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Last week, five acts danced a Sport Relief and the nation's merriment. | :00:16. | :00:25. | |
Scott Mills and Olly Murs. Your bum looks great in that! Danny and | :00:25. | :00:32. | |
Tiger. West End hit! Kirsten O'Brien! I have got a gingerbread | :00:32. | :00:39. | |
in my mouth. Is there a doctor in the House? But it was the | :00:39. | :00:44. | |
Charleston, and the feisty fight the power, that made it rude to do | :00:44. | :00:50. | |
final. But who will join them tonight? -- that made it to the | :00:50. | :01:00. | |
:01:00. | :01:23. | ||
It is Let's Dance, for Sport Relief! Please welcome your hosts, | :01:23. | :01:33. | |
:01:33. | :01:49. | ||
Hello and welcome to Let's Dance! It's week four and we're live! | :01:49. | :01:53. | |
Welcome to the place celebrities come if they have the urge to dance. | :01:53. | :01:58. | |
It is for a good cause and it is cheaper than therapy. Five | :01:58. | :02:01. | |
celebrity acts will throw caution and they Koreas to the wind in the | :02:01. | :02:07. | |
last of our heats before the final -- and their careers. For your | :02:07. | :02:12. | |
average celebrity, a place in the final is the knighthood, a Nobel | :02:12. | :02:16. | |
Prize and the cycling proficiency badge rolled into one, but they do | :02:16. | :02:21. | |
not just do it for personal glory! All our celebrities are here for | :02:21. | :02:28. | |
once reason. That is to raise money for a fantastic course, Sport | :02:28. | :02:32. | |
Relief. CHEERING AND APPLAUSE. After Scott | :02:32. | :02:37. | |
Mills and Olly Murs last week, we have the real thing. It is a | :02:37. | :02:47. | |
:02:47. | :02:47. | ||
bonkers performance from the brilliant LMFAO. So there are just | :02:47. | :02:52. | |
two spaces left in the grand final. You at home will pick one of the | :02:52. | :02:58. | |
acts and our panel will pick the other. And what... You say that all | :02:58. | :03:02. | |
the time! They are more than qualified to spout off behind the | :03:03. | :03:08. | |
desk because they are Let's Dance veterans. In the same way a | :03:08. | :03:12. | |
criminal revisits the scene of the crime, they are here to give us the | :03:12. | :03:16. | |
benefit of their experience. Russell Kane, Jo Brand and Lee | :03:16. | :03:26. | |
:03:26. | :03:40. | ||
Nelson! I know. There they are, three gods | :03:40. | :03:47. | |
of the Let's Dance arena. Lee looks like he is on holiday! More from | :03:47. | :03:57. | |
:03:57. | :03:58. | ||
them later but let's see who is Stand-up comic, Patrick Monahan. | :03:58. | :04:08. | |
:04:08. | :04:09. | ||
Comedian and writer, Rowland Rivron. Comedians Watson and Oliver. TV | :04:09. | :04:17. | |
presenters Suzi Perry and Ortis Deley. Fatima Whitbread, Fatima & | :04:17. | :04:27. | |
:04:27. | :04:27. | ||
The Cuban Brothers. Now then, are you settled, panel? Good. Russell, | :04:27. | :04:32. | |
your Beyonce from last year it is still worrying me fresh in the | :04:32. | :04:37. | |
minds of the nation. What tips do you have for a memorable | :04:37. | :04:43. | |
performance? A course of oestrogen injections before the dance helps. | :04:43. | :04:48. | |
The killer move is to take it so seriously that it becomes comical. | :04:48. | :04:52. | |
When you see people possessed by whoever they are imitated, that is | :04:52. | :04:59. | |
when it becomes funny. So thrust to the point of pelvic injury! | :04:59. | :05:05. | |
your Brit meat was widely regarded as better than Britney! -- your | :05:05. | :05:11. | |
Britney Spears. Islamic anything other dancers should avoid? They | :05:11. | :05:18. | |
should -- is there anything the other dancers should avoid? They | :05:18. | :05:23. | |
should avoid looking too attractive, being slimmer and being good at | :05:23. | :05:29. | |
dancing. Lee. Last deed you danced in your pants with a lovely man | :05:29. | :05:37. | |
called omelette. They need to be very brave. How brave are the acts | :05:37. | :05:46. | |
tonight? I don't know whether me and Omelette were brave as offs our | :05:46. | :05:51. | |
heads on sambuca, but you just think about the charity stuff you | :05:51. | :05:56. | |
are doing, and it is helping unfortunate people like John | :05:56. | :06:04. | |
Bishop... A ladies and gentlemen, your panel! It is Judgement Day! | :06:04. | :06:10. | |
CHEERING AND APPLAUSE. Here we go. Our first act tonight is a stand-up | :06:11. | :06:15. | |
comedian who regularly hugs his audience at gigs. It is a lovely | :06:15. | :06:19. | |
touch but maybe the reason why he has never played at Wembley. It is | :06:19. | :06:24. | |
Patrick Monahan. I am a stand-up comedian and a professional cup | :06:24. | :06:30. | |
luck! In Britain, people say, he is a | :06:30. | :06:34. | |
