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Hello, and welcome to a brand-new series of Only Connect, | 0:00:21 | 0:00:25 | |
where once again our intrepid quizzers will have to find | 0:00:25 | 0:00:27 | |
connections between clues as isolated, impenetrable | 0:00:27 | 0:00:31 | |
and shrouded in mist as the peaks of the Scottish Highlands. | 0:00:31 | 0:00:35 | |
Equipped with metaphorical crampons | 0:00:35 | 0:00:37 | |
and literal breathing apparatus, | 0:00:37 | 0:00:39 | |
will tonight's teams scale the heights of | 0:00:39 | 0:00:41 | |
quizzing achievement, or be forced back down to wallow | 0:00:41 | 0:00:44 | |
in a loch of disappointment, battling monsters of inner defeat? | 0:00:44 | 0:00:49 | |
We'll find out by nine o'clock tonight. | 0:00:49 | 0:00:51 | |
It would have been sooner if I hadn't said all this. | 0:00:51 | 0:00:54 | |
Kicking off the competition this year we have - on my right, | 0:00:55 | 0:01:00 | |
David Prevezer, a history graduate who works for the | 0:01:00 | 0:01:03 | |
Financial Conduct Authority and has visited Japan six times. | 0:01:03 | 0:01:07 | |
Hugh Brady, a scientist and keen athlete who vomited while running | 0:01:08 | 0:01:12 | |
the Berlin Marathon, and their captain Jack Welsby, | 0:01:12 | 0:01:15 | |
a chartered accountant with a degree in maths who was once | 0:01:15 | 0:01:18 | |
baby-sat by a Booker prize-winner. | 0:01:18 | 0:01:20 | |
United by an affection for the Underground, they are the Tubers. | 0:01:20 | 0:01:24 | |
So, Jack, how is your team feeling in advance of its first appearance? | 0:01:24 | 0:01:28 | |
I think we're in that sweet spot | 0:01:28 | 0:01:30 | |
between equivocation and vacillation. | 0:01:30 | 0:01:32 | |
A very happy place to be. | 0:01:32 | 0:01:33 | |
May you remain there for many episodes. | 0:01:33 | 0:01:36 | |
You'll be competing against, on my left, Charlie Cook, | 0:01:36 | 0:01:41 | |
a retired IT specialist and part-time playwright, | 0:01:41 | 0:01:44 | |
whose Sherlock Holmes satire has been performed on every continent | 0:01:44 | 0:01:47 | |
except Antarctica. | 0:01:47 | 0:01:49 | |
Tim Hepworth, an IT consultant who was born with two thumbs on one hand | 0:01:49 | 0:01:54 | |
and their captain, Sue Barnard, a novelist with | 0:01:54 | 0:01:58 | |
an interest in amateur dramatics who is often mistaken for a Belgian. | 0:01:58 | 0:02:02 | |
United by a passion for poetry, they are the Bardophiles, | 0:02:02 | 0:02:06 | |
a team of literary enthusiasts. | 0:02:06 | 0:02:08 | |
How do you know each other? | 0:02:08 | 0:02:09 | |
We're united by Charlie's twin passions for IT and the theatre. | 0:02:09 | 0:02:14 | |
That's an unusual pair of passions. | 0:02:14 | 0:02:17 | |
-It is. -I hope that sees you through to victory. | 0:02:17 | 0:02:20 | |
Nothing against you, I hope everybody wins. | 0:02:20 | 0:02:23 | |
We're going to start with Round One, in which teams simply have to find | 0:02:23 | 0:02:27 | |
the connection between four apparently random clues. | 0:02:27 | 0:02:30 | |
The fewer clues they need to see, the more points they get. | 0:02:30 | 0:02:33 | |
And the connections will be lateral, calling for some major thinking. | 0:02:33 | 0:02:37 | |
Tubers, you've already won something - the toss - | 0:02:37 | 0:02:40 | |
so you'll be going first. | 0:02:40 | 0:02:42 | |
Please choose an Egyptian hieroglyph. | 0:02:42 | 0:02:45 | |
Two flowering reeds please. | 0:02:45 | 0:02:46 | |
OK, the Two Reeds. | 0:02:46 | 0:02:48 | |
I'm going to show you a clue - shout next whenever you want another one. | 0:02:48 | 0:02:51 | |
Here's the first. | 0:02:51 | 0:02:52 | |
Next please. | 0:02:56 | 0:02:57 | |
Next please. | 0:03:03 | 0:03:04 | |
Theatre awards. | 0:03:07 | 0:03:09 | |
Hugh. | 0:03:13 | 0:03:14 | |
They're theatre awards of those countries... | 0:03:14 | 0:03:17 | |
They're named after those... They're eponymous. | 0:03:17 | 0:03:19 | |
These are people that have given | 0:03:19 | 0:03:21 | |
