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Welcome to Let's Sing Dance for Comic Relief for Comic Relief. Here | :00:22. | :00:24. | |
are your hosts, Mel and Sue! Oh, there you are, there you are! | :00:25. | :00:54. | |
Welcome along. I tell you, what an introduction that was. I think I | :00:55. | :01:03. | |
have that cold sores on my buttocks. Kicking off your Saturday night in | :01:04. | :01:08. | |
style with a brand-new line-up of stars to dance and sing their hearts | :01:09. | :01:13. | |
out. Tonight there are two places in the final to fight for. | :01:14. | :01:19. | |
So let's see who'll be electric boogalooing, | :01:20. | :01:21. | |
harmonising and maybe even doing the 'robot' for your votes. | :01:22. | :01:25. | |
Tonight, the stars of casualty and Holby City. A new girl group in town | :01:26. | :01:42. | |
like no other, boys in town. A West End boy showing his talents, | :01:43. | :01:49. | |
EastEnder style Danny-Boy Hatchard. Proving they can sing as well as | :01:50. | :01:53. | |
stance, James and Ola Jordan. And finally, finding their dreams | :01:54. | :02:02. | |
Somewhere Over The Rainbow, quizzing superstars the chasers. | :02:03. | :02:08. | |
And reports from Emeli Sande in Uganda and Billy Connolly right here | :02:09. | :02:13. | |
in the UK. All that and an exclusive | :02:14. | :02:28. | |
performance from Louisa Johnson and from Amanda Holden in Stepping Out. | :02:29. | :02:36. | |
To Add A Cherry... I Went Overboard With The Celebrities. We Have A Very | :02:37. | :02:40. | |
Special Panel. We've got a very special panel - | :02:41. | :02:46. | |
Russell Kane, Claudia Stroke the aura. I'm going to stroke | :02:47. | :02:58. | |
the actuality. Hope you are in the mood for classic Saturday night | :02:59. | :03:00. | |
entertainment. Mr Mel -- Mr Khan, you look happy to be a | :03:01. | :03:13. | |
tonight. I'm just happy to be out of Birmingham! Look, this is for | :03:14. | :03:22. | |
Claudia This is for you. Some onion bhajis for you. There we go! Share, | :03:23. | :03:30. | |
share! Over ?3. There we are, very nice, there we are. Khan Mr, did Mrs | :03:31. | :03:38. | |
Khan make these? Don't be ridiculous! Claudia, so nice to see | :03:39. | :03:45. | |
you. So nice for having me, with the ourselves. And we have a full bar | :03:46. | :03:50. | |
say. I thought this was a documentary series, I'm still in | :03:51. | :03:55. | |
shock. We're waiting for our acts backstage you are nervous and hoping | :03:56. | :04:00. | |
not just to impress them but you at home as well. That's right... | :04:01. | :04:08. | |
LAUGHTER Two acts will make it through. The | :04:09. | :04:11. | |
winner of the viewer vote on the panel choice. You can vote with your | :04:12. | :04:17. | |
favourite iPhone and mobile... Or... They are very dry, very dense. The | :04:18. | :04:25. | |
phrase viewer vote is hard to say with half an onion bhaji in your | :04:26. | :04:31. | |
cheek. You can also vote for free, yes free, online. All you have to do | :04:32. | :04:37. | |
is sign in and register to vote now. The vote will open... Not now. There | :04:38. | :04:45. | |
is no moisture to be had in my body! Absolutely... One for each cheek, | :04:46. | :04:52. | |
there we go. What! Does anyone have a flagon of H2O? It's everyone's | :04:53. | :05:03. | |
favourite doctors, casualty and Holby City actors. | :05:04. | :05:11. | |
Casualty and Holby...? Is there a doctor in the house? Not you, a real | :05:12. | :05:25. | |
doctor. I've lost three -- as the three most | :05:26. | :05:47. | |
important members of staff at this hospital we've been asked to perform | :05:48. | :05:49. | |
an Let's Sing Dance for Comic Relief for Comic Relief. We'd lie if | :05:50. | :05:54. | |
we said we weren't worried about how people will cope when we are away. | :05:55. | :05:57. | |
The hospital doesn't run itself, you know? Hello, casualty. Relax, I've | :05:58. | :06:08. | |
been doing this for years. Lots of damages? We understand their | :06:09. | :06:14. | |
concern. We are integral to the smooth running of Holby City but our | :06:15. | :06:18. | |
patients need not worry, we have a plan. It's taken a while to find the | :06:19. | :06:21. | |
right people but we've managed to organise cover for when we are away. | :06:22. | :06:26. | |
The hospital is going to be in extremely safe hands. Hello, | :06:27. | :06:33. | |
Casualty? Relax, I've been doing this for years. You won't feel a | :06:34. | :06:39. | |
thing! Don't worry, I'm here now, everything's going to be fine. | :06:40. | :06:43. | |
Everything is going to be fine. That's better, isn't it? | :06:44. | :06:50. | |
Performing Bruno Mars' Uptown Funk, it's the cast | :06:51. | :06:52. | |
# I'm too hot (hot damn) | :06:53. | :07:36. | |
# I'm too hot (hot damn) | :07:37. | :07:40. | |
# 'Cause uptown funk gon' give it to you | :07:41. | :08:03. | |
# Saturday night and we in the spot | :08:04. | :08:06. | |
# Don't believe me just watch (come on) | :08:07. | :08:14. | |
# Uptown funk you up # Uptown funk you up (say what?) | :08:15. | :08:47. | |
Gang... Amazing. You guys look like you need a defibrillator. It was | :08:48. | :09:26. | |
intense, very intense. We need oxygen. Well done. What's the | :09:27. | :09:33. | |
prognosis? What a way to start the show. You have funked us so hard, my | :09:34. | :09:39. | |
auntie's hip has probably popped back in. What a way to start the | :09:40. | :09:45. | |
show. Good luck to anyone following that, it was fantastic! As three got | :09:46. | :09:53. | |
so overexcited, your voices were fantastic, the dance, you looks like | :09:54. | :09:57. | |
you are having a good time, we adored it. Congratulations. You're | :09:58. | :10:06. | |
through, you won! Absolutely superb as hospital staff, these three are a | :10:07. | :10:12. | |
