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Welcome to Let's Sing and Dance for Comic Relief. | 0:00:17 | 0:00:19 | |
APPLAUSE AND CHEERING Hello, dear. Oh! If you have just | 0:00:20 | 0:01:04 | |
tuned in two peri-menopausal women have split their trousers and if you | 0:01:05 | 0:01:10 | |
are Victoria and David Beckham, yes, we did nick those thrones! | 0:01:11 | 0:01:13 | |
Have we got a Saturday night extravaganza for you. | 0:01:14 | 0:01:25 | |
It's almost perfectly positioned in the schedules some say. Now stop, | 0:01:26 | 0:01:31 | |
because that sounds like a rally. There is a fine line. | 0:01:32 | 0:01:36 | |
You don't have to be singing and dancing to work here, but it helps, | 0:01:37 | 0:01:40 | |
as this lot, thank you, Jennifer, as this lot will tell you. | 0:01:41 | 0:01:51 | |
it's This Morning's Alison Hammond. and getting her freak on tonight | 0:01:52 | 0:01:55 | |
Swapping their beloved sofa for the stage, it's TV's | 0:01:56 | 0:01:57 | |
Hoping you go totally Gaga for them tonight it's The One Show reporters. | 0:01:58 | 0:02:06 | |
Hoping they can piff-paff-poof their way into the final it's | 0:02:07 | 0:02:08 | |
magician Pete Firman and comedian Ellie Taylor. | 0:02:09 | 0:02:12 | |
And, finally channelling her inner glam rock God it's | 0:02:13 | 0:02:14 | |
Plus, Craig Revel Horwood and Beverley Callard | 0:02:15 | 0:02:20 | |
find their happy place in, where else, Blackpool. | 0:02:21 | 0:02:25 | |
And Comic Relief reports from Sara Cox in Kenya | 0:02:26 | 0:02:28 | |
All that, plus a rock out as only a middle-aged woman can say | 0:02:29 | 0:02:48 | |
with the cast of hit musical School of Rock and chart-topper Anne-Marie | 0:02:49 | 0:02:51 | |
There was a special on comedy panelists. | 0:02:52 | 0:03:06 | |
Please give a very warm and cuddly welcome to Jennifer Saunders, | 0:03:07 | 0:03:08 | |
Julian Clary, Tameka Empson and Miranda Hart. | 0:03:09 | 0:03:12 | |
APPLAUSE AND CHEERING The love is intense. Guys, I hope | 0:03:13 | 0:03:19 | |
you are ready for this because someone in the office had to write a | 0:03:20 | 0:03:23 | |
lot of e-mails to get you all here. Jennifer, you are head panelist, how | 0:03:24 | 0:03:26 | |
are you feeling about tonight? I am excited. I am hoping they can raise | 0:03:27 | 0:03:30 | |
laughs and money at the same time. She's good! I am auditioning for | 0:03:31 | 0:03:35 | |
Strictly. With the grand final just around | 0:03:36 | 0:03:38 | |
the corner only two acts The winner of the viewer | 0:03:39 | 0:03:40 | |
vote and the act chosen You will be able to vote | 0:03:41 | 0:03:44 | |
for your favourite by phone I love this list. It's one of my | 0:03:45 | 0:03:53 | |
favourite lists she's ever done. I am going to have to lean a bit. Do | 0:03:54 | 0:03:58 | |
you want a coffee? Yes, please. All you have to to is sign | 0:03:59 | 0:04:02 | |
in or register to vote now Don't forget the vote | 0:04:03 | 0:04:05 | |
opens later in the show. So put down the phone, | 0:04:06 | 0:04:10 | |
Belinda, in Nottingham. I really hope Belinda in Nottingham | 0:04:11 | 0:04:12 | |
is convinced that was for her. If you have been affected by any of | 0:04:13 | 0:04:19 | |
the issues raised there, particularly if you are Belinda from | 0:04:20 | 0:04:23 | |
Nottingham, press the red button now. | 0:04:24 | 0:04:27 | |
As Sir Trevor McDonald famously once sang, let's get this party started. | 0:04:28 | 0:04:32 | |
. First up a woman who won the shiesh | 0:04:33 | 0:04:39 | |
woman in Birmingham award. We had to coax her to come here tonight, it's | 0:04:40 | 0:04:41 | |
Alison Hammond. Maybe a little too much spinning! | 0:04:42 | 0:05:04 | |
Yo, yo, what's up Comic Relief, welcome to my crib! Come on in. Come | 0:05:05 | 0:05:12 | |
on! Would you mind wiping your feet on the way in? Pretty sweet, eh? | 0:05:13 | 0:05:24 | |
It's massive! So, let's go downstairs into the area downstairs. | 0:05:25 | 0:05:32 | |
This is the... Oh, cinema! Oh my gosh! How amazing is this? All the | 0:05:33 | 0:05:37 | |
DVDs. Obviously this is where I do all my research for the interviews | 0:05:38 | 0:05:47 | |
that I do, the likes of Hugh Jackman, George Clooney. No biggie. | 0:05:48 | 0:05:55 | |
This is where I like to work out. Oh! | 0:05:56 | 0:06:00 | |
Can we cut that bit out because I have never even tried to lift this | 0:06:01 | 0:06:05 | |
up before. Fancy a dip? No problem. Got my own pool. Boom! You know it. | 0:06:06 | 0:06:16 | |
Oh, bubbles! So, this is where I host all my | 0:06:17 | 0:06:24 | |
par-tays! This property has been on the market All right, you have to | 0:06:25 | 0:06:30 | |
go, just go and hide, get out of here! This is a wonderful house, it | 0:06:31 | 0:06:36 | |
has absolutely everything. I don't know where to go! Let me show you | 0:06:37 | 0:06:40 | |
the kitchen now. I am sure you will love this. | 0:06:41 | 0:06:46 | |
Performing Missy Elliott's Get Your Freak On | 0:06:47 | 0:06:48 | |
# I know you dig the way I sw-sw-switch my style. | 0:06:49 | 0:07:29 | |
# People gon play me now, in and out of town. | 0:07:30 | 0:08:23 | |
# 'Cause I'm the best around with the crazy style. | 0:08:24 | 0:08:28 | |
Clearing Sky clear APPLAUSE AND CHEERING | 0:08:29 | 0:08:56 | |
Let me in there. Bring it on! So much fun. How good was that? Did you | 0:08:57 | 0:09:24 | |
get your freak on? So freaked, brilliant. Well done. Slightly | 0:09:25 | 0:09:30 | |
singed by the fire. Brilliant. Well done. Not a track I know but I loved | 0:09:31 | 0:09:37 | |
it. As a pioneer at the forefront of American hip-hop and R how was | 0:09:38 | 0:09:43 | |
that for you? Well, the thing is it was convincing because I have only | 0:09:44 | 0:09:46 | |
ever see you being nice and friendly and charming and you were doing it | 0:09:47 | 0:09:49 | |
with such conviction, it was hard and scary. It was fierce! And | 0:09:50 | 0:10:00 | |
entertaining. Properly fierce. Do you need a defibrimmator? Yes, could | 0:10:01 | 0:10:07 | |
you get one. Don't shoot the messenger. My girl freaked it out | 0:10:08 | 0:10:16 | |
and to think... I heard somebody said Missy Elliott, UK, I don't | 0:10:17 | 0:10:19 | |
know, just saying freak out. Very good. | 0:10:20 | 0:10:30 | |
Is it time to be calling her Missy Hammond? Nice. Yes, for sure. For | 0:10:31 | 0:10:37 | |
sure. You is fly, you is sick. Yeah. She's got all the lingo. You have | 0:10:38 | 0:10:43 | |
your freak on, never take your freak off. I thought it was frightfully | 0:10:44 | 0:10:50 | |