their names to theatre awards in | 0:03:21 | 0:03:22 | |
different countries. | 0:03:22 | 0:03:24 | |
You didn't need to see | 0:03:24 | 0:03:25 | |
Laurence Olivier, | 0:03:25 | 0:03:26 | |
the Olivier Awards. | 0:03:26 | 0:03:27 | |
You recognised it at that | 0:03:27 | 0:03:28 | |
third clue. What are the awards? | 0:03:28 | 0:03:30 | |
The Tonys. | 0:03:30 | 0:03:31 | |
That's right, Antoinette Perry, | 0:03:31 | 0:03:33 | |
the actor. A rather unsung actor, | 0:03:33 | 0:03:35 | |
but she has given her name, | 0:03:35 | 0:03:36 | |
or nickname, to the Tony awards. | 0:03:36 | 0:03:38 | |
Le Moliere in France | 0:03:38 | 0:03:39 | |
and the Alfred Radok awards | 0:03:39 | 0:03:41 | |
in the Czech Republic. | 0:03:41 | 0:03:43 | |
As can imagine, it's mostly | 0:03:43 | 0:03:45 | |
jukebox musicals over there. | 0:03:45 | 0:03:47 | |
So you're off the blocks with two points, very well done. | 0:03:47 | 0:03:50 | |
Bardophiles, what would you like? | 0:03:50 | 0:03:51 | |
Lion please. | 0:03:51 | 0:03:52 | |
The Lion question, OK. | 0:03:52 | 0:03:54 | |
These are going to be picture clues, but work the same way. | 0:03:54 | 0:03:56 | |
Something connects them, what is it? | 0:03:56 | 0:03:58 | |
Here's the first. | 0:03:58 | 0:03:59 | |
Next. | 0:04:03 | 0:04:04 | |
Next. | 0:04:10 | 0:04:11 | |
Next. | 0:04:24 | 0:04:25 | |
They share their surnames with composers. | 0:04:32 | 0:04:35 | |
Interesting. | 0:04:35 | 0:04:37 | |
I'm going to let you have another go | 0:04:37 | 0:04:39 | |
and I want to hear something | 0:04:39 | 0:04:40 | |
very specific. | 0:04:40 | 0:04:41 | |
Britain. | 0:04:41 | 0:04:43 | |
They all have the surname Britain, not just composers, | 0:04:43 | 0:04:46 | |
but the composer Benjamin Britten who actually appears at clue two. | 0:04:46 | 0:04:50 | |
Who are we looking at? | 0:04:50 | 0:04:51 | |
Vera Brittain is clue one. | 0:04:51 | 0:04:53 | |
Benjamin Britten clue two. | 0:04:53 | 0:04:54 | |
Fern Britton and Leon Brittan. | 0:04:54 | 0:04:56 | |
That's exactly right. | 0:04:56 | 0:04:57 | |
Vera Brittain, the feminist mother of Shirley Williams. | 0:04:57 | 0:04:59 | |
The composer himself at clue two. | 0:04:59 | 0:05:01 | |
Fern Britton, and Leon Brittan, who | 0:05:01 | 0:05:03 | |
was in Margaret Thatcher's cabinet. | 0:05:03 | 0:05:04 | |
So you've got one point and, Tubers, it's back to you to choose. | 0:05:04 | 0:05:07 | |
The wick of Twisted Flax please. | 0:05:07 | 0:05:09 | |
The wick of Twisted Flax. | 0:05:09 | 0:05:11 | |
Correctly named question. Is it a good choice? | 0:05:11 | 0:05:14 | |
You first clue is coming up now. | 0:05:14 | 0:05:15 | |
Next please. | 0:05:21 | 0:05:22 | |
Umbrellas. | 0:05:38 | 0:05:40 | |
Coming in after two clues, | 0:05:40 | 0:05:41 | |
you get three points. | 0:05:41 | 0:05:42 | |
Umbrellas is the connection. | 0:05:42 | 0:05:43 | |
I'm going to show you all four. | 0:05:43 | 0:05:45 | |
You didn't need them all. | 0:05:45 | 0:05:46 | |
Talk me through them. | 0:05:46 | 0:05:47 | |
How does the connection work? | 0:05:47 | 0:05:49 | |
Ten weeks at number one is Rhianna with umbrella. | 0:05:49 | 0:05:51 | |
Mary Poppins flew in on her umbrella. | 0:05:51 | 0:05:53 | |
Right. What about the first two? | 0:05:53 | 0:05:55 | |
The Hong Kong protests were called the Umbrella protests, | 0:05:55 | 0:05:58 | |
and Hegel's Holiday, I'm afraid I don't know. | 0:05:58 | 0:06:00 | |
Yes, in Hong Kong, they used | 0:06:00 | 0:06:01 | |
umbrellas to protect themselves | 0:06:01 | 0:06:02 | |
rather poignantly against tear gas. | 0:06:02 | 0:06:04 | |
Hegel's Holiday is an image of an | 0:06:04 | 0:06:06 | |
umbrella with a glass of water | 0:06:06 | 0:06:08 | |
on top of it. Because Hegel favoured | 0:06:08 | 0:06:10 | |
a dialectic, I think it's something | 0:06:10 | 0:06:12 | |
to do with... Umbrella stops water | 0:06:12 | 0:06:14 | |
and a glass contains it, | 0:06:14 | 0:06:15 | |
something like that. | 0:06:15 | 0:06:17 | |