credit to the NHS. They really are. I'm so glad you are here, can you | :10:13. | :10:16. | |
just checked on one of my bunions, please? If the stars of Casualty and | :10:17. | :10:24. | |
Holby City gives Purdue Saturday night Fever rising and you want to | :10:25. | :10:26. | |
make an appointment with them, | :10:27. | :10:28. | |
then pop off your bra and pants, get behind the screen | :10:29. | :10:31. | |
and take notice of these Calls cost 15p plus your | :10:32. | :10:33. | |
network access charge. The vote opens after all our | :10:34. | :10:36. | |
acts have performed. Please don't vote now as it | :10:37. | :10:38. | |
won't count and you may be charged. You can also sign in or register | :10:39. | :10:41. | |
to vote now for free online Huge love for the stars | :10:42. | :10:45. | |
of Casualty and Holby City - all of our amazing acts are giving | :10:46. | :11:04. | |
up their time for one main reason, to raise heaps of money for | :11:05. | :11:08. | |
brilliant Comic Relief. It is easy PC to do your bit. All you need to | :11:09. | :11:15. | |
do is... The money you raise goes directly to | :11:16. | :11:24. | |
helping people here in the UK and in some of the poorest communities | :11:25. | :11:26. | |
around the world, so please give what you can. All the information | :11:27. | :11:32. | |
you need is going across my lower third right now. You must be 16 or | :11:33. | :11:39. | |
over. Please remember to ask the person who pays the bill. If you | :11:40. | :11:42. | |
don't know who that is, you are in the wrong house. | :11:43. | :11:58. | |
And Gareth. It's Boys Allowed. Duncan, it's over. He is in the | :11:59. | :12:14. | |
zone. Thanks, Gareth, good guy. When we got the call that Comic | :12:15. | :12:25. | |
Relief wanted girls allowed to get back together for a one-off | :12:26. | :12:28. | |
performance, we couldn't have been more excited. To be doing it for | :12:29. | :12:33. | |
such an incredible charity is such an honour. We all feel so proud to | :12:34. | :12:37. | |
have been asked. The only problem is, we're just so busy! | :12:38. | :12:43. | |
It's fine though, I've spoken to the girls and we have a plan. We are | :12:44. | :12:47. | |
going to book some standings and hope nobody notices. It worked on | :12:48. | :12:55. | |
the N M as, twice! Hi John, it's Kimberly here. You | :12:56. | :12:59. | |
want to get the band back together? Didn't we do a reunion just last | :13:00. | :13:05. | |
year? Not like this one. Hi Duncan it's Kimberly from Girls Aloud. Hi, | :13:06. | :13:09. | |
Kimberly. You're getting the band back together? Great, I will tell | :13:10. | :13:15. | |
the boys. Maybe don't do that. I get it, you're keeping it as a surprise. | :13:16. | :13:19. | |
Oh yes, it will definitely be a surprise. Getting the band back | :13:20. | :13:30. | |
together? Yes! Getting the band back together? This is going to be | :13:31. | :13:37. | |
amazing! Hi Gareth, it's Kimberly. Band? I was never in a band. I will | :13:38. | :13:43. | |
take that as a yes. We're getting the band back together, or some! -- | :13:44. | :13:51. | |
awesome. Perfect, no one will ever know the difference. | :13:52. | :14:02. | |
# Why don't you fool me, feed me Say you need me | :14:03. | :14:11. | |
# C'mon and hold me, hug me Say you love me | :14:12. | :14:16. | |
# Why don't you fool me, feed me Say you need me | :14:17. | :14:26. | |
# Cos when you hold me in your arms I turn to slave | :14:27. | :14:37. | |
# Cos if we party any more we'll start a fire of pure desire | :14:38. | :14:46. | |
# The way that we talk, the way that we walk, it's there in our thoughts | :14:47. | :15:17. | |
# The way that we talk, the way that we walk, so easily caught | :15:18. | :15:23. | |
# The way that we talk, the way that we walk, it's there in our thoughts | :15:24. | :15:30. | |
# The way that we talk, the way that we walk, so easily caught | :15:31. | :15:38. | |
# Why don't you fool me, feed me, Say that you need me | :15:39. | :15:43. | |
# C'mon and hold me, hug me Say you love me | :15:44. | :15:49. | |
# Why don't you fool me, feed me, Say that you need me | :15:50. | :15:59. | |
# C'mon and hold me, hug me Say you love me | :16:00. | :16:02. | |
Wow! Yes. Come on over. Come here. They are on, they are off. Amazing. | :16:03. | :16:39. | |
Lads, Well done. Lads... That is the definition of a mixed message right | :16:40. | :16:45. | |
there, I'm loving it. You loo like my primary school teacher. We didn't | :16:46. | :16:50. | |
want to tell you, Mel, but tonight, Mrs Woodall. Unnerving. Brill yanlt. | :16:51. | :16:56. | |
You look great. Claudia, have all your boyband dreams come to few | :16:57. | :17:02. | |
wigs? Gareth as Cheryl is intoxicating. You're coming home. | :17:03. | :17:08. | |
No, very, very well done. It was fantastic. The choreography. The | :17:09. | :17:19. | |
singing. Ben, yes - welcome. Was that enough to divert you away from | :17:20. | :17:23. | |
the tupperware? Yes. I thought it was quite interesting, I have to | :17:24. | :17:29. | |
say. All the boys together, having fun in unison. Reminds me of Friday | :17:30. | :17:37. | |
night at the mosque - only boys allowed there, too! How many the | :17:38. | :17:42. | |
chemistry between them? I'm know what this show is about. Boys | :17:43. | :17:48. | |
dressed as girls and people paying to make it stop. It's like the lads | :17:49. | :17:54. | |
running out of budget on an Amsterdam stag night. That is Mrs | :17:55. | :18:01. | |
Woodall you are talking about. Respect for dantsing in heels. I | :18:02. | :18:03. | |
know sister. So if Boys Allowed had you feeling | :18:04. | :18:05. | |
something kind of ooh and made your heart go boom boom, | :18:06. | :18:08. | |
