Browse content similar to Maltsters v Oscar Men. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello and welcome to Only Connect and, Donald, | 0:00:21 | 0:00:24 | |
if you're watching, they're in the airing cupboard, that's where. | 0:00:24 | 0:00:28 | |
Returning tonight are two of our | 0:00:28 | 0:00:30 | |
highest-scoring, second-place finishing teams | 0:00:30 | 0:00:33 | |
and they are, on my right, Dan Jones, | 0:00:33 | 0:00:37 | |
a crown prosecutor with a degree in law who was expelled from | 0:00:37 | 0:00:40 | |
a road safety club for rolling up a plastic zebra crossing. | 0:00:40 | 0:00:45 | |
Raymond Baggaley, a train enthusiast who celebrated his 21st birthday | 0:00:45 | 0:00:49 | |
by sitting an eight-hour exam and is celebrating his 59th birthday today. | 0:00:49 | 0:00:54 | |
And their captain, Pete Mitchell, | 0:00:55 | 0:00:57 | |
a philosophy and computer science graduate who | 0:00:57 | 0:00:59 | |
has crossed the Gulf of Bothnia more than 100 times playing Irish music | 0:00:59 | 0:01:04 | |
to Swedes on a Viking Line ferry. | 0:01:04 | 0:01:06 | |
United by a weakness for whisky, they are the Maltsters. | 0:01:06 | 0:01:10 | |
Now, you lost your opening heat to the Policy Wonks, | 0:01:10 | 0:01:13 | |
but you're back via our new competition rules. | 0:01:13 | 0:01:15 | |
Have you been enjoying your time in Cardiff? | 0:01:15 | 0:01:17 | |
We've been taking in the cultural highlights, | 0:01:17 | 0:01:19 | |
-the National Museum of Wales and several interesting pubs. -Excellent. | 0:01:19 | 0:01:24 | |
-There are many interesting pubs. -Indeed there are. | 0:01:24 | 0:01:26 | |
Sadly, I never seem to get beyond the first one. | 0:01:26 | 0:01:28 | |
You are facing, tonight, on my left, Howard Freedman, | 0:01:28 | 0:01:32 | |
a taxi driver who has driven Ken Livingstone and Boris Johnson | 0:01:32 | 0:01:36 | |
in the back of his cab, but not at the same time. | 0:01:36 | 0:01:39 | |
Adrian Knott, an English graduate and former heliport cleaner who | 0:01:39 | 0:01:43 | |
gave Frankie Vaughan free admission to his local cinema. | 0:01:43 | 0:01:47 | |
And their captain, Michael Slowey, a data analyst who was run over | 0:01:47 | 0:01:51 | |
by a slow-moving car on the way home from his graduation ceremony. | 0:01:51 | 0:01:56 | |
United by a fascination with films, they are the Oscar Men. | 0:01:56 | 0:01:59 | |
And you lost your heat to the Part-Time Poets. | 0:01:59 | 0:02:02 | |
Have you practised for tonight's game? | 0:02:02 | 0:02:04 | |
Yeah, we've been Tipp-Exing vowels out of any piece of | 0:02:04 | 0:02:06 | |
literature we could get a hold of. | 0:02:06 | 0:02:08 | |
Excellent. Well, let's see how you fare against your new opponents. | 0:02:08 | 0:02:12 | |
They won the toss. | 0:02:12 | 0:02:14 | |
Maltsters, you will be going first, | 0:02:14 | 0:02:15 | |
so please choose an Egyptian hieroglyph. | 0:02:15 | 0:02:18 | |
-Water, please. -Water. | 0:02:18 | 0:02:19 | |
What is the connection between these apparently random clues? | 0:02:19 | 0:02:23 | |
Here's the first. | 0:02:23 | 0:02:24 | |
THEY WHISPER | 0:02:26 | 0:02:28 | |
Next one, please. | 0:02:35 | 0:02:36 | |
Oh, they're, erm, they're, erm... | 0:02:39 | 0:02:42 | |
-Thomas The Tank Engine. -It's the colours, isn't it? | 0:02:42 | 0:02:45 | |
-Shall we take another? -OK, let's. -Next one, please. | 0:02:51 | 0:02:54 | |
I think that's what we'll have to go for, | 0:02:56 | 0:02:57 | |
-unless you've got something else. -Nothing else. | 0:02:57 | 0:03:00 | |
BELL | 0:03:00 | 0:03:01 | |
Are they characters in the Thomas The Tank Engine stories? | 0:03:03 | 0:03:06 | |
They are not, although it's a nice guess. | 0:03:06 | 0:03:08 | |
I'm going to show the fourth clue to the Oscar Men | 0:03:08 | 0:03:11 | |
for a possible bonus point. | 0:03:11 | 0:03:12 | |
Could these be code for types of cable of some sort? | 0:03:12 | 0:03:17 | |
-Electricity cable? -I mean, I must say, for an all-male line-up, | 0:03:17 | 0:03:20 | |
you should be ashamed of yourselves! These are vacuum cleaners! | 0:03:20 | 0:03:24 | |
LAUGHTER Not one of you, | 0:03:24 | 0:03:26 | |
not one of you getting the old Hoover out on the stairs, no? | 0:03:26 | 0:03:29 | |
They're all actually sorts of Henry Hoover. | 0:03:29 | 0:03:32 | |
Other types of vacuum cleaner are available...they tell me. | 0:03:32 | 0:03:35 | |
I don't do it either, to be honest. | 0:03:35 | 0:03:36 | |
