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Hello and welcome to Only Connect, | 0:00:21 | 0:00:23 | |
the show on which we invite daring and open-minded threesomes | 0:00:23 | 0:00:26 | |
to demonstrate on camera just how flexible they are. | 0:00:26 | 0:00:30 | |
Stripped off and ready for action tonight, | 0:00:30 | 0:00:33 | |
speaking metaphorically, thank God, are... | 0:00:33 | 0:00:36 | |
on my right, Barbara Thompson, a retired NHS secretary | 0:00:36 | 0:00:41 | |
who hails from Teesside and enjoys reading crime fiction, | 0:00:41 | 0:00:44 | |
modern fiction and reference books. | 0:00:44 | 0:00:46 | |
Matt Beatson, | 0:00:46 | 0:00:48 | |
an IT consultant who has played | 0:00:48 | 0:00:50 | |
chess beneath the Eiffel Tower | 0:00:50 | 0:00:51 | |
and broke his collarbone | 0:00:51 | 0:00:53 | |
while skateboarding on a skateboard ramp without his skateboard. | 0:00:53 | 0:00:56 | |
And their captain, Gerard Mackay, | 0:00:56 | 0:00:59 | |
a nocturnal accountant who has had letters published | 0:00:59 | 0:01:02 | |
in the Daily Mail, the Daily Express and The Guardian. | 0:01:02 | 0:01:05 | |
The most memorable of which detailed the number of ways there are | 0:01:05 | 0:01:08 | |
to make change from a pound. | 0:01:08 | 0:01:10 | |
United by a weakness for walking, | 0:01:10 | 0:01:12 | |
they are the Wayfarers. | 0:01:12 | 0:01:14 | |
Gerard, you won your first heat against the Bookworms, | 0:01:14 | 0:01:16 | |
you lost to the String Section | 0:01:16 | 0:01:18 | |
and then beat the Builders to get to these quarterfinals. | 0:01:18 | 0:01:20 | |
What have you learned from the experience so far? | 0:01:20 | 0:01:23 | |
I've learned two things - | 0:01:23 | 0:01:25 | |
don't make cocky comments | 0:01:25 | 0:01:26 | |
about beating the opposing team | 0:01:26 | 0:01:28 | |
and then lose | 0:01:28 | 0:01:30 | |
and getting this far is like a marathon, | 0:01:30 | 0:01:33 | |
but with a marathon, you only have to go through one wall. | 0:01:33 | 0:01:36 | |
Well, you've done very well to get this far. Congratulations. | 0:01:36 | 0:01:39 | |
Also getting this far, your opponents tonight are, on my left, | 0:01:39 | 0:01:42 | |
Katy Bateman, a psychology graduate who has worked as a supermarket | 0:01:42 | 0:01:47 | |
greeter, a call centre worker, a classroom assistant, | 0:01:47 | 0:01:49 | |
a Bangor University tour guide and has completed work experience | 0:01:49 | 0:01:53 | |
at an archaeological dig. | 0:01:53 | 0:01:54 | |
Tristram Cole, | 0:01:54 | 0:01:56 | |
a former intelligence analyst | 0:01:56 | 0:01:58 | |
who has had a standoff with Philip Roth in a Sheffield doorway. | 0:01:58 | 0:02:01 | |
And their captain, Dave Knapp, | 0:02:01 | 0:02:04 | |
an Oxford engineering graduate who has played draughts | 0:02:04 | 0:02:07 | |
in a ruined French abbey and can count to 1,023 on his fingers. | 0:02:07 | 0:02:12 | |
United by a taste for tomes, | 0:02:12 | 0:02:14 | |
they are the Bookworms. | 0:02:14 | 0:02:15 | |
Dave, you lost your first game to the Wayfarers, | 0:02:15 | 0:02:18 | |
then you won against the Headliners and the Athenians. | 0:02:18 | 0:02:21 | |
So you're meeting the Wayfarers again. | 0:02:21 | 0:02:23 | |
Any fresh tactics for tonight's game? | 0:02:23 | 0:02:25 | |
I've been practising | 0:02:25 | 0:02:26 | |
throwing spanners, | 0:02:26 | 0:02:27 | |
so I can literally throw a spanner in their works. | 0:02:27 | 0:02:30 | |
I mean, is that a threat? We'll gloss over it. | 0:02:31 | 0:02:34 | |
We'll gloss over that. | 0:02:34 | 0:02:35 | |
Straight on with the quiz as quickly as possible. | 0:02:35 | 0:02:38 | |
Wayfarers, you won the toss. | 0:02:38 | 0:02:39 | |
You'll be going first. | 0:02:39 | 0:02:40 | |
Please choose an Egyptian hieroglyph. | 0:02:40 | 0:02:42 | |
-Two Reeds, please. -Two Reeds. | 0:02:42 | 0:02:45 | |
OK, what is the connection between | 0:02:45 | 0:02:47 | |
these clues? Here's the first. | 0:02:47 | 0:02:48 | |
Next, please. | 0:02:55 | 0:02:56 | |
Next, please. | 0:03:04 | 0:03:06 | |
"Evening" with two apostrophes. | 0:03:11 | 0:03:12 | |
Next, please. | 0:03:16 | 0:03:17 | |
Any ideas whatsoever? | 0:03:21 | 0:03:22 | |
I haven't got a clue. | 0:03:22 | 0:03:25 | |
Three seconds. | 0:03:25 | 0:03:27 | |
BELL RINGS | 0:03:27 | 0:03:28 | |
Idea? | 0:03:28 | 0:03:29 | |
Missing capitals. No. | 0:03:29 | 0:03:32 | |
Not that, I'm afraid. | 0:03:32 | 0:03:33 | |
So, there's a possible bonus | 0:03:33 | 0:03:35 | |
opportunity for the Bookworms. | 0:03:35 | 0:03:36 | |
Opening lines to plays. | 0:03:36 | 0:03:38 | |
I mean, I would so love | 0:03:38 | 0:03:39 | |
to see the play which has clue one | 0:03:39 | 0:03:41 | |
as its opening line, but no, they are not. | 0:03:41 | 0:03:43 | |
Let me read them aloud to you and see if that helps. | 0:03:43 | 0:03:46 | |
SHE READS EACH CLUE | 0:03:46 | 0:03:48 | |
