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Hello, and welcome to Only Connect, the show so full of | 0:00:21 | 0:00:24 | |
devious, cunning, twists and tricks that at the end of it, | 0:00:24 | 0:00:27 | |
Anne Boleyn will have her head cut off. So all that to come. | 0:00:27 | 0:00:31 | |
But first, let's meet the teams. | 0:00:31 | 0:00:34 | |
On my right, Mick Hodgkin, a journalist and former Tefl teacher | 0:00:34 | 0:00:39 | |
who's been ranked 17th fastest in The Times Crossword Solvers Championship. | 0:00:39 | 0:00:44 | |
John Tozer, a data scientist who has travelled by Concorde, towed | 0:00:44 | 0:00:48 | |
a Concorde, and sat in the cockpit of a Concorde while it was being towed. | 0:00:48 | 0:00:53 | |
And their captain, Richard Heald, an IT consultant who has cleaned | 0:00:53 | 0:00:57 | |
the bathroom of a former Archbishop of Canterbury. | 0:00:57 | 0:01:00 | |
United in their search for solutions, they are the Cluesmiths. | 0:01:00 | 0:01:03 | |
Richard, you won your first game against the Operational Researchers, | 0:01:03 | 0:01:07 | |
but you lost to the Yorkers, then beat the Mixologists. | 0:01:07 | 0:01:09 | |
What's been the highlight of the Only Connect journey so far? | 0:01:09 | 0:01:13 | |
The highlight was probably beating a team who looked as | 0:01:13 | 0:01:16 | |
though their combined age was less than John's here. | 0:01:16 | 0:01:19 | |
This evening you will be playing, on my left, David Smith, | 0:01:19 | 0:01:23 | |
a former chartered accountant who's played a lot of board games | 0:01:23 | 0:01:26 | |
in medieval Welsh castles. | 0:01:26 | 0:01:28 | |
Sree Kanthamneni, a management consultant who speaks four languages | 0:01:29 | 0:01:32 | |
fluently, can get by in a further three, and can read another two. | 0:01:32 | 0:01:37 | |
And their captain, Bob Thompson, | 0:01:37 | 0:01:39 | |
a tram enthusiast who keeps two retired racing greyhounds | 0:01:39 | 0:01:42 | |
and was once patted on the head by ventriloquist Terry Hall. | 0:01:42 | 0:01:46 | |
United by a love of the lines, they are the Railwaymen. | 0:01:46 | 0:01:50 | |
Bob, you came straight to this quarterfinal, you beat | 0:01:50 | 0:01:53 | |
the Collectors in your first heat and then beat the Spaghetti Westerners. | 0:01:53 | 0:01:56 | |
Are you confident of another victory now? | 0:01:56 | 0:01:58 | |
No. | 0:01:58 | 0:02:00 | |
Don't think so. | 0:02:00 | 0:02:02 | |
Just here to enjoy yourselves and hopefully not embarrass ourselves. | 0:02:02 | 0:02:06 | |
This is a quarterfinal. | 0:02:06 | 0:02:08 | |
That means tonight's winners are going into the semifinal, | 0:02:08 | 0:02:10 | |
the losers are going home, | 0:02:10 | 0:02:12 | |
and there's some gamesmanship right from the off | 0:02:12 | 0:02:14 | |
because, Cluesmiths, you won the toss, | 0:02:14 | 0:02:16 | |
but you've decided to put the Railwaymen in first, | 0:02:16 | 0:02:19 | |
so Railwaymen, please choose a hieroglyph. | 0:02:19 | 0:02:21 | |
Two Reeds, please. | 0:02:21 | 0:02:22 | |
The first question of the quarterfinal will be the Two Reeds. | 0:02:22 | 0:02:25 | |
They're going to be picture clues. | 0:02:25 | 0:02:27 | |
Something connects them. What is it? | 0:02:27 | 0:02:29 | |
Here's the first. | 0:02:29 | 0:02:30 | |
-Sequoia, a giant redwood. -THEY WHISPER | 0:02:32 | 0:02:34 | |
Yes. Next. | 0:02:34 | 0:02:36 | |
King Kong? | 0:02:40 | 0:02:41 | |
No, that's King... What's his name? He's in The Jungle Book. | 0:02:41 | 0:02:45 | |
-Is that Baloo? -No, that's the bear. | 0:02:45 | 0:02:47 | |
King Louie. King Louie. | 0:02:47 | 0:02:48 | |
Er, next. | 0:02:48 | 0:02:50 | |
Is that an iris? | 0:02:53 | 0:02:54 | |
-The cornea? -Cornea. Next. | 0:02:55 | 0:02:58 | |
A queue. | 0:03:01 | 0:03:02 | |
THEY WHISPER | 0:03:02 | 0:03:03 | |
Three seconds. | 0:03:06 | 0:03:08 | |
BELL | 0:03:08 | 0:03:10 | |
E. | 0:03:12 | 0:03:13 | |
Not the answer, I'm afraid, so | 0:03:13 | 0:03:14 | |
Cluesmiths, do you want to have a go | 0:03:14 | 0:03:16 | |
for a bonus point? | 0:03:16 | 0:03:17 | |
I'm sure it's screamingly obvious, but it escapes us. | 0:03:17 | 0:03:21 | |
Now, I'm interested because E | 0:03:21 | 0:03:23 | |
is not a million miles away | 0:03:23 | 0:03:24 | |
and also you spotted the sequoia | 0:03:24 | 0:03:27 | |
at clue one. | 0:03:27 | 0:03:28 | |
There is a famous thing | 0:03:28 | 0:03:29 | |
about a sequoia in a quiz, | 0:03:29 | 0:03:31 | |
