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Tonight, Only Connect joins the 200 club. | 0:00:20 | 0:00:25 | |
What does that sentence even mean? | 0:00:25 | 0:00:27 | |
There is no such club, and even if there were, how could a quiz join it? | 0:00:27 | 0:00:30 | |
The Garrick doesn't even admit women. | 0:00:30 | 0:00:32 | |
But it is a special night, | 0:00:32 | 0:00:33 | |
and we have a special cake because it is our 200th episode, | 0:00:33 | 0:00:36 | |
which, human society, being a culture obsessed with base ten, | 0:00:36 | 0:00:39 | |
has deemed significant. | 0:00:39 | 0:00:40 | |
Something to do with the hands, apparently. | 0:00:40 | 0:00:42 | |
If we all had 12 fingers it would be a different story. | 0:00:42 | 0:00:45 | |
Speaking of which, let's meet the teams. | 0:00:45 | 0:00:48 | |
On my right - | 0:00:48 | 0:00:50 | |
Mick Hodgkin, a journalist and crossword compiler, | 0:00:50 | 0:00:53 | |
who inherited a belt previously owned by Dylan Thomas, | 0:00:53 | 0:00:56 | |
which he has since lost. | 0:00:56 | 0:00:57 | |
John Tozer, a data scientist and keen gardener, | 0:00:58 | 0:01:01 | |
who was born on the day that Gatwick Airport opened. | 0:01:01 | 0:01:04 | |
And their captain, Richard Heald, an IT consultant and enthusiastic skier, | 0:01:04 | 0:01:09 | |
whose great-grandmother was born on the same day as Adolf Hitler. | 0:01:09 | 0:01:13 | |
All wowed by wordplay, they are the Cluesmiths. | 0:01:13 | 0:01:16 | |
Welcome to the 200th episode. | 0:01:16 | 0:01:17 | |
Have you been watching since our early days, | 0:01:17 | 0:01:19 | |
or did you jump on the bandwagon at BBC Two? | 0:01:19 | 0:01:21 | |
No, we've certainly been watching since the early days. | 0:01:21 | 0:01:23 | |
In fact, before the first show went to air, | 0:01:23 | 0:01:25 | |
in the years running up to it, we used to spend our Monday evenings | 0:01:25 | 0:01:28 | |
just staring at a blank TV screen just waiting for it to happen. | 0:01:28 | 0:01:32 | |
Well, you are very welcome. | 0:01:32 | 0:01:34 | |
You are facing tonight, on my left - | 0:01:34 | 0:01:36 | |
Tessa North, an American Studies graduate who has | 0:01:36 | 0:01:40 | |
almost touched Michael Moore's Oscar. | 0:01:40 | 0:01:43 | |
Pete Sorel-Cameron, an actor and musician | 0:01:43 | 0:01:46 | |
who came second in a Kenneth Williams impersonation contest, | 0:01:46 | 0:01:49 | |
held at midnight in a Norwich pub. | 0:01:49 | 0:01:52 | |
And their captain, Richard Aubrey, a philosophy and theology graduate | 0:01:52 | 0:01:56 | |
who stole a cup of Frank Bruno's saliva from the Foreign Office. | 0:01:56 | 0:02:00 | |
United by their collective pluck, they are the String Section. | 0:02:00 | 0:02:03 | |
How are you feeling about the 200th episode? | 0:02:03 | 0:02:05 | |
Are you overwhelmed by the pageantry? | 0:02:05 | 0:02:07 | |
I honestly can't think | 0:02:07 | 0:02:08 | |
whether I'm more excited about the semifinal or the special episode. | 0:02:08 | 0:02:12 | |
I mean, if you wanted an Only Connect sequence, | 0:02:12 | 0:02:16 | |
we are talking, sort of, Royal Wedding, | 0:02:16 | 0:02:18 | |
Olympic opening ceremony, Diamond Jubilee... | 0:02:18 | 0:02:21 | |
I mean, exactly. Just look at this cake. | 0:02:21 | 0:02:23 | |
It nearly wobbles as much as the real studio. | 0:02:23 | 0:02:26 | |
I mean, this is no expense spared. | 0:02:26 | 0:02:28 | |
Right, on with the semifinal. | 0:02:28 | 0:02:30 | |
Cluesmiths, you won the toss. You'll be going first. | 0:02:30 | 0:02:33 | |
The questions are going to be very difficult, I must tell you that. | 0:02:33 | 0:02:36 | |
Which one would you like to start with? | 0:02:36 | 0:02:39 | |
-Lion, please. -Lion. | 0:02:39 | 0:02:40 | |
OK, What is the connection between | 0:02:40 | 0:02:42 | |
these apparently random clues? | 0:02:42 | 0:02:44 | |
Here's the first. | 0:02:44 | 0:02:46 | |
Next. | 0:02:52 | 0:02:54 | |
"No special lighting." | 0:02:55 | 0:02:56 | |
THEY CONFER QUIETLY | 0:02:58 | 0:03:00 | |
-Shall we have one more? -Yeah. | 0:03:01 | 0:03:03 | |
Next, please. | 0:03:03 | 0:03:04 | |
-Any idea? -No. | 0:03:11 | 0:03:12 | |
-Shall we go for the fourth? -Yeah. | 0:03:12 | 0:03:14 | |
Next. | 0:03:14 | 0:03:15 | |
Three seconds. | 0:03:23 | 0:03:25 | |
Is it amongst the rules | 0:03:25 | 0:03:27 | |
for Only Connect? | 0:03:27 | 0:03:29 | |
Good guess, but no. String Section, | 0:03:30 | 0:03:32 | |
do you want to have a guess? | 0:03:32 | 0:03:33 | |
