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Hello and welcome to Only Connect, | 0:00:21 | 0:00:23 | |
the quiz which knows that the obvious just isn't satisfying. | 0:00:23 | 0:00:27 | |
There's more pleasure in illusion and suggestion. | 0:00:27 | 0:00:30 | |
You don't have to spell everything out. | 0:00:30 | 0:00:31 | |
For example, when the poet refers to a | 0:00:31 | 0:00:34 | |
"wee, sleekit, cow'rin, tim'rous beastie," | 0:00:34 | 0:00:37 | |
we all know which beasties he's talking about. | 0:00:37 | 0:00:39 | |
We can all picture the small, nervous, hairy, | 0:00:39 | 0:00:43 | |
hunched, twitching, beady-eyed creatures. | 0:00:43 | 0:00:46 | |
Let's meet the teams. | 0:00:46 | 0:00:49 | |
On my right, Paddy Stronach, a former electrochemist | 0:00:49 | 0:00:53 | |
who has eaten llama meat and fished for piranhas on the Amazon. | 0:00:53 | 0:00:57 | |
Michael Wilson, a software developer who enjoys | 0:00:57 | 0:01:00 | |
holidaying with his bridge club and is married to the team captain, | 0:01:00 | 0:01:04 | |
Isabelle Heward, a maths graduate | 0:01:04 | 0:01:06 | |
who has been presented with awards by Princess Anne | 0:01:06 | 0:01:09 | |
on two separate occasions. | 0:01:09 | 0:01:11 | |
United by a love of Lincolnshire, they are the Scunthorpe Scholars. | 0:01:11 | 0:01:15 | |
How's your team been preparing for tonight's game? | 0:01:15 | 0:01:17 | |
Well I'm sure the other two have been practising | 0:01:17 | 0:01:20 | |
in some way or another, | 0:01:20 | 0:01:22 | |
while I've actually just been eating great blocks of chocolate | 0:01:22 | 0:01:26 | |
and drinking draught cider. | 0:01:26 | 0:01:27 | |
I'm definitely going to try that this evening. | 0:01:27 | 0:01:30 | |
Possibly during the show. | 0:01:30 | 0:01:32 | |
You will be facing tonight, on my left, Ian Wallace, | 0:01:32 | 0:01:37 | |
a bee inspector and former accountant | 0:01:37 | 0:01:39 | |
who is a member of the Western Front Association, | 0:01:39 | 0:01:41 | |
the Collingwood Society, the National Trust, | 0:01:41 | 0:01:43 | |
the National Art Fund and the British Beekeepers Association. | 0:01:43 | 0:01:45 | |
Josh Spero, a journalist with a degree in classics | 0:01:45 | 0:01:48 | |
who is said to be unwelcome in Singapore | 0:01:48 | 0:01:51 | |
after writing unfavourably about the country's art scene. | 0:01:51 | 0:01:55 | |
And their captain, Mark Wallace, an archaeology graduate | 0:01:55 | 0:01:58 | |
who enjoys metal detecting and singing sea shanties. | 0:01:58 | 0:02:01 | |
United by a taste for honey, they are the Beekeepers. | 0:02:01 | 0:02:05 | |
And how have you been preparing for tonight? | 0:02:05 | 0:02:07 | |
A lot of honey tasting, | 0:02:07 | 0:02:08 | |
endless anecdotes about bees and their behaviour, | 0:02:08 | 0:02:11 | |
and that's about it. | 0:02:11 | 0:02:12 | |
I notice you share a surname with a team member. | 0:02:12 | 0:02:15 | |
Is that a coincidence? | 0:02:15 | 0:02:17 | |
Ian is my dad, and yes, he's the king of the bees. | 0:02:17 | 0:02:21 | |
Two family teams tonight then. | 0:02:21 | 0:02:23 | |
This could end in carnage. I can't wait. | 0:02:23 | 0:02:26 | |
Let's start with Round One - | 0:02:26 | 0:02:27 | |
what is the connection between four apparently random clues? | 0:02:27 | 0:02:30 | |
Scunthorpe Scholars, you won the toss, you'll be going first. | 0:02:30 | 0:02:33 | |
Please choose an Egyptian hieroglyph. | 0:02:33 | 0:02:35 | |
Lion, please. | 0:02:35 | 0:02:36 | |
Lion will be the first question of the match. | 0:02:36 | 0:02:39 | |
What is the connection between these clues? | 0:02:39 | 0:02:41 | |
Here's the first. | 0:02:41 | 0:02:42 | |
Next, please. | 0:02:46 | 0:02:48 | |
Shall I carry on? Next, please. | 0:02:51 | 0:02:53 | |
We've still got quite a bit of time | 0:03:00 | 0:03:01 | |
but I really... | 0:03:01 | 0:03:03 | |
Do you want me to get the fourth? | 0:03:03 | 0:03:04 | |
I think so. Yes, please. | 0:03:04 | 0:03:05 | |
Next, please. | 0:03:05 | 0:03:07 | |
Required fields... | 0:03:08 | 0:03:10 | |
Is this something... | 0:03:10 | 0:03:11 | |
