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Hello and welcome to the second semifinal of Only Connect, | 0:00:20 | 0:00:24 | |
spin-off of Only Collect, the programme that gave meaning | 0:00:24 | 0:00:28 | |
to the lives of obsessive hoarders everywhere. | 0:00:28 | 0:00:31 | |
Luckily, on this show, everyone is normal. | 0:00:31 | 0:00:34 | |
Let's meet the teams. | 0:00:34 | 0:00:35 | |
On my right, | 0:00:36 | 0:00:38 | |
Jack Johannes Alexander, a maths student who has bowled | 0:00:38 | 0:00:41 | |
a hat-trick in cricket and appeared in the video | 0:00:41 | 0:00:44 | |
of a noted heavy metal band. | 0:00:44 | 0:00:45 | |
Joe Crowther, | 0:00:46 | 0:00:47 | |
a maths and philosophy student with an interest in Japanese music | 0:00:47 | 0:00:51 | |
who has never left the UK. | 0:00:51 | 0:00:52 | |
And their captain, | 0:00:52 | 0:00:54 | |
Alasdair Middleton, a third maths student | 0:00:54 | 0:00:56 | |
with an interest in online gaming who has been inadvertently | 0:00:56 | 0:00:59 | |
dragged onstage during a Wheatus concert. | 0:00:59 | 0:01:02 | |
United by a yearning for York, | 0:01:02 | 0:01:04 | |
they are the Yorkers. | 0:01:04 | 0:01:05 | |
You won your quarterfinal against the Operational Researchers. | 0:01:05 | 0:01:08 | |
How have you been preparing for the semifinal? | 0:01:08 | 0:01:10 | |
We had some team bonding sessions | 0:01:10 | 0:01:12 | |
over Coldplay | 0:01:12 | 0:01:14 | |
and the films of Alex Cox. | 0:01:14 | 0:01:16 | |
Dark and brooding films of Alex Cox. | 0:01:16 | 0:01:19 | |
Your opponents will be on my left. | 0:01:19 | 0:01:21 | |
Barbara Thompson, who was a reserve member for Redcar Intersports | 0:01:21 | 0:01:24 | |
Bean Bag and Hoop team. | 0:01:24 | 0:01:26 | |
Matt Beatson, an IT consultant | 0:01:26 | 0:01:30 | |
who has spent two full weeks freezing Breton seaweed | 0:01:30 | 0:01:33 | |
using liquid nitrogen. | 0:01:33 | 0:01:34 | |
And their captain, Gerard Mackay, | 0:01:34 | 0:01:37 | |
an accountant who has a dog called Squirrel | 0:01:37 | 0:01:40 | |
and appeared on the front page of a newspaper tossing pancakes. | 0:01:40 | 0:01:43 | |
United by the miracle of movement, | 0:01:43 | 0:01:45 | |
they are the Wayfarers. | 0:01:45 | 0:01:46 | |
You won your quarterfinal against the Bookworms. | 0:01:46 | 0:01:49 | |
How do you feel about tonight's opposition? | 0:01:49 | 0:01:51 | |
Looks like something of a battle of the generations, | 0:01:51 | 0:01:54 | |
but we are hoping the impetuousness of youth trips them up, | 0:01:54 | 0:01:57 | |
although it clearly hasn't so far. | 0:01:57 | 0:01:59 | |
It's going to be a semifinal, which means we notch up | 0:01:59 | 0:02:01 | |
the difficulty a little bit since you were last here. Good luck. | 0:02:01 | 0:02:05 | |
Wayfarers, you won the toss, | 0:02:05 | 0:02:07 | |
so you will be going first. Which hieroglyph would you like? | 0:02:07 | 0:02:10 | |
-Two Reeds, please. -Two Reeds. OK. | 0:02:10 | 0:02:12 | |
What is the connection between these fiendish clues? | 0:02:12 | 0:02:16 | |
Here is the first. | 0:02:16 | 0:02:17 | |
THEY CONFER IN WHISPERS | 0:02:22 | 0:02:25 | |
-Let's move on. -Next, please. | 0:02:25 | 0:02:26 | |
-Gold, mercury... -So it's things that go together. | 0:02:30 | 0:02:34 | |
Mercury, gold, platinum... No. | 0:02:34 | 0:02:36 | |
Next, please. | 0:02:36 | 0:02:38 | |
A tower? Upsilon. | 0:02:40 | 0:02:42 | |
-Oh, Epsilon... -Epsilon and Upsilon. | 0:02:46 | 0:02:49 | |
Yeah. Next, please. | 0:02:49 | 0:02:50 | |
Two countries. Somalia. You can get two others... | 0:02:51 | 0:02:54 | |
-Three seconds... -..by changing... | 0:02:54 | 0:02:56 | |
We think you can get... | 0:02:56 | 0:02:58 | |
No, you can't get two others by changing one letter. No. | 0:02:58 | 0:03:00 | |
-You can get Samoa and Mali. -Oh. | 0:03:00 | 0:03:04 | |
I need an answer. | 0:03:04 | 0:03:05 | |
Tin is within platinum. Mali is within Somalia. And... | 0:03:05 | 0:03:09 | |
You have spotted the question. I am going to give you the point. | 0:03:09 | 0:03:12 | |
Names within names, that's absolutely right. | 0:03:12 | 0:03:16 | |
Tin is within platinum, psi is within upsilon, | 0:03:16 | 0:03:19 | |
Mali within Somalia | 0:03:19 | 0:03:20 | |
and the two indicates | 0:03:20 | 0:03:21 | |
that you are looking at two. | 0:03:21 | 0:03:23 | |
So, two people had a number one | 0:03:23 | 0:03:25 | |
in the UK, Manic Street Preachers and Cher, hidden within there. | 0:03:25 | 0:03:29 | |