I like to let the dust build up and up and up and then, | 0:03:36 | 0:03:38 | |
every few months, just get a new carpet! | 0:03:38 | 0:03:40 | |
That's the best thing. | 0:03:40 | 0:03:42 | |
So, no points there, but, Oscar Men, | 0:03:42 | 0:03:44 | |
you may choose a question. | 0:03:44 | 0:03:46 | |
-Can we go for Eye of Horus, please? -I don't see why not. | 0:03:46 | 0:03:49 | |
What is the connection between these clues? Here's the first. | 0:03:49 | 0:03:53 | |
Right, Evolution: Selenium sulphide. Oh, OK, I think I know this one. | 0:03:53 | 0:03:58 | |
Right, selenium sulphide was used to kill the monster in the film | 0:03:58 | 0:04:02 | |
Evolution with Fox Mulder, what's he called... | 0:04:02 | 0:04:04 | |
So I think these are probably things that have killed monsters in | 0:04:04 | 0:04:06 | |
a particular film. Do you want me to go for it? | 0:04:06 | 0:04:09 | |
Do you want to go for the next one or do you want | 0:04:09 | 0:04:11 | |
me to take it on that one? | 0:04:11 | 0:04:13 | |
I think that's most likely going to be | 0:04:13 | 0:04:15 | |
-the thing that killed the monster. -OK, let's... | 0:04:15 | 0:04:17 | |
-Shall we go for it? -BELL | 0:04:17 | 0:04:19 | |
All right, we're going to take a punt on this one. | 0:04:19 | 0:04:21 | |
Given that in Evolution, selenium sulphide was from the | 0:04:21 | 0:04:25 | |
Head & Shoulders bottles used to kill the beast, | 0:04:25 | 0:04:27 | |
we think these are the film and the particular method of | 0:04:27 | 0:04:30 | |
dispatching that beast or enemy in the film. | 0:04:30 | 0:04:33 | |
Coming in after one clue, you get five points! Very well done. | 0:04:33 | 0:04:37 | |
What an excellent gamble. | 0:04:37 | 0:04:38 | |
They are the things that kill off the threat in these films, | 0:04:38 | 0:04:42 | |
-and what sort of monsters are they that are being killed? -Mm... | 0:04:42 | 0:04:45 | |
Selenium sulphide, the one in Evolution is just basically | 0:04:45 | 0:04:48 | |
a big, blobby monster, I think. | 0:04:48 | 0:04:50 | |
-Signs is horrible big walker... -Aliens, basically. -Yeah, aliens. | 0:04:50 | 0:04:53 | |
Aliens is what they are, although I'm enjoying your impression | 0:04:53 | 0:04:56 | |
a great deal, there, Michael! Really bringing it alive. | 0:04:56 | 0:04:59 | |
Evolution, you're right, | 0:04:59 | 0:05:00 | |
the bottles of dandruff shampoo are killing those aliens. | 0:05:00 | 0:05:04 | |
What about the other ones? What are the deaths? | 0:05:04 | 0:05:06 | |
Erm, in Signs, the little girl leaves water all over the place | 0:05:06 | 0:05:10 | |
and her uncle slams the baseball bat into them to kill them. | 0:05:10 | 0:05:14 | |
What about The Faculty, what's that? | 0:05:14 | 0:05:16 | |
Oh, well, Adi, you know that one better. | 0:05:16 | 0:05:18 | |
It's some sort of drug they're using, the kids at school, | 0:05:18 | 0:05:20 | |
and they find out that it dehydrates them, | 0:05:20 | 0:05:23 | |
and so they stab them with it and that's how it kills them off. | 0:05:23 | 0:05:26 | |
That's right, that's a teen one, a sort of teen horror film, | 0:05:26 | 0:05:29 | |
and then Mars Attacks!, that's a sci-fi comedy, | 0:05:29 | 0:05:31 | |
and when they hear the Slim Whitman song Indian Love Call, | 0:05:31 | 0:05:35 | |
the Martians' heads explode, so manners of grisly deaths in films. | 0:05:35 | 0:05:40 | |
Very well gambled after one clue. | 0:05:40 | 0:05:43 | |
-Maltsters, what would you like? -Two Reeds, please. -Two Reeds. OK. | 0:05:43 | 0:05:47 | |
Well, it's the music question. | 0:05:47 | 0:05:49 | |
What is the connection between these clues? | 0:05:49 | 0:05:52 | |
Here's the first. | 0:05:52 | 0:05:54 | |
VOCAL SOLO | 0:05:54 | 0:05:55 | |
-It's The Great Gig In The Sky, I'm pretty sure. -Take the next one? | 0:05:55 | 0:05:58 | |
THEY WHISPER | 0:05:58 | 0:05:59 | |
Next, please. | 0:06:01 | 0:06:02 | |
# I'm pushing an elephant up the stairs... # | 0:06:02 | 0:06:05 | |
That's REM. I can't think what the song is, though. Can you? | 0:06:05 | 0:06:11 | |
# Over my shoulder, a piano falls | 0:06:11 | 0:06:14 | |
# Crashing to the ground... # | 0:06:14 | 0:06:18 | |
We'll take the next one, please. | 0:06:19 | 0:06:21 | |
# Just laughing and gay like a clown... # | 0:06:21 | 0:06:24 | |
It's The Great Pretender. It's all "the great" something. | 0:06:24 | 0:06:26 | |
BELL | 0:06:26 | 0:06:27 | |
-They're all "the great" something. -Yes, they are. | 0:06:27 | 0:06:30 | |
