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Hello and welcome to Only Connect, | 0:00:21 | 0:00:23 | |
where I've asked everyone to speak quietly | 0:00:23 | 0:00:25 | |
because I've got a bit of a headache. | 0:00:25 | 0:00:28 | |
Last night someone plied me with triple vodka after triple vodka. | 0:00:28 | 0:00:32 | |
I'm hazy as to who it was, | 0:00:32 | 0:00:34 | |
but I think it was me. | 0:00:34 | 0:00:36 | |
So turn the volume up because voices are going to be hushed. | 0:00:36 | 0:00:40 | |
Whispering the answers to my questions tonight are, | 0:00:40 | 0:00:44 | |
on my right, | 0:00:44 | 0:00:45 | |
Ian Wallace, a retired accountant and bee inspector, | 0:00:45 | 0:00:49 | |
who hand-paints 120 Christmas cards every year to distribute | 0:00:49 | 0:00:52 | |
to friends and family. | 0:00:52 | 0:00:54 | |
Josh Spero, a journalist who inadvertently modelled | 0:00:54 | 0:00:58 | |
for a portrait while sitting down for a rest at a villa in Greece. | 0:00:58 | 0:01:01 | |
And their captain, Mark Wallace, | 0:01:01 | 0:01:04 | |
an archaeology graduate with an interest in metal detecting, | 0:01:04 | 0:01:07 | |
who recently holidayed in a minefield in Nagorno-Karabakh. | 0:01:07 | 0:01:11 | |
United by their buzzing, | 0:01:11 | 0:01:12 | |
they are the Beekeepers. | 0:01:12 | 0:01:14 | |
So, Mark, you beat the Scunthorpe Scholars in your first game | 0:01:14 | 0:01:17 | |
and then you beat the Policy Wonks. | 0:01:17 | 0:01:19 | |
That's how you came to the third round. | 0:01:19 | 0:01:21 | |
You confident of another win tonight? | 0:01:21 | 0:01:23 | |
Well, we'll have to see how it goes, | 0:01:23 | 0:01:24 | |
but all I'm saying is we're fans of lobster thermidor. | 0:01:24 | 0:01:27 | |
Let's see what you mean by meeting this evening's opponents on my left. | 0:01:27 | 0:01:32 | |
Annette Fenner, | 0:01:32 | 0:01:34 | |
a medical journal editor who has bathed atop a Turkish mountain. | 0:01:34 | 0:01:38 | |
Emily Watnick, | 0:01:38 | 0:01:39 | |
a native New Yorker | 0:01:39 | 0:01:40 | |
whose recent visits to three active volcanoes | 0:01:40 | 0:01:44 | |
have all proved disappointing. | 0:01:44 | 0:01:46 | |
And their captain, Amy Godel, an expert macaroon baker who, | 0:01:46 | 0:01:51 | |
despite many challenges and against all odds, | 0:01:51 | 0:01:53 | |
successfully delivered a mobile dentist to the Channel Islands. | 0:01:53 | 0:01:57 | |
United by a love of liquor, | 0:01:57 | 0:01:59 | |
they are the Cosmopolitans. | 0:01:59 | 0:02:00 | |
Now, on your journey here you beat the Taverners and then the Tubas. | 0:02:00 | 0:02:04 | |
What do you think of tonight's opposition? | 0:02:04 | 0:02:06 | |
Well, I don't want to be a buzz kill... | 0:02:06 | 0:02:08 | |
A lot of confidence talk from both sides. | 0:02:08 | 0:02:11 | |
Animal lovers will be writing in in their droves. | 0:02:11 | 0:02:14 | |
