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Welcome to the final of Let's Sing and Dance for Comic Relief. | :00:22. | :00:25. | |
They are about to Bang Bang into the room, here's your | :00:26. | :00:28. | |
Oh my life! Now... Thank you so much for that. Have you come back from a | :00:29. | :01:12. | |
show business skydive today? Extraordinary outfit. I'm a skater | :01:13. | :01:20. | |
from the Soviet era. You know flash Gordon died in that outfit? What I | :01:21. | :01:24. | |
love is the weather forecast, lightning on the right boot, stormy | :01:25. | :01:30. | |
showers on this side. Just have to do that slightly. Hello! That's | :01:31. | :01:38. | |
really bunching. LAUGHTER Oh dear, oh dear. Come along, come | :01:39. | :01:41. | |
along. Yes, I said final of Let's Sing | :01:42. | :01:43. | |
and Dance for Comic Relief. to this very moment, | :01:44. | :01:48. | |
sweat and lycra have all led Tonight, our six finalists | :01:49. | :01:59. | |
will shimmy, shake, sing and, on occasion, swing for your pleasure | :02:00. | :02:02. | |
- all vying to win the series and get their jazz hands | :02:03. | :02:05. | |
on our coveted trophy, although it's not easy to hold | :02:06. | :02:07. | |
if you're doing jazz hands! Tonight, it's all to play | :02:08. | :02:10. | |
for and the decision lies on your shoulders, | :02:11. | :02:12. | |
Mr and Mrs viewer. Can you stop being | :02:13. | :02:14. | |
so hetro-normative? Viewers, you and only you get | :02:15. | :02:15. | |
to decide who will be the winner of Let's Sing and Dance | :02:16. | :02:20. | |
for Comic Relief 2017. It's one big decision, | :02:21. | :02:22. | |
so let's see who'll be crossing swords in the Comic Relief Ruckus | :02:23. | :02:24. | |
tonight... Hoping to Shake Shake Shake the room | :02:25. | :02:27. | |
for you one last time - it's Kiss FM superstar DJs Rickie | :02:28. | :02:38. | |
Melvin. Setting your pulses racing | :02:39. | :02:42. | |
and hearts aflutter tonight - it's the stars of Casualty and Holby | :02:43. | :02:44. | |
City. Proving that the final chase | :02:45. | :02:48. | |
is truly on - it's The Chasers. She got off to a swinging start | :02:49. | :02:53. | |
and now wants to land a pitch-perfect finish - | :02:54. | :02:56. | |
it's comedian Sara Pascoe. Sending you completely | :02:57. | :03:00. | |
Gaga, one last time - And finally, getting her freak | :03:01. | :03:03. | |
on like only she can - Plus, all our star acts | :03:04. | :03:09. | |
and community groups nationwide have been having 'The Time | :03:10. | :03:17. | |
of Their Lives' And Comic Relief All that, plus - hashtag - | :03:18. | :03:19. | |
'super-cool' superstars Dua Lipa and Zara Larsson are both | :03:20. | :03:33. | |
here with their latest singles! But if that wasn't enough - | :03:34. | :03:41. | |
and really, it should be - we've got a perfect panel | :03:42. | :03:48. | |
who are just itching... Oh, I didn't read | :03:49. | :03:50. | |
the autocue properly - itching to offer up their thoughts | :03:51. | :03:54. | |
on our fabulous finalists! Please give a very warm | :03:55. | :03:56. | |
welcome to Jason Manford, "Don't Stop the Party" | :03:57. | :03:58. | |
by Pitbull (feat TJR) Good moves from the panel as well. | :03:59. | :04:15. | |
Welcome you quality panel. You've got your work cut out this evening. | :04:16. | :04:20. | |
Well, tonight, panel - quite frankly, I hate to be | :04:21. | :04:22. | |
the voice of doom, but it doesn't really matter what you think, | :04:23. | :04:25. | |
I hope you've used a travel card and get expenses down. Because it's the | :04:26. | :04:32. | |
viewers who will decide the winner. And you'll be able to vote | :04:33. | :04:33. | |
for your favourite by phone, Quite a big chunk coming up, mate. I | :04:34. | :04:36. | |
might go and charge my phone. All you have to do is sign | :04:37. | :04:41. | |
in or register to vote now And for the last time, | :04:42. | :04:44. | |
the vote opens later in the show. That was quick. I'm telling you | :04:45. | :04:50. | |
about that now. Well, it's time to begin the biggest | :04:51. | :04:58. | |
battle the entertainment industry has seen since Sue and I tussled | :04:59. | :05:01. | |
over the final Jaffa Cake It's not marmalade, Mel - | :05:02. | :05:04. | |
it's a disc of orange gel! Take a biscuit, biscuit oatcake. | :05:05. | :05:13. | |
I'll stick with HMRC, it's a cake. You have your own view and I have | :05:14. | :05:14. | |
mine. Carry on. First to perform tonight, | :05:15. | :05:15. | |
they could cause trouble in my neighbourhood any time, | :05:16. | :05:17. | |
if you know what I mean! It's the People's Princes, | :05:18. | :05:20. | |
Rickie and Melvin! Ricky and Melvin! Melbourne. Ricky. | :05:21. | :05:40. | |
Why are you doing it in slow motion? I don't make the rules. OK. Rickie | :05:41. | :05:53. | |
and Melvin! 854 in the morning. Thanks to everyone who voted for us. | :05:54. | :05:56. | |
Charlie, did you see it? Incredible commits the best thing I've ever | :05:57. | :05:59. | |
seen. # Living with your anti-and uncle in | :06:00. | :06:05. | |
Bel-Air. Our last performance couldn't have gone better. There has | :06:06. | :06:08. | |
been a lot of love for the Whigs which is why we've been wearing | :06:09. | :06:12. | |
them. People want the full package, Oz and the Whigs. It's not just | :06:13. | :06:14. | |
about the Whigs. You are live on Kiss FM. My days, the | :06:15. | :06:31. | |
performance on Comic Relief, best thing ever. Do you know if the wigs | :06:32. | :06:34. | |
will be doing any public appearances? The wigs got to get | :06:35. | :06:35. | |
their own TV show. Or film. Charlie? Sorry, now. They've got | :06:36. | :06:50. | |
more followers than as an Instagram. Who set up their account? Mum, what | :06:51. | :06:54. | |
are you doing here? I came to see my two favoured boys. Finally somebody | :06:55. | :07:02. | |
who appreciate us for us. Selfie? Lower, lower, lower... There. Do you | :07:03. | :07:17. | |
know what, I've had enough of this, we need to ditch these wigs. Bruno | :07:18. | :07:19. | |
Mars loves them, Simon Cowell, even Rhianna ask me to come to her pool | :07:20. | :07:22. | |
party. Rhianna? Pool party? Let's keep the wigs. | :07:23. | :07:27. | |
Performing a Will Smith Medley, it's Rickie Melvin! | :07:28. | :07:29. | |
