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for Sport Relief. Welcome your hosts, it is Alex | :00:46. | :00:56. | |
:00:56. | :01:16. | ||
APPLAUSE Well, this is the Grand Final, and | :01:16. | :01:21. | |
we are live. Live people, we're live. | :01:21. | :01:26. | |
If I may, of course a huge thanks to our professional dancers, they | :01:26. | :01:29. | |
have been amazing throughout the series, they really have. Thank you | :01:29. | :01:35. | |
guys. So talented, and so, so sexy. Stop it. | :01:35. | :01:39. | |
Hello and welcome to what can only be described as thermonuclear dance | :01:39. | :01:45. | |
war, eight acts will shake their high-achieving thang, in an attempt | :01:45. | :01:50. | |
to become the greatest celebrity dance act in the known boogie-verse. | :01:50. | :01:56. | |
20 acts have graced this very stage, but only one can become the disco- | :01:56. | :02:00. | |
God, that is Let's Dance Champion 2012. | :02:00. | :02:05. | |
Cue applause APPLAUSE | :02:05. | :02:09. | |
JLS will also be performing the official Sport Relief single | :02:09. | :02:15. | |
tonight. We like a bit of JLS. | :02:15. | :02:23. | |
Tell them the next bit. # And she's flown in just for us, | :02:23. | :02:28. | |
it is the wonderful Katy Perry. So the wait is over, it is time to | :02:28. | :02:31. | |
get acquainted with some of the bravest human beings on the planet. | :02:31. | :02:35. | |
Ladies and gentlemen, it is a privilege to welcome back the | :02:35. | :02:44. | |
saviours of dance-kind, the Let's Dance 2012 Finalists! Tameka and | :02:44. | :02:54. | |
:02:54. | :02:58. | ||
Laurie. Terry Alderton. | :02:58. | :03:08. | |
:03:08. | :03:15. | ||
Eddie The Eagle. Miles miles. | :03:15. | :03:22. | |
Dani and Tyger. Omid Djalili. | :03:22. | :03:32. | |
:03:32. | :03:52. | ||
Rowland Rivron. That was very good. | :03:52. | :03:58. | |
Just that bit was good, simply delicious. | :03:58. | :04:03. | |
What's at stake? Well, the winner tonight will walk | :04:03. | :04:08. | |
away with this. No, that's a jar of pickles, pan the camera to the left | :04:08. | :04:13. | |
please, there she is. The finest plastic trophy in the | :04:13. | :04:19. | |
fires of Mount Doom. I think I would rather the pickles. | :04:19. | :04:24. | |
Let's not forget tonight our finalists are giving their all for | :04:24. | :04:33. | |
Sport Relief. Let's hear it for our acts, wonderful, wonderful people. | :04:33. | :04:42. | |
So, who will take their place in our Hall of Dance Fame, alongside, | :04:42. | :04:46. | |
Robert Webb, James Thornton and Rufus Hound and Charlie Baker, and | :04:46. | :04:51. | |
be crowned, Let's Dance Champion. The decision is your's at home, you | :04:51. | :04:54. | |
alone will decide who takes the title, and whose boop will rise to | :04:54. | :04:57. | |
the top. We are opening the phone lines | :04:57. | :05:01. | |
right at the top of the show, and have arranged for a particularly | :05:02. | :05:09. | |
grand lady to do just that. No, Alice Barry is not back is she? | :05:09. | :05:12. | |
In your dreams. Can the audience still be | :05:12. | :05:18. | |
upstanding, here we are. (clears throat) It gives me great | :05:18. | :05:28. | |
:05:28. | :05:49. | ||
pleasure, to introduce Her Majesty I here by declare the Let's Dance | :05:50. | :05:59. | |
:06:00. | :06:01. | ||
Grand Final telephone lines are now open. Thank you so much your | :06:01. | :06:10. | |
majesty, thank you. I concede to your brilliance, you win. | :06:10. | :06:14. | |
Now, remember, numbers for each act are not the same as they were in | :06:14. | :06:17. | |
previous shows. So please make sure that you dial in for the right act | :06:17. | :06:27. | |
:06:27. | :06:27. | ||
Apology for the loss of subtitles for 43 seconds | :06:27. | :07:11. | |
Have you quite finished? Yes I have. We will remind you of all the | :07:11. | :07:16. | |
numbers throughout the show. Calls cost 50p from a BT landline, and | :07:16. | :07:20. | |
36.5p will go to sport very live. Other operators may vary, and calls | :07:20. | :07:24. | |
from mobiles will be considerably higher. The lines will close, what | :07:24. | :07:31. | |
are you doing? A face? Just standing here being bored. Get the | :07:31. | :07:34. | |
bill payer's permission before you call. It is down to you, you are | :07:35. | :07:39. | |
the Lords of the dance tonight. Your votes alone will decide this | :07:39. | :07:42. | |
year's Let's Dance Champion. Obviously deciding who to vote for | :07:42. | :07:45. | |
tonight is a very important decision. It is not like deciding | :07:45. | :07:48. | |
what house to buy, or whether to have children, this really matters. | :07:48. | :07:52. | |
He's right, it is a massive decision. To help you make it, well | :07:52. | :07:56. | |
we have gone out and got you a little panel. I have said it before, | :07:56. | :08:01. | |
I will say it again, what a panel. Two of them follow the Let's Dance | :08:01. | :08:04. | |
tradition of having left feet and absolutely no sense of rhythm. | :08:04. | :08:08. | |
other is so knowledgeable, we did actually think she turned up at the | :08:08. | :08:16. | |
wrong studio this evening. How have we got her. It is Frank Skinner, | :08:16. | :08:26. | |
:08:26. | :08:49. | ||
Rhod Gilbert and Queen of the dance, APPLAUSE | :08:49. | :08:53. | |
I defy you to make any sense of that introduction. It was good. It | :08:53. | :08:58. | |
was big. It was marvellous. Your panel for | :08:58. | :09:02. | |
the evening, it is time for the first finalist. Before Let's Dance, | :09:02. | :09:06. | |
not only had this man never danced on live TV, he had never won | :09:06. | :09:13. | |
anything, ever. Now he could win a prize that makes Olympic gold look | :09:13. | :09:23. | |
:09:23. | :09:34. | ||
like runners up in the meat raffle. There is something you need to see. | :09:34. | :09:39. | |
Gentlemen, as you know the ancient Mayan civilisation predicted the | :09:40. | :09:45. | |
end of the world in 2012. There must be a thousand of these | :09:45. | :09:49. | |
apocalyptic predictions, so we never paid it any heed, until this | :09:49. | :09:57. | |
happened. Going straight into the final is Eddie 'The Eagle' Edwards. | :09:57. | :10:05. | |
This is a 4,000-year-old Mayan prophesy, it should perennial loser | :10:05. | :10:08. | |
Eddie 'The Eagle' Edwards ever win anything, the universe will implode, | :10:08. | :10:14. | |
and life will cease to exist. what you are saying, if he wins the | :10:14. | :10:24. | |
:10:24. | :10:31. | ||
final on Saturday...Exactly. I It's good to see you again Eddie. | :10:31. | :10:38. | |
It's been a long time. Why, after everything we talked about. I just | :10:38. | :10:44. | |
wanted to be good at something. You're good, Eddie, the trouble is, | :10:44. | :10:50. | |
you're too good. Your lines are impecable. And that | :10:50. | :11:00. | |
hitch-kick, it was, to die for. But you know you can't win, don't you | :11:00. | :11:05. | |
Eddie. Why not? The prophesy. is just ancient mumbo jumbo, we | :11:05. | :11:10. | |
don't know if it's real. We can't take that chance, which is why I | :11:10. | :11:15. | |
want you to dance in the final, and I want you to lose. Then I never | :11:15. | :11:20. | |
want you to dance again. That is what you said about the ski jumping. | :11:20. | :11:29. | |
What? Nothing. Will you do it Eddie, will you make me that promise? | :11:29. | :11:39. | |
:11:39. | :11:43. | ||
That was incredible. Alex, this thing just got real. For Sport | :11:44. | :11:53. | |
Relief, here we go, dancing as Austin Powers, to Soul Bossa Nova - | :11:53. | :12:03. | |