Three seconds. | 0:03:19 | 0:03:20 | |
BUZZER | 0:03:20 | 0:03:22 | |
What am I saying? | 0:03:22 | 0:03:23 | |
Mandatory. | 0:03:23 | 0:03:26 | |
Not something that connects all the clues, I'm afraid. | 0:03:27 | 0:03:30 | |
Beekeepers, do you want to have a go | 0:03:30 | 0:03:31 | |
for a bonus point? | 0:03:31 | 0:03:32 | |
Is it the star symbol? | 0:03:32 | 0:03:35 | |
The star symbol or the asterisk | 0:03:35 | 0:03:37 | |
denotes all of these. | 0:03:37 | 0:03:39 | |
Talk me through the clues. | 0:03:39 | 0:03:41 | |
So, ungrammatical string follows, not sure, | 0:03:41 | 0:03:44 | |
-must be computer programming of some description. -Yeah. | 0:03:44 | 0:03:46 | |
Multiply, that's Excel spreadsheets. | 0:03:46 | 0:03:49 | |
We can use the asterisk to multiply. | 0:03:49 | 0:03:52 | |
"Not out" in cricket, | 0:03:52 | 0:03:53 | |
and required field... | 0:03:53 | 0:03:55 | |
When you have newsletters, | 0:03:55 | 0:03:56 | |
it says name, asterisk. | 0:03:56 | 0:03:58 | |
That's right, especially on online forms. | 0:03:58 | 0:04:00 | |
The first one is in linguistics. It's like the word "sic". | 0:04:00 | 0:04:02 | |
It indicates that an ungrammatical string is about to follow. | 0:04:02 | 0:04:05 | |
That asterisk shows that they know that it's ungrammatical, | 0:04:05 | 0:04:08 | |
but it's happening anyway. | 0:04:08 | 0:04:09 | |
So well done, you get a bonus and your chance to choose. | 0:04:09 | 0:04:12 | |
-Twisted Flax, please. -The Twisted Flax. | 0:04:12 | 0:04:15 | |
Well, it's the music question. | 0:04:15 | 0:04:17 | |
How lovely. What connects the clues you're about to hear? | 0:04:17 | 0:04:21 | |
The first one is coming in now. | 0:04:21 | 0:04:23 | |
# Hey now | 0:04:23 | 0:04:26 | |
# Where you going with that UB40 in your hand? # | 0:04:26 | 0:04:31 | |
Next, please. | 0:04:31 | 0:04:33 | |
# It's quite a struggle every day... # | 0:04:33 | 0:04:36 | |
Is this Cilla Black? | 0:04:36 | 0:04:38 | |
# Living on your father's pay... # | 0:04:38 | 0:04:40 | |
Next please. | 0:04:40 | 0:04:42 | |
# I am bound on a Yankee clipper ship | 0:04:42 | 0:04:47 | |
# Davy Crockett is her name | 0:04:47 | 0:04:51 | |
# And her Captain's name was Burgess... # | 0:04:51 | 0:04:55 | |
-BUZZER -Liverpool. | 0:04:55 | 0:04:58 | |
Is the right answer. What did we hear? | 0:04:58 | 0:05:00 | |
We're not sure, but they had... | 0:05:00 | 0:05:02 | |
It was Oh, You're A Mucky Kid by Cilla Black. | 0:05:02 | 0:05:05 | |
Liverpool Lullaby is the title. Yep. | 0:05:05 | 0:05:08 | |
The third one was The Leaving Of Liverpool. | 0:05:08 | 0:05:11 | |
-That's right. -I don't know what the first one was. | 0:05:11 | 0:05:13 | |
It was Going Down To Liverpool. | 0:05:13 | 0:05:14 | |
That was performed by The Bangles. | 0:05:14 | 0:05:16 | |
You didn't need to hear Long-Haired Lover From Liverpool, | 0:05:16 | 0:05:19 | |
-Jimmy Osmond. But you didn't need that one. -Of course. | 0:05:19 | 0:05:21 | |
Coming in after three clues, you get two points. Very well done. | 0:05:21 | 0:05:25 | |
Scholars, what would you like? | 0:05:25 | 0:05:27 | |
-Water, please. -The water question. | 0:05:27 | 0:05:29 | |
OK. What is the connection between these clues? Here's the first. | 0:05:29 | 0:05:32 | |
Actaeon spotted Artemis and was killed by his own stag, wasn't he? | 0:05:39 | 0:05:44 | |
Next, please. | 0:05:45 | 0:05:47 | |
-Animals' transformation, isn't it? -Yeah. | 0:05:48 | 0:05:53 | |
-The character was transformed into that animal by that god. -Right. | 0:05:53 | 0:05:58 | |
BUZZER | 0:05:58 | 0:06:00 | |
It's transformations. | 0:06:00 | 0:06:02 | |
The god Zeus turned Io into a cow. | 0:06:02 | 0:06:09 | |
Artemis turned Actaeon into a stag. | 0:06:09 | 0:06:12 | |
That is absolutely right. | 0:06:12 | 0:06:13 | |
They are a transformations | 0:06:13 | 0:06:15 | |
performed by Greek gods, | 0:06:15 | 0:06:16 | |
usually as punishments. | 0:06:16 | 0:06:18 | |
Very well done. | 0:06:18 | 0:06:19 | |
Beekeepers, what would you like? | 0:06:19 | 0:06:21 | |
-Two Reeds, please. -Two Reeds. OK. | 0:06:21 | 0:06:23 | |
