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Walk with every fibre of your being if you've missed us. Last week, | 0:00:19 | 0:00:25 | |
five acts danced for Sport Relief and your viewing pleasure. Tameka | 0:00:26 | 0:00:35 | |
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and Laurie., Terry Alder done. Ton -- Terry Alderton. Darren Gough. | 0:00:36 | 0:00:46 | |
Tony and David. Angelos and Ulrica. But it was Tam eebg is a and | 0:00:46 | 0:00:52 | |
Laurie's outrageous Lady Gaga and Terry Alderton's Tina Turner who | 0:00:52 | 0:01:02 | |
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made it through to the final. But CHEERING AND APPLAUSE | 0:01:27 | 0:01:37 | |
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VOICEOVER: It's Let's Dance For Sport Relief. And your commentator | 0:01:38 | 0:01:48 | |
0:01:48 | 0:01:53 | ||
presenter, Alex Jones and Steve CHEERING | 0:01:53 | 0:02:01 | |
Hello. Welcome to Let's Dance. It is week two and we are live. This | 0:02:01 | 0:02:05 | |
is the show where celebrities break free from their day jobs and dance | 0:02:05 | 0:02:10 | |
like no-one's watching! The problem is, a lot of you are watching. So | 0:02:10 | 0:02:15 | |
maybe next year, we'll do the show on radio. We're thinking about it? | 0:02:15 | 0:02:19 | |
After last week's rip-roaring success, this week, we've invited | 0:02:19 | 0:02:26 | |
another five shreb if I acts to show us their finest moves. | 0:02:26 | 0:02:31 | |
celebs want to leave with their dignity in tact. That's not going | 0:02:31 | 0:02:38 | |
to happen! More importantly, to raise as much money for a very good | 0:02:38 | 0:02:48 | |
Wass, Sport Relief. That is going to happen. | 0:02:48 | 0:02:53 | |
-- We can't promise you great dancing. We can promise you | 0:02:53 | 0:02:57 | |
fantastic music. The sensational Alexandra Burke will be in the | 0:02:57 | 0:03:04 | |
studio. CHEERING And fresh from picking up two BRIT | 0:03:04 | 0:03:08 | |
Awards this week, we're thrilled that the amazingly talented Ed | 0:03:08 | 0:03:18 | |
Sheeran will also be performing. CHEERING Tonight, only two acts can | 0:03:18 | 0:03:21 | |
go through to our final. You at home pick one of them and our panel | 0:03:21 | 0:03:30 | |
will pick the other. The word panel suggests expertise. They don't come | 0:03:30 | 0:03:35 | |
more qualified than a man who has fox and dofs as friends. A radio | 0:03:35 | 0:03:39 | |
host who's tall and thin. And the least qual of all three, a man | 0:03:39 | 0:03:48 | |
who's won Let's Dance. It is Vic Reeves, Rufus Hound and Iain Lee. | 0:03:48 | 0:03:58 | |
0:03:58 | 0:04:15 | ||
AUDIENCE WOOF That is our angelic panel. Hard to | 0:04:15 | 0:04:21 | |
believe one is a Let's Dance champion. It is either the thin one | 0:04:21 | 0:04:26 | |
or the one with hair on his face! We'll hear lots more from them | 0:04:26 | 0:04:32 | |
during the show. First, let's see who's dancinging first tonight. | 0:04:32 | 0:04:42 | |
0:04:42 | 0:04:42 | ||
Eddie "the Eagle". ExOlympic skier. Comedian, miles up. -- Miles Jupp. | 0:04:42 | 0:04:52 | |
0:04:52 | 0:05:07 | ||
Actress, Alice Barry. Comedian and Amy and Harry. There they are. | 0:05:07 | 0:05:12 | |
Rufus, you've danced and won before. So, using your expertise, share | 0:05:12 | 0:05:18 | |
with us the ingredients of a perfect dance. The trick is you | 0:05:18 | 0:05:24 | |
have to conjure up every ounce of dignity, self-respect, bin them and | 0:05:24 | 0:05:33 | |
dance around like like a twonk! Iain, you've been on this stage. Do | 0:05:33 | 0:05:39 | |
you have any words of advice for what they need to do out there? | 0:05:39 | 0:05:44 | |
OK, thank you for your honesty. you're highly respected in the | 0:05:44 | 0:05:50 | |
dance world. What will you be looking out for tonight? | 0:05:50 | 0:05:54 | |
expectations are dynamically low. Probably best. I'm hoping for a | 0:05:54 | 0:05:59 | |
good old knees up. It's going to happen. Ladies and gentlemen, your | 0:05:59 | 0:06:03 | |
panel. Enjoy them. Good judging. Good judging. | 0:06:03 | 0:06:08 | |
Now, there's a certain type of person we love here on et Let's | 0:06:08 | 0:06:14 | |
Dance. You have to be brave. need a sense of fun. And not be | 0:06:14 | 0:06:18 | |
afraid of embarrassing yourselfs in front of millions of people. Look | 0:06:18 | 0:06:24 | |
no further than ski jumper extraordinaire Eddie "the Eagle" | 0:06:24 | 0:06:34 | |
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Edwards. I'm Britain's first ever ski jumper. VOICEOVER: In 1988, the | 0:06:37 | 0:06:47 | |
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world watched as a legend was born. Against all odds, a hero emerged. | 0:06:50 | 0:07:00 | |
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And walked amongst us. A beacon of hope and humanity. He inspired us | 0:07:02 | 0:07:12 | |
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all. And, as the impossible became possible... We believed a man could | 0:07:16 | 0:07:26 | |
fly. COMMENTATOR: The eagle has landed. | 0:07:26 | 0:07:33 | |
Eddie "the Eagle" finished last. VOICEOVER: 20 years later, Eddie | 0:07:33 | 0:07:43 | |
"the Eagle" Edwards has returned to remind the world that winning is | 0:07:43 | 0:07:50 | |
for losers. Well somebody's got to come last! | 0:07:50 | 0:07:59 | |
CHEERING AND APPLAUSE Actually, a bit of a scoop here, | 0:07:59 | 0:08:04 | |
Alex. This is a sneak speak of the 2012 opening Olympic ceremony. This | 0:08:04 | 0:08:08 | |
is what Danny Boyle's been doing for the last six months. Can't wait | 0:08:08 | 0:08:14 | |
to see it. For Sport Relief, dancing for us is Eddie "the Eagle" | 0:08:14 | 0:08:24 | |
0:08:24 | 0:08:24 | ||
Apology for the loss of subtitles for 130 seconds | 0:08:24 | 0:10:35 | |
MUSIC: Soul Bossa Nova CHEERING AND APPLAUSE | 0:10:35 | 0:10:45 | |
Oh, that was quite the crowd pleaser. Thank you to the royal | 0:10:45 | 0:10:48 | |
legion band from Romford. They enjoyed. That did you? I loved | 0:10:48 | 0:10:53 | |
every minute of it. Do you think the panel enjoyed it? I hope so, | 0:10:53 | 0:11:01 | |
yes. Shall we find out? Rufus? You've Austin Powers dance moves | 0:11:01 | 0:11:07 | |
but the elephant man's voice! You had a smile on your face. You mutt | 0:11:07 | 0:11:16 | |
a smile on everybody here's face. As Austin Powers said, gravy, baby. | 0:11:16 | 0:11:23 | |
Poor Eddie he is struggling with those teeth. Be kind. Iain? He has | 0:11:23 | 0:11:32 | |
a smile cos he can't have one. A cross between Dennis Pen he is is, | 0:11:32 | 0:11:36 | |