good. Don't think you can get freak off until after the watershed. Thank | 0:10:51 | 0:10:59 | |
you, panel. If you want to see Missy Alison in the grand final then | 0:11:00 | 0:11:02 | |
holler, all the details are on the screen. The vote is not open yet. | 0:11:03 | 0:11:05 | |
Step away from that phone or I will set this one on you. Look at those | 0:11:06 | 0:11:09 | |
teeth, she can really bite you, you do not want the imprint of that on | 0:11:10 | 0:11:17 | |
your thigh as I know to my cost. Calls will cost 15p plus any network | 0:11:18 | 0:11:22 | |
charge. ... She's left me hanging! Sorry! There was a loose one there. | 0:11:23 | 0:11:27 | |
Listen, Belinda in Nottingham, that means you. You can also sign in or | 0:11:28 | 0:11:37 | |
register to vote. Come on. Bbc.co.uk/Red Nose Day. Alison, off | 0:11:38 | 0:11:42 | |
you go. Let's head to the posh seats. | 0:11:43 | 0:11:54 | |
All our generous giving stars are here for one main reason. That's | 0:11:55 | 0:11:59 | |
because the pad thai in the canteen is to die for. They're here to raise | 0:12:00 | 0:12:03 | |
money for the brilliant Comic Relief. It's simple to do your bit. | 0:12:04 | 0:12:16 | |
All it takes is a text. To donate ?5 text Give to 07205. To text ?10 text | 0:12:17 | 0:12:25 | |
Give to 70210. Please do give what you can. All the information is | 0:12:26 | 0:12:30 | |
running below my wriggling fingers now. You must be 16 or over. Will I | 0:12:31 | 0:12:36 | |
stop wriggling. I think I will. Once you know who the bill payer is see | 0:12:37 | 0:12:41 | |
if you can get a free takeaway out of them, as well. Extortion. Our | 0:12:42 | 0:12:53 | |
next couple have spent their TV careers in front of the telly saying | 0:12:54 | 0:12:57 | |
what they think. Here's your chance to do the same, it's Steph and Dom! | 0:12:58 | 0:13:05 | |
On the sofa, this is it! Look at them go! | 0:13:06 | 0:13:15 | |
Oh, for goodness sake! # In a perfect world... Tea? No, I am fine, | 0:13:16 | 0:13:20 | |
thank you. I would like us to do our research and watch the Comic Relief | 0:13:21 | 0:13:26 | |
thing we have signed up for. I am very excited, really looking forward | 0:13:27 | 0:13:32 | |
to it. Can't wait. ? Welcome to Let's Sing and Dance... Dancing? You | 0:13:33 | 0:13:36 | |
didn't say anything about dancing. I did. I thought we were going to | 0:13:37 | 0:13:42 | |
Africa. No, we are going to Elstree Studios. Really? Yes. I suppose it | 0:13:43 | 0:13:46 | |
can't be all that bad. Look at the curves on that. Are you joking me, | 0:13:47 | 0:13:50 | |
you do realise that's Matt Edmondson. What? Yes. We might have | 0:13:51 | 0:13:59 | |
to cross-dress, I don't know. Well, I am not too far against that but | 0:14:00 | 0:14:03 | |
they get good pop acts. Look at that. Lovely. That's Gareth Gates. | 0:14:04 | 0:14:08 | |
And they want us to sing, as well. Sing? Yes. You didn't say anything | 0:14:09 | 0:14:12 | |
about singing. Why did we sign up for this? I don't know. It's not | 0:14:13 | 0:14:18 | |
entirely too late to pull out, is it? In the rehearsal studio, please, | 0:14:19 | 0:14:24 | |
we are ready for you. Come on guys, first positions. | 0:14:25 | 0:14:34 | |
What's the worst that can happen? Five, six, seven, eight... Come on | 0:14:35 | 0:14:45 | |
guys. Oh, good grief! Can somebody get me a stiff drink? | 0:14:46 | 0:14:55 | |
Performing Meatloaf and Cher's Dead Ringer For Love, it's Steph and dom! | 0:14:56 | 0:15:05 | |
# Every night I grab some money and I go down to the bar | 0:15:06 | 0:15:09 | |
# I got my buddies and a beer I got a dream I need a car | 0:15:10 | 0:15:14 | |
# You got me begging on my knees c'mon and throw the dog a bone | 0:15:15 | 0:15:17 | |
# A man he doesn't live by rock'n'roll and brew alone | 0:15:18 | 0:15:20 | |
# Rock 'n roll and brew rock 'n roll and brew | 0:15:21 | 0:15:24 | |
# They don't mean a thing when I compare 'em next to you | 0:15:25 | 0:15:27 | |
# Rock 'n roll and brew rock 'n roll and brew | 0:15:28 | 0:15:30 | |
# I know that you and I we got better things to do | 0:15:31 | 0:15:33 | |
# I don't know who you are or what you do or where you go | 0:15:34 | 0:15:37 | |
# I don't know anything about you baby | 0:15:38 | 0:15:40 | |
# But you're everything I'm dreaming of | 0:15:41 | 0:15:43 | |
# I don't know who you are but you're a real dead ringer for love | 0:15:44 | 0:15:50 | |
# Ever since I can remember you been hanging 'round this joint | 0:15:51 | 0:15:59 | |
# You been trying to look away but now you finally got the point | 0:16:00 | 0:16:05 | |
# I don't have to know your name and I won't tell you what to do | 0:16:06 | 0:16:09 | |
# But a girl like me can't live by only rock 'n roll and brew | 0:16:10 | 0:16:13 | |
# Rock 'n roll and brew rock 'n roll and brew | 0:16:14 | 0:16:19 | |
# They don't mean a thing when I compare 'em next to you | 0:16:20 | 0:16:22 | |
# Rock 'n roll and brew rock 'n roll and brew | 0:16:23 | 0:16:25 | |
# I know that you and I we got better things to do | 0:16:26 | 0:16:28 | |
# I don't know who you are or what you do or where you go | 0:16:29 | 0:16:31 | |
# I don't know anything about you baby | 0:16:32 | 0:16:34 | |
# But you're everything I'm dreaming of | 0:16:35 | 0:16:38 | |
# I don't know who you are but you're a real dead ringer for love | 0:16:39 | 0:16:42 | |
All that hair! One of the most flammable things I have touched in | 0:16:43 | 0:17:18 | |
my life. It is like Prince Charles. Your highness, welcome. We are going | 0:17:19 | 0:17:22 | |
to go straight to you. After seeing that, do you wish you could turn | 0:17:23 | 0:17:28 | |
back time? To when? It is amazing what you can do when you get off the | 0:17:29 | 0:17:33 | |
sofa, isn't it. Who knew? Who knew? Dom, look at you. You can't help | 0:17:34 | 0:17:39 | |
yourself. No. Desperately seeking Susanish. But I loved it. Very good. | 0:17:40 | 0:17:46 | |
Miranda. They have proved they would doing my for love. Should they have | 0:17:47 | 0:17:50 | |
done that? I think they should have done that. I am sort of scared and | 0:17:51 | 0:17:55 | |
entertained in equal measure, mainly by the wig, which should be bigger. | 0:17:56 | 0:18:01 | |
It should be bigger. Not the hair, that is not possible. I mean this in | 0:18:02 | 0:18:06 | |
a positive way, there was excellent dad dancing. Loved it. I mean that | 0:18:07 | 0:18:13 | |
in a positive way. It was excellent. Jennifer, did they Meatloaf, did it | 0:18:14 | 0:18:17 | |
give you the hots or the trots? The hots. That is not a bad look is it. | 0:18:18 | 0:18:23 | |