What is the connection between these clues? Here's the first. | 0:06:23 | 0:06:26 | |
Next, please. | 0:06:30 | 0:06:32 | |
Next, please. | 0:06:45 | 0:06:46 | |
Shall we go next? Next, please. | 0:06:54 | 0:06:56 | |
BUZZER | 0:07:03 | 0:07:05 | |
-Hello? -These are... | 0:07:06 | 0:07:07 | |
Referencing Disney films. | 0:07:07 | 0:07:09 | |
Disney references. | 0:07:09 | 0:07:11 | |
-Oh, really? -By famous musicians. | 0:07:11 | 0:07:13 | |
Boring and Sick, Madness. | 0:07:13 | 0:07:16 | |
-That'll be a nice summary of Disney. -Straight to DVD. | 0:07:16 | 0:07:19 | |
SHE LAUGHS | 0:07:19 | 0:07:21 | |
I'm afraid that's an inspired guess, but not the right answer. | 0:07:21 | 0:07:24 | |
Scunthorpe Scholars, do you know what this is? | 0:07:24 | 0:07:26 | |
Well, we think, obviously it's that the groups did songs, | 0:07:27 | 0:07:30 | |
and so Motorhead did a song called Who Killed Bambi? | 0:07:30 | 0:07:33 | |
Bambi's mother. | 0:07:34 | 0:07:36 | |
I mean, they're so nearly, except it would be only that clue | 0:07:36 | 0:07:38 | |
and it's the Sex Pistols. | 0:07:38 | 0:07:40 | |
But other than that, it would be a brilliant answer. | 0:07:40 | 0:07:43 | |
No, these are episodes of The Young Ones. | 0:07:43 | 0:07:46 | |
So, you remember on The Young Ones, there used to be a band performing? | 0:07:46 | 0:07:49 | |
And the reason for that was that variety shows | 0:07:49 | 0:07:52 | |
got a lot more money than sitcoms, so if they had a band on each week | 0:07:52 | 0:07:55 | |
they could say it was a variety show and get more money. | 0:07:55 | 0:07:57 | |
So there was always a band and these are the episodes | 0:07:57 | 0:08:00 | |
in which these bands appeared. | 0:08:00 | 0:08:01 | |
Madness were in two different episodes, Boring and Sick. | 0:08:01 | 0:08:05 | |
So, no points there. But, Scholars, you may choose your own question. | 0:08:05 | 0:08:08 | |
-Horned Viper, please. -The Viper. OK. | 0:08:08 | 0:08:11 | |
What is the connection between these clues? Here's the first. | 0:08:11 | 0:08:14 | |
Next, please. | 0:08:19 | 0:08:21 | |
Next, please. | 0:08:30 | 0:08:31 | |
Next, please. | 0:08:45 | 0:08:47 | |
Three seconds. | 0:08:51 | 0:08:52 | |
BUZZER | 0:08:52 | 0:08:54 | |
The location of marathons in those cities in those months. | 0:08:54 | 0:09:01 | |
I'll accept it. Can you be any more specific? | 0:09:01 | 0:09:04 | |
I think Paddy can be, since he told me the answer. | 0:09:04 | 0:09:08 | |
No, not really, it's just... | 0:09:09 | 0:09:10 | |
It's very specifically where the marathons finish. | 0:09:10 | 0:09:12 | |
It is the locations, yes, the marathons take place | 0:09:12 | 0:09:15 | |
in those places, but particularly where they finish. | 0:09:15 | 0:09:17 | |
In fact, in the case of the Chicago Marathon, | 0:09:17 | 0:09:20 | |
it's the start and the finish. | 0:09:20 | 0:09:22 | |
The others are finishes. But, yes, they are marathon locations. | 0:09:22 | 0:09:25 | |
Keen marathon runner, are you, Paddy? | 0:09:25 | 0:09:28 | |
Oh, yes. Twice a week. | 0:09:28 | 0:09:31 | |
If you had to run the marathon, | 0:09:31 | 0:09:33 | |
how quickly do you think you could do it? | 0:09:33 | 0:09:35 | |
About two days. | 0:09:35 | 0:09:37 | |
Well, well done. That is the right connection. | 0:09:38 | 0:09:41 | |
Beekeepers, what would you like? | 0:09:41 | 0:09:42 | |
-The Eye of Horus, please. -That's just as well. | 0:09:42 | 0:09:44 | |
The Eye of Horus is the question you'll be getting, | 0:09:44 | 0:09:46 | |
these are picture clues of course because we haven't had those yet. | 0:09:46 | 0:09:49 | |
Something connects them. What is it? Time starts now. | 0:09:49 | 0:09:51 | |
Next, please. | 0:09:58 | 0:09:59 | |
Next, please. | 0:10:07 | 0:10:09 | |
-So we go with voices? -Yes, forces. -BUZZER | 0:10:16 | 0:10:18 | |
These are forces. | 0:10:18 | 0:10:20 | |
Can you be more specific? | 0:10:22 | 0:10:24 | |
Forces in physics. | 0:10:24 | 0:10:25 | |
Well, I'll accept that, because I accepted | 0:10:25 | 0:10:27 | |
the general marathons over there. | 0:10:27 | 0:10:29 | |
