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Hello, and welcome to Only Connect. | 0:00:21 | 0:00:23 | |
Sorry we're a bit late starting. | 0:00:23 | 0:00:24 | |
Just as I was leaving my dressing room, | 0:00:24 | 0:00:26 | |
I had a phone call from a lovely young man | 0:00:26 | 0:00:28 | |
who said I might be in line for some compensation, | 0:00:28 | 0:00:30 | |
and asking if I'd had an accident in the last couple of years. | 0:00:30 | 0:00:33 | |
Well, that led to a long conversation about | 0:00:33 | 0:00:35 | |
whether getting pregnant counted. | 0:00:35 | 0:00:37 | |
Anyway, I'm here, now, | 0:00:37 | 0:00:39 | |
so let's meet the teams. | 0:00:39 | 0:00:40 | |
On my right, | 0:00:40 | 0:00:42 | |
Mark Smith, | 0:00:42 | 0:00:43 | |
an archivist and keen musician, | 0:00:43 | 0:00:45 | |
who's written a song about two mutual stalkers for the ukulele. | 0:00:45 | 0:00:49 | |
Nick Holland, | 0:00:50 | 0:00:51 | |
a copywriter and tortoise fan, | 0:00:51 | 0:00:53 | |
who wrote and performed a one-man play | 0:00:53 | 0:00:55 | |
on the Fourth Plinth in Trafalgar Square, | 0:00:55 | 0:00:57 | |
while wearing a papier-mache mask. | 0:00:57 | 0:01:00 | |
And their captain, Nick Reed, | 0:01:00 | 0:01:02 | |
a charity administrator and fundraiser, | 0:01:02 | 0:01:04 | |
who's driven across America in a station wagon, | 0:01:04 | 0:01:06 | |
which twice caught fire. | 0:01:06 | 0:01:08 | |
United by a weakness for Wodehouse, | 0:01:08 | 0:01:10 | |
they are the Psmiths. | 0:01:10 | 0:01:12 | |
Now, in your earlier rounds, you won two games. | 0:01:12 | 0:01:15 | |
You described your team as the One Direction of Only Connect | 0:01:15 | 0:01:17 | |
because you were put together by our producers. | 0:01:17 | 0:01:19 | |
How's the team bonding? | 0:01:19 | 0:01:20 | |
Well, you'll have seen | 0:01:20 | 0:01:21 | |
the paparazzi pictures of us | 0:01:21 | 0:01:23 | |
on private jets, frolicking in the sea, etc, | 0:01:23 | 0:01:25 | |
and only tomorrow we're going to see a jazz-influenced folk singer. | 0:01:25 | 0:01:28 | |
Well, have a lovely time! | 0:01:29 | 0:01:31 | |
Tonight, you'll be having a lovely time with, on my left, | 0:01:31 | 0:01:34 | |
Howard Freedman, a taxi driver | 0:01:34 | 0:01:36 | |
with an IT degree from the Open University, | 0:01:36 | 0:01:39 | |
who doesn't own a television. | 0:01:39 | 0:01:40 | |
Adrian Knott, a civil servant, | 0:01:41 | 0:01:43 | |
whose mother's second cousin is Jimmy Krankie. | 0:01:43 | 0:01:46 | |
And their captain, Michael Slowey, | 0:01:46 | 0:01:49 | |
a data analyst who got drunk at a Holiday Inn bar | 0:01:49 | 0:01:52 | |
with Snoop Dogg's backing band. | 0:01:52 | 0:01:54 | |
United by a fascination with films, | 0:01:54 | 0:01:56 | |
they are the Oscar Men. | 0:01:56 | 0:01:58 | |
Now, you had a slightly bumpier journey. | 0:01:58 | 0:01:59 | |
You lost your first heat against The Part-time Poets, | 0:01:59 | 0:02:02 | |
then you beat The Monsters And The Genealogists | 0:02:02 | 0:02:05 | |
as a higher scoring second-place finisher. | 0:02:05 | 0:02:07 | |
Has the Only Connect experience been everything you hoped for, | 0:02:07 | 0:02:10 | |
or a terrible disappointment? | 0:02:10 | 0:02:12 | |
It's been great, | 0:02:12 | 0:02:13 | |
we've loved Cardiff, and we've met | 0:02:13 | 0:02:15 | |
some very nice and interesting people along the way. | 0:02:15 | 0:02:17 | |
Not here?! In your gaps, I suppose? | 0:02:17 | 0:02:20 | |
Well, you won the toss, Psmiths, | 0:02:20 | 0:02:22 | |
so you're going to be going first. | 0:02:22 | 0:02:24 | |
What is the connection between four apparently random clues? | 0:02:24 | 0:02:26 | |
That is what I want to know. | 0:02:26 | 0:02:27 | |
Please choose a hieroglyph. | 0:02:27 | 0:02:29 | |
-Two Reeds, please. -Two Reeds. | 0:02:29 | 0:02:32 | |
What connects these little clues? | 0:02:32 | 0:02:34 | |
Here's the first. | 0:02:34 | 0:02:36 | |
-BEEP -Oh! | 0:02:37 | 0:02:38 | |
Oh, dear. | 0:02:39 | 0:02:41 | |
You've pressed the bell. | 0:02:41 | 0:02:42 | |
I'm afraid I must ask you for an answer. | 0:02:42 | 0:02:43 | |
What connects these clues? | 0:02:43 | 0:02:45 | |
They're all North American sporting associations. | 0:02:45 | 0:02:49 | |
It's a good guess, but unfortunately not the answer. | 0:02:49 | 0:02:51 | |
So, I'm going to show the other clues to the Oscar Men | 0:02:51 | 0:02:54 | |
for a possible bonus point. | 0:02:54 | 0:02:55 | |
We believe they all incorporate human beings on their logos. | 0:02:56 | 0:03:00 | |
Not it, I'm afraid, and for a bonus point, | 0:03:01 | 0:03:03 | |
it really does need to be perfect. The logos all contain silhouettes. | 0:03:03 | 0:03:06 | |
Ah... | 0:03:06 | 0:03:08 | |
-Do you know that, over there? -Yes! | 0:03:08 | 0:03:10 | |