They're in iambic pentameter. | 0:03:56 | 0:03:58 | |
Ah! Da-da, da-da, da-da... | 0:03:58 | 0:03:59 | |
Like the poetry of Shakespeare. You know, the last one, | 0:03:59 | 0:04:01 | |
it is Orsino from Twelfth Night, | 0:04:01 | 0:04:03 | |
"If music be the food of love, play on. | 0:04:03 | 0:04:04 | |
"Give me excess of it, that, surfeiting, | 0:04:04 | 0:04:06 | |
"The appetite may sicken, and so die." | 0:04:06 | 0:04:08 | |
They are all in iambic pentameter. All have five beats. | 0:04:08 | 0:04:12 | |
Whether or not the music question is the Twisted Flax, by the way, | 0:04:12 | 0:04:15 | |
it remains to be seen. | 0:04:15 | 0:04:17 | |
No points there. Bookworms, are you brave enough | 0:04:17 | 0:04:19 | |
to go for it and find out? | 0:04:19 | 0:04:21 | |
What the hell. | 0:04:21 | 0:04:22 | |
Yeah, Twisted Flax, please. | 0:04:22 | 0:04:23 | |
It's not the music question. OK. | 0:04:25 | 0:04:27 | |
Ooh! It's the picture question. | 0:04:27 | 0:04:28 | |
Interesting. OK, you'll be seeing some picture clues. | 0:04:28 | 0:04:31 | |
What do they have in common? Here's the first. | 0:04:31 | 0:04:33 | |
THEY TALK QUIETLY | 0:04:37 | 0:04:42 | |
Next, please. | 0:04:42 | 0:04:43 | |
That's an information sign, I think. | 0:04:45 | 0:04:48 | |
Or perhaps... | 0:04:48 | 0:04:50 | |
Important information. It could be on something. | 0:04:51 | 0:04:54 | |
-Yeah, but we need... -We need more. | 0:04:54 | 0:04:57 | |
Next, please. | 0:04:57 | 0:04:58 | |
I think this could be... | 0:05:00 | 0:05:02 | |
THEY TALK QUIETLY | 0:05:05 | 0:05:06 | |
Next, please. | 0:05:06 | 0:05:08 | |
Three seconds. | 0:05:09 | 0:05:10 | |
No, that's it. Your time's up. | 0:05:12 | 0:05:14 | |
And that's a frozen one, so a bonus | 0:05:14 | 0:05:16 | |
chance for you now, Wayfarers. | 0:05:16 | 0:05:17 | |
I have no idea. Nope. | 0:05:17 | 0:05:19 | |
They're known as | 0:05:19 | 0:05:20 | |
Creative Commons licences. | 0:05:20 | 0:05:23 | |
Do you know it now? They're signs | 0:05:23 | 0:05:25 | |
that you're not keeping the full | 0:05:25 | 0:05:27 | |
copyright in your work. | 0:05:27 | 0:05:28 | |
Other people are allowed to use it. | 0:05:28 | 0:05:30 | |
So, you know, a C in a circle | 0:05:30 | 0:05:32 | |
means copyright. | 0:05:32 | 0:05:33 | |
Even if that isn't there, it's implied. | 0:05:33 | 0:05:35 | |
But that little equal sign there, | 0:05:35 | 0:05:37 | |
that means others may use your work, | 0:05:37 | 0:05:40 | |
but they can't incorporate it into something new. | 0:05:40 | 0:05:43 | |
The second one means that | 0:05:43 | 0:05:44 | |
people can use your work | 0:05:44 | 0:05:45 | |
if they say that it's yours. | 0:05:45 | 0:05:47 | |
The third one, they can use your work | 0:05:47 | 0:05:49 | |
as long as what they then make | 0:05:49 | 0:05:50 | |
can be used by others. | 0:05:50 | 0:05:52 | |
And the last one, they can use | 0:05:52 | 0:05:53 | |
your work if they | 0:05:53 | 0:05:54 | |
don't profit from it. | 0:05:54 | 0:05:55 | |
It's almost an anti-copyright symbol that means, | 0:05:55 | 0:05:57 | |
"No. Help yourselves under certain circumstances." | 0:05:57 | 0:06:00 | |
No bonus points, Wayfarers, | 0:06:00 | 0:06:01 | |
but you might choose a question. | 0:06:01 | 0:06:03 | |
What would you like? | 0:06:03 | 0:06:04 | |
-Horned Viper, please. -OK. | 0:06:04 | 0:06:06 | |
MUSIC NOTE CHIMES | 0:06:06 | 0:06:08 | |
Ah, yes, that wouldn't have worked | 0:06:08 | 0:06:09 | |
as an iambic pentameter. | 0:06:09 | 0:06:11 | |
What do these clues have in common? | 0:06:11 | 0:06:13 | |
Here's the first. | 0:06:13 | 0:06:14 | |
# My blood runs cold My memory has just been... # | 0:06:14 | 0:06:17 | |
J Geils Band, Centrefold. | 0:06:17 | 0:06:20 | |
OK, next. | 0:06:20 | 0:06:21 | |
# Keep on running... # | 0:06:21 | 0:06:23 | |
-Spencer Davis. -# Keep on hiding. # | 0:06:23 | 0:06:26 | |
Next, please. | 0:06:27 | 0:06:29 | |
# And if you said, "This life ain't good enough..." # | 0:06:29 | 0:06:31 | |
Is the band, the name of the person in the band? | 0:06:31 | 0:06:34 | |
-BELL RINGS -We think they're all by bands | 0:06:35 | 0:06:37 | |
that have a name of the band in the name. | 0:06:37 | 0:06:39 | |
SHE INHALES SHARPLY | 0:06:39 | 0:06:41 | |
I'm going to need you to tell me something else. | 0:06:41 | 0:06:43 | |
Tonight, we're playing for a place in the semifinals. | 0:06:43 | 0:06:45 | |
I want to hear something specific. | 0:06:45 | 0:06:47 | |
Is it the drummer or the...? No. Spencer Davis, what did he play? | 0:06:47 | 0:06:50 | |
He was a guitarist, I think. | 0:06:50 | 0:06:51 | |
So, they're all named after the guitarist in the band. | 0:06:51 | 0:06:53 | |
The bands are all | 0:06:53 | 0:06:55 | |
named after the guitarist. | 0:06:55 | 0:06:56 | |
Very well done. You didn't need to hear Jump, Van Halen | 0:06:56 | 0:06:58 | |
at the end there. What did we hear? | 0:06:58 | 0:07:01 | |
