Browse content similar to Episode 10. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
These five amateur cooks have proved themselves | 0:00:05 | 0:00:09 | |
to be the best in the country. | 0:00:09 | 0:00:11 | |
Tonight, they take on the most infamous challenge of all. | 0:00:17 | 0:00:20 | |
Restaurant critics are intimidating. | 0:00:22 | 0:00:24 | |
You start pushing the boat out, | 0:00:24 | 0:00:26 | |
and you get it wrong, they'll have your guts for garters. | 0:00:26 | 0:00:29 | |
Ah! | 0:00:29 | 0:00:30 | |
They have a fearsome reputation, and don't hold back on their views. | 0:00:30 | 0:00:34 | |
Your mouth surrenders immediately. | 0:00:34 | 0:00:36 | |
Keep on working! | 0:00:36 | 0:00:37 | |
I want to impress the critics. I want to get to the final four, now. | 0:00:37 | 0:00:40 | |
If you had that in a restaurant, you would want to write about it. | 0:00:40 | 0:00:43 | |
That's weird. | 0:00:43 | 0:00:44 | |
Come on! | 0:00:44 | 0:00:46 | |
You've got to be right on your game. | 0:00:48 | 0:00:51 | |
Over the past few months, these five talented amateurs | 0:00:57 | 0:01:02 | |
have pushed their cooking ability to the absolute limit. | 0:01:02 | 0:01:06 | |
-Let's crack on! -Has everyone got their food on the pass, or do they need a help? | 0:01:06 | 0:01:11 | |
KNOCKING | 0:01:11 | 0:01:12 | |
Looking good, let's just get faster, OK? | 0:01:15 | 0:01:17 | |
Now they are all on the verge of a place in the final four. | 0:01:21 | 0:01:24 | |
29-year-old Shelina recently left her job as a diversity manager. | 0:01:26 | 0:01:32 | |
I have never put this much effort | 0:01:32 | 0:01:33 | |
into anything in my life. | 0:01:33 | 0:01:35 | |
So the competition is what it's all about, right now. | 0:01:35 | 0:01:38 | |
My end goal is to have a restaurant. | 0:01:40 | 0:01:42 | |
And I have this vision of this amazing, quaint restaurant | 0:01:42 | 0:01:45 | |
that focuses on Mauritian food. My mum's there all the time, my auntie's there. | 0:01:45 | 0:01:50 | |
But it's still very much a dream at the moment. | 0:01:50 | 0:01:53 | |
Now that I've experienced what the professional kitchens are like, | 0:01:53 | 0:01:57 | |
I want to be there, cooking. And, you know, I've got the burn marks already. | 0:01:57 | 0:02:00 | |
Apparently that's a sign of a real chef. | 0:02:00 | 0:02:03 | |
I'm really focused on getting to the final four, the final three, and then the finals. | 0:02:03 | 0:02:08 | |
That's what I'm here for. | 0:02:08 | 0:02:09 | |
Specialist joiner Eamonn is moving between the MasterChef kitchen | 0:02:13 | 0:02:17 | |
and his family in Lincolnshire. | 0:02:17 | 0:02:19 | |
I've had a passion for working with timber that's sustained me for the last 25 years. | 0:02:19 | 0:02:24 | |
But it's starting to get overwhelmed by my passion for cooking. | 0:02:24 | 0:02:28 | |
The dream is, down the line, to have a small, perfectly formed, | 0:02:30 | 0:02:34 | |
perfectly-run restaurant. | 0:02:34 | 0:02:36 | |
That's the dream. | 0:02:37 | 0:02:38 | |
We're right at the sharp end of the competition, now. | 0:02:40 | 0:02:43 | |
If I can win this, then it is a life changer. | 0:02:43 | 0:02:45 | |
I'll make sure it's a life changer. | 0:02:45 | 0:02:47 | |
32-year-old Andrew lives in London with his wife and young son, | 0:02:51 | 0:02:55 | |
and works as a financial analyst. | 0:02:55 | 0:02:58 | |
I've got to the stage now | 0:02:58 | 0:02:59 | |
where I've got to make a decision about where I take my career. | 0:02:59 | 0:03:03 | |
The more cooking I've done, | 0:03:03 | 0:03:04 | |
the more I've realised that I could be quite good at it, | 0:03:04 | 0:03:08 | |
and that I want to do it | 0:03:08 | 0:03:10 | |
for the rest of my life. | 0:03:10 | 0:03:11 | |
I'm totally, unexplainably seduced by the world of it. | 0:03:11 | 0:03:15 | |
I go and buy cucumbers just so I can practise chopping. | 0:03:15 | 0:03:18 | |
Yeah, I probably am a cooking geek. | 0:03:18 | 0:03:21 | |
I set myself that goal of making the final, and I'm so close, | 0:03:21 | 0:03:25 | |
I just want it, yeah, I want it more than anyone. | 0:03:25 | 0:03:27 | |
Plasterer Tom is juggling the demands of his work | 0:03:33 | 0:03:37 | |
and travelling from his home in West Yorkshire for the competition. | 0:03:37 | 0:03:41 | |
I've been plastering for about eight years, now. | 0:03:41 | 0:03:45 | |
But I'd sooner be a chef than a plasterer, any day. | 0:03:45 | 0:03:48 | |
I spend a lot of time thinking about food, daydreaming, coming up with recipes, | 0:03:48 | 0:03:52 | |
which is probably why I come up with some quite weird combinations, sometimes. | 0:03:52 | 0:03:56 | |
Maybe a little too much time in my mind on my own. | 0:03:56 | 0:03:59 | |
Every dish I'm attempting to do, now, | 0:03:59 | 0:04:02 | |
I'm pushing myself a little bit further. | 0:04:02 | 0:04:05 | |
It's so important to me. | 0:04:05 | 0:04:07 | |
Everything's got to be as close to perfect as humanly possible. | 0:04:07 | 0:04:10 | |
40-year-old Jay is the director of | 0:04:13 | 0:04:15 | |
his own successful security company in Southport. | 0:04:15 | 0:04:19 | |
To build any business, it's never luck. | 0:04:19 | 0:04:22 | |
You know. It's always got to be hard work. | 0:04:22 | 0:04:25 | |
But food is like my love, it's like my passion. | 0:04:25 | 0:04:27 | |
That's why I'm doing MasterChef. | 0:04:27 | 0:04:30 | |
My mates all call me weird, cos I love cooking. | 0:04:30 | 0:04:32 | |
They'll phone me up, | 0:04:32 | 0:04:34 | |
"Where are you? Coming for a beer?" "No, I've got to go shopping. | 0:04:34 | 0:04:37 | |
"There's a couple of cookbooks | 0:04:37 | 0:04:39 | |
"that have just come out, and I've just got to go and get 'em." | 0:04:39 | 0:04:42 | |
You can hear them roaring, laughing. These are all doormen. | 0:04:42 | 0:04:45 | |
But you know what? I've took them in the pub, | 0:04:45 | 0:04:48 | |
and next minute they've got them out. "That looks nice!" Know what I mean? | 0:04:48 | 0:04:52 | |
I'm naturally competitive. I really want it, now. | 0:04:53 | 0:04:55 | |
If I did win it, oh, | 0:04:55 | 0:04:58 | |
it would be, | 0:04:58 | 0:05:00 | |
it'd be the most amazing thing in the world. | 0:05:00 | 0:05:02 | |
Today you are presenting three courses not just to John and I, | 0:05:41 | 0:05:45 | |
but to three respected restaurant critics. | 0:05:45 | 0:05:49 | |
These are not easy people to please. | 0:05:49 | 0:05:52 | |
Show these critics your skill, your determination, | 0:05:53 | 0:05:57 | |
and how good you truly are. | 0:05:57 | 0:05:59 | |
A huge amount at stake, today. | 0:05:59 | 0:06:01 | |
Because right now we have five cooks. | 0:06:03 | 0:06:06 | |
At the end of this, | 0:06:06 | 0:06:07 | |
one of you will be leaving us. | 0:06:07 | 0:06:09 | |
Your three courses. One hour and 45 minutes. Let's cook. | 0:06:11 | 0:06:16 | |
The contestants have each designed their own three-course menu | 0:06:25 | 0:06:29 | |
in the hope of impressing their formidable guests. | 0:06:29 | 0:06:33 | |
Tracey MacLeod has been a restaurant critic for The Independent for 15 years. | 0:06:35 | 0:06:41 | |
I want to be well fed, | 0:06:41 | 0:06:42 | |
but I also want to feel a kind of excitement. | 0:06:42 | 0:06:45 | |