which is that its name contains | 0:03:31 | 0:03:33 | |
all the vowels. In this case, | 0:03:33 | 0:03:35 | |
we're looking very specifically | 0:03:35 | 0:03:37 | |
for words with | 0:03:37 | 0:03:38 | |
four consecutive vowels, | 0:03:38 | 0:03:40 | |
so sequoia, King Louie, O, U, I, E, | 0:03:40 | 0:03:43 | |
not the iris but the aqueous humour | 0:03:43 | 0:03:46 | |
in front of the iris | 0:03:46 | 0:03:48 | |
and then a queue, U, E, U, E. | 0:03:48 | 0:03:50 | |
Words with four vowels in a row. | 0:03:50 | 0:03:53 | |
So, Cluesmiths, you don't get the bonus, but you do get a choice. | 0:03:53 | 0:03:56 | |
-What's it to be? -Er, Water, please. | 0:03:56 | 0:03:58 | |
CHIME Water. OK. The music question. | 0:03:58 | 0:04:01 | |
We're getting the novelty ones out of the way early. | 0:04:01 | 0:04:03 | |
What is the connection between the clues you're going to hear? | 0:04:03 | 0:04:06 | |
Here's the first. | 0:04:06 | 0:04:07 | |
# I love her, can't leave her | 0:04:07 | 0:04:09 | |
# Forever I'll always need her | 0:04:09 | 0:04:11 | |
# She lie, but I believe her | 0:04:11 | 0:04:13 | |
# Lovesick, I got that fever... # | 0:04:13 | 0:04:15 | |
Next. | 0:04:15 | 0:04:16 | |
# But Caesar had squeezed her in Rome on his quilt for a day... # | 0:04:16 | 0:04:20 | |
That's BA Robertson, isn't it? | 0:04:20 | 0:04:22 | |
# Now Antony got really angry | 0:04:23 | 0:04:27 | |
# About Caesar's hanky-panky... # | 0:04:27 | 0:04:30 | |
Next, please. | 0:04:30 | 0:04:31 | |
# She got a body like an hourglass | 0:04:31 | 0:04:33 | |
# But I can give it to you all the time. # | 0:04:33 | 0:04:36 | |
BELL | 0:04:36 | 0:04:37 | |
Is it bang, or bang bang? | 0:04:37 | 0:04:39 | |
Is the right answer. | 0:04:39 | 0:04:41 | |
Goodness me, you didn't hear | 0:04:41 | 0:04:42 | |
the last giveaway clue, which | 0:04:42 | 0:04:44 | |
I was quite looking forward to, | 0:04:44 | 0:04:46 | |
Bang Bang (My Baby Shot Me Down) | 0:04:46 | 0:04:48 | |
by Cher. What did we hear? | 0:04:48 | 0:04:50 | |
The second one was BA Robertson. | 0:04:50 | 0:04:52 | |
-Yeah. -I'm not sure about the first one or the third one, to be honest. | 0:04:52 | 0:04:56 | |
Oh, really? So you only recognised | 0:04:56 | 0:04:58 | |
Bang Bang by BA Robertson? | 0:04:58 | 0:04:59 | |
I knew the third one was Bang Bang | 0:04:59 | 0:05:01 | |
but I can't think of the artist. | 0:05:01 | 0:05:02 | |
It's Jessie J with Ariana Grande | 0:05:02 | 0:05:04 | |
and Nicki Minaj, | 0:05:04 | 0:05:05 | |
so Bang Bang by will.i.am, | 0:05:05 | 0:05:07 | |
by BA Robertson, by Jessie J | 0:05:07 | 0:05:09 | |
and by Cher. | 0:05:09 | 0:05:11 | |
Railwaymen, what would you like? | 0:05:11 | 0:05:12 | |
-Eye of Horus, please. -The Eye of Horus. | 0:05:12 | 0:05:15 | |
What is the connection between these clues? Here's the first. | 0:05:15 | 0:05:18 | |
-Siemens is a company. -Yes. | 0:05:21 | 0:05:23 | |
They built the infrastructure for something or another, | 0:05:23 | 0:05:26 | |
I can't remember. Next. | 0:05:26 | 0:05:28 | |
They're all corporate, it's the, um... | 0:05:30 | 0:05:32 | |
Owned by the employees. | 0:05:32 | 0:05:34 | |
-I think that's right, yeah. -Yeah? | 0:05:34 | 0:05:37 | |
Do you want to go for another one? | 0:05:37 | 0:05:39 | |
-Go for it? -Give a proper answer, one more. | 0:05:39 | 0:05:42 | |
Next. | 0:05:42 | 0:05:43 | |
They were all used for funding Nazis, the Nazi war machine. | 0:05:48 | 0:05:52 | |
BELL | 0:05:52 | 0:05:53 | |
I'll pass that over to Sree. | 0:05:55 | 0:05:56 | |
He's got an explanation. | 0:05:56 | 0:05:58 | |
They were all involved in... | 0:05:58 | 0:06:01 | |
in the Nazi war machine. | 0:06:01 | 0:06:04 | |
Well, yes, that's right. | 0:06:04 | 0:06:06 | |
They are roles that these corporations played in Nazi Germany. | 0:06:06 | 0:06:09 | |
You didn't need to see Hugo Boss, | 0:06:09 | 0:06:10 | |
who were involved with the uniforms. | 0:06:10 | 0:06:12 | |
Whether it's the war machine | 0:06:12 | 0:06:14 | |
is rather a moot point. | 0:06:14 | 0:06:15 | |
It's all a war machine in the end. | 0:06:15 | 0:06:16 | |
Siemens, it wasn't | 0:06:16 | 0:06:17 | |
the infrastructure of war exactly | 0:06:17 | 0:06:19 | |
but insofar as the whole of Nazi Germany was a war machine, | 0:06:19 | 0:06:22 | |
yes, that is how those companies | 0:06:22 | 0:06:23 | |
were involved, which we know | 0:06:23 | 0:06:25 | |
because they have subsequently | 0:06:25 | 0:06:27 | |
