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Welcome to Let's Sing and Dance for Comic Relief. It's Saturday night | :00:24. | :00:30. | |
and here's your hosts, Mel and Sue. # Don't believe me, just watch | :00:31. | :00:34. | |
# Don't believe me just watch # Don't believe me just watch, | :00:35. | :00:43. | |
# Hey, hey, hey Oh! Stop! # CHEERING AND APPLAUSE | :00:44. | :00:52. | |
Hello. Hello. Welcome everybody. Just popped a kidney. Welcome to | :00:53. | :00:57. | |
Let's Sing and Dance for Comic Relief. A new show where middle aged | :00:58. | :01:02. | |
ladies dance and get tired. I just had a menopause then. Your favourite | :01:03. | :01:06. | |
stars are going to storm this stage to perform huge song and dance | :01:07. | :01:10. | |
numbers for your vote, you lovely public. Thank you Eamonn. Acts can | :01:11. | :01:20. | |
be solos, duos or a C3-POs, I don't care. The best of the best will be | :01:21. | :01:26. | |
back in the Grand Final and a chance for this trophy. No expense spared. | :01:27. | :01:31. | |
Listen up, who are the brave bunch of stars taking to the stage | :01:32. | :01:32. | |
tonight? Hoping the stars are align for him | :01:33. | :01:50. | |
tonight it's Russell Grant. Sara Pascoe. Bringing you a performance | :01:51. | :01:56. | |
that's nothing short of absolutely fabulous, it's Harriet Thorpe and | :01:57. | :02:00. | |
Helen Lederer. Stepping out of their DJ booth and into their dancing | :02:01. | :02:04. | |
shoes it's Ricky and Melvin. He's better known for spinning discs, | :02:05. | :02:09. | |
tonight we hope he doesn't slip one. TV and radio presenter, Matt | :02:10. | :02:12. | |
Edmondson. Plus see what happens when Len Goodman's tea dance is | :02:13. | :02:15. | |
taken over by everyone's favourite Nan. | :02:16. | :02:22. | |
All this afternoon plus a special report from Ed Sheeran about his | :02:23. | :02:32. | |
visit to west Africa and brilliant performances from Emeli Sande and | :02:33. | :02:35. | |
new pop sensation, Calum Scott. Lovely. | :02:36. | :02:37. | |
APPLAUSE What a corker of a show. If that | :02:38. | :02:42. | |
wasn't enough to make you want to cancel your aqua aerobics class | :02:43. | :02:48. | |
tonight, we have some special guests. That reminds me, need to | :02:49. | :02:54. | |
cancel my aqua aerobics. Our stars need your votes but they have to | :02:55. | :02:58. | |
impress our panel of judges. Please welcome - Jo Brand! Frank Skinner! | :02:59. | :03:09. | |
And Katherine Ryan! APPLAUSE | :03:10. | :03:20. | |
Oh, look, hello lovely. Hello gorgeousnesses. Jo, Katherine and | :03:21. | :03:32. | |
the sharper thorn between our roses, Frank. Welcome our lovely panel. | :03:33. | :03:38. | |
APPLAUSE Now, Jo, girding your loins, what | :03:39. | :03:43. | |
are you looking for from our acts? Major talent. Right. No fun, just | :03:44. | :03:47. | |
talent. Just major tall interto take home. -- talent to take home. There | :03:48. | :03:55. | |
is some, Jo. Is there? Prepare your bag, because there'll be something | :03:56. | :03:59. | |
to put in it. Worrying the way you said bag there. | :04:00. | :04:04. | |
Frank, hello. What are you hoping for this evening? It's live | :04:05. | :04:08. | |
television, I'm hoping something will go wrong obviously. | :04:09. | :04:10. | |
LAUGHTER We've fulfilled that mandate. I | :04:11. | :04:13. | |
think people watch this show, they want to see quality, but they want | :04:14. | :04:19. | |
to see maybe minor injuries. So, fingers crossed. We've had the same | :04:20. | :04:24. | |
hair cut as well, Frank, which I'm really enjoying. I love that. You're | :04:25. | :04:29. | |
working it better than I am. If you fall, give me the jacket, no-one | :04:30. | :04:35. | |
will notice. Katherine, what are you looking for? I just want a great | :04:36. | :04:39. | |
night of Saturday BBC entertainment to inspire people at home to donate | :04:40. | :04:43. | |
as much as they can to Comic Relief. We will do that. | :04:44. | :04:46. | |
APPLAUSE Thank you for bringing us to the | :04:47. | :04:49. | |
point. Pressure's on. Here's how it works. Two of tonight's acts will | :04:50. | :04:52. | |
make it through. The winner of the viewer vote and the winner of the | :04:53. | :04:56. | |
judges' choice. You can also sign in to register or vote online now at | :04:57. | :05:02. | |
bbc.co.uk/rednoseday. The vote opens later in the show. All our stars | :05:03. | :05:07. | |
have given up their time for free to take part for one reason - to raise | :05:08. | :05:11. | |
loads of money for the brilliant Comic Relief. | :05:12. | :05:15. | |
It's incredibly easy to do your bit. To donate: The money that you raise | :05:16. | :05:27. | |
goes directly to helping people right here in the UK and in some of | :05:28. | :05:30. | |
the world's poorest communities. So I know times are tough, but please | :05:31. | :05:33. | |
give what you can. Thank you. All the information you need is on your | :05:34. | :05:37. | |
screen now. You must be 16 or over and please ask the bill payer's | :05:38. | :05:43. | |
permission first. If your name is Bill Payer, then you're sorted. All | :05:44. | :05:49. | |
bases covered. All our amazing acts are singing live don't. I don't know | :05:50. | :05:52. | |
if I could do that. No, I don't think you could. They've all got | :05:53. | :05:57. | |
backing tracks. Some even feature their very own vocals. Wow! What do | :05:58. | :06:01. | |
you say, gang, let's get the party started. Indeed so. | :06:02. | :06:07. | |
CHEERING Our first act is a radio DJ and a | :06:08. | :06:13. | |
television presenter, known for having a lot of cheek. Keeping with | :06:14. | :06:18. | |
that theme he's got a lot of cheek tonight, it's Matt Edmondson. | :06:19. | :06:26. | |
DJ Matt Edmondson dancing and singing at the same time. That's got | :06:27. | :06:40. | |
to hurt. As I'm preparing for my performance, there's only one person | :06:41. | :06:47. | |
that can help me make a splash, five time Paralympic Gold Medallist Ellie | :06:48. | :06:50. | |
Simons, hello. Thank you for having me on the show. I'm under a lot of | :06:51. | :06:55. | |
pressure. You're used to pressure, what's your advice. First, who are | :06:56. | :06:59. | |
you performing as? Nicki Minaj. Really? Nicki Minaj is one of my | :07:00. | :07:05. | |
all-time I'd Oz. I thought if -- idols. I thought I needed to get | :07:06. | :07:11. | |
into her head space. Or in this case, bum space. See you at the same | :07:12. | :07:15. | |
time next week. Thank you so much that was great. Are you on for that | :07:16. | :07:18. | |
swimming lesson later on. Definitely. Before you go, can we | :07:19. | :07:21. | |
get a photo as well. Yeah. Thank you. | :07:22. | :07:26. | |