So that is absolutely right. | 0:03:29 | 0:03:31 | |
Within the word you are seeing | 0:03:31 | 0:03:33 | |
is the word for something else that can be described the same way. | 0:03:33 | 0:03:36 | |
Yorkers, what would you like? | 0:03:36 | 0:03:37 | |
-Twisted Flax. -Twisted Flax. | 0:03:37 | 0:03:39 | |
What is the connection between these picture clues? | 0:03:39 | 0:03:42 | |
Here is the first. | 0:03:42 | 0:03:43 | |
-Sydney. -Next. | 0:03:45 | 0:03:46 | |
Is that two bobbies? | 0:03:50 | 0:03:51 | |
Next. | 0:03:54 | 0:03:55 | |
Belisha beacons. Are they named after Prime Ministers? | 0:03:57 | 0:04:00 | |
Robert Peel. Was Belisha a Prime Minister? | 0:04:01 | 0:04:04 | |
Next. | 0:04:04 | 0:04:06 | |
Is that an Anderson Shelter? | 0:04:08 | 0:04:10 | |
They are named after people? | 0:04:10 | 0:04:11 | |
THEY CONFER | 0:04:11 | 0:04:16 | |
Yeah, go, then. | 0:04:18 | 0:04:19 | |
Are they named after their inventors or their founders? | 0:04:19 | 0:04:23 | |
I'm afraid they are not. | 0:04:24 | 0:04:26 | |
I can offer a possible point to the Wayfarers, if you can tell me. | 0:04:26 | 0:04:29 | |
They are named after Cabinet members. Do you want a more...? | 0:04:29 | 0:04:32 | |
They are named after members of the Cabinet. Absolutely right. | 0:04:32 | 0:04:35 | |
You said, "Is that two bobbies?" | 0:04:35 | 0:04:37 | |
Bobbies or Peelers, | 0:04:37 | 0:04:38 | |
both named after Robert Peel, who founded the police force. | 0:04:38 | 0:04:41 | |
Viscount Sydney | 0:04:41 | 0:04:43 | |
gave his name to Sydney Harbour, | 0:04:43 | 0:04:45 | |
but actually it went via Sydney Cove. | 0:04:45 | 0:04:47 | |
He didn't invent the place Sydney. | 0:04:47 | 0:04:49 | |
Not invented by him. And Leslie Hore-Belisha, | 0:04:49 | 0:04:52 | |
he was a Minister of Transport. | 0:04:52 | 0:04:54 | |
And John Anderson and the air-raid shelter. But not all the inventors. | 0:04:54 | 0:04:57 | |
All Cabinet ministers. | 0:04:57 | 0:04:59 | |
OK, Wayfarers, | 0:05:01 | 0:05:02 | |
-which question would you like? -Eye of Horus, please. | 0:05:02 | 0:05:05 | |
What is the connection between these clues? | 0:05:05 | 0:05:07 | |
Here is the first. | 0:05:07 | 0:05:08 | |
Next, please. | 0:05:14 | 0:05:15 | |
Next, please. | 0:05:21 | 0:05:22 | |
THEY CONFER | 0:05:23 | 0:05:25 | |
Next, please. | 0:05:29 | 0:05:30 | |
Chiaroscuro, sfumato... | 0:05:31 | 0:05:34 | |
-Oh, they are other names for arts terms? -Yes. | 0:05:34 | 0:05:37 | |
We think they are English translations | 0:05:37 | 0:05:40 | |
of Italian art terms. | 0:05:40 | 0:05:42 | |
They ARE translations | 0:05:42 | 0:05:43 | |
of terms in Italian art. Do you want to be any more specific in this case? | 0:05:43 | 0:05:47 | |
We think chiaroscuro is the light-dark | 0:05:47 | 0:05:49 | |
and sfumato, is that like smoke? | 0:05:49 | 0:05:52 | |
-That is like smoke. Very good. Any others? -Changing. What's changing? | 0:05:52 | 0:05:55 | |
Or blending? No, we are not sure about them. | 0:05:55 | 0:05:57 | |
Cangiante. And blending would be Unione. In the Renaissance, | 0:05:57 | 0:06:01 | |
these are painting modes. So, Italian arts terms. Well done. | 0:06:01 | 0:06:05 | |
Back to you, Yorkers, | 0:06:05 | 0:06:06 | |
-for a choice. -Lion. -Lion. OK. | 0:06:06 | 0:06:09 | |
What is the connection between these clues? | 0:06:09 | 0:06:11 | |
Here is the first. | 0:06:11 | 0:06:12 | |
Next. | 0:06:14 | 0:06:16 | |
-Oh, it is Gold. -Could it be Gold, then God? | 0:06:19 | 0:06:21 | |
-I don't think that will be a sequence. -Godzilla. | 0:06:23 | 0:06:25 | |
Er...next. | 0:06:25 | 0:06:26 | |
Funk? | 0:06:30 | 0:06:31 | |
Got God and Funk. | 0:06:33 | 0:06:35 | |
Next. | 0:06:38 | 0:06:39 | |
-Snoop? -Oh, yes, so it is. -Snoop. | 0:06:40 | 0:06:44 | |
Er, you put Snoop in all of these. | 0:06:46 | 0:06:49 | |
In the battle of the generations, I thought this might go | 0:06:49 | 0:06:52 | |
the way of your team. Snoop goes before all of them. | 0:06:52 | 0:06:55 | |
Not to presume. You might have known, over there. | 0:06:55 | 0:06:58 | |
Barbara - Snoop Lion? | 0:06:58 | 0:06:59 | |
I think Snoop Lion is the same as Snoop Dogg. | 0:07:01 | 0:07:03 | |
It was just another incarnation of him. | 0:07:03 | 0:07:05 | |
They are all Snoop Dogg, but he is Snoop Lion when doing | 0:07:05 | 0:07:08 | |
-his reggae work. You were about to say that, Barbara(!) -Yes! | 0:07:08 | 0:07:10 | |
When he is doing reggae, Snoop Lion. Snoopzilla? | 0:07:10 | 0:07:13 | |
