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Just six talented cooks are left in the MasterChef competition. | 0:00:04 | 0:00:08 | |
They've survived some tough tests to get this far. | 0:00:10 | 0:00:15 | |
It's supposed to be 180. Who changed the oven? | 0:00:15 | 0:00:17 | |
Tonight, the battle continues | 0:00:19 | 0:00:23 | |
as the contestants enter the world of fine dining... | 0:00:23 | 0:00:27 | |
Masters of the Bench, dinner is served. | 0:00:27 | 0:00:30 | |
If you put that in the glasses and it doesn't set, it really is a disaster. | 0:00:30 | 0:00:35 | |
..and cook for culinary legend Michel Roux Jr. | 0:00:37 | 0:00:43 | |
Today is all about achieving perfection on a plate. | 0:00:43 | 0:00:47 | |
There's no point coming in here and not impressing. You've got to come in and give it your all. | 0:00:50 | 0:00:54 | |
I just don't want to let go at this stage because I've devoted so much to it. | 0:00:54 | 0:00:59 | |
I want this dream to carry on. | 0:00:59 | 0:01:01 | |
It's absolutely critical that I impress today | 0:01:01 | 0:01:03 | |
because one person is leaving and I don't want it to be me. | 0:01:03 | 0:01:06 | |
Middle Temple. One of the four Inns of Court | 0:01:17 | 0:01:22 | |
that form the backbone of the British legal system. | 0:01:22 | 0:01:25 | |
Since the 15th century, all barristers have had to train at one of these Inns | 0:01:26 | 0:01:31 | |
before they can practise. | 0:01:31 | 0:01:33 | |
At the centre of the Middle Temple is its 450-year-old hall, | 0:01:35 | 0:01:41 | |
and a tradition of formal dinners held regularly | 0:01:41 | 0:01:46 | |
to exchange knowledge between barristers and students. | 0:01:46 | 0:01:49 | |
Welcome to the Honourable Society of the Middle Temple. | 0:01:59 | 0:02:04 | |
Previous members have included Sir Francis Drake, | 0:02:04 | 0:02:09 | |
Sir Walter Raleigh, Charles Dickens. | 0:02:09 | 0:02:12 | |
Get some sense of the history and tradition. | 0:02:12 | 0:02:15 | |
Tonight, your task is mammoth. | 0:02:15 | 0:02:18 | |
Your job is to cook an elegant dinner for 230 barristers, | 0:02:18 | 0:02:24 | |
including two Supreme Court judges, three Lord Justices, | 0:02:24 | 0:02:29 | |
four High Court judges and 26 QCs. | 0:02:29 | 0:02:33 | |
Guys, it has to be perfect. | 0:02:35 | 0:02:38 | |
230 plates of perfection. | 0:02:45 | 0:02:48 | |
Yeah, challenging. | 0:02:48 | 0:02:50 | |
This has got to be the toughest, high-pressured thing that I've ever done. | 0:02:52 | 0:02:57 | |
It's like doing a parachute jump or something. | 0:02:58 | 0:03:01 | |
We've tested our six in many ways before | 0:03:01 | 0:03:03 | |
but this really is a combination of everything they've learnt so far. | 0:03:03 | 0:03:07 | |
Finesse today has to be key. | 0:03:07 | 0:03:09 | |
230 plates of exquisite, posh food. | 0:03:13 | 0:03:18 | |
It would be bad enough doing 230 shepherd's pies and trifles. | 0:03:18 | 0:03:22 | |
To get the job done, the contestants will work in pairs | 0:03:26 | 0:03:31 | |
and need a marathon eight hours' preparation. | 0:03:31 | 0:03:34 | |
We've got a lot of work to do. Eight hours is a long time for yourselves. Not for me. | 0:03:36 | 0:03:41 | |
Let's go and get started. | 0:03:41 | 0:03:44 | |
Aki and Eamonn are on the starter - | 0:03:44 | 0:03:47 | |
a fillet of sole rolled and filled with smoked salmon | 0:03:47 | 0:03:50 | |
and a fish and tarragon mousseline, | 0:03:50 | 0:03:53 | |
served with a champagne truffle veloute. | 0:03:53 | 0:03:57 | |
It sounds divine. There's a lot of components to the dish | 0:03:57 | 0:04:00 | |
so there's quite a lot to think about, | 0:04:00 | 0:04:03 | |
especially when we're doing 200 and I don't know how many. | 0:04:03 | 0:04:06 | |
It was meant to be 220 but they've just sprung on us - | 0:04:08 | 0:04:10 | |
this is another thing with banquets - it's now gone up to about 280. | 0:04:10 | 0:04:13 | |
Welcome to the world of banqueting. | 0:04:13 | 0:04:17 | |
I've cooked Dover sole before. | 0:04:17 | 0:04:19 | |
Certainly haven't done 230, 40, 50, 60, 70 - whatever it is. | 0:04:19 | 0:04:23 | |
How many have I done so far? I think I've done five. | 0:04:23 | 0:04:27 | |
-Are we neat and clean today, Aki? -Yes, John. -Good. | 0:04:27 | 0:04:32 | |
Tom and Andrew are on the main - | 0:04:33 | 0:04:35 | |
a tournedos of beef with confit of oxtail, potato amandine | 0:04:35 | 0:04:41 | |
and a vegetable parcel. | 0:04:41 | 0:04:43 | |
-How many dishes will you be sending out at a time? Is it just constant get them out, get them out? -Yeah. | 0:04:43 | 0:04:49 | |
Put it on, put it on. That's the way! | 0:04:50 | 0:04:54 | |
First, they cook the oxtail with celery, carrot and onion | 0:04:54 | 0:04:58 | |
for the confit that will top their beef fillet. | 0:04:58 | 0:05:01 | |
-It will take four to five hours to get into a nice confit. -OK. -OK? | 0:05:01 | 0:05:05 | |
Then they make a start prepping 140 kilos of potatoes. | 0:05:06 | 0:05:12 | |
How have you decided to split the labour? | 0:05:12 | 0:05:16 | |
With each task taking so long, it's a case of both of us | 0:05:16 | 0:05:19 | |
just jump on, get one thing done and move on to the next thing. | 0:05:19 | 0:05:22 | |
Are you actually confident you'll get all this done or have you just got your head down and hoping? | 0:05:22 | 0:05:26 | |
-I'm confident. -We're going to get it done. | 0:05:26 | 0:05:29 | |
40 minutes in, you're both grinning. | 0:05:29 | 0:05:31 | |
Let's see if that grin's still on your face come six o'clock. | 0:05:31 | 0:05:34 | |
You've now got the hardest job of the lot. | 0:05:36 | 0:05:39 | |
You've got three desserts to make on one plate. | 0:05:39 | 0:05:42 | |
Shelina and Jay's pudding is a chocolate and orange liqueur mousse, | 0:05:42 | 0:05:46 | |
spiced pear and a tropical fruit brulee. | 0:05:46 | 0:05:50 | |
I'm chopping a field of mangoes. | 0:05:51 | 0:05:55 | |
The pears are poached in a mixture of port, spices and citrus fruits. | 0:05:55 | 0:05:59 | |
That smells like Christmas. | 0:06:01 | 0:06:02 | |
-How heavy is this? Whoa! -Leave it for me. | 0:06:05 | 0:06:09 | |
No. | 0:06:11 | 0:06:13 | |
As always, timings, with these tasks, | 0:06:13 | 0:06:15 | |
you're always looking at the clock, looking at the clock, you know what they mean? | 0:06:15 | 0:06:20 | |
Believe me, you think, "Don't worry about it, got a bit of time." | 0:06:20 | 0:06:24 | |
That clock goes quick. | 0:06:24 | 0:06:25 | |
Right, have a listen in, boys and girls. | 0:06:25 | 0:06:28 | |
You've got about six hours to go. Hope you're all on track. | 0:06:28 | 0:06:31 | |
With the fish filleted, Aki can make a start on the fish stock | 0:06:38 | 0:06:42 | |
that forms the base of the champagne veloute. | 0:06:42 | 0:06:46 | |
This is a marathon, but I'm sprinting it. | 0:06:46 | 0:06:49 | |
I'm going to keep sprinting my marathon. | 0:06:49 | 0:06:52 | |
I mean, whatever it was I just boiled potatoes in, | 0:06:56 | 0:06:59 | |
it is half the size of my bath. I've never seen anything like it. | 0:06:59 | 0:07:03 | |
The potatoes are ready for mashing. | 0:07:03 | 0:07:06 | |
Now Tom and Andrew can start on their veg prep - | 0:07:06 | 0:07:09 | |