Perfect. To be honest, it's taken a while to get used to logistically. | :07:27. | :07:35. | |
Quite excited by it now. Feels like I've never been without. It So the | :07:36. | :07:41. | |
quickest entry into the pool is glide in, like a knife, less splash | :07:42. | :07:46. | |
as possible. Think stream line. OK, stream lined. People are going to | :07:47. | :07:56. | |
have to get used to that h now. This is me. We weren't all born with | :07:57. | :08:02. | |
perfectly formed giant buttocs. This is who I am now, and I like it. | :08:03. | :08:04. | |
Thank you very much everyone. Cheers. See... Hang on. That is... | :08:05. | :08:13. | |
Stuck. Can I borrow this chair for a couple of days? Thanks so murch, | :08:14. | :08:17. | |
sorry. Sorry about your lights. Sorry, mate, cheers. | :08:18. | :08:27. | |
Performing Super Bass, it's Matt Edmondson. | :08:28. | :08:39. | |
# This one is for the boys with the booming system | :08:40. | :08:42. | |
# Top down, AC with the cooling system | :08:43. | :08:44. | |
# When he come up in the club, he be blazin' up | :08:45. | :08:47. | |
# Got stacks on deck like he savin' up | :08:48. | :08:49. | |
# And he ill, he real, he might got a deal | :08:50. | :08:52. | |
# He pop bottles and he got the right kind of bill | :08:53. | :08:54. | |
# He always in the air, but he never fly coach | :08:55. | :08:59. | |
# He a motherloving trip, trip, sailor of the ship, ship | :09:00. | :09:02. | |
# When he make it trip, trip kiss him on the lip, lip | :09:03. | :09:05. | |
# That's the kind of dude I was lookin' for | :09:06. | :09:07. | |
# And yes, you'll get slapped if you're lookin' yo | :09:08. | :09:10. | |
# I said, excuse me, you're a hell of a guy | :09:11. | :09:12. | |
# I mean my, my, my, my you're like pelican fly | :09:13. | :09:15. | |
# I mean, you're so shy and I'm loving your tie | :09:16. | :09:17. | |
# You're like slicker than the guy with the thing on his eye, oh | :09:18. | :09:21. | |
# Yes, I did, yes I did, somebody please tell him who the I is | :09:22. | :09:24. | |
# I am Nicki Minaj, I mack them dudes up, back coupes up, | :09:25. | :09:28. | |
# Boy, you got my heartbeat runnin' away | :09:29. | :09:31. | |
# Beating like a drum and it's coming your way | :09:32. | :09:33. | |
# Can't you hear that boom, badoom, boom, boom, badoom, boom, bass? | :09:34. | :09:36. | |
# Boom, badoom, boom, boom, badoom, boom, bass | :09:37. | :09:39. | |
# This one is for the boys in the polos | :09:40. | :09:43. | |
# He could ball with the crew, he could solo | :09:44. | :09:47. | |
# But I think I like him better when he down low | :09:48. | :09:50. | |
# And I think I like him better with the fitted cap on | :09:51. | :09:53. | |
# He ain't even gotta try to put the mac on | :09:54. | :09:56. | |
# He just gotta give me that look, when he give me that look | :09:57. | :09:59. | |
# Then the pants are comin' off, off, uh | :10:00. | :10:01. | |
# Excuse me, you're a hell of a guy you know I really got | :10:02. | :10:04. | |
# I mean, sigh, sickenin' eyes I can tell that you're in touch | :10:05. | :10:09. | |
# Yes, I did, yes I did, somebody please tell him who the I is | :10:10. | :10:14. | |
# I am Nicki Minaj, I mack them dudes up, back coupes up, | :10:15. | :10:17. | |
# Boy, you got my heartbeat runnin' away | :10:18. | :10:20. | |
# Beating like a drum and it's coming your way | :10:21. | :10:22. | |
# Can't you hear that boom, badoom, boom, boom, badoom, boom, bass? | :10:23. | :10:25. | |
# He got that super bass Boom, badoom, boom, boom, | :10:26. | :10:28. | |
# Boy, you got my heartbeat runnin' away | :10:29. | :10:32. | |
# Beating like a drum and it's coming your way | :10:33. | :10:34. | |
# Can't you hear that boom, badoom, boom, boom, badoom, boom, bass? | :10:35. | :10:35. | |
CHEERING AND APPLAUSE Oh, yes. Matt, come here. I'm going | :10:36. | :10:50. | |
to find it very hard to look you in the eye right now. Keep the eye | :10:51. | :10:53. | |
contact. My eyes are here. You look like one of those balloon things you | :10:54. | :11:05. | |
get at the feit. I feel like a sexy tell tubby. Gorgious. We loved that. | :11:06. | :11:11. | |
Let's see what the judges think. Jo, was that bass super enough for you? | :11:12. | :11:15. | |
Yes, it certainly was. I've been looking for a very long time for | :11:16. | :11:19. | |
someone whose bum has dropped as far as mine. Hooray, I found them. You | :11:20. | :11:23. | |
knew all the words that. Was amazing. I didn't understand any of | :11:24. | :11:28. | |
them. You know... I'm an old person. Fantastic. Fantastic moves. You look | :11:29. | :11:35. | |
gorgeous. It was a cracking opener. Frank, he sang, he danced at the | :11:36. | :11:39. | |
same time. Pretty demanding. What do you reckon? Incredible. I remember | :11:40. | :11:44. | |
Nicki Minaj when he was the leader of Ukip. | :11:45. | :11:47. | |
LAUGHTER He never looked this good. He wore | :11:48. | :11:51. | |
that outfit for the by-election. That was his mistake. I mean, the | :11:52. | :11:55. | |
moves were great, especially with all that stuff in your pockets. I | :11:56. | :12:01. | |
loved the outfit. I loved the cat suit. There's an element of a | :12:02. | :12:06. | |
giraffe that's been exposed to large doses of radiation. I tell you what, | :12:07. | :12:09. | |
it's always hard to be on first. I thought you absolutely nailed it. | :12:10. | :12:17. | |
Well done. Katherine, how do you think he fared. To go on first. I | :12:18. | :12:22. | |
love it. He's like the guy with a thing in his eye. I can tell that | :12:23. | :12:26. | |
Matt Edmondson is an incredible MC and his love for Nicki Minaj really | :12:27. | :12:32. | |
comes through. I want to see men also changing their bodies, you | :12:33. | :12:37. | |
know, to be - I think it looks good on you. I'm thinking about getting | :12:38. | :12:40. | |
it done. I love everything that I saw. Lovely comments. Thank you so | :12:41. | :12:45. | |
much. If Matt's performance have you thinking, excuse me you're a hell a | :12:46. | :12:50. | |
guy, I mean, my, my, my, you're like pelican fly, the details are on your | :12:51. | :12:54. | |
screen now. Sometimes I don't know who you are any more. Nor do I. | :12:55. | :12:58. | |
Voting opens later in the show. Don't vote now as it won't count and | :12:59. | :13:02. | |
you may be charged. Can you sign in or register to vote now for free | :13:03. | :13:09. | |
online at bbc.co.uk rednoseday. You know the drill. Matt, head over now | :13:10. | :13:14. | |
so we can see you, to the posh seating area. Bye Matt! | :13:15. | :13:18. | |
APPLAUSE So good. | :13:19. | :13:21. | |
Amazing. That is a silhouette you don't often see in nature, | :13:22. | :13:30. | |
wonderful. Now, it's time for a touch of class. Get the bolly on | :13:31. | :13:35. | |