Peter Noon and my uncle. But that's what the sixties were like, we're | 0:11:36 | 0:11:46 | |
0:11:46 | 0:11:49 | ||
led to believe! Vic? Doesn't he look like the great Roy Castle? | 0:11:49 | 0:11:55 | |
That was technically the most pro- fishent dance ever performed. I | 0:11:55 | 0:12:01 | |
believe personally, it was excellent. Well done. Thank you. | 0:12:01 | 0:12:06 | |
Thank you, panel. A good start. If you think Eddie should go flying | 0:12:06 | 0:12:11 | |
into the final pick up the phone into the final pick up the phone | 0:12:11 | 0:12:13 | |
into the final pick up the phone into the final pick up the phone | 0:12:14 | 0:12:22 | |
and vote for him. Don't | 0:12:22 | 0:12:26 | |
Don't forget to ask the bill payer's perings. When you do, | 0:12:26 | 0:12:31 | |
you'll be raising money for Sport Relief which is why we're all here. | 0:12:31 | 0:12:34 | |
Eddie "the Eagle" Edwards, what a guy, thank you. | 0:12:34 | 0:12:39 | |
Off you go. A performer to the last. Our next | 0:12:39 | 0:12:46 | |
act is a comedian who's C CV boasts appearances on Mock The Week. He | 0:12:47 | 0:12:52 | |
doesn't mention Let's Dance, let's find out why that is. It's Miles | 0:12:52 | 0:12:57 | |
Jupp. I'm an ebgter and comedian. Very, very keen dancer. If anyone's | 0:12:57 | 0:13:01 | |
to blame for the recession, it was the television news telling us | 0:13:01 | 0:13:08 | |
there would be a recession and obediently going along with it. Hi, | 0:13:08 | 0:13:14 | |
is everyone comfortable, excited about camping, hiking Is it true | 0:13:14 | 0:13:22 | |
you're doing Let's Dance For Sport Relief. No, I'm doing let's dance | 0:13:22 | 0:13:31 | |
for comic relief. It's not comic relief, it's Sport Relief this year. | 0:13:31 | 0:13:35 | |
You won't get to meet Richard Curtis, if that's why you're doing | 0:13:35 | 0:13:41 | |
it. Seriously, miles, if you do this, you'll look like the biggest | 0:13:41 | 0:13:51 | |
0:13:51 | 0:13:54 | ||
CLEEP... BLEEB What makes you think people want to see you dance? | 0:13:54 | 0:13:59 | |
of your family, Miles, they don't want to see this. I came here to | 0:13:59 | 0:14:04 | |
get my mind off dancing, I drove out here, put the tent up, made | 0:14:04 | 0:14:09 | |
sandwiches. So can you just shut up about the dancing. Tell us what | 0:14:09 | 0:14:14 | |
song you're dancing to and we won't mention it again. I'm going to be | 0:14:14 | 0:14:24 | |
0:14:24 | 0:14:44 | ||
I've seen him in rehearsals. I promise you, he does look a total | 0:14:44 | 0:14:50 | |
car horn! Anyway, call the fire brigade and possibly a paramedic | 0:14:50 | 0:14:58 | |
for Sport Relief dancing to Firestarter by The Prodigy, it's | 0:14:58 | 0:15:08 | |
0:15:08 | 0:15:08 | ||
Apology for the loss of subtitles for 130 seconds | 0:15:08 | 0:17:04 | |
MUSIC: Firestarter CHEERING AND APPLAUSE | 0:17:04 | 0:17:08 | |
Look Steve, we have a standing ovation. | 0:17:08 | 0:17:14 | |
A standing ovation. Thank you for bringing The Prodigy to prime time | 0:17:14 | 0:17:20 | |
Saturday night. How was that for you, you wonderful, wonderful man? | 0:17:20 | 0:17:25 | |
That really felt like coming home. Were you expecting that It was | 0:17:25 | 0:17:32 | |
extraordinary. What a weird feeling! Quite sick! | 0:17:32 | 0:17:33 | |
LAUGHTER Do you think it went well? I can't | 0:17:33 | 0:17:40 | |
tell, I am not an expert. Shall we throw to the experts? | 0:17:40 | 0:17:50 | |
0:17:50 | 0:17:51 | ||
Rufus. I wondered what it would be like if you gave Denis the as Or | 0:17:52 | 0:17:57 | |
vil's haircut and too many Smarties? There is a lovely woman | 0:17:57 | 0:18:02 | |
in Windsor wondering what happened to her little sausage. I am not | 0:18:02 | 0:18:06 | |
your mother, I am a man looking at another man and I am filled with | 0:18:06 | 0:18:15 | |
nothing, but respect. That was phenomenal. | 0:18:15 | 0:18:18 | |
APPLAUSE Iain. I have to break the hearts of | 0:18:18 | 0:18:25 | |
my niece and nephew, that's Archie from Balamory. I thought it was | 0:18:25 | 0:18:32 | |
amazing. How does your theology degree help you with this? | 0:18:32 | 0:18:35 | |
LAUGHTER Any help at all? Answer the man. | 0:18:35 | 0:18:40 | |
It has been enormously helpful. Thanks for bringing it up! It | 0:18:40 | 0:18:44 | |
enables me to see the difference between good and evil. | 0:18:44 | 0:18:54 | |
And God moves in mysterious ways. I thought that was fantastic, Miles. | 0:18:54 | 0:19:04 | |
And Vic, your twopenny's worth. Yes, it was rural... | 0:19:04 | 0:19:06 | |
LAUGHTER It was dynamic. It had every | 0:19:06 | 0:19:12 | |
portion of the ingredients I require, I believe you are a Dr | 0:19:12 | 0:19:18 | |
Zuus character. Yes. | 0:19:18 | 0:19:23 | |
I was dancing in the style of a young frightened mouse! | 0:19:23 | 0:19:28 | |
If Miles got you fired up at home, If Miles got you fired up at home, | 0:19:28 | 0:19:30 | |
note down this number: Remember don't call now as lines | 0:19:30 | 0:19:34 | |
reason open. Also remember your calls raise | 0:19:34 | 0:19:41 | |
money for Sport Relief. Thank you very much, Miles Jupp. | 0:19:41 | 0:19:51 | |
0:19:51 | 0:19:51 | ||
CHEERING AND APPLAUSE I I really like that jumper. | 0:19:51 | 0:19:55 | |
I liked the hairdo. Viewers of a nervous disposition, | 0:19:55 | 0:20:00 | |
you should look away now. Her act is shameless m she has been known | 0:20:00 | 0:20:04 | |
to take her clothes off for charity. It is the quite extraordinary, | 0:20:04 | 0:20:14 | |
0:20:14 | 0:20:16 | ||
Hi, I'm Alice Barry, an actor from Shameless. Today I am a dancer. | 0:20:16 | 0:20:26 | |
0:20:26 | 0:20:26 | ||
Come to our house for a brew. As a star of Shameless, Alice Barry | 0:20:26 | 0:20:33 | |
is a household name in Manchester. South Manchester. Well, the | 0:20:33 | 0:20:38 | |
Chapsworth Estate. Hi, love. All right? You are not | 0:20:38 | 0:20:42 | |
going to believe how much family I have got ill this week. It is | 0:20:42 | 0:20:48 | |
ridiculous. This is Mr Pizza. He sent me these love letters and I | 0:20:49 | 0:20:53 | |
don't like pizza. This jump eel has written to me three times. He has | 0:20:53 | 0:20:58 | |
even turned up at me house, but I don't let him in, I'm playing hard | 0:20:58 | 0:21:03 | |
to get. What's this? I have got two tickets for that Let's Dance For | 0:21:03 | 0:21:09 | |
Sport Relief. Ah, that's that fancy show on the telly. This must be | 0:21:09 | 0:21:13 | |
front row seats. Maybe I should take Mr Pizza. | 0:21:13 | 0:21:17 | |
Alice, these aren't audience tickets. These are tickets to | 0:21:17 | 0:21:24 | |
perform in the show. What? There must have been a mistake. I haven't | 0:21:25 | 0:21:29 | |