# My life got flipped-turned upside down | :07:30. | :07:39. | |
# I'll tell you how I became the prince of a town called Bel-Air | :07:40. | :07:50. | |
# In west Philadelphia born and raised | :07:51. | :07:53. | |
# On the playground was where I spent most of my days | :07:54. | :07:56. | |
# Chillin' out maxin' relaxin' all cool | :07:57. | :07:58. | |
# And all shooting some b-ball outside of the school | :07:59. | :08:01. | |
# When a couple of guys who were up to no good | :08:02. | :08:03. | |
# Started making trouble in my neighbourhood | :08:04. | :08:05. | |
# I got in one little fight and my mom got scared | :08:06. | :08:08. | |
# She said, "you're movin' with your auntie and uncle in Bel-Air" | :08:09. | :08:11. | |
# Let me see ya just bounce it with me | :08:12. | :08:17. | |
# Come on, let me see ya just slide with me | :08:18. | :08:23. | |
# Come on, let me see ya take a walk with me | :08:24. | :08:28. | |
# Yo, back up now and give a brother room | :08:29. | :08:43. | |
# The fuse is lit and I'm about to go boom | :08:44. | :08:47. | |
# My life is a cage but on stage I'm free | :08:48. | :08:51. | |
# Slow down girl, you're 'bout to hurt somebody | :08:52. | :08:55. | |
# Hold up, yo let's get just one thing clear | :08:56. | :08:58. | |
# There's only one reason why I came here | :08:59. | :09:00. | |
# Ya really done want me to tig-a-tig-a-tig-a | :09:01. | :09:02. | |
# Ya really done want me to tig-a-tig-a-tig-a | :09:03. | :09:05. | |
# Ya really done want me to tig-a-tig-a-tig-a | :09:06. | :09:07. | |
# I came here tonight to hear the crowd go | :09:08. | :09:11. | |
APPLAUSE CHEERING | :09:12. | :09:41. | |
So good. That was so good, do you know Lionel Richie wrote a song | :09:42. | :09:51. | |
especially about your wigs? Or nylon! That's good! | :09:52. | :09:55. | |
Could these two Fresh Princes be crowned Kings tonight? | :09:56. | :10:07. | |
I mean from the audience reaction alone. CHEERING | :10:08. | :10:20. | |
Great, great performance. Lots of nostalgia. Great memories of the | :10:21. | :10:24. | |
original. They love them, they love them. | :10:25. | :10:28. | |
Did that performance make you want to Get Jiggy Wig It?! | :10:29. | :10:33. | |
Yes, I thought it was great, great performances from U2. I thought the | :10:34. | :10:47. | |
two guides underneath were great as well. It's nice. Will Smith is | :10:48. | :10:49. | |
nostalgic, from a more innocent time, Will Smith is like if Jay-Z | :10:50. | :10:52. | |
was born and raised in or something. Absolutely fantastic. -- | :10:53. | :10:59. | |
performances from you two. Did they make you want to rip off your suit | :11:00. | :11:05. | |
to reveal something underneath? Mercy, Mercy, Mercy me. I feel | :11:06. | :11:12. | |
sometimes my life is a cage. But on stage you were freed. And you freed | :11:13. | :11:23. | |
me. It was a delight, a joy, and a fitting tribute to a man who, let's | :11:24. | :11:26. | |
be honest, was better then than an hour. Strong words. Let's move on. | :11:27. | :11:33. | |
So if you thought Rickie and Melvin were wickey-wickey wild-wild, | :11:34. | :11:36. | |
then take down these all-important details to vote for them | :11:37. | :11:38. | |
as your winners of Let's Sing and Dance for Comic Relief. | :11:39. | :11:41. | |
But you'll have to continue chillin' out, maxin' and relaxin' all cool | :11:42. | :11:44. | |
until the vote opens later on in the show. | :11:45. | :11:47. | |
I got a chunk of stuff coming up now. I'll see you later. | :11:48. | :11:51. | |
Calls will cost 15p, plus any network access charge. | :11:52. | :11:54. | |
The vote opens after all our acts have performed. | :11:55. | :11:56. | |
Please don't vote now, as it won't count and you may be charged. | :11:57. | :11:59. | |
You can also sign in or register to vote now for free online | :12:00. | :12:02. | |
While our stars line up backstage to oversee the photoshopping | :12:03. | :12:15. | |
of their publicity photos, we here at Let's Sing Dance | :12:16. | :12:18. | |
for Comic Relief are proud to say that your donations have so far | :12:19. | :12:21. | |
And there's still time to raise even more money! | :12:22. | :12:31. | |
So here's Mel to tell us how we can donate to Comic Relief. | :12:32. | :12:34. | |
Or if you want to donate ?20, then text GIVE to 70220. | :12:35. | :12:41. | |
The great thing is that the money you raise goes directly | :12:42. | :12:44. | |
to helping people right here in the UK, and and in some | :12:45. | :12:46. | |
of the poorest communities around the world, and it really does make | :12:47. | :12:49. | |
The information you need is being projected onto my | :12:50. | :12:55. | |
Remember, you must be 16 or over, and please remember to ask | :12:56. | :12:59. | |
Otherwise they'll be very angry. Posture at all times. | :13:00. | :13:07. | |
Right, next up, we've had the results back | :13:08. | :13:10. | |
from the lab and we're in need of another dose. | :13:11. | :13:14. | |
They've been furiously scrubbing their scrubs | :13:15. | :13:18. | |
for the past two weeks - it's the stars of | :13:19. | :13:21. | |
Cizzy. Tony. Amanda Henderson. That looked painful. Is there a doctor in | :13:22. | :13:46. | |
the house? Not you. A real doctor. -- Chizzy. Being a part of Let's | :13:47. | :13:57. | |
Sing and Dance for Comic Relief has been a great experience. In fact I | :13:58. | :14:00. | |
think it'll help us bring more theatricality to our performances in | :14:01. | :14:02. | |
Holby and Casualty. Please, don't do this. Why not? Because I love you. | :14:03. | :14:18. | |
It's too late. What do you want? # I Wanna Dance With Somebody. | :14:19. | :14:29. | |
That! Yes, we love acting, but we also like shaking our booties. How | :14:30. | :14:43. | |
are you feeling today? I've been better. Robin, let's get an IV line | :14:44. | :14:46. | |
and a blood pressure reading, too. # Pressure! | :14:47. | :15:02. | |
# Pushing down on me, pressing down on you... | :15:03. | :15:14. | |
# That's OK. What? Is that OK? Cut! It is not | :15:15. | :15:24. | |
easy doing a serious scene and a co-star keeps bursting into song! | :15:25. | :15:31. | |
# I want to dance with somebody! # I want to feel the heat with | :15:32. | :15:35. | |
somebody. # Yes, I want to dance with | :15:36. | :15:38. | |
somebody! My back has gone. Not again! | :15:39. | :15:46. | |
CHEERING AND APPLAUSE. Performing Bruno Mars' | :15:47. | :15:50. | |
'Uptown Funk' it's the stars # Won't you help me Doctor beat? | :15:51. | :16:14. | |
# Would you help me dock the beta? Dock, dock the beat. | :16:15. | :16:15. | |
# I'm too hot (hot damn) | :16:16. | :16:32. | |
# I'm too hot (hot damn) | :16:33. | :16:36. | |
# 'Cause uptown funk gon' give it to you | :16:37. | :16:56. | |
# Saturday night and we in the spot | :16:57. | :16:58. | |
# Don't believe me just watch (come on) | :16:59. | :17:07. | |
Come on over and dust yourselves down. That was incredible. Well | :17:08. | :18:14. | |
done, my love! Matron! Use should be chuffed, that was amazing. | :18:15. | :18:18. | |
Or an irresponsible use of valuable key workers? | :18:19. | :18:23. | |
I would never say that was an irresponsible use of key workers, if | :18:24. | :18:28. | |
that was the scene on the maternity unit when I gave birth, the baby | :18:29. | :18:33. | |
would have been a lot quicker and easier! Not usually a fan of indoor | :18:34. | :18:39. | |