Let's get on with the quiz to find out who goes straight through | 0:02:14 | 0:02:17 | |
to Round Four and who has to play another match to get there. | 0:02:17 | 0:02:20 | |
Nobody goes home at this stage. | 0:02:20 | 0:02:22 | |
You won the toss over there, | 0:02:22 | 0:02:23 | |
but you decided to put your opponent in first. | 0:02:23 | 0:02:26 | |
So, Cosmopolitans, please choose a hieroglyph. | 0:02:26 | 0:02:29 | |
Horned Viper, please. | 0:02:29 | 0:02:31 | |
The Viper will be the first question of the game | 0:02:31 | 0:02:33 | |
and it is the music question. | 0:02:33 | 0:02:34 | |
-Oh, no. -What do these | 0:02:34 | 0:02:36 | |
clues have in common? | 0:02:36 | 0:02:38 | |
Here's the first. | 0:02:38 | 0:02:39 | |
# The moon that lingered | 0:02:39 | 0:02:41 | |
# Over London town... # | 0:02:41 | 0:02:43 | |
THEY CONFER | 0:02:45 | 0:02:47 | |
-Shall we go next? -Yes, next. -Next. | 0:02:49 | 0:02:50 | |
# The French are glad to | 0:02:50 | 0:02:53 | |
# Die for love | 0:02:53 | 0:02:55 | |
# They delight in fighting... # | 0:02:55 | 0:02:57 | |
This is Shirley Bassey, isn't it? | 0:02:57 | 0:02:59 | |
-Yes. -So that was Nightingale Sang In Berkeley Square. | 0:02:59 | 0:03:01 | |
This is Diamonds Are A Girl's Best Friend or something. | 0:03:01 | 0:03:04 | |
Um, next. | 0:03:04 | 0:03:06 | |
# Lost and lonely on the island sand... # | 0:03:06 | 0:03:10 | |
-Erm... -# When a lovely stranger says... # | 0:03:11 | 0:03:14 | |
THEY CONFER | 0:03:14 | 0:03:16 | |
-Two seconds. -Next. -Oh, I'm afraid | 0:03:16 | 0:03:20 | |
the clock's run down. | 0:03:20 | 0:03:22 | |
So, Beekeepers, I'm going to give | 0:03:22 | 0:03:24 | |
you a little blast of the last clue | 0:03:24 | 0:03:25 | |
for a possible bonus point. | 0:03:25 | 0:03:27 | |
# From the day | 0:03:27 | 0:03:28 | |
# We arrive on the planet... # | 0:03:28 | 0:03:30 | |
We think these are all | 0:03:33 | 0:03:34 | |
geometric shapes. | 0:03:34 | 0:03:35 | |
They are geometric shapes. | 0:03:35 | 0:03:37 | |
-What have we heard? -Berkeley Square? | 0:03:37 | 0:03:39 | |
A Nightingale Sang In Berkeley Square. | 0:03:39 | 0:03:41 | |
-Diamonds Are A Girl's Best Friend. -Yep. | 0:03:41 | 0:03:43 | |
Didn't quite hear the third one. The final one is... | 0:03:43 | 0:03:45 | |
-The Bermuda Triangle. -Of course! | 0:03:45 | 0:03:47 | |
# The Bermuda Triangle... # | 0:03:47 | 0:03:49 | |
Lovely. And the last one? | 0:03:49 | 0:03:50 | |
-Circle Of Life. -That's absolutely right. | 0:03:50 | 0:03:52 | |
All containing geometric shapes. | 0:03:52 | 0:03:54 | |
Well done for a bonus point. | 0:03:54 | 0:03:55 | |
And you may choose your own question. | 0:03:55 | 0:03:57 | |
May we please have the Twisted Flax? | 0:03:57 | 0:03:59 | |
The Twisted Flax? OK. | 0:03:59 | 0:04:01 | |
What is the connection between these clues? | 0:04:01 | 0:04:03 | |
Here's the first. | 0:04:03 | 0:04:04 | |
HE WHISPERS INDISTINCTLY | 0:04:06 | 0:04:08 | |