So it's... | 0:03:33 | 0:03:35 | |
Rules for filming inside the TARDIS? | 0:03:35 | 0:03:36 | |
I can't give you too long. | 0:03:36 | 0:03:38 | |
Rules for filming inside the TARDIS, apparently. | 0:03:38 | 0:03:41 | |
That's not it, either, | 0:03:41 | 0:03:42 | |
but you're both close. | 0:03:42 | 0:03:44 | |
It's Dogme. | 0:03:44 | 0:03:45 | |
-Do you know Dogme? -Oh, yes. | 0:03:45 | 0:03:47 | |
Dogme cinema. | 0:03:47 | 0:03:48 | |
Weird sort of film movement | 0:03:48 | 0:03:50 | |
that had various rules. | 0:03:50 | 0:03:52 | |
I think, basically, the guiding | 0:03:52 | 0:03:53 | |
principle is anything that might | 0:03:53 | 0:03:55 | |
seem fun or gripping, | 0:03:55 | 0:03:56 | |
any kind of narrative you can follow. | 0:03:56 | 0:03:58 | |
I mean, you were close with rules for | 0:03:58 | 0:03:59 | |
Only Connect, but no. | 0:03:59 | 0:04:00 | |
Dogme film-making. | 0:04:00 | 0:04:02 | |
So, no bonus points. String Section, do you want to choose a question? | 0:04:02 | 0:04:05 | |
I think we'll go for Two Reeds, | 0:04:05 | 0:04:06 | |
which has served us well in the past. | 0:04:06 | 0:04:08 | |
Oh, that's a music question. | 0:04:08 | 0:04:10 | |
What will the clues you're about | 0:04:10 | 0:04:11 | |
to hear have in common? | 0:04:11 | 0:04:13 | |
Here's the first. | 0:04:13 | 0:04:15 | |
MUSIC: Petite Messe Solennelle by Gioachino Rossini | 0:04:15 | 0:04:18 | |
Next, please. | 0:04:23 | 0:04:25 | |
MUSIC: Eine Kleine Nachtmusik by Wolfgang Amadeus Mozart | 0:04:25 | 0:04:29 | |
THEY CONFER | 0:04:29 | 0:04:32 | |
Next, please. | 0:04:32 | 0:04:34 | |
MUSIC: Dream A Little Dream Of Me by The Mamas And The Papas | 0:04:34 | 0:04:38 | |
THEY CONFER | 0:04:39 | 0:04:42 | |
Next, please. | 0:04:45 | 0:04:47 | |
MUSIC: Reet Petite by Jackie Wilson | 0:04:47 | 0:04:51 | |
Three seconds. | 0:04:52 | 0:04:54 | |
Things that are nocturnal. | 0:04:54 | 0:04:56 | |
Doesn't apply to all the clues, | 0:04:56 | 0:04:57 | |
I'm afraid. So Cluesmiths, | 0:04:57 | 0:04:59 | |
-you have the chance of a bonus point. -Is it to do with pizzas? | 0:04:59 | 0:05:02 | |
Oh, pizzas. | 0:05:02 | 0:05:03 | |
No, I don't think any of them | 0:05:03 | 0:05:04 | |
are anything to do with pizzas. | 0:05:04 | 0:05:06 | |
What are you thinking of? | 0:05:06 | 0:05:07 | |
We're thinking of The Four Seasons. | 0:05:07 | 0:05:09 | |
Ah, No. | 0:05:09 | 0:05:10 | |
I mean, the last one, Reet Petit-zza. | 0:05:10 | 0:05:12 | |
Reet Petite, | 0:05:13 | 0:05:15 | |
Dream A Little Dream Of Me, | 0:05:15 | 0:05:16 | |
Eine Kleine Nachtmusik, | 0:05:16 | 0:05:18 | |
and the Petite Messe Solennelle. | 0:05:18 | 0:05:20 | |
Little or petite in the title. | 0:05:20 | 0:05:22 | |
All right, no bonus points, Cluesmiths, | 0:05:22 | 0:05:24 | |
but you have another question. | 0:05:24 | 0:05:26 | |
Eye of Horus, please. | 0:05:26 | 0:05:27 | |
The Eye of Horus. | 0:05:27 | 0:05:28 | |
What do these clues have in common? | 0:05:28 | 0:05:30 | |
Here's the first. | 0:05:30 | 0:05:31 | |
Next. | 0:05:34 | 0:05:36 | |
THEY CONFER QUIETLY | 0:05:36 | 0:05:38 | |
-Shall we have one more? -Yeah. -Next. | 0:05:44 | 0:05:46 | |
"Judas Priest." | 0:05:48 | 0:05:49 | |
How about songs? That was a song. | 0:05:49 | 0:05:52 | |
Bob Dylan, yeah. | 0:05:52 | 0:05:54 | |
-Shall we go for that? -Yeah. | 0:05:54 | 0:05:55 | |
Yeah, go for it. | 0:05:55 | 0:05:57 | |
-Is it Bob Dylan songs? -Yes, it is. | 0:05:57 | 0:06:00 | |
They all appear in the titles | 0:06:00 | 0:06:01 | |
of Bob Dylan songs. Very well done. | 0:06:01 | 0:06:03 | |
Can you tell me | 0:06:03 | 0:06:04 | |
the names of the songs? | 0:06:04 | 0:06:05 | |
Er, no. | 0:06:05 | 0:06:07 | |
Judas Priest is at the end | 0:06:07 | 0:06:09 | |
of one of the titles. | 0:06:09 | 0:06:10 | |
It's The Ballad Of Frankie Lee | 0:06:10 | 0:06:11 | |
And Judas Priest. | 0:06:11 | 0:06:13 | |
Just Like Tom Thumb's Blues. | 0:06:13 | 0:06:15 | |
Lily, Rosemary | 0:06:15 | 0:06:16 | |
And The Jack Of Hearts, | 0:06:16 | 0:06:17 | |
and you didn't need to see Last Thoughts On Woody Guthrie. | 0:06:17 | 0:06:20 | |
Yes, all appear in Bob Dylan titles. | 0:06:20 | 0:06:21 | |
Well done. | 0:06:21 | 0:06:23 | |
String Section, what would you like? | 0:06:23 | 0:06:24 | |
-Water, please, Victoria. -OK. | 0:06:24 | 0:06:26 | |
What do these clues have in common? | 0:06:26 | 0:06:28 | |
Here's the first. | 0:06:28 | 0:06:29 | |
OK. Next, please. | 0:06:30 | 0:06:32 | |