Yes, and specifically forces that act on aircraft. | 0:10:29 | 0:10:33 | |
What are we looking at? | 0:10:33 | 0:10:34 | |
So we're looking at mass or weight, drag, thrust, and lift. | 0:10:34 | 0:10:41 | |
You didn't need to see lift of course, but that's right, | 0:10:41 | 0:10:43 | |
they're forces in physics and particularly aircraft | 0:10:43 | 0:10:46 | |
we were thinking of. | 0:10:46 | 0:10:47 | |
That means at the end of Round One, | 0:10:47 | 0:10:50 | |
the Scunthorpe Scholars have four points, | 0:10:50 | 0:10:51 | |
the Beekeepers have five. | 0:10:51 | 0:10:54 | |
On to Round Two, the sequences round and Scunthorpe Scholars, | 0:10:56 | 0:10:59 | |
-you'll be going first again, please choose a question. -Lion, please. | 0:10:59 | 0:11:02 | |
Lion. OK. I'd like to know what will come fourth in this sequence. | 0:11:02 | 0:11:06 | |
Here's the first. | 0:11:06 | 0:11:07 | |
Next, please. | 0:11:11 | 0:11:13 | |
Next, please. | 0:11:27 | 0:11:29 | |
Indonesia has the highest proportion.... | 0:11:33 | 0:11:36 | |
Yeah, I think China is the biggest... | 0:11:36 | 0:11:39 | |
-so it's got to be Christianity... -In the USA? | 0:11:39 | 0:11:43 | |
Three seconds. BUZZER | 0:11:43 | 0:11:45 | |
-Christianity, USA. -Is the right answer. And why is that? | 0:11:48 | 0:11:52 | |
Those religions, those countries have got the biggest proportion. | 0:11:54 | 0:11:59 | |
I'm not putting this very well, am I? | 0:11:59 | 0:12:01 | |
Those are the countries where those religions have the biggest | 0:12:01 | 0:12:04 | |
population and it's in order of the biggest religions. | 0:12:04 | 0:12:07 | |
Well spotted. | 0:12:07 | 0:12:08 | |
Beekeepers, what would you like? | 0:12:08 | 0:12:10 | |
-The Horned Viper, please. -The Horned Viper. | 0:12:10 | 0:12:12 | |
What would come fourth in this sequence? Here's the first. | 0:12:12 | 0:12:15 | |
Next, please. | 0:12:24 | 0:12:26 | |
So they must be the number of Oscars or time for... | 0:12:29 | 0:12:32 | |
Shall we have another? | 0:12:34 | 0:12:36 | |
-Shall have another one and see? -Another, please. | 0:12:38 | 0:12:41 | |
..Tom Hanks film? | 0:12:47 | 0:12:49 | |
Three seconds. | 0:12:51 | 0:12:53 | |
BUZZER | 0:12:53 | 0:12:54 | |
Schindler's List. | 0:12:54 | 0:12:56 | |
That wouldn't be a sequence, | 0:12:56 | 0:12:57 | |
I'm afraid, so there's a bonus chance | 0:12:57 | 0:12:59 | |
for the Scunthorpe Scholars. | 0:12:59 | 0:13:01 | |
-Forrest Gump. -And why would that be? | 0:13:02 | 0:13:05 | |
It's to do with Tom Hanks films | 0:13:05 | 0:13:07 | |
and other than that, | 0:13:07 | 0:13:08 | |
it's just vague inspiration. | 0:13:08 | 0:13:10 | |
Tom Hanks is in all these films, | 0:13:10 | 0:13:12 | |
the director of all of them | 0:13:12 | 0:13:13 | |
is Stephen Spielberg, | 0:13:13 | 0:13:15 | |
so the collaborations between Steven Spielberg and Tom Hanks, | 0:13:15 | 0:13:18 | |
and the next would be Bridge Of Spies. | 0:13:18 | 0:13:20 | |
Anybody know what happens in Bridge of Spies? | 0:13:20 | 0:13:22 | |
It's the Gary Powers exchange for the Russian spy. On the bridge. | 0:13:22 | 0:13:27 | |
-And the spy grew up not far from where I live. -Oh, really? | 0:13:27 | 0:13:31 | |
Not a very good spy if you know that. | 0:13:31 | 0:13:33 | |
Yes, collaborations of Spielberg and Hanks and the next | 0:13:33 | 0:13:37 | |
would be Bridge Of Spies. No points there, I'm afraid. | 0:13:37 | 0:13:40 | |
-But, Scholars, you may choose a question. -Water, please. -Water. | 0:13:40 | 0:13:44 | |
Well, a music sequence, yes. | 0:13:44 | 0:13:47 | |
What would you expect to hear in fourth place? Here's the first. | 0:13:47 | 0:13:51 | |
# Welcome to a new kind of tension | 0:13:51 | 0:13:54 | |
# All across the alienation | 0:13:54 | 0:13:57 | |
# Where everything isn't meant to be OK... # | 0:13:57 | 0:14:00 | |
Shall we go for next? Next, please. | 0:14:00 | 0:14:03 | |
# All aboard the night train | 0:14:03 | 0:14:06 | |
# Miami, Florida... # | 0:14:12 | 0:14:14 | |
Shall we just go for the next one? Next, please. | 0:14:14 | 0:14:17 | |