Talk me through the clues that you should have seen. | 0:03:10 | 0:03:12 | |
The National Basketball Association has a silhouette | 0:03:12 | 0:03:15 | |
of someone slam dunking. | 0:03:15 | 0:03:17 | |
Yes, what are the other ones? | 0:03:17 | 0:03:18 | |
-DreamWorks is a child on a half moon, fishing. -That's right. | 0:03:18 | 0:03:22 | |
And Kappa... Does Kappa have... | 0:03:22 | 0:03:23 | |
-Two back-to-back? -Two people back-to-back. -Yeah. | 0:03:23 | 0:03:26 | |
That's right. Swimwear models, relaxing after a photo shoot, | 0:03:26 | 0:03:29 | |
a familiar scene to us all, I know. | 0:03:29 | 0:03:31 | |
And what about Dr Oetker? | 0:03:31 | 0:03:33 | |
-Nope. -Nope. | 0:03:33 | 0:03:34 | |
They have a silhouette of the artist's daughter, | 0:03:34 | 0:03:37 | |
it's just the bust of a child. | 0:03:37 | 0:03:38 | |
So, no points, unfortunately, but I do like your gambling spirit. | 0:03:38 | 0:03:41 | |
Oscar Men, what would you like? | 0:03:42 | 0:03:44 | |
Eye Of Horus, please. | 0:03:44 | 0:03:45 | |
The Eye Of Horus. OK. | 0:03:45 | 0:03:46 | |
These are going to be picture clues. | 0:03:46 | 0:03:48 | |
Let's see if you too can come in after two and a half seconds. | 0:03:48 | 0:03:50 | |
First one, coming up... | 0:03:50 | 0:03:52 | |
now. | 0:03:52 | 0:03:53 | |
OK, I'm not sure of the politician. | 0:03:54 | 0:03:56 | |
-Erm... -Another one. | 0:03:56 | 0:03:57 | |
Next, please. | 0:03:57 | 0:03:59 | |
OK, that's the Rev Richard Coles. | 0:04:00 | 0:04:03 | |
Yeah, used to be in The Communards, Could be bands. | 0:04:03 | 0:04:05 | |
Could be bands. Shall we go for the next, please? | 0:04:05 | 0:04:07 | |
-Yes. -Used to be in a band, didn't he? | 0:04:08 | 0:04:09 | |
-BEEP -Yeah, we believe | 0:04:09 | 0:04:11 | |
these people have all had | 0:04:11 | 0:04:12 | |
a former life as a member of a band. | 0:04:12 | 0:04:14 | |
Again, I need to hear something specific. | 0:04:15 | 0:04:17 | |
They were the keyboardists. | 0:04:19 | 0:04:21 | |
Yeah, so, the middle two, such famous musicians, | 0:04:21 | 0:04:23 | |
so I need to hear keyboards, | 0:04:23 | 0:04:24 | |
which is what all of these people formerly played in bands. | 0:04:24 | 0:04:27 | |
Well done. | 0:04:27 | 0:04:28 | |
Back to you, Psmiths, | 0:04:28 | 0:04:29 | |
-for a choice. -Lion, please. -Lion. | 0:04:29 | 0:04:32 | |
What is the connection between these Lion clues? | 0:04:32 | 0:04:34 | |
Here's the first. | 0:04:34 | 0:04:35 | |
Oh... | 0:04:38 | 0:04:39 | |
-It's sagas, I think. -Right. | 0:04:41 | 0:04:43 | |
Next. | 0:04:43 | 0:04:44 | |
Oh... | 0:04:45 | 0:04:47 | |
-He dislocated his jaw shouting at a defender. -Oh, wow! | 0:04:47 | 0:04:49 | |
OK, that sounds good enough. | 0:04:49 | 0:04:51 | |
-Unusual causes of injury? -Is it unusual... | 0:04:52 | 0:04:54 | |
Yeah, shall we go for that? | 0:04:54 | 0:04:55 | |
-Let's go for that. -Yes, let's go for it. | 0:04:55 | 0:04:57 | |
BEEP | 0:04:57 | 0:04:59 | |
We think these are unusual causes of injury among football players. | 0:04:59 | 0:05:03 | |
That's absolutely right. | 0:05:03 | 0:05:04 | |
You recognised Alex Stepney | 0:05:04 | 0:05:06 | |
of Manchester United was just shouting so angrily at the defenders | 0:05:06 | 0:05:10 | |
from the goal that he actually dislocated his jaw. | 0:05:10 | 0:05:13 | |
David Batty, he missed a lot of matches. | 0:05:13 | 0:05:15 | |
His Achilles tendon was injured | 0:05:15 | 0:05:16 | |
by his own toddler riding a tricycle at him. | 0:05:16 | 0:05:18 | |
Steve Morrow, he was lifted in triumph by Tony Adams, and dropped. | 0:05:19 | 0:05:23 | |
And the first one, do you know who this is, in the first clue? | 0:05:24 | 0:05:26 | |
-No. -Yeah, he's Norwegian. | 0:05:28 | 0:05:30 | |
He was out running in the woods and just bumped into a moose, | 0:05:30 | 0:05:33 | |
and caused him to miss an international game. Yes. | 0:05:33 | 0:05:35 | |
Well done, | 0:05:35 | 0:05:37 | |
all odd footballing injuries. | 0:05:37 | 0:05:39 | |
Oscar Men, what would you like next? | 0:05:39 | 0:05:40 | |
Horned Viper, please. | 0:05:40 | 0:05:41 | |
The Horned Viper, OK. | 0:05:41 | 0:05:43 | |
What connects these clues? | 0:05:43 | 0:05:44 | |
Here's the first. | 0:05:44 | 0:05:46 | |
It's Not Unusual. | 0:05:47 | 0:05:48 | |
-Tom Jones. -It's Tom Jones, isn't it? | 0:05:48 | 0:05:51 | |
-'64. -That wasn't the Eurovision song contest, was it? -No. -OK. | 0:05:51 | 0:05:55 | |
Can we go for the next, please? | 0:05:55 | 0:05:57 | |
Mull of Kintyre, 19... | 0:05:58 | 0:06:00 | |
Oh, right. | 0:06:00 | 0:06:01 | |
I don't think... | 0:06:02 | 0:06:03 | |
It's not the same one, though, is it? | 0:06:03 | 0:06:04 | |
-Because he wrote that, didn't he? -He did. | 0:06:04 | 0:06:07 | |
Yeah, I thought he did as well. | 0:06:07 | 0:06:08 | |