I've seen this in something but I can't work it out. | 0:06:37 | 0:06:41 | |
Another. Next, please. | 0:06:41 | 0:06:43 | |
THEY CONFER QUIETLY | 0:06:45 | 0:06:47 | |
Last one, please. | 0:06:52 | 0:06:54 | |
Three seconds. | 0:07:06 | 0:07:08 | |
Literal translations of various foodstuffs. | 0:07:08 | 0:07:11 | |
Not the answer, I'm afraid. | 0:07:13 | 0:07:14 | |
So, Cluesmiths, | 0:07:14 | 0:07:15 | |
another chance for a bonus. | 0:07:15 | 0:07:16 | |
Are they represented | 0:07:16 | 0:07:18 | |
by the letter B? | 0:07:18 | 0:07:19 | |
No, they're not, they're not. | 0:07:19 | 0:07:21 | |
Now, it is... | 0:07:21 | 0:07:22 | |
You do need to translate it. | 0:07:22 | 0:07:24 | |
They're artists, aren't they? | 0:07:24 | 0:07:27 | |
They're Italian Renaissance painters. | 0:07:27 | 0:07:29 | |
If you translated them into Italian - | 0:07:29 | 0:07:31 | |
Bird - Uccello, Paolo Uccello. | 0:07:31 | 0:07:33 | |
Little Dyer - Tintoretto. | 0:07:33 | 0:07:34 | |
Fra Angelico - Angelic Brother, | 0:07:34 | 0:07:37 | |
and Little Barrel - Botticelli. | 0:07:37 | 0:07:39 | |
Yes, it was a translation one, | 0:07:39 | 0:07:41 | |
but too late you spotted it | 0:07:41 | 0:07:42 | |
was painters. Unlucky. | 0:07:42 | 0:07:44 | |
What would you like now, Cluesmiths? | 0:07:44 | 0:07:46 | |
-Horned Viper, please. -Horned Viper. | 0:07:46 | 0:07:48 | |
What is the connection between these picture clues? | 0:07:48 | 0:07:50 | |
Here's the first. | 0:07:50 | 0:07:51 | |
Is that Irene Handl? | 0:07:53 | 0:07:55 | |
Next, please. | 0:07:55 | 0:07:57 | |
Is it Yuri Gagarin, or...? | 0:08:02 | 0:08:03 | |
No, it's the space station. | 0:08:03 | 0:08:05 | |
Next, please. | 0:08:08 | 0:08:10 | |
Who brings John The Baptist's head on a plate? | 0:08:14 | 0:08:16 | |
It's Salome, isn't it? | 0:08:16 | 0:08:18 | |
Salome, OK. | 0:08:18 | 0:08:20 | |
-Another one. -One more. Next, please. | 0:08:20 | 0:08:22 | |
THEY CONFER QUIETLY | 0:08:25 | 0:08:27 | |
It's Bolivia. | 0:08:27 | 0:08:28 | |
Three seconds. | 0:08:28 | 0:08:30 | |
No, that's it, I'm afraid. | 0:08:30 | 0:08:32 | |
Your time's up. Bonus opportunity | 0:08:32 | 0:08:34 | |
again for you, String Section. | 0:08:34 | 0:08:36 | |
What could it possibly be? | 0:08:36 | 0:08:37 | |
Oscar Wilde. | 0:08:37 | 0:08:38 | |
-Ah, you're thinking of Salome. -Yeah. | 0:08:38 | 0:08:40 | |
Clue three. No. | 0:08:40 | 0:08:41 | |
Here's the thing about Salome. | 0:08:41 | 0:08:43 | |
Her name is derived from the | 0:08:43 | 0:08:44 | |
Hebrew word Shalom. | 0:08:44 | 0:08:45 | |
We're looking at La Paz at the end there. | 0:08:45 | 0:08:48 | |
The Mir Space Station. | 0:08:48 | 0:08:49 | |
I got that just after, again, | 0:08:49 | 0:08:50 | |
just after we passed it over. | 0:08:50 | 0:08:52 | |
What is it? | 0:08:52 | 0:08:53 | |
Peace. They're all peace. | 0:08:53 | 0:08:54 | |
Irene Handl in the first clue, | 0:08:54 | 0:08:55 | |
Irene - Greek for peace. | 0:08:55 | 0:08:57 | |
Their names all mean peace. | 0:08:57 | 0:08:59 | |
So, no bonuses, String Section. | 0:08:59 | 0:09:01 | |
But there is one more question, | 0:09:01 | 0:09:02 | |
one last chance to get some points this round. The Twisted Flax. | 0:09:02 | 0:09:05 | |
What is the connection between these clues? | 0:09:05 | 0:09:07 | |
Here's the first. | 0:09:07 | 0:09:09 | |
THEY CONFER QUIETLY | 0:09:12 | 0:09:15 | |
OK. Next, please. | 0:09:19 | 0:09:21 | |
Oh, yeah. | 0:09:23 | 0:09:25 | |
They would be next to each other. | 0:09:25 | 0:09:27 | |
Next, please. | 0:09:31 | 0:09:33 | |
THEY CONFER QUIETLY | 0:09:35 | 0:09:38 | |
Final one, please. | 0:09:44 | 0:09:46 | |
Two seconds. | 0:09:46 | 0:09:48 | |
Ah. Oh, sorry. | 0:09:51 | 0:09:52 | |
Yes, the first one in full contains the letters of the second. | 0:09:52 | 0:09:55 | |
Jonah has Nahum in it. | 0:09:55 | 0:09:57 | |
Arsenic has Ni in it. | 0:09:57 | 0:09:58 | |
Florida has ID in it. | 0:09:58 | 0:10:00 | |
Say it more clearly. | 0:10:00 | 0:10:01 | |
What's going on with the letters? | 0:10:01 | 0:10:02 | |
The end of the first word | 0:10:02 | 0:10:04 | |
is the beginning of the second. | 0:10:04 | 0:10:06 | |
That's what is overlapping, | 0:10:06 | 0:10:07 | |
that's what's contained. | 0:10:07 | 0:10:09 | |
It's the last letters. | 0:10:09 | 0:10:10 | |
So Sweden, the last letters, DEN, | 0:10:10 | 0:10:12 | |
start Denmark. | 0:10:12 | 0:10:14 | |
The Book of Jonah ends NAH, | 0:10:14 | 0:10:15 | |
starts the Book of Nahum. | 0:10:15 | 0:10:17 | |