northerner, but when you are travelling overseas, people label | :06:34. | :06:42. | |
you, they say, oh my God, you are Irish-Romanian-Middlesbrough. That | :06:42. | :06:50. | |
is the "axis of evil"! Patrick Monahan is successful | :06:50. | :06:55. | |
stand-up comedian. He is going on a journey to find out more about his | :06:55. | :07:01. | |
family history. I was raised in Teesside, my dad is from Ireland | :07:01. | :07:06. | |
and my mum is from Iran. I am hoping that I come from a | :07:06. | :07:11. | |
traditional line of clowns, comedians and entertainers. I have | :07:11. | :07:17. | |
just found out that my great great great grandfather was eight four | :07:17. | :07:26. | |
time Iranian dance champion. -- was a fourth time. Unbelievable. Dancer, | :07:26. | :07:35. | |
dancer... This is ridiculous. What?! My uncle? A ballet dancer? | :07:35. | :07:45. | |
:07:45. | :07:48. | ||
I am shocked, gutted... My dad's side, they are all Irish. There has | :07:48. | :07:58. | |
:07:58. | :08:04. | ||
SAD MUSIC. I couldn't believe it. All of them are dancers! How | :08:04. | :08:09. | |
ridiculous? Dancing, what a load of...! You would never catch me | :08:09. | :08:19. | |
:08:19. | :08:22. | ||
Very unusual. Normally the acts tried to track down their relatives | :08:22. | :08:26. | |
after they have done the show. Embarrassing three generations of | :08:26. | :08:32. | |
his family at once by dancing to Only Girl In The World by Rihanna, | :08:32. | :08:42. | |
:08:42. | :08:47. | ||
for Sport Relief, it is Patrick # La la la la. | :08:48. | :08:54. | |
# La la la la. # I want you to love me like I'm a hot guy. | :08:55. | :09:02. | |
# Keep thinkin' of me doin' what # So boy forget about the world cos | :09:02. | :09:11. | |
it's gon' be me and you tonight. # I wanna make your bed for ya then | :09:11. | :09:17. | |
I'll make you swallow your pride. # Want you to make me feel like I'm | :09:17. | :09:22. | |
the only girl in the world. # Like I'm the only one that you'll | :09:22. | :09:26. | |
ever love. # Like I'm the only one who knows | :09:26. | :09:32. | |
your heart. # Only girl in the world. | :09:32. | :09:36. | |
# Like I'm the only one that's in command. | :09:36. | :09:39. | |
# Cos I'm the only one who understands how to make you feel | :09:39. | :09:48. | |
like a man. # Want you to make me feel like I'm | :09:48. | :09:52. | |
the only girl in the world. # Like I'm the only one that you'll | :09:52. | :09:56. | |
ever love. # Like I'm the only one who knows | :09:56. | :10:00. | |
your heart. # Only one. | :10:00. | :10:10. | |
:10:10. | :10:13. | ||
# Want you to take me like a thief # Take me for a ride. | :10:13. | :10:16. | |
# Oh baby take me high. # Let me make you first. | :10:16. | :10:21. | |
# Oh make it last all night. # Want you to make me feel like I'm | :10:21. | :10:25. | |
the only girl in the world. # Like I'm the only one that you'll | :10:25. | :10:35. | |
:10:35. | :10:36. | ||
ever love. How to make you feel like a man. | :10:36. | :10:46. | |
:10:46. | :11:13. | ||
Thank you very much. Shy and retiring Louie Spence. You seem to | :11:13. | :11:20. | |
enjoy that far too much. How was it? Yeah, it was nice. This is | :11:20. | :11:23. | |
normally what I wear in the north- east of England. We don't wear very | :11:23. | :11:29. | |
much. People at home watching will think, he is overdressed. But it is | :11:29. | :11:36. | |
a pleasure. The pleasure is ours but do the panel agreed? How good | :11:36. | :11:42. | |
was he! Amazing! How connected among with my sister now. Signor | :11:42. | :11:47. | |
hairy armpits next to all of the glitter, that is how a great night | :11:47. | :11:53. | |
always finishes. I was fully shaped for Beyonce. You've really got into | :11:53. | :11:58. | |
it. I am sure somebody is looking like that on a stag night but it | :11:58. | :12:05. | |
was awesome. You should be really proud of yourself. Well done. | :12:05. | :12:11. | |
did you enjoy it? I enjoyed it very much. I always feel rather | :12:11. | :12:14. | |
distressed when a man looks better in a dress than I do, but let's | :12:14. | :12:20. | |
face it, Jo Brit looks better in a dress and I do. I thought it was | :12:20. | :12:25. | |
lovely and I really liked the bit when your dad came on at the end. | :12:25. | :12:30. | |
Lee, very quickly? I thought that was so sexy that for them two | :12:30. | :12:37. | |
minutes, I stopped thinking about you, Alex. Laughter Macros. That | :12:37. | :12:43. | |
was not the desired effect, Lee. You have got something going on and | :12:43. | :12:49. | |
I would like permission to go out with you. Permission denied. | :12:49. | :12:59. | |
:12:59. | :13:01. | ||
And when you do call, remember your money will be raising valuable | :13:01. | :13:06. | |