Charles Campion is the godfather of British food critics, | 0:06:45 | 0:06:50 | |
and a prolific food writer. | 0:06:50 | 0:06:52 | |
The difference between an OK plate of food | 0:06:52 | 0:06:55 | |
and an excellent plate of food is measured in teaspoons. | 0:06:55 | 0:06:58 | |
Jay Rayner has spent the last decade reviewing restaurants for The Observer. | 0:07:00 | 0:07:05 | |
The thing I live in fear of | 0:07:05 | 0:07:07 | |
is someone thinking they're being creative and witty, | 0:07:07 | 0:07:09 | |
when in fact they're just trying too hard. | 0:07:09 | 0:07:11 | |
During the competition, | 0:07:26 | 0:07:28 | |
I've wavered between trying to change my food, | 0:07:28 | 0:07:30 | |
is this the right style? | 0:07:30 | 0:07:32 | |
But I'm now beginning to appreciate the kind of food that I can do. | 0:07:35 | 0:07:39 | |
I'm starting to appreciate where I am as a cook. | 0:07:39 | 0:07:42 | |
You've combined skills and real understanding of cooking. | 0:07:43 | 0:07:46 | |
Well-cooked lobster, I think the sauce is wonderful and rich. | 0:07:48 | 0:07:51 | |
It's really soothing, really spicy. A lovely, lovely dish. | 0:07:51 | 0:07:55 | |
Today, she's got to stick with the confidence | 0:07:58 | 0:08:00 | |
and deliver beautiful, vibrant food. | 0:08:00 | 0:08:02 | |
My anxiety stems from the fact that I'm cooking for the critics today. | 0:08:03 | 0:08:08 | |
This is horrible! | 0:08:08 | 0:08:10 | |
I've got to keep my eyes on the prize, so fingers crossed. | 0:08:12 | 0:08:15 | |
-Lots and lots of lovely Shelina things on your bench. -There are. | 0:08:21 | 0:08:24 | |
Lots of lovely, lovely Mauritian things on the bench, yep. | 0:08:24 | 0:08:28 | |
What are we going to make? | 0:08:28 | 0:08:30 | |
I'm doing a street food starter. | 0:08:30 | 0:08:33 | |
It's an open flatbread with dry shrimp, | 0:08:33 | 0:08:35 | |
and a chilli crab cake. | 0:08:35 | 0:08:36 | |
The main is going to be spiced monkfish, | 0:08:36 | 0:08:41 | |
and my dessert is going to be a Mauritian tea ice cream, | 0:08:41 | 0:08:44 | |
with a kind of molasses ginger cake. | 0:08:44 | 0:08:46 | |
What do you think the critics will make of your menu when they read it? | 0:08:46 | 0:08:49 | |
To be honest with you, | 0:08:49 | 0:08:51 | |
the dry shrimp is a bit of a turn off anyway, | 0:08:51 | 0:08:53 | |
it's a bit of a dodgy one, and it obviously smells, as well. | 0:08:53 | 0:08:57 | |
I'm going back to my roots. I'm trying to do stuff that I love, | 0:08:57 | 0:09:00 | |
and I want to impress these guys, I want to impress you two, again. | 0:09:00 | 0:09:03 | |
Zipping up your boots, back to your roots, to the place of your birth, back down to earth. | 0:09:03 | 0:09:07 | |
Love your rap. That's so cool. | 0:09:07 | 0:09:09 | |
Brilliant, Shelina. Listen, they're miserable, in there. | 0:09:09 | 0:09:12 | |
-Make 'em smile. Get a bit of Mauritian sunshine into their lives. -Er, OK. OK. | 0:09:12 | 0:09:16 | |
Shelina's three dishes sound really interesting. | 0:09:19 | 0:09:22 | |
It's how she puts it on the plate. | 0:09:22 | 0:09:24 | |
How will it actually make those critics go "wow!" | 0:09:24 | 0:09:28 | |
I've had my ups and downs, you know. | 0:09:34 | 0:09:36 | |
Do you know what my honest opinion is? | 0:09:36 | 0:09:39 | |
The beef is... is beef. I don't find it exciting. | 0:09:39 | 0:09:41 | |
It needs something that's going to lift it, make it sing. | 0:09:41 | 0:09:44 | |
Jay, that is a huge portion. But you need to refine. | 0:09:44 | 0:09:48 | |
You have an extraordinary touch. It's a really, really good dish. | 0:09:50 | 0:09:54 | |
Last time I was in the bottom three. So it's kind of given me a kick. | 0:09:56 | 0:10:01 | |
I know what I've got to do. | 0:10:03 | 0:10:05 | |
You can't walk in there at this level and not want to impress. | 0:10:06 | 0:10:09 | |
Jay. Important day. What are your three courses? | 0:10:13 | 0:10:15 | |
I'm doing pan-fried cod with pancetta and broad beans. | 0:10:15 | 0:10:19 | |
My main course is loin of venison with spiced pears, | 0:10:19 | 0:10:23 | |
chestnut puree and sprouts. | 0:10:23 | 0:10:27 | |
Right. And pudding? | 0:10:28 | 0:10:30 | |
Is vanilla panna cotta | 0:10:30 | 0:10:33 | |
with pink grapefruit, stem ginger and a little sprinkling of praline. | 0:10:33 | 0:10:37 | |
What does your food have to do today for you to stay in the competition? | 0:10:37 | 0:10:40 | |
It's got to wow everyone. | 0:10:40 | 0:10:42 | |
The seasoning's got to be bang on, it's got to be perfect, the flavours have got to marry. | 0:10:42 | 0:10:46 | |
I've always said it, cooking's a balancing act, | 0:10:46 | 0:10:49 | |
and today, mate, I've got to be tightrope walker. | 0:10:49 | 0:10:52 | |
You two are bad enough, let me tell you, | 0:10:52 | 0:10:55 | |
but you've got three mates in there backing every word up. | 0:10:55 | 0:10:58 | |
Jay's starter, cod, I love. His panna cotta with pink grapefruit, I love. | 0:11:01 | 0:11:05 | |
Main course of venison, pears and Brussels sprouts | 0:11:05 | 0:11:09 | |
is bothering me. | 0:11:09 | 0:11:11 | |
Bothering me more than a dodgy Christmas present from my nan. | 0:11:11 | 0:11:14 | |
My abilities as a cook are changing so quickly. I am improving so much. | 0:11:19 | 0:11:24 | |
I just love it. | 0:11:24 | 0:11:26 | |
It's your inventiveness and creativity at its best. | 0:11:26 | 0:11:29 | |
Timing's always going to be an issue. | 0:11:31 | 0:11:33 | |
You've got great textures in there. | 0:11:33 | 0:11:35 | |
It would be great to have a smooth, velvety beetroot puree underneath. | 0:11:35 | 0:11:39 | |
-That was the idea. -That was the idea, you ran out of time. | 0:11:39 | 0:11:42 | |
He has got to temper his creative style, today, | 0:11:45 | 0:11:48 | |
with a little bit of realism. | 0:11:48 | 0:11:49 | |
I'm doing something a little bit different. | 0:11:50 | 0:11:53 | |
In order to show a true reflection of myself, | 0:11:53 | 0:11:56 | |
I have to do something that I believe works. | 0:11:56 | 0:11:59 | |
My place in the competition's riding on today, | 0:11:59 | 0:12:01 | |
so it's a massive day for me, today. | 0:12:01 | 0:12:03 | |
Tom, your three courses that are going to wow the critics are? | 0:12:09 | 0:12:12 | |
I'm doing a seared tuna with a wasabi and sesame seed crust, | 0:12:12 | 0:12:16 | |
and I'm doing | 0:12:16 | 0:12:18 | |
a rack of lamb with almonds, apricots. | 0:12:18 | 0:12:22 | |
And for dessert I'm doing | 0:12:22 | 0:12:24 | |
a millefeuille of mango and chocolate cheesecake. | 0:12:24 | 0:12:27 | |
Tom, what about your timings today? Have you worked this out? | 0:12:27 | 0:12:30 | |
Because that's been a failing of yours. | 0:12:30 | 0:12:33 | |
I've worked out as best as I can do. | 0:12:33 | 0:12:34 | |
I won't know till the end. I'm still pushing myself. | 0:12:34 | 0:12:37 | |
-I'm certainly not going to go out without trying. -Whoa! | 0:12:37 | 0:12:41 | |
I don't want to go home. It's as simple as that. | 0:12:41 | 0:12:45 | |
I'm concerned about some of the ingredients he's putting together. | 0:12:49 | 0:12:52 | |
I'm always concerned about his timings, the amount of work he gives himself. | 0:12:52 | 0:12:56 | |
If I was going to look up the word "concern" in the dictionary, I'd expect to see a picture of Tom. | 0:12:56 | 0:13:01 | |