# Don't fear the reaper | 0:14:17 | 0:14:19 | |
# Baby, take my hand | 0:14:19 | 0:14:21 | |
# Don't fear the reaper | 0:14:21 | 0:14:23 | |
# We'll be able to fly | 0:14:23 | 0:14:24 | |
# Don't fear the reaper | 0:14:24 | 0:14:26 | |
# Baby, I'm your man... # | 0:14:26 | 0:14:28 | |
Three seconds. BUZZER | 0:14:28 | 0:14:32 | |
-A track by The Bangles. -Well, it's not a bad guess, | 0:14:32 | 0:14:34 | |
cos The Bangles would come in a lot of sequences. | 0:14:34 | 0:14:37 | |
Not this one, I'm afraid. | 0:14:37 | 0:14:38 | |
So, Beekeepers, you've got the chance of a bonus point. | 0:14:38 | 0:14:40 | |
Um... I'm Coming Up by Pink. | 0:14:40 | 0:14:42 | |
Would be an acceptable answer, and why is that? | 0:14:42 | 0:14:46 | |
These are the rising number of points for balls in snooker. | 0:14:46 | 0:14:50 | |
-Yes, it's a snooker sequence. What did we hear? -There was... | 0:14:50 | 0:14:53 | |
Well there was Blue Oyster Cult, Don't Fear The Reaper in there, | 0:14:53 | 0:14:56 | |
-wasn't there? -Mm-hm. -And James Brown... -And Green Day. -Green Day. | 0:14:56 | 0:14:59 | |
So we needed to hear something pink. | 0:14:59 | 0:15:01 | |
Could've been Pink Floyd, you've gone with Pink and I'm Coming Up. | 0:15:01 | 0:15:04 | |
Unfortunately, we don't have that to play in, | 0:15:04 | 0:15:06 | |
but there's no reason why the viewers shouldn't be reminded. | 0:15:06 | 0:15:09 | |
It's very annoying not to know what song people mean, | 0:15:09 | 0:15:11 | |
so we could perhaps help them out with a blast of it. | 0:15:11 | 0:15:13 | |
One, two, three, four. | 0:15:13 | 0:15:15 | |
# I'm coming up, so you better get this party started... # | 0:15:15 | 0:15:20 | |
Fabulous, fabulous, fabulous. | 0:15:20 | 0:15:23 | |
Although the party started hours ago on this show. | 0:15:23 | 0:15:25 | |
For me, it usually starts about six o'clock in the morning. | 0:15:25 | 0:15:29 | |
Very well done, Beekeepers. | 0:15:29 | 0:15:30 | |
You get the bonus point | 0:15:30 | 0:15:32 | |
and what a beautiful rendition of that final clue. | 0:15:32 | 0:15:34 | |
As a reward, you may pick a question. | 0:15:34 | 0:15:36 | |
-The Eye Of Horus, please. -The Eye Of Horus. | 0:15:36 | 0:15:39 | |
What would come fourth in this sequence? Here's the first. | 0:15:39 | 0:15:42 | |
THEY CONFER | 0:15:45 | 0:15:47 | |
Next, please. | 0:15:48 | 0:15:50 | |
F + O + U + R = 8 | 0:16:12 | 0:16:16 | |
Not the answer, I am afraid. | 0:16:16 | 0:16:18 | |
Scunthorpe Scholars, I'm going to show you the third of the sequence. | 0:16:18 | 0:16:21 | |
Let's see if you can get a possible bonus point. | 0:16:21 | 0:16:23 | |
F + O + U + R = 7 | 0:16:23 | 0:16:27 | |
Is the right answer. | 0:16:27 | 0:16:29 | |
-What is this sequence? -It's the scores of those letters in Scrabble. | 0:16:29 | 0:16:35 | |
That's absolutely right. Very well done. | 0:16:35 | 0:16:36 | |
You get the bonus point and you may choose a question. | 0:16:36 | 0:16:39 | |
-Two Reeds, please. -Two Reeds, OK. These are going to be picture clues. | 0:16:39 | 0:16:42 | |
What would you expect to see in the fourth picture? Here's the first. | 0:16:42 | 0:16:45 | |
OK, next, please. | 0:16:48 | 0:16:49 | |
Next, please. | 0:16:55 | 0:16:57 | |
THEY CONFER | 0:16:59 | 0:17:01 | |
Three seconds. | 0:17:18 | 0:17:20 | |
-The Pope. -And why would that be? | 0:17:24 | 0:17:26 | |
Again, absolutely no idea and I don't like to leave | 0:17:26 | 0:17:29 | |
a gap in conversation. | 0:17:29 | 0:17:31 | |
It seems so rude. | 0:17:31 | 0:17:32 | |
I know exactly what you mean. | 0:17:32 | 0:17:34 | |
If people are quiet for longer than eight seconds, I shout something. | 0:17:34 | 0:17:37 | |
Usually, "The Pope." | 0:17:37 | 0:17:38 | |
It can go very wrong. So I like your social approach but, | 0:17:38 | 0:17:41 | |
unfortunately, that's not the answer. | 0:17:41 | 0:17:42 | |
So, Beekeepers, do you want to have a go? | 0:17:42 | 0:17:44 | |
-Might it be a picture of some cats and dogs? -And why would that be? | 0:17:44 | 0:17:49 | |
We thought it might be the song about LS Lowry, the Stick Man. | 0:17:49 | 0:17:53 | |
Unfortunately, no. | 0:17:53 | 0:17:55 | |