Well, we heard Centrefold by the J Geils Band. | 0:07:01 | 0:07:05 | |
Yeah, that's it. Named after the guitarist | 0:07:05 | 0:07:07 | |
John Warren Geils, his name was. | 0:07:07 | 0:07:09 | |
-Then we heard Spencer Davis Group and Keep On Running. -Mm-hm. | 0:07:09 | 0:07:13 | |
Then we heard... Ooh, what's that? Santana, it sounded like. | 0:07:13 | 0:07:16 | |
-What was it? -It was Smooth, it was. | 0:07:16 | 0:07:18 | |
But, yes, Santana named after | 0:07:18 | 0:07:19 | |
the guitarist Carlos Santana. | 0:07:19 | 0:07:21 | |
Well done. All bands named after the | 0:07:21 | 0:07:23 | |
guitarist, so you have two points. | 0:07:23 | 0:07:25 | |
Bookworms, what would you like? | 0:07:25 | 0:07:27 | |
Go with the Lion, please. | 0:07:27 | 0:07:28 | |
The Lion, OK. | 0:07:28 | 0:07:29 | |
What would connect these | 0:07:29 | 0:07:30 | |
little clues? Here's the first. | 0:07:30 | 0:07:33 | |
-General Tom Thumb. -Who's he? | 0:07:35 | 0:07:37 | |
A small person... | 0:07:37 | 0:07:39 | |
Next, please. | 0:07:41 | 0:07:42 | |
Maybe a boxer or something. | 0:07:43 | 0:07:46 | |
He fought Muhammad Ali. I don't know. | 0:07:46 | 0:07:48 | |
-THEY WHISPER -Next, please. | 0:07:48 | 0:07:51 | |
THEY WHISPER | 0:07:56 | 0:07:59 | |
I don't know. Shall we go next? Next, please. | 0:07:59 | 0:08:02 | |
Are they all called Charles? First name Charles? | 0:08:06 | 0:08:09 | |
-All right. -BELL RINGS | 0:08:09 | 0:08:12 | |
Did they have the first name Charles? | 0:08:12 | 0:08:14 | |
Yes, they did. | 0:08:14 | 0:08:15 | |
I think you spotted that, Katy. | 0:08:15 | 0:08:16 | |
Was it just Lewis Carroll that gave it away? | 0:08:16 | 0:08:19 | |
I was thinking possibly on Chuck Berry, | 0:08:19 | 0:08:22 | |
-but then Lewis Carroll confirmed it. -That's it. He was Charles Dodgson. | 0:08:22 | 0:08:25 | |
Chuck Berry, of course, was Charles, Charles "Sonny" Liston | 0:08:25 | 0:08:28 | |
and General Tom Thumb, | 0:08:28 | 0:08:29 | |
he was one of the circus performers with PT Barnum, | 0:08:29 | 0:08:32 | |
Charles Sherwood Stratton. | 0:08:32 | 0:08:34 | |
So, well done. That's a point to you. | 0:08:34 | 0:08:36 | |
And, Wayfarers, what would you like? | 0:08:36 | 0:08:38 | |
-Eye of Horus, please. -Eye of Horus. | 0:08:38 | 0:08:40 | |
OK, what is the connection? | 0:08:40 | 0:08:42 | |
Here's your first clue. | 0:08:42 | 0:08:43 | |
No. Next? Next, please. | 0:08:47 | 0:08:49 | |
No idea. Next, please. | 0:08:55 | 0:08:56 | |
-Any idea what the split's to do with? -No. | 0:09:01 | 0:09:04 | |
Next, please. | 0:09:04 | 0:09:05 | |
-They've all got... -You can make another country. -Yeah. | 0:09:09 | 0:09:12 | |
BELL RINGS | 0:09:12 | 0:09:14 | |
I was going to say you can make another country by putting | 0:09:14 | 0:09:16 | |
-letters in the gap. -Are you going to say that? | 0:09:16 | 0:09:19 | |
Yes, I am going to say that. | 0:09:19 | 0:09:20 | |
If you do say that, you will be correct. | 0:09:20 | 0:09:22 | |
Indonesia, South Sudan, | 0:09:22 | 0:09:23 | |
Malawi, Australia. Yes. | 0:09:23 | 0:09:25 | |
That's absolutely right. | 0:09:25 | 0:09:26 | |
You can put letters into the gap to | 0:09:26 | 0:09:27 | |
create the name of another country. | 0:09:27 | 0:09:29 | |
-Yes. -Well done. | 0:09:29 | 0:09:31 | |
Bookworms, there is one question | 0:09:31 | 0:09:32 | |
left. It's Water. | 0:09:32 | 0:09:34 | |
What is the connection between | 0:09:34 | 0:09:35 | |
these clues? Here's the first. | 0:09:35 | 0:09:36 | |
-Pig. -Could be anything, couldn't it? | 0:09:38 | 0:09:40 | |
Next, please. | 0:09:40 | 0:09:42 | |
Deer. | 0:09:42 | 0:09:43 | |
THEY WHISPER | 0:09:45 | 0:09:50 | |
Next, please. | 0:09:50 | 0:09:51 | |
THEY WHISPER | 0:09:55 | 0:09:59 | |
Next, please. | 0:10:03 | 0:10:04 | |
BELL RINGS | 0:10:11 | 0:10:13 | |
-No idea. -Erm... | 0:10:13 | 0:10:15 | |
Do they use names that are homophones for letters? | 0:10:15 | 0:10:19 | |
They do not. | 0:10:19 | 0:10:21 | |
Wayfarers, you want to have a go | 0:10:21 | 0:10:22 | |
-for a bonus? -Hm. | 0:10:22 | 0:10:23 | |
-It's not all females, is it? -No. | 0:10:23 | 0:10:25 | |
No, that's too long. | 0:10:26 | 0:10:28 | |
It is to do with their names. | 0:10:28 | 0:10:30 | |
I'll tell you what it is. | 0:10:30 | 0:10:31 | |
Each of these animals has a particular name | 0:10:31 | 0:10:33 | |
when it's turned into meat. | 0:10:33 | 0:10:36 | |
So, pig would be pork, | 0:10:36 | 0:10:37 | |
deer would be venison, adult sheep, | 0:10:37 | 0:10:40 | |
that would be mutton, | 0:10:40 | 0:10:41 | |
adult and young cow, it's different - | 0:10:41 | 0:10:42 | |
beef and veal. | 0:10:42 | 0:10:44 | |
Do you know why that is? | 0:10:44 | 0:10:46 | |
Something to do with... | 0:10:46 | 0:10:47 | |
From the Normans in French. | 0:10:47 | 0:10:49 | |
That's what it is. | 0:10:49 | 0:10:50 | |
When the Normans came, | 0:10:50 | 0:10:52 | |
the locals farmed the meat | 0:10:52 | 0:10:54 | |