Well done. | 0:06:17 | 0:06:18 | |
Back to you, Bardophiles, for a choice. | 0:06:18 | 0:06:20 | |
Eye of Horus please. | 0:06:20 | 0:06:21 | |
The Eye of Horus. | 0:06:21 | 0:06:22 | |
What is the connection between these clues? | 0:06:22 | 0:06:25 | |
Here's the first. | 0:06:25 | 0:06:26 | |
Next. | 0:06:32 | 0:06:33 | |
Next. | 0:06:46 | 0:06:47 | |
They're all semis. | 0:06:59 | 0:07:00 | |
Semifinals, semiconductors... | 0:07:00 | 0:07:02 | |
No, I'm afraid that wouldn't really apply at the first clue. | 0:07:02 | 0:07:05 | |
I think, if the semifinal decides | 0:07:05 | 0:07:06 | |
the champions, we have booked | 0:07:06 | 0:07:07 | |
too many shows for this series, | 0:07:07 | 0:07:09 | |
I can tell you. | 0:07:09 | 0:07:10 | |
So I'm afraid that's not the answer. | 0:07:10 | 0:07:12 | |
I'm going to show the fourth clue | 0:07:12 | 0:07:13 | |
to the Tubers - you've got the chance for a bonus point. | 0:07:13 | 0:07:16 | |
They're all super. | 0:07:16 | 0:07:17 | |
It's super. | 0:07:17 | 0:07:19 | |
It's not semi. | 0:07:19 | 0:07:20 | |
Do you know what these clues are referring to? | 0:07:20 | 0:07:22 | |
Written above normal script is superscript. | 0:07:22 | 0:07:24 | |
Losing resistance is superconductivity. | 0:07:24 | 0:07:27 | |
I suppose that's a supernova and the Super Bowl. | 0:07:27 | 0:07:29 | |
The Super Bowl. | 0:07:29 | 0:07:31 | |
So the bowl becomes the | 0:07:31 | 0:07:32 | |
Super Bowl when it's the final, | 0:07:32 | 0:07:33 | |
nova becomes supernova and so on. | 0:07:33 | 0:07:36 | |
So super is the connection. | 0:07:36 | 0:07:38 | |
You get a bonus point and the chance to choose your own question. | 0:07:38 | 0:07:41 | |
Water please. | 0:07:41 | 0:07:42 | |
Water. Ah, the music question. | 0:07:42 | 0:07:44 | |
This works the same as the others, but you'll be hearing the clues. | 0:07:44 | 0:07:47 | |
Something connects them, what is it? | 0:07:47 | 0:07:49 | |
The first one is coming in now. | 0:07:49 | 0:07:52 | |
Next please. | 0:08:00 | 0:08:01 | |
# Ain't it a glorious day | 0:08:01 | 0:08:03 | |
# Right as a morning in May | 0:08:03 | 0:08:05 | |
# I feel like I could fly. # | 0:08:05 | 0:08:07 | |
Next please. | 0:08:08 | 0:08:09 | |
# 1, 2, 3 | 0:08:09 | 0:08:11 | |
# Summer, Buddy Holly The working folly | 0:08:11 | 0:08:13 | |
# Good golly, Miss Molly and boats | 0:08:13 | 0:08:15 | |
# Hammersmith Palais The Bolshoi Ballet | 0:08:15 | 0:08:17 | |
# Jump back in the alley and nanny goats. # | 0:08:17 | 0:08:21 | |
Next please. | 0:08:21 | 0:08:22 | |
# Other girls may try to take me away. # | 0:08:22 | 0:08:27 | |
-Three seconds. -Holidays. | 0:08:29 | 0:08:31 | |
Holidays is not it, I'm afraid. | 0:08:31 | 0:08:33 | |
So you've got the chance of a bonus point now, Bardophiles. Do you know? | 0:08:33 | 0:08:37 | |
Is it numbers? | 0:08:37 | 0:08:39 | |
It's not numbers. | 0:08:39 | 0:08:41 | |
Now we heard the words "Part 3" in the third clue. | 0:08:41 | 0:08:44 | |
You're saying holidays, because the second piece was Jolly Holiday | 0:08:44 | 0:08:48 | |
from Mary Poppins. You want the other word. | 0:08:48 | 0:08:51 | |
We heard Franz Lehar's | 0:08:51 | 0:08:52 | |
The Merry Widow Waltz, Jolly Holiday, | 0:08:52 | 0:08:55 | |
Reasons To Be Cheerful Part 3, that's Ian Dury. | 0:08:55 | 0:08:58 | |
The last one was The Dave Clark Five, Glad All Over. | 0:08:58 | 0:09:01 | |
Words indicating merriment | 0:09:01 | 0:09:04 | |
or jollity, that was it. | 0:09:04 | 0:09:06 | |
So no bonus point, Bardophiles, | 0:09:06 | 0:09:08 | |
but you do get the last question of the round, it's the Horned Viper. | 0:09:08 | 0:09:11 | |
What is the connection between these clues? Here's the first. | 0:09:11 | 0:09:15 | |
Next. | 0:09:17 | 0:09:19 | |
Next. | 0:09:32 | 0:09:33 | |
Next. | 0:09:50 | 0:09:51 | |
Three seconds. | 0:09:51 | 0:09:53 | |
They climb in over balconies. | 0:09:54 | 0:09:57 | |
I need you to be a lot more specific than that. | 0:09:58 | 0:10:01 | |