Next, please. | 0:04:11 | 0:04:13 | |
THEY CONFER | 0:04:13 | 0:04:14 | |
Yeah, yeah, so old capital... | 0:04:17 | 0:04:20 | |
All right. Go for it? | 0:04:20 | 0:04:21 | |
We think these are former capitals | 0:04:23 | 0:04:26 | |
followed by the new capital. | 0:04:26 | 0:04:28 | |
I'm afraid despite the brave | 0:04:28 | 0:04:30 | |
early intervention | 0:04:30 | 0:04:31 | |
that is not the right answer. | 0:04:31 | 0:04:32 | |
It does not in fact apply | 0:04:32 | 0:04:34 | |
even to the first clue. | 0:04:34 | 0:04:35 | |
So I'm going to show all four to | 0:04:35 | 0:04:36 | |
the Cosmopolitans, and now it's your | 0:04:36 | 0:04:38 | |
chance for a possible bonus point. | 0:04:38 | 0:04:39 | |
These are the biggest cities. | 0:04:39 | 0:04:41 | |
The first ones are the biggest | 0:04:41 | 0:04:43 | |
cities in the country | 0:04:43 | 0:04:44 | |
and they are larger than the capitals. | 0:04:44 | 0:04:46 | |
That's what it is. | 0:04:46 | 0:04:47 | |
They are cities that are bigger than | 0:04:47 | 0:04:48 | |
the capitals of their native | 0:04:48 | 0:04:49 | |
countries. Yes, Casablanca was never | 0:04:49 | 0:04:51 | |
the capital of Morocco, | 0:04:51 | 0:04:52 | |
it doesn't apply to Sao Paulo | 0:04:52 | 0:04:54 | |
either, which you hadn't seen. | 0:04:54 | 0:04:55 | |
Good guess, but that | 0:04:55 | 0:04:56 | |
is the right answer. | 0:04:56 | 0:04:58 | |
Bigger than their capital | 0:04:58 | 0:04:59 | |
cities by area and population. | 0:04:59 | 0:05:01 | |
And now your turn to choose a question. | 0:05:01 | 0:05:03 | |
-Lion? -Lion. -Lion. | 0:05:03 | 0:05:05 | |
OK, what is the connection | 0:05:05 | 0:05:06 | |
between these Lion clues? | 0:05:06 | 0:05:08 | |
Here's the first. | 0:05:08 | 0:05:09 | |
-Super Bowl... -Sunday... -Yeah. -Next. -Next. | 0:05:10 | 0:05:13 | |
THEY CONFER | 0:05:16 | 0:05:17 | |
-Oh, well, in that case, shall we go for it? -Yeah. | 0:05:17 | 0:05:21 | |
Things that happen on Sunday. | 0:05:21 | 0:05:23 | |
This is a more successful | 0:05:23 | 0:05:25 | |
early buzz. | 0:05:25 | 0:05:26 | |
You will get three points | 0:05:26 | 0:05:27 | |
for coming in after two clues. | 0:05:27 | 0:05:28 | |
Things that happen on a Sunday. | 0:05:28 | 0:05:30 | |
The clues you hadn't seen yet, | 0:05:30 | 0:05:32 | |
it doesn't always apply. | 0:05:32 | 0:05:33 | |
So, the Oscars, | 0:05:33 | 0:05:34 | |
it moved to Sundays in 1999. | 0:05:34 | 0:05:35 | |
Do you stay up for those? | 0:05:35 | 0:05:37 | |
Stay up and watch the Oscars? | 0:05:37 | 0:05:38 | |
-No. -Not for many years... -No... | 0:05:38 | 0:05:40 | |
Any of you? Really?! | 0:05:40 | 0:05:42 | |
I can't even stay awake through | 0:05:42 | 0:05:43 | |
the films any more, let alone... | 0:05:43 | 0:05:45 | |
LAUGHTER | 0:05:45 | 0:05:46 | |
Oh, I love the Oscars. | 0:05:46 | 0:05:47 | |
My happiest Oscar memory is of | 0:05:47 | 0:05:49 | |