ice, things are about to get absolutely fabulous. It's Harriet | :13:36. | :13:36. | |
Thorpe and Helen Lederer. Something tells me they're going to | :13:37. | :13:44. | |
be... Absolutely fabulous. Look, I just need a minute. | :13:45. | :14:07. | |
PHONE RINGS Hello, it's Edina. Is the other one | :14:08. | :14:13. | |
there? Who? The idiot. Yes. Good, look, you've got to do something for | :14:14. | :14:16. | |
me, for charity, it's dancing. I can't dance. That's what they want | :14:17. | :14:20. | |
you to do. They want you not to dance on television. We're going to | :14:21. | :14:24. | |
be on television. Television, but why? No-one knows who we are. Just | :14:25. | :14:29. | |
do it. It's for charity. It's for comedy relief. It's not proper | :14:30. | :14:33. | |
dancing, it's Mamma Mia. Mamma Mia. That's wonderful. I love | :14:34. | :14:38. | |
Mamma Mia. I know everyone in Mamma Mia. What? Shut up and come with me. | :14:39. | :14:46. | |
Hello? I thought you said you knew everyone here. We're just going to | :14:47. | :14:48. | |
borrow the costumes. Push. Oh! | :14:49. | :15:25. | |
Oh, it's beautiful. That's why we came here. | :15:26. | :15:29. | |
Oh! You look wonderful. No, you look wonderful. | :15:30. | :15:36. | |
Oh! Size 6. Should we try and squeeze it? I think you would | :15:37. | :15:39. | |
struggle with that dear. Lunch? Oh, yes. | :15:40. | :15:49. | |
Performing Abba's Dancing Queen it's Harriet and Helen as Ab Fabs Fleur | :15:50. | :15:58. | |
and Catriona! APPLAUSE AND CHEERING | :15:59. | :16:08. | |
# Friday night and the lights are low | :16:09. | :16:10. | |
# Where they play the right music, getting in the swing | :16:11. | :16:15. | |
# Night is young and the music's high | :16:16. | :16:31. | |
# With a bit of rock music, everything is fine | :16:32. | :16:34. | |
# Dancing Queen, feel the beat from the tambourine, ooh yeah | :16:35. | :17:03. | |
# You can dance, you can jive, having the time of your life | :17:04. | :17:13. | |
# Ooh, see that girl, watch that scene, digging the Dancing Queen | :17:14. | :17:28. | |
# See that girl, watch that scene, digging the Dancing Queen.# | :17:29. | :17:36. | |
Wow. Do you need a hand down All right there, my love? Thank you. I | :17:37. | :17:56. | |
have to say that looked more ruptured spleen than dancing Queen | :17:57. | :18:00. | |
All the stitches stayed in place. Marvellous to hear it. Well done. | :18:01. | :18:09. | |
Frank, how Abba-fabulous was that? The ending itself I am still | :18:10. | :18:12. | |
recovering from. That would be great in the supermarket at the checkout | :18:13. | :18:15. | |
and you hadn't got one of those dividers, you could just do that. It | :18:16. | :18:21. | |
reminded me of a fabulous night out I had with two stewardesses in | :18:22. | :18:26. | |
Glasgow. It would have been easy to have taken a much loved pop classic | :18:27. | :18:34. | |
and made it ridiculous. But you resisted that. Well done. I actually | :18:35. | :18:38. | |
laughed out loud. I mean, throughout. Frank, thank you. As for | :18:39. | :18:43. | |
get your cards on the table, get your calves on the table, that's | :18:44. | :18:48. | |
what I say. Really, you went for it. Congratulations. Thank you. | :18:49. | :18:57. | |
Katherine? It was entertaining and aspirational. I can't do the splits. | :18:58. | :19:02. | |
I was blown away by that. What I saw on the stage tonight is what's going | :19:03. | :19:06. | |
through my mind 24-7, there is drag and sparkle in there. You were the | :19:07. | :19:11. | |
kind of women I want to be and I loved what I saw. Jo, are they the | :19:12. | :19:21. | |
winners? Can I just say hurray for HRT. Well done ladies, no dancing | :19:22. | :19:33. | |
but standing up, well done. If you thought Harriet and Helen were | :19:34. | :19:36. | |
absolutely fabulous all the details are on the screen now and you can | :19:37. | :19:40. | |
vote later in the show. Not now, later, step away from the phone! | :19:41. | :19:44. | |
Later, not now. It worries me. Later, not now. It's all right. | :19:45. | :19:50. | |
Later! It's all right. Talking of HRT, Mel is back in the | :19:51. | :19:54. | |
room. Ladies, thank you for the music and the joy you are bringing. | :19:55. | :20:04. | |
APPLAUSE AND CHEERING We are getting involved. Now don't | :20:05. | :20:13. | |
you move a muscle. Still to come: Russell Grant who's been star-gazing | :20:14. | :20:19. | |
for performance inspiration. Miss Ross, please show me the way. Sara | :20:20. | :20:25. | |
Pascoe has been enjoying expert hands on coaching. That's it, yeah. | :20:26. | :20:34. | |
You have strong hands. And we see what happened nan takes a | :20:35. | :20:40. | |
trip to her local tea dance with Len Goodman. I will show you how it's | :20:41. | :20:45. | |
done! Onwards with the party. Time for two | :20:46. | :20:50. | |
men who I have spent many a morning in bed with. Yes, like that. It's | :20:51. | :20:57. | |
Kiss FM Breakfast radio hosts the gorgeous Ricky and Melvin. | :20:58. | :21:08. | |
Melvin. Ricky. Ricky and... Melvin. Why are you doing it in slow motion? | :21:09. | :21:13. | |
It's how these things work. I don't make the rules. OK. Ricky and | :21:14. | :21:21. | |
Melvin! Morning. Morning. | :21:22. | :21:31. | |
All right? Yeah. What? We're in. We're doing it. They've asked us to | :21:32. | :21:38. | |
do Let's Sing and Dance for Comic Relief. That's amazing. Who are we | :21:39. | :21:42. | |
going to be I have been doing research and drawn up a list of | :21:43. | :21:46. | |
classics for you to choose from. Let's do this. I have them here. All | :21:47. | :21:54. | |
right. That's my framed foet open of when I won the Strictly Christmas | :21:55. | :21:59. | |
special. Here it is, yes. A list of classic duos for Ricky and Melvin. | :22:00. | :22:06. | |
Let's do this! Madonna and Brit knee. Woah! I get it, you want to be | :22:07. | :22:13. | |
Madonna. Well, that's OK. Melvin, what are you doing? I am pitching | :22:14. | :22:18. | |
ideas, my friend. Yeah, terrible ideas. Look, can't we do something | :22:19. | :22:25. | |
cool? Will you stop. We are not doing our performance dressed as | :22:26. | :22:28. | |
women. I am sure that's against the rules. Don't care, we are not doing | :22:29. | :22:36. | |
it. Have you better ideas? Exactly. Wait. Hang on. | :22:37. | :22:47. | |
This is it! This is the one, yes! That is it. Question. Can I do it as | :22:48. | :23:05. | |
Tina Turner? No! Oh, my word. Performing a Will Smith medley, it's | :23:06. | :23:07. | |
Ricky and Melvin! # My life got | :23:08. | :23:13. | |
flipped-turned upside down # I'll tell you how I became | :23:14. | :23:17. | |
the prince of a town called Bel-Air # In west Philadelphia | :23:18. | :23:24. | |
born and raised # On the playground was where | :23:25. | :23:28. | |