That is pretty good. I want to see it again but not sober. | 0:18:24 | 0:18:31 | |
Jennifer, you have caught her eye. That is all I am stay saying. If you | 0:18:32 | 0:18:37 | |
would like to see them perform again in the final the details are on the | 0:18:38 | 0:18:41 | |
screen. If you want to adopt the hair, you can do that after the | 0:18:42 | 0:18:48 | |
show. The vote isn't open yet so hold your horses, Strut your way | 0:18:49 | 0:18:51 | |
over to the posh seats where you belong darlings. | 0:18:52 | 0:18:59 | |
They are in love aren't they. Very in love. Strike a pose. Don't you | 0:19:00 | 0:19:16 | |
move as still to come... Pete and Ellie who have been effecting their | 0:19:17 | 0:19:22 | |
magical partnership in reher Sams. And Her Majesty the keen loved it. | 0:19:23 | 0:19:27 | |
Sally Lindsay, who has been getting into glam rock spirit. Guy, could | 0:19:28 | 0:19:32 | |
somebody tune my guitar please? Plus see what happens when ballroom's | 0:19:33 | 0:19:37 | |
finest Craig Revel Horwood hits the Vegas of the north. | 0:19:38 | 0:19:49 | |
APPLAUSE I like that. All of that, plus Sarah | 0:19:50 | 0:19:57 | |
Cox will join us to tell us about her 24 hours danceathon for Comic | 0:19:58 | 0:20:02 | |
Relief. I have any disco pants and Deeley boppers which are made out of | 0:20:03 | 0:20:09 | |
Cat Deeley. Our next bunch are known as journalist, today they are here | 0:20:10 | 0:20:13 | |
to prove they were born this way. It is The One Show Reporters. | 0:20:14 | 0:20:26 | |
The One Show! Sleek. Sexy. And... Oh, that spoiled it. Don't worry | 0:20:27 | 0:20:41 | |
Michelle. We will cut that bit out. Well that is all we have time for | 0:20:42 | 0:20:46 | |
for tonight. All that remains to be said is a very special thank you to | 0:20:47 | 0:20:51 | |
our One Show reporters, there they are. Thanks to Ewan, Alex, to | 0:20:52 | 0:20:58 | |
Michelle who I think it is safe to say hasn't mastered the unicycle and | 0:20:59 | 0:21:02 | |
to Dom for that special report on taking the sting out of bee keeping | 0:21:03 | 0:21:08 | |
in the Home Counties. My pleasure. Guy, before you go, got brilliant | 0:21:09 | 0:21:14 | |
news for you, OK, you have been asked to perform on Let's Sing and | 0:21:15 | 0:21:18 | |
Dance for Comic Relief. Amazing. The crew are delighted. We have some | 0:21:19 | 0:21:22 | |
information for you. You need the follow, Ewan, four pounds of streaky | 0:21:23 | 0:21:29 | |
bacon and 3 gammon steaks. On it. Alex can you get your hands on an | 0:21:30 | 0:21:36 | |
old fashioned telephone. Michelle. Four dozen cuddly toys, frogs, | 0:21:37 | 0:21:41 | |
previously. You need red tape. And Dom ark roll of hazard tape. | 0:21:42 | 0:21:44 | |
Consider it done. Best of luck with it. | 0:21:45 | 0:21:57 | |
What do we do with these? Wear them? Wear them! | 0:21:58 | 0:22:03 | |
Performing Lady Gaga's Born This Way - | 0:22:04 | 0:22:07 | |
# She rolled my hair and put my lipstick on | 0:22:08 | 0:22:29 | |
# There's nothing wrong with loving who you are | 0:22:30 | 0:22:38 | |
# She said, "'Cause he made you perfect, babe" | 0:22:39 | 0:22:41 | |
# "So hold your head up girl and you'll go far, | 0:22:42 | 0:22:45 | |
# I'm on the right track, baby, I was born this way | 0:22:46 | 0:22:56 | |
# I was born this way | 0:22:57 | 0:23:07 | |
# Right track baby, I was born this way | 0:23:08 | 0:23:20 | |
# You're black, white, beige, chola descent | 0:23:21 | 0:23:26 | |
# Left you outcast, bullied or teased | 0:23:27 | 0:23:31 | |
# 'Cause baby you were born this way | 0:23:32 | 0:23:36 | |
# I'm on the right track, baby, I was born this way | 0:23:37 | 0:23:43 | |
# Baby I was born this way | 0:23:44 | 0:23:59 | |
# Right track, baby, I was born this way | 0:24:00 | 0:24:07 | |
CHEERING AND APPLAUSE . | 0:24:08 | 0:24:26 | |
Oh! Oh! Brilliant. 11 different types of madness. Look at you and | 0:24:27 | 0:24:42 | |
sausages and chops. Can I just say your choice of outfit Ewan could not | 0:24:43 | 0:24:48 | |
be rasher. It really... Look at his plates of meat there. You must be | 0:24:49 | 0:24:54 | |
knackered. That was a hell of a festival. Very strong work. A | 0:24:55 | 0:25:01 | |
terrible experience up there with the straps. Quite grippy. I think I | 0:25:02 | 0:25:07 | |
have torn a hole! We will go to the judges now. Julian, do you think we | 0:25:08 | 0:25:12 | |
have found our next Super Bowl performance? They are scary close up | 0:25:13 | 0:25:18 | |
and bizarre and I, I think people watching the show maybe to see | 0:25:19 | 0:25:22 | |
well-known people do something out of their come fofrt zone and attempt | 0:25:23 | 0:25:27 | |
to retain a scrap of dignity. I think you managed that. Tam can, was | 0:25:28 | 0:25:34 | |
that a one show wonder or have they go got to take it forward? I think | 0:25:35 | 0:25:42 | |
they broke the mould, man, this is a unique piece, this is something that | 0:25:43 | 0:25:47 | |
I like you at home to just donate, because after that performance, you | 0:25:48 | 0:25:50 | |
have to pick up the phone guys. Phone, guys. Well done. | 0:25:51 | 0:25:56 | |
APPLAUSE Well done guys. | 0:25:57 | 0:26:04 | |
Can I ask if you went Gaga for that lot? I did. I am speaking with a red | 0:26:05 | 0:26:10 | |
nose on. That is a commitment to Comic Relief. Commitment to outfits | 0:26:11 | 0:26:17 | |
to dancing, to the whole thing, I literally can't speak with this on. | 0:26:18 | 0:26:21 | |
It was brilliant. I loved it. Thank you for doing it to Comic Relief. | 0:26:22 | 0:26:24 | |
Amazing. CHEERING AND APPLAUSE | 0:26:25 | 0:26:29 | |
With The One Show reporters, you will need to reach for the telephone | 0:26:30 | 0:26:35 | |
and vote for them. The performance artists, thank you please join all | 0:26:36 | 0:26:37 | |
the other people on the posh seats. Just saw Ewan's silverside there. Up | 0:26:38 | 0:26:59 | |
next a magical duo hoping to make the rest of the competition | 0:27:00 | 0:27:05 | |
disappear. Say how do to Pete Firman and his glamorous assistant Ellie | 0:27:06 | 0:27:08 | |
Taylor. Ellie Taylor. | 0:27:09 | 0:27:16 | |
Pete Firman. Comedy magic. | 0:27:17 | 0:27:25 | |
Two worlds collide. I didn't mean literally guys. | 0:27:26 | 0:27:32 | |
Pete and I have been put together for Let's Sing and Dance for Comic | 0:27:33 | 0:27:37 | |
Relief and I cannot tell you how excited I am. | 0:27:38 | 0:27:43 | |
For me Pete is the best magician to ever grace this land. | 0:27:44 | 0:27:51 | |