Billy Crystal coming out | 0:05:49 | 0:05:50 | |
and saying, "Wonderful to see so | 0:05:50 | 0:05:52 | |
"many new faces. | 0:05:52 | 0:05:53 | |
"Same people, | 0:05:53 | 0:05:54 | |
"just a lot of new faces." | 0:05:54 | 0:05:55 | |
I love the Oscars. And the UK | 0:05:55 | 0:05:57 | |
singles chart rundown, | 0:05:57 | 0:05:59 | |
that isn't on a Sunday any more, | 0:05:59 | 0:06:00 | |
it actually moved to Fridays | 0:06:00 | 0:06:01 | |
because the data, | 0:06:01 | 0:06:02 | |
it's all computerised stuff now, that comes out on Fridays, | 0:06:02 | 0:06:05 | |
but it was Sundays until July, 2015. | 0:06:05 | 0:06:07 | |
So, good early buzzing. | 0:06:07 | 0:06:08 | |
Well done. Back to you, Beekeepers, for a choice. | 0:06:08 | 0:06:12 | |
-Water, please. -Water. | 0:06:12 | 0:06:13 | |
OK. What is the connection | 0:06:13 | 0:06:15 | |
between these clues? | 0:06:15 | 0:06:16 | |
Here's the first. | 0:06:16 | 0:06:17 | |
Australian wine company. | 0:06:19 | 0:06:21 | |
THEY WHISPER | 0:06:21 | 0:06:23 | |
Next, please. | 0:06:24 | 0:06:26 | |
-Hardy. -Hardy... -Hardy. | 0:06:29 | 0:06:34 | |
I need to hear something else. | 0:06:34 | 0:06:36 | |
-Thomas Hardy. -Thomas Hardy. | 0:06:36 | 0:06:38 | |
They are all Thomas Hardys. | 0:06:38 | 0:06:39 | |
I mean, this is amazing. We may turn | 0:06:39 | 0:06:41 | |
this into a two-clue game. | 0:06:41 | 0:06:42 | |
Talk me through what we're looking at. | 0:06:42 | 0:06:44 | |
Obviously they are all Thomas Hardys. | 0:06:44 | 0:06:46 | |
As a member of the Collingwood Society, | 0:06:46 | 0:06:48 | |
the man who really won Trafalgar, | 0:06:48 | 0:06:50 | |
if I failed to get a Nelson's flag | 0:06:50 | 0:06:52 | |
cap right I'd be drummed out. | 0:06:52 | 0:06:54 | |
OK! That's right. "Kiss me, Hardy." | 0:06:54 | 0:06:56 | |
He was referring to | 0:06:56 | 0:06:58 | |
Thomas Masterman Hardy, | 0:06:58 | 0:06:59 | |
the flag captain. | 0:06:59 | 0:07:00 | |
Thomas Hardy, the author | 0:07:00 | 0:07:01 | |
of The Trumpet-Major, and... | 0:07:01 | 0:07:03 | |
Tom Hardy, Bane from, um, Batman. | 0:07:03 | 0:07:07 | |
That's right. Bane is | 0:07:07 | 0:07:09 | |
in The Dark Knight Rises. | 0:07:09 | 0:07:11 | |
Tom Hardy, the actor, he's known as. | 0:07:11 | 0:07:12 | |
He has been credited as Thomas Hardy | 0:07:12 | 0:07:14 | |
in some films, although I think his | 0:07:14 | 0:07:16 | |
real name is Edward. Do you know...? | 0:07:16 | 0:07:18 | |
Here's a nice piece of trivia, | 0:07:18 | 0:07:20 | |
who did the actor Tom Hardy play | 0:07:20 | 0:07:22 | |
in the Guy Ritchie film RocknRolla? | 0:07:22 | 0:07:24 | |
Ooh. | 0:07:24 | 0:07:25 | |
There's additional points on this. | 0:07:26 | 0:07:27 | |
THEY LAUGH | 0:07:27 | 0:07:29 | |
He played the gay hoodlum, | 0:07:29 | 0:07:30 | |
Handsome Bob. | 0:07:30 | 0:07:31 | |
One of my favourite of his roles. | 0:07:31 | 0:07:33 | |
And Thomas Hardy & Sons, the | 0:07:33 | 0:07:34 | |