apologised or donated to compensation funds for slave labour. | 0:06:27 | 0:06:30 | |
Cluesmiths, over to you for a choice. | 0:06:30 | 0:06:32 | |
-Horned Viper, please. -The Horned Viper. | 0:06:32 | 0:06:34 | |
What is the connection between these clues? Here's the first. | 0:06:34 | 0:06:37 | |
Um... Next. | 0:06:41 | 0:06:42 | |
THEY WHISPER | 0:06:48 | 0:06:50 | |
-Shall we have one more? -Yeah, yeah. -Next, please. | 0:06:50 | 0:06:53 | |
Oh. Ernest Hemingway, twice in one day... | 0:06:56 | 0:07:00 | |
Is it crashed? Crashed a helicopter? | 0:07:00 | 0:07:03 | |
Did Sandra Bullock? I don't know. | 0:07:03 | 0:07:05 | |
-Quite possibly. -Shall we try one more? Next, please. | 0:07:05 | 0:07:09 | |
Three seconds. | 0:07:14 | 0:07:15 | |
BELL | 0:07:15 | 0:07:16 | |
Crash landed, people who crash landed. | 0:07:16 | 0:07:19 | |
All people who have survived | 0:07:19 | 0:07:20 | |
plane crashes. | 0:07:20 | 0:07:22 | |
I'm sure after two clues, viewers were shouting the many connections | 0:07:22 | 0:07:25 | |
between Sandra Bullock and Nigel Farage - | 0:07:25 | 0:07:27 | |
in this case they survived plane crashes. | 0:07:27 | 0:07:29 | |
Yes, Sandra Bullock did when flying home after finishing work on a film | 0:07:29 | 0:07:32 | |
where she played a character | 0:07:32 | 0:07:33 | |
that survived a plane crash. | 0:07:33 | 0:07:35 | |
That then happened. | 0:07:35 | 0:07:36 | |
Nigel Farage rather famously while campaigning, and a great hero, | 0:07:36 | 0:07:41 | |
Chesley Sullenberger landed his plane | 0:07:41 | 0:07:43 | |
without loss of life on the Hudson. | 0:07:43 | 0:07:46 | |
All survivors of plane crashes. Well done. | 0:07:46 | 0:07:48 | |
Railwaymen, last choice of the round. What's it to be? | 0:07:48 | 0:07:51 | |
-Sree? -Lion, please. -Lion. | 0:07:51 | 0:07:53 | |
OK, what is the connection between these clues? Here's the first. | 0:07:53 | 0:07:57 | |
THEY WHISPER | 0:08:02 | 0:08:05 | |
Next. | 0:08:05 | 0:08:06 | |
High-speed rail systems? | 0:08:11 | 0:08:13 | |
No, no, no. | 0:08:13 | 0:08:15 | |
Next. | 0:08:15 | 0:08:17 | |
NDA. They're all something in reverse? | 0:08:23 | 0:08:27 | |
Next. | 0:08:27 | 0:08:28 | |
Yes. | 0:08:32 | 0:08:33 | |
Three seconds. | 0:08:33 | 0:08:34 | |
BELL | 0:08:34 | 0:08:36 | |
They are acronyms in reverse. | 0:08:36 | 0:08:38 | |
That's not it, so Cluesmiths, | 0:08:38 | 0:08:39 | |
you have a chance of a bonus point. | 0:08:39 | 0:08:41 | |
-They are French acronyms... -Not all French. | 0:08:41 | 0:08:43 | |
Sorry, yeah, they are acronyms in different languages | 0:08:43 | 0:08:47 | |
which are anagrams of their English equivalent. | 0:08:47 | 0:08:49 | |
Now, I want to hear something exact | 0:08:49 | 0:08:51 | |
for a bonus point | 0:08:51 | 0:08:52 | |
and a place in the semifinal. | 0:08:52 | 0:08:54 | |
What exactly do you think connects these clues? | 0:08:54 | 0:08:56 | |
We'll go for French. | 0:08:56 | 0:08:57 | |
They are all French anagrams | 0:08:57 | 0:09:01 | |
of abbreviations in English | 0:09:01 | 0:09:03 | |
for the same organisations, | 0:09:03 | 0:09:04 | |
so for example, TVA - | 0:09:04 | 0:09:06 | |
taxe sur la valeur ajoutee - | 0:09:06 | 0:09:09 | |
is the French equivalent | 0:09:09 | 0:09:10 | |
of VAT, value added tax, | 0:09:10 | 0:09:12 | |
so SIDA is AIDS, OTAN is NATO, | 0:09:12 | 0:09:15 | |
ADN, DNA. | 0:09:15 | 0:09:17 | |
So it's the French expression, | 0:09:17 | 0:09:19 | |
which is an anagram | 0:09:19 | 0:09:20 | |
of the letters we use. | 0:09:20 | 0:09:23 | |
Well done, then, Cluesmiths. You get a bonus point | 0:09:23 | 0:09:25 | |
and you get the last question of the round, the Twisted Flax. | 0:09:25 | 0:09:28 | |
What is the connection between these clues? Here's the first. | 0:09:28 | 0:09:31 | |
Next, please. | 0:09:35 | 0:09:37 | |
Hmm... Not sure. | 0:09:42 | 0:09:44 | |
Next, please. | 0:09:44 | 0:09:45 | |
Did they all have to be moved? | 0:09:48 | 0:09:49 | |
Was the 2013... No, this last... | 0:09:49 | 0:09:53 | |
Are you talking about the World Cup in Qatar? | 0:09:54 | 0:09:57 | |
OK. Shall we go for it anyway? | 0:09:57 | 0:10:00 | |
-No. -Go one more. -Next, please. | 0:10:00 | 0:10:02 | |
Oh... Possibly... | 0:10:08 | 0:10:10 | |
One second. | 0:10:10 | 0:10:11 | |
BELL | 0:10:11 | 0:10:13 | |
Were they all not held in the stated year? | 0:10:13 | 0:10:16 | |
Not the answer, I'm afraid. | 0:10:16 | 0:10:18 | |
So, Railwaymen, | 0:10:18 | 0:10:19 | |