:12:03. | :12:03. | ||
Apology for the loss of subtitles for 43 seconds | :12:03. | :14:14. | |
Instrumental, it is Eddie 'The Big thank you to The Royal British | :14:14. | :14:18. | |
Legion band Romford there, fantastic, they are multiplying, | :14:18. | :14:23. | |
there is more of them. Outstanding, are you happy with it? | :14:23. | :14:31. | |
Very happy. Shall we find out what the panel think? Skinner? It was an | :14:31. | :14:36. | |
extravaganza, there was ten million people on the stage, and eddie | :14:36. | :14:41. | |
looking like a distressed zebra in the middle of it. Lots of pointing, | :14:41. | :14:44. | |
some pointing can be lack lustre, I would have missed a lot of stuff if | :14:44. | :14:47. | |
he hadn't pointed it out to me. State-of-the-art pointing, well | :14:47. | :14:57. | |
:14:57. | :14:58. | ||
done, mate. It is lovely that we have someone, | :14:58. | :15:02. | |
finally, who can comment on the technical ability of our dancers. | :15:02. | :15:10. | |
could have done, but Eddie I thought I was hallucinating, Mike | :15:10. | :15:16. | |
Myers and the Twist have nothing on you. It was like a dream, I can't | :15:17. | :15:21. | |
critque it technically because I was somewhere else! Fair enough, | :15:21. | :15:24. | |
and Rhod, do you think Eddie deserves to win something? Look at | :15:24. | :15:29. | |
that face, of course he does. change? I thought was inspired | :15:29. | :15:34. | |
choosing a character that allows you to wear your own glasses! I | :15:34. | :15:40. | |
thought it was awesome, I was never quite sure whether you were called | :15:40. | :15:44. | |
Eddie 'The Eagle' Edwards because you soared like an eagle or you ate | :15:44. | :15:54. | |
mice, tonight I thought you were a sexy, wall rus-toothed love eagle! | :15:54. | :16:00. | |
There we have it, our panel is sold, if Eddie's Bossa Nova won you over, | :16:00. | :16:10. | |
:16:10. | :16:14. | ||
Remember tonight is your last chance to vote for your favourite, | :16:14. | :16:20. | |
thank you very much, Eddie 'The Eagle' Edwards. | :16:20. | :16:24. | |
Even his glasses have steamed up. He's been in character for the last | :16:24. | :16:30. | |
three weeks. Fantastic. Tina Turner has won nine Grammy | :16:30. | :16:34. | |
Awards, seven Billboard Music Awards, and has a star on the | :16:34. | :16:39. | |
Hollywood Walk Of Fame. But tonight is her greatest honour yet, being | :16:39. | :16:49. | |
:16:49. | :16:53. | ||
impersonated by a big, bald, butch Hello, hello. What? Nothing. | :16:53. | :16:58. | |
It's you, it's you isn't it. Stand- up comedian, Terry Alderton here. | :16:58. | :17:05. | |
Who? No the one that did the Tina Turner on the dance show, do the | :17:05. | :17:15. | |
:17:15. | :17:18. | ||
face, I love the face. Tim, do the I knew this would happen. I know, | :17:19. | :17:23. | |
we're in the final. Not the final, you know it has taken me the years | :17:23. | :17:29. | |
to build up the reputation of a credible stand-up comedian, now all | :17:29. | :17:35. | |
I'll be remembered for is the dance and the face. Go on, do the face. | :17:35. | :17:41. | |
That's it, we're not doing the final? This charade is over. Oh no | :17:41. | :17:51. | |
:17:51. | :18:22. | ||
it isn't. Oh yes it is. Well I guess that settles that then. | :18:22. | :18:31. | |
Best of five. A man whose dancing career is like | :18:31. | :18:37. | |
his skirt, short and inappropriate. For Sport Relief, dancing to Proud | :18:37. | :18:47. | |
:18:47. | :18:55. | ||
Mary, by Tina Turner, it is Terry # Down in the city | :18:55. | :19:01. | |
# Working for the man # Every night and day | :19:01. | :19:10. | |
# Big wheel keep on turning # Proud Mary keep on burning | :19:10. | :19:14. | |
# And we're rolling # Rolling | :19:14. | :19:20. | |
# Rolling yeah # Rolling on a river | :19:20. | :19:30. | |
:19:30. | :19:39. | ||
# In the city # Working for the man | :19:39. | :19:45. | |
# Every night and day # I never lost a minute of sleeping | :19:45. | :19:51. | |
# Worrying about things #Ic about wheel keep on turning | :19:51. | :19:55. | |
# Proud Mary # Keep on burning | :19:55. | :20:01. | |
# Rolling # Rolling on the river | :20:01. | :20:06. | |
# Rolling # Rolling on the river | :20:06. | :20:14. | |
# Do do do # Yeah | :20:14. | :20:17. | |
# Rolling # Rolling on the river | :20:17. | :20:24. | |
# Rolling # Rolling on the riverle # Rolling | :20:24. | :20:29. | |
# Rolling # Rolling on the river | :20:29. | :20:39. | |
:20:39. | :20:50. | ||
# Rolling APPLAUSE | :20:50. | :21:00. | |
:21:00. | :21:03. | ||
Terry Alderton, come and join us. You really refined that impression, | :21:03. | :21:10. | |
it is eerie. How are you doing? really, really like you. Don't do | :21:10. | :21:15. | |
this? I really, listen. Butt out Jones, I'm with the other Jones. | :21:15. | :21:20. | |
Sorry. Stand here and try to be normal for | :21:20. | :21:26. | |
a second. Normal. Frank Skinner, what are you thinking, Sir? I think, | :21:26. | :21:30. | |
if Loose Women was a late night show, that is what it would look | :21:30. | :21:35. | |
like. There was a moment then, when the doors opened, I thought, God, | :21:35. | :21:40. | |
Terry looks absolutely fantastic. I was looking at one of the girl | :21:40. | :21:45. | |
dancers. But the dancing was high - energy, I could see the muscles | :21:45. | :21:51. | |
tensing and untensing in the legs, it was excellent stuff. It was | :21:51. | :21:57. | |
high-energy brilliance, I thought. APPLAUSE | :21:58. | :22:04. | |
Frank thought it was sexy, what did you think? Tina, diva, from the | :22:04. | :22:09. | |
slow finger snaps, to the simy with the fringe flying, there was | :22:09. | :22:14. | |
nothing you couldn't do. You know what, I think you could be Tina's | :22:14. | :22:22. | |
personal private dancer! Rhod, you were laughing your head off? Mainly | :22:22. | :22:28. | |
at the facial expressions, you looked like you were having an | :22:28. | :22:35. | |
aneurysm, you looked like the girl at the Office Party. It puts the | :22:35. | :22:39. | |
lotion, otherwise it gets the hose again! It is a bit like that. | :22:39. | :22:43. | |
you feel that Terry's Tina should be top of the tree, this is the | :22:43. | :22:51. | |
be top of the tree, this is the Lines may be busy, keep trying. You | :22:51. | :22:56. | |
can vote for any act at any time until the lines close a bit later | :22:56. | :23:04. | |
until the lines close a bit later Thank you very much, Terry Alderton. | :23:04. | :23:10. | |
I love to watch that man walk away. For a couple of reasons! | :23:10. | :23:15. | |
Our next act took us back to the golden age of disco, the music was | :23:16. | :23:23. | |
funky, and the hair was enormous, it is Fatima Whitbread and The | :23:23. | :23:30. | |
Cuban Brothers. Hello friends, thank you four your continuous | :23:30. | :23:35. | |
support of The Cuban Brothers and Fatima. The lovely Fatima. | :23:35. | :23:39. | |
raidant fate ma. Oi, Fatima is coming round. | :23:39. | :23:49. | |
:23:49. | :24:06. | ||
NO! You can't show Fatima the lovely jigsaw with the javelin | :24:06. | :24:12. | |
missing. Let's go and see my beautiful sculpture instead. No, my | :24:12. | :24:18. | |
sculpture, Fatima, no, someone has taken her nose, which one of you | :24:18. | :24:28. | |
:24:28. | :24:36. | ||
You forget how to craft it, hombre, it's rubbish, never mind, never | :24:36. | :24:46. | |
:24:46. | :24:49. | ||
mind. Ola. Fatima, Benos, si, oh, OK, | :24:49. | :24:55. | |
busy. Your beautiful hair, you are washing your beautiful hair, no, no, | :24:55. | :25:03. | |