danced since 1976. Look on the bright side, at least | 0:21:29 | 0:21:35 | |
you will get to meet Steve Jones. Oh Steve yons, when I -- Jones, | 0:21:35 | 0:21:45 | |
0:21:45 | 0:21:52 | ||
when I get hold of him I'm going CHEERING AND APPLAUSE | 0:21:52 | 0:21:58 | |
Really, well, let me tell you, Alice... And I can do that stuff | 0:21:58 | 0:22:03 | |
all night long, baby. LAUGHTER | 0:22:03 | 0:22:06 | |
I hope you are all mentally prepared for this at home! For | 0:22:06 | 0:22:16 | |
0:22:16 | 0:22:16 | ||
Apology for the loss of subtitles for 130 seconds | 0:22:16 | 0:24:22 | |
Sport Relief, dancing to Outside by Come and join us Alice Barry, you | 0:24:22 | 0:24:30 | |
national treasure. You dance like George Michael drives. | 0:24:30 | 0:24:40 | |
0:24:40 | 0:24:40 | ||
You have got a lovely bum. That was deep. That really was. | 0:24:40 | 0:24:43 | |
LAUGHTER What is happening, Alice Alice? | 0:24:43 | 0:24:50 | |
I thought it was a joke. Let's go to the panel and I'm going | 0:24:50 | 0:25:00 | |
0:25:00 | 0:25:01 | ||
to call my lawyer! LAUGHTER | 0:25:01 | 0:25:04 | |
Alice, you looked like, if you weren't doing that in the studio | 0:25:04 | 0:25:07 | |
tonight, you would have been doing it at home. It felt like you have | 0:25:07 | 0:25:09 | |
been waiting your life for this, I would be surprised if the number of | 0:25:09 | 0:25:12 | |
people wanting to become Community Support Officers doesn't rocket as | 0:25:12 | 0:25:17 | |
a result of that phenomenal work. Well done. | 0:25:17 | 0:25:21 | |
Iain. Every man should do what Alice has | 0:25:21 | 0:25:27 | |
done to Steve! You captured the sexiness of the | 0:25:27 | 0:25:30 | |
LAPD in - they are a sexy police force and you brought that along. | 0:25:30 | 0:25:35 | |
It is not the first time Rufus has been kissed by a police person. | 0:25:35 | 0:25:39 | |
Well done, Alice. Wonderful is too weak a word for it. | 0:25:39 | 0:25:49 | |
0:25:49 | 0:25:50 | ||
Did you think it was wonderful? was smoking a pipe over there by | 0:25:50 | 0:26:00 | |
the gas tank. I must pull up Iain because I believe it is the NYPL | 0:26:00 | 0:26:07 | |
and not the LAPD and this can go on all night long! | 0:26:07 | 0:26:16 | |
You can take it outside. So if you don't want to see Alice | 0:26:16 | 0:26:20 | |
thrown outside, you can vote for her when the lines open after | 0:26:20 | 0:26:25 | |
everyone has performed. The number you need is:. When you call, your | 0:26:25 | 0:26:28 | |
money will go to Sport Relief projects in the world's poorest | 0:26:28 | 0:26:33 | |
countries and throughout the UK. Thank you very much, Alice Barry. | 0:26:33 | 0:26:40 | |
See you later. CHEERING AND APPLAUSE | 0:26:40 | 0:26:47 | |
Oh, she likes you! She likes a bit of you. | 0:26:47 | 0:26:53 | |
Me andering away there. OK. Taking her time. Our next act | 0:26:54 | 0:26:59 | |
left her job as a prison officer to become a stand-up comedian. We have | 0:26:59 | 0:27:04 | |
seen a host of crimes against dance this evening. Let's hope she | 0:27:04 | 0:27:07 | |
doesn't add to them this evening, it is Ava Vidal. | 0:27:08 | 0:27:13 | |
Hi, I'm Ava Vidal. Ordinarily I am a stand-up comedian, but tonight I | 0:27:13 | 0:27:15 | |
am a dancer. I don't know if we have got any | 0:27:15 | 0:27:25 | |
0:27:25 | 0:27:26 | ||
teachers here at all. You are a teacher? Oh, well, I don't like you. | 0:27:26 | 0:27:28 | |
LAUGHTER So, how can I help you? I have got | 0:27:28 | 0:27:33 | |
a really serious problem. It is taking over my life. It is a | 0:27:33 | 0:27:43 | |
0:27:43 | 0:27:46 | ||
I have tried to stop. I can't. I can't eat. I can't sleep. And once | 0:27:46 | 0:27:52 | |
it takes over me, nothing can get in my way. | 0:27:52 | 0:27:57 | |
This is out of control. How do you sleep at night? | 0:27:57 | 0:28:07 | |
I've done some really terrible things to get what I want. | 0:28:07 | 0:28:11 | |
There has got to be something you can do. | 0:28:11 | 0:28:20 | |
I can't help you. Nobody can. | 0:28:20 | 0:28:30 | |
0:28:30 | 0:28:31 | ||
Tickets for tonight. # There's no businesslike show | 0:28:31 | 0:28:36 | |
business # Like no business I know know # | 0:28:36 | 0:28:41 | |
CHEERING AND APPLAUSE Let's get serious for a moment, | 0:28:41 | 0:28:47 | |
kids. Don't do dance. We see a casual tap of the foot and | 0:28:47 | 0:28:56 | |
before you know it, you end up doing this on the telly. Dancing to | 0:28:56 | 0:29:06 | |
0:29:06 | 0:29:06 | ||
Apology for the loss of subtitles for 130 seconds | 0:29:06 | 0:30:48 | |
Get Happy, dancing for Sport Relief, CHEERING AND APPLAUSE | 0:30:48 | 0:30:54 | |
Eva, You have to be haby with that. It was professional stuff! You have | 0:30:54 | 0:30:59 | |
to be happy with that. I'm tired. I had really good fun. Shall we find | 0:30:59 | 0:31:05 | |
out what the panel thought? Yes, please. Rufus? Cheerl you were | 0:31:05 | 0:31:12 | |
tired because at the end there, I could see you puffing! I think it | 0:31:12 | 0:31:19 | |
was a penguin? Was it? Absolutely wonderful. It was glamorous, sexy | 0:31:19 | 0:31:24 | |
wonderful. Well done. CHEERING | 0:31:24 | 0:31:33 | |
WOULD YOU AGREE, IAIN? YES. OK. YOU MAY EXPAND. I thought that was a | 0:31:33 | 0:31:43 | |
dance. It definitely was. Excuse lie -- excuse my language. It was | 0:31:43 | 0:31:48 | |
blooming excellent. Well done, you. Thank you. How can you have those | 0:31:48 | 0:31:55 | |
glasses on the whole time? Where have they come from? Where I keep | 0:31:55 | 0:32:00 | |
my spectacles. I thought it was marvellous. It ignited the passion | 0:32:00 | 0:32:06 | |
in me I thought dormant. I especially liked to see the penguin. | 0:32:06 | 0:32:14 | |
The tyrant of the Antarctic! Well done. Thank you very much. | 0:32:14 | 0:32:20 | |
CHEERING I don't know what it means but I like it. Still, if Ava made | 0:32:20 | 0:32:24 | |
you happy, make sure you vote for you happy, make sure you vote for | 0:32:24 | 0:32:27 | |
you happy, make sure you vote for her later on. | 0:32:27 | 0:32:37 | |
Don't call yet, your vote won't count and you may still be charged. | 0:32:37 | 0:32:44 | |
See you later. CHEERING AND APPLAUSE | 0:32:44 | 0:32:51 | |
OK, our final act tonight have gleaming white teeth a mahogany | 0:32:51 | 0:32:55 | |
spray tan and a slightly confused expression. I didn't know you were | 0:32:55 | 0:33:04 | |
dancing tonight! So funny! No, Alex, it's Amy Childs and Harry Derbidge. | 0:33:04 | 0:33:14 | |
0:33:14 | 0:33:22 | ||
Hi, we're best known from he is ex. You all right, babe? What can I do | 0:33:22 | 0:33:31 | |