Any thoughts? | 0:10:01 | 0:10:03 | |
No, I'm afraid I can't take that. | 0:10:03 | 0:10:04 | |
Tubers, you have the chance | 0:10:04 | 0:10:06 | |
of a bonus point. | 0:10:06 | 0:10:07 | |
Have they all come into people's houses when they're not expected? | 0:10:07 | 0:10:10 | |
You need to be more specific as well. It's for a bonus point. | 0:10:10 | 0:10:13 | |
At night. | 0:10:13 | 0:10:14 | |
I can't take it, not for a bonus. | 0:10:14 | 0:10:15 | |
It wasn't actually at night. | 0:10:15 | 0:10:16 | |
Michael Fagan went in the morning - | 0:10:16 | 0:10:18 | |
you're thinking, cos the Queen was in bed at the time, | 0:10:18 | 0:10:20 | |
but it was seven o'clock in the morning he broke in there. | 0:10:20 | 0:10:23 | |
Do you know when she raised the alarm? | 0:10:23 | 0:10:25 | |
When he asked for cigarettes. | 0:10:25 | 0:10:27 | |
It was. The Queen didn't mind the break-in, but she hates smoking. | 0:10:27 | 0:10:30 | |
He asked for cigarettes, | 0:10:30 | 0:10:31 | |
she raised the alarm. | 0:10:31 | 0:10:32 | |
Brownies I think not obviously the | 0:10:32 | 0:10:35 | |
children version of the scouts. | 0:10:35 | 0:10:37 | |
Brownies are sort of Scottish | 0:10:37 | 0:10:39 | |
goblins who come in and perform | 0:10:39 | 0:10:40 | |
chores at night and are rewarded with porridge. | 0:10:40 | 0:10:43 | |
Freddy Krueger of course | 0:10:43 | 0:10:44 | |
from Nightmare On Elm Street | 0:10:44 | 0:10:46 | |
and Milk Tray Man, that rather | 0:10:46 | 0:10:48 | |
creepy advertising figure who | 0:10:48 | 0:10:49 | |
sneaked into women's bedrooms | 0:10:49 | 0:10:51 | |
and left chocolate. | 0:10:51 | 0:10:52 | |
But no points there. | 0:10:52 | 0:10:54 | |
At the end of Round One, | 0:10:54 | 0:10:55 | |
the Bardophiles have one point, | 0:10:55 | 0:10:57 | |
the Tubers have six. | 0:10:57 | 0:10:59 | |
Round Two is the sequences round. | 0:11:02 | 0:11:04 | |
There are still four clues, they're still connected, but this time the | 0:11:04 | 0:11:07 | |
fourth clue is hidden and the teams have to tell me what it is. | 0:11:07 | 0:11:10 | |
They must work out the sequence and then tell me what comes fourth. | 0:11:10 | 0:11:13 | |
Tubers, you'll be going first again. | 0:11:13 | 0:11:15 | |
Please choose your sequential hieroglyph. | 0:11:15 | 0:11:18 | |
Two Reeds please. | 0:11:18 | 0:11:19 | |
OK, the Two Reeds. | 0:11:19 | 0:11:20 | |
You'll be seeing the first in a sequence, | 0:11:20 | 0:11:22 | |
I want to know what comes fourth. The time starts now. | 0:11:22 | 0:11:24 | |
Next please. | 0:11:33 | 0:11:35 | |
Next please. | 0:11:44 | 0:11:45 | |
Three seconds. | 0:12:01 | 0:12:03 | |
4 of 4 - 5 obverse. | 0:12:04 | 0:12:08 | |
That is the right answer. | 0:12:08 | 0:12:09 | |
And why? What's the sequence? | 0:12:09 | 0:12:11 | |
I think it's to do with the presidents on Mount Rushmore. | 0:12:11 | 0:12:13 | |
That's right. | 0:12:13 | 0:12:14 | |
So it was Washington, Jefferson, I presume Roosevelt comes next, | 0:12:14 | 0:12:19 | |
and hence Lincoln is on the reverse of the five dollar bill. | 0:12:19 | 0:12:23 | |
That's right, it's the presidents | 0:12:23 | 0:12:25 | |
going along Mount Rushmore from left | 0:12:25 | 0:12:26 | |
to right and the banknotes on which they appear. Roosevelt doesn't | 0:12:26 | 0:12:29 | |
actually appear on a banknote, just the odd special coin. | 0:12:29 | 0:12:32 | |
But Lincoln's on the obverse | 0:12:32 | 0:12:33 | |
of the five dollar bill. Well done. | 0:12:33 | 0:12:34 | |
Bardophiles, what would you like? | 0:12:34 | 0:12:37 | |
Lion please. | 0:12:37 | 0:12:38 | |
The Lion, OK. | 0:12:38 | 0:12:39 | |
What is the fourth in this sequence? | 0:12:39 | 0:12:41 | |
Here's the first. | 0:12:41 | 0:12:42 | |
Next please. | 0:12:47 | 0:12:48 | |
Next. | 0:12:59 | 0:13:00 | |
Two Gentlemen Of Verona. | 0:13:18 | 0:13:20 | |
-The opening line. -Oh, gosh. | 0:13:20 | 0:13:22 | |
What is it that you think | 0:13:22 | 0:13:24 | |
I want to hear? | 0:13:24 | 0:13:25 | |