hats but I will make an exception. It was not just Uptown Funk, it was | :18:40. | :18:46. | |
down town and brilliant! Rufus Hound. These three folk have the | :18:47. | :18:53. | |
temerity to claim Uptown Funk but I think you will find it was Holby | :18:54. | :18:57. | |
City and Casualty that gave it to us. CHEERING AND APPLAUSE. As far as | :18:58. | :19:05. | |
I am aware, there is no known cure! We have all been infected now! I am | :19:06. | :19:13. | |
riddled. Shall we bring out the screen? | :19:14. | :19:16. | |
Has operation 'funk you up' been a success? | :19:17. | :19:19. | |
I wish I was sick more often! It was great, you've got to be having a | :19:20. | :19:25. | |
great time and the audience was onside and the outfits were great | :19:26. | :19:29. | |
and you are but a lot of work into the song and the movement, just | :19:30. | :19:33. | |
brilliant. Really great. Lovely stuff. Thank you for that resounding | :19:34. | :19:40. | |
affirmative from the panel. So if you thought the stars | :19:41. | :19:42. | |
of Casualty and Holby City were Ultra Sound and you want | :19:43. | :19:44. | |
to vote for them as your winners, Stop, collaborate and listen, | :19:45. | :19:52. | |
as still to come... Who's been keeping a close | :19:53. | :20:15. | |
eye on her competition. Who've been using their | :20:16. | :20:21. | |
rehearsals to really bond. Plus, people across the UK | :20:22. | :20:29. | |
join together to have All that, plus - Comic Relief | :20:30. | :20:39. | |
reports from Reggie Yates in Kenya And performances from | :20:40. | :20:49. | |
Dua Lipa and Zara Larsson. Now, our third act tonight | :20:50. | :20:54. | |
celebrated their Wizard of Oz win with a night out on the yellow-brick | :20:55. | :20:57. | |
tiles and ended up The vixen, the Doctor destroy, the | :20:58. | :21:20. | |
governess and the beast! It is The Chasers. You have just had a bit out | :21:21. | :21:35. | |
of shot, get down a bit. That is it. In a city, in a library, in the | :21:36. | :21:47. | |
nonfiction section, four of the world's most brilliant... Guys, | :21:48. | :21:59. | |
where is the vixen? That is fine, now, where were we? In a movie to | :22:00. | :22:09. | |
end all movies... No, no, it is not a disaster movie, guys. It is | :22:10. | :22:20. | |
definitely not a romance! Sorry. It is a movie about a dream. Four | :22:21. | :22:28. | |
dreams. Because sometimes, all it takes is a lion suit, silver spray | :22:29. | :22:34. | |
paint, sunstroke and a fetching gingham dress to discover the real | :22:35. | :22:43. | |
you. The Chasers! But now, these geniuses, destiny calls them. As | :22:44. | :22:51. | |
four mega minds step into the final... Guys! It says Paul! See | :22:52. | :23:01. | |
that handle? Yes, you got it. They are not as smart as they look, are | :23:02. | :23:06. | |
they?! CHEERING AND APPLAUSE. | :23:07. | :23:06. | |
Performing A Wizard of Oz medley - it's The Chasers! | :23:07. | :23:10. | |
# There's a land I once heard of once in a lullaby | :23:11. | :23:44. | |
# I could while away the hours conferrin' with the flowers | :23:45. | :23:46. | |
# And my head I'd be scratchin' while my thoughts were busy hatchin' | :23:47. | :23:52. | |
# When a man's an empty kettle he should be on his mettle | :23:53. | :24:00. | |
# Just because I'm presumin' that I could be kind-a-human, | :24:01. | :24:06. | |
# I'm afraid there's no denyin' I'm just a dandelion | :24:07. | :24:14. | |
# But I could show my prowess be a lion not a mowess | :24:15. | :24:22. | |
# If ever a wiz there was If ever, oh ever a wiz there was | :24:23. | :24:37. | |
# Because, because, because, because, because | :24:38. | :24:40. | |
# Because of the wonderful things he does | :24:41. | :24:43. | |
I will get you and your little dog as well! Agh! | :24:44. | :25:27. | |
CHEERING AND APPLAUSE. Come on over, loves! | :25:28. | :25:35. | |
Still in character. Well done! Come on, governess! I have noticed your | :25:36. | :25:49. | |
spout is smoking! A built-up area. It is lovely. Rufus... | :25:50. | :25:52. | |
Do you think we may have seen a thawing of the old | :25:53. | :25:56. | |
Sorry! It had courage, it had brains, it had heart. But maybe you | :25:57. | :26:12. | |
had them all along. It was absolutely charming, really | :26:13. | :26:15. | |
gorgeous, and I had been warned and I did not listen, I should not have | :26:16. | :26:19. | |
said Lesley Joseph three times in the mirror before I set out. Never | :26:20. | :26:21. | |
do it, I have learned my lesson! Never do it, I have | :26:22. | :26:23. | |
learned my lesson! Trophy Chase is, all day long. | :26:24. | :26:34. | |
CHEERING AND APPLAUSE. The site looks great, the costumes, | :26:35. | :26:40. | |
they are wonderful. And talent, lovely voice, Dorothy. Fabulous, and | :26:41. | :26:44. | |
it just looked like you were all having great fun. But when you get | :26:45. | :26:49. | |
back, Wilber contestant still be afraid of you? Oh, yes! Katy... Are | :26:50. | :27:02. | |
you melting? I am wearing a foil jacket! You are used to seeing | :27:03. | :27:06. | |
people straightlaced and it is like that feeling when the teachers do an | :27:07. | :27:11. | |
end of term show at school! It felt like that, but it was lovely, | :27:12. | :27:17. | |
fantastic singing. I have faced the Doctor story and I was hoping I | :27:18. | :27:20. | |
would have ammunition to be mean but I cannot, it was too brilliant, well | :27:21. | :27:29. | |
done. Lovely comments. Still smoking! I love it! He does that | :27:30. | :27:36. | |
when he gets excited! Sending out signals! | :27:37. | :27:39. | |
So if you think The Chasers have poured a bucket of water over | :27:40. | :27:42. | |
the rest of the competition and deserve to win and meet | :27:43. | :27:45. | |
the wonderful Wizard of Oz, then you need to vote for them. | :27:46. | :27:48. | |
But remember, don't vote yet - or I'll set | :27:49. | :27:51. | |
Next up is a girl who we last saw swinging from a chandelier. | :27:52. | :28:16. | |
That's what happens when you get your skirt gets caught on a prop. | :28:17. | :28:19. | |
Sara Pascoe. Sara Pascoe. That is going to be expensive! Sorry! I have | :28:20. | :28:32. | |
made it to the final, which is brilliant. Now what I think I need | :28:33. | :28:37. | |
is a really emotional film about me to make sure that the public vote. | :28:38. | :28:47. | |
For me! I am Sara Pascoe. Here I am walking barefoot through a meadow. I | :28:48. | :28:51. | |
am so interesting! But still likeable. When I was a child, all I | :28:52. | :28:57. | |
ever wanted to beat was really, really rich, but I also liked and | :28:58. | :29:02. | |
dancing. These shots of an empty done studio to set the scene. Look, | :29:03. | :29:07. | |
it is me warming up, don't I looked determined, hungry and, hungry West | :29:08. | :29:18. | |