I think I do deserve to be in the final four. | 0:13:07 | 0:13:10 | |
I've shown right from the start that I can cook. | 0:13:10 | 0:13:13 | |
That's cooking from a professional chef, not an amateur chef. | 0:13:13 | 0:13:16 | |
I'm really impressed with this. | 0:13:16 | 0:13:18 | |
But I've had a habit of over complicating things in the past. | 0:13:18 | 0:13:22 | |
In my mouth now I've got a floral, sweet, oaty fish-biscuit. | 0:13:22 | 0:13:27 | |
It's too many flavours for me. | 0:13:27 | 0:13:30 | |
It's just not right. | 0:13:30 | 0:13:32 | |
Right now is not the time for that. | 0:13:33 | 0:13:36 | |
Today, I've gone for confident food, and interesting food, | 0:13:37 | 0:13:41 | |
but I don't think there's anything controversial. | 0:13:41 | 0:13:44 | |
-A huge quantity of ingredients on your bench. -I have got a lot of work to do, yeah. | 0:13:47 | 0:13:51 | |
What are you cooking for us? | 0:13:51 | 0:13:53 | |
I'm cooking New England raviolo, which is basically a chowder in a raviolo. | 0:13:53 | 0:13:57 | |
Main course is rack of lamb, crusted with mint and hazelnuts, | 0:13:57 | 0:14:00 | |
then I'm making a salmoriglio, | 0:14:00 | 0:14:02 | |
a southern Italian pesto made with oregano. | 0:14:02 | 0:14:04 | |
For dessert we've got treacle tarts, | 0:14:04 | 0:14:06 | |
spice cream, and I'll serve that | 0:14:06 | 0:14:08 | |
with these lovely roasted crab apples. | 0:14:08 | 0:14:10 | |
I haven't managed to do this on time yet, so today will be a first. | 0:14:10 | 0:14:14 | |
Er, foolish? | 0:14:14 | 0:14:16 | |
Well, slightly foolish at this stage. | 0:14:16 | 0:14:19 | |
But if I get it all done, that will be impressive. | 0:14:19 | 0:14:21 | |
Yes, it will be impressive, but what happens if you blow it today, Andrew? | 0:14:21 | 0:14:25 | |
Then it will have been too much of a risk. | 0:14:25 | 0:14:29 | |
Andrew's menu, John, is so difficult, so time consuming, | 0:14:32 | 0:14:36 | |
and this is an awesome amount of work. | 0:14:36 | 0:14:39 | |
That is daring. In fact, it's bordering on dangerous. | 0:14:39 | 0:14:43 | |
40 minutes left. | 0:14:49 | 0:14:51 | |
Cooking for the critics is a bit of a scary prospect. | 0:14:54 | 0:14:56 | |
I'm trying to approach it as I've approached the last few rounds. | 0:14:56 | 0:15:00 | |
You've got to improve every time. | 0:15:00 | 0:15:02 | |
You've broken my heart here, today. | 0:15:04 | 0:15:06 | |
This dish isn't right. You've overdone it. | 0:15:06 | 0:15:08 | |
You've got to be more measured in your approach. | 0:15:08 | 0:15:11 | |
But I think I'm in the ascendancy. | 0:15:11 | 0:15:13 | |
I like the sauce. | 0:15:13 | 0:15:15 | |
I like the combination of the celeriac puree. | 0:15:15 | 0:15:17 | |
-I think you've done a good job. -Thank you. | 0:15:17 | 0:15:20 | |
Three courses today. I'm trying to keep it reasonably simple. | 0:15:21 | 0:15:25 | |
I'm not going to experiment on top food critics. | 0:15:25 | 0:15:28 | |
-How big a day is it today, Eamonn? -Massive day today, Gregg. Yeah. | 0:15:31 | 0:15:34 | |
Three important people to feed and to impress. | 0:15:34 | 0:15:37 | |
-Maybe even five. -Maybe even five. | 0:15:37 | 0:15:40 | |
Tell me what it is you're cooking? | 0:15:41 | 0:15:43 | |
I'm doing a marinated mackerel and a spiced aioli, | 0:15:43 | 0:15:46 | |
bit of soda bread. Just nice and simple. | 0:15:46 | 0:15:49 | |
I'm doing partridge with porcini, | 0:15:49 | 0:15:52 | |
and I'm doing a banana sponge | 0:15:52 | 0:15:53 | |
with a ginger and thyme custard and butterscotch. | 0:15:53 | 0:15:58 | |
What is it about today's food that you think will make the difference? | 0:15:58 | 0:16:02 | |
I think it's going to be the balance between the three dishes. | 0:16:02 | 0:16:05 | |
There's going to be changes in textures, in flavours, | 0:16:05 | 0:16:07 | |
the mackerel's going to be sweet, acidic, and then I want to take you back to school. | 0:16:07 | 0:16:11 | |
I want to give you bananas and custard, | 0:16:11 | 0:16:13 | |
but, you know, with a little twist. | 0:16:13 | 0:16:16 | |
What do you want from today? What's the outcome you want? | 0:16:16 | 0:16:19 | |
I just want to go through. It's as simple as that. | 0:16:19 | 0:16:21 | |
I'm not aiming for fourth worst, I want to be the best in the room. But I just want to go through. | 0:16:21 | 0:16:26 | |
Eamonn's dishes look a lot safer than a lot of the others in here. | 0:16:27 | 0:16:30 | |
I've got no issue with that at all. | 0:16:30 | 0:16:32 | |
Classic combinations are classic for a good reason. | 0:16:32 | 0:16:35 | |
It's whether he can cook them to absolute perfection, and bring some elegance to his plates. | 0:16:35 | 0:16:40 | |
First course, 20 minutes. | 0:16:44 | 0:16:46 | |
I want someone who's got a bit of personality. I want them to talk to me through their food. | 0:16:55 | 0:17:00 | |
I don't want to see dull food. | 0:17:00 | 0:17:02 | |
I don't want to see ill-conceived combinations. | 0:17:02 | 0:17:06 | |
I don't want people to try so hard that it all goes horribly wrong. | 0:17:06 | 0:17:09 | |
I'm going to judge today's food on the highest standards. | 0:17:11 | 0:17:15 | |
These people need to prove that they deserve to be here. | 0:17:15 | 0:17:18 | |
15 minutes before your first course. 15 minutes. | 0:17:25 | 0:17:28 | |
I think we're all feeling about Shelina's menu that | 0:17:30 | 0:17:32 | |
it's got some potential surprises in it. | 0:17:32 | 0:17:36 | |
Even for our jaded palates. | 0:17:36 | 0:17:38 | |
I'm excited by the idea of chilli crab and dried shrimp. | 0:17:44 | 0:17:47 | |
No idea what it will be. | 0:17:47 | 0:17:48 | |
If she's cooking in a tradition that she really knows, | 0:17:50 | 0:17:53 | |
that could be marvellous stuff. | 0:17:53 | 0:17:55 | |
This is nice. How much more you got to do? | 0:17:57 | 0:18:00 | |
The crab cakes need to cook. Two minutes, probably. | 0:18:00 | 0:18:02 | |
In there. | 0:18:05 | 0:18:07 | |
-Done. -Brilliant. Come on, come on, come on! Let's go, let's go. -OK. | 0:18:15 | 0:18:19 | |
-Good luck. -thank you. | 0:18:19 | 0:18:20 | |
-Do you think they'll moan it's too small? -Don't know. | 0:18:22 | 0:18:25 | |
Hello. | 0:18:29 | 0:18:31 | |
Shelina's Mauritian street food starter is a chilli crab cake | 0:18:33 | 0:18:37 | |
with a coriander and mint dip, | 0:18:37 | 0:18:40 | |
and a roti flatbread with a dried shrimp and tomato creole sauce. | 0:18:40 | 0:18:44 | |
I think it looks lovely. Delicate. This is nice girl food. | 0:18:46 | 0:18:51 | |
Not so much girl food, this is pixie portions. | 0:18:51 | 0:18:53 | |
The crab cake's fantastic texture and crunch to it, | 0:19:00 | 0:19:03 | |
and the little dipping sauce is wonderful. | 0:19:03 | 0:19:06 | |
I thought there was very good contrast between the crispy bread | 0:19:06 | 0:19:10 | |
and the fresh greens in there, | 0:19:10 | 0:19:13 | |
worked really well with the shrimps. | 0:19:13 | 0:19:16 | |
I liked every element. | 0:19:16 | 0:19:18 | |
There's serious cookery skill, here. There's a woman who knows what she's doing. | 0:19:18 | 0:19:23 | |
I love it, I love it! That little crab cake is a ferocious little chilli rocket. | 0:19:23 | 0:19:27 | |