peeling and chopping 40 kilos of carrots... | 0:07:09 | 0:07:12 | |
Potatoes out. You've got asparagus to do now. | 0:07:12 | 0:07:15 | |
..35 kilos of asparagus... | 0:07:15 | 0:07:18 | |
..and 30 kilos of shallots. | 0:07:20 | 0:07:22 | |
At least three per person so...700. | 0:07:22 | 0:07:27 | |
I've done two in the time I was talking to you, | 0:07:27 | 0:07:30 | |
so about 10, 15 seconds each? | 0:07:30 | 0:07:33 | |
It's a lot of time, yeah. | 0:07:33 | 0:07:35 | |
I don't want to worry about anything at the moment. | 0:07:41 | 0:07:43 | |
I've decided to be calm today. Calm, stress-free. | 0:07:43 | 0:07:48 | |
Ah! I knew that was going to happen. | 0:07:48 | 0:07:51 | |
Shelina and Jay are on track | 0:07:56 | 0:07:59 | |
and are getting their 280 individual creme brulees ready for the oven. | 0:07:59 | 0:08:05 | |
You know what? | 0:08:06 | 0:08:07 | |
I don't mind the mass element, it's the fine bit that I'm not so good at. | 0:08:07 | 0:08:12 | |
I don't have a steady hand so this is why it's a little bit tricky. | 0:08:13 | 0:08:16 | |
You've got a steady man with you, that's what it is, darling. | 0:08:16 | 0:08:21 | |
-Go. Go. -Careful. -Nice and steady. -Gosh. | 0:08:23 | 0:08:27 | |
Up a bit, Jay. | 0:08:27 | 0:08:29 | |
-Go back, go back. -It's jammed now. It's jammed. -Is it going in? | 0:08:31 | 0:08:35 | |
-It's OK. -Yeah? OK. | 0:08:35 | 0:08:37 | |
OK, let's get out of here. | 0:08:39 | 0:08:42 | |
Formal dinner at Middle Temple dates back to the 16th century | 0:08:51 | 0:08:56 | |
when Queen Elizabeth I donated the 29-foot table | 0:08:56 | 0:09:00 | |
that forms the centrepiece of the hall. | 0:09:00 | 0:09:03 | |
It was here that barristers would pass on their practices and procedures. | 0:09:04 | 0:09:09 | |
Today, to be called to the Bar, | 0:09:09 | 0:09:13 | |
pupils must attend 12 qualifying discussions, many of which occur across the dinner table. | 0:09:13 | 0:09:19 | |
We have high expectations. | 0:09:21 | 0:09:22 | |
We have a wonderful kitchen, we have a very good wine cellar | 0:09:22 | 0:09:26 | |
and these meals are important to all of us. | 0:09:26 | 0:09:28 | |
We have a history of making sure | 0:09:33 | 0:09:35 | |
that everything is spot on every time and have done for centuries. | 0:09:35 | 0:09:38 | |
If the food is not up to scratch, I think the people who will be dining here this evening | 0:09:40 | 0:09:45 | |
will be quite willing to give a frank opinion. | 0:09:45 | 0:09:47 | |
There are less than four hours until service. | 0:09:55 | 0:09:59 | |
Aki starts filling the sole with a layer of smoked salmon | 0:09:59 | 0:10:03 | |
and the tarragon and fish mousse... | 0:10:03 | 0:10:06 | |
..while Eamonn rolls them into a roulade. | 0:10:09 | 0:10:12 | |
-I reckon we're -sole-mates -for today. -Exactly! | 0:10:14 | 0:10:17 | |
How do you feel about 280 perfectly-cooked paupiettes of fish | 0:10:17 | 0:10:23 | |
being served all at the same time? | 0:10:23 | 0:10:25 | |
Right now, a little terrified, John, to be honest with you. | 0:10:25 | 0:10:28 | |
You're putting your elbow into the mousse, Aki. | 0:10:30 | 0:10:34 | |
Come here, sweetheart, come here. | 0:10:34 | 0:10:36 | |
-You are mucky again, aren't you? -Oh! | 0:10:36 | 0:10:38 | |
You can't help yourself. | 0:10:38 | 0:10:40 | |
Across the kitchen, Andrew and Tom are still peeling their veg. | 0:10:45 | 0:10:50 | |
I've been peeling shallots for an hour and that's all I've got. We've got another one of these. | 0:10:50 | 0:10:56 | |
Everything we do, we've got to make 280 portions. | 0:10:56 | 0:10:59 | |
Even if you do, like, three a minute, we're not going to get it done. | 0:10:59 | 0:11:02 | |
-That's no good. Take that off. Take that off. -Yeah. | 0:11:02 | 0:11:06 | |
So that's set me back already. | 0:11:07 | 0:11:09 | |
That takes, you know, a couple of seconds, each one. | 0:11:09 | 0:11:11 | |
And when you're doing 600 of them, that's a lot of minutes. | 0:11:11 | 0:11:15 | |
-Come on, lads, it's getting tight. I know you've got a lot to do. -Yeah. | 0:11:15 | 0:11:19 | |
The problem with Andrew and Tom is, in my opinion, | 0:11:19 | 0:11:21 | |
they're not getting stuck in. | 0:11:21 | 0:11:23 | |
They need to put their heads down and absolutely graft, really move. | 0:11:23 | 0:11:26 | |
OK, you need to do 600. Then do them really fast. | 0:11:26 | 0:11:30 | |
Don't do them like you're at home peeling an onion! | 0:11:30 | 0:11:33 | |
Get on with it, boys. Get on with it. | 0:11:33 | 0:11:35 | |
There's just over three hours until service. | 0:11:38 | 0:11:42 | |
Shelina and Jay's pears are poached... | 0:11:43 | 0:11:46 | |
..and Aki and Eamonn's teamwork is paying off. | 0:11:48 | 0:11:52 | |
Their fish course is prepped, | 0:11:53 | 0:11:55 | |
except for the pastry fleurons that will garnish the dish. | 0:11:55 | 0:11:59 | |
Egg them up. | 0:12:01 | 0:12:02 | |
-Different sizes, different shapes. Some are getting very small. -Yeah. | 0:12:07 | 0:12:12 | |
These ones are good. | 0:12:13 | 0:12:15 | |
-Oh! -JAY LAUGHS | 0:12:15 | 0:12:18 | |
With their veg finally peeled, | 0:12:18 | 0:12:21 | |
Andrew and Tom can now move on to rolling 280 individual vegetable parcels. | 0:12:21 | 0:12:26 | |
Yeah, I am worried, | 0:12:26 | 0:12:29 | |
cos we've got three hours to go and we've only done 20 vegetable parcels. | 0:12:29 | 0:12:34 | |
The simple fact is, you're going to have to start to work like in a professional kitchen | 0:12:34 | 0:12:38 | |
rather than actually just doing one plate of food. | 0:12:38 | 0:12:41 | |
-Next one you roll, leave it on the bench, don't move it. -Yeah. -OK? | 0:12:41 | 0:12:45 | |
Tight, pull it back. Leave it on the bench. OK? | 0:12:45 | 0:12:49 | |
Go again. Roll the whole lot and then tray, one, two, three, four, five, six. | 0:12:49 | 0:12:54 | |
Suddenly you've got a system going. OK? Push, push, push, guys. | 0:12:54 | 0:12:57 | |
It's very obvious that Tom and Andrew are in the caca - | 0:12:59 | 0:13:03 | |
culinary expression meaning not doing very well, | 0:13:03 | 0:13:07 | |
not really keeping up, probably not going to be on time for dinner. | 0:13:07 | 0:13:10 | |
We still got everything to do. | 0:13:10 | 0:13:13 | |
We need to get the sauce reducing down more, | 0:13:13 | 0:13:15 | |
we need to finish the oxtail, Tom's still working on these vegetables. | 0:13:15 | 0:13:20 | |
Nothing is finished yet. | 0:13:20 | 0:13:22 | |
Those main course boys need either a big hug or a kick up the bottom. | 0:13:22 | 0:13:26 | |
I'm going to figure out which one and deliver it. | 0:13:26 | 0:13:29 | |
The fact is, we're not going to get it out without some help? | 0:13:29 | 0:13:32 | |
-Is that right? -Yeah. | 0:13:32 | 0:13:33 | |
Don't worry, it's only the leading law brains of the country. We'll be all right. | 0:13:33 | 0:13:38 | |
-What's next, chef? -Next is pomme amandine. | 0:13:38 | 0:13:41 | |
-What's that? -Pomme amandine. Wh...? | 0:13:41 | 0:13:44 | |
With Tom and Andrew so far behind, | 0:13:46 | 0:13:48 | |
the chef calls Eamonn and Aki to help prepare their amandine potatoes. | 0:13:48 | 0:13:53 | |
Well, if we're here twiddling our thumbs waiting for something to cook, | 0:13:53 | 0:13:57 | |