for you today? What are you doing, babe? I'm a little worried, babe. | 0:33:31 | 0:33:38 | |
What's up, babe. My exposure, at the moment I'm mega famous. I can't | 0:33:38 | 0:33:43 | |
afford a dip in my profile. shut up, there's loads you can do. | 0:33:43 | 0:33:49 | |
I've done Big Brother. You was well good at that. I've done my reality | 0:33:49 | 0:33:59 | |
0:33:59 | 0:34:01 | ||
show, It's All About Amy, Have they won any more awards since you left | 0:34:02 | 0:34:07 | |
the only way is Essex? No, babe. They are making a new series of | 0:34:07 | 0:34:12 | |
Let's Dance For Sport Relief. what is it? I don't know but it'll | 0:34:12 | 0:34:19 | |
definitely keep your profile up? Amazing. Shall I do it? Can you | 0:34:19 | 0:34:27 | |
dance? No. You're looking a bit Paisey. What do you think? Prime- | 0:34:27 | 0:34:37 | |
0:34:37 | 0:34:40 | ||
time BBC One? All right. One more coat, babe? 100%! | 0:34:40 | 0:34:47 | |
CHEERING AND APPLAUSE Topping up Harry's spray tan is not | 0:34:47 | 0:34:50 | |
just long-lasting but weather proof and suitable for all types of | 0:34:50 | 0:34:56 | |
garden furniture and decking. Dancing to Me Against The Music by | 0:34:56 | 0:35:06 | |
0:35:06 | 0:35:18 | ||
Madonna and Britney all in the name $$BOTTOM | 0:35:18 | 0:35:28 | |
0:35:28 | 0:35:28 | ||
Apology for the loss of subtitles for 130 seconds | 0:35:28 | 0:37:15 | |
MUSIC: Me Against The Music CHEERING AND APPLAUSE | 0:37:15 | 0:37:25 | |
0:37:25 | 0:37:26 | ||
Yes,... That was superb. Fabulous stuff. Amy, you're fantastic. Harry, | 0:37:26 | 0:37:34 | |
are you like a professional dancer? Come on, did you enjoy that? | 0:37:34 | 0:37:39 | |
absolutely loved 2 it. Thank you so much everyone. Amy, you happy? | 0:37:39 | 0:37:45 | |
my God, I can't believe it. I was so nervous. I want to do it again. | 0:37:45 | 0:37:55 | |
You might have to. Rufus? Brilliant, the best dance of the night by far. | 0:37:55 | 0:38:00 | |
CHEERING Amy, at one point you made such a | 0:38:00 | 0:38:04 | |
convincing Madonna, I thought I might adopt me. Harry, some people | 0:38:04 | 0:38:07 | |
will be asking serious questions around about now. There were moves | 0:38:07 | 0:38:15 | |
there I'm pretty sure the male body isn't meant to do yet somehow... | 0:38:15 | 0:38:22 | |
managed it! That was a high standard of dancing, Iain? It was. | 0:38:22 | 0:38:27 | |
It incorporated having inter course with a wall. In the film, there's a | 0:38:27 | 0:38:32 | |
young lad in there. Where's he gone. There's just two beautiful ladies | 0:38:32 | 0:38:41 | |
up on stage. Wow! And Vic, your normal glasses?... They are not my | 0:38:41 | 0:38:45 | |
normal glasses. But my normal teeth which might stop me giving an | 0:38:45 | 0:38:49 | |
opinion. Both ladies were enchanting. One rather more than | 0:38:49 | 0:38:55 | |
the other but it would be rude of me to say which! Fair enough. If | 0:38:55 | 0:39:03 | |
you thought that Amy and Harry were a ream dream teem and deserved a | 0:39:03 | 0:39:13 | |
place in the final then dial: When you do call, you'll be raising | 0:39:13 | 0:39:18 | |
money for Sport Relief which is why we're all here this evening. Amy | 0:39:18 | 0:39:24 | |
and Harry, thank you, guys. and Harry, thank you, guys. | 0:39:24 | 0:39:30 | |
Extremely popular. So, there we are. Five more acts have performed. Fans | 0:39:30 | 0:39:34 | |
of dance up and down the country, it is safe to come and watch your | 0:39:34 | 0:39:38 | |
telly. Only the act with the highest number of your votes have a | 0:39:38 | 0:39:43 | |
place in the final. Our panel will choose between the two acts with | 0:39:43 | 0:39:49 | |
the necks highest number of votes of your choice. You opened the | 0:39:49 | 0:39:55 | |
phone votes last week. Now, it's my turn. Wch and learn. Here with go. | 0:39:55 | 0:40:03 | |
Five, four, there, two, one... The phone lines are now open! | 0:40:03 | 0:40:13 | |
0:40:13 | 0:40:17 | ||
CHEERING that's how it's done! Typically understated. Well done. | 0:40:17 | 0:40:21 | |
Anyway, on this show, we take terms and conditions very seriously. This | 0:40:21 | 0:40:24 | |
week, they are brought to you by a man with a beard and a wobble board. | 0:40:24 | 0:40:31 | |
Can you tell who it is yet! Terrible accent! | 0:40:31 | 0:40:34 | |
Rolf Harris here. They've asked me to tell you the terms and | 0:40:34 | 0:40:38 | |
conditions for Sport Relief. I always say, if a job's worth doing | 0:40:38 | 0:40:47 | |
it should have a wobble board with Here we go. | 0:40:47 | 0:40:57 | |
0:40:57 | 0:40:57 | ||
Now calls cost 15.from a BT landline. Of that 15., 36.5.goes to | 0:40:57 | 0:41:07 | |
0:41:07 | 0:41:09 | ||
Sport Relief. 36.5. Out of 15., that's good. Now, calls from other | 0:41:09 | 0:41:14 | |
network may vary, the cost of them. And of course, the calls from | 0:41:14 | 0:41:19 | |
mobiles will be considerably higher, but you know that. Lines close in | 0:41:19 | 0:41:26 | |
15 mins. Please remember to get the bill | 0:41:26 | 0:41:30 | |
payer's permission. Wonder how he is, old bill. Get the bill payer's | 0:41:30 | 0:41:40 | |
mother mission before the make the call. Visit the website | 0:41:40 | 0:41:45 | |
bbc.co.uk/sportrelief. Pick up the phone and vote. | 0:41:45 | 0:41:51 | |
CHEERING AND APPLAUSE Rolf Harris. Thank you, Rolf Harris. | 0:41:51 | 0:41:54 | |
Sublime. So, who would you like to see back | 0:41:54 | 0:41:58 | |
in the final in three weeks' time? Here's a reminder of all tonight's | 0:41:58 | 0:42:02 | |
performances with those all- performances with those all- | 0:42:02 | 0:42:12 | |
0:42:12 | 0:42:12 | ||
Apology for the loss of subtitles for 130 seconds | 0:42:12 | 0:43:43 | |
performances with those all- CHEERING AND APPLAUSE | 0:43:43 | 0:43:48 | |
What a brilliant selection box of dancers. How would you choose? | 0:43:48 | 0:43:55 | |
choosing your favourite child. Over to you, Britain. It's up to you. | 0:43:55 | 0:44:00 | |
Over the past few years, we've seen famous faces doing their bit for | 0:44:00 | 0:44:10 | |
0:44:10 | 0:44:26 | ||
He's about to embark on the most physical challenge on the planet. | 0:44:26 | 0:44:31 | |
We've got a group of unfit celebrities who are embarking on a | 0:44:31 | 0:44:41 | |
trip across the rough Esther rain across the UK. | 0:44:41 | 0:44:49 | |
-- roughest terrain. I did this because it was an epic, | 0:44:49 | 0:44:53 | |
crazy adventure. This is not about being fit or an experience, this is | 0:44:53 | 0:44:58 | |
a really, really difficult challenge. | 0:44:58 | 0:45:06 | |
When you're on a bike, you're physically exhausted. I had a few | 0:45:06 | 0:45:12 | |