The opening line of something with two in the title. | 0:13:25 | 0:13:27 | |
I'll accept that, you know what | 0:13:27 | 0:13:28 | |
we're looking for. I'd like to have | 0:13:28 | 0:13:30 | |
heard the actual opening line. | 0:13:30 | 0:13:31 | |
I don't know the opening line of | 0:13:31 | 0:13:33 | |
Two Gentlemen Of Verona myself. | 0:13:33 | 0:13:34 | |
We went for A Tale Of Two Cities, | 0:13:34 | 0:13:36 | |
that long one about, "It was the best of times..." | 0:13:36 | 0:13:38 | |
But you're right. These are the first lines | 0:13:38 | 0:13:41 | |
of books containing numbers. | 0:13:41 | 0:13:42 | |
Do you know what the books are? | 0:13:42 | 0:13:45 | |
The second one is The Sign Of Four. | 0:13:45 | 0:13:47 | |
The third one is Three Men In A Boat. | 0:13:47 | 0:13:48 | |
We're not sure about the first. | 0:13:48 | 0:13:50 | |
Slaughterhouse Five, Kurt Vonnegut. | 0:13:50 | 0:13:53 | |
Tubers, your turn for a choice. | 0:13:53 | 0:13:55 | |
The wick of Twisted Flax please. | 0:13:55 | 0:13:57 | |
The wick of Twisted Flax, OK. | 0:13:57 | 0:13:58 | |
What would come fourth in this sequence? | 0:13:58 | 0:14:00 | |
Here's the first. | 0:14:00 | 0:14:01 | |
Next please. | 0:14:06 | 0:14:07 | |
Next please. | 0:14:14 | 0:14:15 | |
Blackstar. | 0:14:27 | 0:14:28 | |
Is the right answer. | 0:14:28 | 0:14:29 | |
I heard you muttering, but what is the sequence? | 0:14:29 | 0:14:32 | |
They're David Bowie albums up to the most recent one. | 0:14:32 | 0:14:34 | |
You are absolutely right, | 0:14:34 | 0:14:36 | |
they are David Bowie albums. | 0:14:36 | 0:14:37 | |
And Blackstar, hailed by | 0:14:37 | 0:14:38 | |
many fans as a great album, | 0:14:38 | 0:14:40 | |
was the most recent and, I think we can probably assume, the last. | 0:14:40 | 0:14:43 | |
Well done. | 0:14:43 | 0:14:44 | |
Bardophiles, what would you like next? | 0:14:44 | 0:14:46 | |
-Water please. -Water. | 0:14:46 | 0:14:48 | |
What is the fourth in this sequence? | 0:14:48 | 0:14:50 | |
Here's the first. | 0:14:50 | 0:14:51 | |
Next please. | 0:14:55 | 0:14:56 | |
Next please. | 0:15:10 | 0:15:11 | |
George the... I beg your pardon. | 0:15:31 | 0:15:33 | |
George VIII. | 0:15:34 | 0:15:36 | |
I'm afraid that is not right answer. | 0:15:36 | 0:15:38 | |
So, Tubers, you have the chance of a bonus point. | 0:15:38 | 0:15:40 | |
Charles III. | 0:15:40 | 0:15:41 | |
Charles III is the right answer. | 0:15:41 | 0:15:44 | |
It is a reverse order of succession. | 0:15:44 | 0:15:47 | |
So King Charles would be Charles III, | 0:15:47 | 0:15:49 | |
then, going backwards, his son William, William V. | 0:15:49 | 0:15:52 | |
George VII would be William's son | 0:15:52 | 0:15:54 | |
and, the daughter, Charlotte I. | 0:15:54 | 0:15:56 | |
I might have accepted George VII. | 0:15:56 | 0:15:58 | |
Why? | 0:15:58 | 0:15:59 | |
They're saying Charles is going to take George rather than Charles. | 0:15:59 | 0:16:02 | |
Some people say Prince Charles will not use the name Charles | 0:16:02 | 0:16:05 | |
when he ascends the throne, because it's unlucky. He might take George | 0:16:05 | 0:16:09 | |
and then he'd be George VII and the | 0:16:09 | 0:16:10 | |
grandson would be George VIII. | 0:16:10 | 0:16:12 | |
But George VIII not an answer in a sequence, I'm afraid. | 0:16:12 | 0:16:15 | |
So you get the bonus point, Tubers. Well done. | 0:16:15 | 0:16:18 | |
Which question would you like? | 0:16:18 | 0:16:19 | |
Horned Viper please. | 0:16:19 | 0:16:20 | |
These are going to be picture clues. | 0:16:20 | 0:16:22 | |
What sort of thing might you expect to see in the last picture? | 0:16:22 | 0:16:26 | |
Here's the first. | 0:16:26 | 0:16:27 | |
Next please. | 0:16:31 | 0:16:32 | |
Next please. | 0:16:43 | 0:16:45 | |
Three seconds. | 0:17:03 | 0:17:04 | |
I'm afraid you're out of time. | 0:17:07 | 0:17:09 | |
The clock is on zero. | 0:17:09 | 0:17:10 | |
So, Bardophiles, you have the chance of a bonus point. | 0:17:10 | 0:17:13 | |