then all the details Remember, you can't vote | :18:09. | :18:11. | |
until we say otherwise someone Thanks Boys Allowed, | :18:12. | :18:14. | |
please head over to the posh seats. And, please, don't think | :18:15. | :18:18. | |
about splitting up just yet! Mrs Woodall off you go. Thank you so | :18:19. | :18:20. | |
much. Don't you bust a move | :18:21. | :18:22. | |
as still to come... Simmer crowd, I know. I Those | :18:23. | :18:36. | |
shoulder blades know. Are poetry. Still to come: James and Ola who | :18:37. | :18:49. | |
have been rehearsing in perfect harmony. The Chasers who are | :18:50. | :18:57. | |
channelling their inner child at rehearsals. See what happens when | :18:58. | :19:04. | |
three top comedians Shake It Off in style. | :19:05. | :19:08. | |
# Shake it off # Shake it off | :19:09. | :19:09. | |
#. Is Up next an actor and | :19:10. | :19:16. | |
Walford's finest Danny-Boy Hatchard, who's already | :19:17. | :19:19. | |
faced tough competition to get here in the form | :19:20. | :19:22. | |
of a fellow EastEnder... Danny-Boy Hatchard! Singing and | :19:23. | :19:41. | |
dancing! That's a lot of smoke. Danny, Danny, Danny Boy. He's gone. | :19:42. | :19:52. | |
I can't tell you how chieted I am that I've been asked to do Let's | :19:53. | :19:57. | |
Sing Dance for Comic Relief for Comic Relief. When the letter | :19:58. | :20:01. | |
arrived, I simply couldn't believe it. Just seeing my name, it was... A | :20:02. | :20:17. | |
dream come true. What? Me? I know Danny Boy was expecting to be | :20:18. | :20:21. | |
invited but... They must have changed their minds. Is I actually | :20:22. | :20:32. | |
haven't seen him in ages. He's obviously busy doing something else | :20:33. | :20:36. | |
anyway. That's probably why he's not doing it. Singing and dancing is | :20:37. | :20:41. | |
what I've always wanted to do. So the only big decision was, who do I | :20:42. | :20:48. | |
perform as? But then I realised - it has to be... Elton. | :20:49. | :21:00. | |
And now, performing Elton John's I'm Still Standing - | :21:01. | :21:19. | |
# You could never know what it's like | :21:20. | :21:32. | |
# Your blood like winter freezes just like ice | :21:33. | :21:34. | |
# And there's a cold lonely light that shines from you | :21:35. | :21:37. | |
# You'll wind up like the wreck you hide behind that mask you use | :21:38. | :21:41. | |
# And did you think this fool could never win | :21:42. | :21:43. | |
# Well, look at me, I'm a-coming back again | :21:44. | :21:46. | |
# I got a taste of love in a simple way | :21:47. | :21:50. | |
# And if you need to know while I'm still standing you just fade away | :21:51. | :21:54. | |
# Don't you know I'm still standing better than I ever did | :21:55. | :21:59. | |
# Looking like a true survivor, feeling like a little kid | :22:00. | :22:07. | |
# And I'm still standing after all this time | :22:08. | :22:11. | |
# Picking up the pieces of my life without you on my mind | :22:12. | :22:15. | |
# I'm still standing yeah, yeah, yeah | :22:16. | :22:47. | |
# You starting down the road leaving me again | :22:48. | :22:51. | |
# The threats you made were meant to cut me down | :22:52. | :22:54. | |
# And if our love was just a circus you'd be a clown by now | :22:55. | :22:58. | |
# You know I'm still standing better than I ever did | :22:59. | :23:00. | |
# Looking like a true survivor, feeling like a little kid | :23:01. | :23:03. | |
# I'm still standing after all this time | :23:04. | :23:05. | |
# Picking up the pieces of my life without you on my mind | :23:06. | :23:08. | |
# I'm still standing yeah, yeah, yeah | :23:09. | :23:28. | |
Danny, are you all right? Do you need a leg up? Are you all right, | :23:29. | :23:49. | |
love? There you go. Danny Boy. Are you all right. How is the leg | :23:50. | :23:57. | |
bearing up? I've never seen anything more energetic. You were a gazelle | :23:58. | :24:03. | |
up there. Thank you. Would I get away from the lion? You would dazzle | :24:04. | :24:10. | |
them with those jazz hands. Were your pipes calling, Claudia? Indeed. | :24:11. | :24:13. | |
I thought you were magnificent. Had you to do all the singing and | :24:14. | :24:17. | |
dancing. Then the end. It was fantastic. You and I were dancing. | :24:18. | :24:22. | |
Loving it. A huge congratulations. You also win everything. | :24:23. | :24:30. | |
CHEERING AND APPLAUSE Mr Khan. A soapstar but surely a popstar in the | :24:31. | :24:35. | |
making? Great choice of song, good singing and dancing. What a style | :24:36. | :24:39. | |
icon Elton John was. Anybody who wears a suit, hat and glasses has | :24:40. | :24:45. | |
got to be a style icon, right? Exactly! Russell, the real question | :24:46. | :24:52. | |
on everyone's lips is - did he fall or was he pushed? Very good. Very | :24:53. | :25:04. | |
good. Did you like that? Very clever, very clever. There's no | :25:05. | :25:11. | |
answer. You were like a bee on a baroca. I thought you were going to | :25:12. | :25:16. | |
mug yourself something rotten. You didn't, the vokals and dancing were | :25:17. | :25:23. | |
amazing. Congratulations sunng, you did yourself PROUD! Thank you so | :25:24. | :25:30. | |
much. Don't mug me off, mate. Come on. Hello, sailor. | :25:31. | :25:35. | |
So if you want to see Danny-Boy Hatchard Still | :25:36. | :25:37. | |
Standing in our grand final, then all the details are | :25:38. | :25:39. | |
on the screen now - but you know the deal - the | :25:40. | :25:42. | |
vote isn't open yet, so please don't try or you may | :25:43. | :25:45. | |
The posh seats are filling up nicely. | :25:46. | :26:03. | |
Well, our stars have certainly done their bit for Comic Relief, | :26:04. | :26:05. | |
My friend sponsored me to do advance yoga for Red Nose Day you have to | :26:06. | :26:21. | |
