O Gymru Fach - Siapan O Gymru Fach


O Gymru Fach - Siapan

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-Subtitles

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-Subtitles

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-Subtitles

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-I'm Steffan Rhodri.

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-Travelling has always given me

-great pleasure.

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-The thrill of going somewhere new

-on an adventure still excites me.

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-But wherever I go, I always search

-for a little reminder of Wales.

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-In this series, I discover

-how our home-grown produce...

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-..influences foreign cultures.

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-Japan is an intriguing country.

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-Land of sushi, kimonos...

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-..karaoke, sumo wrestling

-and kabuki theatre.

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-In this programme...

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-..I follow traditional Welsh flannel

-6,000 miles eastwards.

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-I help to make marmalade

-that sells for a fortune...

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-..and witness

-the christening of a tree.

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-This is the story

-of Welsh produce making its mark...

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-..on one of the world's

-most prominent countries.

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-It's 6.30am and it's still dark.

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-I only live around the corner...

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-..yet I never realized

-this place even existed.

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-This is Cardiff's

-Bessemer Road market...

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-..where people come

-from all over South Wales...

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-..to buy wholesale fruit and veg.

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-Among them is someone from Boncath

-who makes a lot of jam.

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-Having collected her fruit, herbs

-and vegetables from the market...

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-..Wendy Brandon takes them

-to her kitchen in Boncath...

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-..where she turns them

-into home-made produce.

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-They're then distributed around

-Britain and the rest of the world.

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-Like many large and small

-Welsh companies...

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-..she's looking beyond Wales

-to broaden her horizons.

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-Wendy began making jam and preserves

-using family recipes...

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-..when she gave up teaching

-almost 30 years ago.

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-In order to expand her business,

-she moved to Boncath from Brighton.

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-She now produces

-over 200 different jams...

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-..pickles, preserves,

-chutneys and marmalade.

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-It sounds like an ideal place

-for a cooking enthusiast.

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-KNOCK ON DOOR

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-Hello. How are you?

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-Hello. How are you?

-

-I've brought oranges.

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-Only three women

-work in Wendy's kitchen.

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-Today, I'm helping Mair and Delyth

-make marmalade...

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-..that will end up

-in an exclusive shop in Japan.

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-Do I have to weigh them?

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-Do I have to weigh them?

-

-Yes, weigh them first.

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-Mair has worked here since the 1990s

-and is a real character.

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-A pound and a half of those, please.

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-Right, OK. A kilo and a half?

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-A kilo and a half.

-It's close enough.

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-What's important

-is that it's all made by hand.

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-Yes, we make it all by hand.

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-From start to finish.

-You'll see as we go along.

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-You get the quality

-because it's not made in a factory.

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-It's home-made jam and marmalade.

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-It's just as you'd make it at home.

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-What are you favourite jams

-and marmalades, Mair?

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-I prefer jam.

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-My favourites are rhubarb

-and blackcurrant.

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-Do you have any say

-in what goes into the recipes?

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-Or is it up to Wendy?

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-Every recipe she makes,

-including new ones...

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-..all the girls have to try it,

-as well as Wendy and Ian.

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-We all have our own opinions.

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-The company's first customers

-were London hotel chefs.

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-As they moved jobs, word spread

-about this Welsh produce.

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-The chefs now ask

-for special recipes...

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-..which means Wendy

-must experiment with new flavours.

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-The produce then finds its way

-to the catalogue and the shop.

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-But it's not only hotels

-that order the jams.

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-They also supplied

-an awards party in Hollywood.

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-Those are the secret ingredients?

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-Those are the secret ingredients?

-

-Yes.

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-As the marmalade cooks on the stove,

-it's time for a cuppa.

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-I notice this catalogue opens the

-wrong way because it's from Japan.

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-Yes, that's how they are.

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-There are some interesting

-photographs here of you, Mair.

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-You had some Japanese visitors.

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-You had some Japanese visitors.

-

-Yes, Wendy went out to Japan....

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-..to promote our produce.

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-Some people she spoke to told her

-they used a bakestone for cooking.

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-I'd call it a griddle.

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-Every region

-has its own name for it.

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-I can see you made a big batch

-of Welsh cakes and used the jam...

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-You must have the best jam

-to go with the best Welsh cakes.

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-The labelling is the final process.

-Show me what to do.

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-You have to do it with care because

-the Japanese are very precise.