-I can't think of a thing. -No. | 0:17:13 | 0:17:15 | |
I can't give you long. | 0:17:15 | 0:17:17 | |
Nothing, OK. | 0:17:17 | 0:17:19 | |
People associate Mr Spock | 0:17:20 | 0:17:22 | |
with a hand signal. | 0:17:22 | 0:17:23 | |
Can you do it? | 0:17:23 | 0:17:25 | |
We can, but we're not going to. | 0:17:25 | 0:17:26 | |
Do it. I'm in my special | 0:17:26 | 0:17:27 | |
Star Trek style outfit. | 0:17:27 | 0:17:29 | |
It's this sort of thing, isn't it? | 0:17:29 | 0:17:31 | |
That's right, exactly. | 0:17:31 | 0:17:33 | |
A four-fingered gesture based, | 0:17:33 | 0:17:34 | |
some people say, | 0:17:34 | 0:17:36 | |
on the Jewish priestly blessing. | 0:17:36 | 0:17:38 | |
A scout - three fingers of course. | 0:17:38 | 0:17:40 | |
Winston Churchill, two fingers. | 0:17:40 | 0:17:42 | |
I want to hear someone that's associated | 0:17:42 | 0:17:44 | |
with a single-finger gesture. | 0:17:44 | 0:17:46 | |
For example, a cricket umpire | 0:17:46 | 0:17:47 | |
like lovely Dickie Bird | 0:17:47 | 0:17:50 | |
we're featuring in that picture. | 0:17:50 | 0:17:52 | |
So, no points there. | 0:17:52 | 0:17:53 | |
Bardophiles, you may have the last question of the round, | 0:17:53 | 0:17:56 | |
the Eye of Horus. What kind of thing would come fourth in the sequence? | 0:17:56 | 0:18:00 | |
Here's the first. | 0:18:00 | 0:18:01 | |
Next please. | 0:18:07 | 0:18:08 | |
Stupid boy. | 0:18:24 | 0:18:26 | |
Is an acceptable answer. | 0:18:26 | 0:18:27 | |
Very well done, you get three points. | 0:18:27 | 0:18:30 | |
And why, what's the sequence? | 0:18:30 | 0:18:31 | |
They are catchphrases from characters in Dad's Army, | 0:18:31 | 0:18:34 | |
going up by rank. | 0:18:34 | 0:18:36 | |
They are going up by rank. | 0:18:36 | 0:18:37 | |
Can you tell me who is...? | 0:18:37 | 0:18:38 | |
"We're doomed, I tell you," is Private Fraser. | 0:18:38 | 0:18:42 | |
"Don't panic," is Corporal Jones. | 0:18:42 | 0:18:44 | |
"Do you think that's awfully wise," is Sgt Wilson | 0:18:44 | 0:18:46 | |
and "You stupid boy," is Captain Mainwaring. | 0:18:46 | 0:18:49 | |
I think it's Lance Corporal Jones | 0:18:49 | 0:18:51 | |
but that's absolutely right. | 0:18:51 | 0:18:52 | |
It is catchphrases of Dad's Army characters | 0:18:52 | 0:18:54 | |
in ascending order of rank. | 0:18:54 | 0:18:56 | |
What else might I have accepted | 0:18:56 | 0:18:57 | |
-from that last one? -"Don't tell him, Pike." | 0:18:57 | 0:18:59 | |
That would have been all right. | 0:18:59 | 0:19:01 | |
I've got a list here. | 0:19:01 | 0:19:02 | |
"Hello, Elizabeth." | 0:19:02 | 0:19:03 | |
"Is that you, Jones?" | 0:19:03 | 0:19:06 | |
"I was wondering who'd | 0:19:06 | 0:19:07 | |
"be the first to spot that." | 0:19:07 | 0:19:08 | |
I mean, I'm no Arthur Lowe, am I? | 0:19:08 | 0:19:10 | |
Physically maybe. In performance, no. | 0:19:10 | 0:19:12 | |
"Stop talking in the ranks." | 0:19:12 | 0:19:14 | |
I'm going to try and find an opportunity to say that | 0:19:14 | 0:19:16 | |
later in the show. But very well done, you get the points. | 0:19:16 | 0:19:18 | |
Meaning, at the end of Round Two, | 0:19:18 | 0:19:21 | |
the Bardophiles have six points, | 0:19:21 | 0:19:24 | |
the Tubers have 11. | 0:19:24 | 0:19:25 | |
Time for Round Three, the Connecting Wall. | 0:19:28 | 0:19:30 | |
There are 16 clues this time - there are four connected groups of four, | 0:19:30 | 0:19:34 | |
but they are jumbled up and some clues fit into more than | 0:19:34 | 0:19:37 | |
one category, but there is only one perfect solution. | 0:19:37 | 0:19:40 | |
The teams need to find those four connected groups - | 0:19:40 | 0:19:43 | |
they'll get points for the groups, points for the connections | 0:19:43 | 0:19:45 | |
and bonus points if they get it all right. | 0:19:45 | 0:19:47 | |
Your turn to go first this time, Bardophiles. | 0:19:47 | 0:19:50 | |
And you have a choice - Lion or Water. | 0:19:50 | 0:19:52 | |
-Lion please. -OK. | 0:19:52 | 0:19:54 | |
The Lion Wall - you've got | 0:19:54 | 0:19:56 | |
