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It is week two and we are live. COMMENTATOR: Last week five dance | :00:16. | :00:20. | |
acts danced for Sport Relief. Eddie the Eagle. | :00:20. | :00:27. | |
As Powers himself said, crazy baby. It was rural. | :00:27. | :00:31. | |
Alice Barry. I would be amazed at the number of of Community Support | :00:31. | :00:36. | |
Officers that are rocking as a result of that! | :00:37. | :00:43. | |
And Amy & Harry. Both ladies were enchanting, but it | :00:43. | :00:49. | |
was Eddie the Eagle and Miles Jupp who made it through to the final, | :00:49. | :00:59. | |
:00:59. | :01:30. | ||
COMMENTATOR: COMMENTATOR: Let's Dance For Sport | :01:30. | :01:40. | |
:01:40. | :01:53. | ||
Relief. Please welcome your hosts CHEERING AND APPLAUSE | :01:53. | :01:55. | |
Welcome to Let's Dance For Sport Relief. It is week three and we are | :01:55. | :02:05. | |
:02:05. | :02:07. | ||
live. CHEERING AND APPLAUSE | :02:07. | :02:09. | |
Yes, three weeks into our search for the ultimate dance champion of | :02:09. | :02:11. | |
2012 and already we found some truly amazing places for lunch! | :02:12. | :02:15. | |
see if all the great dancers were measured by enthusiasm and cross- | :02:16. | :02:21. | |
dressing. Get ready as five more more acts | :02:21. | :02:27. | |
let their hair and their dance instructors tonight. They dance for | :02:27. | :02:31. | |
Sport Relief. Not only do we have some | :02:31. | :02:35. | |
astonishing dancing, we have amazing music. In fact, we have a | :02:35. | :02:39. | |
very special performance from the man, the legend, Chris Isaak. | :02:39. | :02:49. | |
:02:49. | :02:54. | ||
CHEERING AND APPLAUSE And getting us into the party | :02:54. | :02:56. | |
spirit, we have a collaboration sent from heaven above, a | :02:56. | :02:57. | |
performance from Tinchy Stryder and the stunning, Pixie Lott. | :02:57. | :02:59. | |
CHEERING AND APPLAUSE So in tonight's competition, only | :03:00. | :03:02. | |
two acts can go through to the final. Now, you at home will pick | :03:02. | :03:07. | |
one and the panel panel will pick the other. | :03:07. | :03:17. | |
:03:17. | :03:25. | ||
What a panel, Bruno, Arlene and Len. They were busy, so it is Tim | :03:25. | :03:35. | |
:03:35. | :03:43. | ||
CHEERING AND APPLAUSE Wonderful. Yes, there they are, | :03:43. | :03:48. | |
wise, thoughtful and considered. They are not words I would use to | :03:48. | :03:50. | |
describe them, but they are funny people. | :03:50. | :03:55. | |
We will hear lots more from them later, but first let's see who is | :03:55. | :04:01. | |
dancing tonight. DJ and pop star, Scott Mills and | :04:01. | :04:05. | |
Olly Murs. CHEERING AND APPLAUSE | :04:05. | :04:13. | |
Comedian and writer, Arabella Weir. Dani Harmer and Tyger Drew-Honey. | :04:13. | :04:23. | |
:04:23. | :04:23. | ||
TV presenter Kirsten O'Brien. Actor and comedian, Omid Djalili. | :04:23. | :04:29. | |
Quite a line-up. Now then, Tim, welcome, panel. Tim, you wear eye | :04:29. | :04:33. | |
liner so on this show that makes you an expert in dance! What | :04:33. | :04:36. | |
analysis can we expect from you this evening? | :04:37. | :04:45. | |
I think it will be insightful and inspired and adjective heavy. | :04:45. | :04:51. | |
You may not be on the right show! once kissed a girl who did ballet | :04:51. | :04:55. | |
classes when I was 19 and that's enough. | :04:55. | :04:58. | |
More qualified than Katy and Ed put together. | :04:58. | :05:00. | |
Hello. You | :05:00. | :05:00. | |
You have | :05:00. | :05:01. | |
You have melted | :05:01. | :05:01. | |
You have melted faces | :05:01. | :05:05. | |
You have melted faces out there with your Beyonce. | :05:05. | :05:08. | |
You can't say that. That's not a compliment I'm | :05:08. | :05:13. | |
familiar with, Steve. You are You are now. | :05:13. | :05:21. | |
Here is the question - what makes a good Let's Dance performer out | :05:21. | :05:28. | |
there? Le owe tarred. I want to see people try hard to do a good dance. | :05:28. | :05:32. | |
I don't want to see lots of mad jumping around. I want to see | :05:32. | :05:33. | |
steption. -- steps. | :05:33. | :05:40. | |
You have been on the show. Where do you think you are? The wrong place. | :05:40. | :05:45. | |
Ed, we were saying earlier, we are we are surprised that you have the | :05:45. | :05:50. | |
audacity to show your face after what you did last year. Only joking. | :05:50. | :05:56. | |
It is 7pm, what else am I going to show on? How do you think the | :05:56. | :05:59. | |
contestants will be feeling backstage right now? Well, there is | :05:59. | :06:03. | |
a lot of the dancers that you have, not the people competing, but the | :06:03. | :06:09. | |
professional dancers are beautiful and fit in every sense of the word. | :06:09. | :06:14. | |
Right now the contestants are probably feeling pretty fat and | :06:14. | :06:18. | |
ugly ugly looking at these beautiful and going, "I should go | :06:18. | :06:28. | |
:06:28. | :06:34. | ||
to the gym more often.". Ladies and gentlemen, show your appreciation. | :06:34. | :06:36. | |
APPLAUSE Last year a radio DJ and a pop star | :06:36. | :06:39. | |
bonded over a track across the African desert in temperatures up | :06:39. | :06:42. | |
to 40 degrees. This year for Sport Relief, they have got it really | :06:42. | :06:43. | |
tough. I'm Olly Murs. I'm Scott Mills. | :06:43. | :06:46. | |
I'm singer. I am a Radio 1 DJ. | :06:46. | :06:50. | |
He is, indeed. And we're here to do Let's Dance. | :06:50. | :06:54. | |
I have no idea where we are at all. There is just mountains all around | :06:54. | :07:00. | |
us. It is pushing 38, 39 degrees. Probably around about that, Scott. | :07:00. | :07:06. | |
We are heading... We are going somewhere else. In this direction. | :07:07. | :07:12. | |
That was the Vita lented Olly Murs and Dance With Me Tonight, sooner | :07:12. | :07:16. | |
than you think. When I got asked to take part, Olly Murs was the | :07:16. | :07:21. | |
obvious choice of dance partner for me. He is young. He is handsome. He | :07:21. | :07:25. | |
is an amazing dancer, but he is loved by the British voting public. | :07:25. | :07:31. | |
Luckily, he is a really good mate of mine so he he jurchd at the jsh | :07:31. | :07:33. | |
jumped at the chance to join me on stage. | :07:33. | :07:38. | |
MOBILE PHONE RINGS Olly and I have been working so | :07:38. | :07:42. | |
hard. We have been training all week to get it right. | :07:42. | :07:47. | |
Waky, waky twinkle toes. It is rehearsal time. | :07:47. | :07:52. | |
Your mum said you are a size nine so I hope they fit. She says hi by | :07:52. | :07:56. | |
the way. We will start off with nice, simple | :07:56. | :08:00. | |
steps just until you get the hang of it. I always knew Olly was a | :08:00. | :08:06. | |
good dancer, but seriously some of the stuff he has been doing in | :08:06. | :08:11. | |
training this week has blown me away. | :08:11. | :08:16. | |
You should follow me Olly, keep up. He is incredible. He has got this | :08:16. | :08:21. | |