problem. We see you in the final then. Adios, me amore, I love you. | :25:03. | :25:13. | |
:25:13. | :25:21. | ||
That film will form the bulk of the evidence in Fatima's bid for a | :25:21. | :25:26. | |
restraining order. For Sport Relief dancing to You Should Be Dancing - | :25:26. | :25:36. | |
:25:36. | :25:50. | ||
By The Bee Gees. # Out in the dark | :25:50. | :25:59. | |
# No woman take me higher # My woman keep me warm | :25:59. | :26:04. | |
# What you doing on your bed # What you doing | :26:04. | :26:14. | |
:26:14. | :26:51. | ||
# You should be dancing # Yeah | :26:51. | :26:59. | |
# You should be dancing # Yeah | :26:59. | :27:08. | |
# You should be dancing # Yeah | :27:08. | :27:16. | |
# We should be dancing # Yeah | :27:16. | :27:26. | |
:27:26. | :27:42. | ||
# We should be dancing Fatima Whitbread and The Cuban | :27:42. | :27:47. | |
Brothers. Come and join us guys. For me that | :27:47. | :27:50. | |
Come and join us guys. For me that was absolutely awesome. How was | :27:50. | :27:55. | |
that for you? Amazing, thank you so much. It was nerve racking, I'm | :27:55. | :28:00. | |
glad we got through, it was a great occasion. Panel, what are you | :28:00. | :28:04. | |
thinking now, Frank? I never realised before, the great thing | :28:04. | :28:08. | |
about dancing in flares is the trousers keep moving after the leg | :28:08. | :28:14. | |
has stopped. I loved the disco totem pole ending, we had a sports | :28:14. | :28:20. | |
legend in a nice frock, it was everything. If I was on Strictly, I | :28:20. | :28:25. | |
would say, "yes, you should be dancing"! Arlene what did you | :28:25. | :28:31. | |
think? Well, I tell you, you have made my Saturday night a fever, | :28:31. | :28:39. | |
because, not one John Travolta, but three, whoever dreamed it has taken | :28:39. | :28:46. | |
until 2012 to see Fatima Whitbread do a hustle. Arlene liked it, Rhod, | :28:46. | :28:54. | |
what did you make of it? I saw four John Travolta. Four, surely. I | :28:54. | :28:59. | |
thought you blew John Travolta away, all four of you. You made him | :28:59. | :29:07. | |
retrospectively look like a wheelie bin. That's a nice feeling. If you | :29:07. | :29:12. | |
bin. That's a nice feeling. If you like, if you liked that, you should | :29:12. | :29:18. | |
phone in. Remember, your call will be, of course, raising money for | :29:18. | :29:28. | |
:29:28. | :29:29. | ||
It's so nice that they have become friends as well. | :29:29. | :29:34. | |
And maybe more! On to the next act. First he won awards as a comedian, | :29:34. | :29:37. | |
then he had his own TV show, then he became a Hollywood film star, | :29:37. | :29:43. | |
now, at long last he has hit the big time, the Let's Dance stage. | :29:43. | :29:49. | |
It's Omid Djalili. I can't believe I got to the final. | :29:49. | :29:54. | |
If you told me a year ago, even six months ago, that I got to the final, | :29:54. | :30:02. | |
I would have thought you are crazy. Because this is, just, wow. | :30:02. | :30:10. | |
I'm living the dream here. Which makes this so much harder to take. | :30:10. | :30:16. | |
I don't know how it happened. I woke up this morning and I had a | :30:16. | :30:25. | |
pain in my throat. I think I might have later reign giet tis. | :30:26. | :30:30. | |
-- Laryng itis. Obviously I have taken medical advice, because I | :30:30. | :30:34. | |
really want to perform in the final. The doctor said I could really | :30:34. | :30:44. | |
:30:44. | :30:47. | ||
damage my vocal chords. I just don't know what to do. I | :30:47. | :30:54. | |
think because (whispers) of the state of my throat, it will be | :30:54. | :30:59. | |
impossible to do the final. It is a dance show, what has it to do with | :30:59. | :31:04. | |
your voice? I can't, it is looking impossible. Fine we will drop you | :31:04. | :31:08. | |
from the show. So I have done a lot of soul-searching over the last | :31:08. | :31:18. | |
couple of minutes, and I have decided to go for it. I'm back in. | :31:18. | :31:22. | |
That's not bad, that's good, it is not a race. I'm going to dance in | :31:22. | :31:32. | |
:31:32. | :31:37. | ||
Just think what this final show would have been like without his | :31:37. | :31:45. | |
performance. Less glitzy, less glamorous. Three minutes short too! | :31:45. | :31:55. | |
:31:55. | :31:56. | ||
Dancing for Sport Relief it is Omid # Do do do | :31:56. | :32:06. | |
:32:06. | :32:30. | ||
# The number of the summer # The summer of the drama | :32:30. | :32:34. | |
# Music hitting your heart # Because I know you have soul | :32:34. | :32:38. | |
# Listen you all # Swinging while I'm singing | :32:38. | :32:45. | |
# Give me what you're giving # Rhythm of speech | :32:45. | :32:48. | |
# Freedom # We have to fight the powers that | :32:48. | :32:58. | |
:32:58. | :32:58. | ||
Apology for the loss of subtitles for 43 seconds | :32:58. | :33:53. | |
# Fight the power APPLAUSE. | :33:53. | :34:01. | |
Omid Djalili. A crowd pleaser. | :34:01. | :34:07. | |
Come here you, you sickeningly talented man. You catch your breath, | :34:07. | :34:10. | |
we will go straight to the panel. Frank Skinner, what are you | :34:10. | :34:18. | |
thinking? I believe the kids that was Gee, the ending with the brooms | :34:18. | :34:23. | |
was like a game of urban Quidditch. I loved it, you completely were | :34:23. | :34:29. | |
marvellous, I loved it. That is a little nod to the riot clean-up | :34:29. | :34:33. | |
that was on Twitter. By the way, after a terrible debilitating | :34:33. | :34:40. | |
problem with my voice, I got through that. Thank you. | :34:40. | :34:45. | |
Thank you for your support. He's a bit of dancer, isn't he? You had a | :34:45. | :34:50. | |
butch crew there, and you did not let your b-boys down, you were | :34:50. | :34:57. | |
there, the rhythms, jumping out of shows shoes. Absolutely hot. I'm | :34:57. | :35:06. | |
telling you, your hips were hopping. Rhod what did you make of it? | :35:06. | :35:10. | |
thought it was amazing, incredible choreography, great fun, a bit of | :35:10. | :35:20. | |
:35:20. | :35:21. | ||
satire, the news, the riots. It was The News At Ten, The Musical, a | :35:21. | :35:27. | |
hip-hopping Trevor McDonald. If you think Fight The Power is a winner, | :35:27. | :35:29. | |
think Fight The Power is a winner, don't fight the urge to phone. The | :35:29. | :35:39. | |
:35:39. | :35:42. | ||
Your calls will raise money for Sport Relief. Thank you very much, | :35:42. | :35:48. | |
Omid Djalili. We have seen some fantastic acts so | :35:48. | :35:53. | |
far tonight, but let me tell you, that's only the half of it. Yeah I | :35:53. | :35:58. | |
know, because we're literally half way through the show. Here is | :35:58. | :36:04. | |
what's coming up. Dani Harmer and Tyger Drew-Honey, Miles Jupp, | :36:04. | :36:12. | |
Rowland Rivron, Tameka and Laurie. And we're also looking forward to | :36:12. | :36:22. | |
music from the wonderful JLS, and, of course, an exclusive performance | :36:22. | :36:26. | |
from Katy Perry. That's quite high-pitched over | :36:26. | :36:28. | |
there! Our next act are young, funny, they | :36:28. | :36:32. | |
can act and dance and they are here tonight. I'm assuming they have | :36:32. | :36:40. | |
lost a bet. It is Dani and Tyger. Another night on the town with my | :36:40. | :36:44. | |
best girl, and we just got through to the final. I could tell that she | :36:44. | :36:54. | |
:36:54. | :37:00. | ||
was very impressed with my smooth Are you two pip squeaks, Tyger and | :37:00. | :37:08. | |
Dani? I wasn't scared of this punk, I ain't the kind of guy who backs | :37:08. | :37:18. | |