He just has it all. He has pizazz. He has style. He has a bit more | 0:27:52 | 0:28:00 | |
pizazz. He is the man. I think I might be a bit star struck when I | 0:28:01 | 0:28:05 | |
meet him, because guess who is going to be his glamorous assistant. This | 0:28:06 | 0:28:11 | |
guy. Today we begin our rehearsals. I can't wait. Hello Pete. Good | 0:28:12 | 0:28:18 | |
evening Ellie. So nice to meet you. A of course it is. Before we start | 0:28:19 | 0:28:24 | |
can we do some spells. Can I stop you there. These aren't spells. | 0:28:25 | 0:28:30 | |
These are illusions and some take decades and decades of rehearsal and | 0:28:31 | 0:28:33 | |
practise, you can't go waveling your wand round. Just one Tynely | 0:28:34 | 0:28:39 | |
illusion. I don't think so. Please, please, just one, one tiny illusion. | 0:28:40 | 0:28:44 | |
I don't think so. A little tiny one, just one tiny one. Go on, it will be | 0:28:45 | 0:28:59 | |
good. Steady. Abra cad bra. Don't worry, hocus pocus. | 0:29:00 | 0:29:06 | |
You just wouldn't listen would you? Sorry... | 0:29:07 | 0:29:09 | |
Performing Little Mix's Black Magic - | 0:29:10 | 0:29:11 | |
# Is your lover playing on your side? | 0:29:12 | 0:29:28 | |
# All the girls on the block knockin' at my door | 0:29:29 | 0:30:25 | |
# Wanna know what it is make the boys want more | 0:30:26 | 0:30:29 | |
# And it's called, and it's called, and it's called black magic | 0:30:30 | 0:30:45 | |
Oh, Pete and Ellie! Gang, listen, singing and dancing | 0:30:46 | 0:31:38 | |
and magic. And extra women coming out of baskets. So many women! Have | 0:31:39 | 0:31:47 | |
we left a long enough pause? So, first of all, Miranda, what would | 0:31:48 | 0:31:52 | |
the Magic Circle make of that? Let's sing and do magic for Comic Relief, | 0:31:53 | 0:31:56 | |
amazing. Could it be magic? Yes, it could. Do you see... | 0:31:57 | 0:32:00 | |
APPLAUSE Stop it! Amazing. To be able to sing | 0:32:01 | 0:32:04 | |
and do all of that concentrating, as well. Multitasking, amazing. | 0:32:05 | 0:32:10 | |
Jennifer, did they cast a spell on you? They did, yes. That was very | 0:32:11 | 0:32:15 | |
brilliant. You probably were singing and dancing at the same time but I | 0:32:16 | 0:32:20 | |
end up being annoyed that I don't know where they came from, those | 0:32:21 | 0:32:25 | |
women. Where did they come from? You can't say. Women in a basket. I | 0:32:26 | 0:32:36 | |
respect your oath. Julian, finally, Hocus Pocus or Hocus Bogus. Well, my | 0:32:37 | 0:32:43 | |
magic circle was... Our job is done. That's another circle we can't | 0:32:44 | 0:32:47 | |
reveal details about. If you thought wonderful Pete and Ellie pulled it | 0:32:48 | 0:32:52 | |
out of the bag all the details are at the bottom of the screen. Or are | 0:32:53 | 0:32:58 | |
they? Yes, they are. Don't vote yet as the voting isn't open and it will | 0:32:59 | 0:33:02 | |
ruin the magic for everyone. Put your hands together a bit faster for | 0:33:03 | 0:33:05 | |
Pete and Ellie. Off you go to the posh seats. | 0:33:06 | 0:33:06 | |
APPLAUSE AND CHEERING Where is this going? Hello, sailor. | 0:33:07 | 0:33:22 | |
Our final act this evening... I can hear the ball joint creak! Our final | 0:33:23 | 0:33:28 | |
act this evening has come all the way from Mount Pleasant. She went | 0:33:29 | 0:33:32 | |
past the Hatfield gallery if you are interested. She's making her way to | 0:33:33 | 0:33:37 | |
our hydraulic floor lift, it's Sally Lindsay! . | 0:33:38 | 0:33:44 | |
Sally Lindsay! Set that woman loose! She will be fine. It's Monday | 0:33:45 | 0:34:04 | |
morning and actress Sally Lindsay arrives for filming of her TV show, | 0:34:05 | 0:34:09 | |
Mount Pleasant. Derek, how is that lovely wife of yours? I am not | 0:34:10 | 0:34:15 | |
actually married, madam! Of course you are not! My name's Robert, | 0:34:16 | 0:34:21 | |
madam. I know it says number one on my dressing room door but I am one | 0:34:22 | 0:34:24 | |
of the team, we are all mates. I keep it real. One big happy family. | 0:34:25 | 0:34:37 | |
Morning! Hi! I am a make-up artist's dream | 0:34:38 | 0:34:40 | |
actually, very soft, very smooth skin. Not like the other members of | 0:34:41 | 0:34:48 | |
cast. I mean, I hardly need any make-up at all. In fact there's not | 0:34:49 | 0:34:54 | |
many actresses who are this wrinkle-free at the age of 34. | 0:34:55 | 0:35:05 | |
I know it's comedy, but I intend to take my performance on Let's Sing | 0:35:06 | 0:35:09 | |
and Dance for Comic Relief very seriously. I see it as a gift to my | 0:35:10 | 0:35:22 | |
public. Argh! Bobby! Go for a drink if you want. | 0:35:23 | 0:35:29 | |
Yeah. Performing Slade's Cum | 0:35:30 | 0:35:33 | |
On Feel the Noize - # So you think I got an evil mind, | 0:35:34 | 0:35:35 | |
well I'll tell you honey # So you think my singing's out | 0:35:36 | 0:35:53 | |
of time, well it makes me money # So you say I got a funny face | 0:35:54 | 0:36:08 | |
I ain't got no worries APPLAUSE AND CHEERING | 0:36:09 | 0:37:57 | |
Noddy! Come on, Noddy. Come on, downing it. Look at that windmill. | 0:37:58 | 0:38:07 | |
Well done. They're still alive. Now... What was | 0:38:08 | 0:38:10 | |
all that about? That was magnificent. Is this something you | 0:38:11 | 0:38:14 | |
would wear on a quiet night in, would you consider that outfit at | 0:38:15 | 0:38:20 | |
any point? You look so pleased with yourself. You were channelling | 0:38:21 | 0:38:27 | |
Noddy, weren't you? What a bizarre evening we have all had. Stranger | 0:38:28 | 0:38:32 | |
and stranger. It's like we are all in a dream. Tameka, glam rock or | 0:38:33 | 0:38:40 | |
glam shock? It's a bit of both. Sally, you left the building and | 0:38:41 | 0:38:47 | |
this is what was left. Talk about just going for it. You really went | 0:38:48 | 0:38:54 | |
for it and I was there. Was that a potential Glastonbury headliner, | 0:38:55 | 0:38:58 | |
Jennifer? Yeah, that's my era, totally. Somewhere between Noddy and | 0:38:59 | 0:39:06 | |
a Diddy man. Keep that suit. That's not coming off. It was brilliant. | 0:39:07 | 0:39:12 | |
People have wondered what Noddy Holder might make of this, Sally. We | 0:39:13 | 0:39:23 | |
asked him. Well done, Sal! You are now a fully qualified rock chick. | 0:39:24 | 0:39:27 | |
So, keep on rocking! Get her on the phone, I want to do a duet. | 0:39:28 | 0:39:37 | |
You look more like Noddy Holder than he does. Panel, thank you so much. | 0:39:38 | 0:39:47 | |
If Sally Slade the rest of the competition and had you Noddying | 0:39:48 | 0:39:52 | |