When he was rampaging through downtown Tokyo. | 0:07:13 | 0:07:16 | |
No! | 0:07:16 | 0:07:17 | |
When he is making a funk album. | 0:07:17 | 0:07:19 | |
Snoopadelic for his club dates and, of course, Snoop Dogg, | 0:07:19 | 0:07:23 | |
that is the handle that started his rap career. | 0:07:23 | 0:07:26 | |
All incarnations of Snoop Dogg. Well done. Wayfarers, | 0:07:26 | 0:07:29 | |
-what would you like? -Water, please. | 0:07:29 | 0:07:31 | |
Water. | 0:07:31 | 0:07:33 | |
Ah, the music question. | 0:07:33 | 0:07:34 | |
What connects these musical clues? | 0:07:34 | 0:07:36 | |
Here is the first. | 0:07:36 | 0:07:38 | |
GENTLE JAZZ MUSIC PLAYS | 0:07:38 | 0:07:43 | |
-Body Talk, is it, by Imagination? -Next, please. | 0:07:46 | 0:07:48 | |
UP-TEMPO VIOLIN MUSIC PLAYS | 0:07:48 | 0:07:53 | |
Winter, by Vivaldi. | 0:07:53 | 0:07:55 | |
That's Winter, isn't it? | 0:07:56 | 0:07:58 | |
Next, please. | 0:07:58 | 0:07:59 | |
GENTLE ORCHESTRAL MUSIC PLAYS | 0:07:59 | 0:08:02 | |
Theme from A Summer Place. It must be seasons. | 0:08:02 | 0:08:04 | |
We are going to try seasons. | 0:08:05 | 0:08:06 | |
They all contain seasons. | 0:08:06 | 0:08:08 | |
You'll need to be more specific. | 0:08:08 | 0:08:10 | |
Are they all summer? | 0:08:10 | 0:08:11 | |
Oh, they are all summer. They are all summer, are they? | 0:08:11 | 0:08:14 | |
They are all summer. | 0:08:14 | 0:08:16 | |
They are all seasons, but specifically, all summer. | 0:08:16 | 0:08:18 | |
You didn't need the last one - Summertime, Sidney Bechet. Well done. | 0:08:18 | 0:08:22 | |
Yorkers, there is one question left, | 0:08:22 | 0:08:24 | |
the Horned Viper. What is the connection between these clues? | 0:08:24 | 0:08:27 | |
Here is the first. | 0:08:27 | 0:08:28 | |
Next. | 0:08:32 | 0:08:33 | |
Could be a cricket player? | 0:08:37 | 0:08:38 | |
Next. | 0:08:40 | 0:08:41 | |
Are they just...? Cos they have got south, north and east in... | 0:08:43 | 0:08:46 | |
THEY CONFER | 0:08:46 | 0:08:52 | |
What is the...? | 0:08:55 | 0:08:56 | |
What is below each UK region? Oh, no, cos it is not all counties. | 0:08:56 | 0:09:00 | |
-Next one. -Next. | 0:09:00 | 0:09:01 | |
THEY TALK OVER EACH OTHER | 0:09:02 | 0:09:05 | |
Three seconds... | 0:09:05 | 0:09:07 | |
They all have compass directions in? | 0:09:07 | 0:09:09 | |
-Oh, no! -Now... -They are all... | 0:09:09 | 0:09:13 | |
So, like, East Anglia is the east of Anglia, | 0:09:13 | 0:09:16 | |
but there is no West Anglia. | 0:09:16 | 0:09:18 | |
And there is no North Africa, there is no East Virginia. | 0:09:19 | 0:09:21 | |
That is what it is. | 0:09:21 | 0:09:23 | |
They do not have directional counterparts. | 0:09:23 | 0:09:25 | |
There is a South Africa. There is not a country called West Africa, | 0:09:25 | 0:09:29 | |
East Africa, North Africa. They are places, but not a country. | 0:09:29 | 0:09:32 | |
There is not a county called Easthamptonshire and so on. | 0:09:32 | 0:09:35 | |
They do not have directional counterparts. Well done. | 0:09:35 | 0:09:38 | |
At the end of Round One, | 0:09:38 | 0:09:40 | |
the Yorkers have 2 points, | 0:09:40 | 0:09:41 | |
the Wayfarers have 5. | 0:09:41 | 0:09:43 | |
Sequences now. Having shown you | 0:09:45 | 0:09:48 | |
Round One questions that looked like a sequence, now they really are. | 0:09:48 | 0:09:51 | |
What comes fourth is what I want to know. Wayfarers, | 0:09:51 | 0:09:54 | |
-you can go first again. What would you like? -Oh, Twisted Flax, please. | 0:09:54 | 0:09:58 | |
Twisted Flax. What would be fourth in this sequence? Here is the first. | 0:09:58 | 0:10:02 | |
Fourth declension - audio. | 0:10:03 | 0:10:06 | |
-Shall we try the third? -OK. | 0:10:06 | 0:10:09 | |
Next, please. | 0:10:09 | 0:10:10 | |
Yes, so it's the first one. Amo, is it? | 0:10:10 | 0:10:12 | |
-Conjugations. -First amo, is it first declension? No? | 0:10:12 | 0:10:15 | |
-Conjugation. -Conjugation. | 0:10:15 | 0:10:17 | |
-But what is a first declension one? Amo? -Yes. | 0:10:17 | 0:10:22 | |
We think 1st: Amo. | 0:10:22 | 0:10:24 | |
"First - for example, amo," | 0:10:24 | 0:10:25 | |
is exactly what we had ourselves, and why? | 0:10:25 | 0:10:28 | |
They are the first, second, third and fourth conjugations of verbs. | 0:10:28 | 0:10:32 | |
Yes, well corrected, Barbara. | 0:10:32 | 0:10:33 | |
Conjugations rather than declensions in Latin. Latin verb conjugations. | 0:10:33 | 0:10:38 | |
Fourth, third and second and the example for the first conjugation | 0:10:38 | 0:10:41 | |