amazing talent. I think I am a shoe-in for the final now Olly is | :08:21. | :08:26. | |
with me. He will win me that trophy! | :08:26. | :08:31. | |
If you want to win that trophy, you need to buck your ideas up. Come | :08:31. | :08:41. | |
:08:41. | :08:45. | ||
CHEERING AND APPLAUSE We have improved their training | :08:45. | :08:49. | |
facilities. Yes, marginally. | :08:49. | :08:59. | |
:08:59. | :08:59. | ||
Apology for the loss of subtitles for 130 seconds | :08:59. | :11:10. | |
Dancing to Party Rock Anthem, it is Oh yes. Olly and Scott, come and | :11:10. | :11:15. | |
join us. David Hasselhoff, ladies and gentlemen. Well, that was a | :11:15. | :11:20. | |
crowd pleaser, are you pleased with it? Yeah, I don't know. | :11:20. | :11:27. | |
Loved it. Loved it. Loved it. Thanks for David coming on. He is a | :11:27. | :11:30. | |
ledge. We enjoyed it, but I shouldn't | :11:30. | :11:34. | |
speak for the panel. Tim, what are you thinking? I am really impressed | :11:34. | :11:38. | |
Olly that you had the guts to come and dance with Scott. There is no | :11:38. | :11:43. | |
way you will keep up with him, but you did your best and you looked | :11:43. | :11:49. | |
all right and to bring Knight Rider on wearing a piece of kit on his | :11:49. | :11:55. | |
head. It was a spectacular thing and the clothes clothes make me | :11:55. | :12:01. | |
want to take them them off you and put them on myself. I can't imagine | :12:01. | :12:08. | |
anything being better than that, ever. Katy, do you think the Hoff | :12:08. | :12:15. | |
took the shine off the boys? No, I think the Hoff has The X Factor. I | :12:15. | :12:19. | |
hope no one lights a naked flame around you for the next two hours. | :12:19. | :12:23. | |
There were enough good steps. There was a lot of enthusiastic jumping, | :12:23. | :12:28. | |
but you had good proper choreography steps and Scott, you | :12:28. | :12:33. | |
did most of them. Well done. It was good. | :12:33. | :12:39. | |
Good effort. Well done. Ed, you look bemused. | :12:39. | :12:45. | |
David, were you invited to be part of the show or did you... I was on | :12:45. | :12:51. | |
my way to Bath! You know, it was great. One of you | :12:51. | :12:55. | |
is a better dancer than the other. Let's make no bones about it and | :12:55. | :13:05. | |
:13:05. | :13:06. | ||
Olly I think it was your duty to take your talent down a bit. It was | :13:06. | :13:13. | |
good of you to show Scott up for the stumbling man that he is. | :13:13. | :13:20. | |
The three of them were amazing. If Scott and Olly made you jolly... If | :13:20. | :13:24. | |
Olly and Scott you liked a lot, what would you have done? You made | :13:24. | :13:29. | |
the right choice. If you want to put them through to the final, pick | :13:29. | :13:33. | |
up the phone and vote for them. Please don't call now, lines aren't | :13:33. | :13:40. | |
open until our acts have performed. Get on with it. If you call, your | :13:40. | :13:43. | |
votes won't count and you maybe charged. Ask the bill payers | :13:43. | :13:46. | |
permission before you call. When you call you will be raising | :13:46. | :13:51. | |
money for Sport Relief which is why we're all here. Thank you very much. | :13:51. | :13:56. | |
See you guys later, well done. CHEERING AND APPLAUSE | :13:56. | :14:01. | |
A good start. That was a crowd pleaser. | :14:02. | :14:11. | |
CHEERING AND APPLAUSE Performing next is one of the | :14:11. | :14:13. | |
country's best loved comedians, when she acts, she is funny and | :14:13. | :14:16. | |
when she writes, she is funny. When she dances, you will laugh until | :14:16. | :14:18. | |
soup comes out of your nose, it is Arabella Weir. | :14:18. | :14:21. | |
Hi, I'm Arabella Weir, normally I do come comedy, but tonight I will | :14:21. | :14:27. | |
be dancing, but according to my children, ruining their lives. | :14:27. | :14:33. | |
Does my bum look big in this? You won't be surprised to learn that | :14:33. | :14:37. | |
the dance routine I've gone for is one of Kylie's iconic numbers. I | :14:37. | :14:42. | |
mean it seemed crazy not to really given the resemblance! | :14:42. | :14:46. | |
Actually, I get confused for her all the time! | :14:46. | :14:50. | |
Today, I have got my consultation with the make-up team and their job | :14:50. | :14:56. | |
is to make me look as much like Kylie as possible. | :14:56. | :14:59. | |
I think they're going to take the day off, don't you? | :14:59. | :15:05. | |
The great thing about me and Kylie is, of course, we have got delicate | :15:05. | :15:09. | |
features, like take the nose. Look at it, uncanny, that's going to | :15:09. | :15:12. | |
need a little bit of light powder, that will be it. | :15:12. | :15:16. | |
I suppose if you were really looking for it, there might be a | :15:16. | :15:20. | |
little bit of light fuzz on the top lip to take care of, but you know, | :15:20. | :15:28. | |
that's easily done. As for the famous Kylie bum, no | :15:28. | :15:38. | |
:15:38. | :15:49. | ||
So overall, turning this into Kylie, very little work required. | :15:49. | :15:59. | |
:15:59. | :16:03. | ||
Told you it wouldn't take long! CHEERING AND APPLAUSE | :16:03. | :16:05. | |
Relax, ar ra Bella -- Arabella, your kids aren't watching. | :16:05. | :16:08. | |
Steve, Steve, they are sitting there. | :16:08. | :16:13. | |
So from one famous bottom to another, dancing for Sport Relief | :16:13. | :16:23. | |
:16:23. | :16:38. | ||
and to Kylie, I Can't Get You Out MUSIC: Can't Get You Outta My Head | :16:38. | :16:48. | |
:16:48. | :16:48. | ||
Apology for the loss of subtitles for 130 seconds | :16:48. | :18:35. | |
CHEERING AND APPLAUSE Bring that sexy lady over here, | :18:35. | :18:36. | |
please. CHEERING AND APPLAUSE | :18:36. | :18:40. | |
Ah, well done. Arabella, I defy you not to be | :18:41. | :18:45. | |
overjoyed with that performance. I am nearly overjoyed, but I missed | :18:45. | :18:51. | |
a bit. Here I am as mother superior doing Kylie. | :18:51. | :18:55. | |
Let's find out what the panel thought of it. | :18:55. | :19:01. | |
I'm awe struck by you. I didn't notice you missed a bit, but now | :19:01. | :19:05. | |
you have told me that, I will score you down a bit. You look amazing. I | :19:05. | :19:11. | |
always thought that anyone trying to wear that outfit would look like | :19:11. | :19:18. | |
someone with a Hallowe'en costume gone awry. I I just want to use it | :19:18. | :19:23. | |
as a sheet. Thank you for for making my life better. | :19:23. | :19:27. | |
She does pull it off. Doesn't Arabella make a great Kylie. | :19:27. | :19:32. | |
I always like to see ap woman enjoying her legs, just rubbing up | :19:32. | :19:35. | |
- all of that, that was great. You have done wonders with that | :19:35. | :19:38. | |
dressing gown and no, that was brilliant. That was just amazing | :19:38. | :19:42. | |
and can I just say from one woman to another, your bum looks great in | :19:42. | :19:47. | |
that? CHEERING AND APPLAUSE | :19:47. | :19:50. | |
Ed, would you like to get that out of your head? I would love to be | :19:50. | :19:53. | |