That is just our question editor's best attempt to draw a man. | 0:17:55 | 0:17:59 | |
But, unfortunately, he's not very good at drawing. What is it? | 0:17:59 | 0:18:02 | |
-It's a man, a plan, a canal: Panama! -That's what it is. | 0:18:02 | 0:18:05 | |
A man, a plan, a canal: Panama! | 0:18:05 | 0:18:07 | |
And we've got the Panama Papers of course, whereby we learned all | 0:18:07 | 0:18:10 | |
sorts of interesting things about people's tax arrangements. | 0:18:10 | 0:18:12 | |
We could have had a Panama hat, or a picture of Panama itself. | 0:18:12 | 0:18:15 | |
Yes, it is that famous palindrome devised by the | 0:18:15 | 0:18:18 | |
mathematician Lee Mercer. | 0:18:18 | 0:18:21 | |
Well spotted. But a little too late for the points, I'm afraid. | 0:18:21 | 0:18:24 | |
But you will get the last question of the round, the Twisted Flax. | 0:18:24 | 0:18:27 | |
What will come fourth in this sequence? Here's the first. | 0:18:27 | 0:18:29 | |
THEY CONFER | 0:18:32 | 0:18:34 | |
Next, please. | 0:18:36 | 0:18:37 | |
Next, please. | 0:18:49 | 0:18:50 | |
Three seconds. | 0:19:06 | 0:19:07 | |
They have all got painters' names in them. | 0:19:11 | 0:19:15 | |
Maybe they do, but I want to know what comes fourth in the sequence. | 0:19:15 | 0:19:18 | |
So I'm afraid I must throw it over to the Scunthorpe Scholars | 0:19:18 | 0:19:21 | |
for a possible bonus point. | 0:19:21 | 0:19:22 | |
Leicester City. | 0:19:22 | 0:19:23 | |
I mean, I love it when you come in with a go. | 0:19:24 | 0:19:28 | |
No, but it is a football question. | 0:19:28 | 0:19:29 | |
This is the managerial career of Arsene Wenger. | 0:19:29 | 0:19:33 | |
And after Nagoya Grampus Eight, he went to, of course, Arsenal. | 0:19:33 | 0:19:37 | |
So at the end of Round Two, | 0:19:37 | 0:19:39 | |
the Beekeepers have six points, | 0:19:39 | 0:19:41 | |
the Scunthorpe Scholars have seven. | 0:19:41 | 0:19:43 | |
Time now for the Connecting Wall and it will be the Beekeepers to | 0:19:45 | 0:19:48 | |
go first this time. | 0:19:48 | 0:19:49 | |
-So you have a choice, Lion or Water. -Lion Wall, please. | 0:19:49 | 0:19:53 | |
OK, you've got two and a half minutes to solve | 0:19:53 | 0:19:55 | |
the Lion Wall, starting now. | 0:19:55 | 0:19:58 | |
OK, so, things you blow with gases. | 0:20:00 | 0:20:05 | |
-Things that are red. -Must be red. | 0:20:05 | 0:20:07 | |
What else have we got here? We've got Man, Knit, Yoke, Chinese. | 0:20:10 | 0:20:14 | |
You blow a trumpet, you blow a gasket, | 0:20:15 | 0:20:18 | |
you blow a fuse and you blow... | 0:20:18 | 0:20:19 | |
OK, so let's slow down a moment. | 0:20:19 | 0:20:22 | |
And what else do you blow? | 0:20:22 | 0:20:24 | |
-Trumpet, Gasket. -You blow a raspberry and you blow a fuse. -Yes. | 0:20:27 | 0:20:32 | |
Is a connect something you can...? | 0:20:32 | 0:20:34 | |
That's the tie... Oh, these are knots. | 0:20:37 | 0:20:41 | |
A yoke, Chinese knot... | 0:20:41 | 0:20:43 | |
Bind and Connect. | 0:20:44 | 0:20:47 | |
No, Knit. Bind, Yoke, Knit and Connect. | 0:20:47 | 0:20:51 | |
Three strikes, now. | 0:20:51 | 0:20:53 | |
So these are red. Titian red, Ruby red, Pillar box red, Blood red. | 0:20:53 | 0:20:58 | |
-What the explanation was...? -Chinese, Manic, Sheffield. | 0:20:58 | 0:21:01 | |
-Wednesday. Preachers. -Manic Street... | 0:21:01 | 0:21:06 | |
Manic Monday. | 0:21:06 | 0:21:08 | |
-Sheffield Wednesday. -Sheffield Wednesday. -Man Friday. | 0:21:08 | 0:21:11 | |
Chinese...day. | 0:21:11 | 0:21:13 | |
Chinese something. | 0:21:13 | 0:21:15 | |
-Ruby Tuesday. -Ruby Tuesday. | 0:21:15 | 0:21:19 | |
-What was it? Manic and Man Friday. -Man Friday, yeah. | 0:21:19 | 0:21:23 | |
That's it. You've solved the Wall. Very well done. | 0:21:23 | 0:21:25 | |
So that's four points immediately for the groups. | 0:21:25 | 0:21:27 | |
What about the connections? Trumpet, Fuse, Raspberry, Gasket. | 0:21:27 | 0:21:32 | |
-You blow these. -Things you can blow, simple as that. | 0:21:32 | 0:21:35 | |
And the green group starting Yoke? | 0:21:35 | 0:21:38 | |
These are things you tie together. Verbs for tying. | 0:21:38 | 0:21:41 | |