moments there and my heart was in my mouth. It is 140 miles, eight | 0:45:12 | 0:45:16 | |
days. It is really long, it's really tough, it's cold and it will | 0:45:16 | 0:45:22 | |
rain. It is very, very hard to move your body through the water when | 0:45:22 | 0:45:26 | |
you feel like you're going to throw up. I had to be tough because I'm | 0:45:26 | 0:45:33 | |
doing it for a big reason which is this amazing charity people believe | 0:45:33 | 0:45:37 | |
in. We're not asking you to do something that extreme. We are | 0:45:37 | 0:45:42 | |
asking you to sign up for a mile. You could run in any of the 17 | 0:45:42 | 0:45:46 | |
major citys in the UK. As well as hundreds of local miles. | 0:45:46 | 0:45:56 | |
0:45:56 | 0:45:58 | ||
And this year it will be John Bishop who sets off on his Big | 0:45:58 | 0:46:01 | |
short relief challenge on Monday. Good luck with that. Our next guest | 0:46:01 | 0:46:04 | |
is a very special talent. Over the past year he has taken the nation | 0:46:04 | 0:46:12 | |
by storm and topped it off with two BRIT Awards this week. | 0:46:12 | 0:46:18 | |
Ed Sheeran. Now Ed, an incredible week, I mean | 0:46:18 | 0:46:22 | |
two BRIT Awards. That must have felt amazing? It felt great. | 0:46:22 | 0:46:26 | |
I can't believe I'm about to do that, but I'm going to have to cut | 0:46:26 | 0:46:32 | |
you off there, because we have only got enough time for you to play. So | 0:46:32 | 0:46:39 | |
Alex if you can leave. It is not my fault, it is my producer, Barbara | 0:46:39 | 0:46:49 | |
0:46:49 | 0:46:51 | ||
Lee's fault. # I wanna be drunk when I wake up | 0:46:51 | 0:46:55 | |
# On the right side of the wrong # And every excuse I made up | 0:46:55 | 0:46:59 | |
# Tell you the truth I hate # What didn't kill me | 0:46:59 | 0:47:03 | |
# It never made me stronger at all. # Love will scar your make-up lip | 0:47:03 | 0:47:07 | |
sticks to me # So now I'll maybe leave back | 0:47:07 | 0:47:09 | |
there # I'm sat here wishing I was sober | 0:47:09 | 0:47:15 | |
# I know I'll never hold you like I used to. | 0:47:15 | 0:47:17 | |
# But our house gets cold when you cut the heating | 0:47:18 | 0:47:19 | |
# Without you to hold I'll be freezing | 0:47:20 | 0:47:24 | |
# Can't rely on my heart to beat it # 'Cause you take part of it every | 0:47:24 | 0:47:27 | |
evening # Take words out of my mouth just | 0:47:27 | 0:47:29 | |
from breathing # Replace with phrases like when | 0:47:29 | 0:47:31 | |
you're leaving me. # Should I, should I? | 0:47:31 | 0:47:37 | |
# Maybe I'll get drunk again # I'll be drunk again | 0:47:37 | 0:47:47 | |
0:47:47 | 0:47:52 | ||
# To feel a little love # I wanna hold your heart in both | 0:47:52 | 0:47:54 | |
hands # I'll watch it fizzle at the | 0:47:54 | 0:47:57 | |
bottom of a Coke can # And I've got no plans for the | 0:47:58 | 0:47:59 | |
weekend # So shall we speak then | 0:47:59 | 0:48:02 | |
# Keep it between friends # Though I know you'll never love | 0:48:02 | 0:48:10 | |
me like you used to # There maybe other people like us | 0:48:10 | 0:48:13 | |
# You see the flicker of the clip when they light up | 0:48:13 | 0:48:16 | |
# Flames just create us, burns don't heal like before | 0:48:16 | 0:48:26 | |
0:48:26 | 0:48:27 | ||
# You don't hold me anymore # On cold days Coldplay's out like | 0:48:27 | 0:48:30 | |
the band's the name # I know I can't heal things with a | 0:48:30 | 0:48:33 | |
hand shake # You know I can't change as I | 0:48:33 | 0:48:35 | |
began saying # You cut me wide open like | 0:48:35 | 0:48:37 | |
landscape # Open bottles of beer but never | 0:48:37 | 0:48:39 | |
champagne # We'll applaud you with the sound | 0:48:39 | 0:48:41 | |
that my hands make # Should I, should I? | 0:48:41 | 0:48:50 | |
# Maybe I'll get drunk again # I'll be drunk again | 0:48:50 | 0:48:59 | |
# I'll be drunk again # To feel a little love | 0:48:59 | 0:49:05 | |
# All by myself # All by myself | 0:49:05 | 0:49:07 | |
# I'm here again # All by myself | 0:49:07 | 0:49:11 | |
# You know I'll never change # All by myself | 0:49:12 | 0:49:21 | |
0:49:22 | 0:49:26 | ||
# I'm just drunk again # I'll be drunk again | 0:49:26 | 0:49:36 | |
0:49:36 | 0:49:50 | ||
# Maybe we'll get drunk again # We'll be drunk again | 0:49:50 | 0:50:00 | |
0:50:00 | 0:50:08 | ||
# Feeling a little love # CHEERING AND APPLAUSE | 0:50:08 | 0:50:09 | |
CHEERING AND APPLAUSE Ed Sheeran there entertaining a | 0:50:09 | 0:50:17 | |
nation. Fabulous. Now much like Studio 54 in New York, our | 0:50:17 | 0:50:24 | |
backstage shenanigans have come to define a a define a generation. You | 0:50:24 | 0:50:31 | |
are thinking how can they top that this week? This is shenanigans, | 0:50:31 | 0:50:40 | |
baby. All your favourite Let's Dance | 0:50:40 | 0:50:44 | |
dancers and Alexandra Burke is serving drinks in here. She is | 0:50:44 | 0:50:49 | |
gorgeous. We have got the world's best darts player, Bobby George. | 0:50:49 | 0:50:53 | |
Touch me. Lovely jubbly. | 0:50:53 | 0:50:58 | |
We would like to celebrate this moment with a 180 on our dartboard. | 0:50:58 | 0:51:08 | |
0:51:08 | 0:51:16 | ||
20. 40. Now let me explain something - in shenanigans, 60 is | 0:51:16 | 0:51:20 | |
180! APPLAUSE | 0:51:20 | 0:51:22 | |
Thank you so much. It is a pleasure to see you, sir. | 0:51:22 | 0:51:30 | |
Cheers, dude. Let's have a chat with two of our | 0:51:30 | 0:51:33 | |
Let's Dance For Sport Relief dancers. I need to know, how does | 0:51:33 | 0:51:38 | |
it compare dancing out there on that stage to taking part of the | 0:51:38 | 0:51:46 | |
ski jump in the Olympics in 1988. think this was was worse. | 0:51:46 | 0:51:51 | |
And more difficult. I am having a wonderful time. | 0:51:51 | 0:51:54 | |
You have really embraced those teeth. | 0:51:54 | 0:51:59 | |
I am trying to. Alice, have you ever ski jumped? | 0:51:59 | 0:52:05 | |
I am too busy working in brothels. You can't say stuff like that on | 0:52:05 | 0:52:09 | |
the BBC. Alice you were encouragable. I will see you later. | 0:52:09 | 0:52:14 | |
Sorry, it is live TV. Anything can happen. Alexandra Burke I'm having | 0:52:14 | 0:52:18 | |
a tough evening. Hello, babes. | 0:52:18 | 0:52:24 | |
Thank you for being our gorgeous bar maid. | 0:52:24 | 0:52:31 | |
I am loving your new single Elephant. Yes, I am. | 0:52:31 | 0:52:35 | |
Who do you think will be victorious? My goodness, that's a | 0:52:35 | 0:52:40 | |
really hard one, but it has got to be my babes over there. | 0:52:40 | 0:52:45 | |
They are very popular? I always say babes and I'm part of that crew | 0:52:45 | 0:52:48 | |
right now, and I like a bit of Britney. | 0:52:48 | 0:52:53 | |