honest about how I felt, but my wife is watching! I can't really | :19:53. | :19:57. | |
speak from the heart. It was great. It was very difficult moves. There | :19:57. | :20:04. | |
was a lot of tight choreography. The lads jumping around, but it was | :20:04. | :20:11. | |
tightly choreographed. They had David Hasselhoff. If one of their | :20:11. | :20:17. | |
dances pulled off their masks to reveal they were William. Have you | :20:17. | :20:27. | |
:20:27. | :20:29. | ||
got the hoff in there? Joo Yes, got the hoff in there? Joo Yes, | :20:30. | :20:34. | |
sewn in two. Don't call yet, your vote won't | :20:34. | :20:44. | |
count and you maybe charged. Thank you very much, Arabella Weir. | :20:44. | :20:52. | |
Still to come tonight, dancing from Kirsten O'Brien and music from | :20:52. | :21:00. | |
Tinchy Stryder and Pixie Lott. Sit back and enjoy as two massive | :21:00. | :21:02. | |
overachieves try something they have never tried before. Pv. From | :21:02. | :21:07. | |
Tracy Beaker it is Dani Harmer and from Outnumbered, it is Tyger Drew- | :21:07. | :21:17. | |
:21:17. | :21:17. | ||
Hi, I am eTyger Drew-Honey. And I'm Dani Harmer. | :21:17. | :21:25. | |
Today, we are dancers. What? I saw this bloke selling it | :21:25. | :21:35. | |
:21:35. | :21:36. | ||
on the way home. Do you play Michael Buble songs? | :21:36. | :21:43. | |
But you like Michael Buble. No, I don't. She is getting | :21:43. | :21:46. | |
confused. It was just a regular day at the | :21:46. | :21:52. | |
office. I was busting my chops trying to crack a new case when she | :21:52. | :22:02. | |
:22:02. | :22:03. | ||
walked back into my life. It has been a long time Tiger. | :22:03. | :22:09. | |
Ten years to be exact and she was as beautiful as ever. | :22:09. | :22:16. | |
I had to play it cool. Hi. I'm just going to cut to the | :22:16. | :22:20. | |
chase. I need you to dance with me just one more time. I have got this | :22:20. | :22:30. | |
:22:30. | :22:31. | ||
gig. And I need you. So will you do She was the kind of person that | :22:31. | :22:37. | |
made you want to tangle until your tie fell off, but I hanged up my | :22:37. | :22:42. | |
dancing shoes over a decade ago. I can't go back. It is too painful. | :22:42. | :22:46. | |
There was no way I was going to dance, no matter how much she | :22:47. | :22:51. | |
begged. Just dance with me, one last time. | :22:51. | :22:57. | |
I was tougher than she gave me credit for. It would take more than | :22:57. | :23:07. | |
:23:07. | :23:20. | ||
a smoking hot dame to break me. Thank you, Dani and and Tiger. This | :23:20. | :23:30. | |
:23:30. | :23:32. | ||
show has been getting silly. Excuse LAUGHTER | :23:32. | :23:38. | |
Half man, half duckment be careful Steve. Dancing to Fat Sam's Grand | :23:38. | :23:48. | |
:23:48. | :23:48. | ||
Apology for the loss of subtitles for 130 seconds | :23:48. | :25:39. | |
MUSIC: Fat Sam's Grand Slam from CHEERING AND APPLAUSE | :25:39. | :25:41. | |
Tiger, Dani, perfectly executed. You must be happy. | :25:41. | :25:46. | |
I'm very happy, but I can't talk because I'm out of of breath. | :25:46. | :25:51. | |
Tiger, are you happy? I'm not much better. | :25:51. | :25:54. | |
Let's go to the panel and see what Tim thinks. | :25:54. | :25:58. | |
It is great. I think it is disgusting how you can be so young | :25:58. | :26:03. | |
and so good at stuff and look awesome. It is a performance of | :26:03. | :26:08. | |
such maturity, performed by a man who has to draw his moustache on | :26:08. | :26:18. | |
:26:18. | :26:18. | ||
with an eye liner. Once you you wipe it off, make shoe you | :26:18. | :26:24. | |
exfoliate. Kate Katy, they were brilliant. | :26:24. | :26:30. | |
Proper, old school, show business, a full on performance and Bugsy | :26:30. | :26:38. | |
Malone, the show that made me want to be a professional show off. I | :26:38. | :26:43. | |
think you make a good couple and you should be married. I think you | :26:44. | :26:46. | |
owe it to the nation really. Well done. | :26:46. | :26:52. | |
Ed, this is what you should have done? I know. Three words people - | :26:52. | :26:58. | |
West End hit. CHEERING AND APPLAUSE | :26:58. | :27:02. | |
I know some people we can call. There could be a new production of | :27:03. | :27:09. | |
Bugsy Malone. He knows nobody. | :27:09. | :27:14. | |
Dara O'Briain. There would be a bigger custard pie | :27:14. | :27:18. | |
fight at the end. I wanted to see custard! | :27:18. | :27:25. | |
We haven't got the time. If you thought Dani was neat and you liked | :27:25. | :27:32. | |
Tiger's feet, then you can vote for them. The number you you need is: | :27:32. | :27:37. | |
Don't forget to ask the bill payer's permission before you call. | :27:37. | :27:45. | |
Thank you very much, Dani and Tiger. CHEERING AND APPLAUSE | :27:45. | :27:48. | |
Brilliant. Too good. | :27:49. | :27:53. | |
Too good for this show. Our next act is a TV presenter | :27:53. | :27:56. | |
well-known for teaching children how to draw, but brace yourself | :27:56. | :28:01. | |
kids, this may not be a pretty picture. It is Kirsten O'Brien. | :28:01. | :28:07. | |
Hello, I'm Kirsten O'Brien and I'm a TV presenter. | :28:07. | :28:11. | |
Maestro, if you ever attempt to take anything away, I will take | :28:11. | :28:16. | |
away your piano and stick it up your nostril. | :28:16. | :28:26. | |
:28:26. | :28:28. | ||
After another humiliating night in the the nightclub. | :28:28. | :28:33. | |
Kir Kirsten was forced to accept that she maybe the world's worst | :28:33. | :28:37. | |
dancer, but would a chance meeting change that. | :28:37. | :28:41. | |
You are a devil. I am and I can make your dreams | :28:41. | :28:46. | |
come true. MP. Oh hang on, could you turn me into the world's | :28:46. | :28:52. | |
greatest dancer? Whatever you want. Ah, hang on. Wait a minute. Will I | :28:52. | :28:57. | |
have to sell my soul? Normally, yes. But the thing is I am in a bind, | :28:57. | :29:02. | |
you see. The hole in the wall ate my card, what I really need is the | :29:02. | :29:05. | |
cab fare home. So I give you cab fare and you make | :29:05. | :29:15. | |
:29:15. | :29:16. | ||
me the best dancer ever? Absolutely. You will be like Darcey Bussell and | :29:16. | :29:20. | |
Michael Jackson rolled into one middle-aged woman. | :29:20. | :29:28. | |
This Isn't a con, you are not trying to trick me here? | :29:28. | :29:32. | |
LAUGHTER Oh no. All right. �20. | :29:32. | :29:35. | |
�30 would be better. �25. | :29:35. | :29:40. | |
You are a love. Hang on a second, am I now the best | :29:40. | :29:50. | |
:29:50. | :30:00. | ||
dancer ever? Whatever your heart # You are the devil in disguise # | :30:00. | :30:10. | |
CHEERING AND APPLAUSE If Lionel Blair is the devil, I | :30:10. | :30:12. | |
don't want to go to heaven. I don't think you need worry about | :30:12. | :30:16. | |
that. For Sport Relief, dancing to Jump, | :30:17. | :30:26. | |
:30:27. | :30:27. | ||
Apology for the loss of subtitles for 130 seconds | :30:27. | :32:27. | |
it is Kirsten O'Brien. CHEERING AND APPLAUSE | :32:27. | :32:36. | |