It's Not Unusual... Mull of... | 0:06:08 | 0:06:10 | |
Can we go for the next one, please? | 0:06:10 | 0:06:12 | |
Martha's Harbour. | 0:06:13 | 0:06:15 | |
-Is that a good one? -Let's go for it. | 0:06:17 | 0:06:19 | |
Yeah? These are all films. | 0:06:19 | 0:06:20 | |
-Well, well... -No. | 0:06:20 | 0:06:22 | |
BEEP Yep? | 0:06:22 | 0:06:23 | |
We believe they're names of films | 0:06:23 | 0:06:26 | |
as well as famous songs, | 0:06:26 | 0:06:28 | |
they came prior to the song. | 0:06:28 | 0:06:29 | |
And I'm going to ask you | 0:06:29 | 0:06:30 | |
to tell me something specific. | 0:06:30 | 0:06:32 | |
Number one songs? | 0:06:32 | 0:06:33 | |
That is not the thing | 0:06:33 | 0:06:34 | |
that I want to hear so I have to show the last clue | 0:06:34 | 0:06:37 | |
to the Psmiths for a possible bonus point. | 0:06:37 | 0:06:40 | |
The title of the film may have been changed to accommodate the song. | 0:06:40 | 0:06:43 | |
That's not it. | 0:06:43 | 0:06:44 | |
Now, where you're unlucky, Oscar Men, | 0:06:44 | 0:06:46 | |
and I'm surprised, from you, you didn't get the specific thing. | 0:06:46 | 0:06:48 | |
It's that the performers share their names with Best Picture winners. | 0:06:48 | 0:06:53 | |
That's what the dates are, that's why we've got 1964 and so on, | 0:06:53 | 0:06:56 | |
it's the performers have the same name as what won | 0:06:56 | 0:06:58 | |
the Best Film Oscar that year. | 0:06:58 | 0:07:00 | |
Tom Jones. | 0:07:00 | 0:07:02 | |
Wings, that won the Best Picture in 1929, | 0:07:02 | 0:07:04 | |
All About Eve in 1951 won the Best Picture Oscar, | 0:07:04 | 0:07:07 | |
and If You Leave Me Now... | 0:07:07 | 0:07:09 | |
-Nilsson? -Chicago? -Chicago. | 0:07:09 | 0:07:12 | |
Nilsson, not one of the great films. | 0:07:12 | 0:07:14 | |
Chicago, very well done. | 0:07:14 | 0:07:15 | |
So, no points there. | 0:07:16 | 0:07:18 | |
Psmiths, what would you like? | 0:07:18 | 0:07:19 | |
-Twisted Flax, please. -The Twisted Flax. | 0:07:19 | 0:07:21 | |
What is the connection between these clues? | 0:07:21 | 0:07:23 | |
Here's the first. | 0:07:23 | 0:07:24 | |
OK. | 0:07:27 | 0:07:28 | |
Next. | 0:07:28 | 0:07:29 | |
-No, got no idea. -Next? | 0:07:35 | 0:07:37 | |
That's... Three units? Oh... | 0:07:40 | 0:07:43 | |
Is its... | 0:07:43 | 0:07:44 | |
Are they divided into units? | 0:07:44 | 0:07:46 | |
Are they divided into three? | 0:07:46 | 0:07:47 | |
A game of three halves? | 0:07:47 | 0:07:48 | |
-Oh. -Could be. | 0:07:48 | 0:07:49 | |
Should we have the other one? | 0:07:49 | 0:07:50 | |
-I think we definitely should have the other one. -Next. | 0:07:50 | 0:07:52 | |
-1.5. -One and a half. -Oh, OK, but... | 0:07:53 | 0:07:57 | |
Yeah, so... | 0:07:57 | 0:07:59 | |
-An extra half, three halves? -BEEP | 0:07:59 | 0:08:01 | |
Three halves. | 0:08:01 | 0:08:03 | |
Yeah, we think these are things | 0:08:03 | 0:08:05 | |
which have three halves. | 0:08:05 | 0:08:07 | |
Three halves is the connection, very good. | 0:08:08 | 0:08:10 | |
Tell me about some of the clues you're looking at. | 0:08:10 | 0:08:13 | |
1.5 is obviously the three halves. | 0:08:13 | 0:08:15 | |
Speculating, without having the faintest sort of direct knowledge, | 0:08:15 | 0:08:18 | |
the recommended daily beer intake for men might be three halves. | 0:08:18 | 0:08:21 | |
It is. I mean, I'm assuming that's one and a half pints rather than, | 0:08:21 | 0:08:24 | |
you know, a half for breakfast, lunch and dinner. | 0:08:24 | 0:08:27 | |
But perhaps you can have it however you want. | 0:08:27 | 0:08:29 | |
What about the Eton school year? | 0:08:29 | 0:08:31 | |
Is it a quaint and curious anachronism | 0:08:31 | 0:08:34 | |
-that they have three terms and they are all called halves? -That's right. | 0:08:34 | 0:08:37 | |
Because private schools used to have two terms, | 0:08:37 | 0:08:40 | |
they were divided into two halves, | 0:08:40 | 0:08:41 | |
and when it moved to three school terms, | 0:08:41 | 0:08:43 | |
Eton thought it would keep the word halves for them | 0:08:43 | 0:08:46 | |
because they like to have a bit of language that they understand | 0:08:46 | 0:08:48 | |
that other people don't quite. | 0:08:48 | 0:08:49 | |
And do you know anything about this football match? | 0:08:49 | 0:08:52 | |
Presumably by accident or design, | 0:08:52 | 0:08:54 | |
it went on too long. | 0:08:54 | 0:08:55 | |
It wasn't that it went on too long. | 0:08:55 | 0:08:57 | |
It's that the referee missed his train, | 0:08:57 | 0:08:59 | |
so they started the match without him, | 0:08:59 | 0:09:02 | |
and then when he arrived at half-time, | 0:09:02 | 0:09:04 | |
Derby were already three nil down, | 0:09:04 | 0:09:06 | |
and he said well, would you like to start again? | 0:09:06 | 0:09:08 | |