I spent most of my days # Chillin' out maxin' | :23:29. | :23:31. | |
relaxin' all cool # And all shooting some b-ball | :23:32. | :23:33. | |
outside of the school # When a couple of guys | :23:34. | :23:35. | |
who were up to no good # Started making trouble | :23:36. | :23:38. | |
in my neighbourhood # I got in one little fight | :23:39. | :23:40. | |
and my mom got scared # She said, "you're movin' with your | :23:41. | :23:43. | |
auntie and uncle in Bel-Air" # Let me see ya just | :23:44. | :23:48. | |
bounce it with me # Come on, let me see | :23:49. | :23:54. | |
ya just slide with me # Come on, let me see | :23:55. | :23:59. | |
ya take a walk with me # Yo, back up now and | :24:00. | :24:05. | |
give a brother room # The fuse is lit and | :24:06. | :24:19. | |
I'm about to go boom # My life is a cage | :24:20. | :24:21. | |
but on stage I'm free # Slow down girl, you're | :24:22. | :24:26. | |
'bout to hurt somebody # Hold up, yo let's get | :24:27. | :24:31. | |
just one thing clear # There's only one | :24:32. | :24:33. | |
reason why I came here # Ya really done want me | :24:34. | :24:35. | |
to tig-a-tig-a-tig-a # Ya really done want me | :24:36. | :24:37. | |
to tig-a-tig-a-tig-a # Ya really done want me | :24:38. | :24:40. | |
to tig-a-tig-a-tig-a # I came here tonight | :24:41. | :24:43. | |
to hear the crowd go Well done! Really great. Ricky, we | :24:44. | :25:24. | |
have something in common, presumably most people call you Mel? Yes, all | :25:25. | :25:32. | |
the time. That's the most flap boy on the hair. Let's go to the panel. | :25:33. | :25:37. | |
Not one, not two, three songs in one. I loved the medley. Katherine | :25:38. | :25:45. | |
Ryan, she loves a medley. And Will Smith, from his greatest era! Jo, | :25:46. | :25:54. | |
what's not to love, energy, charm, charisma. Flamboyant hair, come on. | :25:55. | :25:58. | |
Yeah, all that and they're gorgeous and they're good at dancing and good | :25:59. | :26:03. | |
at singing and they're coming home to my house. In the bag. They're | :26:04. | :26:09. | |
going in the bag. You have room. Indeed. Frank, did you notice there | :26:10. | :26:17. | |
was quite intricat costume ripping off. Incredible quick changes, | :26:18. | :26:27. | |
everything, this is what Jedward hoped they'd become. That's the | :26:28. | :26:35. | |
definition of a backhand comment. Gives with one hand, takes with the | :26:36. | :26:41. | |
other. If Ricky and Melvin made you want to boom, boom shake the room, | :26:42. | :26:48. | |
all the details you need are running across the magnificent bosoms now. | :26:49. | :26:52. | |
Don't vote yet. The lines aren't open. Put your hands together for | :26:53. | :26:55. | |
Ricky and Melvin. Off to the posh seats guys. | :26:56. | :27:06. | |
APPLAUSE AND CHEERING I can't believe we are over halfway | :27:07. | :27:11. | |
through. We are. Would you like an orange segment? Yes, I would love a | :27:12. | :27:16. | |
hot flannel. We don't have time for a wipe down. It's a fundraising | :27:17. | :27:19. | |
moment. There are lots of ways you at home can get involved. | :27:20. | :27:29. | |
My friend sponsored me to do advanced yoga for Red Nose Day. It's | :27:30. | :27:37. | |
important to avoid... Squashed buns, we have chocolate cake. Remember | :27:38. | :27:40. | |
that tasted like... Sick. You look sick. I love the 70s dancers look. | :27:41. | :27:47. | |
Right I am off to spend a penny or a pound and you can buy one. What have | :27:48. | :27:53. | |
you done here? We got sandwiches, crisps, sausage rolls, everything | :27:54. | :27:57. | |
you need for a Red Nose Day party. Do you... Want a roll with it. The | :27:58. | :28:05. | |
classic Oasising track. Only done four hours? I am starting to feel a | :28:06. | :28:12. | |
bit... Ropey. This is all the technical jargon for a sponsored | :28:13. | :28:16. | |
abseil. Come on, get fundraising. Whether you bake, throw a party, | :28:17. | :28:20. | |
dress up or take on a sponsored challenge get your free fundraising | :28:21. | :28:30. | |
kit now at bbc.co.uk/Red Nose Day. APPLAUSE | :28:31. | :28:36. | |
Now, time to meet a man for whom Mars is always in the fourth house | :28:37. | :28:40. | |
of camp. It's the magnificent Russell Grant! | :28:41. | :28:51. | |
The planets have aligned. Thank your lucky stars. Russell Grant is out of | :28:52. | :29:01. | |
this world! I think I am stuck. I am sure some | :29:02. | :29:11. | |
of you are aware that I have a certain history in dance | :29:12. | :29:14. | |
competitions. This isn't my first disco, if you know what I mean. | :29:15. | :29:20. | |
Russell, the incredible flying machine! | :29:21. | :29:27. | |
Now, I am very proud of my time on Strictly. I think I could have gone | :29:28. | :29:34. | |
further, maybe even have won. If I had just done one thing... Dressed | :29:35. | :29:41. | |
up as a diva. Well, I am not making that mistake again, darling. | :29:42. | :30:06. | |
And now, performing Diana Ross's Chain Reaction, it's Russell Grant. | :30:07. | :30:57. | |
# You took a mystery and made me want it | :30:58. | :31:00. | |
# You got a pedestal and put me on it | :31:01. | :31:04. | |
# You made me love you out of feeling nothing | :31:05. | :31:06. | |
# And I was there and not dancing with anyone | :31:07. | :31:14. | |
# You took a little, then you took me over | :31:15. | :31:18. | |
# You set your mark on stealing my heart away | :31:19. | :31:22. | |
# I'm in the middle of a chain reaction | :31:23. | :31:30. | |
# You give me all the after-midnight action | :31:31. | :31:34. | |
# I want to get you where I can let you make all that love to me | :31:35. | :31:42. | |
# I'm on a journey for the inspiration | :31:43. | :31:45. | |
# To anywhere and there ain't no salvation | :31:46. | :31:49. | |
# You let me hold you for the first explosion | :31:50. | :32:15. | |
# Is get in the middle of a chain reaction | :32:16. | :32:24. | |
# You get a medal when you're lost in action | :32:25. | :32:28. | |
# All ready for the sweet sensation instant radiation | :32:29. | :32:30. | |
# You let me hold you for the first explosion | :32:31. | :32:33. | |
# We get a picture of our love in motion | :32:34. | :32:37. | |
# My arms will cover, my lips will smother you | :32:38. | :32:41. | |
Oh, my giddy aunt. CHEERING AND APPLAUSE | :32:42. | :33:09. | |
Diana... Come on. Come on in. Thank you so much. Thanks gang. The | :33:10. | :33:13. | |
dressing rooms are just up there. See you later. Oh, Russell. It | :33:14. | :33:18. | |
started off so well. It finished well. In the middle it was | :33:19. | :33:21. | |
wonderful. You were on fire. At times literally. Well done. How are | :33:22. | :33:29. | |
you feeling? Well, I think it's great in front of this lot, | :33:30. | :33:32. | |