funds ares for Sport Relief. This next act is a comedian and | :13:06. | :13:10. | |
presenter known for his on-screen antics. He had better behave | :13:10. | :13:17. | |
himself when this one is around. will crush him like an ant. It is | :13:17. | :13:23. | |
writer and comedian Rowland Rivron. Hello, I am a presenter, comedian... | :13:23. | :13:33. | |
:13:33. | :13:53. | ||
Quiet one last night, Rowland? Steady. Waiter? Could I have a | :13:53. | :13:58. | |
large Scotch, please, and have you got the wine list? Rowland, it is | :13:58. | :14:06. | |
10am. Yeah, and I am ordering breakfast. 20 years I have | :14:06. | :14:10. | |
represented you, Rowland. 20 years guiding your Career, babysitting | :14:10. | :14:16. | |
you, getting you out of trouble. This time you have really messed up. | :14:16. | :14:26. | |
:14:26. | :14:47. | ||
Don't you remember anything about No. Like I said, it was a fairly | :14:47. | :14:54. | |
quiet one. This time not even I can help you. Good luck on that dance | :14:55. | :15:02. | |
the Sport Relief. You idiot. -- good luck for Let's Dance on Sport | :15:02. | :15:12. | |
:15:12. | :15:16. | ||
Relief. Let's Dance? Put on your Anyone who can fall off a chair | :15:16. | :15:20. | |
like that has the potential to go all the way to Let's Dance champion | :15:20. | :15:25. | |
2012. Agreed. Dancing to "Weapon Of Choice" by Fatboy Slim, it is | :15:25. | :15:35. | |
:15:35. | :15:52. | ||
MUSIC: "Weapon Of Choice" by Fatboy Don't be shocked by the tone of my | :15:52. | :15:56. | |
voice. Check out my new weapon, weapon of | :15:56. | :16:01. | |
choice. Don't be shocked by the tone of my | :16:01. | :16:06. | |
voice. Check out my new weapon, weapon of | :16:06. | :16:16. | |
:16:16. | :16:28. | ||
You can go with this or you can go with that. | :16:28. | :16:31. | |
You can go with this or you can go with that. | :16:31. | :16:34. | |
You can go with this or you can go with that. | :16:34. | :16:44. | |
:16:44. | :16:54. | ||
Walk without rhythm. It won't attract the worm. | :16:54. | :17:04. | |
:17:04. | :17:19. | ||
Walk without rhythm. You can go with this or you can go | :17:19. | :17:21. | |
with that. You can go with this or you can go | :17:21. | :17:24. | |
with that. You can go with this or you can go | :17:24. | :17:34. | |
:17:34. | :17:52. | ||
Rowland Rivron, so very cool. Congratulations, that was utterly | :17:52. | :17:57. | |
outstanding. I will let you catch your breath. Let go straight to the | :17:57. | :18:02. | |
panel. That is the dance to beat tonight, that was absolutely | :18:02. | :18:10. | |
unbelievable. The choreography of was spot on. It was fantastic! | :18:10. | :18:17. | |
Amazing dancing. Jo, that was a brilliant performance, wasn't it? | :18:17. | :18:23. | |
It was, Rowland, I had secretly loved you for years, and now way | :18:23. | :18:26. | |
open the love you. And you are going to be corralled by every | :18:26. | :18:31. | |
menopause all housewife in the country, and I am a leading the | :18:31. | :18:39. | |
charge! -- menopausal. What did you make a bid, lead? One word, that | :18:39. | :18:47. | |
was quality! Unbelievable! I would find myself, but I haven't got no | :18:47. | :18:52. | |
credit. Not allowed phones in here. He needs an ambulance, he looks | :18:52. | :18:56. | |
like he is going to collapse. Thanks, the wonderful Rowland | :18:56. | :19:06. | |
:19:06. | :19:06. | ||
Rivron! He was so good! But right now, we have a comedy double act | :19:06. | :19:12. | |
who have recently had their run hilarious series on BBC2, full of | :19:12. | :19:16. | |
silliness, and a bizarre situations. Sounds like a six-week rehearsal | :19:16. | :19:22. | |
for Let's Dance. It is Watson and Oliver. | :19:22. | :19:32. | |
:19:32. | :19:32. | ||
I am a Lorna Watson. I am include Oliver. We are Watene and Olivares. | :19:32. | :19:38. | |
If your nails went so long... are you saying about our nails? | :19:38. | :19:45. | |
Have you got a problem with my nails? | :19:45. | :19:50. | |
To be honest, I didn't surprise me when I was asked to take part in | :19:50. | :19:53. | |
Let's Dance for Sport Relief, because as most of you probably | :19:53. | :19:59. | |
already know, I'm actually a world- class ice dance champion. This is | :19:59. | :20:06. | |
me after I won gold at the Winter Olympics. Hello. And this is a | :20:06. | :20:12. | |
little something I won't, also at the Winter Olympics -- something I | :20:12. | :20:21. | |
won. That is an Oscar. It isn't real. Isn't it. When a Let's Dance | :20:21. | :20:26. | |
called me to invite me... Invited asked to take part in this year's | :20:26. | :20:32. | |
show, it was obvious I had to... had to. A routine on skates. | :20:32. | :20:42. | |
:20:42. | :21:09. | ||