avoid Squashed buns. Do you remember when you made that battenburg and it | :26:22. | :26:29. | |
tasted like... Sick. I'm off to spend a penny or a pound and you can | :26:30. | :26:37. | |
buy one. Hold these will you, mate. We have sandwiches, crisps, sausage | :26:38. | :26:41. | |
rolls. Everything you need for a Red Nose Day party. The classic Owe | :26:42. | :26:50. | |
asignificance track. 1 -- oasis track. I'm starting to feel... | :26:51. | :26:58. | |
Ropey. All the technical jargon for an abseil. Get fundraising. Get your | :26:59. | :27:06. | |
free fundraising kit now: It's like being in Ryland's | :27:07. | :27:21. | |
bathroom. I must collect my tooth brush. | :27:22. | :27:24. | |
Right, three acts have performed, two belters to go. | :27:25. | :27:26. | |
Our next act are a couple more used to high kicks | :27:27. | :27:29. | |
than high notes, here hoping to show off both | :27:30. | :27:31. | |
James Ola. James and Ola. They are good at this. What do you say we | :27:32. | :27:45. | |
take this up a little. Meet me in the ballroom and bring the glittery | :27:46. | :27:54. | |
clothes. Tonight... Two mammoths of the dance world return. For one | :27:55. | :28:07. | |
night, and one night only, they are BACK! Lord and Lady of the Dance. | :28:08. | :28:20. | |
Yeah, that's right, James and Ola, a life of dance and it's all come down | :28:21. | :28:23. | |
to this moment. This is what we trained for. This is what we live | :28:24. | :28:31. | |
for. We're here to dance and we're here to WIN. Weeks, months, years of | :28:32. | :28:40. | |
gruelling training. The pressure is on. There's no room for mistakes. | :28:41. | :28:46. | |
There's no room for mistakes. No going back. No going back. This is | :28:47. | :29:00. | |
it. This is it. And tonight, they dance and sing. Singing! Singing! | :29:01. | :29:11. | |
That's right - singing. I thought you said it's Let's Dance, you | :29:12. | :29:16. | |
didn't say anything about singing? Well, next time you read the | :29:17. | :29:19. | |
small-print. All right. Now it's going to be a disaster, isn't it? I | :29:20. | :29:29. | |
can't sing. Oh, don't be like that. CHEERING AND APPLAUSE Performing All | :29:30. | :29:36. | |
About That Bass, it's James Ola. # Because you know I'm | :29:37. | :29:41. | |
all about that bass # Yeah, it's pretty clear, | :29:42. | :29:43. | |
I ain't no size two # But I can shake it, shake it, | :29:44. | :29:58. | |
like I'm supposed to do # 'Cause I got that boom boom | :29:59. | :30:02. | |
that all the boys chase # And all the right junk | :30:03. | :30:04. | |
in all the right places # Yeah, my mama she told me "don't | :30:05. | :30:11. | |
worry about your size" # She says, "Boys like a little more | :30:12. | :30:14. | |
booty to hold at night" # You know I won't be no stick | :30:15. | :30:20. | |
figure silicone Barbie doll # So if that's what you're into, | :30:21. | :30:25. | |
then go ahead and move along # Because you know I'm | :30:26. | :30:34. | |
all about that bass # Go 'head and tell | :30:35. | :30:36. | |
them skinnies that # No, I'm just playing, | :30:37. | :30:57. | |
I know you think you're fat # Every inch of you is perfect | :30:58. | :31:00. | |
from the bottom to the top # Yeah my mama she told me, | :31:01. | :31:05. | |
"don't worry about your size" # She says, "Boys like a little more | :31:06. | :31:08. | |
booty to hold at night" # (That booty booty, | :31:09. | :31:16. | |
uh, that booty booty) # You know I won't be no stick | :31:17. | :31:18. | |
figure, silicone Barbie doll # So if that's what you're into, | :31:19. | :31:24. | |
then go 'head and move along # Because you know I'm | :31:25. | :31:31. | |
all about that bass Come on. Blow the nose. That is it. | :31:32. | :32:03. | |
That is more velocity than I thought possible. Why do I know you will | :32:04. | :32:08. | |
take those costumes home. I know it. I think you owned it before. James | :32:09. | :32:13. | |
loves it. I have a new found respect for women. Oh, my God! It takes | :32:14. | :32:20. | |
hours, doesn't it? It takes a long time to look this good, you know. | :32:21. | :32:27. | |
What I will say is that performance broke several international | :32:28. | :32:30. | |
treaties. We will leave that. I'm sorry. So sorry. Russell, was it all | :32:31. | :32:36. | |
about the bass for you, how did it go? I've regressed. I'm sucking my | :32:37. | :32:40. | |
thumb. I don't know what we watched. I'm sure it will be popular in Japan | :32:41. | :32:46. | |
whatever happened. James went full Miss. | :32:47. | :32:52. | |
Piggy that takes courage on TV. It was trippy, it was wonderful, please | :32:53. | :33:00. | |
don't touch me. You mow than anyone know this pair of old. We know this | :33:01. | :33:10. | |
can dance. What I'm in awe is I didn't know of James' beautiful | :33:11. | :33:13. | |
singing voice. I wish that had been brought to my attention you would | :33:14. | :33:19. | |
have been singing all day. Mr Khan went, "we need tea" he pulled out a | :33:20. | :33:26. | |
thermos. You need refreshment. I found that very disturbing I must | :33:27. | :33:30. | |
admit. That was the intention. I might do a little prayer, if you | :33:31. | :33:32. | |
don't mind. Here we go. APPLAUSE | :33:33. | :33:46. | |
There we go. We will take that to the lab. Don't touch that, trust me. | :33:47. | :33:49. | |
If James and Ola had all the right junk in all the right | :33:50. | :33:52. | |
places, well then that's a matter for a surgeon, | :33:53. | :33:55. | |
but if you want to vote for them then all the | :33:56. | :33:57. | |
details you need are on the screen now. | :33:58. | :33:59. | |
Don't vote yet and do vote carefully. | :34:00. | :34:01. | |
I was voted off last week and it's taken me | :34:02. | :34:03. | |