we may as well be getting on with something. Simple as that. | 0:13:57 | 0:14:00 | |
-How do you feel about all the lumps in it? -I'll be honest with you, I haven't come across any lumps yet. | 0:14:00 | 0:14:05 | |
-That's definitely a lump. -Yeah. Lots of them. -You're joking? | 0:14:05 | 0:14:09 | |
I don't want it to be lumpy so through a ricer it goes. | 0:14:09 | 0:14:12 | |
This is going to take like an hour. | 0:14:14 | 0:14:17 | |
Well, it's an hour we haven't got, so let's get going. | 0:14:17 | 0:14:20 | |
Ah, this is going to take for ever. | 0:14:24 | 0:14:26 | |
The guys on the starters, Eamonn and Aki, | 0:14:26 | 0:14:29 | |
I know you're helping out, please keep your eyes on the prize. | 0:14:29 | 0:14:32 | |
Don't help out so much that you actually let yourselves down. | 0:14:32 | 0:14:36 | |
I feel like a little ant climbing up a Mount Everest of potatoes. | 0:14:39 | 0:14:45 | |
-Take them out, chef. -Yeah, let's just make sure... -They're lovely. | 0:14:50 | 0:14:54 | |
-I'm impressed. Well done. -Thanks, chef. | 0:14:54 | 0:14:57 | |
The creme brulees are set. | 0:14:58 | 0:15:01 | |
Shelina now turns her attention to the third dessert - | 0:15:01 | 0:15:04 | |
the chocolate mousse. | 0:15:04 | 0:15:06 | |
She starts by making an egg custard sabayon, | 0:15:06 | 0:15:10 | |
which will be mixed with chocolate and egg whites to make the mousse. | 0:15:10 | 0:15:14 | |
If there's not enough air in it, | 0:15:14 | 0:15:16 | |
it's going to end up being some dense lump of chocolate, so this bit is crucial. | 0:15:16 | 0:15:20 | |
Actually, to be fair, all of it is really crucial for a mousse. | 0:15:20 | 0:15:23 | |
I think every single stage means something. | 0:15:23 | 0:15:25 | |
It's really quite thick, actually. I don't know if this feels right. | 0:15:38 | 0:15:42 | |
This isn't right. It's gone really hard on me. That's not right, is it? | 0:15:44 | 0:15:49 | |
-It's solidified. -Can I salvage it at all? | 0:15:51 | 0:15:55 | |
No, it's gone. | 0:15:58 | 0:16:00 | |
-Do you know what you've done wrong? -The chocolate cooled down. -Wrong. -Oh. | 0:16:03 | 0:16:08 | |
Your sugar's not cooked out in your sabayon. Your sabayon's not cooked out enough. | 0:16:08 | 0:16:12 | |
If it's not cooked out enough, what happens is you have raw alcohol hitting chocolate | 0:16:12 | 0:16:16 | |
and that makes the whole thing go solid. | 0:16:16 | 0:16:19 | |
You're going to add in some double cream. | 0:16:21 | 0:16:24 | |
-That will get that chocolate moving again. -Yeah. | 0:16:24 | 0:16:27 | |
I've got to somehow get a chocolate mousse. | 0:16:30 | 0:16:32 | |
I've got no more chocolate in the building, so this has got to work. | 0:16:32 | 0:16:37 | |
Toes, legs, everything crossed. | 0:16:37 | 0:16:41 | |
This doesn't look like it's going to turn into a mousse. | 0:16:43 | 0:16:47 | |
It looks like soup. | 0:16:47 | 0:16:48 | |
Stop for a sec. Stop. | 0:16:53 | 0:16:56 | |
You've got to be confident this is going to set. | 0:16:56 | 0:17:00 | |
Put some in a small tray, | 0:17:00 | 0:17:01 | |
put it in the blast chiller before you put all of it in the glasses. | 0:17:01 | 0:17:04 | |
Cos if you put that in the glasses and it doesn't set, it really is a disaster. | 0:17:04 | 0:17:10 | |
-That's the height. -Yeah. -We'll just double check using that, then. | 0:17:11 | 0:17:15 | |
-Is it going to set? -We've got to find out now. -OK. | 0:17:15 | 0:17:19 | |
How long do we wait? | 0:17:19 | 0:17:21 | |
Five minutes. It's all right. | 0:17:23 | 0:17:26 | |
Jay and Shelina may have to have a rethink here. | 0:17:26 | 0:17:28 | |
We're going to say to our legal minds that we're giving them a slimming dessert. | 0:17:28 | 0:17:33 | |
"We've taken the chocolate off, we're worried about your health, have a pear." | 0:17:33 | 0:17:37 | |
It's seven o'clock. | 0:17:41 | 0:17:43 | |
Before dining, the barristers must put on the gowns worn in court. | 0:17:48 | 0:17:53 | |
Master Treasurer, Masters of the Bench, dinner is served. | 0:18:02 | 0:18:08 | |
Go, go, go. Next one, next one. | 0:18:20 | 0:18:23 | |
Aki and Eamonn now have minutes to get their sole and the samphire steamed before service. | 0:18:23 | 0:18:29 | |
Agh! That's how I feel right now. | 0:18:29 | 0:18:31 | |
We are behind schedule. We need to make a move, please. | 0:18:34 | 0:18:38 | |
-Do you want the starter people upstairs now? -Move the tray. | 0:18:38 | 0:18:41 | |
We go upstairs, yeah? | 0:18:41 | 0:18:43 | |
-All right? -Yeah, we're OK. | 0:18:44 | 0:18:46 | |
A temporary plating station has been set up next to the dining hall | 0:18:48 | 0:18:52 | |
and they will need Jay and Shelina's help to get the starters out hot. | 0:18:52 | 0:18:57 | |
Good Lord, bless us and these, thy good gifts, | 0:19:05 | 0:19:08 | |
which we receive of thy bounteous liberality. Amen. | 0:19:08 | 0:19:11 | |
ALL: Amen. | 0:19:11 | 0:19:13 | |
There are lots of judges sitting here on high table | 0:19:14 | 0:19:17 | |
and if they're not pleased, goodness knows what might happen. | 0:19:17 | 0:19:21 | |
What's going to happen now is the staff will come in, | 0:19:28 | 0:19:31 | |
two plates at a time, go out that door and serve the customers. Let's move on. | 0:19:31 | 0:19:36 | |
These are already coming at me all sorts of different ways. | 0:19:45 | 0:19:48 | |
Folks, we've done four plates in one minute. | 0:19:48 | 0:19:51 | |
We normally do 200 plates in ten minutes. We cannot go this slowly. | 0:19:51 | 0:19:57 | |
Bring it a little lower. Thank you. Next. A little bit lower. Keep going. | 0:19:59 | 0:20:03 | |
There you go. Nearer me, please. Nearer me, please. | 0:20:03 | 0:20:06 | |
Come on, guys, don't slow down, not now. | 0:20:09 | 0:20:11 | |
Last one, last one. | 0:20:14 | 0:20:16 | |
-Well done, chef. Well done, chef. -Thank you. | 0:20:18 | 0:20:21 | |
-OK? Just? -Just. | 0:20:21 | 0:20:23 | |
Aki and Eamonn have served a fillet of sole Balmoral, | 0:20:34 | 0:20:38 | |
samphire, a pastry fleuron, | 0:20:38 | 0:20:41 | |
and a champagne sauce with shaved truffle. | 0:20:41 | 0:20:44 | |
It's a nice firm fish, which I like. And it was nice. Good. | 0:20:48 | 0:20:54 | |
I thought it was delicious. And just the right quantity of stuffed fish. | 0:20:54 | 0:20:59 | |
I thought it was delicious. | 0:21:01 | 0:21:02 | |
The fish was perfectly cooked. | 0:21:02 | 0:21:04 | |
The samphire was lovely. I really enjoyed it. | 0:21:04 | 0:21:06 | |
The food was substantial but also tasty, very happy. | 0:21:06 | 0:21:11 | |
The fish was beautifully cooked. Not over-cooked so all in all very good. | 0:21:11 | 0:21:15 | |
My only complaint was it was too big. | 0:21:15 | 0:21:19 | |
It's now Andrew and Tom's turn to deliver a faultless main course. | 0:21:23 | 0:21:27 | |
But Andrew still has to sear the 280 fillets of beef while | 0:21:28 | 0:21:34 | |
Tom fries off the amandine potatoes. | 0:21:34 | 0:21:37 | |
That's raw, mate. They're not going to eat that, it's cold in the middle. | 0:21:40 | 0:21:43 | |
-OK, leave... -Look, that's cold. | 0:21:43 | 0:21:45 | |
You know who we're feeding up there. | 0:21:48 | 0:21:50 | |
Important people. | 0:21:50 | 0:21:51 | |
I mean, we could all end up being sued here, Andrew. | 0:21:51 | 0:21:54 | |