You're going to get two points for coming in after three clues. | 0:06:30 | 0:06:33 | |
-What did we hear? -The first one was The Great Gig In The Sky. | 0:06:33 | 0:06:37 | |
-That's right. -Pink Floyd. -The second was REM. | 0:06:37 | 0:06:39 | |
Was REM, but not sure on the title. | 0:06:39 | 0:06:41 | |
-The third one was The Great Pretender. -That's right. | 0:06:41 | 0:06:44 | |
And The Great Beyond was the second clue, | 0:06:44 | 0:06:47 | |
that was used in the biopic Man On The Moon. | 0:06:47 | 0:06:50 | |
REM did the music for that, The Great Beyond, | 0:06:50 | 0:06:52 | |
and you didn't need to hear The Great Escape 2000, | 0:06:52 | 0:06:54 | |
which is a sort of football fan reworking of the theme from | 0:06:54 | 0:06:58 | |
The Great Escape, but, thankfully, we were spared a blast of that. | 0:06:58 | 0:07:02 | |
-So well done. Oscar Men, what would you like next? -Twisted Flax, please. | 0:07:02 | 0:07:06 | |
The Twisted Flax. What is the connection between these clues? | 0:07:06 | 0:07:09 | |
Here's the first. | 0:07:09 | 0:07:10 | |
-Right, mother-in-law. Shall we go for next? -Yeah. | 0:07:10 | 0:07:13 | |
OK, let's go for the next one, please. | 0:07:13 | 0:07:17 | |
Court-martial. Right, I think this is a words thing, isn't it? | 0:07:17 | 0:07:20 | |
Is it plurals? It's "mothers-in-law, courts-martial..." | 0:07:20 | 0:07:24 | |
-Go for the third one, shall we? -Yeah. -Next, please. | 0:07:27 | 0:07:32 | |
-Lord-lieutenant, lords-lieutenant. -Yeah. | 0:07:32 | 0:07:34 | |
So the actual letter S would be after the first word | 0:07:34 | 0:07:38 | |
-rather than the last one. -Yeah. -Shall we go for that? | 0:07:38 | 0:07:41 | |
BELL | 0:07:41 | 0:07:43 | |
Erm, the plurals for all of these appear after the first letter... | 0:07:43 | 0:07:47 | |
the first word of the compounded word, rather than the actual last, | 0:07:47 | 0:07:51 | |
so it would be "mothers-in-law" rather than "mother-in-laws", | 0:07:51 | 0:07:54 | |
"courts-martial" rather than "court-martials", | 0:07:54 | 0:07:56 | |
or "lords-lieutenant" rather than "lord-lieutenants". | 0:07:56 | 0:07:59 | |
That's absolutely right. | 0:07:59 | 0:08:00 | |
You didn't need to see "poet laureate" in the last space. | 0:08:00 | 0:08:02 | |
This is where you add the S after the first word, | 0:08:02 | 0:08:05 | |
rather than at the end. | 0:08:05 | 0:08:06 | |
This is one of those ones where you can actually do it either way, | 0:08:06 | 0:08:08 | |
I think, but we like to put this question out there. | 0:08:08 | 0:08:11 | |
Just to remind people, the elegant way | 0:08:11 | 0:08:12 | |
is to have the S after the first word. | 0:08:12 | 0:08:15 | |
Well done, Oscar Men. Back to you, Maltsters, for a choice. | 0:08:15 | 0:08:18 | |
-Er, Horned Viper, please. -The Horned Viper. | 0:08:18 | 0:08:20 | |
What is the connection between these clues? Here's the first. | 0:08:20 | 0:08:24 | |
THEY WHISPER | 0:08:25 | 0:08:26 | |
Next one, please. | 0:08:32 | 0:08:33 | |
Next, please. | 0:08:46 | 0:08:48 | |
Next, please. | 0:08:57 | 0:08:59 | |
Three seconds. | 0:09:00 | 0:09:01 | |
BELL | 0:09:01 | 0:09:03 | |
-Major and minor. -They all come in major and minor variants. | 0:09:03 | 0:09:08 | |
That's absolutely right. | 0:09:08 | 0:09:09 | |
Which are the major suits in bridge and which are the minor? | 0:09:09 | 0:09:12 | |
-Erm... I've no idea. -It's spades and hearts are the two majors, are they? | 0:09:12 | 0:09:17 | |
That's absolutely right, yes, and diamonds and clubs are the minors, | 0:09:17 | 0:09:20 | |
and you get major and minor professional baseball leagues, | 0:09:20 | 0:09:22 | |
musical keys, of course, and the Great and Little Bear, | 0:09:22 | 0:09:25 | |
major and minor Ursa constellations. Well done. | 0:09:25 | 0:09:29 | |
One question remains for you, Oscar Men. It is the Lion. | 0:09:29 | 0:09:31 | |
I expect they're going to be picture clues | 0:09:31 | 0:09:33 | |
cos we haven't had those yet. First one coming up now. | 0:09:33 | 0:09:36 | |
Right, that's Jet from... What do you call it, isn't it? | 0:09:38 | 0:09:41 | |
I think it's Jet. Is it Jet? Gladiators? | 0:09:41 | 0:09:43 | |
Next, please. | 0:09:43 | 0:09:44 | |
-I don't know where that is. Oh, that's a difficult one. -Erm... | 0:09:48 | 0:09:52 | |
-I don't know. -Next. -Next, please. | 0:09:52 | 0:09:54 | |
x + y, so, erm... | 0:09:56 | 0:10:00 | |
Anything? It looks like we've got Gladiator... | 0:10:00 | 0:10:03 | |