Kirsten O'Brien, ah, ten out of ten for that. Can you speak? I have got | :32:36. | :32:42. | |
a ginger beard in my mouth. Panel, try and say something | :32:42. | :32:52. | |
:32:52. | :32:54. | ||
negative about a lady who gave birth ten weeks ago? Lack of sleep. | :32:54. | :33:02. | |
You had the seven things that all great dance acts. A gingerbread, | :33:02. | :33:08. | |
the splits and my hair! I think that means that you are probably | :33:08. | :33:14. | |
going to win everything ever. It is really good. You look amazing and | :33:14. | :33:20. | |
I'm really impressed and mm, I I would like to spend some more time | :33:20. | :33:24. | |
with you. She just had a baby Tim. | :33:24. | :33:32. | |
What's wrong with a woman who just had a baby? Nothing. That dance had | :33:33. | :33:38. | |
it all? I wanted to know what it is like backstage at CBBC and I feel I | :33:38. | :33:41. | |
have got an accurate insight into what it is like. I can't believe | :33:41. | :33:47. | |
you did the splits having given birth ten weeks ago. How did you do | :33:47. | :33:53. | |
it? Try and see me walk off. She couldn't do the splits before | :33:53. | :33:57. | |
she had the baby. Well done, that was amazing. | :33:58. | :34:04. | |
I have lost the female vote. My favourite thing was the air | :34:04. | :34:08. | |
guitaring that got me. You can tell I play guitar, can't | :34:08. | :34:15. | |
you? My wife hates the fact that I have a ten tendency to do. Now when | :34:15. | :34:21. | |
she complains, I can go, "I am dancing." I am doing a dance move | :34:21. | :34:28. | |
as demonstrated by Kirsten O'Brien. My guitar is a right-handed guitar | :34:28. | :34:34. | |
restrung. If Kirsten made you jump for joy, | :34:34. | :34:37. | |
If Kirsten made you jump for joy, note down this number: | :34:37. | :34:42. | |
Remember, don't call yet, lines reason open and don't forget ask | :34:42. | :34:45. | |
the permission of the person who pays the bill. | :34:45. | :34:49. | |
Let's hear it for Kirsten O'Brien, ladies and gentlemen. | :34:50. | :34:59. | |
:35:00. | :35:08. | ||
CHEERING AND APPLAUSE Our final act tonight is a comedian, | :35:08. | :35:11. | |
but also a genuine Hollywood film star with parts in movies like | :35:11. | :35:13. | |
Glade like glad aithor. -- Gladiator. | :35:13. | :35:18. | |
It is the brilliant Omid Djalili. I'm Omid Djalili, actor and | :35:18. | :35:28. | |
:35:28. | :35:31. | ||
comedian, but what I really want to As an artist, the frustration is | :35:32. | :35:40. | |
always when people don't see the real you. | :35:40. | :35:44. | |
They have seen the clown throwing himself around for cheap laughs, | :35:45. | :35:54. | |
himself around for cheap laughs, What people don't understand is | :35:54. | :36:02. | |
that I am so much more than that. A good space. If only people could | :36:03. | :36:07. | |
see behind the mask, I would be able to show the mask that I'm | :36:07. | :36:17. | |
:36:17. | :36:17. | ||
actually a committed artist. What's great about Let's Dance For | :36:17. | :36:21. | |
Sport Relief is an opportunity for me to explore my own visual poetry | :36:21. | :36:31. | |
:36:31. | :36:34. | ||
which can move people on a profound level. | :36:34. | :36:42. | |
The I hope I can make a contribution to dance. | :36:42. | :36:48. | |
I may not have the cheekbones of a Russian dissident. I may not have | :36:48. | :36:52. | |
the talent or indeed the respect of the dance community, but I really | :36:52. | :36:59. | |
hope that that once I hit that stage people will absolutely see my | :36:59. | :37:09. | |
:37:09. | :37:22. | ||
It is going to be nice to be taken Omid told us his performance will | :37:22. | :37:29. | |
be modern dance, but as long as he is dressed as a baby, we don't care. | :37:29. | :37:39. | |
:37:39. | :37:39. | ||
Apology for the loss of subtitles for 130 seconds | :37:39. | :38:24. | |
Dancing for Sport Relief, it is MUSIC: Fight The Power by Public | :38:24. | :38:34. | |
:38:34. | :38:34. | ||
Apology for the loss of subtitles for 130 seconds | :38:34. | :39:49. | |
CHEERING AND APPLAUSE Very good. | :39:49. | :39:55. | |
. Omid Djalili that was a little bit special. Are you happy with | :39:55. | :40:05. | |
:40:05. | :40:05. | ||
that? CHEERING AND APPLAUSE | :40:05. | :40:08. | |
Are you taking a bow or are you trying to breathe? Is there a | :40:08. | :40:10. | |
doctor in the house? Go to the panel. | :40:10. | :40:15. | |
Tim, what are you thinking? always, Omid works on so many | :40:15. | :40:20. | |
levels, the symbolism and dealing with the London riots, I think is | :40:20. | :40:25. | |
incredible, the banker representing the financial institutions and | :40:25. | :40:34. | |
culpability, the sofa sofa representing apathy, the rice by | :40:34. | :40:40. | |
symbolised rice and the misstep and the sweeping statement about brooms, | :40:40. | :40:47. | |
I thought it was awesome. I said sweeping statement about brooms. | :40:47. | :40:51. | |
Come on! You are going to clean up when the | :40:51. | :40:57. | |
lines open! Good brush action. Very good and | :40:57. | :41:02. | |
what Tim is trying to say, that's dancing for people who can't be | :41:02. | :41:08. | |
bothered to watch the news. Singing In The Rain is one of my favourite | :41:09. | :41:13. | |
films. That was fantastic. Enthusiasm and proper dancing and | :41:13. | :41:23. | |
:41:23. | :41:27. | ||
you could move. Really well done. APPLAUSE | :41:27. | :41:29. | |
A brave and insightful and beautiful -- inciteful and a lot of | :41:29. | :41:31. | |
questions around about the riots, you you answered them here tonight. | :41:32. | :41:34. | |
It is Let's Dance, not Newsnight. OK, if you want to be a public | :41:34. | :41:43. | |
friend or Omid's public enemy then When you call, you will be raising | :41:43. | :41:46. | |
money for Sport Relief which is why we are here this evening. Thank you | :41:46. | :41:52. | |
very much, Omid Djalili. CHEERING AND APPLAUSE | :41:52. | :41:55. | |
He was too good for the show. He was. | :41:55. | :41:59. | |
So, there we are. Five more celebrity acts have performed. Some | :41:59. | :42:04. | |
the icing on the dance cake, others the grizzle in the disco pasty. | :42:04. | :42:08. | |
Only the act with the highest number of your votes will have an | :42:08. | :42:12. | |
auto place in -- automatic place in the final. Our panel will choose | :42:12. | :42:15. | |
between the two acts with the highest number of votes to see who | :42:15. | :42:19. | |
joins your choice. Last week I opened the phonelines | :42:19. | :42:23. | |
and I am in talks for the movie rights, it is an exciting time for | :42:23. | :42:27. | |
me. How are you going to top that Jones? How? | :42:27. | :42:36. | |
Watch and learn. I'm watching. Hello. | :42:36. | :42:46. | |
:42:46. | :42:49. | ||
I declare these phonelines open. I declare these phonelines open. | :42:49. | :42:54. | |
That was pretty good. Can I just say normally, I don't | :42:54. | :42:58. | |
like Alex's new boyfriends, but this one is great. | :42:58. | :43:03. | |
Good choice, Alex. He is a keeper. He is a keeper! | :43:03. | :43:12. | |