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-We're also precise,

-and maintain our own high standards.

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-How do you feel, knowing that

-marmalade you made in Boncath...

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-..ends up in a shop in Japan?

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-..ends up in a shop in Japan?

-

-It's strange, really.

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-It's hard to believe that it travels

-from a small kitchen in Wales...

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-..all the way out there.

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-It's hard to believe.

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-But this isn't

-the only company in West Wales...

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-..with its sights set on Japan.

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-What could be more Welsh

-than a Welsh blanket...

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-..woven using traditional methods

-in a rural mill?

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-Wales has produced woollen blankets

-and cloth for centuries...

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-..but one West Wales company

-has survived...

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-..by modernizing

-and expanding its market.

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-It now exports its produce

-all over the world.

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-This place is very striking, Eifion.

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-Your family has been here

-for almost a century.

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-Tell us a little

-about the mill's history.

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-My grandfather came here in 1912...

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-..with his new wife

-and a horse and cart.

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-He bought it for 700.

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-A century ago, the mill

-took wool from local sheep...

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-..spun it into yarn

-and sold it for knitting purposes.

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-Flannel was also produced

-to make clothes for coal miners...

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-..steelworkers and the army.

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-Following WW2, the mill produced

-traditional blankets and tweed.

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-Eifion's father dreamt up a new idea

-to expand the business.

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-As a child, I remember visitors

-coming to the house...

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-..and thinking,

-who are these people...

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-..and what are they doing here?

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-Of course, they were customers.

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-You took over from your father

-and expanded the business.

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-You created a signature style

-that has become successful...

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-..allowing you

-to expand the market in general.

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-We identified a new market

-and a design to suit that market.

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-People look for different things.

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-We tried to find customers...

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-..who were interested in tradition

-but also wanted a fresh approach.

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-The American market

-was the first to flourish.

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-Melin Tregwynt has sold its wares

-in the USA for over 30 years.

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-The company currently exports

-to 15 countries.

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-One of the main markets is Japan.

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-The cloth and the traditional way

-in which it's created...

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-..is a selling point,

-as is the company's history.

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-Who do we have here, Eifion?

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-This is my family,

-going back to Tad-cu.

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-This is a picture of Mam

-in the shop...

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-..back in the 1970s or 1980s.

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-And that shop

-was over in the old house?

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-Who's that little boy there?

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-Who's that little boy there?

-

-Me! The family outside the mill.

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-This is your father

-and grandfather.

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-I can see the family resemblance.

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-It probably helps

-with the company's marketing...

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-..that you have photographs

-like this to show people...

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-..for them to know

-that the mill has a long tradition.

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-It helps a lot.

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-One company in Japan

-uses these photographs as branding.

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-They do it very well.

-Better than we could do it.

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-When they put on a show,

-they use these photographs.

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-There's something

-about the Japanese.

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-They like the authentic history

-attached to the company.

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-That helps a lot.

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-What's it like

-doing business with the Japanese?

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-You have to go there.

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-They like doing business

-face-to-face.

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-If you don't go there, you lose out.

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-It's also a chance for us to see...

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-..how our things

-are displayed in the shops.

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-And we enjoy it.

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-And we enjoy it.

-

-You mix business with pleasure.

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-We try to.

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-Melin Tregwynt has had to adapt

-and modernize over the years...

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-..to keep abreast with fashion.

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-They've done it without losing touch

-with their roots and tradition.

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-It's that traditional Welshness

-that has captivated global markets.

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-My journey takes me

-from West Wales to Japan...

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-..to see for myself...

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-..how the Japanese have warmed

-to unique Welsh produce.

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-It's my first visit to Japan,

-and I'm very excited.

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-.

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-Subtitles

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-Subtitles

-

-Subtitles

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-I'm following Welsh produce

-on its way to the Japanese markets.

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-All kinds of things

-are exported nowadays.

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-It's a new experience for me...

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-..to see my moustached self

-on the in-flight entertainment.

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-WOMAN SPEAKS JAPANESE

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-Narita International Airport.

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-I've never been to Japan,

-but the rain is familiar.

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-I'm travelling to Kyoto

-from Narita airport.

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-Kyoto escaped

-the destruction of WW2.

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-There's an ancient

-and traditional feel to the place.

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-The city is incredibly striking.

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-It's home to 1,500 Buddhist temples

-and 40 Shinto altars.