-Is it Jet? Do you know if it's Jet? -I don't know if it is, no. | 0:10:03 | 0:10:06 | |
-x + y, Howard, on the maths front? -It doesn't really... | 0:10:06 | 0:10:09 | |
-Doesn't ring a bell? -Next one. -Next, please. | 0:10:09 | 0:10:13 | |
-Shell. -Two seconds. | 0:10:13 | 0:10:15 | |
BELL | 0:10:15 | 0:10:17 | |
Erm... | 0:10:17 | 0:10:18 | |
I think we could probably go with petrol oil companies, | 0:10:18 | 0:10:21 | |
so, I mean, we think the first one's Jet, | 0:10:21 | 0:10:24 | |
the last one is obviously Shell. | 0:10:24 | 0:10:25 | |
I know those are two major oil, petrol companies, | 0:10:25 | 0:10:28 | |
-so we'll go with that. -They are all petrol stations. | 0:10:28 | 0:10:31 | |
It is Jet from the gladiators, Shell at the end, | 0:10:31 | 0:10:33 | |
-Gulf is the second one... -Ah! | 0:10:33 | 0:10:35 | |
..and Total. I mean, I think when you say "On the mathematical front", | 0:10:35 | 0:10:38 | |
I think x + y is not an equation that many mathematicians | 0:10:38 | 0:10:41 | |
could solve with only that information available, but just | 0:10:41 | 0:10:45 | |
in itself would be a total, so they are all names of petrol stations. | 0:10:45 | 0:10:49 | |
Well done. | 0:10:49 | 0:10:50 | |
That means at the end of round one, | 0:10:50 | 0:10:52 | |
the Maltsters have three points, the Oscar Men have eight. | 0:10:52 | 0:10:55 | |
It's the Sequences round. What comes fourth in a sequence. | 0:10:58 | 0:11:01 | |
Maltsters, you'll be going first again. | 0:11:01 | 0:11:03 | |
Which hieroglyph would you like? | 0:11:03 | 0:11:05 | |
-Lion, please. -OK. You'll be seeing the first in a series. | 0:11:05 | 0:11:08 | |
What might come fourth? Time starts now. | 0:11:08 | 0:11:11 | |
THEY WHISPER | 0:11:13 | 0:11:16 | |
Take the next one? Next, please. | 0:11:19 | 0:11:21 | |
E3... | 0:11:22 | 0:11:24 | |
THEY WHISPER | 0:11:24 | 0:11:27 | |
Postcodes? | 0:11:27 | 0:11:29 | |
Next, please. | 0:11:32 | 0:11:33 | |
S6. | 0:11:35 | 0:11:37 | |
They're points of the compass rather than postcodes. | 0:11:37 | 0:11:40 | |
Three seconds. | 0:11:48 | 0:11:50 | |
W4. | 0:11:50 | 0:11:53 | |
And why would that be? | 0:11:53 | 0:11:55 | |
We're thinking compass points due north, due east, due south, | 0:11:55 | 0:12:00 | |
due west as London postcodes. | 0:12:00 | 0:12:03 | |
Oh, I see. Yes, unfortunately for you, | 0:12:04 | 0:12:07 | |
that doesn't work as a sequence. | 0:12:07 | 0:12:09 | |
Oscar Men, do you want to have a go for a bonus point? | 0:12:09 | 0:12:11 | |
Yeah, we think it's to do with points on the compass and the clock | 0:12:11 | 0:12:14 | |
as well, so west would be in the same position that nine | 0:12:14 | 0:12:17 | |
-would be on a clock. -So the answer would be...? -W9. | 0:12:17 | 0:12:22 | |
W9 would be the answer. That's what it is. | 0:12:22 | 0:12:25 | |
It's as if the compass were a clock face. | 0:12:25 | 0:12:28 | |
They are postcodes, but the first two would be in London and | 0:12:28 | 0:12:32 | |
then Sheffield and then we're going back to London, which I think | 0:12:32 | 0:12:35 | |
is not really a sequence, so I can't take that one. W9 is the answer. | 0:12:35 | 0:12:40 | |
Bonus point for you there, Oscar Men, | 0:12:40 | 0:12:42 | |
and which question would you like? | 0:12:42 | 0:12:43 | |
-Horned Viper, please. -The Horned Viper. | 0:12:43 | 0:12:46 | |
What would come fourth in this sequence? Here's the first. | 0:12:46 | 0:12:49 | |
Right, could be books of the gospel and big. | 0:12:51 | 0:12:54 | |
-You know about Big Matthew? -Well, get the next one. -Next, please. | 0:12:54 | 0:12:58 | |
OK, well, he was married to Princess Anne. | 0:13:01 | 0:13:04 | |
Something to do with Tom Hanks films? | 0:13:04 | 0:13:07 | |
Oh, yeah, yeah, it could. OK, so, next one. | 0:13:07 | 0:13:11 | |
So, Captain Phillips is the... Well, Big Matthew... | 0:13:13 | 0:13:17 | |
Yeah, yeah. Shall we go for the next one? Can we go for the next? | 0:13:17 | 0:13:21 | |
Three seconds. | 0:13:26 | 0:13:28 | |
Matthew, Mark, Luke, John... | 0:13:30 | 0:13:33 | |
Yeah, John. | 0:13:33 | 0:13:35 | |
I need an answer. | 0:13:35 | 0:13:37 | |
Saving John Private Ryan. | 0:13:37 | 0:13:40 | |
Would be an acceptable answer. Very well done. | 0:13:40 | 0:13:43 | |
Now, I think you've gone a little bit too sophisticated and that's | 0:13:43 | 0:13:46 | |
why you've hamstrung yourselves trying to give an example. | 0:13:46 | 0:13:49 | |
What is the sequence? | 0:13:49 | 0:13:51 | |