your head to the beat, all the details are on the screen. But | 0:39:53 | 0:39:56 | |
remember voting isn't open yet. Thank you, head over to the posh | 0:39:57 | 0:40:04 | |
seats. That's it. All our star acts have performed. Look at them over | 0:40:05 | 0:40:09 | |
there. It's like a cautionary tale for children wanting to go into show | 0:40:10 | 0:40:15 | |
business right there. Jennifer, presiding over the panel like a lady | 0:40:16 | 0:40:21 | |
Len Goodman or should I say Jen Goodman. Could you give us a summary | 0:40:22 | 0:40:27 | |
of tonight's events, please. Total comedy madness with a bit of | 0:40:28 | 0:40:30 | |
dancing. I loved it. They were so brilliant, all of them. So strong. | 0:40:31 | 0:40:36 | |
APPLAUSE AND CHEERING Very strong. As always it's your | 0:40:37 | 0:40:42 | |
vote at home that really counts. With two places left in the final | 0:40:43 | 0:40:47 | |
there is only one thing to do... Voting is now open! | 0:40:48 | 0:40:54 | |
# Call me... Right. The reading glasses are on | 0:40:55 | 0:41:18 | |
and the blank sheets of paper are in hand. Good evening. Welcome to fake | 0:41:19 | 0:41:22 | |
news. You are not Hugh Edwards. Fake. There is nothing about you | 0:41:23 | 0:41:27 | |
that says George Aligah. Fake. If you would like to vote for tonight's | 0:41:28 | 0:41:31 | |
winner calls cost 15p plus any network access charge. Validated but | 0:41:32 | 0:41:36 | |
be sure to get the bill payer's permission before you call. You can | 0:41:37 | 0:41:44 | |
vote online for free. At bbc.co.uk/Red Nose Day. The vote | 0:41:45 | 0:41:47 | |
closes in approximately 13 minutes, so the Russians told me. I would get | 0:41:48 | 0:41:52 | |
to it if I were you. Don't vote if you are watching on demand, well, | 0:41:53 | 0:41:56 | |
you know, that's in the past. Excuse me, news just in from our | 0:41:57 | 0:42:02 | |
entertainment correspondent, we just hired him, George Osbourne, ladies | 0:42:03 | 0:42:10 | |
and gentlemen. Satirical! Now, breaking entertainment news, sting | 0:42:11 | 0:42:15 | |
has lost his favourite album. He has asked The Police to check their | 0:42:16 | 0:42:20 | |
records. Time for that quick reminder of tonight's stunning | 0:42:21 | 0:42:25 | |
performances and those all-important numbers. Three, two, one... | 0:42:26 | 0:44:00 | |
APPLAUSE So, that's all the details you need. | 0:44:01 | 0:44:07 | |
So you know what to do. Vote, what are you waiting for? While our | 0:44:08 | 0:44:10 | |
performers whip off back stage to nick the free stuff from their | 0:44:11 | 0:44:16 | |
dressing rooms, by the way my waistband is studded with mini | 0:44:17 | 0:44:21 | |
Twixes right now. Here's a reminder of why we are here. That's to raise | 0:44:22 | 0:44:24 | |
money for the brilliant Comic Relief. Here's a film from Sara Cox | 0:44:25 | 0:44:33 | |
on the orphaned children she met in Kenya. Godfrey is ten. He recently | 0:44:34 | 0:44:41 | |
lost his mum. His brother leaves to find work each day and he is left | 0:44:42 | 0:44:47 | |
alone. Lorner, a community volunteer funded by your donations knows just | 0:44:48 | 0:44:57 | |
how hard it's been for Godfrey. It's very painful, after their mum died | 0:44:58 | 0:45:03 | |
he is shy. Lorner visits Godfrey and supports him as much as she can. Can | 0:45:04 | 0:45:05 | |
I ask you about your mummy. You are such a brave boy. He's | 0:45:06 | 0:45:23 | |
definitely grieving. He is definitely still grieving for his | 0:45:24 | 0:45:26 | |
mum but he is ten, he doesn't know how to handle grieve. The only | 0:45:27 | 0:45:31 | |
support that they have is through Lorner coming around. You just want | 0:45:32 | 0:45:34 | |
to keep hugging that woman because she's amazing. I then discovered | 0:45:35 | 0:45:41 | |
that after losing both parents Godfrey's house had burned down. Are | 0:45:42 | 0:45:51 | |
they your shoes, Godfrey. If it wasn't for you helping people | 0:45:52 | 0:45:57 | |
like Lorner I don't know what would happen to such a sweet smart little | 0:45:58 | 0:46:04 | |
boy like that. So... You know, and there's so many boys like that, he | 0:46:05 | 0:46:09 | |
is not by himself. There's so many families who are like this. That, | 0:46:10 | 0:46:15 | |
you know, we have just got to try and help. Give whatever you can | 0:46:16 | 0:46:20 | |
give. We will be so grateful. And it will help people like Lorner to help | 0:46:21 | 0:46:28 | |
little boys like Godfrey. To give ?5 text Give to 70205 or to | 0:46:29 | 0:46:34 | |
give ?10 text Give to 70210. Thank you. | 0:46:35 | 0:46:38 | |
We are pleased to tell you that Lorner continues to visit Godfrey | 0:46:39 | 0:46:41 | |
and his brother at least three times a week | 0:46:42 | 0:46:43 | |
Godfrey has now also been enrolled in a support group | 0:46:44 | 0:46:47 | |
This is all possible thanks to your donations | 0:46:48 | 0:46:53 | |
That's right all it takes is a text and all the details you need | 0:46:54 | 0:46:58 | |
Please remember texts will cost your donation | 0:46:59 | 0:47:01 | |
plus your standard network message charge and 100% of your donation | 0:47:02 | 0:47:04 | |
You must be 16 or over and please ask the bill payer's permission. | 0:47:05 | 0:47:12 | |
For full terms and conditions and more information go | 0:47:13 | 0:47:14 | |
And Sara Cox will be joining us live to tell us | 0:47:15 | 0:47:19 | |
all about her 80's dance-a-thon - but first here with her new single | 0:47:20 | 0:47:22 | |
Ciao Adios please put your hands together for the brilliant | 0:47:23 | 0:47:25 | |
# Asked you once asked you twice now there's | 0:47:26 | 0:47:38 | |
# You say she's just a friend now then why don't we call her? | 0:47:39 | 0:47:45 | |
# So you wanna go home with someone to do all the things | 0:47:46 | 0:47:48 | |
# Used to take me out in your fancy car | 0:47:49 | 0:47:53 | |
until I hear her say your name don't know where you are | 0:47:54 | 0:48:05 | |