The little flatbread with those salty dried shrimps and tomatoes - absolutely delicious. | 0:19:27 | 0:19:32 | |
I think the whole thing could probably do with just a little more chilli. | 0:19:32 | 0:19:36 | |
The main course, spiced monkfish on red lentil dahl with tomato and coriander sauce. | 0:19:36 | 0:19:41 | |
It'll be about how finely tuned her spicing is. | 0:19:43 | 0:19:47 | |
We need those mains in 15 minutes. | 0:19:47 | 0:19:49 | |
-Are you under control, Shelina? -Apart from the fish. | 0:19:54 | 0:19:57 | |
-What's wrong with the fish? -I'm just having to make sure... It's quite thick. | 0:19:57 | 0:20:01 | |
-OK with the fish? -Yeah. It's fine. -Good, good, good. Well done. | 0:20:14 | 0:20:18 | |
Let's go, let's go. | 0:20:19 | 0:20:22 | |
Smile! | 0:20:22 | 0:20:24 | |
For her main, Shelina has made spiced monkfish | 0:20:33 | 0:20:38 | |
on a red lentil dahl, garnished with pickle papaya, | 0:20:38 | 0:20:41 | |
a tomato and coriander chutney, and garam masala onion rings. | 0:20:41 | 0:20:46 | |
It does smell very, very good indeed. | 0:20:46 | 0:20:49 | |
I have high hopes. | 0:20:49 | 0:20:51 | |
Everything has got an equal presence on the plate. | 0:20:51 | 0:20:55 | |
I really like the look of it. | 0:20:55 | 0:20:57 | |
-The monkfish is very well cooked indeed. -Mmm. -I mean, that's bang on. | 0:20:59 | 0:21:04 | |
I love the dahl, I love the tomato and coriander sauce. | 0:21:04 | 0:21:07 | |
I even like the pickled papaya. | 0:21:07 | 0:21:09 | |
I mean, there's a lot of technique on the plate, isn't there? | 0:21:09 | 0:21:12 | |
It just feels a little restrained. | 0:21:12 | 0:21:14 | |
As if she suspects we couldn't quite take the punch that she would normally throw in. | 0:21:16 | 0:21:20 | |
Because it's so good, | 0:21:21 | 0:21:23 | |
we're lamenting the fact that it could almost be great. | 0:21:23 | 0:21:26 | |
Fish is beautifully cooked, sauces are nicely made, dahl is cooked beautifully. | 0:21:29 | 0:21:33 | |
To me, it needs more spice, it needs more seasoning, it definitely needs more chilli. | 0:21:33 | 0:21:38 | |
Right. Dessert to go, yeah? Let's go, let's go. | 0:21:40 | 0:21:43 | |
-Desserts are fine. -Are you happy with it? | 0:21:43 | 0:21:45 | |
Yeah, I am happy with this one. | 0:21:45 | 0:21:47 | |
Ginger cake with vanilla tea ice cream. | 0:21:48 | 0:21:51 | |
Er... OK. | 0:21:51 | 0:21:53 | |
Sounds interesting. | 0:21:53 | 0:21:55 | |
A bit of ice cream on the side - excellent. | 0:21:56 | 0:21:59 | |
And cream and custard, for me. | 0:21:59 | 0:22:01 | |
Final minute for the final course, yeah? | 0:22:02 | 0:22:05 | |
Yeah. I'm ready to go, after this scoop. | 0:22:05 | 0:22:08 | |
-I think that's it. -What about the cup with all the ice cream smudged down the side? | 0:22:09 | 0:22:13 | |
Oh. I didn't even see that. | 0:22:13 | 0:22:16 | |
-I'm ready to go, I am. -Brilliant! Come on, come on. | 0:22:16 | 0:22:18 | |
-Good luck. -Thank you. | 0:22:18 | 0:22:20 | |
Her dessert is a molasses ginger cake drizzled with | 0:22:30 | 0:22:34 | |
a rum and cardamom syrup, with a sweet vanilla tea ice cream. | 0:22:34 | 0:22:37 | |
It smells absolutely gorgeous. I mean, rum and cardamom syrup. How good does that sound? | 0:22:40 | 0:22:44 | |
This looks like a ginger cake that has sufficient squelch. | 0:22:44 | 0:22:48 | |
It's a very, very good piece of ginger cake, | 0:22:51 | 0:22:53 | |
and I really, really like the ice cream, | 0:22:53 | 0:22:56 | |
which is sort of an iced version of Indian chai, milky chai. | 0:22:56 | 0:22:59 | |
The cake is where the sweetness comes, | 0:23:00 | 0:23:03 | |
the ice cream is actually tempering it. | 0:23:03 | 0:23:05 | |
They go beautifully together. I think it's wonderful. | 0:23:05 | 0:23:08 | |
It's a very good ginger cake. It's up there amongst the greats. | 0:23:08 | 0:23:11 | |
I'll finish it, now. | 0:23:11 | 0:23:14 | |
Overall, I like her food very much. | 0:23:14 | 0:23:17 | |
I'd quite like to take her home with me to cook my tea. | 0:23:17 | 0:23:19 | |
That tea ice cream and the ginger cake is amazing. | 0:23:22 | 0:23:26 | |
Moist, sweet, with the warmth of ginger running through it. | 0:23:26 | 0:23:31 | |
Luscious. | 0:23:31 | 0:23:32 | |
-So you liked the cake and ice cream? -I think that's delicious. Absolutely delicious. | 0:23:35 | 0:23:40 | |
I wanted to be so happy with everything that I give to them, | 0:23:46 | 0:23:50 | |
and I just wasn't. | 0:23:50 | 0:23:52 | |
It's tough in there. All your senses go. | 0:23:53 | 0:23:56 | |
I don't think I spiced enough. | 0:23:56 | 0:23:58 | |
Jay, you're aware you've got eight minutes, are you? | 0:24:07 | 0:24:10 | |
-Yeah. -All right, all right. I look more scared than you do. | 0:24:10 | 0:24:13 | |
Fair enough. OK, good. | 0:24:13 | 0:24:15 | |
His starter, fish and minted peas, | 0:24:17 | 0:24:19 | |
there's nothing to scare the horses, here. | 0:24:19 | 0:24:22 | |
It is a pretty conventional dish. | 0:24:25 | 0:24:28 | |
I wonder if he's going to do something a little different with it. | 0:24:28 | 0:24:31 | |
Jay, John looks nervous. You sure that fish is cooked? | 0:24:35 | 0:24:37 | |
If it's not by the time I've plated up, then it's going back on for literally ten seconds. | 0:24:37 | 0:24:42 | |
-Happy? -I think that's there. -Good. | 0:24:45 | 0:24:47 | |
-As soon as that fish hits the plate we've got to go, yeah? -Good to go. | 0:24:50 | 0:24:54 | |
Go on, son. That looks lovely. Go and knock 'em dead. | 0:24:54 | 0:24:57 | |
-Hi. -Hi. | 0:25:05 | 0:25:06 | |
Jay's starter is pan fried cod served on crushed minted peas, | 0:25:09 | 0:25:15 | |
with crispy pancetta and broad beans. | 0:25:15 | 0:25:18 | |
That piece of fish is just cooked, and I wouldn't be surprised | 0:25:21 | 0:25:24 | |
if one of those critics gets a piece which is not cooked all the way through. | 0:25:24 | 0:25:29 | |
My fish is, at the heart, hasn't been cooked through properly. | 0:25:29 | 0:25:33 | |
It's a shame, because in the seasoning | 0:25:33 | 0:25:37 | |
and the combination of flavours, you know, it's perfectly good. | 0:25:37 | 0:25:40 | |
The sweetness of the mashed peas | 0:25:40 | 0:25:43 | |
is quite attractive with the pancetta. | 0:25:43 | 0:25:48 | |
It tasted good, it was just the fish not being well cooked. | 0:25:48 | 0:25:51 | |
Loved the richness of those peas with the mint and the dill running through it, | 0:25:51 | 0:25:55 | |
the saltiness of the ham and those broad beans. It's a really good dish. | 0:25:55 | 0:25:59 | |
-15 before your next course, all right? -I'm all over it. | 0:26:02 | 0:26:05 | |
Loin of venison with spiced pears. | 0:26:07 | 0:26:09 | |
There is a potential for this to come out as a fairly dry plate of food. Who knows? | 0:26:09 | 0:26:14 | |
You got just over a minute to finish off, yeah? | 0:26:22 | 0:26:25 | |
OK. | 0:26:25 | 0:26:26 | |
All right? | 0:26:37 | 0:26:39 | |
One second. Can't take in dirty plates. | 0:26:39 | 0:26:42 | |
-OK, good to go. -Go. Go, go, go. -Good luck, mate. Well done. -Thank you. | 0:26:44 | 0:26:48 | |
For his main, Jay is serving loin of venison | 0:27:01 | 0:27:04 | |
rolled in crispy bacon shards, | 0:27:04 | 0:27:06 | |
with cumin and cinnamon spiced pears, | 0:27:06 | 0:27:10 | |