down? Yes! You two, need to throw the dance in the final. Fat Sam's | :37:18. | :37:23. | |
got a lot of money riding on it, and Fat Sam isn't used to losing. | :37:23. | :37:30. | |
This bruiser was trying to sweat me, I was harder than a GCSE math's | :37:30. | :37:36. | |
exam without a calculator, hi to protect this broad. I needed a plan. | :37:36. | :37:46. | |
:37:46. | :37:55. | ||
Dani, we need a plan, do something, It's a good job you're a good | :37:55. | :38:05. | |
:38:05. | :38:09. | ||
The custard pie is actually very effective, especially, if like that | :38:09. | :38:15. | |
gangster you are lactose intolerant. It can kill a man dead! | :38:15. | :38:25. | |
:38:25. | :38:32. | ||
For Sport Relief, dancing to fat # Will soon walk through that door | :38:32. | :38:34. | |
# At fat Sam # Grand Slam | :38:34. | :38:38. | |
# Speak easy # Always able to find you a table | :38:38. | :38:43. | |
# There is room for just one more # At fat Sam's | :38:43. | :38:46. | |
# Grand Slam # Speak easy | :38:46. | :38:56. | |
:38:56. | :38:56. | ||
# Once you get here # Fat Sam is your | :38:56. | :38:59. | |
# Home sweet home # Plans are made here | :38:59. | :39:06. | |
# Each night astounds you # Stories by the dozen | :39:06. | :39:12. | |
# Anybody who is anybody # Will soon walk through that door | :39:12. | :39:22. | |
:39:22. | :39:32. | ||
# At Fat Sam's Grand Slam # Politicians saved by the kitchen | :39:32. | :39:40. | |
# Caught his fingers there # Once you get in | :39:40. | :39:44. | |
# Fat Sam is your home sweet home # Plans are made here | :39:44. | :39:50. | |
# Games are played here # Each night astounds you | :39:50. | :39:52. | |
# Movers are above you # Stories by the dozen | :39:53. | :39:57. | |
# Look around your person # The news we make here | :39:57. | :40:03. | |
# Everybody who is will anybody # Will soon walk through that door | :40:03. | :40:06. | |
# Fat Sam's # Grand Slam | :40:06. | :40:16. | |
:40:16. | :40:19. | ||
perfect, are you happy with that perfect, are you happy with that | :40:19. | :40:25. | |
Dani? I'm happy, good the second time around, I still can't breathe. | :40:25. | :40:31. | |
Tyger are you happy. Very happy, thank you. | :40:31. | :40:39. | |
First of all, it is a privilege to be here at the moment Tyger's voice | :40:39. | :40:43. | |
broke! That was like being at a musical, almost too good for the | :40:43. | :40:48. | |
show. Professional, lovely, I love the moustache, the kiss curl, I | :40:48. | :40:54. | |
will bid on the Sport Relief website when it is over. Really top | :40:55. | :41:02. | |
notch. Arlene? Really professional, you two sparkle like Schwartz could | :41:02. | :41:12. | |
:41:12. | :41:14. | ||
have crystals on a Charles en to cloud. What did you think? | :41:14. | :41:17. | |
Sickeningly talented. How old are you? 16, you should be playing | :41:17. | :41:26. | |
fruit machines in a chip shop, that is what I was doing at your age. | :41:26. | :41:30. | |
If you thought the dancing with custard cut the mustard, the number | :41:30. | :41:37. | |
custard cut the mustard, the number is on the screen. Please remember, | :41:37. | :41:43. | |
the bill payer needs to give permission before the call. | :41:43. | :41:46. | |
Dani and Tyger be careful of the Dani and Tyger be careful of the | :41:46. | :41:56. | |
:41:56. | :41:57. | ||
Next is a class act, and an upper middle-class act, who proved his | :41:57. | :42:01. | |
total dedication, not only by dyeing his hair and knitting his | :42:01. | :42:04. | |
own jumper, but practicing Firestarter on his Aga all week. It | :42:04. | :42:11. | |
is Miles Jupp. Since taking part in Let's Dance | :42:11. | :42:20. | |
for Sport Relief, my life has changed immeasurable for the worse. | :42:20. | :42:27. | |
My friends warned me against doing it, but I ...I just wouldn't listen. | :42:27. | :42:32. | |
You are going to look like the biggest. We don't want to see you | :42:32. | :42:38. | |
dance. Think of your family, Miles. Now they have disowned me, I turned | :42:38. | :42:44. | |
to my parents for support, but, they just don't understand what it | :42:44. | :42:52. | |
Now to make things much, much worse, I have to go through the | :42:53. | :43:01. | |
excruciating process again. What was all that about? I know how | :43:01. | :43:06. | |
things are done, I am on Rev. have decided I don't want to see | :43:06. | :43:13. | |
him ever again. All I can do now is win the thing. | :43:13. | :43:21. | |
And claim that prize money. There is no prize money, Miles, it | :43:21. | :43:29. | |
is for charity. What? It is a charity gig, there is no money. | :43:29. | :43:37. | |
What, none? There is no... The people at home, they like to see | :43:37. | :43:40. | |
someone going home with a big pot of cash, that is why people watch | :43:40. | :43:45. | |
television on a Saturday night, it's what it's for. | :43:45. | :43:49. | |
Any way, do you need me to do anything else, is that all right, | :43:49. | :43:54. | |
done, great. What is the point of this! | :43:54. | :44:04. | |
:44:04. | :44:07. | ||
Ridiculous, complete waste of time. We can just take a quick look at | :44:07. | :44:11. | |
Miles supporters in the friends and family area. All very excited, not | :44:11. | :44:17. | |
to be here. Awkward. Wasn't expecting that, what a lovely | :44:17. | :44:23. | |
audience. Dancing to Firestarter by the Prodigy, all for sports relief, | :44:23. | :44:33. | |
:44:33. | :45:00. | ||
# Danger illustrated # I'm a fire starter | :45:00. | :45:06. | |
# Twisted Firestarter # I'm The Fire-Eaters | :45:06. | :45:16. | |
:45:16. | :45:16. | ||
# Twisted Firestarter # I'm the Firestarter | :45:16. | :45:23. | |
# Twisted Firestarter # I'm the one infected | :45:23. | :45:29. | |
# Twisted animator # I'm a Firestarter | :45:29. | :45:37. | |
# Twisted Firestarter # I'm a Firestarter | :45:37. | :45:47. | |
:45:47. | :45:47. | ||
Apology for the loss of subtitles for 43 seconds | :45:47. | :46:33. | |
Well done. Are you happy with that? Yeah. No. | :46:33. | :46:39. | |
No. It was great, obviously. Let's see what the panel think, shall we? | :46:39. | :46:44. | |
Frank Skinner? What I liked about it, it was called Firestarter, and | :46:44. | :46:50. | |
it looked like Ronald McDonald had been in a fire! Your hair might get | :46:50. | :46:55. | |
the Irish vote tonight. I think it made a nice change from the | :46:55. | :47:03. | |
dancing! Well, it was like a horror film, man wakes up in unenlightened | :47:03. | :47:08. | |
psychiatric hospital, goes camping with some girls, gets happy, it was | :47:08. | :47:13. | |
exciting. Entertaining nonetheless? Arlene turned to me and said it was | :47:13. | :47:17. | |
technically brilliant. Absolutely, there wasn't a lot of choreography, | :47:17. | :47:21. | |
but Miles, it was a brilliant portrayal of a nightmare, and I did | :47:21. | :47:30. | |
recognise the head-banging, there you go, brilliant, that's dancing. | :47:30. | :47:36. | |
Rhod anything, quickly? I thought it was a wonderful transformation | :47:36. | :47:43. | |
from Guardian-reading posh boy, into terrifying Crusty The Clown | :47:43. | :47:51. | |
and Gene Simmons! If you thought that Mr Jupp was the best by miles! | :47:51. | :47:54. | |
that Mr Jupp was the best by miles! Do you like it. Call on this number. | :47:54. | :48:04. | |
:48:04. | :48:09. | ||
The call will make a difference to There goes a broken man. | :48:09. | :48:12. | |
He's glad to get it over, to be honest. | :48:12. | :48:16. | |
On an ordinary dance show, you would never expect the winner to be | :48:16. | :48:21. | |