LAUGHTER | 0:09:08 | 0:09:09 | |
And they, understandably, said yes, they would, | 0:09:09 | 0:09:12 | |
so they started again and at the next half-time | 0:09:12 | 0:09:14 | |
they were three nil down again, | 0:09:14 | 0:09:15 | |
and they ended up losing the match eight nil. | 0:09:15 | 0:09:18 | |
So there were three halves in that particular football match. | 0:09:18 | 0:09:20 | |
Well done. Back to you, Oscar men, | 0:09:20 | 0:09:22 | |
for the last question. Water. BING | 0:09:22 | 0:09:25 | |
There's the music question. It was waiting 'til the end. | 0:09:25 | 0:09:27 | |
What connects these pieces of music? | 0:09:27 | 0:09:29 | |
Here's the first. | 0:09:29 | 0:09:31 | |
FEMALE VOICE SINGS WITH PIANO | 0:09:31 | 0:09:32 | |
-That's German. -I don't know it. | 0:09:33 | 0:09:36 | |
-Next, please. -JAUNTY SOLO PIANO | 0:09:37 | 0:09:39 | |
That's some sort of Ragtime music. | 0:09:41 | 0:09:43 | |
When you put it that way, maybe... | 0:09:43 | 0:09:46 | |
Next, please. | 0:09:46 | 0:09:47 | |
MEDITERRANEAN STRINGS | 0:09:47 | 0:09:48 | |
Matavani, I think that is. | 0:09:54 | 0:09:56 | |
Yes, I think it's Matavani. | 0:09:56 | 0:09:58 | |
-Yeah? -Yeah. Next, please. | 0:09:58 | 0:09:59 | |
MALE VOICE SINGS MODERN BALLAD | 0:09:59 | 0:10:00 | |
Right, Kiss From A Rose by Seal. | 0:10:01 | 0:10:04 | |
-So... -Yeah, go on? | 0:10:04 | 0:10:05 | |
-Yeah, so we can put that. -Kisses? -Kiss From A Rose. Right. | 0:10:05 | 0:10:08 | |
Two seconds. BEEP | 0:10:08 | 0:10:10 | |
-OK. Kiss from a Rose. -Yeah... | 0:10:10 | 0:10:11 | |
We're going to go for they all contain... | 0:10:11 | 0:10:16 | |
Kisses. | 0:10:16 | 0:10:17 | |
That's a lovely guess! | 0:10:17 | 0:10:18 | |
I'm afraid it's not the right answer, but it's very nice. | 0:10:18 | 0:10:21 | |
So, Psmiths, you have the chance of a bonus point. | 0:10:21 | 0:10:23 | |
We think they all contain roses. | 0:10:23 | 0:10:24 | |
They all contain roses. Now if you only recognised | 0:10:24 | 0:10:26 | |
Kiss From a Rose, unfortunately, you lost | 0:10:26 | 0:10:28 | |
the 50-50. Roses is the link. Did you know any | 0:10:28 | 0:10:30 | |
-of the other songs? -The first one was | 0:10:30 | 0:10:33 | |
-Heidenroslein by Schubert. -That's right. | 0:10:33 | 0:10:35 | |
-Rose of the field or heath. -You thought... | 0:10:35 | 0:10:38 | |
I thought Honeysuckle Rose could be the second one. | 0:10:38 | 0:10:40 | |
That's right, absolutely. | 0:10:40 | 0:10:41 | |
And the third one, The White Rose of Athens. | 0:10:41 | 0:10:44 | |
All the titles contained roses. | 0:10:44 | 0:10:46 | |
That means at the end of round one the Oscar Men have two points, | 0:10:46 | 0:10:50 | |
the Psmiths have five. | 0:10:50 | 0:10:51 | |
Sequences round now, | 0:10:54 | 0:10:56 | |
and Psmiths you'll be going first again. So please | 0:10:56 | 0:10:58 | |
-choose a sequential hieroglyph. -Two Reeds, please. | 0:10:58 | 0:11:00 | |
Two Reeds. Well, well. It's a music sequence. | 0:11:00 | 0:11:04 | |
OK, you're going to be hearing the clues. | 0:11:04 | 0:11:07 | |
I want to know what kind of thing you'd expect to hear | 0:11:07 | 0:11:09 | |
in fourth place. First one coming in now. | 0:11:09 | 0:11:12 | |
# Sisters are doing it for themselves... # | 0:11:12 | 0:11:16 | |
Next. | 0:11:16 | 0:11:17 | |
# When the river was deep I didn't falter | 0:11:17 | 0:11:21 | |
# When the mountain was high I still believed... # | 0:11:21 | 0:11:26 | |
Next. | 0:11:26 | 0:11:28 | |
# Don't let the sun go down on me | 0:11:28 | 0:11:34 | |
# Although I search myself, it's always someone else I see... # | 0:11:34 | 0:11:41 | |
So this is George and Elton, so we need Elton and someone else. | 0:11:41 | 0:11:45 | |
BUZZER | 0:11:45 | 0:11:46 | |
We think we're going to hear Don't Go Breaking My Heart | 0:11:46 | 0:11:50 | |
by Elton John and Kiki Dee. | 0:11:50 | 0:11:52 | |
That is absolutely right as one of a couple of | 0:11:52 | 0:11:54 | |
possible answers. Why? What's the sequence? | 0:11:54 | 0:11:57 | |
Erm, we're sort of swapping partners. | 0:11:57 | 0:12:00 | |
We started off with Eurhythmics and Aretha Franklin. | 0:12:00 | 0:12:02 | |
Then went with Aretha and George Michael. | 0:12:02 | 0:12:04 | |
Then George and Elton. Then Elton and someone else. | 0:12:04 | 0:12:07 | |
That's exactly right, we're taking one person | 0:12:07 | 0:12:10 | |
from each half of a duet and moving along. | 0:12:10 | 0:12:12 | |
So we wanted to hear a duet | 0:12:12 | 0:12:13 | |
with Elton John. Now, we actually don't have that | 0:12:13 | 0:12:15 | |
to play. I'm trusting that you'll be able to | 0:12:15 | 0:12:18 | |
help the viewers at home. OK, one, two, three... | 0:12:18 | 0:12:21 | |