Good luck with your performance, I can't wait. Ava, how are you doing? | 0:52:54 | 0:52:56 | |
I'm good. Did you used to be a prison officer | 0:52:56 | 0:53:02 | |
and if so, where is this sexy as hell prison? It is Pentonville. It | 0:53:02 | 0:53:07 | |
is not so sexy, it is kind of gross. If the officers look like you there, | 0:53:07 | 0:53:13 | |
I am going to go out and rob a bank. I am an exception. The rest look | 0:53:13 | 0:53:21 | |
like they should be there. Miles, oh, yes, what shall I have | 0:53:21 | 0:53:27 | |
one? Please have one. He is trying to sabotage you. | 0:53:27 | 0:53:33 | |
I have only got a minute left. I will just lick my fingers. | 0:53:33 | 0:53:39 | |
Are you enjoying your evening? It is wonderful to see a posh | 0:53:39 | 0:53:45 | |
person embrace that track? You are like The Queen. I am like Her | 0:53:45 | 0:53:48 | |
Majesty, she dances like this when no one is looking. | 0:53:48 | 0:53:50 | |
Thank you very much. Approximately five minutes left to vote. So | 0:53:50 | 0:53:54 | |
please get on it. It does make a world of difference. It really, | 0:53:54 | 0:53:56 | |
really does. Guys, congratulations. I thought | 0:53:57 | 0:54:01 | |
you did a wonderful, wonderful job, are you happy? Really, really happy. | 0:54:01 | 0:54:06 | |
I just thought it went perfect. So let's hope we go through and do | 0:54:06 | 0:54:11 | |
excellent for the charity, you know what I mean. | 0:54:11 | 0:54:15 | |
Shut up though. Shut up. Shut up. | 0:54:15 | 0:54:20 | |
No, shut up. Thank you very much, guys. | 0:54:20 | 0:54:27 | |
Ed Sheeran, Ed Sheeran, hey, look at this. Can I see some form of | 0:54:27 | 0:54:36 | |
identification, you are like 15? Get the hell out of Shenanigans. | 0:54:36 | 0:54:42 | |
Ed Sheeran and congratulation to all of you. They have put in | 0:54:42 | 0:54:49 | |
wonderful work this week. Take a We can do this! Bring it on. | 0:54:49 | 0:54:56 | |
Bring it on, guys. This is so difficult. | 0:54:56 | 0:55:01 | |
I'm really worried at the minute. I didn't expect it to be easy at | 0:55:01 | 0:55:05 | |
all. The thing I have learned on this | 0:55:05 | 0:55:10 | |
show, I can't actually dance. As a sex God, myself, I think he | 0:55:10 | 0:55:13 | |
will pull off Austin Powers to perfection. | 0:55:13 | 0:55:20 | |
At the moment, I'm not nervous, as long as I don't fall on my ass. Am | 0:55:20 | 0:55:30 | |
0:55:30 | 0:55:33 | ||
I allowed to say that? My main competition is probably Amy | 0:55:33 | 0:55:39 | |
& Harry. I have never been chased by a bunch | 0:55:39 | 0:55:41 | |
of chirls. -- girls. | 0:55:41 | 0:55:45 | |
I have to throw him around like a piece of rubbish which I have | 0:55:45 | 0:55:55 | |
0:55:55 | 0:55:58 | ||
always wanted to do to a man so I'm really enjoying it. | 0:55:58 | 0:56:02 | |
I have spent several hours trying to dance the way that they have all | 0:56:02 | 0:56:08 | |
managed to do in two to three minutes. | 0:56:08 | 0:56:18 | |
0:56:18 | 0:56:19 | ||
I do like to get it right. Five, six, come on! | 0:56:19 | 0:56:26 | |
You missed a bit just there and there. FOn FOn | 0:56:26 | 0:56:34 | |
PHONE RINGS Bring it on, big time! | 0:56:34 | 0:56:40 | |
This is home to me! I'm really, really excited about it. | 0:56:40 | 0:56:44 | |
Bring it on! Hopefully, I will have it polished | 0:56:44 | 0:56:52 | |
by the end of the week. CHEERING AND APPLAUSE | 0:56:52 | 0:56:55 | |
So there isn't long left now to vote for your favourite. Two of | 0:56:55 | 0:56:57 | |
tonight agencies acts will make it through to the Grand Final in three | 0:56:57 | 0:57:04 | |
weeks time. As they wait nervously backstage, we will ease their | 0:57:04 | 0:57:08 | |
worries with good luck messages from some of their famous friends. | 0:57:08 | 0:57:12 | |
I want to wish the dancers masses of luck for tonight. | 0:57:13 | 0:57:22 | |
Miles, you certainly started a fire fire with that viewers. Good luck | 0:57:22 | 0:57:29 | |
with the dancing, I hope the rest of the voters think like I do. | 0:57:29 | 0:57:34 | |
Miles, it is all making sense. I am sure you did brilliantly. So listen, | 0:57:34 | 0:57:38 | |
good luck with the voting. Eddie, you are a a brave man. A | 0:57:38 | 0:57:42 | |
very, very brave man. No one has ever doubted your braveness. They | 0:57:42 | 0:57:46 | |
have may have doubted many other things, your timing, your elegant | 0:57:46 | 0:57:51 | |
and your grace, but bravery, you win a medal for that. | 0:57:52 | 0:57:54 | |
Hello Amy & Harry, wishing you lots of luck. | 0:57:54 | 0:57:59 | |
Good luckpm Maybe we should do that next year? What with your two left | 0:57:59 | 0:58:05 | |
feet? Good luck that you will get through to the final. | 0:58:05 | 0:58:08 | |
Good luck, Alice, everyone is routing for you in Manchester -- | 0:58:08 | 0:58:14 | |
rooting for you in Manchester. It is a wonder you can stand up let | 0:58:14 | 0:58:22 | |
alone dance. Good luck, you have 110% backing. I | 0:58:22 | 0:58:29 | |
hope you win. I am sure you will dance fan tastically and you -- | 0:58:29 | 0:58:34 | |
fantastically and you deserve to win. Good luck. Hover gets it, | 0:58:34 | 0:58:44 | |
0:58:44 | 0:58:48 | ||
fantastic. Well done. CHEERING AND APPLAUSE | 0:58:48 | 0:58:50 | |
Celebrity words there saying more than words could. | 0:58:50 | 0:58:56 | |
The lines have closed. If you call now, your vote won't be counted and | 0:58:56 | 0:59:01 | |
your charge maybe charged. Each of your calls will help people | 0:59:01 | 0:59:06 | |
in the world's poorest countries as well as in the UK. We will take a | 0:59:07 | 0:59:10 | |
look at our report from JLS in Uganda. | 0:59:10 | 0:59:14 | |
Although voting voting lines are closed, you can donate with just a | 0:59:14 | 0:59:22 | |
single text. Keep watching to find We're in Uganda it talk to you | 0:59:22 | 0:59:25 | |
about a crisis that is happening here and throughout all of Africa. | 0:59:25 | 0:59:29 | |
It is a crisis that is killing and hurting children. It is not a war. | 0:59:29 | 0:59:33 | |
It is not an earthquake. It is to do with something that we all tabe | 0:59:33 | 0:59:36 | |
for granted -- take for granted - for granted -- take for granted - | 0:59:36 | 0:59:39 | |
water. We are meeting Margaret and her | 0:59:39 | 0:59:42 | |
family. Like lots of people around here, they are forced to use any | 0:59:42 | 0:59:51 | |
means they can to get water. means they can to get water. | 0:59:51 | 1:00:01 | |
1:00:01 | 1:00:03 | ||
And how does it feel to have to give your children the water from | 1:00:03 | 1:00:13 | |
1:00:13 | 1:00:14 | ||