Australian wine manufacturers. | 0:07:34 | 0:07:36 | |
All Thomas Hardys. | 0:07:36 | 0:07:38 | |
Very well done. | 0:07:38 | 0:07:40 | |
My goodness. We'll be finishing the show early. | 0:07:40 | 0:07:42 | |
We can all go for a drink. You'd like that, Cosmopolitans, I think. | 0:07:42 | 0:07:44 | |
-Yes, yes. -What will you have? | 0:07:44 | 0:07:46 | |
-Two Reeds, please. -I meant at the bar later. | 0:07:46 | 0:07:48 | |
LAUGHTER But I suppose we'd better do this first. | 0:07:48 | 0:07:50 | |
Two Reeds? OK. These are going to be picture clues. | 0:07:50 | 0:07:53 | |
Something connects them, what is it? | 0:07:53 | 0:07:55 | |
First one coming in...now. | 0:07:55 | 0:07:57 | |
-What on earth is that? -Flour. -Flour and water. | 0:07:59 | 0:08:02 | |
Yes. Next. | 0:08:02 | 0:08:03 | |
Four butters? | 0:08:05 | 0:08:06 | |
-To make a cake? -A pound cake? | 0:08:06 | 0:08:09 | |
-Next. -Next. | 0:08:09 | 0:08:10 | |
Things that you need to make a Victoria sponge cake. | 0:08:12 | 0:08:15 | |
The ingredients for a Victoria sponge? | 0:08:17 | 0:08:20 | |
Would be one acceptable answer. | 0:08:20 | 0:08:22 | |
Before the last clue comes up, | 0:08:22 | 0:08:24 | |
what do you think will be in it? | 0:08:24 | 0:08:25 | |
-Two eggs. -Eggs. | 0:08:25 | 0:08:26 | |
Two eggs? Exactly so. | 0:08:26 | 0:08:28 | |
I'd never heard of this. | 0:08:28 | 0:08:30 | |
A 4-4-4-2 apparently is a classic | 0:08:30 | 0:08:32 | |
sponge cake recipe. | 0:08:32 | 0:08:33 | |
As well as being a football | 0:08:33 | 0:08:34 | |
formation for a very big team. | 0:08:34 | 0:08:36 | |
THEY LAUGH | 0:08:36 | 0:08:38 | |
Would you have known | 0:08:38 | 0:08:40 | |
-that over there? -Yes. | 0:08:40 | 0:08:41 | |
I realised as soon as the butter came up | 0:08:41 | 0:08:43 | |
-it was a Victoria sponge. -Big fans of cake. | 0:08:43 | 0:08:45 | |
I'm quite enjoying the way | 0:08:45 | 0:08:47 | |
it's men V women. | 0:08:47 | 0:08:48 | |
A bit like Christmas Day when | 0:08:48 | 0:08:49 | |
you separate for charades teams, | 0:08:49 | 0:08:51 | |
isn't it? So I'm glad you could get | 0:08:51 | 0:08:52 | |
the cake recipe as well. | 0:08:52 | 0:08:53 | |
No-one screaming recriminations yet. | 0:08:53 | 0:08:55 | |
No, give it time. | 0:08:55 | 0:08:56 | |
I never knew this. I just thought | 0:08:56 | 0:08:58 | |
you chuck in some flour, some eggs, | 0:08:58 | 0:09:00 | |
a shot of vodka. | 0:09:00 | 0:09:01 | |
And how are your cakes? | 0:09:01 | 0:09:03 | |
Well, you know. A bit liquidy... | 0:09:03 | 0:09:04 | |
It's always a Victoria sponge. | 0:09:04 | 0:09:05 | |
It's always a Victoria sponge, | 0:09:05 | 0:09:07 | |
exactly. | 0:09:07 | 0:09:08 | |
Very good point. Well spotted. | 0:09:08 | 0:09:11 | |
Beekeepers, the last question of the round. | 0:09:11 | 0:09:13 | |
Eye of Horus. That will be yours. | 0:09:13 | 0:09:14 | |