verb, amo, amas, amat, is the one most people know. | 0:10:41 | 0:10:44 | |
Back to you, Yorkers, for a choice. | 0:10:44 | 0:10:46 | |
-Horned Viper. -The Horned Viper. | 0:10:46 | 0:10:48 | |
OK, what would come fourth in this sequence? | 0:10:48 | 0:10:50 | |
Here's the first. | 0:10:50 | 0:10:52 | |
Next. | 0:10:55 | 0:10:56 | |
THEY CONFER | 0:10:58 | 0:11:00 | |
Er, next. | 0:11:03 | 0:11:04 | |
THEY CONFER | 0:11:08 | 0:11:10 | |
7/7? | 0:11:11 | 0:11:13 | |
THEY CONFER | 0:11:13 | 0:11:16 | |
I can't remember. | 0:11:16 | 0:11:17 | |
It could be 7/7, actually. | 0:11:17 | 0:11:21 | |
THEY CONFER | 0:11:21 | 0:11:23 | |
Try it. | 0:11:25 | 0:11:27 | |
Er, the July 7th bombings? | 0:11:27 | 0:11:29 | |
Not the answer, I'm afraid. | 0:11:29 | 0:11:31 | |
So Wayfarers have a chance of an extra point. | 0:11:31 | 0:11:34 | |
No, we're not going to get there, are we? | 0:11:34 | 0:11:36 | |
Now, Yorkers, I feel like you're in the right area | 0:11:36 | 0:11:39 | |
but you didn't give me an acceptable example. | 0:11:39 | 0:11:41 | |
The Battle Of The Golden Spurs happened on 11th July 1302. | 0:11:41 | 0:11:44 | |
Orangemen's Day, | 0:11:44 | 0:11:45 | |
the Ulster Protestant celebration, takes place on 12th July. | 0:11:45 | 0:11:48 | |
Live Aid was 13th July, 1985, | 0:11:48 | 0:11:51 | |
so something that happened on 14th July, for example, | 0:11:51 | 0:11:54 | |
birthday of the comedian David Mitchell, | 0:11:54 | 0:11:56 | |
that's what most people would say, but I see the question writer | 0:11:56 | 0:11:59 | |
has gone for the Storming Of The Bastille. 14th July was the key date. | 0:11:59 | 0:12:02 | |
Unlucky. So, you don't get the bonus, Wayfarers, | 0:12:02 | 0:12:05 | |
but you do get a choice. What would you like? | 0:12:05 | 0:12:07 | |
-I'll try Lion, please. -Lion, OK. | 0:12:07 | 0:12:10 | |
What will be the fourth in this sequence? Here's the first. | 0:12:10 | 0:12:13 | |
-Any ideas? -No. | 0:12:16 | 0:12:18 | |
Next, please. | 0:12:18 | 0:12:20 | |
Next, please. | 0:12:23 | 0:12:25 | |
Any idea? | 0:12:27 | 0:12:28 | |
One and a half. | 0:12:32 | 0:12:34 | |
What used to be called 1:0 and now is called 0:1? | 0:12:37 | 0:12:39 | |
One and a half. | 0:12:39 | 0:12:41 | |
What's two and a half if part of the sequence? | 0:12:42 | 0:12:45 | |
-What are you saying? -I think... | 0:12:45 | 0:12:47 | |
Pass. | 0:12:47 | 0:12:49 | |
Three seconds. | 0:12:49 | 0:12:50 | |
-Any idea? -No. | 0:12:50 | 0:12:52 | |
Something was two and half. | 0:12:52 | 0:12:54 | |
Not a chance for a chat, what's your answer? | 0:12:54 | 0:12:56 | |
OK 1:0 was... No, 0:1...no. | 0:12:56 | 0:12:58 | |
No, no, no. | 0:12:58 | 0:13:00 | |
Yorkers, do you know this? | 0:13:00 | 0:13:02 | |
-2:1 was -3. 2:1 was 3. | 0:13:03 | 0:13:06 | |
It was not. | 0:13:06 | 0:13:08 | |
Now, this is one where I would have thought the generational | 0:13:08 | 0:13:11 | |
advantage might go to your team. These are the old football pools. | 0:13:11 | 0:13:14 | |
It's the traditional classic scoring method for the pools. | 0:13:14 | 0:13:18 | |
1-0, you got one point, 0-1, one and a half. | 0:13:18 | 0:13:20 | |
Now you only get one point for an away win | 0:13:20 | 0:13:23 | |
but that's what it used to be. | 0:13:23 | 0:13:24 | |
0-0, no score draw was two, so some examples of a score draw was three. | 0:13:24 | 0:13:28 | |
Yorkers, what would you like? | 0:13:28 | 0:13:30 | |
-Eye Of Horus. -The Eye Of Horus. OK. | 0:13:30 | 0:13:32 | |
What would come forth in this picture sequence? | 0:13:32 | 0:13:35 | |
What would you expect to see in the fourth picture? Here's the first. | 0:13:35 | 0:13:38 | |
Some flies. | 0:13:39 | 0:13:42 | |
Four Flies On Grey Velvet. | 0:13:42 | 0:13:44 | |
Er, next. | 0:13:44 | 0:13:45 | |
-What's that? -Oh, no. Oh. | 0:13:48 | 0:13:51 | |
Er, next. | 0:13:52 | 0:13:54 | |
THEY CONFER | 0:13:57 | 0:13:59 | |
Is that, like, meant to be grey velvet or something like that? | 0:13:59 | 0:14:02 | |
Cos it could be Four Flies On Grey Velvet - it's a film. | 0:14:02 | 0:14:05 | |
Then, like, I don't know... | 0:14:05 | 0:14:08 | |
Something flying over a cuckoo's nest and a picture of a one? | 0:14:08 | 0:14:11 | |
Any idea what that might be? | 0:14:11 | 0:14:14 | |
-No, I can't think. -Three seconds. | 0:14:14 | 0:14:16 | |
Something flying over a cuckoo's nest and a little one in the corner. | 0:14:18 | 0:14:21 | |
And why would that be? | 0:14:21 | 0:14:23 | |