Tom, you've got to make sure that beef is cooked, buddy. | 0:21:54 | 0:21:57 | |
If it's not cooked, chef is going to kill you. | 0:21:57 | 0:21:59 | |
Nice one, good mate, in you go. | 0:22:03 | 0:22:05 | |
I think we've got everything. | 0:22:05 | 0:22:06 | |
I haven't got my licence for driving one of these. | 0:22:06 | 0:22:09 | |
Right, folks, next course needs to be served in the next three minutes. | 0:22:15 | 0:22:18 | |
We need to start and it needs to take 12 minutes this time, please. | 0:22:18 | 0:22:22 | |
Andrew or Tom, which one of you is going to run the service? | 0:22:22 | 0:22:25 | |
-We're going to put different... -No, who's going to be in charge? | 0:22:25 | 0:22:28 | |
-I am. -You are? -Yeah. | 0:22:28 | 0:22:31 | |
OK, so try and get the plate with the cross at the top, yeah? | 0:22:31 | 0:22:33 | |
-Andrew. -Yes. -Show them. You got one over there finished. | 0:22:33 | 0:22:37 | |
So Tom will put that there at 2 o'clock. | 0:22:37 | 0:22:39 | |
-You're going to put that at 10 o'clock. -Yep. | 0:22:39 | 0:22:41 | |
Service time, please. | 0:22:41 | 0:22:43 | |
We can't wait any longer now. We need to move. | 0:22:43 | 0:22:45 | |
Right, guys you've done two so far, you've only got 236 to go. | 0:22:48 | 0:22:51 | |
It's looking good, let's just get faster, OK? | 0:22:57 | 0:23:00 | |
We're getting there. We're over half way. | 0:23:02 | 0:23:05 | |
We need to make sure we move a bit faster, | 0:23:05 | 0:23:07 | |
we've still got more than half, I'm afraid, to go. | 0:23:07 | 0:23:10 | |
Look at this...it's like a machine! | 0:23:16 | 0:23:18 | |
Don't slow down, guys, come on. You're almost there. | 0:23:19 | 0:23:22 | |
Come on, guys, last 30 plates, let's go. | 0:23:25 | 0:23:27 | |
-That's it mate, get rid of them. -That's it. | 0:23:27 | 0:23:29 | |
Stop, stop. | 0:23:29 | 0:23:31 | |
Phew. | 0:23:31 | 0:23:33 | |
Well done. Well done, mate. | 0:23:33 | 0:23:35 | |
I never thought you could do that. | 0:23:38 | 0:23:41 | |
That whole day is full on, it's eight hours of non-stop work. | 0:23:42 | 0:23:46 | |
Tom and Andrew's main is a tournedos of beef topped with oxtail confit, | 0:23:51 | 0:23:57 | |
potato amandine, | 0:23:57 | 0:24:00 | |
vegetable parcel, woodland mushrooms | 0:24:00 | 0:24:03 | |
and a red wine jus. | 0:24:03 | 0:24:04 | |
I thought the beef was absolutely superb and I'm actually amazed | 0:24:10 | 0:24:13 | |
that cooking for so many people, he can get it so perfect. | 0:24:13 | 0:24:17 | |
It's nice and tender. | 0:24:17 | 0:24:19 | |
It's lovely and I like the fact that it's slightly rare. | 0:24:19 | 0:24:22 | |
It's quite big, but then there are lots of men here | 0:24:22 | 0:24:25 | |
and they have larger capacities than women, I think. | 0:24:25 | 0:24:28 | |
The crust of the potato is excellent. | 0:24:28 | 0:24:32 | |
I mean, the whole thing is as... as good as you can get. | 0:24:32 | 0:24:36 | |
The meat was really excellently well done, | 0:24:36 | 0:24:39 | |
so ten out of ten for that one I suppose. | 0:24:39 | 0:24:41 | |
I could gush forever about it. | 0:24:41 | 0:24:43 | |
It was really quite knock out, I have to say, really stellar. | 0:24:43 | 0:24:46 | |
Finally it's Shelina and Jay's dessert trio. | 0:24:51 | 0:24:55 | |
SHE LAUGHS | 0:25:03 | 0:25:04 | |
That was a very, very close call. | 0:25:09 | 0:25:13 | |
We'll start bringing out the trolleys. We have to get all this upstairs and on the plates. | 0:25:13 | 0:25:17 | |
Yes, Chef. | 0:25:17 | 0:25:18 | |
We're ready to go. | 0:25:25 | 0:25:27 | |
Me and Andrew are doing the pears, Thomas is on the strawberries, | 0:25:29 | 0:25:33 | |
Eamonn, can you follow up with the chocolate mousse, | 0:25:33 | 0:25:36 | |
-Aki, can you put the creme brulee on, please. -Yep. | 0:25:36 | 0:25:38 | |
OK, boys? Pear, pear, pear. Let's go, go, go. | 0:25:41 | 0:25:45 | |
How's our mousse, Shelina? | 0:25:47 | 0:25:48 | |
The mousse is a mousse, which is always helpful. | 0:25:48 | 0:25:52 | |
Come on, we're almost there, keep it going. | 0:25:55 | 0:25:58 | |
All done? | 0:26:01 | 0:26:03 | |
Lovely! | 0:26:04 | 0:26:05 | |
I absolutely love it! I've never seen a hallway full of desserts. | 0:26:09 | 0:26:13 | |
It's brilliant. | 0:26:13 | 0:26:14 | |
-Service, please. -Service, please. | 0:26:17 | 0:26:19 | |
That's it, nice and steady. | 0:26:21 | 0:26:23 | |
-Last plate. -Thank you. | 0:26:27 | 0:26:29 | |
I'm too tired. | 0:26:31 | 0:26:33 | |
Shelina and Jay's pudding is a chocolate and orange liqueur mousse, | 0:26:42 | 0:26:46 | |
autumn spiced pear with a port syrup | 0:26:46 | 0:26:50 | |
and tropical fruit brulee. | 0:26:50 | 0:26:52 | |
The brulee - absolutely delicious | 0:26:58 | 0:27:01 | |
and I loved that crunchy feel | 0:27:01 | 0:27:02 | |
and the lovely, fruity, mouth-filling flavours that emerged. | 0:27:02 | 0:27:07 | |
The creme brulee, meant to be passion fruit and mango, | 0:27:08 | 0:27:12 | |
I didn't detect the mango and there wasn't enough passion. | 0:27:12 | 0:27:15 | |
The pear was delicious. | 0:27:15 | 0:27:16 | |
Well, everything was delicious... | 0:27:16 | 0:27:19 | |
-The creme brulee... > -Yes, we're all creme brulee fans. | 0:27:19 | 0:27:22 | |
This mousse wasn't really a mousse, it was too runny | 0:27:24 | 0:27:26 | |
and more drinkable than eatable. | 0:27:26 | 0:27:29 | |
The pudding was a big ask. | 0:27:29 | 0:27:31 | |
They didn't quite pull it off, | 0:27:31 | 0:27:34 | |
but hey, who cares? | 0:27:34 | 0:27:36 | |
The taste was good. | 0:27:36 | 0:27:38 | |
I ate it all, you know, come on. | 0:27:38 | 0:27:39 | |
Oh, we don't do this up North, do we?! | 0:27:44 | 0:27:47 | |
We pushed them to the absolute edge, John, today. | 0:27:48 | 0:27:50 | |
I mean that was a huge test. | 0:27:50 | 0:27:52 | |
To feed that many people in that sort of surroundings | 0:27:52 | 0:27:55 | |
with food that complex is MASSIVE. | 0:27:55 | 0:27:57 | |
-Well done...beer? -Beer. | 0:28:00 | 0:28:02 | |
I'm trying to think of a part of me that doesn't ache. | 0:28:04 | 0:28:06 | |
I think just here. This isn't hurting, just here. | 0:28:06 | 0:28:11 | |
I'm really relieved but I'm also really chuffed. | 0:28:12 | 0:28:15 | |
Chuffed that all six of us managed to feed the masses | 0:28:15 | 0:28:17 | |
in such an amazing building. | 0:28:17 | 0:28:19 | |
It might be hard, it might be mentally exhausting but it's, | 0:28:21 | 0:28:24 | |
you know, an absolute dream compared to real life. | 0:28:24 | 0:28:27 | |
It seems unfair to say it, I know they've just got through a huge task. John, | 0:28:30 | 0:28:34 | |
but pretty soon one of these guys is going to have to leave the competition. | 0:28:34 | 0:28:39 | |
For me there is not a cigarette paper between them. | 0:28:39 | 0:28:44 | |
I just simply can't wait to see what happens next. | 0:28:44 | 0:28:49 | |
Welcome back, your last task was mammoth. | 0:29:28 | 0:29:32 | |
But now we want you to step it up one more time. | 0:29:33 | 0:29:36 | |
We want you to cook for us | 0:29:37 | 0:29:40 | |
two elegant courses that would proudly sit on any fine dining menu. | 0:29:40 | 0:29:45 | |
It is time to impress, guys | 0:29:45 | 0:29:47 | |
because at the end of this one of you will be leaving us. | 0:29:47 | 0:29:51 | |