and the French ate it, | 0:10:54 | 0:10:55 | |
so the food name - | 0:10:55 | 0:10:56 | |
pork, venison, | 0:10:56 | 0:10:57 | |
mutton from "mouton", | 0:10:57 | 0:10:59 | |
beef and veal from "boeuf" and "veau" - | 0:10:59 | 0:11:02 | |
is taken from the French. | 0:11:02 | 0:11:04 | |
But the English word is for the animal. | 0:11:04 | 0:11:06 | |
Sort of a class distinction there. | 0:11:06 | 0:11:09 | |
At the end of Round One... | 0:11:09 | 0:11:14 | |
Into Round Two, the sequences round. | 0:11:17 | 0:11:19 | |
So this more difficult stage of the competition gets even harder | 0:11:19 | 0:11:21 | |
because the teams have to work out the connections | 0:11:21 | 0:11:24 | |
and THEN tell me what comes fourth. | 0:11:24 | 0:11:26 | |
Wayfarers, you'll be going first again. | 0:11:26 | 0:11:28 | |
Which hieroglyph would you like? | 0:11:28 | 0:11:30 | |
Water, please. | 0:11:30 | 0:11:31 | |
Water. OK. MUSIC NOTE CHIMES | 0:11:31 | 0:11:33 | |
Well, well. It's a music sequence. | 0:11:33 | 0:11:35 | |
All right. | 0:11:35 | 0:11:37 | |
I want to know what you expect to hear in fourth place. | 0:11:37 | 0:11:41 | |
Here's the first. | 0:11:41 | 0:11:42 | |
# I'm walking on sunshine... # | 0:11:42 | 0:11:45 | |
OK, next, please. | 0:11:45 | 0:11:46 | |
MUSIC: Moonlight Sonata by Beethoven | 0:11:46 | 0:11:49 | |
Fur Elise by Beethoven. | 0:11:50 | 0:11:53 | |
Is it? | 0:11:54 | 0:11:55 | |
Yeah. Next, please. | 0:11:55 | 0:11:57 | |
# Good times | 0:11:57 | 0:12:00 | |
# These are the good times... # | 0:12:00 | 0:12:03 | |
And the... Three, four... | 0:12:03 | 0:12:06 | |
They are dedicated to... No, they're not. | 0:12:06 | 0:12:09 | |
Sunshine, good times. | 0:12:09 | 0:12:12 | |
Good times, walking on sunshine... | 0:12:12 | 0:12:15 | |
Oh! Blame It On The Boogie. No. | 0:12:15 | 0:12:18 | |
-Sunshine... -Three seconds. BELL RINGS | 0:12:18 | 0:12:22 | |
Sunshine, good times, no. Boogie. Something with boogie in the title. | 0:12:22 | 0:12:26 | |
-No. -Absolutely right. | 0:12:26 | 0:12:27 | |
For example, Boogie Wonderland. | 0:12:27 | 0:12:29 | |
I thought nobody would get this. | 0:12:29 | 0:12:30 | |
It is incredibly difficult. | 0:12:30 | 0:12:32 | |
What is the connection? | 0:12:32 | 0:12:33 | |
I think it's the songs contain things out of the song. | 0:12:33 | 0:12:36 | |
Blame it on the sunshine, blame it on the moonlight... | 0:12:36 | 0:12:38 | |
Oh, Moonlight Sonata, that's what it was. I was thinking Fur Elise. | 0:12:38 | 0:12:41 | |
Moonlight Sonata by Beethoven. | 0:12:41 | 0:12:43 | |
-And yeah, Good Times... -By Chic. | 0:12:43 | 0:12:46 | |
That's absolutely right. | 0:12:46 | 0:12:48 | |
Walking On Sunshine, | 0:12:48 | 0:12:49 | |
Moonlight Sonata and Good Times. | 0:12:49 | 0:12:50 | |
So, we're hearing, | 0:12:50 | 0:12:51 | |
"Don't blame it on the sunshine, | 0:12:51 | 0:12:53 | |
"don't blame it on the moonlight | 0:12:53 | 0:12:54 | |
"don't blame it on the good times, blame it on the boogie." | 0:12:54 | 0:12:57 | |
I don't know if people at home know | 0:12:57 | 0:12:58 | |
the song. I mean, if they don't... | 0:12:58 | 0:13:00 | |
I think we could remind people of | 0:13:00 | 0:13:01 | |
that. Come on, everyone! | 0:13:01 | 0:13:02 | |
One, two, three! | 0:13:02 | 0:13:04 | |
-ALL: -# Don't blame it on the sunshine | 0:13:04 | 0:13:06 | |
# Don't blame it on the moonlight | 0:13:06 | 0:13:08 | |
# Don't blame it on the good times | 0:13:08 | 0:13:10 | |
# Blame it on the boogie. # | 0:13:10 | 0:13:11 | |
Fabulous. Absolutely fabulous. | 0:13:12 | 0:13:14 | |
I mean, I wish we could give over | 0:13:14 | 0:13:15 | |
the whole of the rest of the show | 0:13:15 | 0:13:16 | |
to continuing that. We must move on. | 0:13:16 | 0:13:19 | |
But very well done for those points. | 0:13:19 | 0:13:21 | |
Bookworms, what would you like? | 0:13:21 | 0:13:23 | |
I'll go Two Reeds, please. | 0:13:23 | 0:13:24 | |
Two Reeds. OK. | 0:13:24 | 0:13:26 | |
Not a music sequence, you'll be relieved to know. | 0:13:26 | 0:13:29 | |
What would come fourth? Here's your first clue. | 0:13:29 | 0:13:31 | |
Four Wings. | 0:13:33 | 0:13:34 | |
A movie to win the Oscar. | 0:13:34 | 0:13:37 | |
-THEY WHISPER -Next, please. | 0:13:37 | 0:13:40 | |
The Grand Hotel. | 0:13:42 | 0:13:43 | |
To do with directors who have won more than one Oscar, maybe. | 0:13:43 | 0:13:46 | |
-I don't know. -So, that's the one... -I don't know. | 0:13:46 | 0:13:49 | |
-What about one of four, two of four? -DAVID MUMBLES | 0:13:49 | 0:13:54 | |
Next, please. | 0:13:54 | 0:13:55 | |
-Driving Miss Daisy. -THEY WHISPER | 0:13:56 | 0:14:02 | |
So it would be four of four and it would be... Is that like...? | 0:14:02 | 0:14:05 | |
-Is there someone...? -Three seconds. BELL RINGS | 0:14:06 | 0:14:09 | |
Four of four... | 0:14:12 | 0:14:13 | |
..The Departed, | 0:14:14 | 0:14:17 | |
D. Scorsese. | 0:14:17 | 0:14:20 | |