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-It's also the centre

-of Japan's textile industry.

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-They have a weaving tradition

-dating back over 1,000 years.

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-During the 17th century,

-over 7,000 weavers worked here.

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-Silk is Japan's

-traditional fabric...

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-..as I discover

-at the city's textile museum.

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-But Japan is open to new products.

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-This is where Melin Tregwynt

-markets its woollen cloth.

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-Hello.

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-The company has been exporting

-to Japan for six years...

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-..and does business

-with 15 Japanese companies.

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-What surprises me is that these

-companies use the Welsh flannel...

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-..to create new and unique products

-for Japanese customers.

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-Kyoto clothing company Defco

-has three outlets.

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-At Toolo, one of those shops,

-I met Eifion and Mandy...

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-..and their agent in Japan, Akira.

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-The grey was a light grey.

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-Yes.

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-I think that one may...

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-Our business back in Wales...

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-..is more about home interiors.

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-Out here, at the moment...

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-..the business is more

-about clothing and fashion.

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-It's interesting for us

-because it's a new venture.

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-Ah, now then.

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-Yes.

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-This corner of the shop has been

-set aside for Melin Tregwynt.

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-A corner of Wales.

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-The patterns

-are instantly recognizable.

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-Have they been designed

-for the Japanese market...

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-..or did they already exist?

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-They're old patterns.

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-Something about these designs

-appeals to the Japanese.

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-Are the clothes

-made here in Japan?

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-Or were they made in Wales

-and exported here?

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-This top was made in Japan.

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-The dress was made in Wales

-and exported to Japan.

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-Again, this top

-was made in Japan...

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-..from our fabric...

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-..and the frock made back home

-and exported to Japan.

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-We follow their design.

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-Japanese sizing is different

-from the sizes we have in Wales.

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-What is it about this pattern

-that appealed to the Japanese?

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-I'm not sure, to be honest.

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-Both countries have a tradition...

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-..of using home-grown products.

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-Products that have a history

-and a tradition attached to them.

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-It's traditional

-but also still relevant today.

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-They remind me of the clothes...

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-..that labourers would have worn

-out in the fields.

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-In the paddy fields out here

-or the wheat fields back home.

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-The two agricultural industries

-complement each other.

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-Yes, I think

-that's part of the appeal.

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-I love this.

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-Can I try it on?

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-Can I try it on?

-

-Of course.

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-It's much softer than you'd expect.

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-It's wool, but it's soft.

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-You'd worry

-that it's going to be itchy.

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-No, it's not at all itchy.

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-Does it suit me?

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-Does it suit me?

-

-Yes. Do you want it?

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-It's yours for a song.

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-On a windy day.

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-On a windy day.

-

-On a windy day in Japan.

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-It looks great.

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-And so it should for 160!

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-Takaokaya is another company

-they do business with.

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-They make traditional floor cushions

-known as zabutons.

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-The unique shape of this zabuton...

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-..is based on a Japanese toy

-called an ojami.

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-Before finding out more about

-this important soft furnishing...

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-..I must first learn how to behave

-when meeting people and socializing.

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-Punctuality is important here.

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-As well as the difficult language,

-there are cultural differences...

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-..such as the custom

-of exchanging business cards.

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-It's also customary to remove shoes

-when entering offices or homes.

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-You also have to learn

-when and how often to bow.

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-HE SPEAKS JAPANESE

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-We start by cutting the cloth.

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-We mark the cloth

-with a ruler and pencil.

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-The pieces of cloth

-are then sewn together.

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-After the sewing process...

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-..we stuff the cushion, bit by bit.

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-Life is changing

-for the Japanese people.

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-We used to sit on tatami mats.

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-Nowadays, more people sit on chairs

-rather than on the floor.

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-We use modern designs

-instead of traditional ones.

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-We like Tregwynt's designs

-because they're colourful and fun.

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-How would your grandfather feel...

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-..having established Melin Tregwynt

-a century ago...

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-..seeing his woollen flannel,

-which was woven in Pembrokeshire...

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-..being used

-on this factory floor in Kyoto?

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-If it makes money...

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-..and keeps us all moving forward...

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-..then I'm sure he'd be pleased.

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-I leave Japan's old capital

-and head for the modern capital.

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-Tokyo has a population

-of 13 million...

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-..and it's one of the world's

-three main business capitals...