Because it was on an ice rink where Ingrid... I mean, Let's Dance is | :21:09. | :21:13. | |
the charity, but it is also a competition. I don't know how to | :21:13. | :21:23. | |
:21:23. | :21:30. | ||
This promises to be at the most graceful thing on ice since the | :21:30. | :21:37. | |
frozen crispy pancake. For Sport Relief, taking you back in 1984 and | :21:37. | :21:47. | |
:21:47. | :21:54. | ||
skating to Torvill and Dean's The world holds its breath as this | :21:54. | :22:04. | |
:22:04. | :22:04. | ||
Apology for the loss of subtitles for 136 seconds | :22:04. | :24:20. | |
pair of comedians take to the ice Bravo! Makes you proud to be | :24:20. | :24:26. | |
British. Watson and Oliver, outstanding. Boy you over the moon? | :24:26. | :24:30. | |
In rehearsal, I went flying off the stage into the audience, so that | :24:31. | :24:36. | |
was a bonus. You can can be -- cancel the ambulance! Let go to the | :24:36. | :24:43. | |
panel. That was magical, grateful, we had a woman dressed as a man, | :24:43. | :24:47. | |
that makes a nice change, ladies and gentlemen. And you even took | :24:48. | :24:55. | |
the bins out halfway through, so my mum will be happy. Well done. | :24:55. | :25:00. | |
they were superb, won't they? were, better than dancing on ice, | :25:00. | :25:05. | |
or as I like to think of it, going to A&E with a broken pelvis. I | :25:05. | :25:09. | |
always used to think that Bolero was a slightly boring song, but now | :25:09. | :25:19. | |
:25:19. | :25:20. | ||
it is fresh, exciting and it lives in my heart forever. Lee, what did | :25:20. | :25:25. | |
you think of their impression of Cornwall and Dean? Well, when you | :25:25. | :25:30. | |
two goals came on with the dry ice, I thought to myself, this could be | :25:30. | :25:34. | |
it be so 2010 all over again. I was a bit disappointed with some of the | :25:35. | :25:39. | |
rest of it, but I still love did overall and I'm going to give you... | :25:39. | :25:49. | |
My phone number! What a result. Let's hear it for the wonderful | :25:49. | :25:59. | |
:25:59. | :26:00. | ||
Watene and Oliver! Thank you, -- Watson and Oliver! They are | :26:00. | :26:10. | |
:26:10. | :26:13. | ||
enjoying it. She nearly went! she is... There we are. We won't | :26:13. | :26:16. | |
deduct a point for this, it is after the dance, you are fined. | :26:17. | :26:23. | |
Panic over. Our next performance is by a TV presenting double act with | :26:23. | :26:27. | |
plenty of gadget knowledge, but if they want to make it work tonight, | :26:27. | :26:32. | |
they are going to have to really turn it on, then off, then on again, | :26:32. | :26:37. | |
like a computer. It is Suzi Perry and Ortis Deley! | :26:37. | :26:45. | |
IM Suzi Perry Foster I am also steely. During the next 48 hours | :26:45. | :26:53. | |
your challenge is to survive using only a wireless technology. Is it | :26:53. | :26:59. | |
ready? Does it work? Because if you have let me down... Don't worry, | :26:59. | :27:03. | |
Suzi! I have created a gadget that will turn us into the greatest | :27:03. | :27:11. | |
dancers who ever lived. Have you tested it? Not just yet. We need to | :27:11. | :27:21. | |
:27:21. | :27:21. | ||
know that it works! Forties, did it work? Not quite. But on the | :27:21. | :27:28. | |
upside... I have just turned an old cabbage into pure gold, we have | :27:28. | :27:32. | |
discovered alchemy! And how is that going to help a stance? A yes, | :27:32. | :27:42. | |
:27:42. | :27:44. | ||
but... Ortis, focus! Have you actually invented a gadget that | :27:44. | :27:50. | |
could turn us into world-class professional dancers? No. We are | :27:50. | :27:54. | |
due on stage in six hours. What the hell are we going to do? Don't | :27:54. | :28:00. | |
worry! I have got plan B. I have made some danced robot replicas of | :28:00. | :28:03. | |
ourselves, they can do the dance for us, no one will know the | :28:03. | :28:08. | |
difference. Brilliant! We are a shoo-in for the final. I knew you | :28:08. | :28:18. | |
:28:18. | :28:19. | ||
If we are about to see a collection of cardboard boxes for him over, | :28:19. | :28:24. | |
then this show has a new favourite. One to watch. Dancing to Livin' La | :28:24. | :28:34. | |
:28:34. | :28:43. | ||
Vida Loca by Ricky Martin, it is # She's into superstitions. | :28:43. | :28:48. | |
# Black cats and voodoo dolls. # Well, I feel a premonition. | :28:48. | :28:58. | |
:28:58. | :29:00. | ||
# She's into new sensations. # New kicks in the candlelight. | :29:00. | :29:05. | |
# She's got new addictions. # For every day and night. | :29:05. | :29:08. | |
# She'll make you take your clothes off. | :29:08. | :29:12. | |
# And go dancing in the rain. # She'll make you live her crazy | :29:12. | :29:16. | |
life. # But she'll take away your pain. | :29:16. | :29:21. | |