remark -- hungry? Oh, no, that doesn't look good. And the music has | :29:19. | :29:26. | |
gone all sat, I don't want to fail! This is the emotional bit and I | :29:27. | :29:32. | |
asked them to stop filming me. Sorry, can we stop filming the | :29:33. | :29:37. | |
interview?! Oh, dear, now I am stored by a window. Have I really | :29:38. | :29:44. | |
given up? Not a chance! Look how hard I am working, maybe I can do | :29:45. | :29:57. | |
this. Go, Sara! Yes! I love water, it is so wet! It is on my face. Now | :29:58. | :30:06. | |
I am out by a lake, I am ready. And this is the perfect time to fade to | :30:07. | :30:10. | |
black. Lovely. Vote for Sara! Performing Sia's Chandelier - | :30:11. | :30:16. | |
it's Sara Pascoe! # Can't feel anything, | :30:17. | :30:20. | |
when will I learn # I'm gonna swing from | :30:21. | :30:27. | |
the chandelier, from the chandelier # I'm gonna live like | :30:28. | :30:55. | |
tomorrow doesn't exist # I'm gonna fly like | :30:56. | :31:01. | |
a bird through the night, # I'm gonna swing from | :31:02. | :31:11. | |
the chandelier, from the chandelier # I'm gonna swing from | :31:12. | :31:26. | |
the chandelier, from the chandelier # I'm gonna live like | :31:27. | :31:49. | |
tomorrow doesn't exist # I'm gonna fly like | :31:50. | :31:56. | |
a bird through the night, # I'm gonna swing | :31:57. | :32:04. | |
from the chandelier, Hanging from a chandelier, | :32:05. | :32:50. | |
incredible work, what a vocal. Katie, Wilshere swing into pole | :32:51. | :32:53. | |
position? Isn't she a brilliant singer? Also, the only person to | :32:54. | :33:01. | |
have done some acrobatics. I read an an interview used to performing old | :33:02. | :33:04. | |
peoples homes, is that where you perfected this act? Walking on | :33:05. | :33:14. | |
people to get a chandelier? Jason, does a bigwig equal a big win? Yes. | :33:15. | :33:23. | |
5-1! Sara's one of my favourite comics, | :33:24. | :33:37. | |
she's very funny, written a brilliant book, fantastic on tour. | :33:38. | :33:39. | |
To have another thing you're good at is really annoying. She's too good | :33:40. | :33:41. | |
at stuff. Multitalented. You're the first person to do something by | :33:42. | :33:46. | |
yourself. Exposed, exposed. The video was funny, the performance was | :33:47. | :33:49. | |
great, I love the singing voice as well. I'm going to cry in it. It's | :33:50. | :33:59. | |
the best day of my life. Jason is drunk a few litres of cider. | :34:00. | :34:05. | |
Wilshere walk over the competition tonight question much is already | :34:06. | :34:13. | |
walked over some dancers! And saying it had a profound effect on me but | :34:14. | :34:16. | |
midway through God spoke directly to me. She said everything apart from | :34:17. | :34:21. | |
Love is a human construct. Strong. It was profound. That panel was a | :34:22. | :34:28. | |
lot more intense than I was expecting. | :34:29. | :34:32. | |
If Sara is your Let's Sing Dance for Comic Relief winner, | :34:33. | :34:34. | |
This is the number, on your screen now. | :34:35. | :34:42. | |
But you mustn't vote yet, as it's not open and I'll come | :34:43. | :34:44. | |
over and mess around with your light fittings! | :34:45. | :34:47. | |
Swing your way over to the posh seats. | :34:48. | :34:53. | |
So far, four acts have left their credibility in the car | :34:54. | :35:06. | |
Two more are putting their pride aside backstage, hoping they're | :35:07. | :35:10. | |
But let's remember why we are all here, and that's | :35:11. | :35:14. | |
And here's how the money you have raised has helped over 12 million | :35:15. | :35:18. | |
Your money has been hard at work across the UK. It finds people whose | :35:19. | :35:33. | |
lives are really hard and tries to help. You've provided comfort to | :35:34. | :35:37. | |
families experiencing grief. Zara's husband, Lee, took his own life | :35:38. | :35:42. | |
after a struggle with depression. I felt I'd been crushed, the shock was | :35:43. | :35:47. | |
just... Takes the breath out of you. When Pete Strachan 's got involved, | :35:48. | :35:58. | |
it was like, there is some hope. -- Pete's Dragons. You've enjoyed young | :35:59. | :36:03. | |
carers get a break from their responsibilities. Becker has been a | :36:04. | :36:06. | |
registered carer since he was five. Sometimes I can't help my mum | :36:07. | :36:11. | |
because she's very hurting. I calm her down if she's upset. A project | :36:12. | :36:18. | |
you fund means she can meet other young carers and have some time for | :36:19. | :36:23. | |
herself. You've given young people brighter futures. David found | :36:24. | :36:25. | |
himself on the streets as a young teenager. You don't understand your | :36:26. | :36:31. | |
emotions so you bottle it up, you don't now how to cope with some | :36:32. | :36:34. | |
things. Now I feel I have a chance of really turning my life around. | :36:35. | :36:42. | |
You felt older people feel less alone. Like Derek, who sadly lost | :36:43. | :36:44. | |
his wife to dementia last year. I felt absolutely empty. Now starts | :36:45. | :36:49. | |
the loneliest part of my life. I'm very pleased that I can find a place | :36:50. | :36:54. | |
like the luncheon club and get over this feeling of loneliness. Your | :36:55. | :36:58. | |
cash has reached over 12 million people in need | :36:59. | :37:14. | |
across the UK. Dealing with all sorts of tough things. From | :37:15. | :37:16. | |
depression to domestic violence, from young carers to elder abuse. | :37:17. | :37:19. | |
Wherever you are in the UK you are likely to be within 20 miles of the | :37:20. | :37:21. | |
nearest Comic Relief project. This is your opportunity to help people | :37:22. | :37:24. | |
in your community, people who need your help right now. Your money can | :37:25. | :37:26. | |
and will change lives. To donate ?10, text the word give. To donate | :37:27. | :37:32. | |
?20... Your donations really do go to those | :37:33. | :37:38. | |
who need it. Our next act stunned our judges | :37:39. | :37:41. | |
with a range of amazing outfits, Continuing to the raise | :37:42. | :37:44. | |
the 'steaks' tonight, Michelle... Alex... Iwan ... | :37:45. | :38:11. | |
Angelico. Dom. The one show! Sleek, sexy and... I spoiled it. Don't | :38:12. | :38:19. | |
worry, Michelle, we'll cut that bit out. | :38:20. | :38:22. | |
Naz hi, Michelle. We're here, we've got the what's going on? I've | :38:23. | :38:32. | |
organised a day of SAS training so you are in peak physical and mental | :38:33. | :38:40. | |
condition for the final. What are you girls doing? Something similar, | :38:41. | :38:42. | |
really similar. Anyway, have fun, by. Cheerio. Shall we get a massage | :38:43. | :38:52. | |
after this? Yeah. What are you waiting for? Come on, let's go. | :38:53. | :39:02. | |