the well even though you know that I was looking at Margaret and I | 1:00:14 | 1:00:20 | |
just thinking about me mum. It is weird. Imagine, you know, your mum | 1:00:20 | 1:00:26 | |
having to deal with that, you know. I think, I don't know, it's, I | 1:00:27 | 1:00:31 | |
don't know, it is just mad. We asked Margaret's sons to show us | 1:00:31 | 1:00:41 | |
1:00:41 | 1:00:46 | ||
It's ridiculous. Can't be it. When you drink the water, how does | 1:00:46 | 1:00:56 | |
1:00:56 | 1:00:59 | ||
it make you feel? And that's the water that they drink. Would you | 1:00:59 | 1:01:05 | |
let your kids drink this water? In my hand right now is the water | 1:01:05 | 1:01:11 | |
filter and purification tablets which will cost just �5. Something | 1:01:11 | 1:01:18 | |
like this will give this family three whole months of water. So, | 1:01:18 | 1:01:28 | |
1:01:28 | 1:01:28 | ||
please, text YES to 7004 now and do what you can. -- 7005. | 1:01:28 | 1:01:34 | |
So, as you just saw, the among the main many ways you can help is | 1:01:34 | 1:01:40 | |
provide clean water. If you want to donate you can give �5 by texting | 1:01:40 | 1:01:46 | |
YES to 7005. The whole �5 will go to spart | 1:01:46 | 1:01:55 | |
relieve. You must be 16 or over. Srb Sport Relief. Now, back to | 1:01:55 | 1:01:59 | |
tonight, it's not long until we find out which acts will make it | 1:01:59 | 1:02:07 | |
through to the Let's Dance final. First, performing Elephant, it is | 1:02:07 | 1:02:17 | |
1:02:17 | 1:02:17 | ||
# You wanna talk, you wanna talk about it. | 1:02:17 | 1:02:21 | |
# Wanna talk, you wanna talk about it? (eh, eh, eh). | 1:02:21 | 1:02:23 | |
# You wanna talk, you wanna talk about it. | 1:02:23 | 1:02:26 | |
# Wanna talk, you wanna talk about it? (eh, eh, eh). | 1:02:26 | 1:02:29 | |
# How you doing?, How was your day? # Small talk, small talk you wanna | 1:02:29 | 1:02:35 | |
play? # You getting further, further away. | 1:02:35 | 1:02:41 | |
# No kiss, no hug, just blank. # And I just can't figure out. | 1:02:41 | 1:02:47 | |
# How it all turned upside down. # And when I look at you right now. | 1:02:47 | 1:02:54 | |
# It's strange 'cause... # I know something going on with | 1:02:54 | 1:02:57 | |
# That's going on with you. # I think you should tell me. | 1:02:57 | 1:03:02 | |
# You've got nothing left to lose. # Ah, there's an elephant standing | 1:03:02 | 1:03:09 | |
in the room. # Ah, though we're all alone. | 1:03:09 | 1:03:15 | |
# It's not just me and you. # You wanna talk, you wanna talk | 1:03:15 | 1:03:18 | |
about it. # Wanna talk, you wanna talk about | 1:03:18 | 1:03:22 | |
it? (eh, eh, eh). # You wanna talk, you wanna talk | 1:03:22 | 1:03:32 | |
1:03:32 | 1:03:36 | ||
about it? # There's an elephant in the room. | 1:03:36 | 1:03:41 | |
# Oh you wanna, wanna explain? # Well your talk is cheap cheap | 1:03:41 | 1:03:44 | |
just say. # You say you're sorry, say you're | 1:03:45 | 1:03:48 | |
to blame. # And you promise and you swear | 1:03:48 | 1:03:52 | |
you'll change. # And I just can't figure out. | 1:03:52 | 1:03:59 | |
# How it all turned upside down. # And when I look at you right now. | 1:04:00 | 1:04:06 | |
# It's strange 'cause... # I know something going on with. | 1:04:06 | 1:04:09 | |
# That's going on with you. # I think you should tell me. | 1:04:09 | 1:04:14 | |
# You've got nothing left to lose. # Ah, there's an elephant standing | 1:04:14 | 1:04:21 | |
in the room. # Ah, though we're all alone. | 1:04:21 | 1:04:27 | |
# It's not just me and you. # You wanna talk, you wanna talk | 1:04:27 | 1:04:30 | |
about it. # Wanna talk, you wanna talk about | 1:04:30 | 1:04:34 | |
it? (eh, eh, eh). # You wanna talk, you wanna talk | 1:04:34 | 1:04:44 | |
1:04:44 | 1:04:50 | ||
about it? # There's an elephant in the room. | 1:04:50 | 1:04:52 | |
# And it's crushing me, there's no room to breath. | 1:04:53 | 1:04:57 | |
# Got me backed against the wall back there. | 1:04:57 | 1:05:01 | |
# And I just can't see, 'cause it's blinding me. | 1:05:01 | 1:05:07 | |
# Coming closer, I can't relax. # You wanna talk, you wanna talk | 1:05:07 | 1:05:09 | |
about it. # Wanna talk, you wanna talk about | 1:05:09 | 1:05:13 | |
it? (eh, eh, eh). # You wanna talk, you wanna talk | 1:05:14 | 1:05:16 | |
about it. # Wanna talk, you wanna talk about | 1:05:16 | 1:05:22 | |
it? (eh, eh, eh). # There's an elephant in the room | 1:05:22 | 1:05:32 | |
1:05:32 | 1:05:44 | ||
CHEERING AND APPLAUSE The Georgeious Burke Burke burbgs, | 1:05:44 | 1:05:48 | |
with her brand new single. So, here I am in the friends and | 1:05:48 | 1:05:54 | |
family area. All the way from Essex we've Harry and Amy's mums, Karen | 1:05:54 | 1:06:00 | |
and Julie. Nice to see you ladies. They stormed it. Really proud. | 1:06:00 | 1:06:04 | |
Really proud. It was really out of her comfort zone but really proud | 1:06:04 | 1:06:10 | |
they did well. Harry looked like a very convincing Britney Spears! Has | 1:06:10 | 1:06:17 | |
he always loved dressing up? really. He done Lady Gaga on it. O | 1:06:17 | 1:06:21 | |
WI E. He said after that he was never going to dress up again. He | 1:06:21 | 1:06:26 | |
said what a good charity and he done it. Nice to meet you, ladies. | 1:06:26 | 1:06:33 | |
Over here, we've Harry and Amy's close personal friends, allowed owe | 1:06:33 | 1:06:38 | |
zily. How do you know each other? I'm a family friend. A friend of | 1:06:38 | 1:06:44 | |
Amy's dad and Harry's mum. OK. Do you think, because you're quite a | 1:06:44 | 1:06:47 | |
fanned gentleman, do you think they'd sufficient fake tan on, | 1:06:47 | 1:06:53 | |
tonight? This is Italian, this is not fake. Don't get confused! Can I | 1:06:53 | 1:06:58 | |
say something before I say anything else, how fantastic everybody done | 1:06:58 | 1:07:03 | |
for this fantastic charity tonight. Obviously Harry and Amy were the | 1:07:03 | 1:07:08 | |
best, I'm not biased. Britney Spears and Madonna, move over. | 1:07:08 | 1:07:13 | |
agree with you, good luck to them. Over here we've Rebecca Front. You | 1:07:13 | 1:07:21 | |
performed as Bjork last year for snus I did. It was much more | 1:07:21 | 1:07:25 | |
relaxing this time. You understand how ter fiving this experience. How | 1:07:25 | 1:07:31 | |
do you think Miles did? He did fantastically well. Hes not a | 1:07:31 | 1:07:34 | |
particularly experienced dancer. But he was really, really good. | 1:07:34 | 1:07:43 | |
Thank you. Over here, we've Ava' son, did you enjoy seeing your mum | 1:07:43 | 1:07:50 | |
perform? Not really! It's awkward for the children. It's for a good | 1:07:50 | 1:07:56 | |
cause and she did quite well. You should be very proud. What | 1:07:56 | 1:08:00 | |