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-..along with New York and London.

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-It's hard to believe this was

-a fishing village centuries ago.

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-Tokyo has developed greatly

-over recent decades.

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-The city is unique because it has

-been built around railway stations.

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-As a city, Tokyo works.

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-It may look complex and alien

-to a westerner...

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-..but the systems are simple

-and the people helpful and polite.

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-If you can point, nod and smile

-and trust people to help you...

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-..then you'll be able

-to find your way around.

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-The courtesy and discipline

-of the Japanese is well-known.

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-But I've come to realize

-that this self-discipline...

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-..is something

-in which they take great pride.

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-Nobody drops litter, not because

-they're afraid of being fined...

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-..but because they wouldn't dream

-of doing such a thing.

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-It may be a cliche to say this...

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-..but Tokyo manages to be familiar

-and foreign at the same time.

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-The Hachiko public crossing

-near Shibuya station...

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-..reminds me of Piccadilly Circus

-or Times Square.

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-But it's strange because it feels

-as if I've woken up in a cartoon.

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-The traffic and rain are familiar...

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-..but strangely,

-this public crossing...

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-..is one of the city's

-tourist attractions.

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-To escape the dismal weather,

-I go for something to eat.

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-That's not easy when you don't

-speak a word of the language.

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-Arigato. Arigato.

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-No writing at all.

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-Just photographs.

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-I can't make out what anything is.

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-Something that resembles fish.

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-Some sort of sushi.

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-Something that looks like soup.

0:23:320:23:35

-OK. No idea.

0:23:360:23:38

-Oh, it's some kind of mince

-or something.

0:23:390:23:43

-She's moulding it into balls.

0:23:430:23:45

-I get it now.

0:23:460:23:48

-They're cooking in the soup.

0:23:500:23:52

-Cawl.

0:23:550:23:57

-She doesn't understand.

-It's like cawl.

0:24:010:24:04

-Cawl with chicken.

0:24:040:24:06

-And pork.

0:24:070:24:08

-And pork.

-

-Pork.

0:24:080:24:10

-Chicken. Pork.

0:24:100:24:11

-Chicken. Pork.

-

-Yes, chicken and pork.

0:24:110:24:13

-Cawl. Cawl.

0:24:130:24:16

-Cawl.

0:24:160:24:17

-Delicious.

0:24:240:24:26

-I'll try the chicken balls first.

0:24:260:24:29

-They say it's polite

-to slurp while eating.

0:24:320:24:36

-It doesn't come naturally to me,

-but I'll try.

0:24:370:24:41

-I think that might be with noodles.

0:24:410:24:43

-Arigato.

0:24:450:24:47

-That's all I know. I don't know

-what "very good" is! Mm!

0:24:480:24:52

-.

0:24:520:24:52

-Subtitles

0:24:560:24:56

-Subtitles

-

-Subtitles

0:24:560:24:58

-The typhoon has subsided,

-thank goodness.

0:25:070:25:09

-The sun's shining

-and Tokyo is at its best...

0:25:100:25:13

-..as I discover how Welsh products

-influence Japanese lives.

0:25:140:25:19

-It's hard to believe I'm back

-in the same spot in Shibuya...

0:25:240:25:27

-..near the crossing

-where I stood in the pouring rain.

0:25:280:25:31

-I'm at the meeting point,

-the faithful dog...

0:25:320:25:35

-..waiting for a girl from Tokyo

-who's learning Welsh.

0:25:350:25:39

-Steffan?

0:25:390:25:41

-Yuko?

0:25:410:25:42

-Yuko?

-

-Yes. Hello. How are you?

0:25:420:25:45

-Very well.

0:25:450:25:47

-She's called Yuko Nakauchi

-and she has an incredible story.

0:25:480:25:52

-She's helping me track down

-the jams from Boncath.

0:25:520:25:56

-I have a feeling she'll have to do

-a bit of translating.

0:25:560:26:00

-But first,

-I want to know more about her.

0:26:000:26:03

-Let's go and have a chat.

-Which way? Over here?

0:26:030:26:06

-Why on earth would a girl from Tokyo

-want to learn Welsh?

0:26:130:26:18

-When I was 15 years old...

0:26:210:26:24

-..I saw a film

-called Un Nos Ola Leuad.

0:26:240:26:28

-Did you enjoy it?

0:26:280:26:30

-No, not at all.