# Used to sing along when you played guitar | 0:48:06 | 0:48:07 | |
# Hope she treats you better than you treated me | 0:48:08 | 0:48:10 | |
# If you're giving all kissing and having fun | 0:48:11 | 0:48:22 | |
# I'm not gonna sit here wasting mine on you yeah you | 0:48:23 | 0:48:27 | |
# After three after four times why did I bother? | 0:48:28 | 0:48:45 | |
# Tell me how many more times does it take to get smarter | 0:48:46 | 0:48:49 | |
# Don't need to deny the hurt and the lies | 0:48:50 | 0:48:52 | |
# And all of the things you did to me I swear I know you did | 0:48:53 | 0:48:57 | |
# Now you take her out in your fancy car and make out in the rain | 0:48:58 | 0:49:01 | |
# And when she's ring you up she know where you are | 0:49:02 | 0:49:04 | |
# Now she sings along when you play guitar | 0:49:05 | 0:49:08 | |
# Hope you treat her better than you treated me | 0:49:09 | 0:49:15 | |
# I saw you with her kissing and having fun | 0:49:16 | 0:49:24 | |
# If you're giving all of your money and time | 0:49:25 | 0:49:27 | |
# I'm not gonna sit here wasting mine on you yeah you | 0:49:28 | 0:49:29 | |
# No you take her out in your fancy car and make out in the rain | 0:49:30 | 0:49:47 | |
# And when she's ring you up she know where you are | 0:49:48 | 0:49:50 | |
# Now she sings along when you play guitar | 0:49:51 | 0:49:53 | |
# Hope you treat her better than you treated me | 0:49:54 | 0:50:00 | |
# I saw you with her kissing and having fun | 0:50:01 | 0:50:08 | |
# If you're giving all of your money and time | 0:50:09 | 0:50:13 | |
# I'm not gonna sit here wasting mine on you yeah you | 0:50:14 | 0:50:16 | |
CHEERING AND APPLAUSE . | 0:50:17 | 0:50:30 | |
Now as you know, there are loads of ways to | 0:50:31 | 0:50:33 | |
fundraise for Comic Relief - our very own Miranda | 0:50:34 | 0:50:36 | |
undertook five days of mad cap challenges all to | 0:50:37 | 0:50:38 | |
raise money for this wonderful cause. | 0:50:39 | 0:50:40 | |
To tell us more about her challenge, please welcome Radio 2 DJ Sara Cox! | 0:50:41 | 0:50:49 | |
APPLAUSE Foxy. Come on. Hello. Hey girls. | 0:50:50 | 0:51:05 | |
Sorry I shouted. Not at all. That was a very powerful film that one. I | 0:51:06 | 0:51:10 | |
have never been over to Nairobi before and I have never done a film | 0:51:11 | 0:51:13 | |
for Comic Relief. You watch on your couch at home and you think that is | 0:51:14 | 0:51:18 | |
a different planet. Look at it, it seems far away from your own lives. | 0:51:19 | 0:51:24 | |
Goderie, looked round my phone, found the apps and you think he is | 0:51:25 | 0:51:28 | |
the same at my little boy at home. The same at our kids, he has been | 0:51:29 | 0:51:33 | |
born into this tough life, so yes, it was incredible. Coxy, tell us my | 0:51:34 | 0:51:41 | |
love, that was a firm slap. I might be injured and I can't dance for 24 | 0:51:42 | 0:51:47 | |
hours. This is your challenge, what is going on?? My sounds of the '80s, | 0:51:48 | 0:51:54 | |
because I do an 80s show. I have to dance for 24 hours, Solidly? You | 0:51:55 | 0:52:02 | |
will hear it on Radio 2 and watch it on the Red Button, all the amazing | 0:52:03 | 0:52:10 | |
DJs, when they press it, you will see my dancing. Lots of live music | 0:52:11 | 0:52:16 | |
from the 80s. It will be incredible. When will it start? 9.30am, Monday | 0:52:17 | 0:52:22 | |
morning until 9.30 Tuesday morning. It starts in the morning. I know, | 0:52:23 | 0:52:28 | |
thank you for the ooh! You will have your disco boot boss on at 9am. How | 0:52:29 | 0:52:36 | |
will you get through the 4am slot? One word, two words. Trevor Nelson, | 0:52:37 | 0:52:42 | |
he will DJ for me. We are delighted you have joined us. Only one way we | 0:52:43 | 0:52:47 | |
can send you off. Get your pelvis into second gear, Sara Cox. I am | 0:52:48 | 0:52:51 | |
going to get you to put this headband on. Remind to the '80s. | 0:52:52 | 0:52:57 | |
# She's a maniac # Maniac on the floor | 0:52:58 | 0:53:03 | |
# And she dances like she's never danced before. # | 0:53:04 | 0:53:14 | |
CHEERING AND APPLAUSE I cannot believe Sara will be in the | 0:53:15 | 0:53:19 | |
'80s for a whole 24 hours. We never left it. I miss the puff ball skirt. | 0:53:20 | 0:53:26 | |
I Miss My jaw line. While we fast forward back to the naughties it is | 0:53:27 | 0:53:31 | |
time to find out if the people of Blackpool... It is holding my | 0:53:32 | 0:53:36 | |
forehead in place. Very cheap and easy way of getting a face-lift. | 0:53:37 | 0:53:43 | |
Good. Time to find out if the people of Blackpool turned Craig Revel | 0:53:44 | 0:53:44 | |
Horwood's frown upside down. Don't suppose you do sea bass? You | 0:53:45 | 0:54:02 | |
will have my finest cod and chips and like them. A face like a wet | 0:54:03 | 0:54:09 | |
weekend. Cheer up, chuck, it's Blackpool. | 0:54:10 | 0:54:15 | |
# I must sound crazy what I'm about to say | 0:54:16 | 0:54:29 | |
# Sunshine's here you can take a break | 0:54:30 | 0:54:35 | |
# Like I don't care baby, by the way # Because I'm happy | 0:54:36 | 0:54:39 | |
# If you feel like a room without a roof | 0:54:40 | 0:54:42 | |
# Because I'm happy # Clap along if you feel like | 0:54:43 | 0:54:46 | |
happiness is a truth # Because I'm happy | 0:54:47 | 0:54:50 | |
# Clap along if you know what happiness is to you | 0:54:51 | 0:54:53 | |
# Because I'm happy # Clap along if you feel like that's | 0:54:54 | 0:54:57 | |
what you want to do. # # Give me all you got, no holding | 0:54:58 | 0:55:10 | |
back # Yeah | 0:55:11 | 0:55:14 | |
# I should probably warn you I'll be just fine | 0:55:15 | 0:55:19 | |
# Yeah # Don't waste your time | 0:55:20 | 0:55:23 | |
# Because I'm happy # Clap along if you feel like a room | 0:55:24 | 0:55:28 | |
without a roof # Because I'm happy | 0:55:29 | 0:55:32 | |
# Clap along if you feel like happiness is the truth | 0:55:33 | 0:55:35 | |
# Because I'm happy # Clap along if you know what | 0:55:36 | 0:55:40 | |
happiness is to you # Because I'm happy | 0:55:41 | 0:55:44 | |
# Clap along if you feel like that's what you want to do. | 0:55:45 | 0:55:56 | |
# Happy, happy, happy had been happy, happy, happy | 0:55:57 | 0:56:11 | |
# -- happy, happy, happy # Happy, happy, happy | 0:56:12 | 0:56:17 | |
# Because I'm happy. # CHEERING AND APPLAUSE | 0:56:18 | 0:56:23 | |
What did you think of that? Darling it was a dance disaster! | 0:56:24 | 0:56:31 | |
I am not going to lie. Slightly fancy Craig Revel Horwood. We are | 0:56:32 | 0:56:39 | |
crushing on him. As you saw during that film the vote is now closed. | 0:56:40 | 0:56:44 | |
Don't vote now but you may be charged. A vote isn't really closed | 0:56:45 | 0:56:49 | |
until Barbara Windsor says it is closed. The vote is now closed. | 0:56:50 | 0:56:54 | |
Coming up with have a very special performance from the hit West End | 0:56:55 | 0:56:59 | |
musical School of Rock, before that here is Emeli Sande's report. | 0:57:00 | 0:57:04 | |
And please be aware, that some viewers may find scenes | 0:57:05 | 0:57:07 | |
In this hospital 234 Uganda, children are dangerously ill because | 0:57:08 | 0:57:13 | |
they haven't been vaccinated against pneumonia. | 0:57:14 | 0:57:20 | |