a middleaged dad strutting about in a grey sue. This is no ordinary | :48:21. | :48:31. | |
:48:31. | :48:50. | ||
dance show or no ordinary dad, this I saw you up there, old man, | :48:50. | :48:56. | |
busting my moves. Who is that, it's Christopher Walken. Hey, dipstick, | :48:56. | :49:04. | |
keep the voice down. We don't want everybody to hear. I stopped in to | :49:04. | :49:09. | |
give you some advice. You can either take it or leave it, I'm | :49:09. | :49:16. | |
only going to say it once. The key to perfecting this dance is simple, | :49:16. | :49:22. | |
if you follow my advice, I promise you, you will win the final. Do you | :49:22. | :49:28. | |
want a pinapple cube? No, I don't want a pinapple cube, you clown, | :49:28. | :49:35. | |
just shut up and listen. A wise man once told me, when it comes to | :49:35. | :49:40. | |
dancing you got to look at things from from an all together different | :49:40. | :49:45. | |
perspective, you have to float like a feather. When the moment comes, | :49:45. | :49:52. | |
you have to sting like a...Sorry, Chris, if I don't powder up after a | :49:52. | :49:58. | |
performance, I will run into all sorts of chaffing problems, what | :49:58. | :50:03. | |
were you saying? The secret to perfecting this dance, and winning | :50:03. | :50:07. | |
the Let's Dance for Sport Relief is simple. Taxi for Mr Rivron. Have to | :50:07. | :50:17. | |
:50:17. | :50:21. | ||
stop you there, cab's here, nice to see you, cheers. What a strange man. | :50:22. | :50:24. | |
If you don't believe that was actually Christopher Walken, well | :50:24. | :50:29. | |
here he is in the studio, ladies and gentlemen. | :50:29. | :50:34. | |
Fair play, he even made a banner. He's a shy man. | :50:35. | :50:39. | |
Good effort. For Sports Personality of the Year, dancing to Weapon Of | :50:39. | :50:49. | |
:50:49. | :50:49. | ||
Apology for the loss of subtitles for 43 seconds | :50:49. | :52:22. | |
Choice - Fatboy Slim, it's Rowland Weapon Of Choice - Fatboy Slim | :52:22. | :52:32. | |
:52:32. | :53:07. | ||
Quite remarkable. Roland. Come join Fabulous, are you happy. | :53:07. | :53:11. | |
Over the moon. It is a lovely place. You should be happy, what are you | :53:11. | :53:15. | |
thinking? The message to any young people watching this is don't be | :53:15. | :53:18. | |
afraid of middleage, it can be very beautiful. | :53:18. | :53:22. | |
Honestly, I would like to learn it and do it every day. It is honestly | :53:22. | :53:26. | |
one of the best dances I have ever seen on this show. I totally loved | :53:26. | :53:36. | |
:53:36. | :53:41. | ||
it. That was brilliant wasn't it, Arlene? Rowland, you are my weapon | :53:41. | :53:49. | |
of massive choice. You have style dripping off you like molt and lava, | :53:49. | :53:55. | |
those stalk walks, I will be stalking you? Rhod, did you like | :53:55. | :54:00. | |
the stalk walks? I loved them. Potentially that could have been a | :54:00. | :54:03. | |
disaster, it is such a cool song, Christopher Walken, it was such a | :54:03. | :54:06. | |
brave, bold choice, you are dancing so exposed on your own up there. | :54:07. | :54:16. | |
But Christopher Walken, I have to say, he made you look like Bungle. | :54:16. | :54:21. | |
If Rowland's Fatboy Slim, means he should be old boy win, we didn't | :54:21. | :54:23. | |
should be old boy win, we didn't write that, call the newspaper. | :54:23. | :54:28. | |
Lines may be busy, when you call your money will go to help some of | :54:28. | :54:32. | |
the world's poorest countries and projects here in the UK. | :54:32. | :54:42. | |
:54:42. | :54:49. | ||
In the first week of Let's Dance, two stars of EastEnders became | :54:49. | :54:54. | |
Beyonce and Gaga, and unusually for residents of Albert Square, their | :54:54. | :55:00. | |
appearance didn't end in misery and disaster, it is Tameka and Laurie. | :55:00. | :55:04. | |
Do you know what Laurie, after winning the first heat of Let's | :55:04. | :55:10. | |
Dance, it has been a-maz-ing. has been absolute madness. For the | :55:10. | :55:14. | |
first time, I know what it is like being you, when people stop you in | :55:14. | :55:18. | |
the street, asking you for your autograph, your photograph, it is | :55:18. | :55:23. | |
amazing. It is even on a whole different level, even for me Tameka, | :55:23. | :55:33. | |
I'm used to being recognised, seems everyone wants a piece of me now. | :55:33. | :55:40. | |
It's your boyfriend, again. Tell him I'm busy being famous. | :55:40. | :55:45. | |
It's nothing. Jonathan Ross, and Stephen Fry now following me on | :55:45. | :55:55. | |
:55:55. | :56:07. | ||
Tonight's the night. Hello, hello, hello. Can I help you ladies. | :56:07. | :56:13. | |
we're Tameka and Laurie, as in Beyonce and Lady Gaga. You are | :56:13. | :56:17. | |
having a laugh, aren't you. I watch that programme, Tameka's much | :56:17. | :56:22. | |
taller than you, and next you will be telling me you're Jane Beale. | :56:22. | :56:26. | |
Jane Beale, she was well fit. coming in, excuse us. Code red | :56:26. | :56:35. | |
alert, security. We're on stage in ten minutes! | :56:35. | :56:39. | |
I want to assure you that no members of the EastEnders cast were | :56:39. | :56:46. | |
hurt in the making of the vt, the two bouncers are expected to make a | :56:46. | :56:54. | |
full recovery. For Sport Relief, dancing to Telephone by Lady Gaga | :56:54. | :57:04. | |
:57:04. | :57:07. | ||
and Beyonce, it is Tameka and # You called I can't hear a thing | :57:07. | :57:11. | |
# I have no service in the club you # What did you say | :57:11. | :57:15. | |
# You're breaking up on me # Sorry I cannot hear you | :57:15. | :57:24. | |
# I'm kind of busy # Sorry I can't hear you | :57:24. | :57:27. | |
# I'm kind of busy # Just a second | :57:27. | :57:30. | |
# That's my favourite song # They're going to play | :57:30. | :57:39. | |
# I can't text you # Now you won't stop calling me | :57:39. | :57:43. | |
# I'm kind of busy # Stop calling | :57:43. | :57:49. | |
# Stop call # I don't want to think any more | :57:49. | :57:53. | |
# I want to go to the dance floor # Stop calling | :57:53. | :58:03. | |
:58:03. | :58:05. | ||
# My head and my heart on the dance floor | :58:05. | :58:09. | |
# # Should have left my phone at home | :58:09. | :58:12. | |
# This is such a sad song # I have to let go | :58:12. | :58:18. | |
# Stop calling # I don't want to think any more | :58:18. | :58:21. | |
# My head and heart on the dance floor | :58:21. | :58:24. | |
# Stop calling # I don't want to talk any more | :58:24. | :58:27. | |
# I left my head and my heart on the dance floor | :58:27. | :58:33. | |
# Stop calling # I don't want to think any more | :58:33. | :58:38. | |
# I left my head # And my heart on the dance floor | :58:38. | :58:44. | |
# Stop calling # I don't want to talk any more | :58:44. | :58:54. | |
:58:54. | :59:16. | ||
# I left my heart It's a crowd pleaser. | :59:16. | :59:21. | |
Laurie are you happy? Very happy. Tameka happy? I feel good, like my | :59:21. | :59:26. | |
Godfather said I would. Frank, are you happy? I'm very | :59:26. | :59:32. | |
happy. That was really, I was getting Pepsi and Shirley | :59:32. | :59:35. | |
flashbacks. That squatting thing at the end looked really hard. I | :59:35. | :59:39. | |
didn't know if you were coming back up, up you came. It was really | :59:39. | :59:44. | |
exciting, it was proper dancing, I loved it. Brilliant, well done. | :59:44. | :59:51. | |
Was it good for you Arlene? Girls you are so Lady Gaga and Beyonce. | :59:51. | :00:01. | |
:00:01. | :00:02. | ||