0:26:310:26:33

-The story

-was a little too complicated...

0:26:330:26:38

-..for a 15-year-old girl.

0:26:380:26:41

-But I was surprised...

0:26:450:26:48

-..that it was Welsh rather than

-English being spoken in the film.

0:26:480:26:54

-I became very interested

-in the Welsh language...

0:26:550:26:58

-..so I decided to learn it.

0:26:580:27:02

-At the time, I was studying

-the history of art...

0:27:020:27:06

-..something totally different

-from Welsh, at university in Japan.

0:27:060:27:11

-But I thought Welsh was a more

-interesting subject to study.

0:27:110:27:16

-I gave up my studies in Japan...

0:27:170:27:21

-..and went to Aberystwyth University

-to start to learn Welsh.

0:27:210:27:27

-When you go to another country,

-the culture hits you.

0:27:280:27:32

-Being in Tokyo

-is like being on another planet.

0:27:320:27:36

-Did you stay on in Wales?

0:27:360:27:38

-After graduating,

-I came back to Tokyo.

0:27:380:27:41

-I haven't been back to Wales

-since then.

0:27:420:27:45

-I want to go back to Wales sometime.

0:27:450:27:48

-I may not be able

-to take Yuko back to Wales...

0:27:480:27:52

-..but I can show her

-a bit of Wales...

0:27:520:27:55

-..in one of Tokyo's

-most affluent areas...

0:27:550:27:58

-..thousands of miles away

-from a West Wales kitchen.

0:27:580:28:02

-I have an appointment

-in the Hayama district.

0:28:020:28:05

-First, I need a little something

-to take with me.

0:28:060:28:09

-How would you describe

-this area of Tokyo, Yuko?

0:28:140:28:18

-This district is called Ginza.

0:28:190:28:22

-It's similar to Knightsbridge.

0:28:220:28:26

-There are many

-designer boutiques here...

0:28:260:28:30

-..where they sell expensive goods.

0:28:310:28:34

-Is this shop similar to Harrods?

0:28:350:28:38

-Yes.

0:28:380:28:39

-Yes.

-

-Let's take a look inside.

0:28:390:28:41

-I take it the things they sell here

-are mostly for presents?

0:28:420:28:46

-Yes, people come here

-to buy special presents.

0:28:460:28:51

-Have you shopped here?

0:28:510:28:53

-No, I've never been here.

0:28:530:28:56

-You've never been here?

0:28:560:28:58

-You've never been here?

-

-No.

0:28:580:29:00

-It's rather exclusive.

0:29:010:29:03

-I'm a bit nervous coming here

-because it's my first time.

0:29:040:29:08

-Here's the Japanese food.

0:29:100:29:13

-It's totally different.

0:29:130:29:15

-These are pickles.

0:29:150:29:17

-This is seaweed.

0:29:180:29:20

-I know you eat seaweed in Wales.

0:29:200:29:24

-Yes, bara lawr from Swansea Market!

0:29:240:29:27

-That's the same sort of thing.

0:29:270:29:31

-Those labels look familiar.

0:29:310:29:33

-Those are Wendy's, I think.

0:29:340:29:36

-I helped Delyth and Mair

-make the marmalade...

0:29:360:29:40

-..back at the farm in Boncath.

0:29:400:29:43

-It's strange to see them...

0:29:430:29:46

-..alongside

-these exclusive Japanese products.

0:29:460:29:50

-Could you ask the gentleman

-to take one down?

0:29:500:29:53

-SHE SPEAKS JAPANESE

0:29:530:29:55

-Strawberry.

0:29:560:29:58

-It's a strange feeling.

0:30:020:30:04

-I even saw them fill

-and label these pots.

0:30:040:30:09

-It's lovely to see them

-all the way out here.

0:30:100:30:13

-So they put whatever I want

-in a box, do they?

0:30:130:30:16

-Yes.

0:30:170:30:18

-What if I go for one jam

-and one marmalade then?

0:30:180:30:21

-I'll take the strawberry

-and the marmalade.

0:30:220:30:25

-Could you ask him

-to put those two in a box for me?

0:30:250:30:28

-SHE SPEAKS JAPANESE

0:30:280:30:30

-Arigato.

0:30:330:30:35

-Thank you very much.

0:30:410:30:42

-Arigato.

0:30:430:30:45

-Here it is.

-She's waiting for us. You go first.