And you think a dance show has been the the crying out for the words of | :43:12. | :43:19. | |
a botanist then this is the moment you have been waiting for. | :43:19. | :43:27. | |
I'm David Bellamy, botanic man. I only come out on my natural habitat | :43:27. | :43:32. | |
of very special occasions and this happens to be one of them. Calls | :43:32. | :43:40. | |
cost 50 pence from a BT land line of which 36.5 pence goes to Sport | :43:40. | :43:46. | |
Relief. Other networks may vary and calls from mobiles will be | :43:46. | :43:52. | |
considerably higher. Lines close in 15 minutes and please remember to | :43:52. | :43:58. | |
get the bill payer's permission before you call. For more details, | :43:58. | :44:08. | |
:44:08. | :44:13. | ||
check the white: Now, I love to stop and chat, but I | :44:13. | :44:23. | |
:44:23. | :44:24. | ||
have got got fungi to check and David Bellamy's rules and | :44:24. | :44:32. | |
regulations. You can't say that. Who would you like to see back in | :44:32. | :44:42. | |
:44:42. | :44:42. | ||
Apology for the loss of subtitles for 130 seconds | :44:42. | :46:12. | |
the final in two weeks time? Here CHEERING AND APPLAUSE | :46:12. | :46:15. | |
Good luck, nation. Mission impossible. | :46:15. | :46:18. | |
Brilliant performances. This week John Bishop has been pushing | :46:18. | :46:21. | |
himself to the limit for Sport Relief in his week of hell | :46:21. | :46:26. | |
challenge. Take a look at how he got on. | :46:26. | :46:33. | |
This is Bishop's week of hell, a 180 mile cycle in one go up to | :46:33. | :46:37. | |
Calais and then three days, a marathon a day back-to-back. It is | :46:37. | :46:41. | |
a tough challenge. You just don't want to let anyone | :46:41. | :46:45. | |
down. 20 miles to go, I was gone and then | :46:45. | :46:52. | |
you just think, "This will only hurt for a bit." It is about 3.30 | :46:52. | :46:58. | |
and that will give John two hours sleep before he has to row across | :46:58. | :47:02. | |
the channel. He is He is not feeling well at all | :47:02. | :47:12. | |
:47:12. | :47:13. | ||
He is He is not feeling well at all Loads of people just stop in cars | :47:13. | :47:19. | |
and shoving tenners and twenty pound notes in John's sweaty hand. | :47:19. | :47:23. | |
It is brilliant that. Have you ever seen anything like | :47:23. | :47:28. | |
that in your life? Rowing and running, I struggle running up the | :47:28. | :47:33. | |
road let alone doing that. I'm not going to stop. I'm not | :47:33. | :47:43. | |
:47:43. | :47:45. | ||
going to stop. It hurts a little bit more than I thought it would do. | :47:45. | :47:48. | |
We are not asking you to do something that extreme, but we are | :47:48. | :47:58. | |
:47:58. | :48:01. | ||
An amazing effort by John and so far he raised �1.6 million and | :48:01. | :48:04. | |
counting. Now, it is time for a special treat, | :48:04. | :48:10. | |
performing Great Balls Of Fire, ladies and gentlemen, it is the | :48:10. | :48:20. | |
:48:20. | :48:20. | ||
# You shake my nerves and you rattle my brain | :48:20. | :48:24. | |
# Too much love drives a man insane # You broke my will | :48:24. | :48:26. | |
# What a thrill # Goodness gracious great balls of | :48:26. | :48:29. | |
fire # I learned to love 'cause I | :48:29. | :48:39. | |
:48:39. | :48:41. | ||
thought it was funny # You came along and moved me honey | :48:41. | :48:46. | |
# This world is fine, you're mine # Goodness gracious great balls of | :48:46. | :48:49. | |
fire # Kiss me baby | :48:49. | :48:52. | |
# Yeah, feels good # Hold me baby | :48:52. | :48:54. | |
# I want to love you like a lover should | :48:54. | :48:57. | |
# You're fine so kind # Got to tell this world that | :48:57. | :49:01. | |
you're mine, mine, mine, mine you're mine, mine, mine, mine | :49:01. | :49:06. | |
# I chew my nails and I twiddle my thumbs | :49:06. | :49:09. | |
President Reaz. # I'm surely nervous but it sure is | :49:09. | :49:13. | |
# Come on baby, drive me crazy # Goodness gracious great balls of | :49:13. | :49:23. | |
:49:23. | :49:39. | ||
fire # Kiss me baby | :49:39. | :49:43. | |
# # Oh feels good # Hold me baby | :49:43. | :49:53. | |
:49:53. | :49:54. | ||
# I want to love you like a lover should | :49:54. | :49:57. | |
# You're fine and so kind # Got to tell this world that | :49:57. | :50:02. | |
you're mine, mine, mine, mine # I chew my nails and I twiddle my | :50:02. | :50:06. | |
thumbs # I'm surely nervous but it sure is | :50:06. | :50:10. | |
# Come on baby drive me crazy # Goodness gracious great balls of | :50:10. | :50:20. | |
:50:20. | :50:22. | ||
CHEERING AND APPLAUSE Wonderful, wonderful performer. It | :50:22. | :50:25. | |
is time for the part of the show the critics are calling the middle | :50:25. | :50:30. | |
bit. People have been approaching me recently and saying "Steve your | :50:30. | :50:35. | |
backstage pub, what is it really like?" It is a lot of fun, but it | :50:35. | :50:40. | |
is not the type of place where say I don't know, David Hasselhoff | :50:40. | :50:50. | |
:50:50. | :50:50. | ||
would spontaneously burst into a rendition of the You've Lost That | :50:50. | :50:55. | |
Loving Feeling, or is it? # You've lost that loving feeling | :50:56. | :51:01. | |
# That loving feeling # You've that loving feeling | :51:01. | :51:11. | |
:51:11. | :51:13. | ||
# Now it's gone, gone # Whoah # | :51:13. | :51:22. | |
You're in Shenanigans, baby. David Hasselhoff, how are you man?. | :51:22. | :51:26. | |
I am great. What are you doing in town? I was | :51:26. | :51:32. | |
doing a concert at the. O2 and we were promoting my new album called | :51:32. | :51:35. | |
This Time Around. Whip that out. | :51:36. | :51:40. | |
This time around, I will make it last. This is for you and your lady. | :51:40. | :51:50. | |
:51:50. | :51:53. | ||
I will buy a copy. I don't want favism. I will -- favrt I will I | :51:53. | :52:03. | |
will favoritism. -- I don't want want favourism. | :52:03. | :52:08. | |
Gentlemen, trekking through a desert or dancing out front in | :52:08. | :52:12. | |
millions of people, which is harder? What do you reckon, Scott? | :52:12. | :52:18. | |
In is scarier. I don't have the moves. I couldn't do the running | :52:18. | :52:23. | |
man three weeks ago. Both are as hard as each other. | :52:23. | :52:25. | |
He does this all the time. He has got the moves. | :52:25. | :52:32. | |
Were you taken aback by the standard this evening? The standard | :52:32. | :52:35. | |
is very high. It will be hard for everyone to | :52:35. | :52:40. | |
vote. I look more like Bryan May. | :52:40. | :52:45. | |
I have got to push on. I have got to push on. A quick chat with Dani | :52:45. | :52:50. | |
and Tyger. You are so young, you have conquered the acting world, | :52:50. | :52:55. | |
have you got the dancing bug or will this scar you for the rest of | :52:55. | :53:00. | |
your life? I wouldn't say it would scar me, but it hasn't given me a | :53:00. | :53:05. | |
massive passion for dancing, it is tiring and painful. I have pulled a | :53:05. | :53:09. | |