Unfortunately, you have not been able | 0:14:20 | 0:14:21 | |
to pluck that one out of the sky. | 0:14:21 | 0:14:23 | |
Unlucky. Wayfarers, | 0:14:23 | 0:14:24 | |
you want to have a go for a bonus? | 0:14:24 | 0:14:25 | |
Four of four, | 0:14:25 | 0:14:28 | |
12 Years A Slave, d. McQueen. | 0:14:28 | 0:14:31 | |
That's not it, either. The answer is | 0:14:31 | 0:14:33 | |
four of four Argo, d. Affleck. | 0:14:33 | 0:14:36 | |
The reason why we've put | 0:14:36 | 0:14:37 | |
the director's name there is | 0:14:37 | 0:14:39 | |
these are all films that won | 0:14:39 | 0:14:41 | |
the Oscar for Best Picture, | 0:14:41 | 0:14:42 | |
but the director was not nominated. | 0:14:42 | 0:14:44 | |
Oh! | 0:14:44 | 0:14:45 | |
Normally, you'll get the double | 0:14:45 | 0:14:48 | |
nomination for Best Picture | 0:14:48 | 0:14:49 | |
and Best Director, but all of these films... | 0:14:49 | 0:14:51 | |
And we're going chronologically, | 0:14:51 | 0:14:52 | |
so the next time it happened after | 0:14:52 | 0:14:54 | |
Driving Miss Daisy was Argo. | 0:14:54 | 0:14:56 | |
Ben Affleck himself not nominated, | 0:14:56 | 0:14:58 | |
but the film was. | 0:14:58 | 0:15:00 | |
No bonus point, Wayfarers, | 0:15:00 | 0:15:01 | |
but you might choose a question. | 0:15:01 | 0:15:02 | |
What would you like? | 0:15:02 | 0:15:03 | |
Can I have the Twisted Flax, please? | 0:15:03 | 0:15:05 | |
You certainly can. These are going to be picture clues. | 0:15:05 | 0:15:08 | |
What would you expect to see in the fourth picture? | 0:15:08 | 0:15:10 | |
Here's the first. | 0:15:10 | 0:15:12 | |
THEY WHISPER | 0:15:15 | 0:15:17 | |
Next, please. | 0:15:18 | 0:15:19 | |
Who are they? | 0:15:22 | 0:15:24 | |
Oh. Aristotle Onassis... | 0:15:24 | 0:15:26 | |
-And Nana Mouskouri. -OK. | 0:15:26 | 0:15:28 | |
So, Greeks. Next, please. | 0:15:28 | 0:15:30 | |
-What direction is that? -That's east. | 0:15:33 | 0:15:36 | |
-East, north, Greeks... Beware of Greeks bearing gifts. -Bearing gifts. | 0:15:36 | 0:15:39 | |
-Ah! -BELL RINGS | 0:15:39 | 0:15:40 | |
Some picture of some gifts under a Christmas tree. | 0:15:40 | 0:15:43 | |
Some lovely gifts. We haven't got the | 0:15:43 | 0:15:44 | |
Christmas tree, actually. | 0:15:44 | 0:15:45 | |
Just the g... Never mind the tree. | 0:15:45 | 0:15:47 | |
Let's get straight on with the gifts. | 0:15:47 | 0:15:48 | |
Absolutely right. What are we looking at? | 0:15:48 | 0:15:50 | |
A triangle indicates beware of something on a road sign | 0:15:50 | 0:15:53 | |
and the picture of Aristotle Onassis and Nana Mouskouri, so Greeks. | 0:15:53 | 0:15:57 | |
Bearing is the...on the compass and gifts, | 0:15:57 | 0:16:00 | |
so beware of Greeks bearing gifts from Virgil's Aeneid. I don't know. | 0:16:00 | 0:16:04 | |
That's right, yes. | 0:16:04 | 0:16:05 | |
Beware Greeks bearing gifts. | 0:16:05 | 0:16:07 | |
That's the phrase. | 0:16:07 | 0:16:08 | |
What gift had the Greeks supposedly | 0:16:08 | 0:16:11 | |
given that led to that phrase? | 0:16:11 | 0:16:13 | |
-The horse. -Yes, the horse of Troy. | 0:16:13 | 0:16:15 | |
The Trojan Horse, yes. Well done. | 0:16:15 | 0:16:17 | |
Back to you, Bookworms, | 0:16:17 | 0:16:18 | |
what would you like? | 0:16:18 | 0:16:19 | |
The Eye of Horus, please. | 0:16:19 | 0:16:21 | |
The Eye of Horus. OK. What would be the fourth in this sequence? | 0:16:21 | 0:16:24 | |
Here's the first. | 0:16:24 | 0:16:26 | |
Field forces, wounded and sick. | 0:16:27 | 0:16:30 | |
-Don't know. -Next, please. | 0:16:32 | 0:16:34 | |
HE WHISPERS | 0:16:37 | 0:16:39 | |
THEY TALK QUIETLY | 0:16:40 | 0:16:44 | |
In a book or film or something. Next, please. | 0:16:44 | 0:16:48 | |
Or is it what happened in a... | 0:16:51 | 0:16:53 | |
Yes, so, first, they were sick and they became shipwrecked | 0:16:53 | 0:16:56 | |
and then they became prisoners of war. | 0:16:56 | 0:16:58 | |
-THEY WHISPER -Did they escape or...? | 0:16:58 | 0:17:02 | |
Three seconds. BELL RINGS | 0:17:02 | 0:17:04 | |
Four, on the run. | 0:17:04 | 0:17:07 | |
Not that, I'm afraid. | 0:17:07 | 0:17:08 | |
Wayfarers, a bonus chance. | 0:17:08 | 0:17:10 | |
We're trying - four, refugees. | 0:17:10 | 0:17:12 | |
Not it either. | 0:17:12 | 0:17:13 | |
It's four, civilians | 0:17:13 | 0:17:15 | |
or wartime civilians. | 0:17:15 | 0:17:17 | |
These are subjects covered by | 0:17:17 | 0:17:19 | |
Geneva Conventions. | 0:17:19 | 0:17:21 | |
There's more than one Geneva Convention. | 0:17:21 | 0:17:22 | |
There's four of them, in fact. And they cover these various things. | 0:17:22 | 0:17:25 | |
None of them seems to cover | 0:17:25 | 0:17:27 | |
"you can't kill millions of people in a war." | 0:17:27 | 0:17:29 | |
But, it's "while you're honourably | 0:17:29 | 0:17:30 | |
"killing millions of people in a war, | 0:17:30 | 0:17:32 | |
"there are certain things | 0:17:32 | 0:17:33 | |
"you can't do." Things that are | 0:17:33 | 0:17:35 | |