Nurse Betty is on the front line. How often do you see cases of severe | 0:57:21 | 0:57:31 | |
pneumonia? Every day we see them. Five-month-old Joffrey's lungs are | 0:57:32 | 0:57:33 | |
filled with fluid and he is struggling to breathe We have to | 0:57:34 | 0:57:40 | |
give oxygen therapy, because of the resources that oxygen is being | 0:57:41 | 0:57:44 | |
shared using the same source, which was supposed to be used by one | 0:57:45 | 0:57:49 | |
patient. S sharing the same oxygen is Jeremiah, six months old. | 0:57:50 | 0:57:54 | |
Caroline ten months, and Mohammed two months. | 0:57:55 | 0:58:00 | |
Also suffering from pneumonia. I am kind of in shock as to the | 0:58:01 | 0:58:07 | |
conditions. Really just feel very angry that children were suffering | 0:58:08 | 0:58:11 | |
on this level. Almost needlessly. The more we can do to prevent | 0:58:12 | 0:58:17 | |
children from getting pneumonia, we should try to do that. | 0:58:18 | 0:58:30 | |
Joffrey wasn't vaccinated and his condition remains critical. | 0:58:31 | 0:58:42 | |
I am sorry to have to tell you this but he didn't survive. If he had | 0:58:43 | 0:58:48 | |
been vaccinated against pneumonia he would have had a better chance of | 0:58:49 | 0:58:53 | |
survival. This can't keep happening. Children can't keep dying needlessly | 0:58:54 | 0:58:57 | |
from conditions that can be prevented by vaccines that can cost | 0:58:58 | 0:59:01 | |
as little as ?5. Please, please, give what you can. This has to stop. | 0:59:02 | 0:59:14 | |
Thank you. To donate text the word give. | 0:59:15 | 0:59:18 | |
A very moving film there and with your help and donations | 0:59:19 | 0:59:21 | |
Comic Relief can continue to fund vital health projects in Africa | 0:59:22 | 0:59:24 | |
so that children can receive the life-saving vaccines | 0:59:25 | 0:59:29 | |
If you want to help then all the information you need | 0:59:30 | 0:59:36 | |
We know times are tight but please do give what you can, | 0:59:37 | 0:59:45 | |
every single donation can change lives | 0:59:46 | 0:59:46 | |
Now it's time for a very special performance direct | 0:59:47 | 0:59:51 | |
from the West End stage - singing and playing live, please hand | 0:59:52 | 0:59:54 | |
in your homework and put your hands together for the cast of the smash | 0:59:55 | 0:59:58 | |
Mew Sybil speaks to you and what is what matters most. You ever play | 0:59:59 | 1:00:16 | |
electric guitar. My dad thinks it a ea waste of time. | 1:00:17 | 1:00:17 | |
# Grab a hold of your axe and try to pluck out this riff | 1:00:18 | 1:00:25 | |
# Let your shoulders relax you don't wanna be so stiff | 1:00:26 | 1:00:36 | |
# Keep on going don't stop take it over the top | 1:00:37 | 1:00:39 | |
# Make each note really pop squeeze out every last drop | 1:00:40 | 1:00:42 | |
What's that big lumpy thing you are playing? The cello. | 1:00:43 | 1:01:02 | |
# Turn a cello this way and it's practically like a bass | 1:01:03 | 1:01:13 | |
# Pop the strings when you play and watch how you shred my face | 1:01:14 | 1:01:19 | |
# Keep on rockin' each note, grab it right by the throat | 1:01:20 | 1:01:22 | |
# Keep the rhythm afloat don't forget to emote | 1:01:23 | 1:01:24 | |
# If you play the piano you can play the keys | 1:01:25 | 1:01:43 | |
I only play classical. I don't think I can. Get over here. | 1:01:44 | 1:01:51 | |
# So just loosen it up and strut your expertise | 1:01:52 | 1:01:53 | |
# Take a look at this music and let your mind expand | 1:01:54 | 1:01:56 | |
All right, who's going to be my drummer? You play the cymbals! | 1:01:57 | 1:02:11 | |
# Sit your butt at the skins and try to whack out a beat | 1:02:12 | 1:02:15 | |
# Feel the groove in your pins then slowly turn up the heat | 1:02:16 | 1:02:23 | |
# With a rat-a-tat-tat on the bass and hi-hat | 1:02:24 | 1:02:25 | |
# Make it juicy and fat yes exactly like that | 1:02:26 | 1:02:27 | |
# I need a couple of roadies I need someone on tech | 1:02:28 | 1:02:42 | |
# It means I'm putting you in charge of the whole damn thing | 1:02:43 | 1:03:02 | |
That's it. Keep rocking. Rock it out. | 1:03:03 | 1:03:30 | |
# Now repeat after me, I pledge allegiance to the band | 1:03:31 | 1:03:33 | |
I promise to give Mr Schneebly full command | 1:03:34 | 1:03:43 | |
# And with me in control of the band as a whole | 1:03:44 | 1:03:46 | |
# We will rock and we'll roll with our heart and our soul | 1:03:47 | 1:03:50 | |
Oh, yeah! Now it's the moment you have all | 1:03:51 | 1:04:25 | |
been waiting for. Is Michael Portillo's Great Railway Journeys | 1:04:26 | 1:04:31 | |
on? Not quite. It's this. The results are in! Babs has said it, so | 1:04:32 | 1:04:36 | |
the results are in. Do you have the sparkly envelope of expectation? No, | 1:04:37 | 1:04:51 | |
I don't. I believe it's being delivered via the conga! | 1:04:52 | 1:05:02 | |
# Come on, shake your body, do the conga... | 1:05:03 | 1:05:13 | |
Gosh! Now, with the results in hand it's time to welcome back our five | 1:05:14 | 1:05:21 | |
star acts. Alison Hammond. Steph and Dom. | 1:05:22 | 1:05:34 | |
The One Show Reporters. Pete and Ellie. And Sally Lindsay. | 1:05:35 | 1:05:54 | |
APPLAUSE AND CHEERING If you have just tuned in, no your | 1:05:55 | 1:05:58 | |
meds haven't kicked in a gear. Tonight five star acts sang and | 1:05:59 | 1:06:02 | |
danced for you but only two can go through. I know you know this, I am | 1:06:03 | 1:06:07 | |
recapping for Melanie. The act with the highest number of viewers votes | 1:06:08 | 1:06:10 | |
will have a guaranteed place in the grand final. The second and third | 1:06:11 | 1:06:13 | |
will face the panel who will choose their favourite. That's why they're | 1:06:14 | 1:06:18 | |
here, Melanie. Oh! Time to cue the low, dramatic lighting. | 1:06:19 | 1:06:24 | |
It's too dark! I am scared. It's just your excuse to touch me, stop | 1:06:25 | 1:06:29 | |
it! Where are we, it's too dark! One of the many reasons Mel didn't get | 1:06:30 | 1:06:38 | |
into drama school. For a moment there I thought they'd moved BBC One | 1:06:39 | 1:06:43 | |
online. Thanks, Jennifer. The great British public, that's you, have | 1:06:44 | 1:06:47 | |
spoken. We can reveal the top three in the viewer vote. In no particular | 1:06:48 | 1:06:50 | |
order... There was no money for animation, so I have to do this for | 1:06:51 | 1:06:55 | |
a bit. In no particular order... Let me see, as well. The first act is... | 1:06:56 | 1:07:04 | |
Can't see. There we go. Sally Lindsay. | 1:07:05 | 1:07:11 | |
APPLAUSE Well done, Sal. Also in the top | 1:07:12 | 1:07:26 | |