Among! But you get up you get, come on! Going anywhere nice this summer? | :39:03. | :39:10. | |
Not really, I want to get away but you know what it's like. Tell me | :39:11. | :39:15. | |
about it, work, work, work on the one show. | :39:16. | :39:25. | |
Hundred and four, hundred and five, 100 and six. | :39:26. | :39:40. | |
Cheers! Shall I see how the boys are getting on? Yeah. | :39:41. | :39:52. | |
No answer. Shopping? You know me so well. | :39:53. | :40:02. | |
Performing Lady Gaga's 'Born this Way' - it's The One Show Reporters! | :40:03. | :40:05. | |
# She rolled my hair and put my lipstick on | :40:06. | :40:25. | |
# There's nothing wrong with loving who you are | :40:26. | :40:33. | |
# She said, "'Cause he made you perfect, babe" | :40:34. | :40:38. | |
# "So hold your head up girl and you'll go far, | :40:39. | :40:41. | |
# I'm on the right track, baby, I was born this way | :40:42. | :40:53. | |
# Right track baby, I was born this way | :40:54. | :41:16. | |
# You're black, white, beige, chola descent | :41:17. | :41:24. | |
# Left you outcast, bullied or teased | :41:25. | :41:28. | |
# 'Cause baby, you were born this way | :41:29. | :41:32. | |
# I'm on the right track, baby, I was born this way | :41:33. | :41:40. | |
# Right track, baby, I was born this way | :41:41. | :42:02. | |
APPLAUSE CHEERING | :42:03. | :42:25. | |
It just gets easier and easier on the eye. Drink it in. | :42:26. | :42:33. | |
Dom, Rogue Traders will never be the same for me! | :42:34. | :42:36. | |
It was cowboy builders! But will also never be the same show. Are you | :42:37. | :42:46. | |
building up a lot of moisture? I feel like a Stavelot sausage with a | :42:47. | :42:48. | |
wig one. -- I can't see a thing. It was what it | :42:49. | :42:57. | |
was. It was hilarious. It it was very funny. Watching you come | :42:58. | :43:18. | |
down the stairs in your heels was one of the favourite things I've | :43:19. | :43:24. | |
ever seen. Iwan 's just dressed in meat! You put a lot of work into it, | :43:25. | :43:30. | |
looks like you had a lot of fun, which is what we wanted. Well done. | :43:31. | :43:35. | |
Reverse, did you go goo goo for Gaga? | :43:36. | :43:38. | |
It feels like this was designed with me in mind because I do spend an | :43:39. | :43:46. | |
inordinate amount of my free time hearing in the windows at butchers. | :43:47. | :43:51. | |
Iwan is like many of the dreams I've had I can't tell my wife about. | :43:52. | :43:56. | |
Touch it, touch it, look at that. Look at the chops on that. A good | :43:57. | :44:04. | |
mosque. Katie, were they on the right track, baby, to winter night? | :44:05. | :44:11. | |
Could be, it was a dirty Saturday night mixed about the performance. | :44:12. | :44:18. | |
Can you do the one show like this all the time? I assumed Dominic | :44:19. | :44:21. | |
didn't know the dance for most of it because he stood still but you burst | :44:22. | :44:24. | |
through in the end. Do they know you are wearing heels? Look! APPLAUSE | :44:25. | :44:35. | |
You were born this way and I'm pleased about it. | :44:36. | :44:41. | |
Are The One Show Reporters on the edge, the edge, | :44:42. | :44:43. | |
And do you want them to be your winners? | :44:44. | :44:47. | |
If the answer to these questions is yes, then | :44:48. | :44:49. | |
all the details you need are, are creeping across my | :44:50. | :44:52. | |
Remember, don't you dare vote yet - it's not open. | :44:53. | :44:56. | |
Now, guys, please walk that way, over to the posh seats. | :44:57. | :44:59. | |
Our final star tonight has given away more holidays | :45:00. | :45:20. | |
than the work experience boy at Lunn Poly! | :45:21. | :45:22. | |
Sinning -- singing and dancing, and spinning?! Maybe a little too much | :45:23. | :45:39. | |
spinning! Before this, people just thought I was a presenter, but now | :45:40. | :45:45. | |
they know I can sing, I can dance, I can rap, I can do comedy, I am a | :45:46. | :45:51. | |
triple threat. That was four! You have to strike when the iron is hot | :45:52. | :46:10. | |
or boy is it EasyJet! -- T-shirt! A mug, a calendar! Inside, it is a bit | :46:11. | :46:17. | |
raunchy! This is my personal favourite! My very own Ham, Hammond. | :46:18. | :46:29. | |
Taste so good, seriously! It is about the USP. I don't know what | :46:30. | :46:35. | |
that means, but it is important. Total number of orders? One T-shirt? | :46:36. | :46:42. | |
Amazing! Over the moon, brilliant! You have got to start somewhere. | :46:43. | :46:46. | |
This is just the brilliant beginning. People really want to | :46:47. | :46:52. | |
learn how to sing and dance like Alison Hammond. So the Alison | :46:53. | :46:57. | |
Hammond School of how to sing and dance like Alison Hammond was born! | :46:58. | :47:01. | |
Just worried I will have to turn people away. Hello every... One! | :47:02. | :47:10. | |
Hello. You the guy who bought the T-shirt! We have got to get our | :47:11. | :47:16. | |
freak one. Ham? Rude not to! Let's punish! | :47:17. | :47:20. | |
Performing Missy Elliott's 'Get Your Freak On' - | :47:21. | :47:23. | |
# And if you want me come and get me now | :47:24. | :47:48. | |
# I know you dig the way I sw-sw-switch my style | :47:49. | :47:55. | |
# Go, get ur, get ur, get ur, get ur, get ur freak on | :47:56. | :48:11. | |
# Go, get ur, get ur, get ur, get ur, get ur freak on | :48:12. | :48:26. | |
# People gon play me now, in and out of town | :48:27. | :48:59. | |
# 'Cause I'm the best around with the crazy style #. | :49:00. | :49:04. | |
# Go, get ur, get ur, get ur, get ur, get ur freak on | :49:05. | :49:24. | |
The life my girl hanging! My word! We will go straight to the panel. | :49:25. | :49:52. | |
She demanded we get our freak on, this freak is well and truly on. | :49:53. | :50:03. | |
I feel like I have seen the real you in a way, this is where you live. I | :50:04. | :50:16. | |
feel like I am finally being myself. Yes, it think it suits you. You are | :50:17. | :50:20. | |
fantastic, I love it and I watched Michelle Obama doing this in Carpool | :50:21. | :50:25. | |
Karaoke and you were better than that. | :50:26. | :50:30. | |
For this moment, in this respect, you are better than Michelle Obama. | :50:31. | :50:33. | |
Just fabulous, you commanded the audience, they were eating out of | :50:34. | :50:42. | |
the palm of your hand. It was wonderful to watch. You have the | :50:43. | :50:46. | |
quality of Adele, you sing one way and you talk a very different way. | :50:47. | :50:51. | |
Adele and Michelle Obama! I love that, the opposite way. | :50:52. | :50:59. | |
And I like this look, I think I will keep this. | :51:00. | :51:04. | |
If you want Alison Hammond to take home the trophy - | :51:05. | :51:08. | |
along with her 16 dancers and matching camo jackets - | :51:09. | :51:11. | |
then all the details to make that happen are on your screen now. | :51:12. | :51:14. | |