# Don't go breaking my heart | 0:12:21 | 0:12:25 | |
# I couldn't if I tried | 0:12:25 | 0:12:28 | |
# But honey if I... Dun... Dun... | 0:12:28 | 0:12:30 | |
# Baby, I'm not that type. # | 0:12:30 | 0:12:33 | |
Oh, that's lovely, lovely. That kind. | 0:12:33 | 0:12:37 | |
But I quite like your half-rhyme, I actually think it's more | 0:12:37 | 0:12:39 | |
-sophisticated and Yatesian. -It's what I was going for. | 0:12:39 | 0:12:42 | |
A lovely chorus, thank you very much. | 0:12:42 | 0:12:44 | |
Oscar Men, what would you like? | 0:12:44 | 0:12:46 | |
Twisted Flax, please. | 0:12:46 | 0:12:47 | |
The Twisted Flax, OK. This one's a picture question. | 0:12:47 | 0:12:50 | |
What would you expect to see in the fourth picture? | 0:12:50 | 0:12:52 | |
Here's the first. | 0:12:52 | 0:12:54 | |
It looks like a zero. It could be a symbol for something else. | 0:12:55 | 0:12:57 | |
Next, please. | 0:12:57 | 0:12:59 | |
Right, OK, these are stylised letters. | 0:13:01 | 0:13:04 | |
Next, please. | 0:13:04 | 0:13:06 | |
I'm at a loss for this. | 0:13:06 | 0:13:08 | |
Seems to be, they're not letters, they are outlines | 0:13:08 | 0:13:12 | |
of something, aren't they? | 0:13:12 | 0:13:13 | |
They're letters, with things missing, so I think that looks like | 0:13:13 | 0:13:16 | |
-almost an outline... -Seems like a B with a bit missing. | 0:13:16 | 0:13:19 | |
Yeah, so... So let's see. | 0:13:19 | 0:13:21 | |
Inside of the O, inside of the P, inside of the Q. | 0:13:21 | 0:13:26 | |
So the inside of an R. | 0:13:26 | 0:13:27 | |
BUZZER | 0:13:27 | 0:13:29 | |
So, we're going to go for | 0:13:29 | 0:13:30 | |
the converse inside of an R as the diagram. | 0:13:30 | 0:13:33 | |
That's right. It would be the missing bit from | 0:13:33 | 0:13:36 | |
inside an R, what would that look like? | 0:13:36 | 0:13:38 | |
It would look like the second clue. | 0:13:38 | 0:13:40 | |
That's right, it's pretty much identical to that second one, | 0:13:40 | 0:13:42 | |
the inside of a P. Well done. | 0:13:42 | 0:13:44 | |
-Psmiths, what would you like? -Water, please. -Water. | 0:13:44 | 0:13:47 | |
What will come fourth in this sequence? Here's the first. | 0:13:47 | 0:13:50 | |
Next. | 0:13:52 | 0:13:54 | |
Some sort of sporting tournament. | 0:13:58 | 0:14:00 | |
We need another. Next. OK. OK. | 0:14:00 | 0:14:05 | |
-Rugby has cups, plates and bowls. -Yes, true. | 0:14:09 | 0:14:13 | |
Calcutta Cup. They could be in the order that | 0:14:13 | 0:14:16 | |
-they are played in the season. -Yes, the order of the event. | 0:14:16 | 0:14:22 | |
Calcutta Cup. | 0:14:22 | 0:14:24 | |
Two seconds. | 0:14:27 | 0:14:29 | |
BUZZER | 0:14:29 | 0:14:31 | |
-Trophy is the... Trophy? -Not the answer, I'm afraid. | 0:14:31 | 0:14:34 | |
Oscar Men, do you want to have a go | 0:14:34 | 0:14:35 | |
-for a bonus point? -We'll handover to Howard. | 0:14:35 | 0:14:38 | |
At the moment I'd come up with trophy myself. | 0:14:38 | 0:14:41 | |
Unlucky, Howard, you've been handed over to. | 0:14:41 | 0:14:44 | |
-What's the answer? -Masters, did you say? | 0:14:44 | 0:14:47 | |
-Say masters. -Masters is not the answer, I'm afraid. | 0:14:47 | 0:14:50 | |
I think you muttered it over there, | 0:14:50 | 0:14:53 | |
the answer is shield. What it's actually to do | 0:14:53 | 0:14:56 | |
with is rugby sevens. Most rugby sevens have a | 0:14:56 | 0:14:59 | |
particular series of cups, and you are | 0:14:59 | 0:15:02 | |
competing for the cup if you're at the top. | 0:15:02 | 0:15:04 | |
The two teams at the top, then the quarterfinal | 0:15:04 | 0:15:06 | |
losers go for the plate, then the teams in third | 0:15:06 | 0:15:09 | |
and fourth place compete for the bowl, | 0:15:09 | 0:15:11 | |
so we're going downwards. | 0:15:11 | 0:15:13 | |
Rugby sevens descending order of prestige. | 0:15:13 | 0:15:15 | |
Shield is what would come next. | 0:15:15 | 0:15:17 | |
-Oscar Men, what would you like? -Can we go for Lion, please? | 0:15:17 | 0:15:20 | |
Yes, you absolutely may. | 0:15:20 | 0:15:21 | |
What will come fourth in this sequence? | 0:15:21 | 0:15:23 | |
Here's the first. | 0:15:23 | 0:15:25 | |
OK, it means nothing to me. | 0:15:25 | 0:15:27 | |
Means nothing to me either. | 0:15:27 | 0:15:28 | |
Next, please. | 0:15:28 | 0:15:30 | |
This could be something else. | 0:15:33 | 0:15:35 | |
Nicto, halco. | 0:15:35 | 0:15:37 | |
-It's not a connection, it's a series. -OK, next please. | 0:15:37 | 0:15:41 | |
Ah, right. | 0:15:41 | 0:15:44 | |
So it's... | 0:15:46 | 0:15:48 | |
These are possibly parts of the periodic table. | 0:15:48 | 0:15:51 | |
So probably not a halogen, as we've got... | 0:15:51 | 0:15:54 | |
Noble gases maybe. | 0:15:54 | 0:15:57 | |
BUZZER | 0:15:57 | 0:16:00 | |
Can we go for noble gases, please? | 0:16:00 | 0:16:02 | |
You can go for whatever you like, and in this | 0:16:02 | 0:16:05 | |
case it's the right answer. | 0:16:05 | 0:16:06 | |