Brussels sprouts, and a chestnut puree. | 0:27:10 | 0:27:12 | |
I do like venison rare, but this looks like it's merely been seared round the outside. | 0:27:13 | 0:27:17 | |
I suspect that if I put a few volts of electricity through this, | 0:27:17 | 0:27:20 | |
I could get the muscle to twitch. | 0:27:20 | 0:27:22 | |
Pears, sprouts, chestnuts and venison. Fair enough. | 0:27:27 | 0:27:31 | |
A sauce over everything might have pulled it together. | 0:27:31 | 0:27:34 | |
Brussels sprouts and bacon, kind of classic combination, | 0:27:34 | 0:27:38 | |
but the pears are the, you know, the low point. | 0:27:38 | 0:27:43 | |
It just doesn't come together, does it? | 0:27:43 | 0:27:45 | |
It's very, very sweet. | 0:27:48 | 0:27:50 | |
Sweet pear, there's cinnamon in there, | 0:27:50 | 0:27:52 | |
and then there's chestnut puree as well. | 0:27:52 | 0:27:55 | |
The sweet pear and the venison, I really like. | 0:27:55 | 0:27:59 | |
And, actually, I would love a lot more sprouts on that plate to balance the whole thing up. | 0:27:59 | 0:28:03 | |
-15 minutes, OK? Dessert. -Gotcha. -You happy with everything? -Yeah. | 0:28:14 | 0:28:19 | |
Jay's dessert, vanilla panna cotta with pink grapefruit and stem ginger. | 0:28:19 | 0:28:23 | |
I really like panna cotta. It's one of my favourite things. | 0:28:23 | 0:28:26 | |
I wouldn't think of putting pink grapefruit together with stem ginger. | 0:28:27 | 0:28:31 | |
90 seconds, Jay. But it looks like were there, doesn't it? | 0:28:36 | 0:28:39 | |
Good. Love it. On time again. Well done. | 0:28:45 | 0:28:47 | |
Jay's dessert is vanilla panna cotta | 0:29:03 | 0:29:05 | |
topped with pink grapefruit and stem ginger, | 0:29:05 | 0:29:08 | |
and a sprinkling of crushed hazelnut praline. | 0:29:08 | 0:29:12 | |
I'm afraid it's wrong and cowardly | 0:29:13 | 0:29:17 | |
not to turn out your panna cotta. | 0:29:17 | 0:29:20 | |
However, you can see that he's done the thing you need to do, | 0:29:20 | 0:29:23 | |
which is to spread the vanilla pod all the way through. | 0:29:23 | 0:29:26 | |
Panna cotta is fine, texture-wise, isn't it? | 0:29:31 | 0:29:33 | |
It's just so odd to have such a sharp, biting flavour as fresh grapefruit. | 0:29:34 | 0:29:39 | |
The panna cotta mix does set relatively well. | 0:29:39 | 0:29:42 | |
I just don't think this combination of things | 0:29:42 | 0:29:45 | |
makes for a very good pudding. | 0:29:45 | 0:29:48 | |
That's a really lovely panna cotta that's absolutely full of really nice, warming vanilla. | 0:29:49 | 0:29:55 | |
And then there's a really sharp but sweet pink grapefruit. | 0:29:55 | 0:29:58 | |
And it's hard to blend the two. | 0:29:58 | 0:30:00 | |
It's intense, there's no two ways about it. | 0:30:12 | 0:30:15 | |
I've done all I can. I'm just hoping that they liked it. | 0:30:15 | 0:30:21 | |
12 minutes, yeah, Tom? 12. | 0:30:26 | 0:30:29 | |
-Tell me what you've got to do, Tom. -Slice the avocado, dress my salad and coriander, | 0:30:33 | 0:30:38 | |
slice my tuna, plate up, slice my toast. | 0:30:38 | 0:30:41 | |
-(Jelly.) -And my jelly! | 0:30:41 | 0:30:45 | |
Come on, mate. Got to move, now. | 0:30:53 | 0:30:55 | |
I'm a little bit scared by Tom's starter. | 0:30:56 | 0:30:59 | |
Seared tuna salad with wasabi pickled ginger and anchovy toast. | 0:30:59 | 0:31:02 | |
Blimey, it's like something thrown out by a random menu generator, isn't it? | 0:31:02 | 0:31:07 | |
It will either be magnificent, or it will be ghastly. | 0:31:07 | 0:31:10 | |
Right, come on. Let's go, come on. | 0:31:24 | 0:31:26 | |
That's weird. | 0:31:28 | 0:31:30 | |
Tom's first course is wasabi and sesame seared tuna, | 0:31:37 | 0:31:41 | |
topped with salmon roe, and a sliver of anchovy toast, | 0:31:41 | 0:31:44 | |
with avocado and a pickled ginger jelly. | 0:31:44 | 0:31:46 | |
I love the toast and the saltiness, and I love the tuna with the wasabi. | 0:31:50 | 0:31:53 | |
It's great. I just don't like the jelly. | 0:31:53 | 0:31:57 | |
I don't mind the flavours, it's the textures I find weird. | 0:31:57 | 0:32:00 | |
I never want to see tuna, toast and jelly ever again. | 0:32:00 | 0:32:03 | |
I bet you the critics love it. | 0:32:03 | 0:32:05 | |
There's a bunch of flavours I actually rather like, here. This tuna's good. | 0:32:08 | 0:32:12 | |
The little bit of roe on the top works. | 0:32:12 | 0:32:15 | |
The jelly, despite looking terrifying, is bright and fresh and clean. | 0:32:15 | 0:32:19 | |
The anchovy toast is a real star. Got a little crunch to it. | 0:32:19 | 0:32:22 | |
This is a really harmonious dish, to my mind. | 0:32:22 | 0:32:25 | |
This jelly just sort of detonates with the tuna. | 0:32:25 | 0:32:29 | |
Just brings it zinging to life. | 0:32:29 | 0:32:32 | |
If you had that in a restaurant, you would be excited, | 0:32:32 | 0:32:35 | |
and you would want to write about it. | 0:32:35 | 0:32:38 | |
-You've got seven minutes for your main course, Tom. -Thank you. -Seven minutes. | 0:32:42 | 0:32:46 | |
Lamb OK? | 0:32:49 | 0:32:50 | |
-TIMER BEEPS -Tell you in a minute. | 0:32:50 | 0:32:52 | |
Spiced rack of lamb with an almond and apricot crust. | 0:32:52 | 0:32:57 | |
As long as he knows what he's doing, that makes quite a bit of sense. | 0:32:57 | 0:33:01 | |
It's all about timings, isn't it? | 0:33:02 | 0:33:04 | |
You should be serving now, Tom. | 0:33:07 | 0:33:09 | |
Let's go. Well done. Come on. | 0:33:19 | 0:33:20 | |
For his main, Tom has made spiced rack of lamb | 0:33:35 | 0:33:39 | |
with an almond and apricot crust, | 0:33:39 | 0:33:41 | |
served with crushed roasted potatoes, | 0:33:41 | 0:33:43 | |
a mint raita, and a pomegranate glaze. | 0:33:43 | 0:33:47 | |
This looks beautiful to me. | 0:33:48 | 0:33:49 | |
I have every expectation that this is going to eat very well indeed. | 0:33:49 | 0:33:53 | |
The lamb is fantastic. I love the use of the pomegranate seeds. | 0:33:58 | 0:34:02 | |
Even the potatoes, a very simple idea, they work, too. | 0:34:02 | 0:34:06 | |
It's so satisfying because there's so many textures. | 0:34:06 | 0:34:08 | |
The little drop of acidity you get | 0:34:08 | 0:34:12 | |
from pomegranate seeds is just terrific. | 0:34:12 | 0:34:15 | |
It's very difficult to say anything but good things about this dish. | 0:34:15 | 0:34:18 | |
Isn't it nice when a plan comes together? | 0:34:20 | 0:34:22 | |
LAUGHTER | 0:34:22 | 0:34:24 | |
It's rich, it's opulent. It's just a little bit sweet, for me. | 0:34:27 | 0:34:32 | |
I like a little bit of sharpness and sweetness with the lamb. I think it's very nice. | 0:34:33 | 0:34:37 | |
15 minutes, then we'll have your mango and chocolate, please. | 0:34:39 | 0:34:42 | |
Yep. Er... | 0:34:42 | 0:34:44 | |
It's a mysterious sounding thing. | 0:34:50 | 0:34:53 | |
Can't quite work out what it's going to be. | 0:34:54 | 0:34:57 | |
I don't think that mango goes particularly well with chocolate. | 0:34:57 | 0:35:01 | |
I worry that this is a little too complicated for its own good. | 0:35:01 | 0:35:04 | |
Is he actually making a millefeuille, | 0:35:09 | 0:35:11 | |
i.e. a layered thing, with mango in one side and chocolate cheesecake as the next layer, | 0:35:11 | 0:35:16 | |
or is there a millefeuille of mango on one side, and a chocolate cheesecake? | 0:35:16 | 0:35:19 | |