But the vote isn't open yet, so just hush your mouth. | :51:15. | :51:17. | |
Please put your hands together for Alison Hammond! | :51:18. | :51:19. | |
All our finalists have performed one last time. | :51:20. | :51:29. | |
Just look at them - it's like a Poundland Madame Tussaud's! | :51:30. | :51:39. | |
Jason, you are the chief judge. Not that it matters. Thoughts and | :51:40. | :51:53. | |
feelings, please? You do not always realise how much free time people | :51:54. | :51:56. | |
have given up to work out the dance and the song and they have done all | :51:57. | :52:01. | |
that for Comic Relief and I think that should be applauded even more | :52:02. | :52:05. | |
than their fabulous performances. CHEERING AND APPLAUSE. Nice words, | :52:06. | :52:09. | |
For one final time, let's hear it for all our finalists! | :52:10. | :52:13. | |
Now, there's now only one thing left to do. | :52:14. | :52:21. | |
It's over to our very own Dame of Saturday night - | :52:22. | :52:27. | |
Barbeeria Windsooria - to open the vote. | :52:28. | :52:29. | |
CHEERING AND APPLAUSE. I love her, don't let go! Do you | :52:30. | :53:32. | |
need me to call the police, Angela? I love her! | :53:33. | :53:33. | |
Now, what on Earth do you two think you've been playing at?! | :53:34. | :53:37. | |
If you'd like to vote for tonight's winner of Let's Sing | :53:38. | :53:50. | |
and Dance for Comic Relief, calls cost 15p, plus any | :53:51. | :53:52. | |
But please be sure to get the bill payer's permission before you call. | :53:53. | :53:58. | |
Alternatively, though, you can vote online for free - | :53:59. | :54:04. | |
at bbc.co.uk/rednoseday, where you will also find full | :54:05. | :54:06. | |
The vote closes in approximately 13 minutes. | :54:07. | :54:12. | |
And remember, do not try to vote if you are watching on demand | :54:13. | :54:15. | |
because the winner will have already been declared! | :54:16. | :54:20. | |
CHEERING AND APPLAUSE. Sorry, late news. | :54:21. | :54:28. | |
News just in from our Entertainment Correspondent... | :54:29. | :54:30. | |
Debbie Harry is switching her broadband provider. | :54:31. | :54:32. | |
Unfortunately, the previous company had left her | :54:33. | :54:34. | |
Angela Rippon! Don't go, don't go! I love her! | :54:35. | :54:56. | |
A huge thanks to the demigoddess of the News Desk, Angela Rippon. | :54:57. | :55:00. | |
Now it's time for a speed-watch and reminder of all of tonight's | :55:01. | :55:11. | |
final performances, and those very important numbers. | :55:12. | :55:13. | |
To vote for Rickie and Melvin - from a mobile, it's 62252 01. | :55:14. | :55:26. | |
And from a landline, it's 090152252 01, or vote online. | :55:27. | :55:37. | |
For Casualty and Hobly City - from a mobile, dial 62252 02. | :55:38. | :55:40. | |
Or from a landline, it's 090152252 02, or you can vote online. | :55:41. | :55:55. | |
For The Chasers - from a mobile, it's 62252 03. | :55:56. | :55:58. | |
Or from a landline, it's 090152252 03, or vote online. | :55:59. | :56:12. | |
If Sara Pascoe gets your vote - then from a mobile, it's 62252 04. | :56:13. | :56:19. | |
And from a landline, it's 090152252 04, or vote online. | :56:20. | :56:31. | |
For The One Show - from a mobile, it's 62252 05. | :56:32. | :56:36. | |
And from a landline, it's 090152252 05, or vote online. | :56:37. | :56:48. | |
And finally, if Alison Hammond gets your vote - | :56:49. | :56:50. | |
And from a landline, it's 090152252 06, or vote online. | :56:51. | :57:06. | |
There you have it - all the details you need - | :57:07. | :57:15. | |
so now it's down to you, and only you, to choose your winner. | :57:16. | :57:18. | |
Our finalists have done all they can, so whilst they head | :57:19. | :57:23. | |
off backstage to vote for themselves on speed dial, the real reason we're | :57:24. | :57:26. | |
Here's a report from Reggie Yates on the struggle with poverty | :57:27. | :57:31. | |
Throughout the bustling township here in Kenya, families lived a hand | :57:32. | :57:43. | |
to None more so than Olivia, who is | :57:44. | :57:52. | |
struggling to make ends meet. She showed me where she lived and it was | :57:53. | :57:56. | |
here in this cramped tin shack and the worst thing is, a three months | :57:57. | :58:00. | |
behind in their rent and they could be thrown out at any time. | :58:01. | :58:04. | |
How difficult is it raising four children here? Do not enough food my | :58:05. | :58:15. | |
children. As a mother, you clearly love your children, how difficult is | :58:16. | :58:18. | |
it for you to know that on some days, you can only give them some | :58:19. | :58:25. | |
tea? With a lack of basic facilities at | :58:26. | :58:30. | |
home, six-year-old the city took me to a spot at the back of her house | :58:31. | :58:34. | |
where she goes to wash. And it was in sewage. | :58:35. | :58:44. | |
So do you want to be when you are bigger and stronger? So to be a | :58:45. | :58:52. | |
teacher, you need to be stronger first, look, yes! | :58:53. | :58:57. | |
High-5, good work! I spoke to Olivia about a lot of things today but the | :58:58. | :59:01. | |
thing that will stay with me is that she believes that no one will help | :59:02. | :59:08. | |
her and nobody can help her, but you can, really easily. Comic Relief | :59:09. | :59:12. | |
supports a project that will help Olivia and mothers like her to start | :59:13. | :59:15. | |
up a business so they can support the children and give them a more | :59:16. | :59:19. | |
secure future. And it will get children into school and learning. | :59:20. | :59:21. | |
To donate ?10, text the word give... Thanks to Comic Relief | :59:22. | :59:31. | |
and the money you help raise, Olivia will now be supported | :59:32. | :59:36. | |
to start a small business, so that she can provide | :59:37. | :59:38. | |
food for her family, and the children will also get | :59:39. | :59:41. | |
back into education. If you want to help families | :59:42. | :59:43. | |
like Olivia's ,then all the information you need to donate | :59:44. | :59:45. | |
is on your screen now. Please remember, texts | :59:46. | :59:49. | |
will cost your donation plus your standard network message | :59:50. | :59:50. | |
charge and 100% of your donation And please ask the bill | :59:51. | :59:53. | |
payer's permission. For full terms and conditions | :59:54. | :00:00. | |
and more information, Now, here with an exclusive | :00:01. | :00:02. | |
performance of her new single - So Good - it's Swedish singing | :00:03. | :00:11. | |
sensation Zara Larsson! # So good, so good, so good, | :00:12. | :00:13. | |
so good # So good, so good, so good, | :00:14. | :00:19. | |
so good # My love is more potent | :00:20. | :00:30. | |
than anything # One little taste will | :00:31. | :00:31. | |
have you open # I know | :00:32. | :00:37. | |