With all that hip pounding, vogueing, you are fantastic. East | :00:02. | :00:06. | |
end Enders, over, this is your world now. | :00:06. | :00:12. | |
-- EastEnders over, this is your world now. It has totally ruined | :00:12. | :00:16. | |
EastEnders for me now, are you really Jane Beale, from the chippy. | :00:16. | :00:21. | |
Is that you? You look even better than you do in a hygiene hat and a | :00:21. | :00:30. | |
white smoke, even better. If the girls' Telephone engaged you, | :00:30. | :00:33. | |
you want to see them take home the you want to see them take home the | :00:33. | :00:38. | |
title, call the number. Please remember to get the bill- | :00:39. | :00:41. | |
payer's permission before you call. Thank you very much Tameka and | :00:41. | :00:51. | |
:00:51. | :00:54. | ||
So, there you have it, eight acts, eight iconic dance routines, eight | :00:54. | :00:58. | |
pimples on the face of dance. Who should be first to place their | :00:58. | :01:03. | |
disco flag on the summit of Mount Dance, it is up to you. There is | :01:03. | :01:07. | |
plenty of time to decide, lines are still open for about ten minutes. | :01:07. | :01:12. | |
In keeping with the refined nature of the show, we have classic words | :01:12. | :01:19. | |
from a renowned thespian, whose flour rid tones are like a delicate | :01:19. | :01:27. | |
flower. For sooth, the terms and conditions-th. When I was first | :01:27. | :01:33. | |
asked to be part of Let's Dance, I thought me, Simon Callow, shake my | :01:33. | :01:38. | |
booty on the television. I prefer a booty on the television. I prefer a | :01:38. | :01:46. | |
little vocal booty,, calls cost 50p from a BT landline, of which 36.5p | :01:46. | :01:50. | |
goes to Sport Relief. Other operators may vary, and calls from | :01:50. | :02:00. | |
:02:00. | :02:04. | ||
mobiles will be considerably higher. For more details, visit the website. | :02:04. | :02:14. | |
All one word! Beautifully done, Simon, who do you want to see | :02:14. | :02:18. | |
crowned Let's Dance Champion 2012. Here is a reminder of all eight | :02:18. | :02:28. | |
:02:28. | :02:28. | ||
Apology for the loss of subtitles for 43 seconds | :02:28. | :04:08. | |
performances with the numbers you There is just about five minutes | :04:08. | :04:11. | |
left, so please keep the votes coming in, not only will it | :04:12. | :04:15. | |
temporarily lift the spirits of a nervous celebrity, but each vote | :04:15. | :04:19. | |
will help boost the Sport Relief efforts. Although this year's Let's | :04:19. | :04:22. | |
Dance story, it is nearly over, so sad. | :04:23. | :04:26. | |
There is still plenty more of Sport Relief to look forward to. Have a | :04:26. | :04:36. | |
:04:36. | :04:45. | ||
Strictly is going underwater. Who are you? We're a boy band from | :04:45. | :04:55. | |
:04:55. | :05:01. | ||
Savage, you're looking savage, mate. Us 39ers must stick together. | :05:01. | :05:05. | |
39ers? Are you a Chelsea fan? No, I hate | :05:05. | :05:15. | |
:05:15. | :05:25. | ||
Any plans you had for next weekend, cancel them, you now have a date | :05:25. | :05:32. | |
with Sport Relief. It is a sure thing. Friday, BBC One, from 7.00pm | :05:32. | :05:36. | |
on wards. We're absolutely over the moon to be welcoming our next guest | :05:37. | :05:40. | |
on to the Let's Dance stage, with her only UK performance of her new | :05:40. | :05:49. | |
single Part Of Me, it is the # Days like this | :05:49. | :05:56. | |
# I want to drive away # Pack my bags | :05:56. | :06:02. | |
# And watch your shadow fade # You chewed me up | :06:02. | :06:05. | |
# And spit me out # Like I was poison | :06:05. | :06:09. | |
# In your mouth # You took my light | :06:09. | :06:12. | |
# You drained me down # That was then | :06:13. | :06:19. | |
# And this is now Now look at me | :06:19. | :06:24. | |
# This is the part of me # That you're never gonna | :06:24. | :06:26. | |
# Ever take away from me # No | :06:26. | :06:31. | |
# This is the part of me # That you're never gonna ever | :06:31. | :06:34. | |
# Take away from me # No | :06:34. | :06:38. | |
# Throw your sticks and stones # Throw your bombs and your blows | :06:38. | :06:40. | |
# But you're not gonna break my soul | :06:40. | :06:45. | |
# This is the part of me # That you're never gonna ever | :06:45. | :06:47. | |
# Take away from me # No | :06:47. | :06:55. | |
# I just wanna throw my phone away # Find out who is really | :06:55. | :07:01. | |
# There for me # You ripped me off | :07:01. | :07:06. | |
# Love was cheap # Was always tearing at the seams | :07:06. | :07:10. | |
# I fell deep # You let me drown | :07:10. | :07:12. | |
# But that was then # And this is now | :07:12. | :07:19. | |
Now look at me # This is the part of me | :07:19. | :07:24. | |
# That you're never gonna ever # Take away from me | :07:24. | :07:29. | |
# This is the part of me # That you're never gonna ever | :07:29. | :07:31. | |
# Take away from me # No | :07:31. | :07:36. | |
# Throw your sticks and stones # Throw your bombs and your blows | :07:36. | :07:39. | |
# But you're not gonna # Break my soul | :07:39. | :07:43. | |
# This is the part of me # That you're never gonna ever | :07:43. | :07:47. | |
# Take away from me # No | :07:47. | :07:52. | |
# Now look at me # I'm sparkling | :07:52. | :07:54. | |
# A firework # A dancing flame | :07:54. | :07:59. | |
# You won't ever put me out again # I'm glowing | :07:59. | :08:04. | |
# Oh oh # So you can keep the diamond ring | :08:04. | :08:11. | |
# It don't mean nothing any way # In fact you can keep everything | :08:11. | :08:15. | |
# Yeah yeah # He can September for me | :08:16. | :08:20. | |
# This is the part of me # That you're never gonna | :08:20. | :08:22. | |
# Ever take away from me # No | :08:22. | :08:27. | |
# This is the part of me # That you're never gonna ever | :08:27. | :08:30. | |
# Take away from me # No | :08:30. | :08:35. | |
# Throw your sticks and your stones # Throw your bombs and your blows | :08:35. | :08:40. | |
# You're not gonna break my soul # This is the part of me | :08:40. | :08:43. | |
# That you're never gonna ever take away | :08:43. | :08:47. | |
# From me # No | :08:47. | :08:57. | |
:08:57. | :08:59. | ||
# Come on # This is the part of me | :08:59. | :09:03. | |
# Throw your sticks # And your stones | :09:03. | :09:08. | |
# Oh # Break my soul | :09:08. | :09:12. | |
# This is the part of me # That you're never gone ever | :09:12. | :09:22. | |
:09:22. | :09:30. | ||
APPLAUSE The wonderful Katy Perry, I almost | :09:30. | :09:34. | |
wore the same outfit. That would have been embarrassing. | :09:34. | :09:37. | |
Phone lines are now closed, thank you very much for voting, stop | :09:37. | :09:42. | |
doing it. We really appreciate that. OK, I'm not going to lie to you, it | :09:42. | :09:50. | |
is the final show, even though it is St Patrick's Day, the mood in | :09:50. | :09:54. | |
Shenanigans is subdued, we are all professionals, let's try to get | :09:54. | :10:03. | |
through this, shall we. Subdued my bum, this is Shenanigans, | :10:03. | :10:08. | |
baby, it is like the lower decks of the Titanic. We have an Irish folk | :10:08. | :10:12. | |
band, we have Omid Djalili running through shot, dancing, even. | :10:12. | :10:19. | |
We have a superStar Bar tender, Queen Elizabeth II, thank you very | :10:19. | :10:26. | |
much. By the way, it's the Diamond Jubilee here, please consider | :10:26. | :10:31. | |
Shenanigans as a venue. I will think about that. Time for a bit of | :10:31. | :10:35. | |
chit chat, that is why we are here. Fatima Whitbread and The Cuban | :10:35. | :10:39. | |