would George make of Alice's performance? I think he'd think it | 1:08:00 | 1:08:05 | |
was totally shameless which it was. She probably has a new career | 1:08:05 | 1:08:11 | |
carved out in his new music video. So, fantastic. She did brilliantly. | 1:08:11 | 1:08:16 | |
And we've Eddie's family out the back there. They are a bit shy to | 1:08:16 | 1:08:20 | |
be on camera. Give us a wave. Good luck to all five acts. It is time | 1:08:20 | 1:08:25 | |
for the results. Over to you, Steve. This is the moment they've all been | 1:08:25 | 1:08:29 | |
waiting for. The moment some of them can go home. There are only | 1:08:29 | 1:08:34 | |
two spaces in the final up for grabs this week. Let's welcome our | 1:08:34 | 1:08:44 | |
1:08:44 | 1:08:45 | ||
five acts back on to the stage. VOICEOVER: Eddie "the Eagle". Amy | 1:08:45 | 1:08:50 | |
VOICEOVER: Eddie "the Eagle". Amy and Harry. | 1:08:50 | 1:09:00 | |
1:09:00 | 1:09:05 | ||
Miles Jupp. Ava Vidal. | 1:09:05 | 1:09:14 | |
And Alice Barry. CHEERING AND APPLAUSE | 1:09:14 | 1:09:19 | |
We've seen five celebrity acts take five aconic dances and not so much | 1:09:19 | 1:09:26 | |
moved to the beat as beat it until it stops moving! Cruel clam! Only | 1:09:26 | 1:09:30 | |
the acts with the highest public vote are guaranteed a place in the | 1:09:30 | 1:09:36 | |
final. Acts, are you ready? Cull on, with gusto. Audience, are you | 1:09:36 | 1:09:45 | |
ready? AUDIENCE Yes! Three random women on the high street, are you | 1:09:45 | 1:09:52 | |
ready? ALL: Yes, we're ready. are you ready? We are ready! Then | 1:09:52 | 1:09:57 | |
let's do this. The first act to get out of the | 1:09:57 | 1:10:07 | |
1:10:07 | 1:10:17 | ||
groove and into a taxi is... Alice Barry. | 1:10:17 | 1:10:27 | |
1:10:27 | 1:10:28 | ||
That's a shock. Did I read that right? What a shock. Sorry, Alice. | 1:10:28 | 1:10:38 | |
1:10:38 | 1:10:43 | ||
The next act whose krump got cramp is... | 1:10:43 | 1:10:53 | |
1:10:53 | 1:10:58 | ||
Oh, it's Ava Vidal. So sorry. Sorry Ava. And then there were | 1:10:58 | 1:11:02 | |
three. Eddie "the Eagle", Miles Jupp and Amy and Harry. One of you | 1:11:02 | 1:11:09 | |
has an am -- automatic place in the final and the other two have a rely | 1:11:09 | 1:11:13 | |
on the panel for the last remaining place. OK, we now have the | 1:11:14 | 1:11:18 | |
remaining result. I can now reveal that the act with | 1:11:18 | 1:11:28 | |
1:11:28 | 1:11:34 | ||
the most public votes this week and going straight into the final is... | 1:11:34 | 1:11:39 | |
Eddie "the Eagle" Edwards. You, Sir, have done it. You're | 1:11:39 | 1:11:45 | |
going through to the Grand Final on March 17th. You've just been voted | 1:11:45 | 1:11:49 | |
by the British public, the best dance act in the world. How does | 1:11:49 | 1:11:54 | |
that feel? Wonderful. Thank you very much. Did you ever imagine, in | 1:11:55 | 1:11:59 | |
all your dreams? Never, never ever. It is wonderful. Would you do us | 1:11:59 | 1:12:04 | |
the honour of performing a wonderful routine for us one more | 1:12:04 | 1:12:13 | |
time? Of course, just for you. Ladies and gentlemen, the wonderful, | 1:12:13 | 1:12:16 | |
the fantastic, Eddie "the Eagle" Edwards. | 1:12:16 | 1:12:22 | |
And, of course, a big round of applause one for time for Alice | 1:12:22 | 1:12:27 | |
Barry and Ava Vidal. Raised a bucket load of cash for Sport | 1:12:27 | 1:12:32 | |
Relief. Thank you, guys. That means we've two acts left. | 1:12:32 | 1:12:38 | |
Miles Jupp and Amy and Harry. Who are the next two most popular with | 1:12:38 | 1:12:43 | |
the viewers. Unfortunately, there's just one more remaining place. It | 1:12:43 | 1:12:47 | |
is over to our panel to decide which act will join Eddie in the | 1:12:47 | 1:12:51 | |
final. It is a tough decision. Shall we have a recap? ALL: Yes, | 1:12:51 | 1:13:01 | |
1:13:01 | 1:13:39 | ||
CHEERING AND APPLAUSE It's a Tuffey. Extremely tough. OK, | 1:13:39 | 1:13:44 | |
panel, who do you think should progress to the final? It's not an | 1:13:44 | 1:13:48 | |
easy job. We'll ask you one by one to give us the name of the act you | 1:13:48 | 1:13:52 | |
want to send through. Let's go to Rufus Hound. I feel the weight of a | 1:13:53 | 1:14:01 | |
nation here. That's because it's on you. Too right! I already said it. | 1:14:01 | 1:14:06 | |
O WI E were the best dance of the night. If I change my mind now I'll | 1:14:06 | 1:14:16 | |
1:14:16 | 1:14:20 | ||
look like a right berk! The act I'm going to save is Mischa B. You berk, | 1:14:20 | 1:14:25 | |
you Walley. I'm going with the one I enjoyed most and that's it. O WI | 1:14:25 | 1:14:33 | |
E. 1-0 to Amy and Harry. First blood. OK, Iain, think long and | 1:14:33 | 1:14:40 | |
hard. Well, not that long. OK, hard and quick. We're better than that, | 1:14:40 | 1:14:47 | |
people! Yes, come on. This is BBC One! This is a horrible position. I | 1:14:47 | 1:14:51 | |
think you were all excellent. It is a tough week. The dance that gave | 1:14:51 | 1:14:59 | |
me the most pleasure, Miles Jupp. This is going down to the wire. | 1:14:59 | 1:15:06 | |
We need a quick name, Sir. We're out of time. Yes, right, well. Yes, | 1:15:06 | 1:15:15 | |
it's a very tricky one. It is like a Harrier jump jet, the dance act | 1:15:15 | 1:15:22 | |
with the most dance ability for me... Got to hear it... It's Miles. | 1:15:22 | 1:15:30 | |
Miles Jupp. He's going to the final. Congratulations. Do you want a | 1:15:30 | 1:15:36 | |
quick word? Everything I wanted. You got it. Let's hear it for the | 1:15:36 | 1:15:41 | |
wonderful Miles Jupp and Amy and Harry. Well done, you've done a | 1:15:41 | 1:15:44 | |
fabulous job for Sport Relief. Sorry we had to rush through it. | 1:15:44 | 1:15:50 | |
Sorry, guys. It's been another riotous night here at Let's Dance. | 1:15:50 | 1:15:56 | |
The juggernaut of dance rolls on next week of the we've dances from | 1:15:57 | 1:16:03 | |
Omid Djalili, Arabella Weir, Skol mills to name but a few. We've | 1:16:03 | 1:16:08 | |
music legend Chris Isaak, plus Tinchy Stryder and Pixie Lott. And | 1:16:09 | 1:16:15 | |
a very special guest performance by David hassle Hoff. If you want to | 1:16:15 | 1:16:25 | |
1:16:25 | 1:16:25 | ||
contribute to the Sport Relief campaign contribute �5 to 7005. | 1:16:25 | 1:16:35 | |
1:16:35 | 1:16:45 | ||
play us out it's the champion, MUSIC: Soul Bossa Nova | 1:16:45 | 1:16:55 | |
1:16:55 | 1:16:55 | ||
Apology for the loss of subtitles for 130 seconds | 1:16:55 | 1:18:50 | |
A very, very worthy champion. Phenomenal. Don't forget, you can | 1:18:50 | 1:18:54 |