Synonyms for unite or tie. That's right. | 0:21:41 | 0:21:44 | |
And the pink or purple group starting Man? | 0:21:44 | 0:21:47 | |
These are attached to days of the week, so Man Friday, | 0:21:47 | 0:21:50 | |
Manic Monday, Ruby Tuesday, Sheffield Wednesday. | 0:21:50 | 0:21:53 | |
That's absolutely right. | 0:21:53 | 0:21:54 | |
And what about the turquoise group? Chinese, Titian, Blood, Pillar box. | 0:21:54 | 0:21:58 | |
They are all reds. | 0:21:58 | 0:22:00 | |
They are all types of red, so that is another four points for | 0:22:00 | 0:22:02 | |
the connections plus the bonus for getting it all right, | 0:22:02 | 0:22:05 | |
the maximum of ten. | 0:22:05 | 0:22:06 | |
Let's bring in the Scunthorpe Scholars now, give them | 0:22:06 | 0:22:09 | |
a new Connecting Wall, and see what they can do about solving it. | 0:22:09 | 0:22:12 | |
Welcome to the Wall. Wall-come, I might say. | 0:22:12 | 0:22:15 | |
It's the Water Wall you're getting, cos the Lion's been taken. | 0:22:15 | 0:22:18 | |
You have two and a half minutes to solve it, | 0:22:18 | 0:22:20 | |
starting now. | 0:22:20 | 0:22:22 | |
There's Bugsy Malone, Amaryllis is a flower. Cadbury Dairy Milk. | 0:22:24 | 0:22:28 | |
Murano, is that a type of glass? | 0:22:31 | 0:22:32 | |
Decay, that's two words. M. Decay. MTNV. | 0:22:33 | 0:22:40 | |
KN. | 0:22:40 | 0:22:41 | |
Right, so what else? | 0:22:41 | 0:22:44 | |
-S. -Without Essex. | 0:22:44 | 0:22:46 | |
Right, starts without Essex. | 0:22:46 | 0:22:49 | |
Right, oh, that's right. | 0:22:52 | 0:22:54 | |
Tinky Winky, that's children's... | 0:22:54 | 0:22:56 | |
Barney the Dinosaur's also children's... | 0:22:58 | 0:23:02 | |
Bugsy Malone. | 0:23:02 | 0:23:04 | |
Bugsy's a film. | 0:23:04 | 0:23:05 | |
Diner's a film. | 0:23:05 | 0:23:07 | |
Avalon, is that a film? Green with envy? | 0:23:07 | 0:23:09 | |
I'm just going to have a go at that. What can be Barney the Dinosaur? | 0:23:12 | 0:23:15 | |
Is that green? What colour is Tinky Winky? | 0:23:16 | 0:23:19 | |
Right. Murano is a type of glass. | 0:23:22 | 0:23:26 | |
Tinky Winky. | 0:23:29 | 0:23:31 | |
Barney could easily be purple. | 0:23:31 | 0:23:33 | |
I think I did that before thinking they were... Oh, no, I didn't. | 0:23:33 | 0:23:37 | |
Purple. | 0:23:37 | 0:23:38 | |
Amethyst, I think that's purple, so which one did I do? | 0:23:38 | 0:23:43 | |
I did it without Amethyst. | 0:23:43 | 0:23:44 | |
I've done it without Aubergine. That's right. | 0:23:45 | 0:23:48 | |
Three strikes, now. | 0:23:48 | 0:23:49 | |
Right so I tried it with... Did I try it with films | 0:23:49 | 0:23:53 | |
that I thought? I think I did. Having said that, Murano, I think that's glass. | 0:23:53 | 0:23:58 | |
Isle, that's an isle, that's an isle. | 0:23:58 | 0:24:01 | |
-You just got to try one. -Yeah, got to try once it's lit. | 0:24:04 | 0:24:07 | |
Aubergine. Anything to do with the words that they're going to split up at all? | 0:24:07 | 0:24:12 | |
I can't see anything. | 0:24:12 | 0:24:14 | |
Eva, Mary, | 0:24:17 | 0:24:20 | |
see any other girls' names? | 0:24:20 | 0:24:21 | |
Ten seconds. | 0:24:21 | 0:24:23 | |
Diner, Envy. I've done two. And I'm just going to... | 0:24:24 | 0:24:29 | |
That's it. You've had your three goes. | 0:24:29 | 0:24:31 | |
The Wall has frozen, but you found two groups. | 0:24:31 | 0:24:34 | |
I'll give you points if you can tell me the connections. | 0:24:34 | 0:24:36 | |
What about that first blue group starting Cayenne? | 0:24:36 | 0:24:40 | |
When you say the words, it sounds like the combination of two letters. | 0:24:40 | 0:24:44 | |
That's absolutely right, they sound like two letters. | 0:24:44 | 0:24:46 | |
And the green group starting Barney the Dinosaur. | 0:24:46 | 0:24:49 | |
Right, we think these are all various shades of purple mauve. | 0:24:49 | 0:24:53 | |
That's right. It's the green group but they are all purple. | 0:24:53 | 0:24:56 | |
And you can still get points for the connections in the groups | 0:24:56 | 0:25:00 | |
you didn't find, so let's resolve the Wall. | 0:25:00 | 0:25:02 | |