I don't know! I'm a little bit afraid. | 0:35:19 | 0:35:22 | |
-Come on, mate. We've got to go now. -Yeah. | 0:35:22 | 0:35:25 | |
Tom's dessert is a millefeuille of mango and chocolate cheesecake, | 0:35:35 | 0:35:40 | |
layers of crushed amaretto biscuits, vanilla mousse, | 0:35:40 | 0:35:44 | |
chocolate ganache and diced mango, dressed with mango puree and nuts. | 0:35:44 | 0:35:49 | |
Once again, what he's done brilliantly | 0:35:54 | 0:35:57 | |
is this fantastic ability to introduce texture, | 0:35:57 | 0:36:00 | |
so the amaretti biscuits and the pistachios and the hazelnuts | 0:36:00 | 0:36:04 | |
all just kind of crunching | 0:36:04 | 0:36:05 | |
and adding a fantastic layer of subtlety and interest to the whole thing. | 0:36:05 | 0:36:10 | |
I take back everything I've ever said | 0:36:10 | 0:36:12 | |
doubting the marriage of mango and chocolate. | 0:36:12 | 0:36:15 | |
I thought they worked together really well. I think this is a nice pudding. | 0:36:15 | 0:36:18 | |
I said at the beginning I wanted to see personality on the plate, | 0:36:18 | 0:36:22 | |
and I feel we've really got that from Tom. | 0:36:22 | 0:36:24 | |
There's toasty nuts, there's the flavour of amaretti biscuits, | 0:36:27 | 0:36:30 | |
there's chocolate, there's fruit of a mango, as well. Very nice. | 0:36:30 | 0:36:33 | |
It's interesting textured, it's fun, I actually quite like it. | 0:36:33 | 0:36:38 | |
Yeah, yeah, I like it. Yeah, I like it. | 0:36:38 | 0:36:40 | |
The pressure is, it's immense. | 0:36:47 | 0:36:50 | |
But I've definitely delivered to a certain extent, today. | 0:36:50 | 0:36:53 | |
And I just hope that they think there's something in me | 0:36:53 | 0:36:56 | |
that's worth, you know, developing. | 0:36:56 | 0:36:58 | |
Menus are meant to tell me what I'm about to have to eat. | 0:37:05 | 0:37:09 | |
Don't play peekabo with me. New England raviolo. | 0:37:09 | 0:37:13 | |
OK, so it's a raviolo, but what are they putting in it? | 0:37:13 | 0:37:15 | |
Please tell me what you're going to serve me. Do not play games. | 0:37:15 | 0:37:20 | |
Eight minutes until your starter goes out. | 0:37:22 | 0:37:24 | |
Yeah. I'm running behind, Gregg, I'm afraid. | 0:37:24 | 0:37:27 | |
-Your first dish is the ravioli, right? -Yeah. -And this is the ravioli. | 0:37:27 | 0:37:30 | |
-This is the ravioli. -Is...? -Doesn't take long to cook. | 0:37:30 | 0:37:32 | |
How about the things you've got to stuff them with, where are they? | 0:37:32 | 0:37:36 | |
-That's here. -Are they all done? -Yeah, that's all done. | 0:37:36 | 0:37:39 | |
-You're supposed to be serving in two minutes. -Yeah. | 0:37:42 | 0:37:45 | |
Do you think it might be worthwhile telling them you're going to be late? | 0:37:45 | 0:37:49 | |
I'm only going to be a couple of minutes late at this stage, I don't think I need to. | 0:37:49 | 0:37:53 | |
-I would. -Pardon? -I would. Give yourself some breathing space, | 0:37:53 | 0:37:57 | |
-make sure you put the dish out the way you want it. -OK. | 0:37:57 | 0:38:00 | |
-OK, Andrew, go and tell them, mate. You're late. -Yep. | 0:38:05 | 0:38:07 | |
I'm running a few minutes late, I'm afraid. | 0:38:12 | 0:38:15 | |
But I hope in four or five minutes the starter will be out. Thank you very much. | 0:38:15 | 0:38:19 | |
-Come on, Andrew, let's go, mate. -Yep. | 0:38:33 | 0:38:36 | |
Right now, you're seven minutes over. | 0:38:36 | 0:38:38 | |
-It's ready, it's ready. That's it. -Go! -Good. | 0:38:43 | 0:38:46 | |
And then get straight back for this main course. | 0:38:46 | 0:38:48 | |
I hope that wasn't much longer than five minutes. | 0:38:52 | 0:38:55 | |
Andrew's starter is based on the flavours of a New England clam chowder. | 0:38:57 | 0:39:01 | |
With a scallop and potato-filled raviolo, | 0:39:01 | 0:39:04 | |
a clam and sweetcorn veloute, leek fondue and crispy bacon. | 0:39:04 | 0:39:10 | |
The pasta is beautiful, those parcels wonderfully filled. | 0:39:15 | 0:39:18 | |
Saltiness from the clams, a little tiny hint of scallop, | 0:39:18 | 0:39:21 | |
and leek running through the whole lot. I think that's a very good dish. | 0:39:21 | 0:39:24 | |
Truth be told, it's one of the most ambitious dishes here today, and it's very skilful. | 0:39:24 | 0:39:29 | |
I mean, no wonder Andrew was late. | 0:39:31 | 0:39:33 | |
There's a hell of a lot of work that's gone into this. | 0:39:33 | 0:39:36 | |
Taken as a whole, I think this works. | 0:39:41 | 0:39:43 | |
There is a riff on the flavours of New England, here. | 0:39:43 | 0:39:47 | |
It's all there. It's rather sweet. | 0:39:47 | 0:39:49 | |
You look like you've swallowed a wasp. | 0:39:51 | 0:39:53 | |
I think it's got a bit too complicated for its own good. | 0:39:53 | 0:39:56 | |
I think you're wrong on this. I think it would be mean | 0:39:56 | 0:39:59 | |
to penalise him for throwing everything at us in this round of MasterChef. | 0:39:59 | 0:40:04 | |
Crusted rack of lamb, sounds fair enough. | 0:40:09 | 0:40:12 | |
Celeriac puree is a nice thing. | 0:40:12 | 0:40:13 | |
Rainbow chard is a pretty thing, salmoriglio is an unknown thing. | 0:40:13 | 0:40:18 | |
I've met an awful lot of ingredients, | 0:40:19 | 0:40:21 | |
and when you start throwing words at me that I don't know, I get a bit tetchy. | 0:40:21 | 0:40:25 | |
He could've just told us what it is. | 0:40:25 | 0:40:27 | |
This is your four-minute warning. | 0:40:29 | 0:40:31 | |
I'm liking this, Andrew. | 0:40:36 | 0:40:39 | |
I'd like it a lot more if it was quicker. | 0:40:39 | 0:40:41 | |
Right, finishing touches now, mate, please. | 0:40:44 | 0:40:47 | |
-What else to go on the plate? Sauce? -Sauce. -Let's go, then. | 0:40:47 | 0:40:51 | |
-And then pesto. -Come on! | 0:40:51 | 0:40:53 | |
-Done? -Yep. -Good. Let's do it. Well done, mate, looks great. | 0:40:57 | 0:41:00 | |
-You're back on time. -Looks very good. | 0:41:00 | 0:41:02 | |
Andrew's main is a rack of lamb with a mint and nut crust, | 0:41:10 | 0:41:16 | |
served with rainbow chard, celeriac puree, | 0:41:16 | 0:41:18 | |
lamb sauce, and a salmoriglio dressing. | 0:41:18 | 0:41:22 | |
-What is salmoriglio? -It's a southern Italian pesto made from oregano. | 0:41:24 | 0:41:28 | |
Thanks. | 0:41:28 | 0:41:29 | |
It's all absolutely accurately cooked. | 0:41:35 | 0:41:38 | |
The meat is good. | 0:41:38 | 0:41:40 | |
And I like the way he's used the chard both as vegetable and as garnish. | 0:41:40 | 0:41:45 | |
The celeriac puree is remarkably light and very nice. | 0:41:45 | 0:41:49 | |
The jus is all right, but it's a little on the sweet side. | 0:41:49 | 0:41:52 | |
Andrew clearly knows how to cook. | 0:41:52 | 0:41:54 | |
But whether he can then actually take it to that next stage, | 0:41:54 | 0:41:57 | |
which is to say something through that cookery is another question. | 0:41:57 | 0:42:01 | |
John, that's a really nice blend of textures and flavours. | 0:42:04 | 0:42:08 | |
Sweet, sharp, earthy, irony, meaty. | 0:42:08 | 0:42:11 | |
Very good. | 0:42:11 | 0:42:13 | |
It's really pronounced in its flavours, | 0:42:14 | 0:42:16 | |
and they all come together, become a very, very good dish. I like it a lot. | 0:42:16 | 0:42:20 | |
Really well cooked. | 0:42:20 | 0:42:21 | |