fantastic. Let's see what the panel thought. | :33:33. | :33:43. | |
Jo, the BBC was set up to inform, educate and entertain, how are we | :33:44. | :33:48. | |
doing? Very well at the entertaining. You can see in the | :33:49. | :33:52. | |
future, I hope you can see yourself doing well. Can you tell me how my | :33:53. | :33:57. | |
weekend's going to be? My sign is I'm on the cusp of cancer and | :33:58. | :33:59. | |
diabetes... LAUGHTER | :34:00. | :34:04. | |
I can see you with two guys, one called Melvin, one called Ricky. | :34:05. | :34:10. | |
APPLAUSE Enough of the after-show party. | :34:11. | :34:21. | |
Frank, if Diana Ross were with us... I thought it was Lesley Joseph! | :34:22. | :34:30. | |
Yeah, sorry. If Diana Ross were with us now what would she say? I think | :34:31. | :34:34. | |
she'd be proud at that tribute. For a start off, with one act, you have | :34:35. | :34:40. | |
doubled the scrout put of the British chiffon industry. Just an | :34:41. | :34:43. | |
explosion of red. You look like road kill with rhythm. I mean that in the | :34:44. | :34:50. | |
best possible way. Whenever you do it, you absolutely go for it. That | :34:51. | :34:54. | |
made me - literally made me cry. Well done. Brilliant. | :34:55. | :34:59. | |
APPLAUSE How did that rate for you? I mean, | :35:00. | :35:04. | |
I've laughed a lot this evening, I've been entertained, but that had | :35:05. | :35:08. | |
drama. There was fire. Jeopardy, firemen, thank you so much Russell, | :35:09. | :35:11. | |
I loved it. There was a narrative art. There really was. And really | :35:12. | :35:16. | |
hot dudes. That's how I like my narrative art with hot dudes at the | :35:17. | :35:21. | |
end. If you want to see Russell in the grand finale, the details are on | :35:22. | :35:25. | |
the screen. The vote is not open yet. Not yet. The vote's not open | :35:26. | :35:29. | |
yet. How many times do we have to say that. The vote isn't open. I'm | :35:30. | :35:34. | |
sorry she hasn't had her teatime sausage. Give it up for our dancing | :35:35. | :35:37. | |
diva, Miss Diana Ross. APPLAUSE | :35:38. | :35:46. | |
That was very strong. She's still on the move. Just that rear view. Ross | :35:47. | :35:52. | |
on the move. Throes flowers to the crowd. Poetry in motion. Finally, | :35:53. | :35:57. | |
it's time to welcome a girl who makes comedy look so much fun, it | :35:58. | :36:03. | |
almost makes me want to have a go myself. It's the hillarious Sara | :36:04. | :36:13. | |
Pascoe. Author and comedian. Sara Pascoe. I'm saying, that's going to | :36:14. | :36:20. | |
be expensive. Sorry. Most people are already familiar | :36:21. | :36:31. | |
with my story. When I was born, I was a baby. Then I decided to go | :36:32. | :36:35. | |
into show business because everyone in my family is a performer. There's | :36:36. | :36:41. | |
me and my sister Kylie, who I love. My mum Arlene Philips and my father, | :36:42. | :36:46. | |
Lionel Richie. It all comes so easily to me. It's, all of them, | :36:47. | :36:55. | |
just easy. Ballet. Tap. Breakdance. And the robot. That made it so much | :36:56. | :37:00. | |
harder for my mother when I turned my back on show business and became | :37:01. | :37:09. | |
a comedian. I'm sorry, mum. Aye comedian, I mean they're lower than | :37:10. | :37:14. | |
magicians. My dad actually divorced my mum and left us because of the | :37:15. | :37:17. | |
shame. We don't know where daddy is now. Maybe if I win Let's Sing and | :37:18. | :37:23. | |
Dance for Comic Relief he'll come back and mummy will forgive me. | :37:24. | :37:32. | |
KNOCK AT THE DOOR I booked this room from 4pm. All right. | :37:33. | :37:47. | |
This is the one I've been practising, mum. Five, six, 78. Oh! | :37:48. | :38:00. | |
Kylie, she's done it again. She's hopeless. | :38:01. | :38:09. | |
And now performing Sia's Chandelier, it's Sara Pascoe. | :38:10. | :38:19. | |
# Can't feel anything, when will I learn | :38:20. | :38:22. | |
# I'm gonna swing from the chandelier, from the chandelier | :38:23. | :38:47. | |
# I'm gonna live like tomorrow doesn't exist | :38:48. | :38:55. | |
# I'm gonna fly like a bird through the night, | :38:56. | :39:06. | |
# I'm gonna swing from the chandelier, from the chandelier | :39:07. | :39:21. | |
# I'm gonna swing from the chandelier, from the chandelier | :39:22. | :39:42. | |
# I'm gonna live like tomorrow doesn't exist | :39:43. | :39:50. | |
# I'm gonna fly like a bird through the night, | :39:51. | :40:01. | |
# I'm gonna swing from the chandelier, | :40:02. | :40:13. | |
CHEERING AND APPLAUSE Can somebody help me? Thank you. Air | :40:14. | :40:37. | |
yay! Amazing, amazing, amazing. You did brilliantly. So good. The only | :40:38. | :40:43. | |
bad news after that extraordinary performance is that I'm afraid the | :40:44. | :40:47. | |
landlord will not be giving you your deposit back. Worth it. So worth it. | :40:48. | :40:53. | |
Well done. I'm speechless by those vocals, what did you reckon? | :40:54. | :41:00. | |
Incredible. Looks-wise you're a cross between Kate bush and a | :41:01. | :41:03. | |
disturbed Alice In Wonderland. Yes, that's my psyche. I really liked | :41:04. | :41:09. | |
those people that were dancing in their swimming costumes with you as | :41:10. | :41:12. | |
well. They were jolly nice. It was originally suggested I would be | :41:13. | :41:15. | |
doing that. I was sort of hoping you might. Never mind. Katherine, | :41:16. | :41:20. | |
singing and swinging at the same time. Things got pretty good. I mean | :41:21. | :41:25. | |
Sara does it all. She never fails to impress me. I want to meet a man who | :41:26. | :41:30. | |
looks at me the way I look at Sara Pascoe singing Chandelier. Frank, | :41:31. | :41:34. | |
that was an extraordinary performance, especially given she | :41:35. | :41:38. | |
ran the extreme risk of being electrocuted throughout. Yeah and | :41:39. | :41:44. | |
the bit when the dancers became the staircase was brilliant. Sia | :41:45. | :41:48. | |
supported by steps. I never thought I'd see that. | :41:49. | :41:54. | |
He's so good. If you enjoyed Sara's performance and you'd like to see | :41:55. | :41:57. | |
her in the finals... CHEERING | :41:58. | :42:03. | |
Then all the voting details are on your screen now. The vote opens | :42:04. | :42:07. | |
shortly. You need to sign in or register to vote online at | :42:08. | :42:15. | |
bbc.co.uk/rednoseday. Join that alluring bunch over there. Big love | :42:16. | :42:18. | |
for Sara. APPLAUSE | :42:19. | :42:25. | |
Well, that is that. All of our star acts have now performed. Look at | :42:26. | :42:30. | |
them, look at them over there, like a celebrity look-alike twilight | :42:31. | :42:34. | |
zone. If you wouldn't mind summing up this extraordinary show, Jo, | :42:35. | :42:38. | |