a bonus chance for you now. | 0:10:19 | 0:10:21 | |
It was the year when the cycle of the event changed. | 0:10:21 | 0:10:27 | |
That's what it is, | 0:10:27 | 0:10:28 | |
and a bonus point to you. | 0:10:28 | 0:10:30 | |
They very much DID happen | 0:10:30 | 0:10:31 | |
in those years because they were | 0:10:31 | 0:10:33 | |
years when the cycle changed. | 0:10:33 | 0:10:34 | |
The Winter Olympics used to be | 0:10:34 | 0:10:36 | |
the same year as the Summer Olympics. | 0:10:36 | 0:10:37 | |
They changed it. The Africa Cup of Nations, the football cup, | 0:10:37 | 0:10:41 | |
had been in even numbered years. | 0:10:41 | 0:10:43 | |
Why did it change? | 0:10:43 | 0:10:44 | |
It would always coincide with the Olympics or the World Cup? | 0:10:44 | 0:10:47 | |
It used to clash with the World Cup, | 0:10:47 | 0:10:50 | |
so they changed it so that wouldn't happen, | 0:10:50 | 0:10:52 | |
and the Athletics Championships | 0:10:52 | 0:10:53 | |
used to be every four years, | 0:10:53 | 0:10:55 | |
went to every two years from 1993. | 0:10:55 | 0:10:57 | |
So the years that sporting cycles changed. Well done for a bonus. | 0:10:57 | 0:11:00 | |
That means at the end of round one, | 0:11:00 | 0:11:03 | |
the Railwaymen have three points, | 0:11:03 | 0:11:05 | |
the Cluesmiths have four. | 0:11:05 | 0:11:07 | |
On to the sequences round. What comes fourth in a sequence? | 0:11:10 | 0:11:13 | |
And Railwaymen, you'll be going first again, so please choose a hieroglyph. | 0:11:13 | 0:11:17 | |
-Two Reeds, please. -Two Reeds. | 0:11:17 | 0:11:19 | |
What will come fourth in this sequence? | 0:11:19 | 0:11:21 | |
Here's the first. | 0:11:21 | 0:11:22 | |
1946... | 0:11:27 | 0:11:29 | |
Germany... | 0:11:29 | 0:11:30 | |
Shall we go next? | 0:11:30 | 0:11:32 | |
Next. | 0:11:34 | 0:11:35 | |
2000. | 0:11:37 | 0:11:38 | |
-2000, France. -World Cup? | 0:11:39 | 0:11:42 | |
No, because 2008 was the World Cup. | 0:11:42 | 0:11:44 | |
2000... | 0:11:44 | 0:11:46 | |
Next. | 0:11:46 | 0:11:47 | |
-2004... -It's the Olympics. | 0:11:48 | 0:11:50 | |
So it's... That's 2000. | 0:11:50 | 0:11:53 | |
What was 2008? | 0:11:53 | 0:11:56 | |
Beijing. | 0:11:56 | 0:11:57 | |
Three seconds. | 0:11:59 | 0:12:00 | |
BELL | 0:12:00 | 0:12:02 | |
-MMVII... -I. -..I... | 0:12:04 | 0:12:10 | |
Beijing. China. | 0:12:10 | 0:12:13 | |
No, country, China. | 0:12:13 | 0:12:15 | |
-I can't give you long. -Cathay. | 0:12:15 | 0:12:17 | |
Not the answer, I'm afraid. | 0:12:17 | 0:12:18 | |
Cluesmiths, you have the chance of a bonus point. | 0:12:18 | 0:12:21 | |
Is it MMVII, Zuid-Afrika? | 0:12:21 | 0:12:24 | |
No, no, that's not it either. | 0:12:24 | 0:12:26 | |
It's the European football tournament | 0:12:26 | 0:12:29 | |
transposed into Roman and Latin, | 0:12:29 | 0:12:31 | |
so the first one, | 0:12:31 | 0:12:33 | |
1996 is the date, Euro '96, | 0:12:33 | 0:12:35 | |
Germany were the winners. | 0:12:35 | 0:12:37 | |
MM, 2000, | 0:12:37 | 0:12:38 | |
Gallia, or France, were the winners. | 0:12:38 | 0:12:40 | |
2004, Greece were the winners, | 0:12:40 | 0:12:42 | |
so MMVIII, 2008, | 0:12:42 | 0:12:45 | |
the winners were... | 0:12:45 | 0:12:46 | |
-Spain. -Spain, or Hispania. | 0:12:46 | 0:12:48 | |
No points, though, I'm afraid. | 0:12:48 | 0:12:51 | |
Cluesmiths, what would you like next? | 0:12:51 | 0:12:53 | |
-Lion, please. -Lion. What would come fourth in this sequence? | 0:12:53 | 0:12:56 | |
I can tell you that they're all picture clues, | 0:12:56 | 0:12:58 | |
so what would be in the fourth picture? Here's the first. | 0:12:58 | 0:13:01 | |
Next. | 0:13:03 | 0:13:04 | |
-Harry Potter. -OK. Daniel Radcliffe. | 0:13:07 | 0:13:10 | |
Daniel Radcliffe, Harry Potter, Sean Connery. | 0:13:10 | 0:13:13 | |
Bond and Potter or Bond and Harry or Potter... | 0:13:13 | 0:13:16 | |
Next, please. | 0:13:19 | 0:13:20 | |
Golden heel. | 0:13:23 | 0:13:25 | |
Or golden boot. Sean Connery... | 0:13:25 | 0:13:28 | |
Golden balls. Golden... Golden snitch. Slang on Golden... | 0:13:28 | 0:13:33 | |
Golden gun, golden snitch, golden boots... | 0:13:33 | 0:13:38 | |
Three seconds. | 0:13:38 | 0:13:39 | |
Not it, I'm afraid, | 0:13:42 | 0:13:43 | |
you're out of time, | 0:13:43 | 0:13:44 | |
so another bonus opportunity | 0:13:44 | 0:13:46 | |
for the Railwaymen. | 0:13:46 | 0:13:47 | |
-If you don't know, you just don't know. -No. | 0:13:47 | 0:13:51 | |
Yeah, is it that obvious? | 0:13:51 | 0:13:53 | |