a full seven days to get my security pass back! | :34:04. | :34:06. | |
Put your hands together for James and Ola - off you | :34:07. | :34:09. | |
If you had this lot in your pub quiz team, | :34:10. | :34:26. | |
The Vixen, the dark destroyer, the Governess and the Beast, it's the | :34:27. | :34:50. | |
Chasers. Maybe just down a little bit, that's the one. | :34:51. | :34:55. | |
So... The Chasers are performing on Let's Sing Dance for Comic Relief | :34:56. | :35:03. | |
with Comic Relief. I think if I'm honest, neither singing or dancing | :35:04. | :35:07. | |
is really their specialist subject. And it's not like they can learn | :35:08. | :35:11. | |
this stuff from books, you know what I mean? | :35:12. | :35:22. | |
LAUGHTER The thing about talent is it so | :35:23. | :35:29. | |
subjective. What one person thinks his low or | :35:30. | :35:32. | |
for someone might think is absolutely brilliant. I personally | :35:33. | :35:39. | |
think they're going to be great. Dancing... Yeah... They can | :35:40. | :35:40. | |
definitely move. And singing... Well... These guys | :35:41. | :36:01. | |
are geniuses. I'm sure they can... Is miming an option? | :36:02. | :36:12. | |
Who am I kidding, the four of them singing and dancing together on live | :36:13. | :36:23. | |
telly? It has disaster written all over it. And worst of all, they are | :36:24. | :36:28. | |
doing the Wizard of Oz. Who's going to be Dorothy? ! | :36:29. | :36:34. | |
Performing a Wizard of Oz medley - it's The Chasers! | :36:35. | :36:41. | |
# There's a land I once heard of once in a lullaby. | :36:42. | :37:10. | |
# I could while away the hours, conferrin' with the flowers | :37:11. | :37:15. | |
# And my head I'd be scratchin' while my thoughts were busy hatchin' | :37:16. | :37:22. | |
# When a man's an empty kettle he should be on his mettle | :37:23. | :37:33. | |
# Just because I'm presumin' that I could be kind-a-human, | :37:34. | :37:39. | |
# I'm afraid there's no denyin' I'm just a dandelion, | :37:40. | :37:45. | |
# But I could show my prowess, be a lion not a mowess | :37:46. | :37:54. | |
# If ever a wiz there was If ever, oh ever a wiz there was | :37:55. | :38:07. | |
# Because, because, because, because, because | :38:08. | :38:11. | |
# Because of the wonderful things he does | :38:12. | :38:13. | |
Let the chase begin, my pretties! Your scary, I don't like you! | :38:14. | :38:53. | |
Amazing! CHEERING AND APPLAUSE | :38:54. | :39:05. | |
Vixen... I sometimes think this show isn't camp enough, we need to do a | :39:06. | :39:12. | |
little more. Look at you, there's Toto as well. Lies, that was | :39:13. | :39:19. | |
spellbinding. Cracking, absolutely cracking. I believe we are not in | :39:20. | :39:25. | |
Kansas, Mr Khan. Amazing, absolutely lovely. A round of applause! I loved | :39:26. | :39:33. | |
it so much, such clever people, you can dance, clever people. You'd be | :39:34. | :39:36. | |
very good at getting through emigration. Can I have a selfie? Of | :39:37. | :39:46. | |
course you can. Here we go, there we go. Lovely. I will Snapchat you | :39:47. | :39:55. | |
later! Very good. Russell? What do you think the wonderful, great | :39:56. | :40:00. | |
wonderful Wizard of is Bradley will should make of that? Where did that | :40:01. | :40:05. | |
voice come from? As soon as he started singing idol, this is going | :40:06. | :40:06. | |
to magnificent. CHEERING AND APPLAUSE | :40:07. | :40:12. | |
I associate myself with these people the geeks, nerds and knowledge | :40:13. | :40:15. | |
hunters. Tonight they were liberated. | :40:16. | :40:23. | |
CHEERING AND APPLAUSE Any thoughts? | :40:24. | :40:25. | |
It doesn't have to be about the show? Or four of you were brilliant, | :40:26. | :40:32. | |
your voices were brilliant, hair, make-up, costume, everything. You | :40:33. | :40:34. | |
took our breath away. Well done! CHEERING AND APPLAUSE | :40:35. | :40:40. | |
Even the governess almost broke a smile. | :40:41. | :40:45. | |
There we go, she smiling. If you would like the Chasers | :40:46. | :40:49. | |
performance all the way to the final, | :40:50. | :40:52. | |
then find the heart, the courage All the voting details | :40:53. | :40:56. | |
are on your screen now. But the vote isn't open yet, | :40:57. | :41:00. | |
my little pretties, there is a pantomime somewhere with | :41:01. | :41:02. | |
a Melanie shapes hole. Thanks guys, please, join all | :41:03. | :41:10. | |
the other acts in the Posh Seats. All our star acts have now performed | :41:11. | :41:13. | |
and just look at them. It's like the front row | :41:14. | :41:32. | |
of the Brit Awards, viewed Panel, please offer me your thoughts | :41:33. | :41:34. | |
on this evening's events? Russell? It's been a sublime display | :41:35. | :41:45. | |
of wonderful imagery and James as well, James Jordan. It's been a | :41:46. | :41:49. | |
fantastic night. Everyone's done something so different and I will | :41:50. | :41:52. | |
need counselling and a leaflet after this. | :41:53. | :41:57. | |
Utterly fantastic, and just to reiterate what you said before, | :41:58. | :42:00. | |
everyone's come here working so hard for Comic Relief, so people might go | :42:01. | :42:06. | |
mad at home. So... Extraordinary entertainment. Mr Khan? I thought it | :42:07. | :42:14. | |
was... I had a lovely time. I thought it was very easy. If | :42:15. | :42:19. | |
Strictly are looking for someone... I can do it! LAUGHTER | :42:20. | :42:27. | |
That's what they think, but it's your vote that really counts. | :42:28. | :42:30. | |
I guess there is only one thing left to | :42:31. | :42:32. | |
voting is now open! # Call me, call me | :42:33. | :42:40. | |
# Call me, call me #. CHEERING AND APPLAUSE | :42:41. | :43:05. | |
And now, the news... This is getting serious... | :43:06. | :43:15. | |