protected and the fourth Geneva Convention protects civilians. | 0:17:35 | 0:17:38 | |
No bonus points, Wayfarers, | 0:17:38 | 0:17:40 | |
but a choice. Which will it be? | 0:17:40 | 0:17:41 | |
-The Lion, please. -The Lion. | 0:17:41 | 0:17:43 | |
OK, what would be the fourth in this sequence? Here's the first. | 0:17:43 | 0:17:46 | |
THEY WHISPER | 0:17:50 | 0:17:53 | |
Next, please. | 0:17:53 | 0:17:55 | |
Oh, dear. I presume there's no M10 road, is there? | 0:17:57 | 0:18:01 | |
-No. There used to be. -Is there an M9? -Yeah, there is. | 0:18:01 | 0:18:05 | |
-M13, M12... -Should we have next? -Yeah. -Next, please. | 0:18:05 | 0:18:09 | |
-Ooh! -The M10 was no longer a motorway. | 0:18:10 | 0:18:14 | |
It was declassified in 2009. | 0:18:14 | 0:18:17 | |
-So, what's next? -So, these are... | 0:18:17 | 0:18:20 | |
-Quick, quick. Six seconds. Shall I buzz? -Yeah, buzz. | 0:18:20 | 0:18:24 | |
-BELL RINGS -M... -What do you think? | 0:18:24 | 0:18:27 | |
-M7. -M7. | 0:18:27 | 0:18:28 | |
Is the right answer. | 0:18:28 | 0:18:30 | |
What do you think it is, Matt? | 0:18:30 | 0:18:32 | |
These are motorway classifications that are not used. | 0:18:32 | 0:18:36 | |
That's right. They're just missing. | 0:18:36 | 0:18:39 | |
There is no M13 or M12. | 0:18:39 | 0:18:40 | |
No, you go straight to M11 | 0:18:40 | 0:18:43 | |
and then M9, M8. | 0:18:43 | 0:18:45 | |
Can you tell me where they go? | 0:18:45 | 0:18:47 | |
-Where does the M8 go? -The M8 is... | 0:18:47 | 0:18:49 | |
-In Scotland someplace, isn't it? -Glasgow to Edinburgh. -That's right. | 0:18:49 | 0:18:53 | |
Unless you're going in the other direction, | 0:18:53 | 0:18:54 | |
-in which case, Edinburgh to Glasgow. M9? -M9 is Edinburgh to Stirling. | 0:18:54 | 0:18:59 | |
-Dunblane. -Dunbl... Ooh. | 0:18:59 | 0:19:01 | |
And the M11? | 0:19:01 | 0:19:02 | |
-The M11 is... -Cambridge. -..is London to Cambridge, yeah. | 0:19:02 | 0:19:05 | |
London... In the direction of Cambridge. | 0:19:05 | 0:19:06 | |
It goes slightly beyond it to the | 0:19:06 | 0:19:08 | |
A14, but that's absolutely right. | 0:19:08 | 0:19:09 | |
This is one of my favourite | 0:19:09 | 0:19:11 | |
conversations we've ever | 0:19:11 | 0:19:12 | |
had on the show. If only we could | 0:19:12 | 0:19:13 | |
discuss more motorways. | 0:19:13 | 0:19:14 | |
Very good road knowledge. Missing | 0:19:14 | 0:19:16 | |
motorways and the next one | 0:19:16 | 0:19:17 | |
that's missing would be the M7. | 0:19:17 | 0:19:19 | |
One remaining question for you guys. | 0:19:19 | 0:19:21 | |
It's the Snake. | 0:19:21 | 0:19:22 | |
What would come fourth in this sequence? | 0:19:22 | 0:19:24 | |
Here's the first. | 0:19:24 | 0:19:25 | |
Corrachadh Mor. | 0:19:28 | 0:19:29 | |
That's something Gaelic. | 0:19:29 | 0:19:32 | |
Though, I don't know what the... | 0:19:32 | 0:19:34 | |
-Might want to get another one just in case. -Next, please. | 0:19:34 | 0:19:36 | |
Ooh. These are... I think these are extremity points. | 0:19:38 | 0:19:41 | |
Dunnet Head is the most northerly point. | 0:19:41 | 0:19:42 | |
I think Corrachadh Mor must be the westerly, so I'm assuming it's... | 0:19:42 | 0:19:48 | |
I'm pretty sure cos Dunnet Head is only... | 0:19:48 | 0:19:51 | |
How sure are you? | 0:19:51 | 0:19:52 | |
-Uh, 90+, I think. -OK. -Should I? | 0:19:52 | 0:19:56 | |
BELL RINGS | 0:19:56 | 0:19:57 | |
Go Lizard Point. | 0:19:57 | 0:19:59 | |
Coming in after two clues. | 0:19:59 | 0:20:00 | |
You get three points. | 0:20:00 | 0:20:01 | |
The answer is Lizard Point. | 0:20:01 | 0:20:03 | |
Very well done. What are we looking at? | 0:20:03 | 0:20:05 | |
The extremities of mainland Britain. | 0:20:05 | 0:20:09 | |
That's absolutely right. | 0:20:09 | 0:20:10 | |
Corrachadh Mor is the westernmost | 0:20:10 | 0:20:12 | |
point and that's in the Highlands of Scotland | 0:20:12 | 0:20:14 | |
and we're going round the compass. | 0:20:14 | 0:20:15 | |
So, the southernmost point in | 0:20:15 | 0:20:16 | |
Britain, Lizard Point. | 0:20:16 | 0:20:18 | |
Very well done. | 0:20:18 | 0:20:19 | |
At the end of Round Two... | 0:20:19 | 0:20:24 | |
Time now for the Connecting Wall | 0:20:27 | 0:20:28 | |
and it'll be the Bookworms' turn to go first. | 0:20:28 | 0:20:30 | |
So, you have a choice, Lion or Water. | 0:20:30 | 0:20:33 | |
-I'll go with Water, please. -Water. | 0:20:33 | 0:20:35 | |
OK, you have two and a half minutes to solve this Wall... | 0:20:35 | 0:20:39 | |
starting now. | 0:20:39 | 0:20:40 | |
Well, Micra is a car. | 0:20:42 | 0:20:44 | |
Sunny's a car. | 0:20:44 | 0:20:46 | |
THEY TALK INDISTINCTLY | 0:20:46 | 0:20:49 | |
Tangelo, mandarin and clementine. | 0:20:49 | 0:20:52 | |
BUZZ | 0:20:52 | 0:20:53 | |
I'd go Nissan... | 0:20:53 | 0:20:56 | |
So, Micra, Sunny, Note, Cube. | 0:20:56 | 0:20:59 | |
BUZZ | 0:20:59 | 0:21:01 | |
There's ducks here. | 0:21:03 | 0:21:04 | |