Right, we have a very special guest joining us. | 0:29:54 | 0:29:56 | |
Without doubt one of the finest and most respected chefs in the country.... | 0:29:56 | 0:30:01 | |
Michel Roux Jr. | 0:30:02 | 0:30:05 | |
Today's all about fine dining, achieving standards. | 0:30:27 | 0:30:31 | |
Perfection on a plate. | 0:30:32 | 0:30:34 | |
I've been told you're pretty good. Now's the time to prove it. | 0:30:37 | 0:30:41 | |
1½ hours, ladies and gentlemen, two courses | 0:30:42 | 0:30:45 | |
and it has to impress. | 0:30:45 | 0:30:46 | |
Let's cook. | 0:30:48 | 0:30:49 | |
This is where we see if they have the finesse. | 0:30:56 | 0:30:58 | |
Do they have the ability to take their food that one more step forward? | 0:30:58 | 0:31:03 | |
Now is about finding out who has got the real makings of a pro. | 0:31:03 | 0:31:07 | |
I think the longer I've stayed in the competition I've realised | 0:31:12 | 0:31:16 | |
I could potentially be a professional chef. | 0:31:16 | 0:31:19 | |
And that makes me really excited. | 0:31:19 | 0:31:22 | |
You've combine skills and real understanding of cooking, well done. | 0:31:22 | 0:31:26 | |
-Shelina, your menu you is? -A lobster curry with potato bhajia | 0:31:33 | 0:31:36 | |
which is like a deep fried spicy potato. | 0:31:36 | 0:31:39 | |
And the dessert is my idea of key lime pie. | 0:31:39 | 0:31:42 | |
It's all the flavours of key lime pie. | 0:31:42 | 0:31:45 | |
You've got a curry | 0:31:45 | 0:31:47 | |
and an experimental dessert to serve up to Michel Roux. | 0:31:47 | 0:31:49 | |
Er, that's pretty scary, | 0:31:50 | 0:31:52 | |
Yeah, I had a real big look of shock on my face when he walked through | 0:31:52 | 0:31:55 | |
the door but I really want to impress all three of you today. | 0:31:55 | 0:31:58 | |
I really, really want this. | 0:31:58 | 0:32:00 | |
Sweet lobster, spicy curry - heaven. | 0:32:02 | 0:32:05 | |
But it has to be presented beautifully. | 0:32:05 | 0:32:07 | |
How can a lobster curry be presented beautifully? | 0:32:07 | 0:32:10 | |
'I think that some of the plates I've put out have already been fine dining.' | 0:32:20 | 0:32:24 | |
The smoked herring is absolutely delicious. | 0:32:24 | 0:32:26 | |
I think he's really nailed it. | 0:32:26 | 0:32:28 | |
I haven't always got the flavours right. | 0:32:28 | 0:32:31 | |
In my mouth now I've got a floral, sweet, oaty fish biscuit. | 0:32:31 | 0:32:34 | |
It's just a bit weird. | 0:32:34 | 0:32:36 | |
Whisky, honey, for me it doesn't belong in this dish. | 0:32:36 | 0:32:40 | |
I've got a point to prove in this kitchen today and my dish is, | 0:32:40 | 0:32:44 | |
well, you could call it an apology to Tom Kitchin. | 0:32:44 | 0:32:48 | |
I'm cooking roast grouse, a Scottish dish, I'm half Scottish. | 0:32:48 | 0:32:52 | |
I'm going to do it with a whisky, honey and heather... | 0:32:52 | 0:32:54 | |
Yeah, whisky, honey with blackberries | 0:32:54 | 0:32:57 | |
and I'm doing it with neeps and a Savoy sausage. | 0:32:57 | 0:33:00 | |
Once again, two ingredients which really are your nemesis, | 0:33:00 | 0:33:03 | |
honey and whisky with red mullet. Today we're serving it with grouse. | 0:33:03 | 0:33:07 | |
-With grouse it works. With fish it doesn't, with grouse it works. -And dessert? | 0:33:07 | 0:33:11 | |
Chocolate and black olive caramel tart with a rosemary ice cream. | 0:33:11 | 0:33:15 | |
A what...a what? | 0:33:15 | 0:33:17 | |
Chocolate and black olive caramel tart | 0:33:17 | 0:33:19 | |
with rosemary ice cream. | 0:33:19 | 0:33:21 | |
Cor. | 0:33:21 | 0:33:22 | |
Dessert, what an extraordinary risk. | 0:33:22 | 0:33:25 | |
Chocolate and black olive tart with rosemary ice cream. I don't know. | 0:33:25 | 0:33:29 | |
It's a little bit of a strange combination. | 0:33:29 | 0:33:32 | |
I don't know. I can understand. Something inside me here says, "Yes, maybe." | 0:33:32 | 0:33:36 | |
A little bit of the salty taste with the chocolate can work, | 0:33:36 | 0:33:38 | |
but it's a very fine line. Very, very fine line. | 0:33:38 | 0:33:42 | |
50 minutes gone, over half way. | 0:33:43 | 0:33:47 | |
I've had a few ups and downs. | 0:33:55 | 0:33:57 | |
Your cooking - not in question, | 0:33:57 | 0:34:00 | |
but, at what stage are you going to stand up and go, | 0:34:00 | 0:34:03 | |
"Look at me!" | 0:34:03 | 0:34:05 | |
They want to see more, | 0:34:05 | 0:34:06 | |
they want to see a bit of an edgy attitude from me. | 0:34:06 | 0:34:09 | |
So that's basically what I'm doing today. | 0:34:09 | 0:34:13 | |
-Fine dining today, Jay. -Yep. | 0:34:15 | 0:34:17 | |
Pan-fried halibut on a bed of chorizo-braised plum tomatoes | 0:34:17 | 0:34:22 | |
with a crab and new potato salad underneath | 0:34:22 | 0:34:26 | |
with some smoked, shaved marrow bone. | 0:34:26 | 0:34:28 | |
-Woah. That's one dish? -Yep. | 0:34:28 | 0:34:30 | |
What's the next dish? | 0:34:30 | 0:34:31 | |
Chocolate hazelnut torte with Cointreau cream. | 0:34:31 | 0:34:35 | |
-You are absolutely going for it. -You told me to. You thought I was being too safe. | 0:34:35 | 0:34:40 | |
I don't want you thinking that so I'm pushing the boundaries. | 0:34:40 | 0:34:43 | |
So what do you want us to think of you? | 0:34:43 | 0:34:44 | |
I don't know, just think that I'm a good cook, that'll do. | 0:34:44 | 0:34:48 | |
Look around the room. There's only five others, mate. | 0:34:48 | 0:34:51 | |
You've got to be a pretty good cook to be here. | 0:34:51 | 0:34:53 | |
Yeah, I know and I appreciate that. | 0:34:53 | 0:34:55 | |
Could you honestly balance halibut, tomato, | 0:34:55 | 0:34:59 | |
chorizo, bone marrow and crab? | 0:34:59 | 0:35:01 | |
Cor...that's a tough call. | 0:35:01 | 0:35:05 | |
Jay's dessert, a torte, can be beautiful, can be fine dining | 0:35:05 | 0:35:08 | |
but it's down to presentation, and lightness of touch. | 0:35:08 | 0:35:11 | |
I've had quite a few highs and one particular low. | 0:35:19 | 0:35:23 | |
This dish isn't right. You've overdone it. | 0:35:23 | 0:35:25 | |
You've broken my heart here today. | 0:35:25 | 0:35:27 | |
But I'm still here. | 0:35:29 | 0:35:30 | |
Yeah, I had a blip but hopefully after today they'll be just saying, | 0:35:30 | 0:35:34 | |
"Wow, look what Eamonn can do." | 0:35:34 | 0:35:37 | |
Eamonn, what are your two dishes? | 0:35:40 | 0:35:42 | |
Rib of pork and tenderloin of pork with a celeriac puree and a Guinness and cider sauce. | 0:35:42 | 0:35:47 | |
The dessert is a liquorice poached pear, blackberry sorbet, | 0:35:47 | 0:35:52 | |
a sable biscuit and a little bit of lime Chantilly. | 0:35:52 | 0:35:56 | |
Not just cooking for me and John today. | 0:35:56 | 0:35:58 | |
No, I know. Wow. | 0:35:58 | 0:36:00 | |
It's a big thrill and I hope I don't go on to disappoint yet another top chef. | 0:36:01 | 0:36:06 | |
I won't today, I promise you guys. | 0:36:06 | 0:36:07 | |
I'm not too sure about Eamonn's pork with ale. | 0:36:09 | 0:36:12 | |
It sounds like a straightforward dish that you may cook at home. | 0:36:12 | 0:36:15 | |
You're supposed to be pushing the boat out today. | 0:36:15 | 0:36:18 | |
That's going to have to be super-refined to impress me. | 0:36:18 | 0:36:21 | |
Just 30 minutes left. | 0:36:21 | 0:36:24 | |