-Really well cooked. -Lovely. | 0:42:21 | 0:42:24 | |
Right. Dessert. | 0:42:27 | 0:42:30 | |
Andrew, what goes with that tart and apple? | 0:42:30 | 0:42:32 | |
The spice cream, then the apples. | 0:42:32 | 0:42:34 | |
You've pulled it back from the brink, son. | 0:42:34 | 0:42:37 | |
Well, it was all front-end loaded. | 0:42:37 | 0:42:40 | |
-Keep on working! -Sorry. | 0:42:40 | 0:42:42 | |
Well, I've never met a treacle tart that I didn't like, but they can go wrong. | 0:42:46 | 0:42:50 | |
-You can get soggy pastry underneath. -I'm really keen on this one. | 0:42:50 | 0:42:54 | |
This appeals to all the greedy bits of my nature. | 0:42:54 | 0:42:57 | |
I have a real problem with Andrew's dessert. | 0:42:57 | 0:42:59 | |
If you bite into a crab apple, your mouth surrenders immediately. | 0:43:00 | 0:43:04 | |
Spice cream, ice cream, what is it? | 0:43:07 | 0:43:09 | |
It's creme fraiche ice cream infused with vanilla, cardamom and cinnamon. | 0:43:09 | 0:43:12 | |
-If you don't carry on working, John's going to shout at you. -Sorry, sorry, Sorry, sorry! | 0:43:12 | 0:43:17 | |
-That it, you finished? -Yeah. -Good. -Come on, then. Let's go! | 0:43:24 | 0:43:27 | |
For his dessert, Andrew has made black treacle tart | 0:43:35 | 0:43:40 | |
with cardamom and cinnamon spiced ice cream, | 0:43:40 | 0:43:43 | |
and roasted crab apples. | 0:43:43 | 0:43:44 | |
These little chaps have been dipped in sugar of some description. | 0:43:44 | 0:43:48 | |
I don't know whether that will save them or not, | 0:43:48 | 0:43:51 | |
or whether they'll be sharp as hell. | 0:43:51 | 0:43:53 | |
Sharp as hell. | 0:43:58 | 0:44:00 | |
The quality you look for in the pastry in a treacle tart | 0:44:00 | 0:44:04 | |
is not elasticity, and that is the main characteristic of this pastry. | 0:44:04 | 0:44:08 | |
The spice cream is nice. It's fresh, it's light, got a little acidic edge. | 0:44:08 | 0:44:12 | |
The flavours are good. I think Andrew's possibly just set himself a bit too much to do, today. | 0:44:12 | 0:44:18 | |
Treacle tart is nicely made. The pastry is undercooked. | 0:44:19 | 0:44:22 | |
-But the ice cream is delicious. -It is, isn't it? -Delicious. | 0:44:22 | 0:44:25 | |
Beautiful ice cream. I just love it. The crab apples? | 0:44:25 | 0:44:27 | |
Honestly don't care if I never see one as long as I live. | 0:44:27 | 0:44:30 | |
I was ten minutes late for the starter. But, I had so much to do for the later courses, | 0:44:38 | 0:44:42 | |
I had to get it done, otherwise everything was going to be late. | 0:44:42 | 0:44:46 | |
From the perspective that I think that is a tough challenge, I think I did OK. | 0:44:46 | 0:44:50 | |
-You got ten minutes. You going to be on time? -Ten minutes for the starter? On time. | 0:44:54 | 0:44:58 | |
Don't let me down. | 0:45:00 | 0:45:01 | |
Each of these three things, marinated mackerel, | 0:45:04 | 0:45:06 | |
soda bread and aioli have to be bang on, or it's a disaster. | 0:45:06 | 0:45:09 | |
For the mackerel to have taken on the flavours of the marinade | 0:45:09 | 0:45:13 | |
in that short time, this is quite a big ask. | 0:45:13 | 0:45:17 | |
We got five minutes, Eamonn. What we got left to do? | 0:45:17 | 0:45:20 | |
For the starter, I've just got to get the mackerel on the plate. | 0:45:20 | 0:45:23 | |
-Aioli, that turned out OK? -Yeah, I'm happy enough with it. | 0:45:23 | 0:45:26 | |
Should have a bit of kick in there, I know that. | 0:45:26 | 0:45:28 | |
Nice. Come on, Eamonn. | 0:45:31 | 0:45:33 | |
Well done, Eamonn. | 0:45:36 | 0:45:37 | |
Eamonn has made a starter of horseradish and gin marinated mackerel, | 0:45:48 | 0:45:53 | |
served with soda bread and saffron-topped aioli. | 0:45:53 | 0:45:56 | |
Look at it, just shimmering and silvery. | 0:45:57 | 0:46:00 | |
Absolutely perfectly presented. | 0:46:00 | 0:46:03 | |
It looks like it's just swum onto the plate. | 0:46:03 | 0:46:06 | |
The mackerel is a sweet cure, and I think it could do with a slightly saltier edge. | 0:46:08 | 0:46:12 | |
What's amazing about this mackerel, it's got this amazing texture to it. | 0:46:12 | 0:46:16 | |
It's almost like fatty tuna. I just wonder about the aioli with it. | 0:46:16 | 0:46:21 | |
It's the most garlicky, really, he's turned it up to 11. | 0:46:21 | 0:46:24 | |
Just don't know whether the two need each other. | 0:46:24 | 0:46:27 | |
My wife's going to know what I had for lunch. | 0:46:27 | 0:46:29 | |
HE SPLUTTERS | 0:46:31 | 0:46:34 | |
That aioli is so strong, | 0:46:34 | 0:46:37 | |
so garlicky, it's like munching down on a raw garlic clove. | 0:46:37 | 0:46:40 | |
And it's overpowering everything. | 0:46:40 | 0:46:42 | |
HE EXHALES | 0:46:42 | 0:46:43 | |
Partridge breast with porcini. Yum! | 0:46:48 | 0:46:51 | |
Yum, yum, yum, yum, yum. | 0:46:51 | 0:46:53 | |
He'll need to add some moisture to the breast, | 0:46:54 | 0:46:57 | |
and I hope there'll be some other things going on on the plate. | 0:46:57 | 0:47:01 | |
-How long have I got? -You've got under four minutes, Eamonn. -OK. | 0:47:01 | 0:47:05 | |
-How's the bread sauce? -Ready to go on. | 0:47:08 | 0:47:10 | |
Ah! | 0:47:26 | 0:47:27 | |
-Right. We going? -We going. | 0:47:32 | 0:47:34 | |
Eamonn's main is partridge breast with pan-fried porcini mushrooms, | 0:47:43 | 0:47:48 | |
game chips, and a bread sauce. | 0:47:48 | 0:47:51 | |
The partridge breasts are just very solid and very dry. | 0:47:57 | 0:48:01 | |
To me, this is not working. | 0:48:01 | 0:48:04 | |
This bread sauce is, it's like wallpaper paste, isn't it? | 0:48:04 | 0:48:07 | |
And very, very clovey. | 0:48:07 | 0:48:08 | |
The potato is not really game chips. They're cut a little bit thicker. | 0:48:10 | 0:48:14 | |
They don't really ring a bell. | 0:48:14 | 0:48:16 | |
I'm afraid I would categorise this as a near miss. | 0:48:16 | 0:48:19 | |
-The bread sauce, for me, is just a little bit... -Wishy? -Wishy-washy. | 0:48:23 | 0:48:27 | |
The mushrooms are lovely. | 0:48:27 | 0:48:29 | |
And my bird is really, really dry. | 0:48:29 | 0:48:31 | |
For me, it's that gravy that he's made with pork, that's really holding the whole dish together. | 0:48:31 | 0:48:36 | |
-SIGHS -Oh, man. | 0:48:36 | 0:48:37 | |
Banana sponge is very much | 0:48:50 | 0:48:52 | |
a sort of nursery pudding to serve up to restaurant critics. | 0:48:52 | 0:48:55 | |
I bow to no man in my love of custard. | 0:48:57 | 0:49:00 | |
Adulterating it with ginger and thyme | 0:49:00 | 0:49:02 | |
will either be magnificent or a disaster. | 0:49:02 | 0:49:05 | |
Come on! | 0:49:05 | 0:49:07 | |
-Eamonn, three minutes. -Thank you, Gregg. | 0:49:07 | 0:49:09 | |
-Can we go? -Just a second, please. | 0:49:19 | 0:49:21 | |
-Good to go. -Let's go, let's go, let's go. | 0:49:23 | 0:49:26 | |
Eamonn has served his banana sponge in a bowl of ginger and thyme custard, | 0:49:32 | 0:49:37 | |
topped with butterscotch sauce and caramelised bananas. | 0:49:37 | 0:49:41 | |
This looks a bit like something I would arrange | 0:49:41 | 0:49:44 | |
to try and make my children eat something they didn't want to eat. | 0:49:44 | 0:49:48 | |
If I was about nine, I'd be really, really pleased to receive this. | 0:49:53 | 0:49:58 | |
This isn't really a sponge so much as a rather dense textured cake. | 0:49:58 | 0:50:03 | |