lot of muscles and I have bruises everywhere, but we have enjoyed it.. | :53:09. | :53:13. | |
It was worth it because you looked fantastic and you brought your A | :53:14. | :53:20. | |
game as did this gentleman, writer, comedian, actor, producer and now | :53:20. | :53:23. | |
dancer. That was theatre out there. Yes. | :53:23. | :53:31. | |
Well, we thought it would be nice to involve the dancers who were | :53:31. | :53:36. | |
kind to put that together and they were within their capacities. They | :53:36. | :53:41. | |
were things they were doing to make me - even though I couldn't do. A | :53:41. | :53:45. | |
big thank you to the group. They are a fantastic group. | :53:45. | :53:52. | |
Let's chat to Kirsten. Yeah, Alex Jones' boyfriend. If I can give you | :53:52. | :53:56. | |
a word of advice, she is a nightmare, get out of it while you | :53:56. | :53:59. | |
can. Heed my warning, sir. Kirsten, you are like a wonder | :53:59. | :54:03. | |
woman. Were you just pandering to the judges, or did you really give | :54:03. | :54:08. | |
birth ten weeks ago because it did not look like it? My little son is | :54:08. | :54:13. | |
at home being looked after. It was Nice to get out of the house. He is | :54:13. | :54:19. | |
safe tonight. But it was nice to get out of the house. | :54:19. | :54:24. | |
Arabella, you gave birth 144 months ago. How are you on your feet? | :54:24. | :54:31. | |
on my feet all the time. Actually, the best fun I had was dancing with | :54:31. | :54:37. | |
the dancers which is why I did the most synchro niced dand. | :54:37. | :54:40. | |
You have approximately five minutes left to vote. Please do, it makes a | :54:40. | :54:45. | |
world of difference here here in the UK and in the poorest countries | :54:45. | :54:51. | |
in the world. Thank you, guys. They are amazing. Here is why. Practise | :54:51. | :55:01. | |
:55:01. | :55:03. | ||
I feel like a Gladiator going into the arena. The general feeling is I | :55:03. | :55:07. | |
have bitten far more off than I can chew. | :55:07. | :55:12. | |
We're going to rock it. I'm in the beginners class. | :55:12. | :55:18. | |
A woman my age putting that effort in. I deserve a medal. | :55:18. | :55:22. | |
Luckily we have got more days until Saturday because we need them. | :55:22. | :55:27. | |
Can I be a camera operator instead? Is it too late to swap dancing | :55:27. | :55:32. | |
partners. I have only been here a couple of | :55:32. | :55:37. | |
hours and it feels like I have been riding a horse. My thighs have gone. | :55:37. | :55:42. | |
I can see a fitness dance DVD, Scott teaching everyone to dance. | :55:42. | :55:52. | |
:55:52. | :55:55. | ||
By Christmas! I can't do that. I refuse. | :55:55. | :56:01. | |
Let's move on. It annoys me that Olly can just do | :56:01. | :56:07. | |
The fact that you are not the largest person. Are you saying I'm | :56:08. | :56:17. | |
small? Oh, Dani. I think it is going to be high | :56:17. | :56:24. | |
energy, is that how you do it? Oh. Oh. | :56:24. | :56:30. | |
I think I got this in the bag. Hello, are you still here? | :56:30. | :56:36. | |
Accident and death. That's the only thing I'm concerned about. | :56:36. | :56:43. | |
We are going to win on Saturday, right? Who is Olly Murs? Who is he? | :56:43. | :56:49. | |
I never heard of him. Watch out. We're coming to get | :56:49. | :56:55. | |
everyone. So there isn't long left to vote | :56:55. | :56:59. | |
for your favourite. Just two of Tonight's acts will make it through | :56:59. | :57:02. | |
to the Grand Final in two weeks time. We support our acts as much | :57:02. | :57:06. | |
as possible. They have the best stylists, backing dancers and | :57:06. | :57:09. | |
choreographers, but nothing gives them a boost like a few words from | :57:09. | :57:14. | |
a fellow celebrity. I just want to say a massive well | :57:14. | :57:17. | |
done to everyone that's dancing tonight for Sport Relief. You are | :57:17. | :57:21. | |
amazing and I hope that everyone back home picks up the phone and | :57:21. | :57:24. | |
does their bit and vote for their favourite. | :57:24. | :57:28. | |
Hello Olly, hello Scott. I have seen your moves and they are pretty | :57:28. | :57:31. | |
cool. You have got your own unique style which is fine. I'm going to | :57:31. | :57:35. | |
be supporting you all the way and I think you're going to do so, so | :57:35. | :57:42. | |
well. Good luck. Hi Tyger, hi Dani. Tyger, one of my | :57:42. | :57:48. | |
favourite pretend sons, mummy is very very proud of you. I wish you | :57:48. | :57:52. | |
both all the luck in the world tonight and lots of love. Bye. | :57:52. | :57:56. | |
Kirsten O'Brien is many things. She is a fantastic TV presenter. Very | :57:56. | :58:03. | |
funny stand-up comedian. Dancer? No. Omid Djalili, as everyone will have | :58:03. | :58:06. | |
seen by now, you have got great feet for a big man and great belly | :58:06. | :58:12. | |
for a big belly! Best of luck my friend and remember a funny looking | :58:12. | :58:18. | |
bloke in a silly costume always wins this competition. | :58:18. | :58:23. | |
Arabella, what can I say? Kylie suits you. Excellent choice. | :58:23. | :58:27. | |
Excellent choice. Great costume, very realistic, almost like a real | :58:27. | :58:29. | |
woman. I hope you get the vote tonight. | :58:29. | :58:35. | |
On behalf of everyone for Sport Relief, thank you. | :58:35. | :58:40. | |
CHEERING AND APPLAUSE Celebrity words there. | :58:40. | :58:46. | |
So the phonelines are now closed. Please stop voting, if you call now, | :58:46. | :58:49. | |
your vote will not be counted, but you maybe charged. | :58:49. | :58:55. | |
We will count and verify your calls. Each and everyone of which will | :58:55. | :58:57. | |
help people in the poorest countries as well as in the UK. | :58:57. | :59:03. | |
You can still donate with a single text. Keep watching to find out how. | :59:03. | :59:10. | |
Let's look at the third of our reports from JLS. Some viewers may | :59:10. | :59:17. | |
reports from JLS. Some viewers may find the film film distressing. | :59:17. | :59:26. | |
Children are are dying in in Africa from diseases which can be | :59:26. | :59:33. | |
prevented. Here we have a child who came in about 30 minutes ago. She | :59:33. | :59:43. | |
has fever for two days. This was needed to correct the anaemia. | :59:43. | :59:48. | |
Every day I see patients coming in like this. It breaks my heart | :59:48. | :59:56. | |
because all these illnesses are preventable. | :59:56. | :00:00. | |
It you look around the rest of the room right now, you can see about | :00:00. | :00:08. | |
five children over here that are suffering. Again, from another | :00:08. | :00:14. | |
disease that is preventable. I have got brothers and sisters and | :00:14. | :00:23. | |
you know, some of them are really, really young and to - this little | :00:23. | :00:29. | |
kid is just screaming in pain. There is just nothing no one can do | :00:29. | :00:38. | |
for him. It feels hopeless, but there are | :00:38. | :00:42. | |
things we can do to try and stop this. | :00:42. | :00:46. | |