I love fine dining and it's the sort of food I love to eat. | 0:36:34 | 0:36:36 | |
I think your cooking today is great. | 0:36:37 | 0:36:40 | |
It would almost be a little bit embarrassing if I went out today. | 0:36:41 | 0:36:44 | |
It's sort of like losing at home. | 0:36:45 | 0:36:48 | |
Tom, what are you making? You've got stuff everywhere. | 0:36:50 | 0:36:53 | |
I'm doing crusted sirloin of beef, liver, smoked bacon and onions | 0:36:53 | 0:36:57 | |
with a beetroot puree and a roasted garlic cream sauce. | 0:36:57 | 0:37:00 | |
-Dessert, I'm doing a ravioli of cherries and chocolate. -Pasta with cherries and what? | 0:37:00 | 0:37:04 | |
Chocolate, yeah. | 0:37:04 | 0:37:06 | |
Lack of time is a major issue. | 0:37:06 | 0:37:09 | |
I've given myself a lot of work if it'll be brilliant, | 0:37:09 | 0:37:13 | |
if I don't it'll be disappointing. | 0:37:13 | 0:37:14 | |
Pushing yourself, mate. Really going for it. Why? | 0:37:14 | 0:37:18 | |
Because I want to win and it's the end of the competition today | 0:37:18 | 0:37:21 | |
and I've got to make sure mine's not the worst dish of the day. | 0:37:21 | 0:37:24 | |
I am confident with food, like I say it's just | 0:37:24 | 0:37:26 | |
whether I can get it done in the time. | 0:37:26 | 0:37:28 | |
The onion, the liver - we know that works together | 0:37:29 | 0:37:33 | |
but he's got beetroot AND garlic. | 0:37:33 | 0:37:34 | |
I don't know, there's a lot of flavours. | 0:37:34 | 0:37:37 | |
There's a lot of process going on there. There's a lot of work. | 0:37:37 | 0:37:41 | |
I try and be different and I think that's what's kept me in. | 0:37:48 | 0:37:52 | |
I don't believe this, it actually works for me in a strange | 0:37:52 | 0:37:56 | |
and crazy way. | 0:37:56 | 0:37:57 | |
-And sometimes I get told off. -It doesn't work. | 0:37:58 | 0:38:02 | |
And considering the mess that she was working in, I'm not surprised it doesn't work. | 0:38:02 | 0:38:06 | |
But I like it. I'm going to keep being different, a bit weird, | 0:38:06 | 0:38:10 | |
to keep John and Gregg on their toes. | 0:38:10 | 0:38:13 | |
What's going on? What are your two dishes? | 0:38:14 | 0:38:18 | |
I'm doing some tea-smoked chicken oysters, on some dashi noodle jelly. | 0:38:18 | 0:38:23 | |
And for my dessert I'm doing a bit of a fusion dish | 0:38:23 | 0:38:25 | |
of sticky toffee pudding with miso nitrogen ice cream. | 0:38:25 | 0:38:29 | |
-Ho-ho-ho-hoo! -And the inspiration is what, Aki? | 0:38:29 | 0:38:32 | |
I've been working with cryogenics in my lab | 0:38:32 | 0:38:35 | |
and I realised that it freezes things really quickly which | 0:38:35 | 0:38:38 | |
means the crystals in the ice cream will be very, very smooth. | 0:38:38 | 0:38:41 | |
I said to John that I didn't want a scientific experiment from you today. | 0:38:41 | 0:38:45 | |
SHE LAUGHS | 0:38:45 | 0:38:47 | |
Fingers crossed I don't freeze my finger off with the nitrogen. | 0:38:47 | 0:38:50 | |
Liquid nitrogen, miso, into beautiful ice cream. | 0:38:51 | 0:38:54 | |
She's pushing out the boat cos she's got a lot to prove. | 0:38:54 | 0:38:57 | |
I'm intrigued by that one. | 0:38:57 | 0:39:00 | |
I love miso as it is, I love it as a flavour and as a texture | 0:39:00 | 0:39:02 | |
but as an ice cream I've never come across that | 0:39:02 | 0:39:04 | |
and with sticky toffee pudding, for me...I don't know. | 0:39:04 | 0:39:07 | |
Four minutes, guys. Four minutes to finish your plates. | 0:39:07 | 0:39:12 | |
You have just two minutes. | 0:39:23 | 0:39:25 | |
Whoa, some of these guys are pushing it. | 0:39:28 | 0:39:30 | |
It should be just the finishing touches now. | 0:39:30 | 0:39:34 | |
That's it! Time's up, stop! | 0:39:44 | 0:39:47 | |
Andrew's first course is a crusted roast grouse | 0:40:05 | 0:40:09 | |
on pureed neeps with Savoy-wrapped sausage, blackberries, | 0:40:09 | 0:40:15 | |
bacon crumb and whisky honey sauce. | 0:40:15 | 0:40:17 | |
Followed by a chocolate and black olive tart with rosemary ice cream. | 0:40:20 | 0:40:24 | |
The combination of honey and whisky but this time with grouse | 0:40:32 | 0:40:37 | |
and not with red mullet. | 0:40:37 | 0:40:38 | |
I think it's really well balanced. Very, very daring indeed. | 0:40:38 | 0:40:42 | |
Beautifully seasoned and beautifully cooked. | 0:40:42 | 0:40:46 | |
The sauce is LOVELY, | 0:40:46 | 0:40:47 | |
it has sweetness, sharpness, it has the fruit in there, the honey, | 0:40:47 | 0:40:51 | |
and I really, really love your bacon crumb here. | 0:40:51 | 0:40:55 | |
That's cooking from a professional chef, not an amateur chef. | 0:40:55 | 0:40:58 | |
-Andrew, I'm really impressed with this. -Thank you. | 0:40:58 | 0:41:01 | |
Olive, chocolate, and rosemary ice cream. | 0:41:11 | 0:41:14 | |
That is genius! | 0:41:14 | 0:41:16 | |
It's chocolate, minty liquorice. | 0:41:17 | 0:41:19 | |
It's genius! | 0:41:19 | 0:41:21 | |
I had this written off in my mind completely as something obscure | 0:41:22 | 0:41:27 | |
and ridiculous but I commend you for it, well done. | 0:41:27 | 0:41:30 | |
Andrew, I love the combinations. Chocolate with black olive works. | 0:41:32 | 0:41:37 | |
It gives a little saltiness to the chocolate which works beautifully. | 0:41:37 | 0:41:41 | |
The ice cream's lovely. Heavenly. | 0:41:41 | 0:41:43 | |
You're not far off. | 0:41:43 | 0:41:45 | |
That's amazing...to hear this gentleman say that. | 0:41:47 | 0:41:52 | |
I don't think I've ever received praise like that for anything I've done so... | 0:41:55 | 0:41:59 | |
Jay's first course is pan-fried halibut with chorizo-braised tomatoes, | 0:42:08 | 0:42:13 | |
crab and potato salad and smoked bone marrow. | 0:42:13 | 0:42:16 | |
His dessert is a dark chocolate and hazelnut torte | 0:42:18 | 0:42:22 | |
with candied orange peel and orange liqueur cream. | 0:42:22 | 0:42:27 | |
Jay, that is a huge portion. | 0:42:37 | 0:42:40 | |
It doesn't look dainty, which is such a shame. | 0:42:40 | 0:42:44 | |
The bone marrow is over-smoked. | 0:42:44 | 0:42:46 | |
If it was a little less smoked, | 0:42:46 | 0:42:48 | |
I really do think that the flavour combination would work. | 0:42:48 | 0:42:51 | |
You've shown an unbelievable skill in cooking fish. | 0:42:53 | 0:42:57 | |
You've got it, you've got that touch. | 0:42:57 | 0:42:59 | |
Just think about the flavour combinations. | 0:42:59 | 0:43:03 | |
I actually like the bone marrow with the halibut. | 0:43:03 | 0:43:07 | |
What I'm disappointed about is losing the crab. | 0:43:07 | 0:43:10 | |
Ups and downs. | 0:43:10 | 0:43:11 | |
Jay, for me this is afternoon tea. | 0:43:19 | 0:43:22 | |
Very good afternoon tea, I must say. | 0:43:23 | 0:43:26 | |
But you need to refine. On both dishes you've presented to me. | 0:43:26 | 0:43:29 | |
Now, I don't drink as much as I did any more | 0:43:29 | 0:43:32 | |
and I'm getting high on that. | 0:43:32 | 0:43:34 | |
I LOVE that. | 0:43:34 | 0:43:36 | |
It's not got Roux elegance stamped all over it | 0:43:36 | 0:43:39 | |
but it's definitely got "fat bloke licking his lips" | 0:43:39 | 0:43:43 | |
stamped all over it, that's for sure. | 0:43:43 | 0:43:45 | |
I tried to refine my food today. | 0:43:48 | 0:43:50 | |
If I did in their eyes or not, I don't know. | 0:43:50 | 0:43:53 | |