Florida, Idaho. And arsenic and nickel. | 0:10:17 | 0:10:20 | |
Yes, the words overlap | 0:10:20 | 0:10:22 | |
into the next thing. | 0:10:22 | 0:10:23 | |
Well done. | 0:10:23 | 0:10:25 | |
At the end of Round One, | 0:10:25 | 0:10:27 | |
the String Section have one point, | 0:10:27 | 0:10:29 | |
the Cluesmiths have two. | 0:10:29 | 0:10:30 | |
Speaking of overlapping into the next thing, | 0:10:33 | 0:10:35 | |
we're onto the Sequences Round. | 0:10:35 | 0:10:36 | |
That's Round Two - What comes fourth in a sequence? | 0:10:36 | 0:10:39 | |
It's probably going to be as horrible as the round before, except worse. | 0:10:39 | 0:10:42 | |
So, Cluesmiths, you get to go first | 0:10:42 | 0:10:44 | |
again, what would you like? | 0:10:44 | 0:10:45 | |
Lion again, please. | 0:10:45 | 0:10:46 | |
Lion again. OK, what would come fourth in this sequence? | 0:10:46 | 0:10:49 | |
Here is the first. | 0:10:49 | 0:10:51 | |
Next. | 0:10:55 | 0:10:56 | |
Definitely elements... | 0:11:01 | 0:11:03 | |
THEY MURMUR AMONGST THEMSELVES | 0:11:04 | 0:11:06 | |
-One more. -Next, please. | 0:11:06 | 0:11:08 | |
THEY MURMUR AMONGST THEMSELVES | 0:11:16 | 0:11:18 | |
Three seconds. | 0:11:27 | 0:11:29 | |
Is it CO - C and O? | 0:11:29 | 0:11:32 | |
Not the answer, I'm afraid. | 0:11:32 | 0:11:33 | |
So, String Section, can you get it? | 0:11:33 | 0:11:35 | |
N and Rh. | 0:11:35 | 0:11:37 | |
Oh, I can hear my heart breaking. | 0:11:37 | 0:11:41 | |
You are so close, but no. | 0:11:41 | 0:11:42 | |
-I got the wrong symbol for Rhenium. -You've got the wrong symbol | 0:11:42 | 0:11:45 | |
-for Rhenium. -Yes. -It is N and Re. | 0:11:45 | 0:11:47 | |
That is so brilliant, I wish | 0:11:47 | 0:11:48 | |
I could give you points but I can't. | 0:11:48 | 0:11:50 | |
Talk me through the sequence. | 0:11:50 | 0:11:51 | |
It is the Tom Lehrer Elements song. | 0:11:51 | 0:11:53 | |
That's what it is. It is the Tom Lehrer song, | 0:11:53 | 0:11:56 | |
written with symbols | 0:11:56 | 0:11:57 | |
so there's antimony, arsenic, aluminum, selenium | 0:11:57 | 0:12:00 | |
and hydrogen and oxygen | 0:12:00 | 0:12:01 | |
and nitrogen and rhenium. | 0:12:01 | 0:12:03 | |
You're very clever but I cannot give | 0:12:03 | 0:12:05 | |
you points, I'm sorry. | 0:12:05 | 0:12:07 | |
I can offer you a question, though. | 0:12:07 | 0:12:08 | |
That may not be something you want | 0:12:08 | 0:12:10 | |
but which would you like? | 0:12:10 | 0:12:11 | |
-Let's try again with Two Reeds, please. -Two Reeds, OK. | 0:12:11 | 0:12:14 | |
What would come fourth in this sequence? | 0:12:14 | 0:12:16 | |
Here is the first. | 0:12:16 | 0:12:17 | |
THEY MURMUR AMONGST THEMSELVES | 0:12:21 | 0:12:23 | |
Erm, next. | 0:12:23 | 0:12:24 | |
Next, please. | 0:12:33 | 0:12:34 | |
20. Anything representing 20. | 0:12:57 | 0:12:59 | |
Not the answer, I'm afraid. | 0:12:59 | 0:13:01 | |
So, Cluesmiths, | 0:13:01 | 0:13:02 | |
-do you want to have a go? -Is it the card game Vingt-et-un, for example? | 0:13:02 | 0:13:05 | |
Would be an acceptable answer, | 0:13:05 | 0:13:07 | |
as would Adele's second album, | 0:13:07 | 0:13:09 | |
which is what we went for. | 0:13:09 | 0:13:10 | |
-Why is that? -21. We think you're halving each time. | 0:13:10 | 0:13:13 | |
That is absolutely right. | 0:13:13 | 0:13:15 | |
Do you know how many pips | 0:13:15 | 0:13:16 | |
are in a standard domino set? | 0:13:16 | 0:13:18 | |
-Erm... -You could work it out. -96. -168. -168. -168. | 0:13:18 | 0:13:22 | |
And a Uranus year expressed | 0:13:22 | 0:13:23 | |
in Earth years would be 84. | 0:13:23 | 0:13:26 | |
Answer to the ultimate question - 42 - so we are halving each time. | 0:13:26 | 0:13:29 | |
I mean, technically, the Uranus year | 0:13:29 | 0:13:31 | |
is 84.02 years. | 0:13:31 | 0:13:32 | |
Obviously, I would have accepted | 0:13:32 | 0:13:34 | |
15.129 but it is not the final, | 0:13:34 | 0:13:36 | |
so, you know, rounding it to 21 | 0:13:36 | 0:13:38 | |
is an acceptable answer, well done. | 0:13:38 | 0:13:41 | |
So, a bonus point to you, Cluesmiths, | 0:13:41 | 0:13:43 | |
-and your choice. -Water, please. | 0:13:43 | 0:13:44 | |
Water. OK, what would come fourth in this sequence? | 0:13:44 | 0:13:47 | |
Here's the first. | 0:13:47 | 0:13:48 | |
THEY MURMUR AMONGST THEMSELVES | 0:13:50 | 0:13:52 | |
Next, please. | 0:13:55 | 0:13:56 | |
What does pelagic mean, do you know? | 0:14:00 | 0:14:02 | |
Is it about geology? | 0:14:09 | 0:14:10 | |