Well, I thought the first one might be Four Flies On Grey Velvet, | 0:14:23 | 0:14:26 | |
-which is a film. -Oh, I see. No! | 0:14:26 | 0:14:28 | |
No, it doesn't work as a sequence, I'm afraid. | 0:14:28 | 0:14:30 | |
So, Wayfarers, a chance for a bonus point. | 0:14:30 | 0:14:32 | |
We're going to go for a river of blood and one. | 0:14:32 | 0:14:34 | |
One and blood is the correct answer and why is that? | 0:14:34 | 0:14:39 | |
They are the first four of the ten plagues of Egypt in the Bible. | 0:14:39 | 0:14:42 | |
We are talking about the trials of Egypt, the plagues that were sent. | 0:14:42 | 0:14:45 | |
The fourth was flies, | 0:14:45 | 0:14:46 | |
although in some translations of the Torah I think wild animals. | 0:14:46 | 0:14:49 | |
Three, lice. Two, frogs. | 0:14:49 | 0:14:51 | |
First plague was blood. | 0:14:51 | 0:14:53 | |
So, Wayfarers, you get the bonus point | 0:14:53 | 0:14:55 | |
and a final choice this round. | 0:14:55 | 0:14:57 | |
-Two Reeds, please. -Two Reeds. | 0:14:57 | 0:14:59 | |
A music sequence, what a treat! | 0:14:59 | 0:15:02 | |
What would you expect to see fourth? Or rather hear fourth. | 0:15:02 | 0:15:06 | |
The time starts now. | 0:15:06 | 0:15:08 | |
Well, it is rather good to be here | 0:15:08 | 0:15:10 | |
when Don Bradman comes in to bat his last test. | 0:15:10 | 0:15:12 | |
Now here's Hollies to bowl to him from the Vauxhall end. | 0:15:12 | 0:15:15 | |
Next, please. | 0:15:15 | 0:15:17 | |
# And the only time that you are satisfied | 0:15:17 | 0:15:19 | |
# Is with your feet in the wishing well. # | 0:15:19 | 0:15:23 | |
OK, next. | 0:15:23 | 0:15:25 | |
Next, please. | 0:15:25 | 0:15:27 | |
WOMAN SINGS CLASSICALLY IN GAELIC | 0:15:27 | 0:15:32 | |
Any idea at all? | 0:15:38 | 0:15:39 | |
Wishing Well. I don't know what this is. | 0:15:39 | 0:15:42 | |
Three seconds. | 0:15:45 | 0:15:46 | |
Go on, press. | 0:15:46 | 0:15:47 | |
-Any ideas? I haven't. -None whatsoever. | 0:15:49 | 0:15:50 | |
-Have you? -Nothing at all. -Nothing at all. | 0:15:50 | 0:15:53 | |
OK, Yorkers, you going to have a go for a bonus point? | 0:15:53 | 0:15:55 | |
Um, some kind of homophone for one. | 0:15:57 | 0:16:00 | |
Oh, no, but why do you say that? | 0:16:00 | 0:16:02 | |
Well, the second one is by Free. | 0:16:02 | 0:16:05 | |
-The second one is by Free. -Free, two, one. | 0:16:05 | 0:16:08 | |
-Well, yes, it is, so free, which sounds a bit like three... -Yes. | 0:16:08 | 0:16:12 | |
OK, so what do you think the other ones are? | 0:16:12 | 0:16:15 | |
I can't remember, is it John Arlott commentating on Don Bradman | 0:16:15 | 0:16:18 | |
coming into bat in his final innings when he needed four runs? | 0:16:18 | 0:16:22 | |
Unfortunately for you the third clue was the 23rd Psalm, | 0:16:22 | 0:16:25 | |
not two at all. Again rather brilliant but not right. | 0:16:25 | 0:16:29 | |
So, John Arlott's cricket commentary was selected by John Major | 0:16:29 | 0:16:34 | |
-when he went on Desert Island Discs. -Oh! | 0:16:34 | 0:16:36 | |
Wishing Well was selected by Tony Blair. | 0:16:36 | 0:16:39 | |
The 23rd Psalm in Gaelic by Gordon Brown. | 0:16:39 | 0:16:42 | |
So we wanted to hear something that was chosen by David Cameron | 0:16:42 | 0:16:46 | |
when he went on Desert Island Discs. Can you think of an example now? | 0:16:46 | 0:16:49 | |
Didn't he choose Ernie, The Fastest Milkman In The West? | 0:16:49 | 0:16:52 | |
He did choose Ernie, The Fastest Milkman In The West. | 0:16:52 | 0:16:54 | |
He chose something by The Smiths as well, but then Johnny Marr | 0:16:54 | 0:16:57 | |
said publicly, "You're not allowed to like The Smiths, I forbid you." | 0:16:57 | 0:17:01 | |
Ernie, The Fastest Milkman In The West, | 0:17:01 | 0:17:03 | |
that was the talked-about choice. Anyone know how that goes? | 0:17:03 | 0:17:06 | |
"You could hear the hoof beats pound as they raced across the ground | 0:17:06 | 0:17:09 | |
"and the clatter of the wheels as they spun round and round. | 0:17:09 | 0:17:12 | |
"He galloped into Market Street, his badge across his chest. | 0:17:12 | 0:17:15 | |
"His name was Ernie and he drove the fastest milk cart in the West." | 0:17:15 | 0:17:19 | |
Gerard, you are a phenomenon. That is absolutely right. | 0:17:22 | 0:17:25 | |
But nobody gets the points, unfortunately. Despite a lovely | 0:17:26 | 0:17:29 | |
performance from you and a very clever idea from you, no points. | 0:17:29 | 0:17:33 | |