Guys, this little vaccine prevents five of the major diseases and some | :00:47. | :00:54. | |
of these kids right now have got them. It is as easy as texting | :00:54. | :01:01. | |
"yes." Just text yes. It is at least �5. You can prevent some of | :01:01. | :01:06. | |
these diseases. These kids are in these diseases. These kids are in | :01:06. | :01:16. | |
:01:16. | :01:22. | ||
Children like Joseph who featured in in that film need your help. | :01:22. | :01:30. | |
you want to donate, you can give �5 to Sport Relief by texting 70005. | :01:30. | :01:35. | |
You must be 16 or over and please ask the bill payer's permission. | :01:35. | :01:39. | |
For more information go to bbc.co.uk/sportrelief. | :01:39. | :01:43. | |
It is not long until we find out which actsz will make it -- acts | :01:43. | :01:47. | |
will make it through to the Let's Dance For Sport Relief, but | :01:47. | :01:53. | |
performing Brits Lights, it is the -- Bright Lights, it is the | :01:53. | :02:03. | |
:02:03. | :02:18. | ||
brilliant Tinchy Stryder and Pixie # 'Cause I know somehow something's | :02:18. | :02:26. | |
gonna change # From the ground to the sky | :02:26. | :02:30. | |
# And it wasn't overnight # Last time running never went too | :02:30. | :02:33. | |
well # Heart saying carry on, head's | :02:33. | :02:36. | |
telling me forfeit # Glimpse of the high life, I wish | :02:36. | :02:39. | |
I never saw this # Now I want it all, want it all, | :02:39. | :02:41. | |
I'm selfish # Felt locked down like I caught a | :02:41. | :02:44. | |
death sentence # Like Alan Sugar fired me from The | :02:44. | :02:46. | |
Apprentice # See my little weight, I must've | :02:46. | :02:48. | |
lost half # Even Nando's won't send me a new | :02:48. | :02:50. | |
black card # And there's all opinions and | :02:50. | :02:52. | |
assumptions # Back to the grind and there's | :02:52. | :02:56. | |
more where it comes from # I love the life 'cause my life | :02:56. | :02:58. | |
flash cameras on # Tell Cheryl Cole and Rihanna that | :02:58. | :03:00. | |
I love them # From young I've been obsessed | :03:00. | :03:03. | |
with the fame # Know you're in lane 'cause your | :03:03. | :03:06. | |
dreams were the same # Every day I pray, really wishing | :03:06. | :03:08. | |
for a change # Dreams to reality and now I'm in | :03:08. | :03:11. | |
the game # Flash lights and the good life, | :03:11. | :03:13. | |
keep calling out my name # And I pray somehow something's | :03:13. | :03:17. | |
gonna change # Bright lights in the skyline | :03:17. | :03:21. | |
won't let me lose my way # 'Cause I know somehow something's | :03:21. | :03:25. | |
gonna change # Tell me how you feel | :03:25. | :03:28. | |
# Do you love me or hate me, there's no pleasing everybody | :03:28. | :03:31. | |
# Need to focus, then he lost track, I'm really sorry | :03:31. | :03:34. | |
# Left the black clouds, bright lights got me feeling jolly | :03:34. | :03:37. | |
# Never let you down, that's my word you ain't gotta worry | :03:37. | :03:40. | |
# Work for this, don't know about you but I work for this | :03:40. | :03:43. | |
# Couple labels said I wasn't worth the risk | :03:43. | :03:47. | |
# Just another hoodrat hoodie with a black hat | :03:47. | :03:50. | |
# He's just one of them looking for a purse to nick | :03:50. | :03:56. | |
# Never really had a plan B # Stayed on point, I am sharper | :03:56. | :03:58. | |
than a Stanley # Big star, flash car, looking | :03:58. | :04:01. | |
trendy # I know about my list I ain't took | :04:01. | :04:08. | |
it right # From young I've been obsessed | :04:08. | :04:10. | |
with the fame # Know you're in lane 'cause your | :04:10. | :04:13. | |
dreams were the same # Every day I pray, really wishing | :04:13. | :04:16. | |
for a change # Dreams to reality and now I'm in | :04:16. | :04:18. | |
the game # Flash lights and the good life, | :04:18. | :04:21. | |
keep calling out my name # And I pray somehow something's | :04:21. | :04:23. | |
gonna change # Bright lights in the skyline | :04:23. | :04:26. | |
won't let me lose my way # 'Cause I know somehow something's | :04:26. | :04:29. | |
gonna change # Let me tell you when to take it | :04:29. | :04:31. | |
down # This is the part where the song | :04:31. | :04:33. | |
breaks down # Stay looking up, never facing | :04:33. | :04:35. | |
down # Long as the bright lights are | :04:35. | :04:45. | |
:04:45. | :04:47. | ||
blazing down # Flash lights and the good life, | :04:47. | :04:52. | |
keep calling out my name # And I pray somehow something's | :04:52. | :04:57. | |
gonna change # Bright lights in the skyline | :04:57. | :05:04. | |
won't let me lose my way # 'Cause I know somehow something's | :05:04. | :05:14. | |
:05:14. | :05:32. | ||
APPLAUSE What a performance. Here I am in | :05:32. | :05:36. | |
the friends and family area. A posher version of Shenanigans. Lots | :05:36. | :05:40. | |
of familiar faces including Mr David Tennant. How are you? Very | :05:40. | :05:43. | |
well. Hello. Hello. | :05:43. | :05:49. | |
You lived with Arabella for five years, not roe mantically? I was | :05:49. | :05:52. | |
her lodger, yes. Did you know she had that in her? | :05:52. | :05:57. | |
am well and truly gobsmacked by that tonight. My breath is taken | :05:57. | :06:03. | |
away. There was a lot of loud singing in the kitchen, but I don't | :06:03. | :06:08. | |
remember that. Kylie was in an episode of Doctor | :06:08. | :06:11. | |
Who, what do you think she would have said? There is a tribute act | :06:11. | :06:16. | |
in that and Kylie would be happy to have the odd night off and Arabella | :06:16. | :06:22. | |
can take over. David, nice to see you. | :06:22. | :06:25. | |
Arabella's children are here. Was that embarrassing or what? Yeah, it | :06:25. | :06:30. | |
was. LAUGHTER | :06:30. | :06:32. | |
Archie, how did you feel watching mum do a Kylie impression? Well, it | :06:33. | :06:36. | |
was kind of embarrassing, but I'm sure loads of people will vote for | :06:36. | :06:41. | |
her. Well done. You should be very proud. | :06:41. | :06:47. | |
Now, over here, we have Greg James and Becky from Radio 1, of course, | :06:47. | :06:51. | |
supporting Scott and Olly. What has Scott done for the representation | :06:51. | :06:57. | |
of DJs everywhere? I don't know. I think it was amazing. I think the | :06:57. | :07:01. | |
bars got higher. I think the Hoff is incredible. The fact that he | :07:01. | :07:08. | |
brought his album along to a charity do,, "Out now." It was a | :07:08. | :07:13. | |
great performance. Becky, not Scott's mum as the the | :07:13. | :07:18. | |
badge says. You are the one that does the embarrassing stuff. Are | :07:18. | :07:22. | |
you pleased that Scott has taken the shine off you. | :07:22. | :07:26. | |
I don't think it was embarrassing. He did a great job. | :07:26. | :07:30. | |
Yeah, they did a great job. Thank you, guys. | :07:30. | :07:38. | |
We have Daniel, co-star of Outnumbered. Did you know Tyger was | :07:38. | :07:43. | |
a dancer? Tyger Has many unnecessary skills. I didn't think | :07:43. | :07:47. | |