Erm, one more, please - next. | 0:14:12 | 0:14:13 | |
Three seconds. | 0:14:25 | 0:14:27 | |
What are we going for? | 0:14:27 | 0:14:28 | |
-Erm... -Dermo, dermo. -Dermopelagic? | 0:14:29 | 0:14:32 | |
Not it, I'm afraid, | 0:14:32 | 0:14:33 | |
so a bonus opportunity again. | 0:14:33 | 0:14:36 | |
Arcopelagic? | 0:14:36 | 0:14:37 | |
That's not it, either. | 0:14:37 | 0:14:38 | |
It's the layers of the ocean | 0:14:38 | 0:14:40 | |
and we are going up to the surface, | 0:14:40 | 0:14:41 | |
you know, the first layers would be | 0:14:41 | 0:14:43 | |
the Epipelagic... | 0:14:43 | 0:14:45 | |
..would be the top layer, | 0:14:45 | 0:14:46 | |
that is where Only Connect wizards | 0:14:46 | 0:14:48 | |
go surfing. | 0:14:48 | 0:14:49 | |
I'm joking, they don't go surfing. | 0:14:49 | 0:14:51 | |
But Epipelagic would be | 0:14:51 | 0:14:52 | |
the right terminology. | 0:14:52 | 0:14:53 | |
String Section, what can I offer you? | 0:14:53 | 0:14:55 | |
The Twisted Flax, please. | 0:14:55 | 0:14:56 | |
The Twisted Flax. OK, what would come fourth in this sequence? | 0:14:56 | 0:15:00 | |
Here is the first. | 0:15:00 | 0:15:01 | |
THEY WHISPER AMONGST THEMSELVES | 0:15:07 | 0:15:10 | |
Next, please. | 0:15:10 | 0:15:11 | |
Next, please. | 0:15:17 | 0:15:19 | |
"In the beginning", 14? | 0:15:31 | 0:15:32 | |
I'm going to accept that answer. | 0:15:34 | 0:15:36 | |
The sequence that we had planned | 0:15:36 | 0:15:38 | |
was the shortest verses | 0:15:38 | 0:15:39 | |
in the New Testament, getting shorter, | 0:15:39 | 0:15:41 | |
and the shortest verse, of course - | 0:15:41 | 0:15:42 | |
"Jesus wept" with 9 in brackets. | 0:15:42 | 0:15:44 | |
But, if you created | 0:15:44 | 0:15:46 | |
quotes from the Bible | 0:15:46 | 0:15:48 | |
going downwards, I simply need | 0:15:48 | 0:15:50 | |
some words from the Bible | 0:15:50 | 0:15:51 | |
that's 14 letters. | 0:15:51 | 0:15:53 | |
I mean, that is a sequence, | 0:15:53 | 0:15:54 | |
I simply am going to have to give you | 0:15:54 | 0:15:56 | |
the points there, well done. | 0:15:56 | 0:15:57 | |
OK, Cluesmiths, what would you like? | 0:15:57 | 0:15:59 | |
-Eye of Horus, please. -The Eye of Horus. | 0:15:59 | 0:16:01 | |
OK, these are going to be picture clues. | 0:16:01 | 0:16:03 | |
What would you expect to see in the fourth picture? | 0:16:03 | 0:16:05 | |
Here's the first. | 0:16:05 | 0:16:06 | |
THEY MURMUR AMONGST THEMSELVES | 0:16:10 | 0:16:12 | |
Next. | 0:16:15 | 0:16:16 | |
THEY MURMUR AMONGST THEMSELVES | 0:16:21 | 0:16:23 | |
Is it Cleves? | 0:16:38 | 0:16:40 | |
Everyone's warming up. | 0:16:40 | 0:16:41 | |
You're going to get three points | 0:16:41 | 0:16:43 | |
for coming in after two clues. | 0:16:43 | 0:16:44 | |
It is a picture of the German town | 0:16:44 | 0:16:46 | |
Kleve, or Cleves in English. | 0:16:46 | 0:16:47 | |
What is the sequence? | 0:16:47 | 0:16:48 | |
It is Aragon...is the Spanish province there, | 0:16:48 | 0:16:50 | |
-and then Boleyn Road, the West Ham ground... -The Boleyn Ground, yes. | 0:16:50 | 0:16:54 | |
The Boleyn Ground, rather. | 0:16:54 | 0:16:56 | |
Seymour Skinner. | 0:16:56 | 0:16:57 | |
And the next wife of Henry VIII, | 0:16:57 | 0:16:59 | |
of course, Anne of Cleves, | 0:16:59 | 0:17:00 | |
I wanted to hear - | 0:17:00 | 0:17:01 | |
a depiction of Cleves. Well done. | 0:17:01 | 0:17:04 | |
OK, String Section, one more question - the Horned Viper. | 0:17:04 | 0:17:07 | |
Ah, a music sequence, | 0:17:07 | 0:17:09 | |
what a treat for everybody. | 0:17:09 | 0:17:11 | |
OK, you're going to be hearing the clues. | 0:17:11 | 0:17:13 | |
I want to know what will come fourth. The first one is coming in now. | 0:17:13 | 0:17:16 | |
# I'd like to be a busy busy bee | 0:17:16 | 0:17:19 | |
# Being just as busy as a bee can be | 0:17:19 | 0:17:21 | |
-# Flying all around the wild hedgerows...# -Next, please. | 0:17:21 | 0:17:23 | |
# Je n'ai besoin de personne | 0:17:23 | 0:17:25 | |
# En Harley Davidson | 0:17:25 | 0:17:28 | |
# Je ne reconnais plus personne... # | 0:17:31 | 0:17:33 | |
Next, please. | 0:17:33 | 0:17:34 | |
# Come on baby | 0:17:34 | 0:17:36 | |
# Let's do the twist | 0:17:36 | 0:17:38 | |
# Come on baby | 0:17:40 | 0:17:42 | |
# Let's do the twist | 0:17:42 | 0:17:44 | |
# Take me by my little hand | 0:17:45 | 0:17:49 | |
# And go like this. | 0:17:49 | 0:17:50 | |
# Twist baby... # | 0:17:53 | 0:17:55 | |
Two seconds. | 0:17:55 | 0:17:56 | |
Desmond Dekker. Anything by Desmond Dekker. | 0:17:57 | 0:18:00 | |