Brothers, so much riding on this, more so for you, if you win, you | :10:39. | :10:44. | |
win the trophy, and Fatima, lot of pressure. It is a lot of pressure, | :10:44. | :10:52. | |
what a beautiful evening, bonita, that is coming home. Such wonderful | :10:52. | :10:57. | |
sentiments, if you win and end up living with these guys for a year, | :10:57. | :11:02. | |
you will have your javelin to fend them off? I'm sorry for them. | :11:02. | :11:06. | |
Laurie and Tameka, very colourful characters, if you won this evening, | :11:06. | :11:12. | |
who would take the trophy home? would be me. Ha ha, she's a | :11:12. | :11:17. | |
comedian, she's going into comedy. We will arm wrestle for it. With | :11:17. | :11:20. | |
great power comes great responsibility, maybe you are not | :11:20. | :11:25. | |
ready to win, if you are arguing already? Maybe. Good luck. | :11:25. | :11:30. | |
Omid Djalili, if you win this evening, who will take the trophy | :11:30. | :11:35. | |
home? No-one takes me seriously, every time I say something people | :11:35. | :11:39. | |
laugh at me. Shut up you silly man, that was a lot of fun. | :11:39. | :11:43. | |
Eddie 'The Eagle' Edwards, the Mayan prophesy dictates if you win | :11:43. | :11:47. | |
this evening, the world will come to a fiery end. Eddie, it would be | :11:47. | :11:51. | |
worth it, wouldn't it? It would be worth it. I would actually win | :11:51. | :11:55. | |
something. What would it mean to you to win Let's Dance? It would be | :11:55. | :11:59. | |
fantastic, I'm keeping my skis crossed it will happen. Can I just | :11:59. | :12:04. | |
say, this man, I was watching earlier on in rehearsals, he fell | :12:04. | :12:09. | |
over and twisted his knee, he really hurt himself, he went out | :12:09. | :12:14. | |
there. Are you OK? It looked painful but also humiliating | :12:14. | :12:19. | |
because you were in a red dress? know, I manned up and I thought I | :12:19. | :12:24. | |
will go out there and raise money for charity. What a cross-dressing | :12:24. | :12:30. | |
guy! You two, you could be, if you play your cards right, the youngest | :12:30. | :12:34. | |
winners of the Let's Dance trophy, ever, you are so young, I think in | :12:34. | :12:38. | |
a way it is kind of an advantage. Look at the people in this room, | :12:38. | :12:47. | |
look at this guy? I'm 23, I'm not that young. But Tyger. I'm 16 and | :12:47. | :12:52. | |
my voice is breaking. It is not really an advantage. It broke ages | :12:52. | :12:58. | |
ago, it fluctuates sometimes. The best of luck with that. | :12:58. | :13:02. | |
Rowland, have you become resigned to the fact that for the rest of | :13:02. | :13:05. | |
your life now, whatever party you go to, people are going to say, do | :13:05. | :13:10. | |
the dance? Yes, I know, they will be bitterly disappointed. Why? | :13:10. | :13:16. | |
Because I can't remember it. I'm old, I'm 60 and I know it. Thank | :13:16. | :13:22. | |
you Rowland. Miles Jupp, OK, moving forward from Let's Dance, how | :13:22. | :13:25. | |
damaged do you think your reputation will be in high society | :13:25. | :13:30. | |
circles? I think people will continue to shun me, Steve. What | :13:30. | :13:35. | |
will they think at the polo club? I'm not genuinely that posh, Steve, | :13:35. | :13:39. | |
in the way you are genuinely not that Welsh, that is a showbiz | :13:39. | :13:44. | |
secret. I am this Welsh and you are that posh. Good luck guys. Thank | :13:44. | :13:48. | |
you very much for your time, you are really heros, every single one | :13:48. | :13:54. | |
of them. Honoured to be back here Alex, it is back to you. | :13:54. | :13:59. | |
Always a heck of a night in Shenanigans. We are now counting | :13:59. | :14:03. | |
and verifying your calls, don't forget you can still donate to | :14:03. | :14:08. | |
Sport Relief with just a single text. JLS, of course, went to | :14:08. | :14:11. | |
Uganda to witness firsthand where your money goes, this is a tough | :14:11. | :14:14. | |
but very important film. I do have to warn you as well, some viewers | :14:14. | :14:18. | |
may find it a little bit distressing. | :14:18. | :14:21. | |
We are here in Uganda to tell you about the heart-breaking illnesses | :14:21. | :14:31. | |
:14:31. | :14:33. | ||
Mohammed is just six weeks old, and was brought in by his mum this | :14:33. | :14:43. | |
:14:43. | :14:44. | ||
morning, with severe pneumonia. This is terrible. His mum had to | :14:44. | :14:51. | |
walk for hours to get here today. She has no other mode of transport. | :14:51. | :15:00. | |
It is just distressing to see a mother have to go through this. | :15:00. | :15:05. | |
Such a little baby. You can see he's having a lot of difficulty | :15:05. | :15:15. | |
breathing. So many kids in here, they are all not well. Everywhere | :15:15. | :15:20. | |
we look, there are desperately sick children. | :15:20. | :15:24. | |
What is really scary to think is one in eight of these children will | :15:24. | :15:30. | |
die before they are five years old. Something as simple as a �5 vaccine, | :15:30. | :15:34. | |
in most cases, will prevent them from being here. | :15:34. | :15:40. | |
It is just ridiculous. You can't get any clearer than this, | :15:40. | :15:48. | |
you guys have the chance to save lives. Just �5 would stop a case | :15:48. | :15:53. | |
like this, right here. Sadly, it was too late for Mohammed, he died | :15:53. | :15:59. | |
just an hour after we left. Guys this really is an emergency, we can | :15:59. | :16:05. | |
see it all around us, that a simple �5 to get a vaccine like this and | :16:05. | :16:08. | |
all of these children wouldn't have to be here, please do something | :16:08. | :16:15. | |
about it right now and text the word "yes" to 70005, because you | :16:15. | :16:18. | |
will definitely be saving lives, please, let's do something about | :16:18. | :16:25. | |
this. That's the reason why your help is | :16:25. | :16:35. | |
:16:35. | :16:49. | ||
so desperately needed. If you want JLS have also provided us with the | :16:49. | :16:52. | |
best official Sport Relief single since, ever, I think. You do like | :16:53. | :17:02. | |
:17:03. | :17:14. | ||
that one. Here it is, singing Proud, # When my strength was gone | :17:14. | :17:18. | |
# And I just gave up on life # In my darkest place | :17:18. | :17:25. | |
# You were my guide # And you told me that I | :17:25. | :17:28. | |
# Should live my life to the limit # When you fall down | :17:28. | :17:35. | |
# Get back up and fight # Well the shape of my heart don't | :17:36. | :17:45. | |
:17:46. | :17:48. | ||
# I'm determined when you trust in # It's all I need | :17:49. | :17:52. | |
# Now I'm hoping # If you hear this | :17:52. | :17:58. | |
# You believe that all that I do # Is to make you proud | :17:58. | :18:03. | |
# Make me stronger # So I rise up | :18:04. | :18:06. | |
# Made my mind up # So that all I do | :18:06. | :18:11. | |
# Is to make you proud Proud proud | :18:11. | :18:17. | |
# Make you proud proud Make you proud proud | :18:17. | :18:25. | |
# All that I do is to make you proud | :18:25. | :18:28. | |
# Nobody can tell me # They were there for me | :18:29. | :18:36. | |
# Before you came around # There was pain in every heart | :18:36. | :18:38. | |
beat # But eventually | :18:38. | :18:48. | |
# You build my resolve to be strong # Now I'm hoping | :18:48. | :18:53. | |
# If you hear this # You believe that all that I do | :18:53. | :18:58. | |
# Is to make you proud # Now I'm hoping | :18:58. | :19:02. | |
# If you hear this # You believe that | :19:02. | :19:06. | |
# All that I do is to # Make you proud | :19:06. | :19:13. | |
# Proud proud proud # proud proud | :19:13. | :19:17. | |
# All that I do is to make you proud | :19:17. | :19:21. | |
# Proud proud # Make you proud | :19:21. | :19:26. | |
# Proud proud # All that I do is to make you | :19:26. | :19:36. | |
:19:36. | :19:37. | ||