It's Tom Hanks films with the Matthew, Mark, Luke and John | 0:13:51 | 0:13:54 | |
-from the Testaments, isn't it? -That's right. | 0:13:54 | 0:13:57 | |
It's Tom Hanks films with added evangelists, but the Tom Hanks | 0:13:57 | 0:14:01 | |
films are not in a sequence. There were a lot of films between | 0:14:01 | 0:14:04 | |
Big and Captain Phillips, I mean, he had a whole career. | 0:14:04 | 0:14:07 | |
The sequence is the Evangelists, Matthew, Mark, Luke and John, | 0:14:07 | 0:14:10 | |
so any Tom Hanks film with John in the title, | 0:14:10 | 0:14:13 | |
we've gone with Turner John & Hooch. | 0:14:13 | 0:14:16 | |
So, well done. | 0:14:16 | 0:14:17 | |
-Maltsters, what would you like? -Two Reeds, please. -Two Reeds. OK. | 0:14:17 | 0:14:21 | |
What will come fourth in this sequence? Here's the first. | 0:14:21 | 0:14:23 | |
Next, please. | 0:14:29 | 0:14:30 | |
Anything? | 0:14:34 | 0:14:37 | |
No? | 0:14:39 | 0:14:41 | |
Next, please. | 0:14:42 | 0:14:43 | |
They're not CSI... | 0:14:47 | 0:14:49 | |
THEY WHISPER | 0:14:49 | 0:14:52 | |
-Have you got anything? -I haven't got anything. | 0:14:57 | 0:15:01 | |
Two seconds. | 0:15:01 | 0:15:03 | |
-Boston. -Why would that be? | 0:15:03 | 0:15:06 | |
Erm, we think they may be iterations of a crime series | 0:15:06 | 0:15:12 | |
with locations in them, although I'm struggling to locate Cyber on a map. | 0:15:12 | 0:15:16 | |
Yes, I can't, I can't come up with a sequence where Boston would fit in | 0:15:16 | 0:15:20 | |
a crime sequence, I'm afraid, | 0:15:20 | 0:15:22 | |
so another bonus chance for you, Oscar Men. | 0:15:22 | 0:15:24 | |
Well, they're all parts of the CSI universe and the first one | 0:15:24 | 0:15:28 | |
-was set in Las Vegas. -I'm afraid I can't take it. | 0:15:28 | 0:15:31 | |
You're closer, but look at that first one, Cyber. | 0:15:31 | 0:15:34 | |
You can't be set in Cyber, it would have to be cyberspace. | 0:15:34 | 0:15:36 | |
It's the titles we're looking at. | 0:15:36 | 0:15:38 | |
So CSI and we're going backwards, CSI: Cyber, | 0:15:38 | 0:15:42 | |
CSI: NY, CSI: Miami, CSI: Crime Scene Investigation. | 0:15:42 | 0:15:45 | |
It's as simple as that. | 0:15:45 | 0:15:47 | |
It can't be the location, because Cyber is not in itself a location, | 0:15:47 | 0:15:50 | |
but just Crime Scene Investigation is what we wanted to hear. | 0:15:50 | 0:15:54 | |
No bonus, then, Oscar Men, but you may choose a question. | 0:15:54 | 0:15:57 | |
-Can we go with Water, please? -Water. You absolutely may. | 0:15:57 | 0:16:00 | |
What would come fourth in this sequence? Here's the first. | 0:16:00 | 0:16:03 | |
OK, next. | 0:16:07 | 0:16:09 | |
Karol with a K. Pope Karol. | 0:16:09 | 0:16:13 | |
-It's Popes' first names. -Yeah. Pope Karol Wojtyla, wasn't it? | 0:16:13 | 0:16:17 | |
-Yeah, so... -So...the next to Karol Wojtyla would be the... | 0:16:17 | 0:16:22 | |
The current fellow. | 0:16:22 | 0:16:26 | |
-It's the Argentinian guy, ain't it? -Yeah, so... | 0:16:26 | 0:16:30 | |
Shall we go for next? | 0:16:30 | 0:16:32 | |
-No. -I'm afraid I need an answer now. | 0:16:32 | 0:16:35 | |
The current Pope's first name which I believe might be...Miguel. | 0:16:35 | 0:16:40 | |
Not the answer, I'm afraid, so I'm going to show the third | 0:16:40 | 0:16:43 | |
in the sequence to the Maltsters for a possible bonus point. | 0:16:43 | 0:16:47 | |
Alfonso? | 0:16:47 | 0:16:48 | |
Why not Manuel? No, it isn't. Now, you're all right. | 0:16:50 | 0:16:55 | |
We're looking at the first names of popes | 0:16:55 | 0:16:58 | |
and Pope Francis is Jorge Bergoglio. | 0:16:58 | 0:17:01 | |
Jorge. | 0:17:01 | 0:17:02 | |
But not any of the Spanish names that you came up with there, | 0:17:02 | 0:17:05 | |
I'm afraid. | 0:17:05 | 0:17:07 | |
But you may have a question, Maltsters - which would you like? | 0:17:07 | 0:17:10 | |
-Eye of Horus, please. -Eye of Horus. OK. | 0:17:10 | 0:17:12 | |
These are going to be picture clues. | 0:17:12 | 0:17:13 | |
What kind of thing would you expect to see in the fourth picture? | 0:17:13 | 0:17:16 | |
Here's the first. | 0:17:16 | 0:17:17 | |
A chamber... | 0:17:19 | 0:17:23 | |
-OK. Next one? -Yeah. -Next, please. | 0:17:23 | 0:17:26 | |
That's The Prisoner... | 0:17:26 | 0:17:29 | |
Yeah. McGoohan. The Prisoner. | 0:17:29 | 0:17:32 | |
He's Number Six. How many...? There's five in there. | 0:17:32 | 0:17:36 | |
He was Number Six. Do we need something that's number eight? | 0:17:36 | 0:17:40 | |