So serious... Are they thinking about you or us... | :43:16. | :43:22. | |
If you'd like to vote, we literally had to do that. Tonight's winner... | :43:23. | :43:31. | |
These bifocals are playing up again. Get the bill payer's position before | :43:32. | :43:38. | |
and in advance of your call. Always, that standard stuff. You can also | :43:39. | :43:44. | |
vote online for free. For absolutely nothing. Go to the BBC website, | :43:45. | :43:48. | |
where you will also find full terms and conditions. The boat closes in | :43:49. | :43:55. | |
about 30 minutes. 12 minutes and 50 seconds. You better be quick. Don't | :43:56. | :44:04. | |
try vote if you're watching on demand because that's in the future. | :44:05. | :44:10. | |
Beyonce has been spotted in public mistaking her own daughter for | :44:11. | :44:15. | |
somebody else's. It turns out it was Destiny's child! LAUGHTER | :44:16. | :44:27. | |
Now time for a quick reminder of tonight's stupendous performances | :44:28. | :44:29. | |
What a cracking show it's been and, in a way, | :44:30. | :46:07. | |
Well, except for the ones who don't win. | :46:08. | :46:10. | |
Now whilst our performers head backstage to swap tights, | :46:11. | :46:16. | |
here's a reminder of just why we are all here tonight. | :46:17. | :46:19. | |
And that's to raise lots of money for Comic Relief. | :46:20. | :46:39. | |
I've got cancer and Parkinson's and I need a haircut. But no, this is | :46:40. | :46:45. | |
Bob we made a film about him. Loneliness was his enemy. One | :46:46. | :46:48. | |
evening she turned round and she looked at me and she said, "where's | :46:49. | :46:56. | |
Bob?" I'm Bob and the bottom dropped out of my world then. This is Jo she | :46:57. | :47:04. | |
was diagnosed with dementia at 57 years old. It was a devastating | :47:05. | :47:10. | |
discovery for her and her husband. I made an appointment with the GP she | :47:11. | :47:16. | |
said, "unfortunately you've got early onset... Early onset | :47:17. | :47:22. | |
Alzheimer's. " This is Margaret, struggling to cope with the loss of | :47:23. | :47:26. | |
her husband, the love of her life. Where do you go when your soul mate, | :47:27. | :47:33. | |
partner, lover is gone? There's nowhere. Nowhere to go. And you, you | :47:34. | :47:40. | |
amazing people out there. Young, old and somewhere in between. Your cash | :47:41. | :47:45. | |
helps people like this, who life has dealt a tough hand. I would ask you | :47:46. | :47:50. | |
tonight to do it again or, for the first time. It's the first time you | :47:51. | :47:56. | |
won't know me. I'm the comedian with the weird beard what once took off | :47:57. | :48:04. | |
all my clothes for Comic Relief. But that's not what matters. What | :48:05. | :48:09. | |
matters is you, tonight at home and this amazing power to completely | :48:10. | :48:12. | |
change someone's life. To give them hope and happiness. I really hope | :48:13. | :48:16. | |
you will find it in your hearts to give a quid or two to people like | :48:17. | :48:19. | |
Bob. It will be simple and marvellous and you will be so proud | :48:20. | :48:24. | |
of yourselves. Can be part of a life saving miracle tonight if you can | :48:25. | :48:36. | |
part with a some bob. To donate: Thank you. | :48:37. | :48:39. | |
Wherever you are in the UK, you are likely to be within 20 miles | :48:40. | :48:51. | |
of a Comic Relief funded project, so the money you help raise really | :48:52. | :48:54. | |
All the information you need to donate is on your screen now. | :48:55. | :49:16. | |
Please remember texts will cost your donation | :49:17. | :49:17. | |
plus your standard network message charge and 100% of your donation | :49:18. | :49:20. | |
You must be 16 or over and please ask the bill payers' permission. | :49:21. | :49:24. | |
For full terms and conditions and more information go | :49:25. | :49:26. | |
Now, Mel's got something special for you - direct from the West End | :49:27. | :49:31. | |
stage and here for one night only - it's the very talented | :49:32. | :49:33. | |
Oh, my days. Quality has arrived in the Posh Seating area in the form of | :49:34. | :49:39. | |
these guys. Amanda. Yes. Welcome all of you. Thank you. So welcome to the | :49:40. | :49:43. | |
show. Tell me about Stepping Out? It's a comedy play about a group of | :49:44. | :49:49. | |
women and one man, Jeffrey, Dominic on the end. They meet every Thursday | :49:50. | :49:52. | |
for an hour's tap class. You get to know them throughout that | :49:53. | :49:56. | |
hour. It's very, very funny. Dominic, are you the only chap in | :49:57. | :50:00. | |
the show? Yes. Tell us about your character? Jeffrey, shipping and | :50:01. | :50:05. | |
insurance man. That's about it. It's very bored. Extraordinary. I could | :50:06. | :50:12. | |
talk about shipping for hours. I have been told not to. Presumably | :50:13. | :50:18. | |
you all tap dance? No. Not at all We have it on our CV as good actresses. | :50:19. | :50:26. | |
Nick is very good. Natalie is good. Dominic is from a showbusiness | :50:27. | :50:27. | |
family. Well, off you go and get ready | :50:28. | :50:34. | |
to tap the light fantastic ladies. Open now at The Vaudeville Theatre, | :50:35. | :50:40. | |
in London's West End, please tap your hands together | :50:41. | :50:51. | |
for the cast of Stepping Out. What a brilliant performance | :50:52. | :50:54. | |
by the cast of Stepping Out there. Now it's time to find our | :50:55. | :53:24. | |
what happened when our very own Russell Kane Shook It Off | :53:25. | :53:27. | |
in a shopping centre with Katherine Ryan | :53:28. | :53:29. | |
and Shappi Khorsandi. Listen, I had a call from Lenny | :53:30. | :53:42. | |
Henry last night who told me there was a massive dance slot available | :53:43. | :53:48. | |