you want some, you want some # Too strong, no limits, | :00:38. | :00:40. | |
it's artificial # It go straight to your head, | :00:41. | :00:42. | |
control your mind with it # I know you want | :00:43. | :00:49. | |
some, you want some # Gets you higher babe | :00:50. | :00:51. | |
that gets you higher, # Cos you know I got | :00:52. | :00:59. | |
# You'll be stuck on it 'cos my love's so good | :01:00. | :01:06. | |
# So ya keep comin' back to get some more | :01:07. | :01:08. | |
# My love, my love feelings all emotional | :01:09. | :01:14. | |
# You know my love is so good, so good, so good | :01:15. | :01:26. | |
# Got an endless supply, there'll never be a drought | :01:27. | :01:33. | |
# I put you to sleep, you'll never leave the house | :01:34. | :01:37. | |
# I know you want, know you want some | :01:38. | :01:40. | |
# Gets you higher babe that gets you higher | :01:41. | :01:45. | |
# Cos you know I got it, know I got it babe | :01:46. | :01:54. | |
# You'll be stuck on it cos my love's so good | :01:55. | :01:57. | |
# So ya keep comin' back to get some more | :01:58. | :01:59. | |
# My love, my love feelings, all emotional | :02:00. | :02:02. | |
# You'll be stuck on it 'cause my love's so good | :02:03. | :02:22. | |
# So ya keep coming back to get some more | :02:23. | :02:24. | |
# My love, my love feelings, all emotional | :02:25. | :02:30. | |
APPLAUSE CHEERING | :02:31. | :03:11. | |
Quick management survey about our experience | :03:12. | :03:22. | |
# 'Cause I've had the time of my life | :03:23. | :03:55. | |
# Now I've finally found someone to stand by me | :03:56. | :04:11. | |
# There's no way we could disguise it secretly | :04:12. | :04:29. | |
# 'Cause we seem to understand the urgency | :04:30. | :04:37. | |
# You're the one thing I can't get enough of | :04:38. | :04:47. | |
# Because I've had the time of my life | :04:48. | :05:01. | |
# 'Cause I've had the time of my life | :05:02. | :05:19. | |
# And I've searched through every open door | :05:20. | :05:23. | |
# Because I've had the time of my life | :05:24. | :05:57. | |
# 'Cause I've had the time of my life | :05:58. | :06:14. | |
# And I've searched through every open door | :06:15. | :06:19. | |
# 'Cause now I've had the time of my life | :06:20. | :07:50. | |
# And I've searched through every open door | :07:51. | :07:52. | |
And we just want to say to all our fabulous star acts, | :07:53. | :08:32. | |
panellists and community groups across the land who've | :08:33. | :08:34. | |
given their time for free for Comic Relief, we salute you! | :08:35. | :08:43. | |
I really have had the time of my life, Sue! | :08:44. | :08:52. | |
I was doing it for the cash, to be honest. 71 million quid I've made, | :08:53. | :08:56. | |
still rising. Now, as you saw there, | :08:57. | :09:00. | |
the vote is now closed. But for one last time, | :09:01. | :09:02. | |
Barbara Windsor, over to you! Don't vote now, as you know | :09:03. | :09:06. | |
the deal - it won't count Barberia wins that will be very | :09:07. | :09:28. | |
angry with you. -- Barberia Windsor. Now, our next Comic Relief report | :09:29. | :09:35. | |
is from Russell Howard, as he visited a Liberian hospital | :09:36. | :09:37. | |
for malnourished children. Please be aware that some | :09:38. | :09:39. | |
viewers may find scenes I've come to the children's ward | :09:40. | :09:41. | |
at Redemption Hospital in Liberia. I had some idea of what I might | :09:42. | :09:51. | |
experience, but nothing prepared me for seeing a child desperately ill, | :09:52. | :09:54. | |
suffering from malnutrition. This is Tabitha, and her | :09:55. | :10:08. | |
father, Alexander. It's just awful to think | :10:09. | :10:13. | |
that this still happens. That there's a little girl who's | :10:14. | :10:16. | |
so malnourished that her dad had One in every three children | :10:17. | :10:19. | |
in Liberia If her dad hadn't | :10:20. | :10:25. | |
brought her today, Yes, yes, if he'd delayed | :10:26. | :10:50. | |
for 30 more minutes... Something bad could | :10:51. | :10:54. | |
have been happening. All Tabitha's father can do now | :10:55. | :10:57. | |
is comfort his little girl. # One for the little boy | :10:58. | :11:10. | |
who lives down the lane #. When I left Liberia, I thought | :11:11. | :11:18. | |
Tabitha was going to be OK. But when I got back | :11:19. | :11:21. | |
we actually found out If you donate money, | :11:22. | :11:23. | |
we can get emergency food to children like | :11:24. | :11:31. | |
Tabitha, and they won't die. Just ?20 would pay for four weeks' | :11:32. | :11:33. | |
worth of this emergency food for malnourished babies, | :11:34. | :11:52. | |
and perhaps save children Tonight, that's just | :11:53. | :11:54. | |
one simple text. If you want to donate, | :11:55. | :12:00. | |
then all the information you need Please do give what you can, every | :12:01. | :12:06. | |
single donation can change lives. If you haven't had enough of the old | :12:07. | :12:22. | |
singing and dancing, we've got a special treat. | :12:23. | :12:23. | |
Now, here with her massive chart hit 'Be The One', | :12:24. | :12:26. | |
# I see the moon I see the moon | :12:27. | :12:40. | |
# I'm not a fool Not a fool | :12:41. | :12:52. | |
# Thinking of that, baby, I was wrong I was wrong | :12:53. | :13:22. | |
# Come back to me, baby, we can work this out | :13:23. | :13:26. | |
# Oh, baby, come on, let me get to know you | :13:27. | :13:28. | |
# Just another chance so that I can show | :13:29. | :13:31. | |
# 'Cause I could be the one | :13:32. | :13:37. | |
# I could be the one I could be the one | :13:38. | :13:54. | |
# I see in blue I see in blue | :13:55. | :13:57. | |
# And there's nothing that I wanna do for you | :13:58. | :14:07. | |
# Oh 'cause you got inside my head Do for you | :14:08. | :14:16. | |
# When you're gone When you're gone | :14:17. | :14:21. | |
# I was wrong I was wrong | :14:22. | :14:30. | |
# Come back to me, baby, we can work this out | :14:31. | :14:39. | |
# Oh baby come on, let me get to know you | :14:40. | :14:42. | |
# Just another chance so that I can show | :14:43. | :14:45. | |
# 'Cause I could be the one | :14:46. | :14:54. | |
# I could be the one Be the one, be the one | :14:55. | :15:22. | |
# Oh, baby, come on, let me get to know you | :15:23. | :15:27. | |
# Just another chance so that I can show | :15:28. | :15:29. | |
# 'Cause I could be the one | :15:30. | :15:39. | |
Now, last night's Red Nose Day extravaganza raised an amazing... | :15:40. | :16:22. | |
But it's only the total so far, so don't forget - | :16:23. | :16:29. | |
send your fundraising money, so we can see how much | :16:30. | :16:32. | |
And a massive thank you to everyone who has donated too. | :16:33. | :16:36. | |
You can continue to donate, and all the details | :16:37. | :16:38. | |
A galaxy of stars took part in the Comic Relief | :16:39. | :16:42. | |