Shelina's main dish is a lobster curry with spiced peas, | 0:43:59 | 0:44:03 | |
a potato bhajia and a coriander foam. | 0:44:03 | 0:44:08 | |
Her dessert is a deconstructed key lime pie, | 0:44:10 | 0:44:13 | |
consisting of lime mousse, chocolate ganache, | 0:44:13 | 0:44:16 | |
ginger jelly and a chocolate coconut crumb. | 0:44:16 | 0:44:20 | |
I think you've judged it really well. I think it's not too spicy. | 0:44:29 | 0:44:33 | |
Has it achieved the standard...? | 0:44:33 | 0:44:36 | |
I think you have. | 0:44:37 | 0:44:40 | |
Well-cooked lobster. Love the peas with it. | 0:44:42 | 0:44:45 | |
I think the sauce is wonderful and rich. | 0:44:45 | 0:44:47 | |
It's really soothing, really spicy. A lovely, lovely dish for me. | 0:44:47 | 0:44:50 | |
To your dessert. | 0:44:52 | 0:44:54 | |
First thing I see are little flowers and petals scattered all over which | 0:44:54 | 0:44:58 | |
makes me think you've tried to hide deficiencies maybe in presentation. | 0:44:58 | 0:45:01 | |
I think that's absolutely right. | 0:45:01 | 0:45:04 | |
Hmm, I love the crunch, I love the fact there's a jelly in there as well. | 0:45:08 | 0:45:12 | |
It plays great music in my mouth, it's lovely. | 0:45:12 | 0:45:15 | |
-However, I don't like the lime with the chocolate. -OK. | 0:45:15 | 0:45:17 | |
I think the presentation is God-awful. | 0:45:19 | 0:45:22 | |
But the flavours are delicious. Love them. | 0:45:24 | 0:45:26 | |
I don't like the chocolate with the lime. | 0:45:28 | 0:45:31 | |
I don't think you've pulled this off at all. | 0:45:31 | 0:45:33 | |
I don't like the look of it. It looks confused. | 0:45:33 | 0:45:36 | |
To me it tastes and even feels a bit confused. | 0:45:36 | 0:45:40 | |
Erm, yeah. | 0:45:40 | 0:45:42 | |
It's just really tough | 0:45:42 | 0:45:43 | |
when you're out there having your food critiqued. | 0:45:43 | 0:45:46 | |
You put your heart on your plate, essentially, | 0:45:48 | 0:45:50 | |
that's what it feels like. | 0:45:50 | 0:45:52 | |
So, yeah, tough, really tough. | 0:45:52 | 0:45:54 | |
Aki has made tea-smoked chicken oysters | 0:46:05 | 0:46:08 | |
on a dashi and somen noodle jelly | 0:46:08 | 0:46:12 | |
with clam broth, shrimp and seafood vegetables. | 0:46:12 | 0:46:14 | |
Her dessert is a sticky toffee pudding with miso ice cream | 0:46:17 | 0:46:20 | |
and deep fried spaghetti dusted with clove and icing sugar. | 0:46:20 | 0:46:24 | |
Aki, I'm not too sure about this dish. | 0:46:33 | 0:46:36 | |
The sweet shrimp are so delicate in flavour, the broth as well, | 0:46:36 | 0:46:39 | |
the enoki mushrooms and the little vegetables are so delicate | 0:46:39 | 0:46:43 | |
and light that they can't take this heavy smoke that | 0:46:43 | 0:46:47 | |
you've put on the chicken oysters. | 0:46:47 | 0:46:48 | |
It's filling my mouth with a rather unpleasant, acrid smoke flavour. | 0:46:48 | 0:46:53 | |
The most prominent thing is basically like chewing on a cigarette butt. | 0:46:55 | 0:47:00 | |
It's so strong from the smoke. | 0:47:00 | 0:47:03 | |
So overpowering, that I feel sort of slightly heartbroken by it | 0:47:03 | 0:47:08 | |
cos it's such a beautiful-looking thing and it really is like eating a bonfire. | 0:47:08 | 0:47:12 | |
That does it for me. It really does. | 0:47:23 | 0:47:27 | |
It's the first time I've ever had a miso ice cream... | 0:47:27 | 0:47:30 | |
it's delicious. | 0:47:30 | 0:47:32 | |
To me it tastes like a very sweet banana. | 0:47:34 | 0:47:36 | |
Very, very nice indeed. | 0:47:36 | 0:47:38 | |
As for the sticky toffee pudding, it's crumbly, | 0:47:38 | 0:47:41 | |
it doesn't seem like it's cooked quite enough for me | 0:47:41 | 0:47:43 | |
and it doesn't really hold together as a pudding. | 0:47:43 | 0:47:46 | |
But for me that dessert is kept alive by the beautiful ice cream | 0:47:46 | 0:47:49 | |
that's sitting on the side. | 0:47:49 | 0:47:51 | |
I didn't think the smoking would be such an issue. | 0:47:56 | 0:47:59 | |
That just went badly wrong and I thought everything was OK, but... | 0:47:59 | 0:48:03 | |
it turned out it wasn't right. | 0:48:03 | 0:48:05 | |
Eamonn has cooked rib and tenderloin of pork with celeriac mash | 0:48:13 | 0:48:16 | |
and a stout and cider sauce. | 0:48:16 | 0:48:18 | |
His second course is a liquorice poached pear | 0:48:23 | 0:48:25 | |
with a blackberry sorbet, | 0:48:25 | 0:48:28 | |
sable biscuit and a lime Chantilly. | 0:48:28 | 0:48:31 | |
Eamonn, I like your presentation. | 0:48:41 | 0:48:43 | |
The little stacks of the ribs, bordering on naff, but... | 0:48:43 | 0:48:47 | |
Was it? | 0:48:48 | 0:48:49 | |
But I understand why you've done it. | 0:48:49 | 0:48:52 | |
I like the sauce. I like the combination of the celeriac puree. | 0:48:52 | 0:48:56 | |
-I think you've done a good job. -Thank you. | 0:48:56 | 0:48:58 | |
I think it's a very well conceived dish, well thought out, well executed | 0:49:00 | 0:49:04 | |
and I really, really like it. | 0:49:04 | 0:49:06 | |
Thank you very much. Can we stop there?(!) | 0:49:06 | 0:49:08 | |
To your dessert. | 0:49:08 | 0:49:10 | |
I was worried that the pear was going to be overpowered by the liquorice, | 0:49:13 | 0:49:17 | |
it hasn't, they actually work. | 0:49:17 | 0:49:19 | |
The ripe, juicy pear | 0:49:21 | 0:49:22 | |
with liquorice and lime cream is divine. | 0:49:22 | 0:49:26 | |
Absolutely divine. | 0:49:26 | 0:49:27 | |
-Thanks, Eamonn, very much. -Thank you, guys. | 0:49:29 | 0:49:32 | |
I want to have a dance! | 0:49:37 | 0:49:39 | |
Michel Roux Jr... | 0:49:41 | 0:49:43 | |
Yeah...I'll have some more of that, please. | 0:49:44 | 0:49:48 | |
Tom's main is a crusted sirloin of beef with a beetroot puree, | 0:49:58 | 0:50:03 | |
calves' liver and smoked bacon, and a garlic cream. | 0:50:03 | 0:50:07 | |
His pudding is a sweet cherry | 0:50:11 | 0:50:13 | |
and chocolate ravioli | 0:50:13 | 0:50:16 | |
with pistachio ice cream and a chocolate tuile. | 0:50:16 | 0:50:19 | |
Tom, I think the combination of ingredients is absolutely right, | 0:50:26 | 0:50:30 | |
but for me this dish smacks of one thing... | 0:50:30 | 0:50:33 | |
running out of time. | 0:50:33 | 0:50:34 | |
Your centrepiece of beef is not cooked properly | 0:50:35 | 0:50:39 | |
and it's taking away from the rest of the work you put into it. | 0:50:39 | 0:50:42 | |
You've got great textures in there. | 0:50:42 | 0:50:44 | |
That lovely crispy bacon and crunchy pickled onion. | 0:50:44 | 0:50:47 | |
It would be great to have a smooth beetroot puree underneath. | 0:50:47 | 0:50:50 | |
That was the idea. | 0:50:50 | 0:50:52 | |
That was the idea, you ran out of time. | 0:50:52 | 0:50:54 | |
It's such a shame. | 0:50:54 | 0:50:55 | |
Sorry, I've got to get in there, absolutely got to get in there. | 0:50:59 | 0:51:02 | |
We'll just both stand back, shall we? | 0:51:02 | 0:51:05 | |
Hmm! | 0:51:07 | 0:51:08 | |
Oh, sorry! | 0:51:08 | 0:51:09 | |
-You go first! -No, come on. -No, go! | 0:51:09 | 0:51:12 | |
You're so enthusiastic, please go for it, I'd like you to. | 0:51:12 | 0:51:15 | |
I don't know about these two but I love that. | 0:51:15 | 0:51:17 | |
The idea of a pasta ravioli filled with something sweet | 0:51:17 | 0:51:20 | |