What is the connection between these clues? | 0:09:14 | 0:09:17 | |
Here's the first. | 0:09:17 | 0:09:18 | |
Next, please. | 0:09:21 | 0:09:23 | |
THEY CONFER | 0:09:25 | 0:09:26 | |
Particular...? Shall we have another? | 0:09:29 | 0:09:31 | |
Next, please. | 0:09:31 | 0:09:33 | |
Erm... I think we should go for... | 0:09:36 | 0:09:39 | |
Next, please. | 0:09:40 | 0:09:42 | |
Good Winds... | 0:09:43 | 0:09:45 | |
Three seconds. | 0:09:54 | 0:09:55 | |
-Ships. -It would be very good | 0:09:57 | 0:09:59 | |
names for ships, | 0:09:59 | 0:10:01 | |
but I'm afraid they are not famous | 0:10:01 | 0:10:03 | |
enough, if they exist, | 0:10:03 | 0:10:04 | |
to be the answer here. So, | 0:10:04 | 0:10:05 | |
Cosmopolitans, a bonus chance. | 0:10:05 | 0:10:07 | |
They are English translations | 0:10:07 | 0:10:08 | |
of South American capital cities. | 0:10:08 | 0:10:10 | |
It is another | 0:10:10 | 0:10:11 | |
capital cities question. | 0:10:11 | 0:10:12 | |
That's exactly what they are. | 0:10:12 | 0:10:13 | |
What are the cities in Spanish? | 0:10:13 | 0:10:15 | |
Santiago, Asuncion, | 0:10:15 | 0:10:17 | |
La Paz and Buenos Aires. | 0:10:17 | 0:10:19 | |
That is right. The capitals | 0:10:19 | 0:10:20 | |
of Chile, Paraguay, | 0:10:20 | 0:10:22 | |
Bolivia and Argentina. | 0:10:22 | 0:10:23 | |
Well translated. | 0:10:23 | 0:10:24 | |
That means, after some excellent, | 0:10:24 | 0:10:26 | |
speedy quizzing, | 0:10:26 | 0:10:27 | |
at the end of Round One, | 0:10:27 | 0:10:28 | |
the Beekeepers have four points, | 0:10:28 | 0:10:30 | |
the Cosmopolitans have seven. | 0:10:30 | 0:10:31 | |
On to Round Two, the sequences round. | 0:10:34 | 0:10:36 | |
And you'll be going first again, Cosmopolitans, | 0:10:36 | 0:10:38 | |
so please choose a hieroglyph. | 0:10:38 | 0:10:40 | |
Horned Viper, please. | 0:10:40 | 0:10:42 | |
OK. What would come fourth | 0:10:42 | 0:10:43 | |
in this sequence? | 0:10:43 | 0:10:44 | |
Here's the first. | 0:10:44 | 0:10:46 | |
THEY CONFER | 0:10:47 | 0:10:49 | |
-Eight. -OK, eight. | 0:10:49 | 0:10:51 | |
-Eight. I think we need... -Yeah, next. | 0:10:51 | 0:10:54 | |
-Nine... -Things that happened on particular dates? | 0:10:55 | 0:10:58 | |
-In September. -In... Mm. | 0:10:58 | 0:11:01 | |
Yes. I think, I think, | 0:11:01 | 0:11:03 | |
um, yeah, I think 9/11 is the answer. | 0:11:03 | 0:11:06 | |
OK. OK. | 0:11:06 | 0:11:07 | |
Um, the attack on the Twin Towers. | 0:11:07 | 0:11:10 | |
Is an acceptable answer. | 0:11:10 | 0:11:12 | |
Very well done. | 0:11:12 | 0:11:14 | |
What is this sequence? | 0:11:14 | 0:11:15 | |
They're the days in September, | 0:11:15 | 0:11:17 | |
in presumably 2001. | 0:11:17 | 0:11:18 | |
Um... Is it 2001? | 0:11:18 | 0:11:20 | |
2001, yes. | 0:11:20 | 0:11:22 | |
It's poignantly jolly, isn't it? | 0:11:22 | 0:11:23 | |
8th September is just the US Open | 0:11:23 | 0:11:25 | |
final the Williams sisters played. | 0:11:25 | 0:11:27 | |