Shall we go for it? | 0:17:40 | 0:17:42 | |
THEY WHISPER | 0:17:42 | 0:17:44 | |
Yeah. Shall we go for it? | 0:17:48 | 0:17:50 | |
We'll say an eight ball from a set of pool balls. | 0:17:52 | 0:17:55 | |
And why would that be? | 0:17:55 | 0:17:57 | |
Because we think that Number Six certainly, Patrick McGoohan in | 0:17:57 | 0:18:02 | |
The Prisoner, the first one seems to be number five of the | 0:18:02 | 0:18:07 | |
chambers in the revolver. | 0:18:07 | 0:18:09 | |
Oh, gosh. | 0:18:10 | 0:18:12 | |
Unfortunately...I don't think you can say that about | 0:18:12 | 0:18:16 | |
a revolver, because it depends where you spin it, doesn't it? | 0:18:16 | 0:18:20 | |
They're not numbered officially in that way, | 0:18:20 | 0:18:22 | |
so that's just a particular one, so I see your logic, but I'm | 0:18:22 | 0:18:26 | |
afraid that's not a sequence, | 0:18:26 | 0:18:27 | |
so I'm going to show the third to the Oscar Men. | 0:18:27 | 0:18:30 | |
You'll see that wouldn't work in your sequence either. | 0:18:30 | 0:18:32 | |
There's a possible bonus point. | 0:18:32 | 0:18:34 | |
OK. | 0:18:34 | 0:18:35 | |
OK, these are the words that appear after the "The" in the | 0:18:35 | 0:18:38 | |
Harry Potter novels and we believe the next one would be order. | 0:18:38 | 0:18:44 | |
Is the right answer. Very well done. | 0:18:44 | 0:18:46 | |
Chamber as in The Chamber Of Secrets, | 0:18:46 | 0:18:49 | |
The Prisoner Of Azkaban, | 0:18:49 | 0:18:51 | |
The Goblet Of Fire and The Order Of The Phoenix. | 0:18:51 | 0:18:53 | |
They are Harry Potter books, | 0:18:53 | 0:18:55 | |
those titles, and the words that come after "The." | 0:18:55 | 0:18:57 | |
Well done for the bonus point and the last question of the round | 0:18:57 | 0:19:01 | |
does go to you. The Twisted Flax. | 0:19:01 | 0:19:03 | |
What will come fourth in this sequence? Here's the first. | 0:19:03 | 0:19:06 | |
Right. Richard I gave to John. OK. | 0:19:09 | 0:19:13 | |
Can we go next, please? | 0:19:13 | 0:19:16 | |
Charles II to James II. | 0:19:16 | 0:19:18 | |
Right. Erm... | 0:19:18 | 0:19:20 | |
-Any ideas on that? -Richard I and John were brothers, weren't they? | 0:19:22 | 0:19:26 | |
Were they? So can these brothers go into the next brother? So... | 0:19:26 | 0:19:28 | |
It would be... | 0:19:28 | 0:19:31 | |
Edward VIII to...George VI, I'd imagine, if that's the theme. | 0:19:31 | 0:19:36 | |
Oh, the final one would be...? OK. | 0:19:36 | 0:19:38 | |
So we're going to try for that, are we? | 0:19:38 | 0:19:40 | |
Do we go for that one? A lot history in between... | 0:19:40 | 0:19:45 | |
-Two seconds. -OK. | 0:19:45 | 0:19:46 | |
-Howard, do you want to take that one? -Edward VIII to George VI. | 0:19:46 | 0:19:51 | |
Is the right answer. Very well done for three points. | 0:19:51 | 0:19:53 | |
And what's the sequence? | 0:19:53 | 0:19:55 | |
The Kings were brothers, like, who followed on from each other. | 0:19:55 | 0:19:59 | |
That's right. British monarchs who are succeeded by their brothers, | 0:19:59 | 0:20:02 | |
rather than a child as is more normal, | 0:20:02 | 0:20:04 | |
and the next ones along would | 0:20:04 | 0:20:06 | |
be George IV William IV and then the answer Edward VIII and George VI. | 0:20:06 | 0:20:10 | |
Well done. | 0:20:10 | 0:20:11 | |
At the end of Round Two, | 0:20:11 | 0:20:13 | |
the Maltsters have 3 points, the Oscar Men have 15. | 0:20:13 | 0:20:16 | |
So it is the Connecting Wall now | 0:20:19 | 0:20:20 | |
and the Oscar Men will be going first this time. | 0:20:20 | 0:20:23 | |
-You have a choice - Lion or Water? -We'll go with Lion, please. -Lion. | 0:20:23 | 0:20:27 | |
You have two and a half minutes to solve this wall starting now. | 0:20:27 | 0:20:31 | |
You've got names for dogs as well. | 0:20:35 | 0:20:38 | |
Common name for animals. | 0:20:38 | 0:20:40 | |
-Dogs, Pooch. -Nag for horse. | 0:20:40 | 0:20:43 | |
Kitty... You've got... | 0:20:43 | 0:20:46 | |
Shall we do Pooch, Nag, | 0:20:46 | 0:20:47 | |
Kitty and Jumbo? | 0:20:47 | 0:20:49 | |
OK. That's good, that's one | 0:20:49 | 0:20:50 | |
off the board there. Right. | 0:20:50 | 0:20:52 | |
Yeah, Walter Hill. What can be another one? | 0:20:54 | 0:20:57 | |
We've got Carpenter and Hill, those are two directors, aren't they? | 0:20:57 | 0:21:00 | |
What about Black? | 0:21:00 | 0:21:02 | |
-I can't see any others, no. -No? OK. | 0:21:02 | 0:21:04 | |
-Anybody Bough? -Frank Bough. | 0:21:04 | 0:21:08 | |