# Like a bullet to your brain. # Upside inside out. | :29:21. | :29:26. | |
# She's livin' la vida loca. # She'll push and pull you down. | :29:26. | :29:31. | |
# Livin' la vida loca. # Her lips are devil red. | :29:31. | :29:37. | |
# And her skin's the colour mocha. # She will wear you out. | :29:38. | :29:47. | |
:29:48. | :30:09. | ||
# Livin' la vida loca. # She'll make you take your clothes | :30:09. | :30:11. | |
off. # And go dancing in the rain. | :30:11. | :30:13. | |
# She'll make you live her crazy life. | :30:13. | :30:16. | |
# But she'll take away your pain. # Like a bullet to your brain. | :30:17. | :30:19. | |
# Upside inside out. # She's livin' la vida loca. | :30:19. | :30:22. | |
# She'll push and pull you down. # Livin' la vida loca. | :30:22. | :30:27. | |
# Her lips are devil red. # And her skin's the colour mocha. | :30:27. | :30:37. | |
:30:37. | :30:53. | ||
That was a crowd pleaser! Fabulous stuff! So vibrant, so colourful, so | :30:53. | :30:59. | |
many bottoms on display! That was wonderful. Are you happy? I can't | :30:59. | :31:05. | |
breathe, you might have to speak to him. We are really happy. Shall we | :31:05. | :31:11. | |
find out what the panel think? was all some. My mum and her | :31:11. | :31:16. | |
friends are probably taking HRT just to deal with the consequences | :31:16. | :31:22. | |
of how hot that was! Brilliant energy, it really sensuous. I loved | :31:22. | :31:30. | |
it. Did you like it, Jo? I got so excited watching it, I tripped over | :31:30. | :31:34. | |
into a senior moment and I can't really remember anything about it. | :31:34. | :31:42. | |
You look lovely! Did it get too hot under the collar, Lee? Oh my gosh. | :31:42. | :31:47. | |
I enjoy that but something tells me it Otis enjoyed it a lot more! | :31:47. | :31:57. | |
:31:57. | :31:59. | ||
Legend, my man! Thank you very much, Suzi and Otis! | :31:59. | :32:05. | |
APPLAUSE. Our final act tonight combines a world class comedy trio | :32:05. | :32:08. | |
and a woman who's a world champion javelin thrower and Sports | :32:08. | :32:14. | |
Personality of the Year. Although you'll probably still know her as | :32:14. | :32:20. | |
the one who got a cockroach jammed up her nose in the jungle. Yeah for | :32:20. | :32:28. | |
the cockroach! It's Fatima Whitbread and The Cuban Brothers. | :32:28. | :32:38. | |
:32:38. | :32:38. | ||
We are the Cuban Brothers! And I am Fatima Whitbread! Let's dance! | :32:38. | :32:43. | |
the Cuban brothers here. We are very delighted indeed to be asked | :32:43. | :32:48. | |
to do this strange competition, the dance competition, in your country, | :32:48. | :32:52. | |
but to be asked to do it with a legend like Fatima Whitbread, it is | :32:52. | :32:57. | |
off the scale. Ever since we could understand the complexities of the | :32:57. | :33:02. | |
javelin competition, we have watched her career with wide-eyed | :33:02. | :33:11. | |
enthusiasm. Nice and steady, all the control in the world. It is a | :33:11. | :33:17. | |
very big role, it is about 76.5 metres. Look at the way she moves. | :33:17. | :33:24. | |
So graceful. So elegant. She is like a swan. I am telling you, one | :33:24. | :33:29. | |
day I will dance with the Fatima Whitbread. I don't think Fatima | :33:29. | :33:36. | |
Whitbread will want to dance with you. Could that be the gold medal? | :33:36. | :33:42. | |
Of course, that was a long time ago, you know, we are a lot more mature | :33:42. | :33:50. | |
and more ways. We will not be fighting over ladies! OK, boys, | :33:50. | :34:00. | |
:34:00. | :34:07. | ||
No fighting! No fighting! APPLAUSE. | :34:08. | :34:10. | |
Cuban cabaret with a javelin thrower. | :34:10. | :34:14. | |
I know what you're thinking but it was that or jazz tap with Kriss | :34:14. | :34:18. | |
Akabusi. For Sport Relief, dancing to You Should Be Dancing by The Bee | :34:18. | :34:28. | |
:34:28. | :34:41. | ||
Gees, it's Fatima and The Cuban # My baby moves at midnight. | :34:41. | :34:45. | |
# Goes right on till the dawn. # My woman takes me higher. | :34:45. | :34:53. | |
# My woman keeps me warm. # What you doin' in the back, aah? | :34:53. | :35:03. | |
:35:03. | :35:03. | ||
Apology for the loss of subtitles for 136 seconds | :35:03. | :35:48. | |
# You should be dancing, yeah. # You should be dancing, yeah. | :35:48. | :35:58. | |
:35:58. | :36:01. | ||
# Dancing, yeah. # You should be dancing, yeah. | :36:01. | :36:11. | |
:36:11. | :36:48. | ||
Too good. Toogood, far too good! Come and join me. Don't be shy. Are | :36:48. | :36:53. | |
you happy with that? That is what I'm talking about. That is what we | :36:53. | :36:58. | |
are all talking about. I think this is the start of the New Korea. | :36:59. | :37:04. | |