And then it all starts | 0:11:27 | 0:11:28 | |
to go a bit horrible. | 0:11:28 | 0:11:30 | |
We're leading up to | 0:11:30 | 0:11:31 | |
the 11th of September, 2001, | 0:11:31 | 0:11:32 | |
and the most notable | 0:11:32 | 0:11:34 | |
thing that happened that day | 0:11:34 | 0:11:35 | |
was the attacks on | 0:11:35 | 0:11:36 | |
the World Trade Centre. Well done. | 0:11:36 | 0:11:38 | |
Beekeepers, what would you like? | 0:11:38 | 0:11:40 | |
-Two Reeds, please. -Two Reeds. | 0:11:40 | 0:11:41 | |
Ooh, it's the music sequence. So you'll be hearing the clues. | 0:11:41 | 0:11:44 | |
I still want to know what comes fourth. | 0:11:44 | 0:11:46 | |
Time starts now. | 0:11:46 | 0:11:47 | |
# Kiss me | 0:11:47 | 0:11:49 | |
# K-k-kiss me | 0:11:49 | 0:11:51 | |
# Infect me with your love and fill me with your poison... # | 0:11:51 | 0:11:53 | |
Do you know this? | 0:11:53 | 0:11:55 | |
Next, please. | 0:11:55 | 0:11:56 | |
# Where are those happy days? | 0:11:56 | 0:11:58 | |
# They seem so hard to find...# | 0:11:58 | 0:12:01 | |
-ABBA. -Yes... | 0:12:01 | 0:12:02 | |
# I tried to wait for you | 0:12:02 | 0:12:04 | |
# But you have closed your mind... # | 0:12:04 | 0:12:07 | |
-Next one. -Next, please. | 0:12:07 | 0:12:09 | |
MUSIC: YMCA by The Village People | 0:12:09 | 0:12:10 | |
Oh, they're all acronyms. | 0:12:10 | 0:12:12 | |
THEY CONFER | 0:12:12 | 0:12:14 | |
# Young man... | 0:12:20 | 0:12:22 | |
# There's no need to feel down | 0:12:22 | 0:12:23 | |
# I say young man... # | 0:12:23 | 0:12:25 | |
Two seconds. | 0:12:25 | 0:12:27 | |
ABC. | 0:12:29 | 0:12:30 | |
Not the right answer. | 0:12:32 | 0:12:34 | |
Cosmopolitans, do you want to have | 0:12:34 | 0:12:36 | |
a go for a bonus point? | 0:12:36 | 0:12:37 | |
Well, it is letters, | 0:12:37 | 0:12:39 | |
just different letters. | 0:12:39 | 0:12:40 | |
We don't know what the titles | 0:12:40 | 0:12:41 | |
of the songs are. | 0:12:41 | 0:12:43 | |
Sequences of letters. | 0:12:43 | 0:12:44 | |
But we don't know which one the next one is. | 0:12:44 | 0:12:47 | |
Right. I certainly can't take that. | 0:12:47 | 0:12:49 | |
Now, why do you say ABC? | 0:12:49 | 0:12:50 | |
For exactly the same reason! | 0:12:50 | 0:12:52 | |
We can see these were... | 0:12:52 | 0:12:54 | |
Kind of acronyms of song titles, | 0:12:54 | 0:12:56 | |
but we couldn't quite spot the sequence. | 0:12:56 | 0:12:59 | |
Well, the problem is I need | 0:12:59 | 0:13:00 | |
something that is five letters. | 0:13:00 | 0:13:02 | |
The first one was ET, | 0:13:02 | 0:13:03 | |
Katy Perry featuring Kanye West. | 0:13:03 | 0:13:05 | |
SOS, ABBA, YMCA, The Village People. | 0:13:05 | 0:13:08 | |
I need something with a sequence | 0:13:08 | 0:13:09 | |
of five letters, for example? | 0:13:09 | 0:13:11 | |
-Such as... -Such as? | 0:13:11 | 0:13:13 | |
D-I-S-C-O. | 0:13:13 | 0:13:14 | |
That's the one we all know. | 0:13:14 | 0:13:17 | |
