50 | ||
most public votes this week and going straight into the final is... | 1:11:50 | 1:11:56 | |
Tamika and Laurie. Congratulations, girls. You've done | 1:11:56 | 1:12:03 | |
You have got a place in the final on March 17. | 1:12:04 | 1:12:09 | |
You seemed shocked by this news. How are you feeling? Well, you saw | 1:12:09 | 1:12:18 | |
the rehearsal. Yeah, very shocked. Tamika? Listen, you've done it. | 1:12:18 | 1:12:23 | |
Congratulations. You need to perform one last time for us, so, | 1:12:23 | 1:12:29 | |
off you go, girls, you've got to do it again. Well done. | 1:12:29 | 1:12:35 | |
And, of course, a big round of applause one more time for Angelos | 1:12:35 | 1:12:39 | |
and Ulrika and Darren Gough, they've been great sports. And | 1:12:39 | 1:12:45 | |
that's what it is all about. Thank you, guys. So, that means we have | 1:12:45 | 1:12:51 | |
two acts left. Terry Alderton and Tony and David. Who are the next | 1:12:51 | 1:12:56 | |
two most popular with the viewers. But there is just one place | 1:12:56 | 1:13:00 | |
remaining and it's over to our lovely panel to decide which of | 1:13:00 | 1:13:06 | |
them will join Tamika and Laurie in the final. But to help you with | 1:13:06 | 1:13:16 | |
1:13:16 | 1:13:49 | ||
that all-important decision, let's OK. Panel, who do you think should | 1:13:49 | 1:13:54 | |
progress to the final? It's not an easy job. I'll ask you one-by-one | 1:13:55 | 1:14:00 | |
to give me the name of the act you'd like to send through. Let's | 1:14:00 | 1:14:04 | |
begin with the very worried-looking Graham Norton. This is terrible. | 1:14:04 | 1:14:09 | |
Terrible, terrible, terrible. I mean, Terry was amazing and looked | 1:14:09 | 1:14:13 | |
stunning. The guys, though, they put their lives on the line. But | 1:14:13 | 1:14:17 | |
the thing is, maybe they don't want to do it again. So I don't know | 1:14:18 | 1:14:27 | |
what to do. Oh.... No, no, I'm going to stick with my Radio Two | 1:14:27 | 1:14:32 | |
roots and I'm going to save Tony and David. | 1:14:32 | 1:14:37 | |
One for Tony and David. All right, coming to you, Greg, next? I could | 1:14:37 | 1:14:42 | |
decide it, but I'm not going to decide it. I'm going to leave it to | 1:14:42 | 1:14:48 | |
poor old Keith. My favourite act tonight was Terry, so I'm going to | 1:14:48 | 1:14:53 | |
choose Terry. The final decision rests in the hands of a mainic. | 1:14:53 | 1:14:58 | |
Keith Lemon. Come on, Keith. Last year, you had me like this before. | 1:14:58 | 1:15:04 | |
It's not fair. Come on Keith. have to rush you, please, I'm sorry. | 1:15:04 | 1:15:09 | |
Make a decision. We're running out of time, Keith. I'm going to throw | 1:15:09 | 1:15:17 | |
it to the audience. They're saying Terry. Are you saying Terry? Terry. | 1:15:17 | 1:15:21 | |
Terry goes through to the Grand Final on March 17. | 1:15:21 | 1:15:25 | |
Terry, you must be overjoyed. You're going to get to do this all | 1:15:25 | 1:15:30 | |
again. I condition' wait. I think you're going to be a bit worried, | 1:15:30 | 1:15:35 | |
I'm coming back like this. Congratulations well done. | 1:15:36 | 1:15:40 | |
commiserations to Tony and David. We really did love you. Thank you | 1:15:40 | 1:15:44 | |
so much. Let's hear it one last time for our | 1:15:45 | 1:15:47 | |
fabulous acts, ladies and gentlemen. Congratulations, guys. We'll see | 1:15:47 | 1:15:53 | |
you later on. Well done. If tonight's got you excited about | 1:15:53 | 1:15:58 | |
Let's Dance for Sport Relief then next week will not disappoint. What | 1:15:58 | 1:16:05 | |
other show could have Eddie the Eagle Edwards and Amy Childs on the | 1:16:05 | 1:16:12 | |
same bill? Who knows. We'll also have music | 1:16:12 | 1:16:17 | |
from Alexandra Burke and others. And if you want to contribute to | 1:16:17 | 1:16:25 | |
the Sport Relief campaign you can still send �5 by texting yes to | 1:16:25 | 1:16:35 | |
1:16:35 | 1:16:43 | ||
70005. And now, it's the show # Hello, hello, baby, you called, I | 1:16:43 | 1:16:48 | |
can't hear a thing # I have got no service in the club | 1:16:48 | 1:16:54 | |
# What did you just say # You're breaking up on me | 1:16:54 | 1:16:58 | |
# Sorry, I cannot hear you, I'm kind of busy | 1:16:58 | 1:17:02 | |
# Kind of busy # Sorry, I can hardly hear you | 1:17:02 | 1:17:08 | |
# I'm kind of busy # Just a second, it's my favourite | 1:17:08 | 1:17:12 | |
song they're going to play # And I'm drinking | 1:17:12 | 1:17:19 | |
# You knew that I was here # And now you're trying to get in | 1:17:19 | 1:17:22 | |
touch with me # But I'm kind of busy | 1:17:22 | 1:17:26 | |
# Stop, stop, I don't want to think any more | 1:17:27 | 1:17:33 | |
# I'm on the dance floor # I don't want to talk any more | 1:17:33 | 1:17:43 | |
1:17:43 | 1:17:47 | ||
# My heart's on the dance floor # I shouldn't have left my phone | 1:17:47 | 1:17:54 | |
alone # 'Cos this is now the dance floor | 1:17:54 | 1:18:00 | |
# I don't wanna drink any more # I'm having fun on the dance floor | 1:18:00 | 1:18:10 | |
# Stop calling, stop calling # I don't want to talk any more | 1:18:10 | 1:18:20 | |
1:18:20 | 1:18:51 | ||
# Stop calling Fabulous. And that's why they're | 1:18:51 | 1:18:56 |