The answer is | 0:13:53 | 0:13:54 | |
David Beckham's left foot. | 0:13:54 | 0:13:56 | |
Here's the reason. | 0:13:56 | 0:13:57 | |
It's from the speech of Hugh Grant | 0:13:57 | 0:13:59 | |
as the Prime Minister | 0:13:59 | 0:14:00 | |
in Love, Actually. | 0:14:00 | 0:14:01 | |
STUFFY VOICE: "What makes Britain great as a country? | 0:14:01 | 0:14:04 | |
"The Beatles, Sean Connery, Harry Potter, David Beckham..." | 0:14:04 | 0:14:07 | |
Do I sound anything like Hugh Grant? | 0:14:07 | 0:14:08 | |
I don't, do I? | 0:14:08 | 0:14:09 | |
"David Beckham's right foot - David Beckham's left foot, come to that." | 0:14:09 | 0:14:14 | |
Things that make up Britain, | 0:14:14 | 0:14:16 | |
according to Prime Minister Hugh Grant in Love, Actually. | 0:14:16 | 0:14:19 | |
So no bonus point for the Railwaymen, but a choice available to you. | 0:14:19 | 0:14:22 | |
-David. -Twisted Flax, please. | 0:14:22 | 0:14:24 | |
The Twisted Flax. | 0:14:24 | 0:14:25 | |
What would come fourth in this sequence? Here's the first. | 0:14:25 | 0:14:29 | |
-Any ideas? -No. -Next. | 0:14:33 | 0:14:35 | |
Somebody's portfolios? | 0:14:41 | 0:14:44 | |
Yeah, um... | 0:14:44 | 0:14:45 | |
It could be a sequence of someone... | 0:14:45 | 0:14:48 | |
Next. | 0:14:48 | 0:14:50 | |
Oh, this must have been the CIA. The start of spying, like MI5. | 0:14:53 | 0:14:57 | |
-It must be the CIA, isn't it? -It could be... | 0:14:57 | 0:15:00 | |
-Homeland Intelligence? -Yeah... | 0:15:00 | 0:15:02 | |
Three seconds. | 0:15:05 | 0:15:07 | |
BELL | 0:15:07 | 0:15:08 | |
Internal intelligence or homeland intelligence. | 0:15:08 | 0:15:12 | |
That is an acceptable answer. | 0:15:12 | 0:15:15 | |
Wireless interception used to be | 0:15:15 | 0:15:17 | |
the responsibility of a department known as MI8. | 0:15:17 | 0:15:20 | |
Propaganda and press liaison in the | 0:15:20 | 0:15:22 | |
First World War, there was an MI7, | 0:15:22 | 0:15:25 | |
so then MI6, overseas intelligence | 0:15:25 | 0:15:27 | |
and step down a number, national security | 0:15:27 | 0:15:30 | |
or counterintelligence, | 0:15:30 | 0:15:32 | |
internal security, any of those things, | 0:15:32 | 0:15:34 | |
the responsibility of MI5. Well done. | 0:15:34 | 0:15:37 | |
Cluesmiths, what would you like? | 0:15:37 | 0:15:38 | |
Horned Viper, please. | 0:15:38 | 0:15:40 | |
The Horned Viper. What would come fourth in this sequence? | 0:15:40 | 0:15:43 | |
Here's the first clue. | 0:15:43 | 0:15:45 | |
Next. | 0:15:46 | 0:15:48 | |
South Utah, South Colorado, | 0:15:54 | 0:15:57 | |
it's "NM" in the bottom right-hand corner. | 0:15:57 | 0:16:00 | |
-"NM." North... -"NM." | 0:16:00 | 0:16:02 | |
BELL | 0:16:02 | 0:16:04 | |
Is it "NM" in the bottom right-hand corner? | 0:16:04 | 0:16:06 | |
I'm afraid it is not, | 0:16:06 | 0:16:08 | |
so I'm going to show the third | 0:16:08 | 0:16:09 | |
in the sequence to the Railwaymen | 0:16:09 | 0:16:11 | |
for a possible bonus point. | 0:16:11 | 0:16:13 | |
I want an exact answer. | 0:16:13 | 0:16:15 | |
"A...R" in the bottom left-hand corner. | 0:16:15 | 0:16:20 | |
Unfortunately not. | 0:16:20 | 0:16:22 | |
"AZ" in the bottom left-hand corner. | 0:16:22 | 0:16:24 | |
Now, I think you know what this is, | 0:16:24 | 0:16:26 | |
Cluesmiths. The problem is | 0:16:26 | 0:16:27 | |
the sequence. | 0:16:27 | 0:16:29 | |
It's the four states that meet at one point in the Midwest of America. | 0:16:29 | 0:16:34 | |
It's the famous four corner states. | 0:16:34 | 0:16:37 | |
Going clockwise, you'd arrive next | 0:16:37 | 0:16:39 | |
at New Mexico, and then Arizona, | 0:16:39 | 0:16:41 | |
but we're put the letters where | 0:16:41 | 0:16:42 | |
it would be if you were looking on a map. It's horrible, isn't it? | 0:16:42 | 0:16:45 | |
Probably reaching the point where you | 0:16:45 | 0:16:47 | |
don't want to go to the semifinals. | 0:16:47 | 0:16:48 | |
Imagine what that will be like. SHE SHUDDERS | 0:16:48 | 0:16:51 | |
Railwaymen, what would you like now? | 0:16:51 | 0:16:53 | |
-Sree. -Water, please. -Water. | 0:16:53 | 0:16:55 | |
What would come fourth in this sequence? Here's the first. | 0:16:55 | 0:16:58 | |
Oh. Um... | 0:17:01 | 0:17:03 | |
Next. | 0:17:03 | 0:17:04 | |
This is something to do with the plimsoll line. | 0:17:06 | 0:17:09 | |
It's something to do with the plimsoll line. | 0:17:09 | 0:17:11 | |
-It's letters on the plimsoll line. -Oh, is it? -Yeah. Next. | 0:17:11 | 0:17:15 | |