how's it been for you? Overwhelming. Yeah, thanks. Me or Frank? I don't | :42:39. | :42:45. | |
mind, Jo. She's just saying the name. The time of night when her | :42:46. | :42:52. | |
cold medication kicks in. Everyone has been brilliant, but Mel's not | :42:53. | :42:55. | |
been great. Frank, sum it up for us, if you don't mind. I don't think | :42:56. | :43:00. | |
doing charitable work should be this enjoyable. It's been like a great | :43:01. | :43:04. | |
night out for me. I loved every one of them. Honestly. Who expected | :43:05. | :43:08. | |
this? I thought it would be a nightmare. It was great. | :43:09. | :43:15. | |
Katherine, one word please, just one word to sum everything up? | :43:16. | :43:23. | |
Donations. Good. A perfect word. Going to get you Brandy. I'm not | :43:24. | :43:26. | |
going to forget that. That's what they think, but it's your vote that | :43:27. | :43:30. | |
really counts. I guess there's only one thing left to do, Dame Babs | :43:31. | :43:35. | |
Windsor, it's over to you. Voting is now open! | :43:36. | :43:47. | |
# But here's my number, so call me maybe | :43:48. | :44:00. | |
These new vary folkals are playing up. Time to get serious now. Forget | :44:01. | :44:05. | |
Mel, forget Sue. Strip away the characters. To be honest most people | :44:06. | :44:11. | |
have forgotten Mel and Sue since we binned off that cake show. If you'd | :44:12. | :44:14. | |
like to - this is serious. LAUGHTER | :44:15. | :44:21. | |
They're booing my P 45 Melanie. Can't see anything. No. Very | :44:22. | :44:25. | |
difficult now. If you'd like to vote for tonight's winner of Let's Sing | :44:26. | :44:28. | |
and Dance for Comic Relief, called cost 15 p plus any network access | :44:29. | :44:33. | |
charge. Get the bill payer's permission before you call. Or vote | :44:34. | :44:45. | |
online for free, yes for free at bbc.co.uk /rednoseday. The vote | :44:46. | :44:52. | |
closes in approximately 13 minutes. Being visually impaired has made you | :44:53. | :44:56. | |
shout. Don't vote if you are watching on demand. Lovely, you can | :44:57. | :44:58. | |
applaud now. Thank you very much. Breaking news just in from our | :44:59. | :45:08. | |
entertainment correspondent, the Queen has announced her favourite | :45:09. | :45:14. | |
ever boy band, apparently it's One's Direction. Now, time for a quick | :45:15. | :45:25. | |
re... One can't get the staff! Time for a quick reminder of tonight's | :45:26. | :45:27. | |
performances and those all-important numbers. | :45:28. | :47:02. | |
APPLAUSE AND CHEERING A cracking bunch. Please get voting | :47:03. | :47:09. | |
for your favourite. What a show so far. Feels like a cheese-induced | :47:10. | :47:13. | |
dream. Listen, while our performers head back stage to get their wigs | :47:14. | :47:19. | |
refreshed, here's a reminder of just why we are all here tonight. That's | :47:20. | :47:23. | |
to raise money for Comic Relief. This is what happened when Ed | :47:24. | :47:28. | |
Sheeran visited west Africa and met a | :47:29. | :47:29. | |
brave little girl called Peaches. We will do songs. You sing one and I | :47:30. | :47:40. | |
will sing one. Yeah. # All around... APPLAUSE | :47:41. | :47:48. | |
# Will be loving you til we're 70. It's been over three years since the | :47:49. | :47:54. | |
outbreak of Eboa killed over 11,000 people in Africa. When Ebola hit, | :47:55. | :48:02. | |
what was it like? My father was sick. | :48:03. | :48:13. | |
When was the last time you went to school? | :48:14. | :48:47. | |
What's that, Peaches? Last thing I wanted this trip to be was to be the | :48:48. | :49:01. | |
celebrity who comes over to Africa and cries on TV and says send your | :49:02. | :49:06. | |
money over, I really wanted to come and be like everything is positive, | :49:07. | :49:10. | |
everything is great. I don't know, just singing with that girl... Her | :49:11. | :49:16. | |
dad taught her how to sing. Yeah, she just got really choked up | :49:17. | :49:19. | |
about it. I watch Comic Relief every single | :49:20. | :49:23. | |
year and this is always what celebrities do. I always think, no, | :49:24. | :49:28. | |
is it really that bad? Then I sort of turn up and yes, it is. To send a | :49:29. | :49:33. | |
girl like Peaches to school for a whole year is only ?45. Just a few | :49:34. | :49:40. | |
of you texting right now can get the job done. | :49:41. | :49:50. | |
As Ed said in Liberia, a whole year of education costs just ?65. That's | :49:51. | :50:02. | |
a year of education. -- 4 h -- ?45. It's easy to make a difference. All | :50:03. | :50:08. | |
the details are on the screen. Texts will cost your donation and your | :50:09. | :50:11. | |
standard message charge and 100% of your donation will go to Comic | :50:12. | :50:18. | |
Relief. You must be over 16. Full terms and continues, go to | :50:19. | :50:24. | |
bbc.co.uk/Red Nose Day. Now it's time for a performance that doesn't | :50:25. | :50:32. | |
involve wigs or inflatable thighs. Or this. It's Calum Scott. | :50:33. | :50:41. | |
# I'm static and I can't move my feet. | :50:42. | :50:46. | |
# From the moment that you stood next to me. | :50:47. | :50:48. | |
# Feeling manic, I forget how to speak. | :50:49. | :50:54. | |
# It feels like I can be the one for your love. | :50:55. | :51:38. | |
# It feels like I can be the one for your love. | :51:39. | :51:46. | |
# when the lights go out and my feet don't even want to touch the ground. | :51:47. | :52:16. | |
# I feel the panic of my world turned upside down. | :52:17. | :52:20. | |
# It feels like I can be the one for your love. | :52:21. | :52:54. | |
# It feels like I can be the one for your love. | :52:55. | :52:59. | |
APPLAUSE AND CHEERING Incredible. What an extraordinary | :53:00. | :53:43. | |
performance by Calum Scott there. Unfortunately you can't vote for him | :53:44. | :53:46. | |
but you can still vote for all our acts. Make sure you do. As well as | :53:47. | :53:51. | |
tonight's star-studded performances in the studio we have taken comedy | :53:52. | :53:54. | |
legends out and about to strut their stuff. Here's what happened when the | :53:55. | :53:58. | |
nation's favourite nan met the nation's favourite Len. | :53:59. | :54:08. | |
Here we go, nan. It's supposed to be a great afternoon out, get exercise, | :54:09. | :54:13. | |
meet new people. Is this going to take long? I am going Homes under | :54:14. | :54:19. | |
The Hammer for this. This will be a laugh. It isn't going to be all old | :54:20. | :54:25. | |
people, their faces make me sick! Nan! One, two, three. Oh, yes, off | :54:26. | :54:34. | |
we go. Lovely. Posture. Here we are, nan. What did I tell you! Have a | :54:35. | :54:40. | |
look at this mob. Oh, I can't bear to look. Nan. Oh, and as for you... | :54:41. | :54:51. | |