for one person on Red Nose day. I think I should clearly do. I'm like | :53:49. | :53:53. | |
the Canadian len Goodman. That settled. Richard Curtice said he is | :53:54. | :54:00. | |
a fan of my dance moves. You might have to step back. I was called by | :54:01. | :54:08. | |
Beyonce she Face Timed me and said she is talking about my performance | :54:09. | :54:14. | |
on Let's Dance. I am he a talking about this, baby girls. Beautiful. | :54:15. | :54:19. | |
There is one way to settle this. Dance-off. Who should we do. One all | :54:20. | :54:28. | |
three of us can relate to. If I look at us, who do I see? Jay-Z. Amy | :54:29. | :54:39. | |
Childs. She's not a popstar. I can do her. We can do the biggest star | :54:40. | :54:47. | |
on the planet... Attention all shoppers, the store will be closing | :54:48. | :54:49. | |
in - hang on. Is that Taylor Swift? # At least that's what people say, | :54:50. | :55:11. | |
# In my mind sayin' it's gonna be all right | :55:12. | :55:19. | |
# Cos the players gonna play, play, play, play, play | :55:20. | :55:21. | |
# And the haters gonna hate, hate, hate, hate, hate | :55:22. | :55:24. | |
# Baby, I'm just gonna shake, shake, shake, shake, shake | :55:25. | :55:26. | |
# Heartbreakers gonna break, break, break, break, break | :55:27. | :55:30. | |
# And the fakers gonna fake, fake, fake, fake, fake | :55:31. | :55:33. | |
# Baby, I'm just gonna shake, shake, shake, shake, shake | :55:34. | :55:35. | |
# That's what they don't see, mmh-hmm | :55:36. | :55:55. | |
# In my mind sayin' it's gonna be all right | :55:56. | :56:03. | |
# Cos the players gonna play, play, play, play, play | :56:04. | :56:07. | |
# And the haters gonna hate, hate, hate, hate, hate | :56:08. | :56:09. | |
# Baby, I'm just gonna shake, shake, shake, shake, shake | :56:10. | :56:12. | |
# Heartbreakers gonna break, break, break, break, break | :56:13. | :56:31. | |
# And the fakers gonna fake, fake, fake, fake, fake | :56:32. | :56:34. | |
# Baby, I'm just gonna shake, shake, shake, shake, shake | :56:35. | :56:37. | |
# Hey, hey, hey I shake it off | :56:38. | :57:00. | |
Are we done? Let's go. Now I'm just cross-dressing in a shopping centre. | :57:01. | :57:16. | |
Very strong, Russell. Very strong, very thong. A lovely parting image. | :57:17. | :57:28. | |
I was lucky to come back from Kenya and Uganda, as funny as it is, the | :57:29. | :57:32. | |
reason we are doing this is for Comic Relief. Please donate or I've | :57:33. | :57:36. | |
done that absolutely nothing. Please. Thank you Russell. Everyone | :57:37. | :57:40. | |
please donate, if you can, big or small, we don't mind. The vote has | :57:41. | :57:48. | |
now closed. Coming up with an exclusive | :57:49. | :57:57. | |
performance of her new single, How many admissions do you get a day | :57:58. | :58:27. | |
for malaria? 50. Is that all children? Yes. Yaku is brought in by | :58:28. | :58:34. | |
his mother. He is limp and unresposive. We made a diagnosis of | :58:35. | :58:51. | |
severe malaria. He was severely ill. Eight-year-old Agnes is carried in | :58:52. | :58:55. | |
by her father, Sammual, she is anaemic from suspected malaria and | :58:56. | :58:59. | |
urgently needs a blood transfusion, but this hospital has run out of | :59:00. | :59:08. | |
blood. The most important thing is to trans fuse. It's serious. One of | :59:09. | :59:17. | |
the causes of mortality. This is the horrible reality of malaria. | :59:18. | :59:21. | |
Sleeping under a treated mosquito net at home is the simplest and most | :59:22. | :59:27. | |
effective way of preventing malaria. But the families of Yeku and Agnes | :59:28. | :59:34. | |
can't afford nets. As the hours tick by all the parents can do is wait, | :59:35. | :59:38. | |
and hope. In the two minutes it takes you to watch this film, a | :59:39. | :59:44. | |
child has died from malaria. In another two minutes another child | :59:45. | :59:47. | |
will have lost their life to this cruel disease. But it doesn't have | :59:48. | :59:52. | |
to be this way. ?5 buys two mosquito nets. ?10 buys four. That's a whole | :59:53. | :00:01. | |
family protected from malaria. So please, please, please give | :00:02. | :00:04. | |
generously tonight and let's stop another tragedy before it happens. | :00:05. | :00:05. | |
Thank you. To donate: I'm pleased to say that | :00:06. | :00:22. | |
both Yeku and Agnes have recovered from | :00:23. | :00:24. | |
Malaria and are now sleeping under mosquito | :00:25. | :00:26. | |
nets thanks to your All the details you need | :00:27. | :00:28. | |
are on your screen now. I know things are tough, but please | :00:29. | :00:34. | |
give what you can. Time now for an exclusive | :00:35. | :00:45. | |
performance from pop's Here with her new single, | :00:46. | :00:47. | |
Best Behaviour, it's Louisa Johnson. # Give me your trust | :00:48. | :00:50. | |
and I'll try not to break it # Ooh you got me on my | :00:51. | :01:28. | |
best behaviour, I # Give me your trust | :01:29. | :01:30. | |
and I'll try not to break it # Ooh you got me on my | :01:31. | :02:27. | |
best behaviour, I # I know you've got | :02:28. | :02:30. | |
a heart of porcelain # I'm trying not to | :02:31. | :03:12. | |
crack it in my hands # Ooh you got me on my | :03:13. | :03:17. | |
best behaviour, I # I'm on my best behaviour, | :03:18. | :03:30. | |
I'm on my best behaviour Amazing, amazing. It reminds me of | :03:31. | :04:27. | |
that pyjama party we had. With the barbecue? Yes. | :04:28. | :04:30. | |
Gang, it's the moment you've all been waiting for. | :04:31. | :04:32. | |
You have the obligatory red envelope, please. No. I believe it's | :04:33. | :04:52. | |
heading in right now from the land of Oz. | :04:53. | :04:55. | |
Well, I thought I'd get my money's-worth out | :04:56. | :05:01. | |