Would be an acceptable answer. | 0:18:00 | 0:18:02 | |
What is the sequence? | 0:18:02 | 0:18:04 | |
Whoever the first two are, they are an AA and a BB. | 0:18:04 | 0:18:07 | |
-They're Arthur Askey and Brigitte Bardot. -Right. | 0:18:07 | 0:18:10 | |
And then Chubby Checker. | 0:18:10 | 0:18:11 | |
You recognised Chubby Checker | 0:18:11 | 0:18:12 | |
so you know we're going through | 0:18:12 | 0:18:14 | |
the alphabet, so we want DD - Desmond Dekker. The Israelites. | 0:18:14 | 0:18:16 | |
Did a cover of | 0:18:16 | 0:18:17 | |
You Can Get It If You Really Want, | 0:18:17 | 0:18:19 | |
originally by Jimmy Cliff. | 0:18:19 | 0:18:20 | |
Everyone know | 0:18:20 | 0:18:21 | |
You Can Get It If You Really Want? | 0:18:21 | 0:18:23 | |
I think it seems like a lovely | 0:18:23 | 0:18:24 | |
anthem as we head to the final. | 0:18:24 | 0:18:25 | |
One, two, three. | 0:18:25 | 0:18:27 | |
-ALL: -# You can get it | 0:18:27 | 0:18:28 | |
# if you really want | 0:18:28 | 0:18:30 | |
# You can get it if you really want | 0:18:30 | 0:18:33 | |
# But you must try. # | 0:18:33 | 0:18:34 | |
Exactly so. Well done, everybody. | 0:18:34 | 0:18:37 | |
That means, at the end of Round Two, | 0:18:37 | 0:18:39 | |
the String Section have five points, | 0:18:39 | 0:18:41 | |
the Cluesmiths have six. | 0:18:41 | 0:18:43 | |
Time now for a nasty, 200-foot | 0:18:46 | 0:18:48 | |
semifinal Connecting Wall. | 0:18:48 | 0:18:51 | |
String Section, you get to go first this time, | 0:18:51 | 0:18:53 | |
would you like Lion or Water? | 0:18:53 | 0:18:55 | |
-Can we have the Lion Wall, please? -OK. | 0:18:55 | 0:18:58 | |
I mean, they're both horrible so it doesn't take much thought, | 0:18:58 | 0:19:00 | |
you have two-and-a-half minutes to solve this Wall, | 0:19:00 | 0:19:03 | |
starting now. | 0:19:03 | 0:19:05 | |
That's an Ivy League college, isn't it? | 0:19:07 | 0:19:09 | |
-They're Ivy League schools, colleges. -Really? OK. | 0:19:13 | 0:19:15 | |
THEY MURMUR AMONGST THEMSELVES | 0:19:18 | 0:19:21 | |
Are these parts of the mouth? | 0:19:21 | 0:19:23 | |
-Seems like it. -Yeah, mandible... | 0:19:23 | 0:19:25 | |
Or the face as a whole? | 0:19:25 | 0:19:27 | |
OK, what have else have we got? | 0:19:27 | 0:19:28 | |
-They are places... -Arthur Wellesley, | 0:19:28 | 0:19:30 | |
Duke of Wellington. | 0:19:30 | 0:19:31 | |
Crown and temple sound like... | 0:19:31 | 0:19:33 | |
Well, they're obviously both heads | 0:19:33 | 0:19:35 | |
- crown and temple. | 0:19:35 | 0:19:37 | |
Oh... They are for your paint, | 0:19:37 | 0:19:38 | |
-aren't they? -Oh, yeah. | 0:19:38 | 0:19:39 | |
One, two, three and that one. | 0:19:39 | 0:19:41 | |
BUZZ | 0:19:41 | 0:19:42 | |
Maybe it is just stuff on your face | 0:19:42 | 0:19:43 | |
or head? | 0:19:43 | 0:19:44 | |
BUZZ | 0:19:44 | 0:19:46 | |
OK, parts of the head. | 0:19:46 | 0:19:48 | |
BUZZ | 0:19:48 | 0:19:49 | |
-That includes mandible? -Yeah. | 0:19:49 | 0:19:51 | |
OK, so we have too many of those. | 0:19:51 | 0:19:53 | |
You can have a photo finish. | 0:19:55 | 0:19:56 | |
-You can have a... -Yeah. | 0:19:56 | 0:19:58 | |
You can have a nose job. | 0:19:59 | 0:20:00 | |
You can have a... | 0:20:00 | 0:20:02 | |
Oh, these are things you do | 0:20:02 | 0:20:04 | |
to your teeth - a crown, a finish... | 0:20:04 | 0:20:07 | |
You're halfway through the time. | 0:20:07 | 0:20:08 | |
THEY TALK AMONGST THEMSELVES | 0:20:10 | 0:20:13 | |
BUZZ | 0:20:17 | 0:20:18 | |
BUZZ | 0:20:19 | 0:20:20 | |
BUZZ | 0:20:25 | 0:20:26 | |
BUZZ | 0:20:27 | 0:20:29 | |
Three strikes, now. | 0:20:30 | 0:20:32 | |
OK, we've taken out Temple, | 0:20:32 | 0:20:33 | |
we've got... | 0:20:33 | 0:20:34 | |
THEY TALK INDISTINCTLY | 0:20:34 | 0:20:36 | |
Try one, two, three, four. | 0:20:42 | 0:20:44 | |
BUZZ | 0:20:44 | 0:20:45 | |
-One, two, three, four. -BUZZ | 0:20:45 | 0:20:47 | |
No, don't press it yet. | 0:20:47 | 0:20:48 | |
We've done that one. | 0:20:48 | 0:20:50 | |
Ten seconds. | 0:20:50 | 0:20:52 | |
Shall we just go for it? | 0:20:52 | 0:20:53 | |
-BOTH: -Yeah, go for it. | 0:20:53 | 0:20:55 | |
Not it, I'm afraid | 0:20:55 | 0:20:56 | |
so that is your three strikes. The Wall has frozen. | 0:20:56 | 0:20:58 | |
What about the connections? The first blue group? | 0:20:58 | 0:21:01 | |
Are they Ivy League colleges? Women's colleges? | 0:21:01 | 0:21:03 | |
I'm afraid I have to take your first answer. They aren't Ivy League | 0:21:03 | 0:21:07 | |