two and a half minutes to solve it, starting now. | 0:19:56 | 0:19:59 | |
30 Rock. | 0:20:20 | 0:20:21 | |
Punk rock. | 0:20:21 | 0:20:23 | |
Northern Rock. | 0:20:23 | 0:20:25 | |
Plymouth Rock. | 0:20:25 | 0:20:26 | |
Patriots, Chargers, Cowboys and Saints. | 0:20:35 | 0:20:38 | |
American football. | 0:20:38 | 0:20:40 | |
It's a three strikes and you're out now. | 0:20:41 | 0:20:43 | |
You've got two goes and a minute left. | 0:21:18 | 0:21:21 | |
30 seconds now... | 0:21:36 | 0:21:37 | |
..and one remaining turn. | 0:21:39 | 0:21:40 | |
No, I'm afraid that's it, you're out of goes, | 0:21:55 | 0:21:57 | |
and the wall has frozen. | 0:21:57 | 0:21:59 | |
But you found two groups and I'll give you points | 0:21:59 | 0:22:01 | |
if you can tell me the connections. | 0:22:01 | 0:22:02 | |
The first blue group - 30, Punk, Plymouth, Northern. | 0:22:02 | 0:22:08 | |
Rock. | 0:22:08 | 0:22:09 | |
That's right. 30 Rock, punk rock, Plymouth Rock, Northern Rock. | 0:22:09 | 0:22:13 | |
The words can all proceed rock. | 0:22:13 | 0:22:15 | |
And the green group - Cowboy, Saint, Patriot, Charger. | 0:22:15 | 0:22:18 | |
American football teams without the S. | 0:22:18 | 0:22:21 | |
That's right, they're NFL teams in the singular. | 0:22:21 | 0:22:24 | |
You can still get points for connections | 0:22:24 | 0:22:26 | |
in the groups you didn't find, so let's resolve the wall. | 0:22:26 | 0:22:29 | |
There we go, that's how it should have looked - | 0:22:29 | 0:22:31 | |
Beefeater, Magellan, No.3, Gordon's. | 0:22:31 | 0:22:34 | |
Brands of gin. | 0:22:34 | 0:22:36 | |
Those are the brands of gin. | 0:22:36 | 0:22:38 | |
I think somehow my shopping list | 0:22:38 | 0:22:40 | |
got mixed up with the Wall clues. | 0:22:40 | 0:22:42 | |
And the final group - | 0:22:42 | 0:22:43 | |
Raven, Fusilier, Crown Jewels, Paul Cummins. | 0:22:43 | 0:22:47 | |
They can all be found at the Tower of London. | 0:22:47 | 0:22:49 | |
They're all associated with the Tower of London. | 0:22:49 | 0:22:51 | |
Now, you didn't know Paul Cummins? | 0:22:51 | 0:22:53 | |
-No. -He is the artist who did the exhibition, | 0:22:53 | 0:22:56 | |
Lands And Seas Of Red, | 0:22:56 | 0:22:57 | |
you know the poppy exhibition? | 0:22:57 | 0:22:59 | |
Amazing, for the war anniversary at the Tower of London. | 0:22:59 | 0:23:03 | |
There's two points for the groups that you found and four points | 0:23:03 | 0:23:06 | |
for the connections - that is a total of six. | 0:23:06 | 0:23:08 | |
We're going to bring in the Tubers and give them a new Connecting Wall. | 0:23:08 | 0:23:11 | |
16 fresh clues still need sorting into four connected groups of four. | 0:23:11 | 0:23:15 | |
It will be the Water Wall for you, because the Lion's taken. | 0:23:15 | 0:23:18 | |
You have two and a half minutes to solve it, starting now. | 0:23:18 | 0:23:21 | |
Three strikes and you're out now. | 0:24:15 | 0:24:16 | |
Clinical. You solved the wall, very well done. | 0:24:39 | 0:24:41 | |
That's four points immediately for the groups, | 0:24:41 | 0:24:43 | |
and you can get more points if you tell me the connections. | 0:24:43 | 0:24:46 | |
Let's start with the first blue group - | 0:24:46 | 0:24:48 | |
Tucker, Sheila, Barbie, Yakka. | 0:24:48 | 0:24:50 | |
All Australian slang. | 0:24:50 | 0:24:52 | |
They're Australian slang. | 0:24:52 | 0:24:53 | |
And the next group starting Cavalier, | 0:24:53 | 0:24:55 | |
the green group, what's that? | 0:24:55 | 0:24:56 | |
You can put "laughing" in front of them. | 0:24:56 | 0:24:58 | |
You can. And laughing jackass, I think you didn't know. | 0:24:58 | 0:25:00 | |
Not in the first instance, no. | 0:25:00 | 0:25:02 | |
You're dismissing it as Australian slang, | 0:25:02 | 0:25:03 | |
but it is actually a term for a kookaburra. | 0:25:03 | 0:25:05 | |
There's a kookaburra, a laughing jackass is that. | 0:25:05 | 0:25:08 | |
And the next group - Stock, Butt, Grip, Barrel. | 0:25:08 | 0:25:11 | |
They're parts of a gun. | 0:25:11 | 0:25:13 | |