BUZZ | 0:21:11 | 0:21:12 | |
We'll go with that one for the moment. | 0:21:12 | 0:21:14 | |
-Pot Plant. -Yeah. | 0:21:14 | 0:21:16 | |
-Pot Black. -Pot Shot. | 0:21:16 | 0:21:18 | |
OK, we've got that one, as well. | 0:21:18 | 0:21:20 | |
Three strikes and you're out now. | 0:21:20 | 0:21:21 | |
So, let's make sure | 0:21:21 | 0:21:22 | |
we don't do any of that. | 0:21:22 | 0:21:24 | |
Slate you can mine... | 0:21:24 | 0:21:25 | |
Let's look at words. So Carpenter, | 0:21:25 | 0:21:27 | |
Carpet, Hill, Rider, Roast, Ash. | 0:21:27 | 0:21:30 | |
Oh, Ash, is there any trees in here we could have? No. No. OK. Late... | 0:21:30 | 0:21:36 | |
Can't we think about the directors again? | 0:21:38 | 0:21:42 | |
Carpenter, Hill. | 0:21:42 | 0:21:43 | |
Let's go for... | 0:21:43 | 0:21:45 | |
-No, it doesn't look very promising. -BUZZ | 0:21:45 | 0:21:48 | |
OK. Bough. Carpenter... | 0:21:50 | 0:21:52 | |
Frank Bough, Carpenter, Hill... | 0:21:52 | 0:21:56 | |
-We need... -Oh, Rider. Rider. | 0:21:56 | 0:21:59 | |
That's it, you've solved the wall. Very well done. | 0:21:59 | 0:22:02 | |
Now, what about some points for the connections? | 0:22:02 | 0:22:04 | |
The first blue group - Kitty, Jumbo, Nag, Pooch. | 0:22:04 | 0:22:08 | |
These are affectionate names for types of animals, so Kitty | 0:22:08 | 0:22:11 | |
being a cat, Jumbo, elephant, Nag, horse, Pooch, dog. | 0:22:11 | 0:22:14 | |
Slang names for animals, and the green group, starting Black. | 0:22:14 | 0:22:18 | |
-All can be proceeded with the word pot. -They can. | 0:22:18 | 0:22:21 | |
Pot black, pot shot, potluck, pot plant. | 0:22:21 | 0:22:24 | |
And what about this next one starting Carpenter? | 0:22:24 | 0:22:26 | |
These are... | 0:22:26 | 0:22:28 | |
-basically sporting commentators. -They are sports broadcasters. | 0:22:28 | 0:22:32 | |
And what about this final turquoise group, starting Carpet? | 0:22:32 | 0:22:36 | |
Erm...could they all be things that you sweep? | 0:22:36 | 0:22:41 | |
They are not all things that you sweep, although frankly, | 0:22:41 | 0:22:44 | |
my roasts are best swept straight into the bin. | 0:22:44 | 0:22:47 | |
No, you're not seeing it. | 0:22:47 | 0:22:48 | |
They're synonyms for each other, they mean to upbraid, | 0:22:48 | 0:22:50 | |
to carpet someone, to give them a roast, to trash someone's reputation | 0:22:50 | 0:22:54 | |
or slate, you know, to criticise or insult or otherwise upbraid | 0:22:54 | 0:22:58 | |
someone, but you found four groups, | 0:22:58 | 0:23:00 | |
three points for the connections, that is a total of seven. | 0:23:00 | 0:23:04 | |
Let's bring in their opponents now, give them a new Connecting Wall | 0:23:04 | 0:23:07 | |
and see what they can do about solving it. | 0:23:07 | 0:23:09 | |
Hello again, Maltsters. | 0:23:09 | 0:23:11 | |
The Lion's been taken, so Water is all that is available to you. | 0:23:11 | 0:23:13 | |
You have two and a half minutes to solve this one, starting now. | 0:23:13 | 0:23:18 | |
Drive roller, carriage release - | 0:23:24 | 0:23:26 | |
they look like part of some kind of... | 0:23:26 | 0:23:29 | |
We've got some 3D figures - | 0:23:30 | 0:23:33 | |
Spheroid, Cylinder, Prism, Cone. | 0:23:33 | 0:23:36 | |
-Shall we try those? -Yeah, go for that. | 0:23:36 | 0:23:40 | |
BUZZ | 0:23:40 | 0:23:41 | |
No. Is there another one? | 0:23:41 | 0:23:43 | |
Tetrahedron. | 0:23:43 | 0:23:45 | |
Tetrahedron, Spheroid, | 0:23:45 | 0:23:47 | |
-Prism, Cylinder. -BUZZ | 0:23:47 | 0:23:51 | |
Try it with Cone. | 0:23:51 | 0:23:53 | |
Yes. OK. | 0:23:53 | 0:23:55 | |
-So, Key... -I think Suffolk punch, Rum punch. | 0:23:55 | 0:23:59 | |
Oh, yeah, that's not bad. Yeah. | 0:23:59 | 0:24:02 | |
Bolo punch? Rabbit punch. | 0:24:02 | 0:24:04 | |
-Yeah. -Try those? -Yeah. | 0:24:04 | 0:24:06 | |
-BUZZ. -No. OK. Is there another one? | 0:24:08 | 0:24:10 | |
Key... | 0:24:10 | 0:24:13 | |
-Parts of a typewriter? -Golf ball's part of a typewriter, isn't it? | 0:24:13 | 0:24:16 | |
Carriage release...Drive roller and Key. | 0:24:16 | 0:24:22 | |
-BUZZ -OK. What about Cylinder in there? | 0:24:22 | 0:24:25 | |
Golf ball, Drive roller, Carriage release, Cylinder. Yes. | 0:24:25 | 0:24:28 | |
-Three strikes and you're out now. -So, we've got... | 0:24:28 | 0:24:31 | |
-Wuss, Chicken, Rabbit, are all terms for coward. -Yeah. | 0:24:31 | 0:24:37 | |
Suffolk Punch, Bolo punch, Key punch? That could be, I suppose? | 0:24:37 | 0:24:41 | |