You do get the last question, though, Water. | 0:17:33 | 0:17:35 | |
What would come forth in this sequence? Here is the first. | 0:17:35 | 0:17:38 | |
Never, it's repeated five times in King Lear. | 0:17:40 | 0:17:43 | |
Er, next. | 0:17:47 | 0:17:48 | |
-Techno, Techno, Techno. -Yes. | 0:17:50 | 0:17:52 | |
-Liar, Liar, Castaways. -Yes. -OK. | 0:17:52 | 0:17:54 | |
-Liar, Castaways. -Liar, Castaways. | 0:17:54 | 0:17:59 | |
For what reason? | 0:17:59 | 0:18:00 | |
It's things repeated five, four and three and two times, | 0:18:00 | 0:18:03 | |
so, Liar, Liar by The Castaways. | 0:18:03 | 0:18:05 | |
Exactly so. | 0:18:05 | 0:18:06 | |
We went with, "Infamy, infamy. | 0:18:06 | 0:18:08 | |
"They've all got it in for me." | 0:18:08 | 0:18:10 | |
Yes, "Never, never, | 0:18:10 | 0:18:11 | |
"never, never, never." | 0:18:11 | 0:18:13 | |
That's from Lear. "Techno, techno, | 0:18:13 | 0:18:14 | |
"techno," 2 Unlimited. "Education, | 0:18:14 | 0:18:16 | |
"education, education," Blair. | 0:18:16 | 0:18:17 | |
Things repeated five, four and three times. | 0:18:17 | 0:18:20 | |
Want to hear something repeated twice? Very well done. | 0:18:20 | 0:18:23 | |
That means at the end of Round Two, | 0:18:23 | 0:18:25 | |
the Yorkers have 5 points, | 0:18:25 | 0:18:27 | |
the Wayfarers have 9. | 0:18:27 | 0:18:29 | |
Let's up the ante now with a Connecting Wall and, Yorkers, | 0:18:31 | 0:18:34 | |
it'll be your turn to go first this time. | 0:18:34 | 0:18:35 | |
So, would you like Lion or Water? | 0:18:35 | 0:18:37 | |
-Water. -OK, you have two and a half minutes | 0:18:37 | 0:18:40 | |
to solve the Water wall, starting now. | 0:18:40 | 0:18:43 | |
-Erm, sea battles. -Midway, er... | 0:18:45 | 0:18:49 | |
Squares - Tiananmen, Times, Red... | 0:18:49 | 0:18:53 | |
BUZZ | 0:18:53 | 0:18:55 | |
There's... Supermarket food... | 0:18:56 | 0:18:58 | |
Clothes...labels. | 0:18:58 | 0:19:00 | |
-Esmara? -Could be. | 0:19:00 | 0:19:02 | |
Three strikes, of course. Plenty of time. | 0:19:02 | 0:19:05 | |
-Tiananmen, Wenceslas, Times Square. -Did you try that earlier? | 0:19:05 | 0:19:08 | |
-Yeah, I tried that already. -Right. | 0:19:08 | 0:19:10 | |
Operating, Syntagma... | 0:19:10 | 0:19:12 | |
-Syntagma could be a square, I suppose. -Operating system? | 0:19:12 | 0:19:15 | |
River... | 0:19:17 | 0:19:19 | |
Justice league, human league... | 0:19:24 | 0:19:27 | |
Human Times is not a thing, is it? | 0:19:29 | 0:19:31 | |
I reckon Syntagma could be the other square of that. | 0:19:33 | 0:19:36 | |
No, because we have no idea for the other ones. | 0:19:36 | 0:19:40 | |
What would that make the other ones? | 0:19:40 | 0:19:41 | |
Water... | 0:19:41 | 0:19:43 | |
They don't seem like they go... Oh, no, sorry. | 0:19:43 | 0:19:46 | |
-Yeah, it probably will be right. -Water league, operating, erm... | 0:19:46 | 0:19:50 | |
Is there something in them? | 0:19:50 | 0:19:51 | |
No. | 0:19:55 | 0:19:56 | |
Like genres of music? | 0:19:56 | 0:19:58 | |
No. | 0:19:58 | 0:19:59 | |
Syntagma... Shall we try that? | 0:20:01 | 0:20:04 | |
Syntagma, Times... | 0:20:04 | 0:20:07 | |
BUZZ | 0:20:07 | 0:20:08 | |
You've got a minute left and two goes. | 0:20:08 | 0:20:10 | |
Take Times out. | 0:20:10 | 0:20:12 | |
That's it, you've solved the wall. Very well done. | 0:20:13 | 0:20:16 | |
So that's four points for the groups. What about the connections? | 0:20:16 | 0:20:19 | |
The top blue group starting Lepanto. | 0:20:19 | 0:20:21 | |
They're all naval battles. | 0:20:21 | 0:20:22 | |
They're all naval battles. | 0:20:22 | 0:20:24 | |
And the green group starting Esmara? | 0:20:24 | 0:20:26 | |
They're supermarket clothes lines. | 0:20:26 | 0:20:29 | |
Supermarket clothing brands is right. | 0:20:29 | 0:20:31 | |
And the next pink or purple group starting Syntagma? | 0:20:31 | 0:20:34 | |
They're all squares. | 0:20:34 | 0:20:36 | |
Yes, they are. Syntagma Square, as you know, is in Athens. | 0:20:36 | 0:20:39 | |
All squares around the world. | 0:20:39 | 0:20:40 | |
And the last light-blue group, League, Water, Times, Operating? | 0:20:40 | 0:20:44 | |
-Er, tables. -I can't give you long. | 0:20:45 | 0:20:47 | |
You can follow them all with table. | 0:20:47 | 0:20:49 | |
You found that at the last minute. Well done. | 0:20:49 | 0:20:51 | |
So four more points for the connections. | 0:20:51 | 0:20:53 | |
I will give you a bonus two points for getting it all right. | 0:20:53 | 0:20:56 | |
That's the maximum of ten. | 0:20:56 | 0:20:57 | |