0:30:530:30:57

-Lead the way.

0:30:570:30:59

-Hello. Konnichiwa.

0:30:590:31:01

-Hello. How are you?

0:31:010:31:04

-Mrs Ikeda?

0:31:070:31:09

-THEY SPEAK JAPANESE

0:31:100:31:12

-Arigato. Arigato.

0:31:150:31:17

-Nice to meet you.

0:31:170:31:19

-Put on the slippers.

0:31:190:31:21

-I take it women's and men's

-are the same?

0:31:210:31:24

-I've come to Mrs Ikeda's home...

0:31:240:31:27

-..to discuss the important custom

-of giving and receiving presents.

0:31:270:31:32

-Arigato.

0:31:320:31:34

-Oh, wow! Now then...

0:31:340:31:36

-Would you explain to her that

-it's an honour to be invited here?

0:31:370:31:42

-I've also brought Mrs Ikeda

-a present.

0:31:420:31:45

-SHE SPEAKS JAPANESE

0:31:460:31:48

-Thank you very much.

-I'm touched, thank you.

0:31:540:32:00

-The gift is from Wales.

0:32:010:32:03

-It has been made in Wales...

0:32:040:32:06

-..and as you can see,

-it's sold here in Japan.

0:32:060:32:09

-I helped out in the kitchen

-where they make the marmalade.

0:32:150:32:21

-How lovely. Marmalade!

0:32:220:32:24

-Not that pot exactly,

-but I've seen how they make it.

0:32:240:32:28

-It's wonderful, thank you.

0:32:280:32:31

-Can I ask you a little

-about giving presents?

0:32:320:32:36

-The custom of giving presents.

0:32:360:32:38

-Is it important in your culture?

0:32:380:32:41

-When I visit someone,

-I always take a gift...

0:32:430:32:49

-..and consider what they would like.

0:32:500:32:56

-People of all ages

-like receiving gifts.

0:33:000:33:05

-They appreciate goods

-from other countries...

0:33:050:33:12

-..and like hearing

-different stories.

0:33:120:33:18

-Giving presents is a talking point.

0:33:230:33:27

-It's nice being able to give gifts.

0:33:270:33:30

-She's happy

-to receive a gift from Wales.

0:33:310:33:34

-Arigato.

0:33:340:33:35

-Arigato.

-

-My pleasure.

0:33:350:33:36

-Mrs Ikeda is very welcoming

-and generous in her hospitality.

0:33:360:33:41

-If she were my grandmother,

-I'd visit her regularly.

0:33:420:33:46

-Kampai!

0:33:460:33:48

-Kampai!

0:33:480:33:50

-Thank you very much.

-Thank you for your hospitality.

0:33:510:33:54

-Is this Japanese tea?

0:33:560:33:58

-Is this Japanese tea?

-

-No, it's Chinese tea.

0:33:580:34:00

-It's very popular.

0:34:000:34:03

-.

0:34:030:34:03

-Subtitles

0:34:060:34:06

-Subtitles

-

-Subtitles

0:34:060:34:08

-My search for Welsh products

-has brought me to Nagoya.

0:34:200:34:24

-The Jokoji Temple is west of Tokyo,

-in the Seto mountains.

0:34:240:34:28

-It's a tranquil place...

0:34:290:34:31

-..to calm the soul, away from

-the hustle and bustle of Japan.

0:34:320:34:36

-A chance to clear the mind

-and lose oneself...

0:34:360:34:39

-..in Zen Buddhist meditation.

0:34:390:34:43

-I've been interested in Buddhism

-for some time...

0:34:450:34:48

-..but it's amazing to meet monks

-who practise this old philosophy.

0:34:480:34:54

-He hits me with the stick

-to remind me to concentrate.

0:34:570:35:00

-A technique that works.

0:35:010:35:03

-I didn't expect that.

0:35:100:35:12

-I'd like to ask...

0:35:280:35:30

-..when meditating like this

-to clear the mind completely...

0:35:310:35:36

-..are there

-any special techniques...

0:35:360:35:40

-..that are better than others

-to achieve that?

0:35:400:35:45

-You have to feel the wind.

0:35:500:35:55

-Slow. Slow.

-You have to take your time.

0:35:550:35:59

-You have to feel the sound

-of the tree...

0:35:590:36:03

-..the sound and the wind.

0:36:040:36:08

-That will empty your mind.