an athlete, notice Fatima is the only one who can speak. -- it is | :37:04. | :37:12. | |
the start of my new career. I was waiting for somebody to pull off | :37:12. | :37:16. | |
her hat and it was Tessa Sanderson! It would be good if the cockroach | :37:16. | :37:25. | |
came out of your nose at the end. You nailed it, or well done. It is | :37:25. | :37:31. | |
almost as if Chris De Burgh wrote the song "lady in red" for you. He | :37:31. | :37:37. | |
wrote a song for me when I did it called "the Lady Is Red", so I | :37:37. | :37:44. | |
didn't do quite so well. Did you enjoy the performance? Oh my gosh, | :37:44. | :37:53. | |
if dancing was an Olympic sport, then you would win gold! Yes! | :37:53. | :37:58. | |
you. Fatima & The Cuban Brothers! Amazing! And this is what it is all | :37:58. | :38:06. | |
about. Take a look at the next of our videos from JLS in Uganda. | :38:06. | :38:09. | |
Children across the world are living in truly horrendous | :38:09. | :38:14. | |
conditions. 75% of illness here is because of unsafe water and poor | :38:14. | :38:19. | |
sanitation and in slums like this, children are losing their lives. | :38:19. | :38:24. | |
This girl has lived in the slum for as long as she can remember. This | :38:24. | :38:31. | |
is home. A few months ago, she lost her sister to malaria and diarrhoea. | :38:31. | :38:37. | |
What are your hopes and dreams for the future? I want to be a doctor. | :38:37. | :38:47. | |
:38:47. | :38:50. | ||
You want to be a doctor? What are -- what are your worries? That is | :38:50. | :38:55. | |
unbelievable. Her life is at risk every day from the open sewers, the | :38:56. | :39:00. | |
flooding, the disease, the contamination. It is alive she | :39:00. | :39:05. | |
should not have to live. Her little family are constantly sick. She | :39:05. | :39:11. | |
lost her sister this year because of these conditions. Why should she | :39:11. | :39:16. | |
have to live like this? These guys live here every single day. Every | :39:16. | :39:21. | |
day. They don't even necessarily want to live here but they don't | :39:21. | :39:25. | |
have no choice. This is probably the first time I have realised why | :39:25. | :39:30. | |
diarrhoea and malaria are the biggest killers of young kids in | :39:30. | :39:36. | |
this country, because it is ridiculous... I physically feel | :39:36. | :39:42. | |
sick. We want to help build drains and taps and get proper sanitation | :39:42. | :39:48. | |
to the people that need it the most. Whatever you give is going to | :39:48. | :39:53. | |
undoubtedly saved lives, and give these kids hope the future. They | :39:53. | :39:57. | |
have all got dreams and aspirations like all of us, they have families | :39:57. | :40:03. | |
like we do. It is no conditions are no human being to be in. It is �5, | :40:03. | :40:11. | |
one text, it is not that much to ask. Please. One text. | :40:11. | :40:15. | |
As the boys said, one text can make all the difference. It certainly | :40:15. | :40:25. | |
:40:25. | :40:26. | ||
can. If you want to donate, you can The whole of the �5 will go to | :40:26. | :40:31. | |
Sport Relief. You must be 16 or over. Please ask the bill payers | :40:31. | :40:41. | |
:40:41. | :40:49. | ||
It is happy away in Shenanigans! -- Happy hour. Fatah! I told you, you | :40:49. | :40:55. | |
are ruining the dartboard for everyone with this! Over there! It | :40:55. | :41:01. | |
is another crazy night in Shenanigans. Let me introduce you | :41:01. | :41:08. | |
to our superstar barman, Louie Spence. Yes, yes, yes. And Mr | :41:08. | :41:15. | |
Lionel Blair! Of course! APPLAUSE. Much like the film Speed, | :41:15. | :41:20. | |
if Lionel Blair drops below 30 taps per minute, he will explode. Look | :41:20. | :41:26. | |
out for that or stop keep it going. Let's speak to our fabulous dancer, | :41:26. | :41:31. | |
Patrick. You have taken to dressing like a lady like a duck to cross- | :41:31. | :41:41. | |
:41:41. | :41:41. | ||
dressing. What is the comedian's compunction to dress like a lady? | :41:42. | :41:46. | |
don't know about cross-dressing. I thought if Steve is not wearing the | :41:46. | :41:50. | |
his staff, I will wear it. sequin top his mind, the rest is | :41:50. | :41:58. | |
all yours! Watson and Oliver. Remarkable, but I want to bring up | :41:58. | :42:04. | |
the fact that you are a skating protege. You are fabulous acted. | :42:04. | :42:12. | |
Sure. Yeah. -- You are fabulous at it. I gave up at the age of 13 and | :42:12. | :42:19. | |
I have not skated since. If that makes me an expert... But you have | :42:19. | :42:24. | |
never skated before this show so you learned for us? Yes, and it was | :42:24. | :42:29. | |
painful and hard and I was petrified. But it was wonderful to | :42:29. | :42:36. | |