Pintail, Muscovy, pochard, Mandarin. | 0:21:04 | 0:21:08 | |
Minneola is a crossbreed fruit. | 0:21:10 | 0:21:13 | |
-Minneola. Tangelo. -Satsuma. | 0:21:13 | 0:21:17 | |
BUZZ | 0:21:17 | 0:21:20 | |
There's loan shark companies | 0:21:20 | 0:21:21 | |
as well. | 0:21:21 | 0:21:22 | |
Three strikes now. | 0:21:22 | 0:21:24 | |
So, Satsuma, Wonga, Sunny... | 0:21:24 | 0:21:26 | |
Don't put this in. | 0:21:26 | 0:21:27 | |
We've got to find out what... | 0:21:27 | 0:21:28 | |
There's three of them. | 0:21:28 | 0:21:30 | |
Assuming Uncle Buck is probably | 0:21:30 | 0:21:31 | |
one as well cos that's | 0:21:31 | 0:21:32 | |
not going to be a Nissan. | 0:21:32 | 0:21:33 | |
-Oh, right. -Yeah. -OK. | 0:21:33 | 0:21:35 | |
And so, I'll assume Atlas is one | 0:21:35 | 0:21:38 | |
and Sunny is a loan company. | 0:21:38 | 0:21:40 | |
So, if we go for Atlas, Micra... | 0:21:40 | 0:21:43 | |
Or Sunny is the other... No. | 0:21:43 | 0:21:44 | |
Cos I think Atlas sounds more like a... | 0:21:44 | 0:21:47 | |
We've got three chances. | 0:21:47 | 0:21:48 | |
Yeah, so should we go for Sunny? | 0:21:48 | 0:21:50 | |
That's it. You've solved the Wall. | 0:21:50 | 0:21:52 | |
Very well done. So, that's four points for the groups. | 0:21:52 | 0:21:54 | |
What about the connections? | 0:21:54 | 0:21:56 | |
The first blue group - pintail, Muscovy, pochard, Mandarin. | 0:21:56 | 0:22:01 | |
Think they're ducks. | 0:22:01 | 0:22:03 | |
They're types of ducks. Simple as that. The green group - | 0:22:03 | 0:22:06 | |
kumquat, tangelo, minneola, clementine. | 0:22:06 | 0:22:10 | |
They're basically like crossover... | 0:22:10 | 0:22:13 | |
-Citrus fruit. -Citrus fruit, yeah. | 0:22:13 | 0:22:15 | |
Crossbred fruit. | 0:22:15 | 0:22:18 | |
I'm afraid, for a place in the semifinals, | 0:22:18 | 0:22:21 | |
I can't take it cos they aren't all crossovers. | 0:22:21 | 0:22:24 | |
They are all citrus fruits, orange citrus fruits, | 0:22:24 | 0:22:27 | |
but the kumquat, for example, not a crossover. | 0:22:27 | 0:22:29 | |
You're right, the minneola is bred from a tangerine and a grapefruit. | 0:22:29 | 0:22:33 | |
The tangelo, a tangerine and a grapefruit, | 0:22:33 | 0:22:36 | |
but a kumquat is just a... | 0:22:36 | 0:22:37 | |
Naturally comes like that. It's not a crossbreed. | 0:22:37 | 0:22:40 | |
The purple group - Satsuma, Sunny, Wonga, Uncle Buck. | 0:22:41 | 0:22:45 | |
Payday loan companies. | 0:22:45 | 0:22:47 | |
That's absolutely right. My saying those names does not | 0:22:47 | 0:22:50 | |
constitute in any way a recommendation. | 0:22:50 | 0:22:53 | |
They are payday loan companies. | 0:22:53 | 0:22:54 | |
The light blue group - Note, Micra, Cube and Atlas. | 0:22:54 | 0:23:00 | |
Cars made by Nissan. | 0:23:00 | 0:23:02 | |
They're Nissan car marques. | 0:23:02 | 0:23:03 | |
Four points for finding the groups, | 0:23:03 | 0:23:05 | |
three for the connections. | 0:23:05 | 0:23:06 | |
That is a total of seven. Let's bring in the Wayfarers now, | 0:23:06 | 0:23:09 | |
give them the other Connecting Wall, the Lion Wall, | 0:23:09 | 0:23:12 | |
and also give them two and a half minutes to solve it. | 0:23:12 | 0:23:14 | |
Good luck. Your time starts...now. | 0:23:14 | 0:23:17 | |
Gates Of Hell. OK, that's Rodin. | 0:23:20 | 0:23:22 | |
Rodin. I think that is Rodin. | 0:23:22 | 0:23:24 | |
What's another one? | 0:23:24 | 0:23:25 | |
-Try Martyr. -Martyr. | 0:23:25 | 0:23:27 | |
-BUZZ -No. | 0:23:27 | 0:23:28 | |
We've got some tiddlywinks here as well. I mean, wink and tiddlies. | 0:23:31 | 0:23:35 | |
-BUZZ -No. I think a kiss is one as well. | 0:23:35 | 0:23:37 | |
So, do you want to cycle round tiddlies, squidger, kiss, wink. | 0:23:37 | 0:23:41 | |
-BUZZ -What have we got? | 0:23:41 | 0:23:42 | |
We've got some banks, online banks. | 0:23:42 | 0:23:44 | |
And what's another one? PerkStreet. | 0:23:47 | 0:23:50 | |
-BUZZ -No. | 0:23:50 | 0:23:52 | |
What... Oh, we keep including... | 0:23:52 | 0:23:54 | |
Tiddlies, that might be something... | 0:23:54 | 0:23:58 | |
BUZZ | 0:23:58 | 0:24:00 | |
Sad. These are emoticons, aren't they? | 0:24:01 | 0:24:04 | |
They are. There's sad, wink as well. | 0:24:04 | 0:24:06 | |
SPEAKS INDISTINCTLY | 0:24:06 | 0:24:08 | |
-BUZZ -No. Oh, another one... Bomb. | 0:24:12 | 0:24:15 | |
BUZZ | 0:24:16 | 0:24:17 | |
Tiddlies can't be much else, can it? | 0:24:19 | 0:24:22 | |
So, it's a case of wink and Ally. | 0:24:22 | 0:24:25 | |
I think we should try and get these. | 0:24:25 | 0:24:27 | |
-BUZZ -First Direct and Cahoot, | 0:24:27 | 0:24:31 | |
they're definitely together. | 0:24:31 | 0:24:33 | |
PerkStreet must be. What else could it be? | 0:24:33 | 0:24:35 | |
It can't be an emoticon, can it? | 0:24:35 | 0:24:37 | |
-There's a minute left. -It's not going to be Martyr, is it, or bomb... | 0:24:37 | 0:24:40 | |
-No. -..or Gates Of Hell? -BUZZ | 0:24:40 | 0:24:41 | |
-BUZZ -What else can Rodin sculptures be? | 0:24:44 | 0:24:48 | |