I know what the sequence is, but I don't know what comes next. | 0:17:20 | 0:17:23 | |
THEY WHISPER | 0:17:25 | 0:17:27 | |
BELL | 0:17:36 | 0:17:37 | |
-Yes? -S... | 0:17:38 | 0:17:41 | |
T... | 0:17:41 | 0:17:43 | |
But what's in the brackets? | 0:17:43 | 0:17:45 | |
I'm going to put you out of your misery right there. Not the answer. | 0:17:45 | 0:17:47 | |
Cluesmiths? You want to have a go for a bonus? | 0:17:47 | 0:17:50 | |
Is it F (freshwater)? | 0:17:50 | 0:17:52 | |
It is exactly that. And why? | 0:17:52 | 0:17:53 | |
John? | 0:17:53 | 0:17:55 | |
I'm not sure of the sequence, but they're to do with keeping fish. | 0:17:55 | 0:17:59 | |
Oh, interesting. It's not to do | 0:17:59 | 0:18:01 | |
with keeping fish, actually. | 0:18:01 | 0:18:03 | |
I'm glad we got there anyway. | 0:18:03 | 0:18:04 | |
The sequence is the plimsoll line, | 0:18:04 | 0:18:06 | |
markings on a ship, | 0:18:06 | 0:18:07 | |
so a ship sits lower in freshwater, | 0:18:07 | 0:18:11 | |
so the plimsoll line is higher, | 0:18:11 | 0:18:12 | |
so the markings going upwards | 0:18:12 | 0:18:15 | |
would be W, S, T, F, according to | 0:18:15 | 0:18:17 | |
how high the water goes up the ship. | 0:18:17 | 0:18:20 | |
So F for freshwater is correct, but for a different reason. | 0:18:20 | 0:18:24 | |
You get the bonus point anyway, | 0:18:24 | 0:18:26 | |
and you get the last question of the round, Eye of Horus. | 0:18:26 | 0:18:28 | |
What would come fourth in this sequence? Here's the first. | 0:18:28 | 0:18:31 | |
Next, please. | 0:18:36 | 0:18:38 | |
So that's... | 0:18:42 | 0:18:43 | |
Eight, nine hours later, or... | 0:18:46 | 0:18:50 | |
-15 hours earlier. -Next, please. | 0:18:50 | 0:18:52 | |
-So it's going back. -Um... | 0:18:57 | 0:19:00 | |
THEY WHISPER | 0:19:01 | 0:19:04 | |
Is it something about a clock? Is it the hands of a clock? | 0:19:05 | 0:19:08 | |
Three seconds. | 0:19:08 | 0:19:10 | |
No, I'm afraid you're out of time. That's it. | 0:19:11 | 0:19:14 | |
So another bonus chance, Railwaymen. | 0:19:14 | 0:19:16 | |
It's... | 0:19:16 | 0:19:18 | |
1...50am. | 0:19:18 | 0:19:22 | |
No, that's not a sequence. | 0:19:22 | 0:19:24 | |
That is just not a sequence. | 0:19:24 | 0:19:26 | |
12:01am is what I wanted to hear | 0:19:26 | 0:19:28 | |
and it's a simple maths one. | 0:19:28 | 0:19:30 | |
4:40pm is 1,000 minutes after midnight. | 0:19:30 | 0:19:34 | |
1:40am is 100 minutes after midnight. | 0:19:34 | 0:19:36 | |
Then we've got ten minutes after midnight | 0:19:36 | 0:19:38 | |
and I wanted to hear one minute | 0:19:38 | 0:19:41 | |
after midnight, 12:01am. | 0:19:41 | 0:19:44 | |
At the end of round two, | 0:19:44 | 0:19:46 | |
the Cluesmiths have five points, | 0:19:46 | 0:19:48 | |
the Railwaymen have five points. | 0:19:48 | 0:19:49 | |
Time now for the Connecting Wall. | 0:19:52 | 0:19:54 | |
You'll be going first this time, Cluesmiths. | 0:19:54 | 0:19:56 | |
The easy question is the first one. Would you like Lion or Water? | 0:19:56 | 0:20:00 | |
-Lion, please. -The Lion wall. | 0:20:00 | 0:20:02 | |
You have two and a half minutes to try and solve this, starting now. | 0:20:02 | 0:20:06 | |
THEY WHISPER | 0:20:08 | 0:20:10 | |
Coppola, yes, and who's the fourth? | 0:20:17 | 0:20:20 | |
Maybe they're domes, they're domes... | 0:20:22 | 0:20:24 | |
..Ventura Boulevard... | 0:20:26 | 0:20:28 | |
Wilshire Boulevard... Wilshire, Sunset, Ventura. | 0:20:28 | 0:20:32 | |
Wow. Three strikes and you're out. | 0:20:32 | 0:20:34 | |
Onion dome. | 0:20:37 | 0:20:39 | |
-Little Hen... -Are any a kind of bread? Onion bread... | 0:20:39 | 0:20:42 | |
-Allinson's is a make of bread. -It is a bread, yes. | 0:20:42 | 0:20:45 | |
OK, can we try... | 0:20:49 | 0:20:51 | |
-Onion... -Onion's a dome as well. | 0:20:51 | 0:20:54 | |
THEY TALK OVER EACH OTHER | 0:20:56 | 0:21:02 | |
-What's that? -Umbrella? -Onion. | 0:21:02 | 0:21:06 | |
Geodesic? | 0:21:06 | 0:21:07 | |
These are domes, but what are the rest of them? | 0:21:07 | 0:21:11 | |
-Bread? -They're breads, yeah. | 0:21:11 | 0:21:14 | |
So, which one are you going for? | 0:21:14 | 0:21:15 | |
-Onion? -Geodesic. -Umbrella...and one of these two? | 0:21:15 | 0:21:21 | |
That's it, you've solved the wall, amazing. That's a very tough wall. | 0:21:22 | 0:21:26 | |
You done very well to find those groups. | 0:21:26 | 0:21:28 | |
What about the connections, starting with the dark blue group? | 0:21:28 | 0:21:31 | |