dancing was one of them. I think he can win. | :07:48. | :07:52. | |
Over here, we have Mark, kirsen's husband -- Kirsten's husband. She | :07:52. | :07:57. | |
did push out a baby ten weeks ago. You must be proud? Yes, so, so | :07:57. | :08:04. | |
proud. There has been rehearsal at home. Her rehearsal to the Grand | :08:04. | :08:10. | |
Old Duke Of York is impressive. Omid's family is over there. He did | :08:10. | :08:14. | |
well. Give us a wave. Good luck to the acts. Thanks for | :08:14. | :08:21. | |
coming down to support them. The Thank you, Alex. Greg James, you | :08:21. | :08:25. | |
cynic. Unbelievable. Here we go, it is time to find out who will will | :08:25. | :08:31. | |
take the honours and who will take the night bus home. There are two | :08:31. | :08:35. | |
places up for grabs. Here they come back on to the stage, Scott and | :08:35. | :08:41. | |
Olly. CHEERING AND APPLAUSE | :08:41. | :08:51. | |
:08:51. | :08:59. | ||
Omid Djalili. CHEERING AND APPLAUSE | :08:59. | :09:03. | |
Arabella Weir. Kirsten O'Brien. | :09:03. | :09:12. | |
And Dani and Tyger. CHEERING AND APPLAUSE | :09:12. | :09:18. | |
We have seen five celebrity acts show real bravery. But only the act | :09:18. | :09:21. | |
with the highest number of public votes will have a guaranteed place | :09:21. | :09:25. | |
in the final. Acts, are you ready? | :09:25. | :09:32. | |
Yes. Audience, are you ready? AUDIENCE: Yes. | :09:32. | :09:38. | |
Man stuck in a lift, are you ready? Is there anyone there? Hello. Hello. | :09:38. | :09:42. | |
Yeah, he is ready. Panel, are you ready? Yes. | :09:43. | :09:52. | |
Panel, are you ready? Yes. Then let's do this! | :09:52. | :10:02. | |
:10:02. | :10:15. | ||
The first act whose disco will be Kirsten O'Brien. | :10:15. | :10:24. | |
No! No! APPLAUSE | :10:24. | :10:28. | |
A good effort though. The next act whose Dirty Dancing | :10:28. | :10:38. | |
:10:38. | :10:44. | ||
will be taken to the cleaners is... Arabella Weir. | :10:44. | :10:50. | |
What is going on? I don't know what to think anymore. | :10:50. | :10:56. | |
More me. Well, we have got three left, Scott and Olly Olly and Danny | :10:56. | :11:02. | |
and Tyger and Omid Djalili. One of you has a place and the other two | :11:02. | :11:07. | |
will have to rely on the kindness of our panel to make a decision who | :11:07. | :11:10. | |
goes through to the final. OK, we're ready for the result. | :11:10. | :11:13. | |
OK, this is it. I can now reveal the act with the | :11:13. | :11:23. | |
:11:23. | :11:35. | ||
most public votes this week and going straight into the final is... | :11:35. | :11:40. | |
Dani Dani and Tyger. They're going straight through to | :11:40. | :11:48. | |
the Grand Final on 17th March. Dani, flabbergasted. Are you OK? No, I'm | :11:48. | :11:53. | |
flabbergasted. I'm flabbergasted. Thank you very much To everyone who | :11:53. | :11:55. | |
voted. Tyger, you have conquered the | :11:55. | :11:59. | |
acting world, now you have conquered the dance world. | :11:59. | :12:03. | |
It is a surprise and it feels amazing, but now we have got to do | :12:03. | :12:09. | |
it again. Does that make you happy or sad? | :12:09. | :12:10. | |
LAUGHTER Guys, off you go backstage. Get | :12:10. | :12:15. | |
ready. We will have it one last time at the end of the show. A | :12:15. | :12:18. | |
round of applause for the wonderful Dani and Tyger. | :12:19. | :12:24. | |
And not forgetting a round of applause for Kirsten O'Brien and | :12:24. | :12:27. | |
and Arabella Weir. You have been great. Thank you, guys. Thank you | :12:27. | :12:32. | |
very much. And that means we have two acts | :12:32. | :12:36. | |
left, Scott and Olly and Omid Djalili. Panel, you can only put | :12:36. | :12:41. | |
one through to the final, but before you make that all important | :12:41. | :12:51. | |
:12:51. | :13:22. | ||
decision, we will have a little MUSIC: Fight The Power by Public | :13:22. | :13:31. | |
Enemy I feel sorry for you. I feel sorry | :13:31. | :13:35. | |
for you. Who do you think should progress to the final? Guys, this | :13:36. | :13:40. | |
is a career decision for you and for them. We will ask you one by | :13:40. | :13:44. | |
one to give us the name of the act you would like to send through. We | :13:45. | :13:50. | |
will begin with Ed. Toughest decision I have ever had | :13:50. | :13:53. | |
to make. No one doubts it. | :13:53. | :13:56. | |
I'm going to have to go with the person I think was the best... | :13:56. | :14:00. | |
Don't rush this, sir. I'm afraid of losing the youth vote | :14:00. | :14:06. | |
though. I think just for the level of | :14:06. | :14:11. | |
social commentary that he brought to the world of dance, it has got | :14:11. | :14:18. | |
to be Omid Djalili. APPLAUSE | :14:18. | :14:22. | |
One 1-0. Next, Tim. Who do you want to see | :14:22. | :14:32. | |
:14:32. | :14:33. | ||
in the final? Mm, look, you know, these guys are | :14:33. | :14:39. | |
amazing. I mean Scott obviously put so much work in. And he looks like | :14:39. | :14:46. | |
my hero Bryan May. And they had the Hoff. So if Omid | :14:46. | :14:50. | |
Djalili wasn't such a genuinely brilliant and hilarious man I would | :14:50. | :14:56. | |
put him through, but I'm going to have to go with Ed and make Omid do | :14:56. | :15:01. | |
that at least once more. I'm going to put Omid Djalili through to the | :15:01. | :15:06. | |
final, yeah. Omid Djalili, you are through to | :15:06. | :15:11. | |
the Grand Final. Who would you have gone for? I too | :15:11. | :15:17. | |
would have gone for Omid just for the sheer - I know, I am sorry. | :15:17. | :15:22. | |
A clean sweep. Ah, congratulations. | :15:22. | :15:28. | |
You must be pleased, Omid. To be judged by a panel of peers, it is | :15:28. | :15:32. | |
the least I would have expected! I'm very moved. Thank you very much. | :15:32. | :15:35. | |
It is a great cause and it is wonderful to come back for the | :15:35. | :15:39. | |
final. We will see you on 17th March, sir. | :15:39. | :15:43. | |
Guys, a quick word with you. You came so, so close. How are you | :15:43. | :15:47. | |
feeling? I'm glad I don't have to do it again. | :15:47. | :15:52. | |
We had a great tismt thanks to -- time. Thanks to everyone at home | :15:52. | :15:56. | |
who voted. He deserved it. | :15:56. | :16:00. | |
Let's hear it one more time for our fabulous acts. Thank you very much. | :16:00. | :16:06. | |
CHEERING AND APPLAUSE Well done. Well done. | :16:06. | :16:11. | |
So the turbulent rivers of dance flow on to next week. | :16:11. | :16:14. | |
Bring a canoe. If you think you can handle five | :16:14. | :16:18. | |
more celebrity acts then you know where we are. We will have music | :16:18. | :16:22. | |
from Will Young and they rocked the Super Bowl, now they will be with | :16:22. | :16:32. | |
:16:32. | :16:42. | ||
us for real, the actual LMFAO will be here. To see us out, it is the | :16:42. | :16:52. | |
:16:52. | :16:52. | ||
Apology for the loss of subtitles for 130 seconds | :16:52. | :18:45. | |
MUSIC: Fat Sam's Grand Slam from You can see Omid Djalili in the | :18:45. | :18:49. |