Let's bring back the Wayfarers now, give them the other Connecting Wall, | 0:20:57 | 0:21:01 | |
the Lion wall, and see what they can do about solving it. | 0:21:01 | 0:21:03 | |
You have two and a half minutes, of course. Starting now. | 0:21:03 | 0:21:07 | |
Dante, Millennium... | 0:21:10 | 0:21:14 | |
-Is there a Vasco da Gama bridge? -Oh, bridge. | 0:21:14 | 0:21:16 | |
There is a Charles Bridge, as well. | 0:21:16 | 0:21:18 | |
-Golden Gate Bridge. -Humber Bridge. | 0:21:18 | 0:21:20 | |
BUZZ | 0:21:20 | 0:21:21 | |
-Tower Bridge. -There's lots of bridges. | 0:21:21 | 0:21:24 | |
Vauxhall... | 0:21:24 | 0:21:26 | |
Volkswagen Polo, Volkswagen Triumph... | 0:21:26 | 0:21:30 | |
Volkswagen... Was there Singer at one time? | 0:21:30 | 0:21:32 | |
Humber? That's a... | 0:21:32 | 0:21:33 | |
BUZZ | 0:21:33 | 0:21:34 | |
We've got brands of car. Wolseley, Triumph and Humber... | 0:21:34 | 0:21:38 | |
Singer? Yes. | 0:21:41 | 0:21:43 | |
So... | 0:21:43 | 0:21:44 | |
-That's a palindrome. Are there any others? -No. -No, there aren't. | 0:21:44 | 0:21:50 | |
We've got pool, an anagram of... | 0:21:50 | 0:21:52 | |
Let's try and get these bridges out the way. | 0:21:52 | 0:21:54 | |
So you've got Millennium... | 0:21:54 | 0:21:55 | |
Tower... | 0:21:55 | 0:21:58 | |
-Golden Gate... -BUZZ | 0:21:58 | 0:22:00 | |
It's definitely bridges. | 0:22:00 | 0:22:03 | |
Charles Bridge... | 0:22:03 | 0:22:04 | |
Millennium... | 0:22:06 | 0:22:09 | |
Charles, Tower... | 0:22:09 | 0:22:11 | |
BUZZ | 0:22:11 | 0:22:13 | |
Millennium, Golden Gate, Vasco da Gama, Charles. | 0:22:13 | 0:22:16 | |
BUZZ | 0:22:16 | 0:22:18 | |
Buffalo. | 0:22:18 | 0:22:19 | |
Tower, Charles, Golden Gate? | 0:22:19 | 0:22:22 | |
BUZZ | 0:22:22 | 0:22:23 | |
What about The Divine Comedy? | 0:22:23 | 0:22:25 | |
Yeah, what's The Divine Comedy got to do with anything else? | 0:22:25 | 0:22:28 | |
-The group or... -Oh, Divine Comedy... | 0:22:28 | 0:22:31 | |
I don't see anything else. No. | 0:22:31 | 0:22:35 | |
You've got a minute left. | 0:22:37 | 0:22:39 | |
Tower or tow-er? | 0:22:41 | 0:22:43 | |
BUZZ | 0:22:50 | 0:22:52 | |
BUZZ | 0:22:54 | 0:22:55 | |
BUZZ | 0:22:57 | 0:22:58 | |
BUZZ | 0:23:00 | 0:23:01 | |
It's going to come back and haunt us now. Buffalo Bill... | 0:23:01 | 0:23:04 | |
What's the Great Belt? It's part of Orion's... Apart from that... | 0:23:07 | 0:23:10 | |
-Great Belt... -Great Belt, Golden Gate, The Divine Comedy... | 0:23:10 | 0:23:16 | |
-BUZZ -No. | 0:23:16 | 0:23:18 | |
I can't even think what MaddAddam was a part of. | 0:23:18 | 0:23:21 | |
Vasco da Gama, MaddAddam... | 0:23:21 | 0:23:25 | |
Sprawl... | 0:23:25 | 0:23:27 | |
BUZZ Ten seconds. | 0:23:27 | 0:23:29 | |
Polo mint, Millennium mint, Great Belt mint, Table mint... | 0:23:31 | 0:23:34 | |
No, that's it, the time's up and the wall has frozen, | 0:23:37 | 0:23:39 | |
but you've found a group. I'll give you another point for the connection. | 0:23:39 | 0:23:42 | |
Humber, Singer, Wolseley, Triumph. | 0:23:42 | 0:23:44 | |
They're all makes of... | 0:23:44 | 0:23:46 | |
They're all former UK brands of car manufacturers. | 0:23:46 | 0:23:49 | |
Former British car marques. That's exactly what they are. | 0:23:49 | 0:23:52 | |
And I will give you points | 0:23:52 | 0:23:53 | |
for the connections in the groups you didn't find, | 0:23:53 | 0:23:55 | |
so let's resolve the wall. | 0:23:55 | 0:23:57 | |
That's what it should've looked like. | 0:23:57 | 0:23:58 | |
Millennium, MaddAddam, Sprawl, The Divine Comedy. | 0:23:58 | 0:24:02 | |
Literary sequences of three. Literary trilogies. | 0:24:02 | 0:24:05 | |
-They are literary trilogies. -Good! | 0:24:05 | 0:24:07 | |
I didn't think you knew that at all | 0:24:07 | 0:24:09 | |
and then you somehow stumbled into it. They absolutely are. | 0:24:09 | 0:24:11 | |
The Divine Comedy, the Dante. The Millennium trilogy, | 0:24:11 | 0:24:14 | |
that's the Stieg Larsson. MaddAddam, do you know what that is? | 0:24:14 | 0:24:17 | |
I don't know what the middle two are at all, so... | 0:24:17 | 0:24:19 | |
It's Margaret Atwood and Sprawl is William Gibson - Neuromancer, | 0:24:19 | 0:24:23 | |
Count Zero, Mona Lisa Overdrive. | 0:24:23 | 0:24:25 | |
All literary trilogies. | 0:24:25 | 0:24:27 | |
And the pink, or purple, group - | 0:24:27 | 0:24:29 | |
Charles, Vasco da Gama, Golden Gate, Great Belt? | 0:24:29 | 0:24:32 | |
-They'll all bridges. -They're the bridges. Yes, it's horrible. | 0:24:32 | 0:24:36 | |