three is... The One Show Reporters. APPLAUSE | 1:07:27 | 1:07:34 | |
Thank you. Thank you. And, finally, in the top three | 1:07:35 | 1:07:44 | |
it's... Alison Hammond! | 1:07:45 | 1:07:55 | |
APPLAUSE So, sadly, that means we need to say | 1:07:56 | 1:08:01 | |
goodbye to Steph and Dom, and Pete and Ellie, you have been | 1:08:02 | 1:08:05 | |
magnificent. Off to the posh seats, my darling. Well done. | 1:08:06 | 1:08:12 | |
Right, simmer down, team. We will now reveal the winner of the public | 1:08:13 | 1:08:16 | |
vote, the fate of the other two is in the hands of our panel. The | 1:08:17 | 1:08:22 | |
winner of tonight's... The audience are committing, I like to hear that, | 1:08:23 | 1:08:28 | |
the winner of tonight's Let's Sing and Dance for Comic Relief is... | 1:08:29 | 1:08:43 | |
The One Show Reporters! Congratulations, The One Show | 1:08:44 | 1:08:49 | |
Reporters. Well done guys. Gang, cling very | 1:08:50 | 1:08:59 | |
close. Well done to you. It's building there. The heat that's | 1:09:00 | 1:09:02 | |
building in that outfit, extraordinary. Guys, were you | 1:09:03 | 1:09:07 | |
expecting this? We weren't expecting it at all! We have to do that again! | 1:09:08 | 1:09:18 | |
O, yes. You need to get right up on that harness, my darling. Your | 1:09:19 | 1:09:21 | |
gusset awaits. We look forward to seeing you all again in the final. | 1:09:22 | 1:09:25 | |
Off you go and prepare for your winners' performance. Well done | 1:09:26 | 1:09:36 | |
guys. Oh, Lindsay, Hammond. Come on, my darling. Come on gang. Now this | 1:09:37 | 1:09:40 | |
means there is just one place left in the grand final. Who will join | 1:09:41 | 1:09:45 | |
The One Show Reporters? Will it be Alison Hammond or Sally Lindsay? | 1:09:46 | 1:09:50 | |
It's all down to the panel to decide before they do, here is reminder of | 1:09:51 | 1:09:52 | |
their cracking performances. # People sing around | 1:09:53 | 1:10:09 | |
# People gather around # People jump around... | 1:10:10 | 1:10:22 | |
# Well, I tell you honey # I don't know why | 1:10:23 | 1:10:30 | |
# No, I don't know why... | 1:10:31 | 1:10:33 | |
APPLAUSE AND CHEERING Right, this is a tough one. This is | 1:10:34 | 1:10:41 | |
a really, really tough one. So who is it going to be guys? Alison or | 1:10:42 | 1:10:49 | |
Sally? Awesome foursome, we are going to need one name. I think that | 1:10:50 | 1:10:54 | |
was a cry for help there! The medical team will be with you | 1:10:55 | 1:11:00 | |
soon, sir. Miranda, one name and your reason for that name | 1:11:01 | 1:11:06 | |
forthwithly. These women are fantastic and amazing time and | 1:11:07 | 1:11:09 | |
energy they've given and watching those appeal films earlier, that's | 1:11:10 | 1:11:12 | |
why we are here. We are also here for the entertainment and playing | 1:11:13 | 1:11:16 | |
this game and so I am going to go for... She came out first, she | 1:11:17 | 1:11:19 | |
rocked it, she freaked. For me it's Alison! | 1:11:20 | 1:11:29 | |
All right, Tameka. Impossible choice, brilliant. This is the | 1:11:30 | 1:11:32 | |
hardest choice the panel have had to make. I need one name and your | 1:11:33 | 1:11:37 | |
reason, please, darling. Oh, I don't like doing this bit because I want | 1:11:38 | 1:11:42 | |
to put you both in. Oh, both performers were excellent. There was | 1:11:43 | 1:11:48 | |
no apology, you came out, you smashed it. Do me a favour... We | 1:11:49 | 1:11:55 | |
need a name, Tameka. In three seconds. Alison... Sorry! You can't | 1:11:56 | 1:12:06 | |
have two, just one. Come on. I can't do it. Do me a favour. Come on, | 1:12:07 | 1:12:12 | |
love. Contractually, you must. OK, OK. Alison. | 1:12:13 | 1:12:20 | |
This is getting interesting. Two for Alison. Julian, who are you going to | 1:12:21 | 1:12:24 | |
put three and why, quite quickly, Julian. I have also lost the power | 1:12:25 | 1:12:29 | |
of speech. I love you both. I am going to go for the person that | 1:12:30 | 1:12:37 | |
surprised me most which was Sally. Jennifer. This means the decision | 1:12:38 | 1:12:41 | |
lies with you. I say that, whatever you decide it will probably be a | 1:12:42 | 1:12:45 | |
tie-break or we will see. What happens if it's a tie-break. Leave | 1:12:46 | 1:12:49 | |
that... Hopefully somebody in here will tell me what to do like they | 1:12:50 | 1:12:55 | |
always do. Like they always do in everything. A name, please, my love. | 1:12:56 | 1:13:02 | |
I am going to go with Sally for the mutton chops alone. It's a | 1:13:03 | 1:13:08 | |
tie-break! Jennifer, we look well. Now we go to | 1:13:09 | 1:13:17 | |
the swimwear round. Panel, I hate to say this you have | 1:13:18 | 1:13:19 | |
been utterly useless and you have not managed to reach a majority | 1:13:20 | 1:13:22 | |
decision. Two votes each. We are going to go back to the viewers' | 1:13:23 | 1:13:26 | |
votes to decide the winner. That's the best way. The act with the most | 1:13:27 | 1:13:33 | |
viewer votes and heading through to the grand final is... I can't bear | 1:13:34 | 1:13:37 | |
the tension! I am going to brace myself. I can't | 1:13:38 | 1:13:40 | |
bear it! Bracing. Bracing. | 1:13:41 | 1:13:50 | |
Bracing. Alison Hammond! | 1:13:51 | 1:14:06 | |
Well done. You were amazing. Massive congrats to Alison. Sadly, it's | 1:14:07 | 1:14:10 | |
goodbye to our lovely Sally Lindsay. Sally! Extraordinary. Let's hear it | 1:14:11 | 1:14:14 | |
for all our abilities tonight, please. They all gave their time. | 1:14:15 | 1:14:23 | |
See you next week, darling. It's been another phenomenal night | 1:14:24 | 1:14:26 | |
of song and dance. It's a massive thanks to all our incredible star | 1:14:27 | 1:14:29 | |
andings and our fantastic panel. We are back for the grand final next | 1:14:30 | 1:14:33 | |
Saturday at 6. 3535pm with six fabulous finalists, you will not | 1:14:34 | 1:14:36 | |
want to miss it. For now we will leave you with your winner tonight, | 1:14:37 | 1:14:38 | |
it's The One Show Reporters! # She rolled my hair | 1:14:39 | 1:14:54 | |
and put my lipstick on # There's nothing wrong | 1:14:55 | 1:15:02 | |
with loving who you are # She said, "'Cause he made | 1:15:03 | 1:15:12 | |
you perfect, babe" # "So hold your head up | 1:15:13 | 1:15:15 | |
girl and you'll go far, # I'm on the right track, baby, | 1:15:16 | 1:15:19 | |
I was born this way # We could change this whole world | 1:15:20 | 1:15:29 | |
with a piano Stop! Stop! I said | 1:15:30 | 1:15:47 | |
a little bit of your guitar. Just... | 1:15:48 | 1:15:53 |