Lesley, I take it, by the look of your face, you've been | :05:02. | :05:05. | |
Can we have the envelope, my darling? The absolutely fabulous | :05:06. | :05:13. | |
Lesley Joseph! Always in character, never off. Game | :05:14. | :05:24. | |
faces on, exactly the same as my normal face. Time to welcome back | :05:25. | :05:32. | |
our five star acts. These stars of Casualty and Holby | :05:33. | :05:35. | |
City! CHEERING AND APPLAUSE | :05:36. | :05:42. | |
Boys Allowed! Danny-Boy Hatchard! | :05:43. | :05:55. | |
James and Ola! And the Chasers! | :05:56. | :06:05. | |
CHEERING AND APPLAUSE There they all are. Amazing. | :06:06. | :06:15. | |
CHEERING AND APPLAUSE Earlier tonight this magnificent | :06:16. | :06:19. | |
star act is danced and sang for you but only two can go through. | :06:20. | :06:24. | |
Those with the highest viewer votes will have a place in the final and | :06:25. | :06:28. | |
those who come second and third will face the panel who will choose their | :06:29. | :06:32. | |
favourite. Load the dramatic lighting! | :06:33. | :06:40. | |
Is this dramatic enough? That is highlighting something a bit | :06:41. | :06:45. | |
weird... Lights up again please, lights up, that's not good! | :06:46. | :06:54. | |
Now, we're just going to do these props. The British public have voted | :06:55. | :06:59. | |
and we can now reveal the top three acts in the public vote. | :07:00. | :07:04. | |
So, in no particular order, the first act is... | :07:05. | :07:18. | |
Casualty and Holby City! CHEERING AND APPLAUSE | :07:19. | :07:30. | |
I like that, shouting and then silence! | :07:31. | :07:45. | |
The Chasers! CHEERING AND APPLAUSE | :07:46. | :07:54. | |
And, finally... There is a lot of tension. In the top three, it is... | :07:55. | :08:06. | |
James and Ola CHEERING AND APPLAUSE | :08:07. | :08:16. | |
I can't Berwick, we have to say goodbye to Boys Allowed and | :08:17. | :08:23. | |
Danny-Boy Hatchard! You've been brilliant guys, you've | :08:24. | :08:27. | |
been brilliant, thank you so much. After the posh seats, please. | :08:28. | :08:34. | |
Boys Allowed! We will now reveal the winner of the | :08:35. | :08:39. | |
public vote. The fate of the other two is in the hands of our panel. | :08:40. | :08:47. | |
The winner of tonight's Let's Sing Dance for Comic Relief is... | :08:48. | :09:01. | |
The Chasers! CHEERING AND APPLAUSE | :09:02. | :09:07. | |
Congratulations! You're going to Oz, you're going to | :09:08. | :09:23. | |
Oz! You are going all the way to Oz! Well done. Bye-bye! | :09:24. | :09:33. | |
Listen, we look forward to seeing you in the final, guys. Off you go, | :09:34. | :09:38. | |
you're going to Oz, you're going to Oz. | :09:39. | :09:46. | |
CHEERING AND APPLAUSE This is all going very, very well. | :09:47. | :09:50. | |
This means there's just one place left in the grand final. Who will | :09:51. | :09:55. | |
join the Chasers? Will it be James and Ola or the stars of Casualty and | :09:56. | :10:00. | |
Holby City. It's down to the panel to decide. Before they do, here's a | :10:01. | :10:03. | |
reminder of their cracking performances. | :10:04. | :10:15. | |
# I'm too hot (hot damn) | :10:16. | :10:18. | |
# So if that's what you're into, then go ahead and move along | :10:19. | :10:36. | |
# Because you know I'm all about that bass | :10:37. | :10:44. | |
As the screw all said to the peanut, it's crunch time. Who is it going to | :10:45. | :10:58. | |
be? James and all adored or the stars of casualties and Holby City? | :10:59. | :11:05. | |
-- all the stars of Casualty and Holby City. I need one name, | :11:06. | :11:11. | |
pressure time. Mr Khan, with coming to you first. Who would you like? | :11:12. | :11:15. | |
This is so difficult, who do I want in and who do I want out? This is | :11:16. | :11:21. | |
worse than Brexit! I think... You both did very well, it was all for | :11:22. | :11:25. | |
charity, but I need to look after my bunny and so it's going to be | :11:26. | :11:31. | |
Casualty and Holby City! One-vote, vote for Casualty and Holby City. | :11:32. | :11:39. | |
Claudia, a name please? This is tense but I work with them so I have | :11:40. | :11:43. | |
do vote for James and Ola CHEERING AND APPLAUSE | :11:44. | :11:50. | |
Russell, it's down to you, who is it going to be? | :11:51. | :11:56. | |
I feel I need to inject oestrogen just to look at James. It got me | :11:57. | :12:00. | |
singing and dancing to the point where I need a doctor, need Casualty | :12:01. | :12:06. | |
and Holby City...! CHEERING AND APPLAUSE | :12:07. | :12:12. | |
Thank you so much, you were amazing, you were brilliant. | :12:13. | :12:17. | |
Well done, massive congratulations to the stars of Casualty and Holby | :12:18. | :12:22. | |
City, through to the grand final. Sadly it is goodbye to James and all | :12:23. | :12:31. | |
adored let's hear it for our acts. -- James and Ola Jordan. | :12:32. | :12:37. | |
What an amazing night it's been, a massive bank 's to all our | :12:38. | :12:41. | |
incredible stars and fantastic panel. We are back-to-back Saturday | :12:42. | :12:46. | |
night with five more fabulous acts but right now we leave you with your | :12:47. | :12:51. | |
winner was the ET also most thats. It's the Chasers! Crack it open. | :12:52. | :13:02. | |
# There's a land I once heard of once in a lullaby. | :13:03. | :13:27. | |
# I could while away the hours, conferrin' with the flowers | :13:28. | :13:30. | |
# And my head I'd be scratchin' while my thoughts were busy hatchin' | :13:31. | :13:37. | |
# When a man's an empty kettle he should be on his mettle | :13:38. | :13:48. | |
# Just because I'm presumin' that I could be kind-a-human, | :13:49. | :13:52. | |
It's great that you could come in for this, Lenny. | :13:53. | :13:59. |