Sitting next to Will-i-am next week giving everyone a 7. No, that's Tom | :54:52. | :54:55. | |
Jones. I thought you were looking a bit peaky. Are you here to dance | :54:56. | :54:59. | |
because we have some experienced gentlemen here for you. Don't make | :55:00. | :55:03. | |
me laugh! I'll show you how it's done. | :55:04. | :55:06. | |
Hit it! Oh, hello! # # Where have all the | :55:07. | :55:28. | |
good men gone # Where is the street wise Hercules | :55:29. | :55:37. | |
to fight the rising odds. And lift! # Isn't there a white knight upon a | :55:38. | :55:43. | |
steed # Late at night I toss and turn and | :55:44. | :55:46. | |
I dream of what I need # I need a hero. | :55:47. | :55:53. | |
# I am holding out for a hero to the end of the night | :55:54. | :55:58. | |
# He's got to be strong and fast and got to be fresh from the fight. | :55:59. | :56:07. | |
# I'm holding out for a hero until the morning light and he's got to be | :56:08. | :56:12. | |
sure and got to be soon # And he's gotta be larger than | :56:13. | :56:20. | |
life! What are you doing now? Not you, get back to The Voice! Get your | :56:21. | :56:24. | |
hands off me! # I need a hero! # I am holding out | :56:25. | :56:31. | |
for a hero to the end of the night. # He's got to be strong and he's got | :56:32. | :56:36. | |
to be fast and got to be fresh from the fight! | :56:37. | :56:39. | |
# I need a hero! # I am holding out for a hero to the | :56:40. | :56:44. | |
morning light # He's got to be sharp and got to be | :56:45. | :56:51. | |
soon and he's got to be larger than life! | :56:52. | :56:59. | |
Snop I # I need a hero! APPLAUSE | :57:00. | :57:30. | |
Suit yourself. Your dancers, you can keep them. That's the worst singing | :57:31. | :57:34. | |
voice I have ever heard. That's a bit much, you were in the | :57:35. | :57:39. | |
Eurovision, nil points! Come on boys. # I need a hero | :57:40. | :57:50. | |
# I'm holding out for a hero... Bonnie Tyler! Sticking her oar in! | :57:51. | :58:01. | |
Hello, nan, I hear you are looking for a hero. Not any more. You will | :58:02. | :58:08. | |
do. We will do our own version of Dirty Dancing. Get me home in time | :58:09. | :58:14. | |
for Pointless you can do whatever you like. | :58:15. | :58:22. | |
APPLAUSE As you saw during that film the vote | :58:23. | :58:28. | |
is now closed, just to confirm, Dame Babs... The vote is now closed. When | :58:29. | :58:33. | |
the Dame speaks, you listen as I learned to my cost when I tried to | :58:34. | :58:39. | |
jump in front of Dame Helen Mirren in the toilet queue. Don't vote, | :58:40. | :58:46. | |
your vote won't count and you may be charged. Coming up a special | :58:47. | :58:54. | |
performance from Emeli Sande performance. First this report. | :58:55. | :59:01. | |
This is Eddie, he is ten years old and lives on the streets of Uganda. | :59:02. | :59:08. | |
Every day he hunts for plastic bottles to earn a few shillings to | :59:09. | :59:15. | |
buy food. How much do you usually make from correcting -- from | :59:16. | :59:23. | |
collecting bottles here? 300 shillings, about 8p. He's just a | :59:24. | :59:27. | |
little boy and he has no shoes on and he's on a rubbish pile. Living | :59:28. | :59:33. | |
like this means he is missing out on an education. Is it hard seeing | :59:34. | :59:37. | |
other children going to school and you are not able to go? | :59:38. | :59:48. | |
As night falls, he searches for cardboard to sleep on and I meet up | :59:49. | :59:54. | |
with Carole, a project worker. Just how scary is it sleeping on the | :59:55. | :59:59. | |
streets? It is really dangerous, when the big boys come in. Yeah. | :00:00. | :00:07. | |
They end up beating them badly to the extent they can have inner | :00:08. | :00:15. | |
bleeding. In this town in -- in this town alone there are hundreds of | :00:16. | :00:18. | |
boys who sleep out every night. Food, shelter and education are the | :00:19. | :00:24. | |
basics that every child deserves. He has none of these. As you kiss | :00:25. | :00:29. | |
your kids and put them to bed, please think about them, cold, | :00:30. | :00:31. | |
hungry and in danger. This is your chance to make this right. | :00:32. | :00:39. | |
Please give what you can. Thank you. Just ?10 could pay for a child like | :00:40. | :00:43. | |
this to go to school for a whole term. To donate ?5 text the word | :00:44. | :00:49. | |
give to: Or to donate ?10 text give: | :00:50. | :00:55. | |
I am pleased to say that Eddie is being supported by a project to get | :00:56. | :01:01. | |
back into education. He is living back at home with his mum and is off | :01:02. | :01:06. | |
the streets for good. So, you can see your money really can make a | :01:07. | :01:08. | |
difference. All the information that you need is | :01:09. | :01:13. | |
on your screen now. Please do give what you can, every single donation | :01:14. | :01:16. | |
can change lives. Now, please put your hands together | :01:17. | :01:19. | |
for the wonderful Emeli Sande. # Cuz baby when you're gentle, | :01:20. | :01:30. | |
it's all that it takes # If you're tired | :01:31. | :01:49. | |
of south, # Cuz, baby, when you're gentle, | :01:50. | :02:13. | |
it's all that it takes. Thanks so much Emeli. Right, now is | :02:14. | :04:50. | |
the moment you've all been waiting for, Dame Babs over to you. The | :04:51. | :04:59. | |
results are in! CHEERING | :05:00. | :05:01. | |
So, Babs, without further ado, here's Mel with the red envelope. | :05:02. | :05:06. | |
Mel? Mel! Smelly. I cannot tell you what she used to get up to. I had | :05:07. | :05:11. | |
the dressing room next to her for three years. Can I tell you. That | :05:12. | :05:17. | |
June Brown, what a minx. I could sit here all evening with electric | :05:18. | :05:21. | |
gossip like this Yes, yes, yes, but you've got to get those out. There | :05:22. | :05:27. | |
go on, get out of my booth. Mel! Sorry, mate. You know what it's | :05:28. | :05:33. | |
like when Dame Babs starts jawing. Sorry about that. A lot of chat on | :05:34. | :05:38. | |
the old Babs. The results are in. That means it's time to welcome back | :05:39. | :05:45. | |
our five magnificent star acts. Matt Edmondson. Harriet Thorpe and | :05:46. | :05:56. | |
Helen Lederer. Ricky and Melvin. Russell Grant. And Sara Pascoe. | :05:57. | :06:11. | |
APPLAUSE Now, if you're just tuning in, that | :06:12. | :06:17. | |
must look nuts. Earlier tonight, five celeb acts sang and danced | :06:18. | :06:20. | |
their leg warmers off for you. Only two acts can go through. The act | :06:21. | :06:23. | |
with the highest number of viewer votes will have a guaranteed place | :06:24. | :06:27. | |
in the Grand Final. The acts that come second and third will face the | :06:28. | :06:29. | |
panel who will choose their favourite. Cue the low, dramatic | :06:30. | :06:36. | |