0:36:080:36:13

-HE CHANTS

0:36:130:36:15

-The Jokoji Temple,

-built 700 years ago...

0:36:200:36:23

-..lies in the shade

-of an unsafe camphor tree.

0:36:240:36:27

-It poses a threat to the temple

-and the Buddhist god guarding it.

0:36:280:36:33

-A group of experts are going

-to chop down this fragile tree.

0:36:330:36:38

-But before work can begin,

-the monk leads the group in prayer.

0:36:380:36:42

-I think they've blessed the tree...

0:36:490:36:51

-..to bring them good luck

-as they cut it down...

0:36:520:36:56

-..and not to harm the tree

-in the process.

0:36:560:37:01

-They've sprinkled sake

-around the base...

0:37:010:37:05

-..so that the tree is drunk

-and unable to feel any pain.

0:37:050:37:09

-They're placing a cover

-over this god called Ojizousama.

0:37:200:37:25

-It's not the Buddha himself

-but another god.

0:37:260:37:29

-It will prevent him

-being damaged in any way...

0:37:290:37:33

-..and he won't have to watch

-the work being carried out...

0:37:330:37:38

-..and be saddened

-by the tree being cut down.

0:37:380:37:41

-It's not only the gods

-who require health and safety.

0:37:410:37:45

-The woodmen who will climb the tree

-will be using equipment from Wales.

0:37:450:37:51

-This is the story of a company

-from Llanberis called DMM.

0:37:510:37:55

-It was founded in 1981

-and exports all over the globe.

0:37:560:38:00

-It provides these woodmen

-with safety apparatus...

0:38:000:38:04

-..and climbing equipment.

0:38:050:38:07

-I'm about to put my life

-in their hands too.

0:38:070:38:10

-Down like that?

0:38:190:38:21

-Ai, ai, ai!

0:38:220:38:23

-Ai, ai, ai!

-

-I'm heavier than he thought!

0:38:230:38:25

-They're going to send me up

-one of these trees.

0:38:270:38:30

-Not the one they're chopping down!

0:38:310:38:34

-Another one, from which I can see

-the work being carried out.

0:38:340:38:39

-They have to lop some branches

-off the tree next to it. Off I go.

0:38:390:38:44

-For safety, we use a karabiner,

-manufactured by DMM.

0:38:520:38:57

-There we go.

0:39:010:39:03

-It was produced in Llanberis

-and has made its way to Nagoya.

0:39:030:39:08

-OK? Is it safe?

0:39:090:39:11

-I'm up here, but I did nothing.

-They did all the hard work.

0:39:360:39:40

-I'm just hanging here now.

0:39:400:39:42

-Don't look down, whatever you do!

0:39:430:39:45

-After the ritual

-of making an offering to the tree...

0:39:480:39:52

-..and worshipping Buddha,

-it's back to work.

0:39:520:39:55

-The hard work of cutting the tree

-is left to the machinery.

0:39:550:40:00

-The experts work together

-in a very controlled manner.

0:40:000:40:04

-I don't know the Japanese word

-for timber!

0:40:160:40:20

-Careful! Mind your heads!

0:40:210:40:23

-Now from behind!

0:40:300:40:32

-Wahey!

0:40:360:40:38

-I almost went then too!

0:40:380:40:40

-Steffan, are you enjoying

-being up the tree?

0:40:400:40:44

-Yes. I feel completely safe.

0:40:440:40:46

-Much safer than when I climbed

-the cherry tree...

0:40:470:40:50

-..we had in the garden

-in Morriston years ago.

0:40:500:40:54

-What type of tree is that one

-you're chopping down?

0:40:540:40:57

-It's a camphor tree.

0:40:580:41:01

-It's strong and robust.

0:41:020:41:05

-Yours is a gingko tree.

0:41:050:41:09

-It brings money and good fortune.

0:41:100:41:14

-Money and good fortune.

-I hope so, anyway!

0:41:140:41:17

-But first,

-it's time for a lunch break.

0:41:180:41:22

-This tree has stood

-alongside the temple for centuries.

0:41:410:41:45

-But it's cut down

-in a matter of hours.

0:41:450:41:48

-It's done with respect

-and all the woodmen are safe.

0:41:480:41:53

-As I leave

-these industrious workers to it...

0:41:560:41:59

-..it's time to return home.

0:42:000:42:02

-These mountains are a magnet...