-They are female film directors. -They are all women who direct films. | 0:21:31 | 0:21:35 | |
The green group starting sunset? | 0:21:35 | 0:21:37 | |
They're all boulevards in Los Angeles. | 0:21:37 | 0:21:40 | |
That's exactly what they are. | 0:21:40 | 0:21:41 | |
The pink or purple group starting Umbrella? | 0:21:41 | 0:21:44 | |
These are all domes. | 0:21:44 | 0:21:45 | |
They're all domes. What's Gonbad? | 0:21:45 | 0:21:48 | |
THEY LAUGH | 0:21:48 | 0:21:50 | |
That's the one that didn't quite structure properly. | 0:21:50 | 0:21:52 | |
It's a Persian one. That's actually the Persian word for "dome", in fact. | 0:21:52 | 0:21:56 | |
And the light blue group starting Allinson? | 0:21:56 | 0:21:58 | |
Bread? | 0:21:58 | 0:22:00 | |
I'm afraid they are not types of bread. You are close. | 0:22:00 | 0:22:04 | |
They are bakers. | 0:22:04 | 0:22:06 | |
The Little Red Hen is a sort of folk tale about literally | 0:22:06 | 0:22:09 | |
a little red hen, a fable about hard work. Farriner, you don't know? | 0:22:09 | 0:22:14 | |
It's Thomas Farriner who's said to have started | 0:22:14 | 0:22:16 | |
the Great Fire Of London, a baker in Pudding Lane | 0:22:16 | 0:22:19 | |
so, not the bread itself in the case of two of the clues, but the baker. | 0:22:19 | 0:22:22 | |
Nevertheless, amazing work to find those four groups | 0:22:22 | 0:22:25 | |
and three connections, that's a total of seven. | 0:22:25 | 0:22:27 | |
We're going to bring in the Railwaymen now and give them | 0:22:27 | 0:22:30 | |
a horrible quarterfinal Connecting Wall and see if they can solve it. | 0:22:30 | 0:22:33 | |
It'll be the Water wall for you. | 0:22:33 | 0:22:35 | |
The Lion's been taken, you'll have 2.5 minutes to try to solve it | 0:22:35 | 0:22:39 | |
starting now. | 0:22:39 | 0:22:40 | |
-Churchill...Canal... -Canal Street's an area of Manchester. | 0:22:43 | 0:22:48 | |
-I don't know Darlinghurst. -Darlinghurst...that could be... | 0:22:48 | 0:22:52 | |
-Is it some sort of dog? -Yeah. | 0:22:52 | 0:22:54 | |
Digby's a dog, Churchill's a dog... | 0:22:55 | 0:22:57 | |
Orlov is a character that sells insurance. | 0:22:57 | 0:23:00 | |
-Churchill is a character that sells insurance. -Digby isn't. | 0:23:00 | 0:23:04 | |
Digby isn't...is there anything that...? No. | 0:23:04 | 0:23:09 | |
Bender is a character in Futurama. | 0:23:10 | 0:23:15 | |
Is Digby in Futurama as well? | 0:23:15 | 0:23:18 | |
-They're all Groening characters. -Ah! | 0:23:18 | 0:23:23 | |
Burns night, Bonfire Night. | 0:23:23 | 0:23:26 | |
Twelfth night. Hen night. | 0:23:26 | 0:23:27 | |
BUZZ | 0:23:27 | 0:23:28 | |
We've...erm... | 0:23:28 | 0:23:30 | |
Bonfire Night. Any other nights? | 0:23:30 | 0:23:33 | |
BUZZ | 0:23:33 | 0:23:34 | |
Chelsea night? | 0:23:34 | 0:23:35 | |
We'll try Gala night, just to cycle these around. | 0:23:35 | 0:23:37 | |
-A Gala night, yes. Bonfire Night. -Cycle them round. | 0:23:37 | 0:23:40 | |
-And there's Hen night. -BUZZ | 0:23:40 | 0:23:42 | |
Not Clarke. BUZZ | 0:23:42 | 0:23:44 | |
THEY WHISPER | 0:23:44 | 0:23:47 | |
BUZZ | 0:23:47 | 0:23:48 | |
BUZZ | 0:23:50 | 0:23:51 | |
So, that's the nights done. | 0:23:54 | 0:23:57 | |
Got to go for these...dogs. | 0:23:57 | 0:24:01 | |
Surely...I don't know. | 0:24:01 | 0:24:03 | |
BUZZ | 0:24:03 | 0:24:05 | |
Churchill. Orlov. Bender. | 0:24:05 | 0:24:08 | |
BUZZ | 0:24:08 | 0:24:09 | |
Canal Street, Digby. | 0:24:10 | 0:24:13 | |
BUZZ | 0:24:13 | 0:24:14 | |
BUZZ | 0:24:15 | 0:24:16 | |
Chelsea... If somebody else wants a go, feel free. | 0:24:16 | 0:24:19 | |
BUZZ | 0:24:21 | 0:24:22 | |
-Ten seconds now. -Futurama characters...ah... | 0:24:25 | 0:24:30 | |
-Digby. -Tony? No. | 0:24:30 | 0:24:32 | |
I'm afraid you're out of time. | 0:24:35 | 0:24:38 | |
But you found a group on that horrible wall so well done. | 0:24:38 | 0:24:40 | |
Can you tell me the connection? Gala, Twelfth, Bonfire, Hen? | 0:24:40 | 0:24:44 | |
They can precede the word "night". | 0:24:44 | 0:24:46 | |
You can put "night" after all of them and you can still get points for the | 0:24:46 | 0:24:49 | |
connections in the groups you didn't find so let's resolve the wall. | 0:24:49 | 0:24:53 | |
The green group now Orlov, Churchill, Digby, Tony. | 0:24:53 | 0:24:57 | |
Oh, yes, these are all cartoon animals. | 0:24:57 | 0:25:00 | |
Used as advertising slogans or advertising vehicles. Shall we say? | 0:25:00 | 0:25:04 | |
They're animals involved in advertising. You went | 0:25:04 | 0:25:06 | |