-Noble gases would come next. And why? -They are all parts | 0:16:06 | 0:16:09 | |
of the periodic table going from left to right, | 0:16:09 | 0:16:11 | |
-we believe, is it? -It's not going from left to right, | 0:16:11 | 0:16:14 | |
its numerical, so the pnictogens, I'm sure you'll appreciate, | 0:16:14 | 0:16:17 | |
probably your favourite group, pnictogens, | 0:16:17 | 0:16:20 | |
that's group 15. Then we're going group 16 | 0:16:20 | 0:16:22 | |
and 17, group 18 is the noble gases. | 0:16:22 | 0:16:25 | |
Back to you, Psmiths, for the last choice for the round. | 0:16:25 | 0:16:27 | |
-Eye of Horus, please. -Eye of Horus. | 0:16:27 | 0:16:29 | |
What will come fourth in this sequence? Here's the first. | 0:16:29 | 0:16:32 | |
Next. | 0:16:37 | 0:16:39 | |
Oh, right, OK. | 0:16:40 | 0:16:42 | |
The masculine plural. | 0:16:42 | 0:16:44 | |
Next. | 0:16:47 | 0:16:50 | |
It is going to be first of five. | 0:16:52 | 0:16:54 | |
In Spanish you have the masculine plural "los". | 0:16:54 | 0:16:57 | |
O, los... | 0:16:59 | 0:17:01 | |
Is it just A, do you think? | 0:17:02 | 0:17:04 | |
It's got to be the first of five. | 0:17:04 | 0:17:07 | |
That's a pronoun. | 0:17:07 | 0:17:09 | |
BUZZER | 0:17:09 | 0:17:11 | |
First of five significa "A". | 0:17:11 | 0:17:15 | |
I'm afraid that is not the right answer, | 0:17:15 | 0:17:17 | |
so, Oscar Men, you have the chance of a bonus point. | 0:17:17 | 0:17:20 | |
We're going to go first of five and... | 0:17:20 | 0:17:26 | |
-If it's Spanish it's "O", "los"... -I don't believe I | 0:17:26 | 0:17:30 | |
invited you to have a chat. Not the answer, I'm afraid. | 0:17:30 | 0:17:33 | |
Although, I love the way you sort of have come up with the answer | 0:17:33 | 0:17:35 | |
but you're not quite sure, you look at Howard each time. | 0:17:35 | 0:17:38 | |
Howard, you do seem like the kind of person one | 0:17:38 | 0:17:39 | |
would just look to in a crisis. | 0:17:39 | 0:17:41 | |
-What was that noise...Howard? -I don't know why. | 0:17:41 | 0:17:44 | |
No, that's not what it is. | 0:17:44 | 0:17:45 | |
Now, what there are five of is vowels. | 0:17:45 | 0:17:48 | |
So, the fourth vowel of five would be "O", | 0:17:48 | 0:17:51 | |
the letter O. Which Italian, means, or significa, | 0:17:51 | 0:17:54 | |
as the Italians would say, "or". | 0:17:54 | 0:17:56 | |
O translates as "or". Then, going backwards, | 0:17:56 | 0:17:59 | |
the letter I, "I" in Italian. "The" - masculine plural. | 0:17:59 | 0:18:01 | |
"I" something. Then the letter E, second of five, | 0:18:01 | 0:18:05 | |
significa "and". "E" - "and" in Italian. | 0:18:05 | 0:18:08 | |
And I want to hear first of five significa "to", | 0:18:08 | 0:18:11 | |
is the most common one. It gets less fun, doesn't it, | 0:18:11 | 0:18:13 | |
somehow, as the show goes on? | 0:18:13 | 0:18:15 | |
You start to look up train times and wonder if you really want to stay. | 0:18:15 | 0:18:18 | |
So no bonus, Oscar Men, but you get the last question, | 0:18:18 | 0:18:21 | |
the Horned Viper. What would come fourth in this sequence? | 0:18:21 | 0:18:24 | |
Here's the first. | 0:18:24 | 0:18:25 | |
Sounds like some queen or consort or something like that. | 0:18:28 | 0:18:31 | |
OK, next please. | 0:18:31 | 0:18:32 | |
-Queens? -I'm sure there's somebody called Caroline Ansbach. | 0:18:35 | 0:18:38 | |
-You ready for the next? -Yeah. -Next, please. | 0:18:38 | 0:18:41 | |
OK, these could be consorts of South African... | 0:18:44 | 0:18:47 | |
-Are they King Georges'? -Could be, yeah. | 0:18:47 | 0:18:49 | |
Because one of them was married to... | 0:18:49 | 0:18:52 | |
OK, so what would you, where would you be going in that area, then? | 0:18:52 | 0:18:55 | |
I think, I think it's either another Caroline | 0:18:55 | 0:18:57 | |
or another Charlotte. But I don't know which one. | 0:18:57 | 0:19:00 | |
Two seconds. | 0:19:03 | 0:19:04 | |
BUZZER | 0:19:04 | 0:19:05 | |
OK, we're going to go with another Caroline... | 0:19:05 | 0:19:08 | |
-of, we're not sure. -Howard. | 0:19:08 | 0:19:10 | |
Caroline of Medici. | 0:19:10 | 0:19:13 | |
-Brunswick. -Not it, I'm afraid. | 0:19:13 | 0:19:15 | |
Caroline of Medici is not the right answer. | 0:19:15 | 0:19:17 | |
-Psmiths, do you know? -Is it Caroline of Brunswick? | 0:19:17 | 0:19:20 | |
It is Caroline of Brunswick. | 0:19:20 | 0:19:22 | |
Unfortunately, Caroline of Medici you beat him to the answer. | 0:19:22 | 0:19:25 | |
Caroline of Brunswick is it. Why? | 0:19:25 | 0:19:27 | |
These are the spouses of the four Georges in order. | 0:19:27 | 0:19:32 | |
That's right, the wives of George I, II and III. | 0:19:32 | 0:19:35 | |
I want to hear the wife of George IV. | 0:19:35 | 0:19:37 | |
Caroline of Brunswick. That means at the end of round two | 0:19:37 | 0:19:41 | |