We had to squash them all into a minute and a half. | :16:43. | :16:46. | |
Red Nose Day 2017, make some noise! CHEERING AND APPLAUSE. | :16:47. | :17:00. | |
Hello! Hello, hello, you are at home! | :17:01. | :17:11. | |
Are you with me? We hope you are having a very | :17:12. | :17:16. | |
special night over there in red nose land. Happy? Very! I am back on the | :17:17. | :17:25. | |
television after a very crazy year. If you cannot stand the heat, make a | :17:26. | :17:31. | |
crop top! The cool kids are sitting on the back of the sofa! Absolutely! | :17:32. | :17:49. | |
Ed Sheeran, face, shave your head! I don't care, I ain't bothered! | :17:50. | :17:57. | |
Oh! ?71 million! | :17:58. | :18:20. | |
Thank you, thank you. Goodbye! CHEERING AND APPLAUSE. | :18:21. | :18:30. | |
Barberia! Hang on one second, I have breaking news. We going live to our | :18:31. | :18:41. | |
reporter Angela Rippon, which a massive waste of time, she was just | :18:42. | :18:42. | |
here, Angela! Thank you so much, Ange. | :18:43. | :18:55. | |
That is the Gravett has this show has been waiting for. -- Bravo TASS. | :18:56. | :18:58. | |
So, it's now time to welcome back all of tonight's finalists. | :18:59. | :19:03. | |
The stars of Casualty and Holby City. | :19:04. | :19:08. | |
Earlier tonight, six star acts did singy and dancey for you. | :19:09. | :19:52. | |
The act with the highest number of viewer votes will be the series | :19:53. | :19:55. | |
winners of Let's Sing Dance for Comic Relief 2017! | :19:56. | :19:58. | |
Right, time to cue the low dramatic lighting. | :19:59. | :20:17. | |
LAUGHTER. CHEERING AND APPLAUSE. | :20:18. | :20:27. | |
How long were the lights out for, mate? | :20:28. | :20:30. | |
Don't know what happened there, mate. | :20:31. | :20:33. | |
It seemed like an age! You look absolutely incredible, have | :20:34. | :20:38. | |
You look absolutely incredible, have you had work done? | :20:39. | :20:41. | |
Can I just say that I had spent a long time in the Wirral! Round of | :20:42. | :20:55. | |
applause please for the slightly older Mel Sue. | :20:56. | :21:00. | |
Stay with us, I am keeping Pamela Botovo! | :21:01. | :21:03. | |
I am not sending you away, you look better than I do! Do you mind me | :21:04. | :21:09. | |
hugging you like that? Is that a little intense? It is all right! It | :21:10. | :21:12. | |
The Great British public have spoken, and we can now | :21:13. | :21:16. | |
reveal the top three acts in the viewer vote. | :21:17. | :21:20. | |
The Chasers! Are you pleased? Also... | :21:21. | :21:46. | |
You should know it, you from the future! Casualty and Holby City. | :21:47. | :22:18. | |
Very pleased, Pamela? You have all been so brilliant. We | :22:19. | :22:29. | |
love you. Go to the posh seats. The posh seats. | :22:30. | :22:34. | |
Off you go. Pamela and Mary, would you like to go? | :22:35. | :22:39. | |
Pamela and Mary, everyone! CHEERING AND APPLAUSE. Slow and | :22:40. | :22:49. | |
steady, everyone. I can now reveal the star act | :22:50. | :22:52. | |
with the highest number of viewer votes and therefore the winner | :22:53. | :22:55. | |
of Let's Sing Dance Well done, guys, you are so good! | :22:56. | :23:29. | |
Well done, gang! Well done! That was so close! The Chasers, you will | :23:30. | :23:38. | |
perform again... Sorry, I shouting at you! When they performing again?! | :23:39. | :23:46. | |
At the end of the show! How you feeling? My shoelace is on tide! Let | :23:47. | :23:53. | |
me do that for you, we cannot have you tripping up! | :23:54. | :23:55. | |
CHEERING AND APPLAUSE. Off you go, well done, you have | :23:56. | :24:14. | |
Iwan! Go prepare, Bob a pair! See you later, well done. -- go and | :24:15. | :24:19. | |
After four glorious weeks of high notes and high kicks, | :24:20. | :24:26. | |
wigs and weaves, you have chosen your winner. | :24:27. | :24:32. | |
And here's a little highlights package I put together | :24:33. | :24:42. | |
From the all player downloads. -- I player. Let's get the party | :24:43. | :24:51. | |
started! It is live television and I am | :24:52. | :24:56. | |
hoping something will go wrong. What a corker of a show! Hit it! I | :24:57. | :25:04. | |
feel like a very sexy telly tubby. I am looking for somebody who has a | :25:05. | :25:10. | |
bomb as far down as mine! Amazing what you can do when you get | :25:11. | :25:12. | |
off the sofa! A bit of dancing! Looks a bit like | :25:13. | :25:21. | |
some lads running out a budget on an Amsterdam stag night! | :25:22. | :25:26. | |
I was blown away by that, I cannot do the splits! | :25:27. | :25:31. | |
This is what Judd would hope they would become. | :25:32. | :25:47. | |
One, two, three! Hello. I thought it was Lesley Joseph! | :25:48. | :25:57. | |
Let The Chase be going, my pretties! Jenny, where did that voice, from? | :25:58. | :26:06. | |
But this was a documentary series, I am still in shock. As hospital | :26:07. | :26:12. | |
staff, these three people are a credit to the NHS! | :26:13. | :26:20. | |
You are on fire, at times literally! Oh! That is a commitment to Comic | :26:21. | :26:26. | |
Relief! It was wonderful, please don't touch | :26:27. | :26:30. | |
me! Where is this going? Hello, sailor! | :26:31. | :26:40. | |
You have got your freak on, take it off! | :26:41. | :26:45. | |
What a bizarre evening we have all had! | :26:46. | :26:51. | |
I did not doing charitable work should be this enjoyable! | :26:52. | :26:54. | |
CHEERING AND APPLAUSE. Now, without further ado - | :26:55. | :26:57. | |
she said, creating more ado - it's time to introduce your winner | :26:58. | :27:05. | |
of Let's Sing Dance For one final time, make | :27:06. | :27:08. | |
some proper noise for... # There's a land | :27:09. | :27:13. | |
I once heard of once in a lullaby # I could while away the hours | :27:14. | :27:51. | |
conferrin' with the flowers # And my head, I'd be scratchin' | :27:52. | :27:54. | |
while my thoughts were busy hatchin' # When a man's an empty kettle | :27:55. | :28:03. | |
he should be on his mettle # Just because I'm presumin' that | :28:04. | :28:08. | |
I could be kind-a-human # I'm afraid there's no denyin' | :28:09. | :28:15. | |
I'm just a dandelion # But I could show my prowess | :28:16. | :28:22. | |
Be a lion, not a mowess # If ever a wiz there was If ever, | :28:23. | :28:34. | |
oh, ever a wiz there was # Because, because, | :28:35. | :28:46. | |
because, because, because # Because of the wonderful | :28:47. | :28:50. | |
things he does Dies, that you are currently! Well | :28:51. | :29:23. | |
done. Thank you so much to all our acts who have taken part in this | :29:24. | :29:29. | |
series. Thank you for donating, we absolutely loved it! Good night! | :29:30. | :29:44. | |
# So just dance, dance, dance, come on | :29:45. | :29:52. | |
# And ain't nobody leaving soon, so keep dancing | :29:53. | :29:56. |