There you go, that's how it should have looked. | 0:25:02 | 0:25:04 | |
Murano, Amaryllis, Maze, Aubergine. | 0:25:04 | 0:25:07 | |
They are all varieties of glassware. | 0:25:07 | 0:25:09 | |
They're not. They're all restaurants associated with Gordon Ramsay. | 0:25:09 | 0:25:13 | |
Past and present restaurants of the chef Gordon Ramsay. | 0:25:13 | 0:25:17 | |
And the last turquoise group, Diner, Bugsy, Avalon, Envy. | 0:25:17 | 0:25:22 | |
They're all films? | 0:25:22 | 0:25:24 | |
I need something more specific than that. | 0:25:24 | 0:25:27 | |
-By the same director. -I'm afraid not. | 0:25:27 | 0:25:30 | |
Because so many things are films, | 0:25:30 | 0:25:32 | |
we never accept, "They're all films." | 0:25:32 | 0:25:34 | |
And the same director is a very good guess, but we need the person | 0:25:34 | 0:25:37 | |
and it is the director Barry Levinson. | 0:25:37 | 0:25:40 | |
He directed all of those films, but you found two groups | 0:25:40 | 0:25:43 | |
and two connections. | 0:25:43 | 0:25:44 | |
That's a total of four points. | 0:25:44 | 0:25:45 | |
Let's have a look at the scores going into the Final Round. | 0:25:45 | 0:25:49 | |
The Scunthorpe Scholars have 11 points. | 0:25:49 | 0:25:52 | |
The Beekeepers have 16. | 0:25:52 | 0:25:54 | |
On we go to the Missing Vowels round. | 0:25:55 | 0:25:57 | |
We've taken the vowels out of well-known names, | 0:25:57 | 0:25:59 | |
phrases and sayings, squidged up the consonants. | 0:25:59 | 0:26:02 | |
I want to know what are the disguised clues. | 0:26:02 | 0:26:04 | |
Fingers on buzzers, please, teams. | 0:26:04 | 0:26:06 | |
The first group are all ways of asking someone to repeat something. | 0:26:06 | 0:26:12 | |
-Beekepers? -Beg your pardon. -Correct. | 0:26:15 | 0:26:17 | |
-Beekeepers. -Excuse me. -That's right. | 0:26:20 | 0:26:22 | |
-Beekeepers. -Come again? -Correct. | 0:26:25 | 0:26:27 | |
-Beekeepers. -Say what? -Yes, it is. | 0:26:30 | 0:26:32 | |
Next category. Things that are imagined in the song Imagine. | 0:26:32 | 0:26:36 | |
-Scholars. -No countries. -Correct. | 0:26:39 | 0:26:41 | |
-Beekeepers. -No heaven. -Correct. | 0:26:44 | 0:26:46 | |
-Beekeepers. -All the people living life in peace. -Well done. | 0:26:50 | 0:26:54 | |
-Scholars. -No possessions. -Correct. Next category. | 0:26:57 | 0:27:00 | |
Things you might find in a cage. | 0:27:00 | 0:27:03 | |
-Beekeepers. -Guinea pig. -Correct. | 0:27:05 | 0:27:07 | |
-Beekeepers. -Battery hen. -Yes, it is. | 0:27:10 | 0:27:13 | |
-Beekeepers. -Hannibal Lecter. -Yeah. | 0:27:15 | 0:27:17 | |
Weirdly, this one is thoracic cavity. | 0:27:24 | 0:27:27 | |
New category. A fictional professor and his subject. | 0:27:27 | 0:27:31 | |
-Beekeepers. -Henry Higgins and... | 0:27:32 | 0:27:34 | |
Too long, I'm afraid. Scunthorpe Scholars, do you know? | 0:27:36 | 0:27:38 | |
Henry Higgins and phonetics. | 0:27:38 | 0:27:40 | |
I will give you the point for Henry Higgins and phonetics, | 0:27:43 | 0:27:46 | |
but the bell has gone for the end of the quiz. | 0:27:46 | 0:27:49 | |
And I can tell you that the winners and through to the next round | 0:27:49 | 0:27:53 | |
with 24 points are the Beekeepers. | 0:27:53 | 0:27:56 | |
Very well done to you. | 0:27:56 | 0:27:58 | |
And finishing an honourable second with 14 points, | 0:27:58 | 0:28:01 | |
it's the Scunthorpe Scholars. | 0:28:01 | 0:28:03 | |
Scholars, it's been absolutely lovely to meet you. | 0:28:03 | 0:28:05 | |
Thank you for playing. | 0:28:05 | 0:28:06 | |
I'm afraid, I must tell you that you are not in our highest scoring | 0:28:06 | 0:28:09 | |
second-place finishers but it's been fantastic to meet you at the quiz. | 0:28:09 | 0:28:13 | |
-And you've been a really fun team. Thank you very much for playing. -Thank you. | 0:28:13 | 0:28:16 | |
You, we will see again. | 0:28:16 | 0:28:19 | |
Thank you very much for watching and please join me next week | 0:28:19 | 0:28:22 | |
when we will be launching our new Only Connect fragrance - | 0:28:22 | 0:28:25 | |
Bewilderment. | 0:28:25 | 0:28:27 | |
Pour femme. | 0:28:27 | 0:28:29 | |
Goodbye. | 0:28:29 | 0:28:30 |