proud APPLAUSE | :19:37. | :19:47. | |
:19:47. | :19:48. | ||
Thank you so much to JLS, that single will be in the shops and | :19:48. | :19:54. | |
available to download from Monday. The friends and family area is ram | :19:54. | :19:58. | |
jammed here, Tony and David are here, a few familiar faces from | :19:58. | :20:01. | |
EastEnders from over there. But you know what, they are all on the edge | :20:01. | :20:06. | |
of their stools. Steve, is it time for the results? | :20:06. | :20:11. | |
Oh it's time, Alex, it's time, big time. Let's welcome the finalists | :20:11. | :20:21. | |
:20:21. | :20:25. | ||
back to the stage. Eddie The Eagle, Tameka and Laurie, | :20:25. | :20:35. | |
:20:35. | :20:49. | ||
Terry Alderton, Rowland Rivron, Fatima and The Cuban Brothers, | :20:49. | :20:59. | |
:20:59. | :21:16. | ||
Miles Jupp, Omid Djalili, Dani and Over the past five weeks, 12 | :21:16. | :21:19. | |
celebrity acts, 20, sorry, celebrity acts have put their | :21:19. | :21:22. | |
dancing hopes and dreeps in your hands. And all for Sport Relief -- | :21:22. | :21:28. | |
dreams in your hands, all for Sport Relief. Now we're down to the final | :21:28. | :21:32. | |
eight. The agonising wait is over, it is time to reveal the winner. | :21:32. | :21:39. | |
Acts are you ready? Audience are you ready? Katy Perry is the trophy | :21:39. | :21:45. | |
ready? Yep, ready. | :21:45. | :21:55. | |
:21:55. | :21:56. | ||
Thank you, panel, are you ready? Yes, ready. Then let's do this. | :21:56. | :22:03. | |
In no particular order. The first act whose Rumba has been rumbled | :22:03. | :22:13. | |
:22:13. | :22:25. | ||
is... Miles Jupp. Dowse him in The second act whose body-popping | :22:25. | :22:35. | |
:22:35. | :22:36. | ||
bubble has burst is... It's Terry Alderton. After everything he has | :22:36. | :22:46. | |
:22:46. | :22:47. | ||
been through, no. The third act to stop throwing | :22:48. | :22:57. | |
shapes, and start throwing a tantrum is... Fatima and The Cuban | :22:57. | :23:07. | |
:23:07. | :23:07. | ||
Brothers. Who saw that coming? I can't believe it. | :23:07. | :23:17. | |
All right, the fourth act whose jiving ain't surviving is... I | :23:17. | :23:23. | |
can't believe this, it's Eddie The Eagle. | :23:23. | :23:33. | |
:23:33. | :23:35. | ||
This is getting stupid. The fifth act whose hokey cokey was | :23:35. | :23:45. | |
:23:45. | :24:05. | ||
just to ropey, is... Omid Djalili. What? That leaves just three acts, | :24:05. | :24:11. | |
Dani and Tyger, Rowland Rivron and Tameka and Laurie. Now two of you | :24:11. | :24:18. | |
are our runners up, one of them is our champion, but who received the | :24:18. | :24:23. | |
most viewer votes tonight? Well it is time to find out. | :24:23. | :24:29. | |
The act with the highest number of votes and the winner of Let's Dance | :24:29. | :24:39. | |
:24:39. | :24:44. | ||
for Sport Relief 2012 is... Rowland Rivron. | :24:44. | :24:52. | |
Sir, come with me. Congratulations Rowland Rivron. You | :24:52. | :24:55. | |
dreamed the dream just a few short weeks ago and here you are | :24:55. | :25:00. | |
victorious, did you ever think it could happen? Certainly not, no. | :25:00. | :25:06. | |
You have done it. Anybody you would like to thank? Andrea, my physio, | :25:06. | :25:11. | |
and Richard who has taught me everything, and David who showed me | :25:11. | :25:15. | |
everything, and you two, you are gorgeous. All of that with a gamy | :25:15. | :25:21. | |
knee? A very gamy knee. So Rowland Rivron is the champion of Let's | :25:21. | :25:25. | |
Dance for Sport Relief tonight. And to pass on the dance baton, and | :25:25. | :25:29. | |
mark your incredible achievement, it is last year's winners, James | :25:29. | :25:39. | |
:25:39. | :25:46. | ||
Titans of men. Would you like to do the ceremony, | :25:46. | :25:50. | |
please. It gives me great pleasure to pass | :25:50. | :25:56. | |
this to a great man, and a great dancer. Rowland Rivron. | :25:57. | :26:01. | |
He's done it. Rowland, you have been incredible, and as champion | :26:01. | :26:07. | |
you have a year of civic duties and official functions ahead of you, by | :26:07. | :26:11. | |
begin now, with your inaugural performance, go and get ready. We | :26:11. | :26:19. | |
want to see it one more time baby. So, there goes our winner, but all | :26:19. | :26:23. | |
of our acts have performed brilliantly this evening, and | :26:23. | :26:27. | |
through the series, let's give a huge round of applause to Eddie | :26:28. | :26:31. | |
'The Eagle' Edwards, Terry Alderton, Fatima and The Cuban Brothers, Omid | :26:31. | :26:37. | |
Djalili, Dani and Tyger, Miles Jupp and, of course, Tameka and Laurie. | :26:37. | :26:41. | |
I think you will agree, it has been a series to remember, but just in | :26:41. | :26:45. | |
case you forgot, take a look at this. | :26:45. | :26:55. | |
:26:55. | :26:59. | ||
Whoop with every fibre of your That's Shenanigans. | :26:59. | :27:06. | |
For the love of God ladies it's 7.00pm. It was amazing. | :27:06. | :27:16. | |
:27:16. | :27:19. | ||
Gangster man, you know. It was physical poetry. | :27:19. | :27:27. | |
This is Shenanigans. Shut-up. Austin Powers said, gravy baby. | :27:27. | :27:36. | |
Ifrpblgt that was the 60s. I often wondered if you gave Dennis the | :27:36. | :27:41. | |
Menace Orvill, he's haircut and too many blue smarties. | :27:41. | :27:48. | |
You're in Shenanigans, baby. Yes. The performance of such maturity. | :27:48. | :27:54. | |
Three words people, West End Hit. That was fantastic, enthusiasm, you | :27:54. | :28:04. | |
:28:04. | :28:05. | ||
can really move. Is there a doctor in the house? Mr Lional Blair. | :28:05. | :28:15. | |
:28:15. | :28:17. | ||
was quality. Wow, that is what I'm talking about. | :28:17. | :28:24. | |
What a two week it is has been, and a massive thank you to you, let's | :28:24. | :28:28. | |
thank viewers voting for Sport Relief, it makes a massive | :28:28. | :28:32. | |
difference. Your calls and texts have raised over �1 million. Thank | :28:32. | :28:37. | |
you so much. And don't forget, Sport Relief | :28:37. | :28:43. | |
Night is on BBC One, this Friday, 23rd March, from 7.00. You can get | :28:43. | :28:48. | |
involved with Sport Relief going to the web site. Are you ready to see | :28:48. | :28:55. | |
your winner, one last time? Yes. | :28:55. | :28:58. | |
Dancing to Weapon Of Choice - Fatboy Slim, please welcome your | :28:58. | :29:08. | |
:29:08. | :29:08. | ||
Apology for the loss of subtitles for 43 seconds | :29:08. | :30:01. | |
champion of Let's Dance 2012, it is # You can go with that | :30:01. | :30:06. | |
# You can go with us # You can go with this | :30:06. | :30:09. | |
# You can go with that # You can go with this | :30:09. | :30:19. | |
:30:19. | :30:45. | ||
# The weapon of choice # You can go with this | :30:45. | :30:48. | |
# You can go with that # You can go with this | :30:48. | :30:51. | |
# You can go with that # You can go with this | :30:51. | :30:54. | |
# You can go with us # You can go with this | :30:54. | :31:00. | |
# You can go with that # You with go with this | :31:00. | :31:10. | |
:31:10. | :31:20. | ||
A worthy winner, let's have you up front, sir, come and enjoy it. | :31:20. | :31:26. | |
So there we are, a massive thank you to all of our 20 celebrity acts | :31:26. | :31:30. |