Did you say rabbit punch? Because Rum can't be... | 0:24:43 | 0:24:46 | |
Well, there is rabbit punch, but it's more in this... | 0:24:46 | 0:24:51 | |
So I'm thinking those three and that one, and then the others - | 0:24:51 | 0:24:54 | |
are we happy with Punch for that, if that's right? | 0:24:54 | 0:24:57 | |
-Reasonably. -OK. | 0:24:57 | 0:24:58 | |
That's it. You've solved the wall. Very well done. | 0:24:58 | 0:25:02 | |
Four points immediately and what about the connections? | 0:25:02 | 0:25:05 | |
Cone, Prism, Spheroid, Tetrahedron. | 0:25:05 | 0:25:08 | |
They are... What's the word? | 0:25:08 | 0:25:11 | |
Three-dimensional geometric figures. | 0:25:11 | 0:25:14 | |
That's it, they're solid shapes and figures in mathematics. | 0:25:14 | 0:25:17 | |
And the green group - Carriage release, Cylinder, | 0:25:17 | 0:25:20 | |
Drive roller, Golf ball. | 0:25:20 | 0:25:22 | |
-Parts of a typewriter. -They are parts of a typewriter. | 0:25:22 | 0:25:26 | |
What about the next one, starting Rabbit? | 0:25:26 | 0:25:29 | |
-They are slang insults for cowardice. -That's right, yes. | 0:25:29 | 0:25:35 | |
Being a bit of a scaredy-cat, that's that one. | 0:25:35 | 0:25:37 | |
And the turquoise group - Key, Bolo, Suffolk, Rum. | 0:25:37 | 0:25:42 | |
-We think they can all be followed by the word punch. -They can. | 0:25:42 | 0:25:45 | |
You found all four groups and you told me all the connections. | 0:25:45 | 0:25:49 | |
I will give you a bonus for getting it all correct. | 0:25:49 | 0:25:51 | |
That is the maximum of ten. | 0:25:51 | 0:25:52 | |
Let's have a look at the scores going into the final round. | 0:25:52 | 0:25:55 | |
And if you know your rum punches from your Suffolks, then why not | 0:26:02 | 0:26:05 | |
apply to be a contestant on the next series of Only Connect? | 0:26:05 | 0:26:08 | |
Go to the website... | 0:26:08 | 0:26:11 | |
to find out how to do that. | 0:26:11 | 0:26:13 | |
The Missing Vowels round will decide who goes on to Round Two | 0:26:13 | 0:26:17 | |
and who goes home. Fingers on buzzers, teams. | 0:26:17 | 0:26:21 | |
I can tell you that the first group | 0:26:21 | 0:26:23 | |
are all winners of | 0:26:23 | 0:26:25 | |
Beard of the Year. | 0:26:25 | 0:26:27 | |
Maltsters. | 0:26:30 | 0:26:31 | |
-Jeremy Corbyn. -Correct. | 0:26:31 | 0:26:32 | |
Maltsters. | 0:26:35 | 0:26:36 | |
-Rowan Williams. -Yes, it is. | 0:26:36 | 0:26:38 | |
Oscar Men. | 0:26:41 | 0:26:43 | |
-Michael Eavis. -Well done. | 0:26:43 | 0:26:44 | |
Oscar Men. | 0:26:47 | 0:26:48 | |
-Gerry Adams. -Indeed. Next category. | 0:26:48 | 0:26:51 | |
Maltsters. | 0:26:56 | 0:26:58 | |
-Heresy and anger. -Well spotted. | 0:26:58 | 0:27:00 | |
Oscar Men. | 0:27:03 | 0:27:05 | |
-Guilty, guilt and... -Not the answer, I'm afraid. | 0:27:05 | 0:27:07 | |
Maltsters, do you know? | 0:27:07 | 0:27:09 | |
-Gluttony and lust. -That's right. | 0:27:09 | 0:27:11 | |
Maltsters. | 0:27:15 | 0:27:16 | |
-Treachery and greed. -Yes, it is. | 0:27:16 | 0:27:18 | |
Maltsters. | 0:27:23 | 0:27:25 | |
-Violence and fraud. -Correct. Next category... | 0:27:25 | 0:27:29 | |
Maltsters. | 0:27:32 | 0:27:33 | |
-Great hammerhead. -Correct. | 0:27:33 | 0:27:35 | |
Don't know this one? It's cookiecutter shark. | 0:27:43 | 0:27:45 | |
But there will be no more clues, because the bell has gone for | 0:27:49 | 0:27:53 | |
the end of the quiz and what a great Round Four | 0:27:53 | 0:27:55 | |
that was for you, Maltsters. | 0:27:55 | 0:27:56 | |
I can reveal that the winners with 23 points and going through | 0:27:56 | 0:28:00 | |
to Round Two are still the Oscar Men. | 0:28:00 | 0:28:03 | |
Very well played. | 0:28:03 | 0:28:06 | |
Well, that was fantastic stuff, Maltsters. | 0:28:06 | 0:28:08 | |
It wasn't quite enough to make up | 0:28:08 | 0:28:09 | |
for the deficit earlier, | 0:28:09 | 0:28:11 | |
but really great missing vowling | 0:28:11 | 0:28:13 | |
from you, and you know, | 0:28:13 | 0:28:14 | |
as you listed what it said on my CV - | 0:28:14 | 0:28:16 | |
the gluttony, the lust, | 0:28:16 | 0:28:18 | |
the treachery, the violence and fraud, | 0:28:18 | 0:28:20 | |
you know it brought a tear to my eye. | 0:28:20 | 0:28:21 | |
Thank you very much for playing and that's the end of the show. | 0:28:21 | 0:28:25 | |
Thank you for watching and for not switching over to ITV to see | 0:28:25 | 0:28:28 | |
someone fail to win a holiday off Ant and Dec. | 0:28:28 | 0:28:31 | |
Goodbye. | 0:28:31 | 0:28:32 |