0:42:160:42:18

-..for thousands of climbers

-who come here every year.

0:42:180:42:22

-There are cliffs to challenge

-climbers of all abilities.

0:42:220:42:27

-I'm no climber, but I adore

-the beauty and tranquillity.

0:42:270:42:31

-Where better to establish

-a climbing equipment company?

0:42:310:42:36

-We're surrounded by the beauty

-of Snowdonia and Llyn Padarn.

0:42:470:42:51

-It's an ideal location

-to manufacture climbing equipment.

0:42:510:42:55

-Yes, it's a wonderful place

-to live and work.

0:42:550:42:58

-I have an image of you climbing

-as a group of friends...

0:43:050:43:08

-..and looking at the clips

-and karabiners...

0:43:090:43:12

-..and thinking, we could do better.

0:43:120:43:15

-That's how it came about.

0:43:150:43:17

-We were climbing

-and realized we had good ideas.

0:43:170:43:22

-There was nobody out there

-able to manufacture these products.

0:43:240:43:29

-So we decided

-to set up our own company.

0:43:290:43:33

-Do you have any special orders?

0:43:330:43:35

-Some years ago,

-we won a contract...

0:43:350:43:37

-..to sell karabiners to NASA...

0:43:380:43:40

-..to protect astronauts

-on their space walks.

0:43:400:43:44

-We were very proud of that.

0:43:440:43:48

-We're also selling far more

-of our products to arborists.

0:43:480:43:54

-These companies are springing up

-all over the world.

0:43:540:43:59

-Is every part of the process

-carried out here in the factory?

0:44:160:44:20

-Yes, the whole process, from start

-to finish, is carried out here.

0:44:200:44:24

-Quality is the most important thing.

0:44:250:44:29

-People's lives depend

-on the quality of this product.

0:44:290:44:33

-We soon realized we couldn't depend

-on contractors or other people...

0:44:330:44:39

-..to do the job thoroughly,

-so we taught ourselves to do it.

0:44:390:44:44

-We can sleep

-a lot better at night...

0:44:460:44:48

-..knowing that the products

-we manufacture here are safe.

0:44:490:44:53

-The karabiners feel very light.

-How much do they weigh?

0:45:050:45:09

-The Phantom weighs 20 grams.

0:45:090:45:11

-It holds two and a half tonnes.

0:45:120:45:15

-Twenty grams

-can hold over two tonnes?

0:45:150:45:19

-The equivalent of two cars.

0:45:190:45:21

-Yes, two cars.

0:45:210:45:23

-Twenty grams

-holds the weight of two cars.

0:45:230:45:25

-The company was developed here

-but due to economic difficulties...

0:45:260:45:30

-..have you been tempted to move

-your manufacturing overseas?

0:45:310:45:35

-No, we've not been tempted.

0:45:350:45:37

-We've noticed that everyone else

-has moved to Asia...

0:45:370:45:41

-..especially China and Taiwan.

0:45:410:45:44

-We don't want to be the same

-as everyone else.

0:45:440:45:47

-Those principles

-are very important to us.

0:45:470:45:51

-We've spent a lot of money

-training our staff.

0:45:510:45:56

-We wouldn't close the place down

-and move to China to cut costs.

0:45:560:46:00

-We couldn't trust the quality.

0:46:010:46:04

-It's about more than just

-buying and selling a product.

0:46:040:46:10

-We create something here.

0:46:100:46:12

-Our staff have helped us

-create the product...

0:46:120:46:16

-..and made us

-the company we are today.

0:46:160:46:20

-I've got no interest

-in moving the business to China...

0:46:200:46:24

-..or overseas.

0:46:240:46:26

-The world is getting smaller.

0:46:320:46:35

-When Paul established his company...

0:46:350:46:37

-..I wonder if he ever thought

-he'd be helping a Zen Buddhist monk?

0:46:380:46:43

-I wonder

-what Eifion's grandfather...

0:46:430:46:46

-..would think

-of Mr Takaoka's zabuton cushions?

0:46:460:46:49

-I'm sure the exclusive Wako store

-and Mrs Ikeda's hospitality...

0:46:490:46:54

-..would make Mair and Delyth smile

-as they made their jam in Boncath.

0:46:540:46:59

-S4C Subtitles by Adnod Cyf.

0:47:340:47:36

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0:47:360:47:36

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