too specific with the insurance. | 0:25:06 | 0:25:08 | |
Orlov and Churchill but Tony The Tiger from the Frosties adverts. | 0:25:08 | 0:25:12 | |
Digby the ICI dog? | 0:25:12 | 0:25:14 | |
The Dulux...the old English sheepdog in the Dulux commercials, | 0:25:14 | 0:25:17 | |
that's right. Animals in advertising. | 0:25:17 | 0:25:19 | |
And the pink or purple group? | 0:25:19 | 0:25:21 | |
Burns, Marx, Clarke, Bender. | 0:25:21 | 0:25:23 | |
-Futurama? -Possibly. | 0:25:23 | 0:25:25 | |
-Yeah, characters in Futurama? -No, it's not. | 0:25:25 | 0:25:27 | |
No, you're right about Bender. He is in the Matt Groening series Futurama. | 0:25:27 | 0:25:31 | |
He's a robot that smokes a cigar, | 0:25:31 | 0:25:33 | |
as does Ken Clarke, Groucho Marx, George Burns - cigar smokers. | 0:25:33 | 0:25:39 | |
And the last light blue group, | 0:25:39 | 0:25:40 | |
Canal Street, Castro, Chelsea, Darlinghurst. | 0:25:40 | 0:25:43 | |
-Manchester. -That's not it. | 0:25:43 | 0:25:46 | |
Canal Street is a sort of gay village in Manchester. | 0:25:46 | 0:25:48 | |
They're in fact all gay villages. | 0:25:48 | 0:25:50 | |
Chelsea in New York, | 0:25:50 | 0:25:51 | |
Darlinghurst in Sydney Australia, | 0:25:51 | 0:25:53 | |
Castro in San Francisco, they're | 0:25:53 | 0:25:55 | |
the vibrant gay districts, I'm afraid | 0:25:55 | 0:25:58 | |
but you did find one group. | 0:25:58 | 0:26:00 | |
And two connections as well so that's three points | 0:26:00 | 0:26:02 | |
and they weren't easy walls. | 0:26:02 | 0:26:04 | |
Let's have a look at the scores going into the final round. | 0:26:04 | 0:26:08 | |
The Railwaymen have 8 points, the Cluesmiths have 12. | 0:26:08 | 0:26:12 | |
Into the missing vowels round now. Fingers on buzzers, teams. | 0:26:14 | 0:26:18 | |
This will decide the place in the semifinal. | 0:26:18 | 0:26:21 | |
I can tell you that the first group are all | 0:26:21 | 0:26:24 | |
things that can follow the word "spare". | 0:26:24 | 0:26:27 | |
-Cluesmiths? -Time. | 0:26:30 | 0:26:32 | |
Correct. | 0:26:32 | 0:26:33 | |
-Railwaymen? -Room. | 0:26:34 | 0:26:36 | |
Correct. | 0:26:36 | 0:26:37 | |
-Cluesmiths? -Rib. | 0:26:39 | 0:26:40 | |
Correct. | 0:26:40 | 0:26:41 | |
This one is spare one's breath | 0:26:48 | 0:26:50 | |
to cool one's porridge. | 0:26:50 | 0:26:52 | |
Next category, nicknames of French kings. | 0:26:52 | 0:26:55 | |
-Railwaymen? -Louis The Sun King. | 0:26:58 | 0:26:59 | |
Correct. | 0:26:59 | 0:27:01 | |
-Railwaymen? -Charles The Bold. | 0:27:04 | 0:27:06 | |
Not it, I'm afraid, you must lose | 0:27:06 | 0:27:07 | |
a point. Cluesmiths, do you know? | 0:27:07 | 0:27:09 | |
Charles The Bald. | 0:27:09 | 0:27:10 | |
The nickname was Charles The Bald. | 0:27:10 | 0:27:12 | |
Next clue. | 0:27:12 | 0:27:13 | |
Railwaymen? | 0:27:15 | 0:27:17 | |
Philip the... Sorry.. | 0:27:17 | 0:27:19 | |
I'm afraid not. Cluesmiths, you know? | 0:27:19 | 0:27:22 | |
No? It's Philip the Amorous. | 0:27:22 | 0:27:25 | |
Next clue. | 0:27:25 | 0:27:26 | |
-Railwaymen? -Robert The Pious? | 0:27:29 | 0:27:30 | |
Correct. | 0:27:30 | 0:27:32 | |
Next category, they might use a needle. | 0:27:32 | 0:27:35 | |
-Cluesmiths? ALL: -Knitters. | 0:27:36 | 0:27:38 | |
Correct. | 0:27:38 | 0:27:39 | |
-Cluesmiths? -Anaesthetists. | 0:27:42 | 0:27:44 | |
Yes. | 0:27:44 | 0:27:45 | |
END OF ROUND JINGLE | 0:27:45 | 0:27:48 | |
No time to tell me | 0:27:48 | 0:27:50 | |
that was tattooists | 0:27:50 | 0:27:51 | |
because the bell has gone | 0:27:51 | 0:27:53 | |
probably to everyone's relief. | 0:27:53 | 0:27:54 | |
That was as horrible as the rest of | 0:27:54 | 0:27:56 | |
the rounds. It's the end of the quiz. | 0:27:56 | 0:27:58 | |
And finishing with 17 points, through to the semifinals | 0:27:58 | 0:28:02 | |
it's the Cluesmiths. | 0:28:02 | 0:28:05 | |
With nine points, sadly going home, a lovely team, the Railwaymen. | 0:28:05 | 0:28:10 | |
Sorry, it was lovely to have you, you had a great run up till now, | 0:28:10 | 0:28:13 | |
but just couldn't get through this last thorny game. Did you get any? | 0:28:13 | 0:28:18 | |
No, me neither. | 0:28:18 | 0:28:19 | |
Join me next time for another episode of the quiz that makes you | 0:28:19 | 0:28:22 | |
feel stupider than pushing at a pull door, spilling a drink | 0:28:22 | 0:28:25 | |
by looking at your watch and consulting a homoeopath combined. | 0:28:25 | 0:28:29 | |
Goodbye. | 0:28:29 | 0:28:31 |