There's a lot of bridges on that wall. | 0:24:36 | 0:24:37 | |
Those are the four you wanted. | 0:24:37 | 0:24:39 | |
And the last light-blue group - Buffalo, Table, Polo, Tower. | 0:24:39 | 0:24:43 | |
-Can all be preceded by water. -Yes, they can. | 0:24:43 | 0:24:46 | |
That is the word one. Water buffalo, water table, water polo, water tower. | 0:24:46 | 0:24:49 | |
You only found one group, but four full points for the connections. | 0:24:49 | 0:24:52 | |
That's a total of five. Let's have a look at the scores. | 0:24:52 | 0:24:56 | |
The Wayfarers have 14 points, the Yorkers have 15 points. | 0:24:57 | 0:25:01 | |
So, that last place in the final will be decided by the Missing Vowels | 0:25:03 | 0:25:06 | |
round. You know how it works. Fingers on buzzers, teams. | 0:25:06 | 0:25:11 | |
The first group are all... | 0:25:11 | 0:25:13 | |
Wayfarers. | 0:25:18 | 0:25:19 | |
-King Juan Carlos of Spain. -Correct. | 0:25:19 | 0:25:21 | |
Yorkers. | 0:25:24 | 0:25:25 | |
-Queen Beatrix of the Netherlands. -Correct. | 0:25:25 | 0:25:27 | |
Wayfarers. | 0:25:30 | 0:25:31 | |
-King Zog of Albania. -Correct. | 0:25:31 | 0:25:33 | |
Yorkers. | 0:25:36 | 0:25:37 | |
-Prince Rainier of Monaco. -Yes, it is. | 0:25:37 | 0:25:39 | |
Next category... | 0:25:39 | 0:25:41 | |
Yorkers. | 0:25:47 | 0:25:48 | |
-Crispin and cobblers. -Correct. | 0:25:48 | 0:25:50 | |
Wayfarers. | 0:25:53 | 0:25:54 | |
-Luke and doctors. -Correct. | 0:25:54 | 0:25:56 | |
Wayfarers. | 0:25:59 | 0:26:00 | |
-Francis of Assisi and animal welfare. -Correct. | 0:26:00 | 0:26:04 | |
Wayfarers. | 0:26:07 | 0:26:09 | |
Valentine and... Sorry, no. | 0:26:09 | 0:26:10 | |
No, that's not right. Yorkers, do you know? | 0:26:10 | 0:26:12 | |
-Oh... -Too long. | 0:26:12 | 0:26:14 | |
It's Valentine and beekeeping. | 0:26:14 | 0:26:16 | |
Next category... | 0:26:16 | 0:26:17 | |
Wayfarers. | 0:26:21 | 0:26:23 | |
-"When shall we three meet again?" -Correct. | 0:26:23 | 0:26:25 | |
Wayfarers. | 0:26:28 | 0:26:29 | |
-"If music be the food of love, play on." -Correct. | 0:26:29 | 0:26:31 | |
Yorkers. | 0:26:34 | 0:26:35 | |
-"Now is the winter of our discontent." -Correct. | 0:26:35 | 0:26:37 | |
Wayfarers. BELL | 0:26:42 | 0:26:44 | |
You didn't complete your answer before the bell went off, | 0:26:47 | 0:26:50 | |
so I can't take it, but you won't lose a point. | 0:26:50 | 0:26:52 | |
It would have been, "Two households both alike in dignity," | 0:26:52 | 0:26:55 | |
from Romeo and Juliet, | 0:26:55 | 0:26:57 | |
but the quiz is over and looking at the final scores, | 0:26:57 | 0:27:01 | |
the Yorkers have 19 points, | 0:27:01 | 0:27:04 | |
the Wayfarers have 19 points! | 0:27:04 | 0:27:07 | |
They aren't the final scores! | 0:27:07 | 0:27:08 | |
We've got a tie-break again! | 0:27:08 | 0:27:10 | |
We had this in the last semifinal. | 0:27:10 | 0:27:12 | |
It's very tense. | 0:27:12 | 0:27:14 | |
Let me remind you, teams, in a tie-break situation, | 0:27:14 | 0:27:16 | |
it's captains only. Only the captains may buzz and respond. | 0:27:16 | 0:27:20 | |
If you buzz in with the right answer, | 0:27:20 | 0:27:21 | |
you win, you're through to the final. | 0:27:21 | 0:27:23 | |
If you buzz in with the wrong answer, you're out, | 0:27:23 | 0:27:26 | |
the other team wins by default. So carefully now, captains. | 0:27:26 | 0:27:30 | |
Fingers on buzzers. I won't tell you the category. | 0:27:30 | 0:27:33 | |
Here's the clue... | 0:27:33 | 0:27:34 | |
-Wayfarers. -Photo finish. | 0:27:43 | 0:27:45 | |
Is the right answer! | 0:27:45 | 0:27:46 | |
And in that photo finish, Gerard, | 0:27:49 | 0:27:51 | |
you take your team through to the final. | 0:27:51 | 0:27:54 | |
Very well done, but very well done to you too, Yorkers. | 0:27:54 | 0:27:57 | |
Obviously, you couldn't get closer. | 0:27:57 | 0:27:59 | |
We had this last week, we've got it again. Very, very close, teams. | 0:27:59 | 0:28:03 | |
Brilliant quizzers, all of you. | 0:28:03 | 0:28:04 | |
You just miss out, but thank you for coming. | 0:28:04 | 0:28:07 | |
Another heated night and that's it, | 0:28:07 | 0:28:10 | |
it is the red carpet for the Wayfarers, | 0:28:10 | 0:28:13 | |
it's curtains for the Yorkers. | 0:28:13 | 0:28:15 | |
I don't really know why the expression is that way round. | 0:28:15 | 0:28:18 | |
Our question-setters, for example, would much prefer the curtains. | 0:28:18 | 0:28:21 | |
Natural light simply doesn't agree with them. Goodbye. | 0:28:21 | 0:28:25 |