I think is absolutely brilliant. | 0:51:20 | 0:51:22 | |
And chocolate and then sharp and sweet cherry, absolutely perfect. I just love it. | 0:51:22 | 0:51:26 | |
It's your inventiveness and creativity at its best. | 0:51:26 | 0:51:29 | |
The combination of ingredients, perfect for me. | 0:51:31 | 0:51:33 | |
A marriage made in heaven. | 0:51:33 | 0:51:34 | |
The ravioli, nice and thin, but it's dry. | 0:51:34 | 0:51:38 | |
I did bite off more than I could chew today, quite considerably. | 0:51:43 | 0:51:47 | |
I could've made my main course much simpler, | 0:51:47 | 0:51:50 | |
and probably pulled it off but I didn't. | 0:51:50 | 0:51:53 | |
One of you unfortunately has to leave us. | 0:51:57 | 0:52:01 | |
Please, off you go. | 0:52:01 | 0:52:02 | |
-Thanks, Michel. Thank you very much. -Thank you. | 0:52:11 | 0:52:14 | |
I've seen some great cooking. You guys have got your work cut out. | 0:52:14 | 0:52:17 | |
-Good luck. -Thanks, mate. | 0:52:17 | 0:52:19 | |
Oooh. | 0:52:22 | 0:52:23 | |
-My absolute best cook of the day was Andrew. -Oh, yeah. | 0:52:25 | 0:52:29 | |
He did something different, he dared, but he got it right, | 0:52:29 | 0:52:32 | |
John, and how right did he get it?! | 0:52:32 | 0:52:35 | |
The grouse was beautiful. The tart, I didn't expect it. It blew me away. | 0:52:35 | 0:52:40 | |
Unfortunately it isn't good enough to think, "If I'm not the worst..." | 0:52:40 | 0:52:44 | |
You do have to be the best | 0:52:44 | 0:52:45 | |
and hopefully I'll be in among the top performers today. | 0:52:45 | 0:52:49 | |
Eamonn had two different types of pork, a really good dish. | 0:52:49 | 0:52:53 | |
But that pear with liquorice and cream flavoured with lime. | 0:52:53 | 0:52:56 | |
John, it nearly had me on my knees, it was stunning. | 0:52:56 | 0:52:59 | |
That round has now set my competition on track or whatever you want to call it. | 0:52:59 | 0:53:04 | |
I'm a contender now. | 0:53:04 | 0:53:07 | |
Two stand-out contestants today, Andrew and Eamonn. | 0:53:07 | 0:53:11 | |
Agreed. | 0:53:11 | 0:53:13 | |
That leaves us Shelina, Jay, Aki and Tom. | 0:53:13 | 0:53:16 | |
Shelina, that lobster curry was beautifully spiced | 0:53:19 | 0:53:23 | |
and I know that you guys didn't necessarily like the dessert | 0:53:23 | 0:53:26 | |
but there's technique coming together and that gives me | 0:53:26 | 0:53:29 | |
thought there's a huge amount of potential going on with Shelina. | 0:53:29 | 0:53:32 | |
I know my curry was good but, you now, | 0:53:32 | 0:53:35 | |
is that enough at this stage of the competition, is it enough, really? | 0:53:35 | 0:53:38 | |
I don't know. | 0:53:38 | 0:53:39 | |
Jay said today he wanted to be bolder and braver. | 0:53:41 | 0:53:45 | |
And his fish, I mean, | 0:53:45 | 0:53:46 | |
even Michel said his touch was extraordinary as a cook. | 0:53:46 | 0:53:49 | |
Jay's dessert, I mean, one of those things that just tastes heavenly. | 0:53:49 | 0:53:54 | |
But did it have the finesse? Did it have that edge of fine dining? | 0:53:54 | 0:53:58 | |
Was it brave enough? | 0:53:58 | 0:54:00 | |
You know, I'd love to be in the final five. | 0:54:00 | 0:54:02 | |
I really, really would because I want to push it further. | 0:54:02 | 0:54:05 | |
I want to see how far I can push myself with it. | 0:54:05 | 0:54:08 | |
Tom gave himself lots to do | 0:54:08 | 0:54:10 | |
and didn't quite have enough time to do it properly. | 0:54:10 | 0:54:13 | |
Now, you got to expect him be able to cook the main part of his dish. | 0:54:13 | 0:54:17 | |
But he still managed a brilliant dessert. | 0:54:17 | 0:54:20 | |
Tom's got great ideas. | 0:54:20 | 0:54:22 | |
He needs to be able to execute those ideas and on time. | 0:54:22 | 0:54:25 | |
I'll seriously have to think about what is realistic to achieve | 0:54:27 | 0:54:31 | |
and not just do as much as you can. | 0:54:31 | 0:54:33 | |
But it's a lesson, and if I go through it's a lesson learned. | 0:54:33 | 0:54:36 | |
Aki, dessert, brilliant idea. | 0:54:36 | 0:54:38 | |
Miso ice cream I thought was just amazing. | 0:54:38 | 0:54:41 | |
But that chicken was just way over-smoked. | 0:54:41 | 0:54:44 | |
-And really, really harsh at the back of your throat. -It was like charcoal, so bitter. | 0:54:44 | 0:54:49 | |
How badly has she let herself down today? | 0:54:49 | 0:54:52 | |
You never know. I've been surprised more than once, you know. | 0:54:52 | 0:54:56 | |
You don't know until the decision is announced by John and Gregg. | 0:54:56 | 0:55:01 | |
Although our decision today is quite a difficult decision, for me there | 0:55:02 | 0:55:06 | |
is one cook who is not quite moving fast enough to keep up with the pack. | 0:55:06 | 0:55:11 | |
We've come a long way, a long way. | 0:55:30 | 0:55:32 | |
Not easy to lose one of you now at this stage. | 0:55:32 | 0:55:35 | |
Andrew, | 0:55:38 | 0:55:41 | |
Eamonn, | 0:55:41 | 0:55:43 | |
you two had a point to prove today | 0:55:43 | 0:55:46 | |
and you did it with gusto. | 0:55:46 | 0:55:47 | |
Gentlemen, you're staying with us. | 0:55:47 | 0:55:50 | |
Take a step over there, gentlemen. | 0:55:50 | 0:55:52 | |
There's one other person who's done enough to join Andrew and Eamonn. | 0:56:02 | 0:56:08 | |
Congratulations, Shelina, you're staying with us. | 0:56:10 | 0:56:13 | |
So that leave us with you three. | 0:56:24 | 0:56:27 | |
The person leaving us... | 0:56:37 | 0:56:39 | |
..is Aki. | 0:56:40 | 0:56:42 | |
Thank you, Aki, very much indeed. | 0:56:43 | 0:56:46 | |
Thank you. | 0:56:46 | 0:56:47 | |
It's sad. I think there's going to be a lot ahead | 0:56:57 | 0:57:00 | |
that I'm going to be missing out on. | 0:57:00 | 0:57:02 | |
But I've had a tremendous experience. | 0:57:02 | 0:57:07 | |
I think it's just taught me | 0:57:07 | 0:57:09 | |
that I can do things that I never thought would be possible | 0:57:09 | 0:57:13 | |
so I think it's taught me to have more faith in myself. | 0:57:13 | 0:57:17 | |
Not that I didn't have a big enough head already! | 0:57:17 | 0:57:21 | |
Final five and all. My God. | 0:57:31 | 0:57:34 | |
It won't sink in yet. | 0:57:34 | 0:57:36 | |
I'll probably sit bolt upright at 3 o'clock in the morning. Huh! | 0:57:36 | 0:57:39 | |
Gasping... "I'm in the final five!" You know? | 0:57:39 | 0:57:42 | |
But, erm, it's an amazing feeling. | 0:57:42 | 0:57:45 | |
I've got to look on the bright side, | 0:57:50 | 0:57:52 | |
I got through and I'm over the moon. | 0:57:52 | 0:57:55 | |
Next week, the final five take on the most infamous challenge of all. | 0:58:00 | 0:58:05 | |
How long have I got? | 0:58:05 | 0:58:06 | |
Restaurant critics are intimidating. | 0:58:06 | 0:58:10 | |
You start pushing the boat out and you get it wrong, | 0:58:10 | 0:58:12 | |
they'll have your guts for garters. | 0:58:12 | 0:58:14 | |
Come on! | 0:58:14 | 0:58:17 | |
Your mouth surrenders immediately. | 0:58:17 | 0:58:19 | |
If you had that in a restaurant you would want to write about it. | 0:58:20 | 0:58:23 | |
Keep on working! | 0:58:23 | 0:58:25 | |
Applications for the new series of MasterChef - The Professionals | 0:58:25 | 0:58:29 | |
are now open. | 0:58:29 | 0:58:31 | |
Apply online at - | 0:58:32 | 0:58:36 | |
Subtitles by Red Bee Media Ltd | 0:58:45 | 0:58:48 |