lighting. Oh, not that low slam -- low! In between. That's great. | :06:37. | :06:41. | |
Fabulous stuff. We're nearly ready to go OK. Oh, God my heart's gone. | :06:42. | :06:45. | |
Are you all right, mate. Can you hear it? Goes really loud. | :06:46. | :06:53. | |
Calm yourself. The great British public, that's you, have voted and | :06:54. | :06:57. | |
we can now reveal the top three acts in the viewer vote: In no particular | :06:58. | :07:07. | |
order, first act is... Sara Pascoe! APPLAUSE | :07:08. | :07:15. | |
Yes! Russell, thank you. I'm not surprised. Well done. My | :07:16. | :07:23. | |
heart's gone again. Also, it's OK. Also in the top three we have... | :07:24. | :07:32. | |
Matt Edmondson! APPLAUSE | :07:33. | :07:34. | |
well done Matt. Finally, in the top three it's... | :07:35. | :07:56. | |
Ricky and Melvin! APPLAUSE | :07:57. | :08:07. | |
That means we have to say a fond farewell to Harriet and Helen and | :08:08. | :08:11. | |
the gorgeous Russell. Guys, have you enjoyed yourselves? | :08:12. | :08:17. | |
Loved it. Yeah. You're keeping the outfit I hope? I had a wonderful | :08:18. | :08:21. | |
time. Keep in touch. All these people are going to make the most | :08:22. | :08:24. | |
fantastic finalists when they get through. | :08:25. | :08:30. | |
Ladies and gentleman, off you go darlings. Thank you so much. Big | :08:31. | :08:33. | |
round of applause. APPLAUSE | :08:34. | :08:36. | |
They don't want to go anywhere. Off you pop. Off you go. The winner | :08:37. | :08:43. | |
doesn't take it all. Off you pop. Off you go. | :08:44. | :08:47. | |
APPLAUSE We will now reveal the winner of the | :08:48. | :08:52. | |
public vote. The fate of the other two is in the hands of the judges. | :08:53. | :09:00. | |
Please reveal tonight's winner. And the winner is... La La Land... | :09:01. | :09:10. | |
LAUGHTER So sorry. You did it in LA and you | :09:11. | :09:19. | |
do it here. Sorry. So sorry. It's actually Moonlight. | :09:20. | :09:22. | |
LAUGHTER All right. The real winner of | :09:23. | :09:30. | |
tonight's Let's Sing and Dance for Comic Relief Is... Ricky and Melvin! | :09:31. | :09:44. | |
CHEERING Congratulations. | :09:45. | :09:52. | |
So good. Sara, well done, my love. Good luck. Good luck. Ricky and | :09:53. | :10:05. | |
Melvin we look forward to seeing you in the final. Off you go and get | :10:06. | :10:09. | |
yourself ready for the winner's performance. | :10:10. | :10:13. | |
APPLAUSE OK. This means there's just one | :10:14. | :10:17. | |
place left in the Grand Final. Who will join Ricky and Melvin, will it | :10:18. | :10:22. | |
be Matt or Sara? It's down to the panel to decide. Before they do, | :10:23. | :10:26. | |
here's a quick reminder of their cracking performances. | :10:27. | :10:46. | |
Right. OK, who's it going to be, Matt or Sara? Panel, I'm going to | :10:47. | :11:19. | |
ask one name from you, please. It is, I'm afraid pressure time. Jo, | :11:20. | :11:23. | |
got my eyes on you. Who would you like to send through to the final | :11:24. | :11:32. | |
and why? For sheer jutzpah and swinging about it has to be Sara. | :11:33. | :11:37. | |
Right. Frank, if you say Sara, Sara is through. Who are you going for? | :11:38. | :11:46. | |
For sheer jutzpah and even more swinging about, Matt. | :11:47. | :11:52. | |
Oh, Katherine. Down to the wire. All eyes on the Ryan. You have the | :11:53. | :11:56. | |
deciding vote, is it going to be Matt or Sara? It's so, so difficult | :11:57. | :12:01. | |
for me. Sara has the voice of an angel. And Matt has the body of many | :12:02. | :12:06. | |
different angles. Picasso, isn't it? Yeah. And I mean, nepotism aside, I | :12:07. | :12:12. | |
think, in a decision like this, I vote for whoever has the name of one | :12:13. | :12:18. | |
of my pets and my pets are called Dolly, one of my pets is called | :12:19. | :12:25. | |
Megan, a bit like Matt and my cat is Sara Pascoe. That's why I'm going | :12:26. | :12:28. | |
for you. Oh, guys. ( | :12:29. | :12:32. | |
for you. Oh, guys. That was the best hug. I'm | :12:33. | :12:36. | |
going to miss you. Going to miss you too. Matt, I've never actually seen | :12:37. | :12:41. | |
what you look like in real life. And you never will. We're never going to | :12:42. | :12:47. | |
meet. You were amazing. It's criminal to let go of curves like | :12:48. | :12:53. | |
that. Massive round of applause. Let's hear it for Matt Edmondson as | :12:54. | :12:56. | |
Nicki Minajment -- Nicki Minaj. And for all of our | :12:57. | :13:00. | |
acts, who've given their time, amazing. | :13:01. | :13:04. | |
APPLAUSE Now, you're very far away, mate. | :13:05. | :13:07. | |
There you are. Listen, what an amazing night it's been. A massive | :13:08. | :13:10. | |
thanks to our incredible stars and our fantastic panel. We're going to | :13:11. | :13:14. | |
be back next Saturday night at 6. 45pm with five more fabulous star | :13:15. | :13:17. | |
acts and more special guests. For now, we will leave you with our | :13:18. | :13:21. | |
wonderful winners, give it up for Ricky and Melvin. | :13:22. | :13:32. | |
# My life got flipped-turned upside down | :13:33. | :13:36. | |
# I'll tell you how I became the prince of a town called Bel-Air | :13:37. | :13:46. | |
# In west Philadelphia born and raised | :13:47. | :13:49. | |
# On the playground was where I spent most of my days | :13:50. | :13:51. | |
# Chillin' out maxin' relaxin' all cool | :13:52. | :13:53. | |
# And all shooting some b-ball outside of the school | :13:54. | :13:56. | |
# When a couple of guys who were up to no good | :13:57. | :13:59. | |
# Started making trouble in my neighbourhood | :14:00. | :14:01. | |
# I got in one little fight and my mom got scared | :14:02. | :14:03. | |
# She said, "you're movin' with your auntie and uncle in Bel-Air" | :14:04. | :14:10. | |
# Let me see ya just bounce it with me | :14:11. | :14:21. | |
# Come on, let me see ya just slide with me | :14:22. | :14:26. | |
So, like, you get sponsored to swap clothes with somebody for a day. | :14:27. | :14:29. | |
Yeah, yeah, yeah. OK, I don't get that. So, maybe... | :14:30. | :14:31. | |
I don't get that. ..you wear your mother's clothes? | :14:32. | :14:34. | |
I don't get it. What does she wear? No, no, she wears someone else's. | :14:35. | :14:38. | |
OK, I don't get that, it's too complicated. Do another one. | :14:39. | :14:42. | |
So, like, you get sponsored to let people lick stuff | :14:43. | :14:44. | |
No, but, like, you get these flavoured... Cool, yeah. | :14:45. | :14:48. | |
Not going to happen. Peanut butter. Do another one. | :14:49. | :14:52. | |
For better ideas, get your free fundraising kit now. | :14:53. | :14:59. | |
We're going to bond by finding out whether Paula was really | :15:00. | :15:11. |