the Oscar Men have six points, the Psmiths have eight. | 0:19:41 | 0:19:44 | |
Time for the Connecting Wall now, | 0:19:47 | 0:19:48 | |
and Oscar Men you'll be going first this time, | 0:19:48 | 0:19:50 | |
so please choose Lion or Water. | 0:19:50 | 0:19:53 | |
We'll go with Lion. | 0:19:53 | 0:19:54 | |
OK. Two and a half minutes to solve the Lion wall starting now. | 0:19:54 | 0:19:58 | |
OK. Wilson. That's a tennis racket, type of one. | 0:20:00 | 0:20:03 | |
-Sahzia Mirza, that's a female comedian. -Head is a tennis racket. | 0:20:03 | 0:20:07 | |
Head, Wilson. We've got Dunlop... Let's go for Point. | 0:20:07 | 0:20:14 | |
-Nope. -Is Mirza? -It's worth a shot, we'll try it if you want. | 0:20:14 | 0:20:18 | |
So, shall we go with Wilson, Dunlop, Head, Cape? | 0:20:20 | 0:20:23 | |
Wilson, Dunlop, Head... Ras. | 0:20:23 | 0:20:27 | |
Infante, Prince, Ras... | 0:20:27 | 0:20:33 | |
-Head? -Mirza? | 0:20:33 | 0:20:36 | |
Brilliant. Fantastic. So have we got anything that goes with Babolat? | 0:20:36 | 0:20:41 | |
-Doesn't mean anything to me. -Loch Ness... Head... | 0:20:41 | 0:20:46 | |
Do you want to go for Head again? | 0:20:46 | 0:20:48 | |
Head, Wilson... | 0:20:48 | 0:20:50 | |
Dunlop and Ness. | 0:20:50 | 0:20:53 | |
Let's just try... | 0:20:53 | 0:20:56 | |
Ness and Cape and Head are types of... | 0:20:56 | 0:21:01 | |
What else would they be? | 0:21:01 | 0:21:04 | |
A Babolat, perhaps? Ness, Cape, Point. Miss out Point. | 0:21:04 | 0:21:10 | |
Ness, Cape and...Head? | 0:21:10 | 0:21:14 | |
Miss out Ness. | 0:21:14 | 0:21:17 | |
Miss out Cape. | 0:21:17 | 0:21:20 | |
Babolat, Wilson, Head and... Brilliant. | 0:21:24 | 0:21:28 | |
Three lives now. | 0:21:28 | 0:21:30 | |
-Right, OK, so we've got... -Ness, Point, Cape. -Number and Sin. | 0:21:30 | 0:21:35 | |
20 seconds. | 0:21:35 | 0:21:37 | |
Cape, Point. | 0:21:37 | 0:21:39 | |
Let's go for Bill and Sin. | 0:21:39 | 0:21:43 | |
Number, Point, Cape, Bill. | 0:21:43 | 0:21:45 | |
Flower, Number. | 0:21:45 | 0:21:49 | |
Five seconds. | 0:21:49 | 0:21:51 | |
KLAXON | 0:21:51 | 0:21:52 | |
No, that's your third life. The Wall has frozen. | 0:21:52 | 0:21:55 | |
But you get points for the groups you found | 0:21:55 | 0:21:57 | |
and what about the connections? Ras, Prince, Mirza, Infante? | 0:21:57 | 0:22:01 | |
They're all designations for royaly, perhaps. | 0:22:01 | 0:22:05 | |
They're all junior royalty around the world. Different languages. | 0:22:05 | 0:22:08 | |
That's right. And the green group. Wilson, Dunlop and the rest? | 0:22:08 | 0:22:12 | |
They're all tennis racket producers. | 0:22:12 | 0:22:14 | |
They are the tennis racquet manufacturers and you can | 0:22:14 | 0:22:17 | |
still get points for the connections in the groups you didn't find | 0:22:17 | 0:22:19 | |
so let's resolve the wall. | 0:22:19 | 0:22:21 | |
There we go. Bill, Ness, Point, Cape. | 0:22:21 | 0:22:23 | |
We believe they're all geographical. | 0:22:23 | 0:22:26 | |
So, you have for example, Loch Ness, Portland Bill... | 0:22:26 | 0:22:29 | |
Yes, again I'm going to have to ask you to tell me something specific. | 0:22:29 | 0:22:33 | |
They're all located on the sea? | 0:22:33 | 0:22:36 | |
-Or by water? Water features, if you will. -It's just not enough! | 0:22:36 | 0:22:40 | |
At this stage, playing for a place in the quarterfinals, | 0:22:40 | 0:22:43 | |
-I need to hear, "They are promontories." -Ah, OK. | 0:22:43 | 0:22:45 | |
Specifically, that is the shape they make going out into the sea. | 0:22:45 | 0:22:48 | |
Promontories. And the last group. Flower, Number, Sin, Beetle. | 0:22:48 | 0:22:53 | |
-I don't know. Any of you guys? -Erm... | 0:22:53 | 0:22:56 | |
They could all be preceded by Cardinal. | 0:22:56 | 0:22:59 | |
But two points for the groups you found and two points | 0:22:59 | 0:23:01 | |
for the connections. That's a total of four. | 0:23:01 | 0:23:04 | |
Let's bring in their opponents now, | 0:23:04 | 0:23:06 | |
give them a new Connecting Wall, see what they can do with it. | 0:23:06 | 0:23:09 | |
Welcome back Psmiths. You'll be getting the Water wall. | 0:23:09 | 0:23:11 | |
You have two and a half minutes to solve it starting now. | 0:23:11 | 0:23:15 | |
Cheviot, Malvern, Chiltern, Quantock. | 0:23:18 | 0:23:22 | |
OK, what about Preseli? | 0:23:22 | 0:23:25 | |
-Preseli, OK. -So miss out Quantock. | 0:23:25 | 0:23:30 | |
Miss out... | 0:23:33 | 0:23:34 | |
Maybe try something else. | 0:23:36 | 0:23:38 | |
Ile de France, Martinique, Reunion. | 0:23:38 | 0:23:42 | |
-These aren't bits of France, are they? -No. | 0:23:42 | 0:23:44 | |
Windermere and Bracknell are both Oscar Wilde. | 0:23:44 | 0:23:48 | |
-Is there a lady Hunstanton in something? -Yeah, I think so. | 0:23:48 | 0:23:52 | |