The custard, I am getting thyme, getting a bit of ginger, | 0:50:03 | 0:50:07 | |
I'm also getting a lot of aioli from his first course, unfortunately. | 0:50:07 | 0:50:10 | |
LAUGHTER | 0:50:10 | 0:50:12 | |
I don't think the people who make that nice custard in packets | 0:50:12 | 0:50:16 | |
will be quaking in their boots. | 0:50:16 | 0:50:19 | |
The cake is really heavy, and those bananas, which are half-cooked but just glazed with sugar, | 0:50:20 | 0:50:25 | |
-and the butterscotch sauce make the whole thing quite cloying. -Bit too thick and sweet, even for me. | 0:50:25 | 0:50:30 | |
HE SIGHS | 0:50:32 | 0:50:33 | |
Whether it's good enough, I've no idea. I've no idea. | 0:50:38 | 0:50:41 | |
But it's a push, it's a rush, you know? | 0:50:41 | 0:50:45 | |
We just have to wait and see. | 0:50:45 | 0:50:47 | |
A very, very long, very, very difficult day. | 0:50:56 | 0:50:58 | |
Our decision is not going to be easy. | 0:50:58 | 0:51:01 | |
I still say we got some extraordinary food. Had some fabulous dishes. | 0:51:01 | 0:51:05 | |
Shelina, I was impressed with today. I liked the starter. | 0:51:12 | 0:51:16 | |
Little fiery chilli crab cake, I thought was a joy. | 0:51:16 | 0:51:20 | |
As for the monkfish, the fish was cooked beautifully. | 0:51:20 | 0:51:23 | |
But the dahl today wasn't spiced as well as she can. | 0:51:23 | 0:51:27 | |
Her dessert, I thought, was just mouth-wateringly wonderful. | 0:51:27 | 0:51:32 | |
That rum and vanilla syrup over the top. That ice cream. | 0:51:32 | 0:51:36 | |
Absolutely fantastic. Loved it. | 0:51:36 | 0:51:39 | |
Andrew. Huge amount of work. | 0:51:40 | 0:51:43 | |
I thought his ravioli was fantastic. | 0:51:44 | 0:51:46 | |
Love the main course. | 0:51:46 | 0:51:49 | |
The dessert, the ice cream, I absolutely loved it. | 0:51:49 | 0:51:52 | |
We said right at the start he was doing a lot, maybe too much. | 0:51:52 | 0:51:55 | |
But he delivered. | 0:51:55 | 0:51:57 | |
Tom. They loved his tuna dish. They loved his lamb dish. | 0:51:59 | 0:52:04 | |
One standout dish for me, | 0:52:04 | 0:52:06 | |
Tom's chocolate and mango dessert cheesecake. | 0:52:06 | 0:52:08 | |
Really tasty, and it looked fun. | 0:52:08 | 0:52:11 | |
It put a smile on your face. | 0:52:11 | 0:52:13 | |
I agree. I thought Tom's dessert was great. | 0:52:13 | 0:52:15 | |
Shelina, | 0:52:17 | 0:52:18 | |
Andrew | 0:52:18 | 0:52:20 | |
and Tom | 0:52:20 | 0:52:22 | |
stay in the competition. | 0:52:22 | 0:52:23 | |
Our fourth place, now, | 0:52:23 | 0:52:25 | |
is battled out between | 0:52:25 | 0:52:27 | |
Jay and Eamonn. | 0:52:27 | 0:52:30 | |
Jay was full of promise, today. | 0:52:30 | 0:52:31 | |
The fish, he played it a little bit safe, | 0:52:31 | 0:52:35 | |
but spiced pears and venison which was really, seriously rare. | 0:52:35 | 0:52:40 | |
I'm OK with my venison cooked like that. | 0:52:40 | 0:52:42 | |
But I did think that spiced pear and a chestnut sauce | 0:52:42 | 0:52:46 | |
was far too sweet. | 0:52:46 | 0:52:48 | |
And then, for dessert, from Jay, we get a panna cotta. | 0:52:48 | 0:52:51 | |
Beautiful, full of vanilla, | 0:52:51 | 0:52:53 | |
and for some reason he put grapefruit on top of it. | 0:52:53 | 0:52:56 | |
But the work that he put into each dish was good. | 0:52:56 | 0:52:59 | |
I don't want to go home. | 0:52:59 | 0:53:01 | |
I don't want to go home. | 0:53:01 | 0:53:03 | |
But, if I do, | 0:53:04 | 0:53:05 | |
I'll take that on the chin. | 0:53:05 | 0:53:07 | |
Eamonn is a difficult one to work out, today. | 0:53:07 | 0:53:12 | |
Taking a mackerel and trying to pickle it in the time was always going to be difficult, | 0:53:12 | 0:53:16 | |
and in my opinion it wasn't done properly. | 0:53:16 | 0:53:18 | |
His aioli, John, that wasn't aioli, that was a garlic puree. | 0:53:18 | 0:53:22 | |
That was just too strong. I mean ferociously strong. | 0:53:22 | 0:53:26 | |
The partridge dish, | 0:53:26 | 0:53:28 | |
the partridge was dry, | 0:53:28 | 0:53:30 | |
the sauce, the bread sauce was more like milk sauce. It didn't deliver. | 0:53:30 | 0:53:34 | |
And we had a pretty average banana dessert from Eamonn. | 0:53:34 | 0:53:39 | |
I know the calibre of everyone else, so, you know, | 0:53:39 | 0:53:42 | |
maybe me being reasonably happy with everything, maybe that ain't enough. | 0:53:42 | 0:53:46 | |
I've just got to cross everything and hope to goodness that I'm through. | 0:53:47 | 0:53:50 | |
You and I have to make a decision. | 0:53:52 | 0:53:54 | |
Five cooks, one of them is going to leave us, | 0:53:54 | 0:53:57 | |
and we'll have our final four. | 0:53:57 | 0:53:59 | |
I honestly, honestly don't know. | 0:54:00 | 0:54:04 | |
They've come so far. | 0:54:04 | 0:54:05 | |
You five have been extraordinary throughout this competition, | 0:54:28 | 0:54:32 | |
and demonstrated some real skill, proper tenacity, real determination. | 0:54:32 | 0:54:37 | |
And that makes the day's decision even tougher. | 0:54:37 | 0:54:39 | |
The contestants that are staying in the competition... | 0:54:44 | 0:54:48 | |
Tom. Well done, son. | 0:54:53 | 0:54:56 | |
Shelina. Great job. | 0:55:00 | 0:55:02 | |
Great job. | 0:55:03 | 0:55:05 | |
Andrew, bit late, but it was worth it. | 0:55:10 | 0:55:12 | |
The contestant leaving MasterChef... | 0:55:32 | 0:55:36 | |
-..is Eamonn. I'm sorry, Eamonn. -I'm sorry, Eamonn. | 0:55:46 | 0:55:50 | |
OK, guys. Thank you very much. | 0:55:50 | 0:55:52 | |
Massively disappointed. Massively disappointed. | 0:56:10 | 0:56:14 | |
Four great cooks out there. One of them's going to be MasterChef champion, | 0:56:15 | 0:56:18 | |
and it ain't going to be me. | 0:56:18 | 0:56:20 | |
But it's been a ball, a total ball. | 0:56:22 | 0:56:24 | |
I will take so much away from this. | 0:56:29 | 0:56:31 | |
But for now, the lesson stops. | 0:56:31 | 0:56:34 | |
It's awesome. It's really awesome. | 0:56:42 | 0:56:46 | |
I wish I could describe it, but I can't. | 0:56:46 | 0:56:48 | |
Just feels better and better, and then to be part of that gang, | 0:56:52 | 0:56:55 | |
just... It's magic, just fantastic. | 0:56:55 | 0:56:58 | |
Final four! Whoa. | 0:56:58 | 0:57:02 | |
Cannot believe, cannot believe that I'm in the final four. | 0:57:04 | 0:57:07 | |
It's amazing. | 0:57:08 | 0:57:09 | |
It really does fill me with confidence, I think. | 0:57:12 | 0:57:15 | |
I might even have a chance at winning it. | 0:57:15 | 0:57:17 | |
Congratulations, you are our final four. | 0:57:19 | 0:57:21 | |
We are about to give you... | 0:57:25 | 0:57:28 | |
..the masterclass of your life. | 0:57:30 | 0:57:32 | |
We are taking you | 0:57:32 | 0:57:34 | |
to Thailand. | 0:57:34 | 0:57:35 | |
GASPS AND LAUGHTER | 0:57:35 | 0:57:38 | |
Oh, my God! | 0:57:38 | 0:57:39 | |
Thailand! | 0:57:47 | 0:57:48 | |
Tomorrow night... | 0:57:51 | 0:57:53 | |
Ah! What are you doing? | 0:57:53 | 0:57:55 | |
The final four face their toughest challenges yet. | 0:57:57 | 0:58:01 | |
"Aharn thiang!" Means "lunch time". Come on! | 0:58:01 | 0:58:04 | |
Harder! Harder! More! More! | 0:58:06 | 0:58:08 | |
-We've got 15 minutes. -They're not going to be ready. | 0:58:09 | 0:58:12 | |
Burnt? | 0:58:12 | 0:58:14 | |
Subtitles by Red Bee Media Ltd | 0:58:19 | 0:58:23 |