colleges. They are women's colleges known, in fact, as the Seven Sisters | 0:21:07 | 0:21:10 | |
colleges, that is what they are, but Ivy League, they aren't, sorry. | 0:21:10 | 0:21:15 | |
Lamb, Temple, Primrose, Wellesley. | 0:21:15 | 0:21:19 | |
Not a great deal of confidence - Arthur. | 0:21:19 | 0:21:21 | |
That is not it. Arthur Wellesley | 0:21:21 | 0:21:23 | |
was the first Duke of Wellington. | 0:21:23 | 0:21:24 | |
No, they are 19th century Prime Ministers | 0:21:24 | 0:21:26 | |
but they are known by their aristocratic titles. | 0:21:26 | 0:21:29 | |
William Lamb - Viscount Melbourne. | 0:21:29 | 0:21:31 | |
Henry Temple - who is that? | 0:21:31 | 0:21:32 | |
Liverpool? | 0:21:32 | 0:21:33 | |
It's Lord Palmerston, and then we've got Archibald Primrose, | 0:21:33 | 0:21:36 | |
the Earl of Rosebery. The Duke of Wellington there, so Prime Ministers. | 0:21:36 | 0:21:39 | |
You can still get points for the connections in the groups | 0:21:39 | 0:21:42 | |
you didn't find, so let's resolve the Wall. | 0:21:42 | 0:21:45 | |
There is the pink or purple group - Occiput, Crown, Scalp, Mandible. | 0:21:45 | 0:21:49 | |
Parts of the head. | 0:21:49 | 0:21:51 | |
They are all parts of the head. | 0:21:51 | 0:21:53 | |
And the last, light-blue group, starting Nose... | 0:21:53 | 0:21:56 | |
-Is it wine-tasting? -...in wine-tasting, isn't it? | 0:21:56 | 0:21:59 | |
They're all terms from wine-tasting. | 0:21:59 | 0:22:00 | |
Nose, Mid-palate, Chewy and Finish. | 0:22:00 | 0:22:02 | |
So, two points for the groups that you found | 0:22:02 | 0:22:04 | |
and two for the connections - that is a total of four. | 0:22:04 | 0:22:07 | |
Let's bring in the Cluesmiths now and give them another horrible | 0:22:07 | 0:22:09 | |
Connecting Wall and see how far they get with solving it. | 0:22:09 | 0:22:12 | |
It'll be the Water Wall for you, Cluesmiths. | 0:22:12 | 0:22:14 | |
You have two-and-a-half minutes to solve it, starting now. | 0:22:14 | 0:22:18 | |
THEY MURMUR AMONGST THEMSELVES | 0:22:20 | 0:22:24 | |
It's got to be those two, | 0:22:29 | 0:22:30 | |
got to be those two. | 0:22:30 | 0:22:33 | |
OK, try Philips. | 0:22:33 | 0:22:35 | |
-Hex. -Hex, yeah, | 0:22:38 | 0:22:40 | |
BUZZ | 0:22:40 | 0:22:41 | |
BUZZ | 0:22:46 | 0:22:48 | |
BUZZ | 0:22:52 | 0:22:53 | |
BUZZ | 0:22:53 | 0:22:55 | |
BUZZ | 0:22:55 | 0:22:56 | |
THEY MURMUR INDISTINCTLY | 0:23:00 | 0:23:03 | |
You've got a minute left. | 0:23:17 | 0:23:18 | |
BUZZ | 0:23:18 | 0:23:20 | |
Could be that one. | 0:23:20 | 0:23:22 | |
Hang on, Saxon, Dane. | 0:23:22 | 0:23:25 | |
BUZZ | 0:23:25 | 0:23:26 | |
Saxon, Dane, Roman and erm... | 0:23:26 | 0:23:30 | |
..Angle. | 0:23:32 | 0:23:33 | |
Three strikes, now. | 0:23:33 | 0:23:35 | |
Philips? | 0:23:36 | 0:23:38 | |
What's the other group? Robertson, | 0:23:38 | 0:23:40 | |
-ECM... -Pozidriv... | 0:23:40 | 0:23:41 | |
Is ECM a screwdriver? | 0:23:41 | 0:23:42 | |
Hex. | 0:23:44 | 0:23:45 | |
That is definitely a screwdriver. | 0:23:45 | 0:23:46 | |
30 seconds. | 0:23:46 | 0:23:48 | |
Hyperion... | 0:23:49 | 0:23:50 | |
-Hyperion, Philips... -Yeah. | 0:23:54 | 0:23:57 | |
Decca... | 0:23:57 | 0:23:59 | |
BUZZ | 0:23:59 | 0:24:01 | |
Hyperion, Philips and Decca... | 0:24:01 | 0:24:04 | |
-..and Hex... -ECM, ECM. | 0:24:05 | 0:24:09 | |
That's it, you've solved them all, | 0:24:09 | 0:24:11 | |
with seconds in hand. | 0:24:11 | 0:24:13 | |
Right, what about the connections? The dark-blue group, starting Graham. | 0:24:13 | 0:24:18 | |
They are TV evangelists - American. | 0:24:18 | 0:24:21 | |
They are Televangelists, yes. | 0:24:21 | 0:24:22 | |
Jerry Falwell, my favourite. | 0:24:22 | 0:24:24 | |
He didn't like the Teletubbies cos he thought Tinky Winky was gay. | 0:24:24 | 0:24:27 | |
The green group, starting Naxos? | 0:24:27 | 0:24:29 | |
Anagrams of groups that have settled Britain, at different points. | 0:24:29 | 0:24:33 | |
Saxon, Angle, Roman, Dane. | 0:24:33 | 0:24:35 | |
You saw a couple of them early, went away and came back at the end. | 0:24:35 | 0:24:38 | |
Invaders or settlers of the British Isles. | 0:24:38 | 0:24:41 | |
And the dark-pink group, starting ECM? | 0:24:41 | 0:24:44 | |
I think they're computer or software companies? | 0:24:44 | 0:24:47 | |
They are not, I'm afraid. You did very well to spot them. | 0:24:47 | 0:24:50 | |
Record companies? | 0:24:50 | 0:24:51 | |
They are classical labels. Have to take the first answer, of course, | 0:24:51 | 0:24:54 | |