watch. You did something special. Thank you. Good luck. Fatima | :42:36. | :42:40. | |
Whitbread! Anything to be around like red again. I am really having | :42:40. | :42:47. | |
fun with these guys. It is beautiful. The spirit of Latin | :42:47. | :42:53. | |
America. Did you enjoy being in the limelight dancing? It is different, | :42:53. | :42:57. | |
isn't it, but it is for a good cause so I hope we have raised a | :42:57. | :43:05. | |
lot of money. What the ladies said. You did a fabulous job out there, | :43:05. | :43:11. | |
guys. A Charlton dream come true, having that lady in your arms. -- a | :43:11. | :43:15. | |
childhood dream. It is a fantastic evening for Sport Relief, dance, | :43:16. | :43:23. | |
for us to be touching Fatima in any capacity at all. Thank you so much. | :43:23. | :43:27. | |
Good luck this evening. Rowland Rivron. I didn't think anybody | :43:27. | :43:33. | |
could top trump Christopher Walker in but you did. It was incredible. | :43:33. | :43:38. | |
All things considered, I think I pulled it off. Do you want to have | :43:38. | :43:43. | |
a look at it? ! It is not long until we find out | :43:43. | :43:47. | |
which acts will make it through to the final but first, it is time to | :43:47. | :43:57. | |
:43:57. | :44:13. | ||
make some noise for the brilliantly # I be up in the party. | :44:13. | :44:23. | |
:44:23. | :44:27. | ||
# I have got a drink in my hand. # Everybody is in the house. | :44:27. | :44:34. | |
# All the goals make out for the whole club to see #. | :44:34. | :44:42. | |
# People always say that my music is loud forced of # Sorry for | :44:42. | :44:48. | |
partying! # People always say, turn it down. | :44:49. | :44:58. | |
:44:59. | :45:03. | ||
# Sorry for party. # When they talk, so read for party | :45:03. | :45:13. | |
:45:13. | :45:19. | ||
When I walk on by, girls be looking like damn he fly. | :45:19. | :45:22. | |
I PIMP to the beat, walking down the street with in my new lafreak, | :45:22. | :45:24. | |
yea. This is how I roll, animal print | :45:24. | :45:27. | |
pants out of control. It's Redfoo with the big Afro. | :45:27. | :45:34. | |
And like Bruce Lee rock at the club, Ahh girl look at that body. | :45:34. | :45:40. | |
I-I work out. Ahh girl look at that body. | :45:40. | :45:44. | |
I-I work out. When I walk in the spot, yeah this | :45:44. | :45:49. | |
is what I see, OK. Everybody stops and staring at me. | :45:50. | :45:53. | |
I got passion in my pants and I ain't afraid to show it, show it, | :45:53. | :46:03. | |
:46:03. | :46:14. | ||
show it, show it. When I'm at the mall, security just | :46:14. | :46:24. | |
Wiggle, wiggle, wiggle, wiggle, wiggle, yeah. | :46:24. | :46:25. | |
Wiggle, wiggle, wiggle, wiggle, wiggle, yeah. | :46:25. | :46:27. | |
Wiggle, wiggle, wiggle, wiggle, wiggle, yeah. | :46:27. | :46:29. | |
Wiggle, wiggle, wiggle, wiggle, wiggle, yeah, yeah. | :46:29. | :46:39. | |
:46:39. | :46:42. | ||
Here we go. Time to find out who will take the prize and who should | :46:42. | :46:47. | |
sneak out in disguise. The last two spaces in the final are up for | :46:47. | :46:53. | |
grabs. Let's welcome at our five- act back onto the stage. | :46:53. | :47:03. | |
:47:03. | :47:21. | ||
Patrick Monahan! Fatima and the Suzy and Ortis! And Watson and | :47:21. | :47:31. | |
:47:31. | :47:37. | ||
We have seen five celebrity acts put their hands and sometimes feet | :47:37. | :47:41. | |
in the air like they just don't care. But only the act with the | :47:41. | :47:47. | |
highest number of public bodes well have a guaranteed place in the | :47:47. | :47:55. | |
final -- public votes. Are you ready? Audience, are you ready? | :47:56. | :48:05. | |
Lionel Blair, are you ready? I am like a coiled spring! He is ready. | :48:05. | :48:15. | |
:48:15. | :48:39. | ||
Panel, are you ready? Yes! Then Patrick Monahan! I can't believe | :48:39. | :48:49. | |
:48:49. | :48:58. | ||
that. What just happened?! The next act to do the Cha Cha of | :48:58. | :49:08. | |
:49:08. | :49:18. | ||
I can't believe I am saying is, it is Watson and Oliver. Hush your | :49:18. | :49:27. | |
mouth, are you making that up?! sorry, girls. So then there were | :49:27. | :49:33. | |
three, Rowland, Suzi and ought to is, -- Ortis, and Fatima and the | :49:33. | :49:37. | |
Cuban Brothers. One of you has an automatic place in the final, the | :49:37. | :49:40. | |
other tee macro will have to depend on the panel for the last remaining | :49:40. | :49:49. | |
place. We now have the result. is it. I can now reveal that the | :49:49. | :49:55. | |
act with the most public votes, and going straight into the Grand Final | :49:55. | :50:05. | |
:50:05. | :50:13. | ||
You have won a place in the hearts and minds of a nation. You look | :50:13. | :50:20. | |