That's right, they are parts of the gun. | 0:25:13 | 0:25:15 | |
And the last turquoise group, what's that? | 0:25:15 | 0:25:18 | |
They're all Manchester United footballers. | 0:25:18 | 0:25:20 | |
Footballers for Manchester United. | 0:25:20 | 0:25:22 | |
So four points for the groups you found, four for the connections. | 0:25:22 | 0:25:25 | |
I'll give you a bonus two points for getting it all right, | 0:25:25 | 0:25:28 | |
that is the maximum of ten. | 0:25:28 | 0:25:29 | |
Let's have a look at the overall scores. | 0:25:29 | 0:25:32 | |
So you've got some catching up to do, Bardophiles, but it is possible, | 0:25:38 | 0:25:41 | |
because, in Round Four, you can lose points for getting things wrong. | 0:25:41 | 0:25:45 | |
This is the Missing Vowels round. | 0:25:45 | 0:25:46 | |
We've taken well-known names, phrases and sayings, | 0:25:46 | 0:25:49 | |
lifted out the vowels and re-spaced the consonants. | 0:25:49 | 0:25:52 | |
The teams have to tell me what those hidden clues are. | 0:25:52 | 0:25:55 | |
And, if you get it wrong by so much as a single consonant, | 0:25:55 | 0:25:58 | |
I'll be taking a point away. | 0:25:58 | 0:26:00 | |
Fingers on buzzers. | 0:26:00 | 0:26:02 | |
The first group are... | 0:26:02 | 0:26:04 | |
Tubers. | 0:26:10 | 0:26:11 | |
Filibustering. | 0:26:11 | 0:26:12 | |
Correct. | 0:26:12 | 0:26:13 | |
Tubers. | 0:26:15 | 0:26:16 | |
Woolsack. | 0:26:16 | 0:26:17 | |
Correct. | 0:26:17 | 0:26:18 | |
This is a tough one. It's... | 0:26:25 | 0:26:27 | |
Next clue. | 0:26:29 | 0:26:31 | |
Tubers. | 0:26:31 | 0:26:32 | |
Royal Assent. | 0:26:32 | 0:26:33 | |
Correct. Next category. | 0:26:33 | 0:26:35 | |
Bardophiles. | 0:26:39 | 0:26:40 | |
Driving penalties. | 0:26:40 | 0:26:41 | |
Correct. | 0:26:41 | 0:26:42 | |
Bardophiles. | 0:26:44 | 0:26:45 | |
Railway junctions. | 0:26:45 | 0:26:47 | |
I'm afraid that's not it, you lose a point. | 0:26:47 | 0:26:48 | |
Tubers, do you know? | 0:26:48 | 0:26:50 | |
Too long. | 0:26:50 | 0:26:52 | |
Next clue. | 0:26:53 | 0:26:54 | |
Tubers. | 0:26:56 | 0:26:58 | |
Fielding positions in cricket. | 0:26:58 | 0:26:59 | |
Correct. | 0:26:59 | 0:27:00 | |
Tubers. | 0:27:02 | 0:27:03 | |
Prizes. | 0:27:03 | 0:27:05 | |
Next category... | 0:27:05 | 0:27:07 | |
Bardophiles. | 0:27:11 | 0:27:12 | |
Pricing guns. | 0:27:12 | 0:27:13 | |
Yes, it is. | 0:27:13 | 0:27:14 | |
Tubers. | 0:27:16 | 0:27:17 | |
Country clubs. | 0:27:17 | 0:27:18 | |
You've got it. | 0:27:18 | 0:27:19 | |
Tubers. | 0:27:21 | 0:27:22 | |
Britney Spears. | 0:27:22 | 0:27:23 | |
Correct. | 0:27:23 | 0:27:24 | |
Tubers. | 0:27:26 | 0:27:27 | |
Walnut whips. | 0:27:27 | 0:27:29 | |
Yes, it is. | 0:27:29 | 0:27:30 | |
Next category... | 0:27:30 | 0:27:32 | |
But we will never know who famously wear red, | 0:27:37 | 0:27:39 | |
because the bell has gone for the end of the quiz. | 0:27:39 | 0:27:42 | |
And I can tell you that, in second place with 13 points, | 0:27:42 | 0:27:45 | |
it's the Bardophiles. But in first place, | 0:27:45 | 0:27:48 | |
with a resounding 29 points, it's the Tubers. | 0:27:48 | 0:27:52 | |
Very well done to you, you are straight through to the next round. | 0:27:52 | 0:27:54 | |
Bardophiles, we may see you again. | 0:27:54 | 0:27:56 | |
We've got a new structure this year where everybody | 0:27:56 | 0:27:59 | |
doesn't automatically come back, | 0:27:59 | 0:28:01 | |
but the highest scoring second-place finishers will return. | 0:28:01 | 0:28:04 | |
So we may see you again. | 0:28:04 | 0:28:06 | |
Hope we'll see you again, please join us next week. | 0:28:06 | 0:28:09 | |
But, before we go, if in 2017, you'd like to come and see the live | 0:28:09 | 0:28:13 | |
Only Connect stadium tour of 20 major cities and arenas, | 0:28:13 | 0:28:17 | |
then please feel free to put in place the funding and logistics | 0:28:17 | 0:28:21 | |
that would make such a commercially suicidal venture viable. | 0:28:21 | 0:28:25 | |
Goodbye. | 0:28:25 | 0:28:26 |