so that's a no, but classical record labels. | 0:24:54 | 0:24:57 | |
And the light-blue group, starting Slot. | 0:24:57 | 0:25:00 | |
They are all screwdrivers. | 0:25:00 | 0:25:02 | |
Screwdrivers. They correspond with screw recesses. | 0:25:02 | 0:25:05 | |
But you found all four groups | 0:25:05 | 0:25:06 | |
and three points for the connections, that is a total of seven. | 0:25:06 | 0:25:09 | |
Let's have a look at the overall scores. | 0:25:09 | 0:25:11 | |
Missing Vowels, now, teams. | 0:25:17 | 0:25:19 | |
That is how we will decide who makes the final. | 0:25:19 | 0:25:22 | |
So, fingers on buzzers. | 0:25:22 | 0:25:25 | |
The first group are all - | 0:25:25 | 0:25:27 | |
-String Section. -Scouting For Girls. | 0:25:34 | 0:25:36 | |
Correct. | 0:25:36 | 0:25:37 | |
-Cluesmiths. -Rita Ora. | 0:25:41 | 0:25:42 | |
Correct. | 0:25:42 | 0:25:43 | |
-String Section. -Enya. | 0:25:47 | 0:25:49 | |
Not a number one in the 2010s, | 0:25:49 | 0:25:51 | |
I'm afraid. Cluesmiths, do you know? | 0:25:51 | 0:25:54 | |
That is too long, it is Ne-Yo. | 0:25:54 | 0:25:56 | |
Next clue. | 0:25:56 | 0:25:57 | |
-String Section. -Rihanna. | 0:25:59 | 0:26:00 | |
Correct. | 0:26:00 | 0:26:01 | |
Next category - | 0:26:01 | 0:26:03 | |
-String Section. -Honshu. | 0:26:05 | 0:26:06 | |
Correct. | 0:26:06 | 0:26:08 | |
-String Section. -Shikake. | 0:26:10 | 0:26:12 | |
Not a Japanese island. | 0:26:12 | 0:26:13 | |
Cluesmiths, do you know? | 0:26:13 | 0:26:14 | |
It is Shikoku. Next clue. | 0:26:16 | 0:26:18 | |
-Cluesmiths? -Okinawa. | 0:26:20 | 0:26:22 | |
Correct. | 0:26:22 | 0:26:23 | |
-String Section. -Hokkaido. | 0:26:25 | 0:26:26 | |
Correct. | 0:26:26 | 0:26:27 | |
Next category - | 0:26:27 | 0:26:29 | |
-String Section. -Juventus. | 0:26:32 | 0:26:33 | |
Correct. | 0:26:33 | 0:26:34 | |
-Cluesmiths. -Verdensa. | 0:26:36 | 0:26:39 | |
Not an Italian football team. | 0:26:39 | 0:26:40 | |
-String Section, do you know? -Udensa. | 0:26:40 | 0:26:42 | |
That is not it either. | 0:26:42 | 0:26:44 | |
Udinese. Next clue. | 0:26:44 | 0:26:45 | |
-String Section. -Internazionale. | 0:26:47 | 0:26:49 | |
Correct. | 0:26:49 | 0:26:50 | |
-String Section. -Fiorentina. | 0:26:52 | 0:26:54 | |
Correct. | 0:26:54 | 0:26:55 | |
Next category - | 0:26:55 | 0:26:56 | |
END OF ROUND JINGLE | 0:27:00 | 0:27:02 | |
But you can't give me the answer - | 0:27:02 | 0:27:04 | |
Aquae Sulis and Bath - | 0:27:04 | 0:27:06 | |
because the bell has gone | 0:27:06 | 0:27:07 | |
even as I was giving | 0:27:07 | 0:27:08 | |
the final category. | 0:27:08 | 0:27:10 | |
And looking at the scores, | 0:27:10 | 0:27:12 | |
I can tell you that the Cluesmiths | 0:27:12 | 0:27:14 | |
have 14. | 0:27:14 | 0:27:15 | |
The String Section have... | 0:27:15 | 0:27:17 | |
14. | 0:27:17 | 0:27:19 | |
It is a tie-break | 0:27:19 | 0:27:20 | |
in our 200th episode, what tension. | 0:27:20 | 0:27:23 | |
Let me remind you, teams, | 0:27:23 | 0:27:24 | |
of the tie-break rules. | 0:27:24 | 0:27:26 | |
There will be one final | 0:27:26 | 0:27:28 | |
Missing Vowels clue. Captains only. | 0:27:28 | 0:27:31 | |
If you buzz in | 0:27:31 | 0:27:33 | |
and give the wrong answer, | 0:27:33 | 0:27:34 | |
by default, | 0:27:34 | 0:27:35 | |
you lose and the other team wins. | 0:27:35 | 0:27:38 | |
So, fingers on buzzers. | 0:27:38 | 0:27:42 | |
The tie-break clue is coming in... | 0:27:42 | 0:27:45 | |
..now. | 0:27:45 | 0:27:46 | |
-String Section. -Fastest finger first. | 0:27:48 | 0:27:50 | |
It's the right answer. | 0:27:50 | 0:27:52 | |
String Section, with that answer, | 0:27:55 | 0:27:57 | |
you are through to the finals. | 0:27:57 | 0:27:59 | |
Many congratulations. | 0:27:59 | 0:28:01 | |
Cluesmiths, I mean, obviously, | 0:28:01 | 0:28:03 | |
you could not have got closer. | 0:28:03 | 0:28:05 | |
I'm sorry you didn't get through. | 0:28:05 | 0:28:07 | |
Well done over there, | 0:28:07 | 0:28:08 | |
a very heated night. | 0:28:08 | 0:28:10 | |
But that is it, that concludes our special 200th episode. | 0:28:10 | 0:28:13 | |
Thank you very much for watching. We are going off to the green room | 0:28:13 | 0:28:17 | |
now to relax and enjoy an even bigger cake, with 148 on it. | 0:28:17 | 0:28:20 | |
Of course, that is 200 in base 12, but the production manager | 0:28:20 | 0:28:24 | |
assures me Michael Portillo will not be jumping out of it. | 0:28:24 | 0:28:27 | |
I can only hope that means he has been sedated. | 0:28:27 | 0:28:30 | |
Goodbye. | 0:28:30 | 0:28:31 |