like you can't believe it. You did it, you are through to the final. | :50:20. | :50:26. | |
How do you feel? I am very chuffed. Well done to all these other guys. | :50:26. | :50:32. | |
I was a contender, there you go! Hard you going to perform for us | :50:32. | :50:40. | |
one more time! He has got to do it. He is the champion. And of course, | :50:40. | :50:44. | |
a big round of applause one more time to Patrick Monahan and Watson | :50:44. | :50:54. | |
and Oliver, great sports. Thank you, guys, thank you so much. And that | :50:54. | :50:58. | |
means we have two Act's left, Suzi and Ortis, and Fatima and the | :50:58. | :51:08. | |
Cubans. There is only one place the remaining. So it is over to our | :51:08. | :51:12. | |
lovely panel. You cannot do a runner at this point! Before you | :51:12. | :51:22. | |
:51:22. | :51:58. | ||
make that all-important decision, OK, we are through the looking | :51:58. | :52:02. | |
glass panel. What we do today will echo through the ages. I will ask | :52:02. | :52:06. | |
you one by one to give me the name of the act you would like to send | :52:06. | :52:12. | |
the roof. We will begin with Russell. Oh no! Listen, both | :52:12. | :52:19. | |
amazing. The sexual chemistry in the Latin dance was amazing, but to | :52:19. | :52:23. | |
me, Fatima is a legend. There is nothing you can chuck about woman | :52:23. | :52:30. | |
she will not tackle, I have devoted wholeheartedly for her. -- I have | :52:30. | :52:36. | |
to vote wholeheartedly for her. Next, we come to you, leave. Oh my | :52:36. | :52:45. | |
gosh. This is more difficult than when I put my boy up for adoption. | :52:45. | :52:52. | |
My heart says the Cuban Brothers. But my pants say Suzy. I am going | :52:52. | :53:00. | |
to listen to my pants, Suzi and Ortis. Jo Brand, it is all on you. | :53:00. | :53:05. | |
The going to have to rush you for a decision. People always prevaricate | :53:05. | :53:11. | |
at this stage, I don't, it is Batman and the key members. -- | :53:11. | :53:16. | |
Fatima and the Cuban Brothers. Congratulations to Fatima and the | :53:16. | :53:22. | |
Cuban Brothers. Fatima, you must be overjoyed, or dreading doing it all | :53:22. | :53:25. | |
again? No, it has been an absolute pleasure working with these guys go | :53:25. | :53:29. | |
I hope we have raised enough money. You have done a great job, well | :53:29. | :53:35. | |
done. A final word? We have had such a great time, I have been | :53:35. | :53:40. | |
wrapping myself around him all week, what is not to like? We have had a | :53:40. | :53:46. | |
great time watching you guys. Let's hear it one more time for everyone. | :53:46. | :53:56. | |
Thank you, dies. -- dies. Going celebrate backstage. So, next week | :53:56. | :54:01. | |
it is all aboard the Let's Dance expressed my destination, dance- | :54:01. | :54:06. | |
mageddon. Eight amazing acts, but only one trophy, and if that wasn't | :54:06. | :54:13. | |
enough, you will see the official Sport Relief single, Proud by JLS, | :54:13. | :54:20. | |
and at the exclusive UK performance by the one and only Katy Perry. | :54:20. | :54:23. | |
remember, if you want to contribute to the Sport Relief campaign, you | :54:23. | :54:33. | |
:54:33. | :54:33. | ||
can donate by texting �5 to seven Enjoy it, it is fabulous, the | :54:33. | :54:43. | |
:54:43. | :55:03. | ||
# Don't be shocked by the tone of my voice. | :55:03. | :55:07. | |
# Check out my new weapon, weapon of choice. | :55:07. | :55:12. | |
# Don't be shocked by the tone of my voice. | :55:12. | :55:17. | |
# Check out my new weapon, weapon of choice. | :55:17. | :55:27. | |
:55:27. | :55:31. | ||
# You can go with this. # Or you can go with that. | :55:31. | :55:34. | |
# You can go with this. # Or you can go with that. | :55:35. | :55:38. | |
# You can go with this. # Or you can go with that. | :55:38. | :55:41. | |
# Or you can throw with us. # You can go with this. | :55:41. | :55:44. | |
# Or you can go with that. # You can go with this. | :55:44. | :55:47. | |
# Or you can go with that. # You can go with this. | :55:48. | :55:57. | |
:55:58. | :56:01. | ||
# Walk without rhythm. # It won't attract the worm. | :56:01. | :56:06. | |
# Walk without rhythm. # And it won't attract the worm. | :56:06. | :56:16. | |
:56:16. | :56:21. | ||
# You can go with this. # Or you can go with that. | :56:21. | :56:25. | |
# You can go with this. # Or you can go with that. | :56:25. | :56:28. | |
# You can go with this. # Or you can go with that. | :56:28. | :56:31. | |
# Or you can throw with us. # You can go with this. | :56:31. | :56:34. | |
# Or you can go with that. # You can go with this. | :56:34. | :56:44. | |
:56:44. | :56:49. | ||
# Or you can go with that. That is going to be a tough one to | :56:49. | :56:55. |