-And Lady... -Malvern? -Corriedale? | 0:23:52 | 0:23:56 | |
OK... | 0:23:59 | 0:24:01 | |
Are we going back to France or... | 0:24:01 | 0:24:04 | |
OK, erm, that could be... | 0:24:16 | 0:24:18 | |
-OK. -Do you want to keep trying hills? -Hills, right, OK. | 0:24:19 | 0:24:22 | |
-Are these all right? Are these all hills? -Yeah. | 0:24:24 | 0:24:27 | |
I'm not brilliant on hills. What's Corriedale? | 0:24:27 | 0:24:29 | |
Corriedale's a lake as is Windermere, as is Preseli, maybe. | 0:24:29 | 0:24:33 | |
I don't know. | 0:24:33 | 0:24:35 | |
Try cows or sheep or something. | 0:24:36 | 0:24:39 | |
30 seconds. | 0:24:47 | 0:24:48 | |
Let's go back to Oscar Wilde after this one, just for the last one. | 0:24:50 | 0:24:53 | |
OK, so Windermere, Bracknell. | 0:24:55 | 0:24:58 | |
Ten seconds. | 0:24:58 | 0:25:00 | |
No. You're out of time and the wall has frozen. | 0:25:08 | 0:25:11 | |
What a horrible wall! My goodness! | 0:25:11 | 0:25:14 | |
Like the old Berlin wall, only worse. | 0:25:14 | 0:25:16 | |
Nevertheless, you can still get points for the connections | 0:25:16 | 0:25:19 | |
so let's resolve the wall. | 0:25:19 | 0:25:20 | |
There we go. That's what we were hoping to see. | 0:25:20 | 0:25:23 | |
Windermere, Hunstanton, Bracknell, Chiltern. | 0:25:23 | 0:25:26 | |
-These are aristocratic characters in plays. -Can you be more specific? | 0:25:29 | 0:25:33 | |
-Oscar Wilde plays? -Oscar Wilde plays. | 0:25:33 | 0:25:35 | |
They are ladies from Oscar Wilde productions. | 0:25:35 | 0:25:38 | |
And the next green group starting Malvern. | 0:25:38 | 0:25:40 | |
-They are groups of hills. -They're ranges of hills. And the next one. | 0:25:40 | 0:25:45 | |
-Cheviot, Rambouillet and so on. -Are they sheep? | 0:25:45 | 0:25:48 | |
They are all breeds of sheep. And what about the last turquoise group? | 0:25:48 | 0:25:52 | |
Martinique, Reunion, Mayotte, Brittany. | 0:25:52 | 0:25:55 | |
They are all regions of France. | 0:25:55 | 0:25:57 | |
They are administrative regions of France even though only | 0:25:57 | 0:26:00 | |
Brittany is actually in France. The others are abroad. | 0:26:00 | 0:26:02 | |
But they are all officially regions of France. | 0:26:02 | 0:26:05 | |
So that's four points. Let's have a look at the scores. | 0:26:05 | 0:26:09 | |
The Oscar Men have ten points, the Psmiths have 12. | 0:26:09 | 0:26:12 | |
So, it's pretty neck and neck as we go into the missing vowels round. | 0:26:15 | 0:26:18 | |
Fingers on buzzers, teams. | 0:26:18 | 0:26:20 | |
The first group are all phrases expressing happiness. | 0:26:20 | 0:26:24 | |
-Oscar Men. -Tickled pink. -Correct. | 0:26:26 | 0:26:29 | |
No? This one is "On cloud nine". Next clue. | 0:26:38 | 0:26:41 | |
-Oscar Men. -Over the moon. -Correct. | 0:26:42 | 0:26:44 | |
-Psmiths? -Pleased as punch. -Correct. | 0:26:47 | 0:26:50 | |
Next category, women and their fathers. | 0:26:50 | 0:26:52 | |
-Psmiths? -Norah Jones and Ravi Shankar. -Well done. | 0:26:54 | 0:26:58 | |
-Psmiths? -Nigella Lawson and... | 0:27:01 | 0:27:04 | |
No, no, no. Oscar Men, do you know? | 0:27:04 | 0:27:06 | |
Yes. It's Angela Jolie... | 0:27:06 | 0:27:08 | |
No, I'm afraid it's not. It's Angelina Jolie and Jon Voight. | 0:27:08 | 0:27:12 | |
Next Clue. | 0:27:12 | 0:27:14 | |
No? This one is Indira Gandhi and Pandit Nehru. Next clue. | 0:27:21 | 0:27:26 | |
-Oscar Men? -Helen of Troy and Zeus. -Correct. | 0:27:29 | 0:27:32 | |
Next category, Scout Acivity Badges. | 0:27:32 | 0:27:35 | |
-Psmiths. -Martial arts. -Correct. | 0:27:38 | 0:27:40 | |
-Oscar Men? -Orienteering. | 0:27:43 | 0:27:45 | |
KLAXON | 0:27:45 | 0:27:47 | |
No. I'm afraid for orienteering, you'd need the R before the -NT. | 0:27:47 | 0:27:51 | |
This is entertainer. | 0:27:51 | 0:27:53 | |
So, that is it. | 0:27:53 | 0:27:55 | |
The bell has gone and looking at the final scores, the winners with | 0:27:55 | 0:27:58 | |
14 points and straight through to the quarterfinals are the Psmiths. | 0:27:58 | 0:28:02 | |
Very well done to you. | 0:28:02 | 0:28:04 | |
And with a close-run 12 points, it's the Oscar Men. | 0:28:04 | 0:28:07 | |
You're not going home, of course. | 0:28:07 | 0:28:09 | |
You'll get another chance to play your way into | 0:28:09 | 0:28:11 | |
the quarterfinals a little later on. | 0:28:11 | 0:28:13 | |
So, well done, everybody. Thanks for watching. | 0:28:13 | 0:28:15 | |
And to those who've been writing to ask what's happened to our | 0:28:15 | 0:28:18 | |
charity specials this series, | 0:28:18 | 0:28:19 | |
I can tell you the answer is, we just can't get the teams any more. | 0:28:19 | 0:28:22 | |
For example, Zippy and George both said yes but Bungle replied | 0:28:22 | 0:28:25 | |
with just four words - "it's still too raw." | 0:28:25 | 0:28:30 | |
Goodnight. | 0:28:30 | 0:28:32 |