We've got... Martyr could be but what else could it be? | 0:24:48 | 0:24:51 | |
-Walking Man? -Yeah. | 0:24:51 | 0:24:53 | |
-Ah! -We're three strikes now. | 0:24:53 | 0:24:57 | |
Wink, squidger, tiddlies... Oh, we've still got Ally there. | 0:24:57 | 0:24:59 | |
Ally is marbles, it's not tiddlywinks, isn't it? | 0:24:59 | 0:25:02 | |
Wow, you flew off the Wall, very well done. | 0:25:03 | 0:25:06 | |
So, four points immediately and what about the connections? | 0:25:06 | 0:25:09 | |
Sad, kiss, blush, smile. | 0:25:09 | 0:25:12 | |
They're all emoticons, we think. | 0:25:12 | 0:25:14 | |
That's what they are, emoticons. | 0:25:14 | 0:25:16 | |
Thinker, Gates Of Hell, Martyr, Walking Man. | 0:25:16 | 0:25:20 | |
Well, they're all sculptures. Are they sculptures by Rodin? | 0:25:20 | 0:25:23 | |
That's right. The Thinker, The Gates Of Hell, The Martyr, | 0:25:23 | 0:25:25 | |
The Walking Man, all sculptures by Rodin. | 0:25:25 | 0:25:28 | |
The pink group - wink, bomb, squidger, tiddlies. | 0:25:28 | 0:25:31 | |
I think these are all tiddlywinks terms. | 0:25:31 | 0:25:34 | |
They are. The bomb, you weren't sure. | 0:25:34 | 0:25:35 | |
-It's when you're trying to disturb your opponent's pile. -Right. | 0:25:35 | 0:25:38 | |
And the last one - PerkStreet, First Direct, Cahoot, Ally. | 0:25:38 | 0:25:42 | |
Online internet banking or internet financial institutions. | 0:25:42 | 0:25:47 | |
That's what they are, online banks. Simple as that. | 0:25:47 | 0:25:49 | |
So, that's another four points for the connections | 0:25:49 | 0:25:51 | |
-and you get the bonus ones, so you score the maximum of ten. -Right. | 0:25:51 | 0:25:54 | |
Let's have a look at the scores. | 0:25:54 | 0:25:56 | |
The Bookworms have 11 points. | 0:25:56 | 0:25:58 | |
The Wayfarers have 19. | 0:25:58 | 0:26:01 | |
Round Four now. | 0:26:02 | 0:26:03 | |
We will decide who goes to the semifinal | 0:26:03 | 0:26:05 | |
and who goes home, based on the missing vowels. | 0:26:05 | 0:26:07 | |
So, fingers on buzzers, teams. | 0:26:07 | 0:26:09 | |
The first group are all people | 0:26:09 | 0:26:11 | |
appearing on game shows | 0:26:11 | 0:26:12 | |
before they were famous. | 0:26:12 | 0:26:14 | |
Bookworms. | 0:26:17 | 0:26:18 | |
Amanda Holden on Blind Date. | 0:26:18 | 0:26:19 | |
Correct. | 0:26:19 | 0:26:20 | |
Bookworms. | 0:26:24 | 0:26:25 | |
Konnie Huq on Blockbusters. | 0:26:25 | 0:26:26 | |
Correct. | 0:26:26 | 0:26:28 | |
Wayfarers. | 0:26:30 | 0:26:31 | |
Simon Cowell on Sale Of The Century. | 0:26:31 | 0:26:32 | |
Yes, it is. | 0:26:32 | 0:26:33 | |
Bookworms. | 0:26:38 | 0:26:39 | |
Olly Marrs on Deal Or No Deal. | 0:26:39 | 0:26:41 | |
I'm afraid I can't take that. | 0:26:41 | 0:26:42 | |
Wayfarers, do you know? | 0:26:42 | 0:26:43 | |
Olly Murs on Deal Or No Deal. | 0:26:43 | 0:26:45 | |
The celebrity is Olly Murs | 0:26:45 | 0:26:47 | |
who was on Deal Or No Deal. Unlucky. | 0:26:47 | 0:26:48 | |
Next category: | 0:26:48 | 0:26:50 | |
-Bookworms. -Two Flew Over The Cuckoo's Nest. | 0:26:55 | 0:26:58 | |
Correct. | 0:26:58 | 0:26:59 | |
-Wayfarers. -Four Men In A Boat. | 0:27:03 | 0:27:05 | |
Correct. | 0:27:05 | 0:27:06 | |
Bookworms. | 0:27:11 | 0:27:12 | |
-A Tale Of Three Cities. -Correct. | 0:27:12 | 0:27:14 | |
Bookworms. | 0:27:16 | 0:27:17 | |
51 Shades Of Grey. | 0:27:17 | 0:27:19 | |
The 51st is filthy. LAUGHTER | 0:27:19 | 0:27:21 | |
Next category: | 0:27:21 | 0:27:22 | |
Wayfarers. | 0:27:27 | 0:27:28 | |
-Dusty Miller. -Correct. | 0:27:28 | 0:27:30 | |
Wayfarers. | 0:27:32 | 0:27:33 | |
-Nobby Clark. -Correct. | 0:27:33 | 0:27:35 | |
Wayfarers. | 0:27:38 | 0:27:39 | |
-Chalky White. -Yes, it is. | 0:27:39 | 0:27:40 | |
END OF ROUND JINGLE | 0:27:40 | 0:27:42 | |
That's it, the bell has gone. | 0:27:44 | 0:27:46 | |
And I can tell you that finishing with 25 points | 0:27:46 | 0:27:50 | |
and through to the semifinals, | 0:27:50 | 0:27:53 | |
it's the Wayfarers. | 0:27:53 | 0:27:54 | |
Very well done to you guys, | 0:27:54 | 0:27:55 | |
excellent stuff. | 0:27:55 | 0:27:56 | |
And with 15 points, sadly at this stage going home, | 0:27:56 | 0:27:59 | |
it's the Bookworms. | 0:27:59 | 0:28:01 | |
Thank you all very much for coming. | 0:28:01 | 0:28:02 | |
Well done for making | 0:28:02 | 0:28:04 | |
the quarterfinals. | 0:28:04 | 0:28:05 | |
Sorry that you had a bit of | 0:28:05 | 0:28:06 | |
a squidger and a bomb | 0:28:06 | 0:28:07 | |
just at the end there | 0:28:07 | 0:28:08 | |
and we have to say goodbye. | 0:28:08 | 0:28:10 | |
Thank you for watching. | 0:28:10 | 0:28:11 | |
Of course, it'll now be another week before you find us again | 0:28:11 | 0:28:14 | |
in your house...or will it? | 0:28:14 | 0:28:16 | |
We're clever enough to make this quiz, | 0:28:16 | 0:28:18 | |
you really think we can't disable your burglar alarm? | 0:28:18 | 0:28:21 | |
Sleep tight. | 0:28:21 | 0:28:22 |