-You all know that one? -Yeah. | 0:13:17 | 0:13:19 | |
Good because the viewers might not | 0:13:19 | 0:13:20 | |
remember what I mean, so let's | 0:13:20 | 0:13:22 | |
remind them with a rousing blast. | 0:13:22 | 0:13:24 | |
One, two, three, four. | 0:13:24 | 0:13:25 | |
ALL: # D-I-S-C-O. | 0:13:25 | 0:13:28 | |
# D-I-S-C-O. # | 0:13:28 | 0:13:31 | |
She is D. | 0:13:31 | 0:13:33 | |
I. | 0:13:33 | 0:13:34 | |
No, she is D something... | 0:13:34 | 0:13:36 | |
Desirable. Why is it when I point at | 0:13:36 | 0:13:38 | |
people they never shout "desirable"? | 0:13:38 | 0:13:41 | |
You'd think it was simple, | 0:13:41 | 0:13:42 | |
simply never happens, but a | 0:13:42 | 0:13:43 | |
beautiful rendition nonetheless. | 0:13:43 | 0:13:45 | |
Although I'm afraid I can't give any points. | 0:13:45 | 0:13:47 | |
Cosmopolitans, please choose another question. | 0:13:47 | 0:13:49 | |
-Lion. -Lion. | 0:13:49 | 0:13:51 | |
OK. What would come fourth in this sequence? | 0:13:51 | 0:13:53 | |
Here's the first. | 0:13:53 | 0:13:54 | |
Next. | 0:13:57 | 0:13:58 | |
It's a dipthong.... | 0:14:01 | 0:14:02 | |
No idea. And they're colours, as well. | 0:14:04 | 0:14:06 | |
-Yeah, they are. -Er... Next. | 0:14:06 | 0:14:09 | |
Ooh. | 0:14:11 | 0:14:12 | |
-Oh, it's Google. -Google. | 0:14:12 | 0:14:14 | |
-OK, so it's a green L. -L. -L. | 0:14:15 | 0:14:19 | |
That's right. | 0:14:19 | 0:14:20 | |
It is a green lower case L. | 0:14:20 | 0:14:21 | |
And why? What's the logic | 0:14:21 | 0:14:23 | |
of the sequence? | 0:14:23 | 0:14:24 | |
They're the letters of the Google logo in their normal colourings | 0:14:24 | 0:14:29 | |
by order of when they appear? When the first one appears? | 0:14:29 | 0:14:33 | |
That's right. | 0:14:33 | 0:14:34 | |
Of when the first colour appears. | 0:14:34 | 0:14:36 | |
So there are two Gs in Google, | 0:14:36 | 0:14:37 | |
the first one at the beginning of it, and they're blue. | 0:14:37 | 0:14:39 | |
Then one of the Os and an E is red, | 0:14:39 | 0:14:42 | |
then a yellow O and the L, | 0:14:42 | 0:14:44 | |
the last colour to appear, is green. | 0:14:44 | 0:14:46 | |
Well done. Beekeepers, | 0:14:46 | 0:14:47 | |
what would you like? | 0:14:47 | 0:14:49 | |
-Eye of Horus, please. -The Eye of Horus. | 0:14:49 | 0:14:50 | |
OK. I want to know what will come fourth in this sequence. | 0:14:50 | 0:14:53 | |
Here's the first. | 0:14:53 | 0:14:54 | |
Fourth... | 0:14:55 | 0:14:57 | |
-Another one? -Next, please. | 0:14:57 | 0:14:59 | |
THEY CONFER | 0:15:00 | 0:15:02 | |
They're not, erm, not, erm, election where the...? | 0:15:05 | 0:15:08 | |
-Um... -Shall we go for another? -Go for another one. -Next, please. | 0:15:08 | 0:15:11 | |
Um, so it could be... West Virginia? | 0:15:17 | 0:15:20 | |
Um, was it later...? | 0:15:26 | 0:15:27 | |
Three seconds. | 0:15:31 | 0:15:32 | |
First, Louisiana. | 0:15:33 | 0:15:35 | |
Not the right answer. | 0:15:35 | 0:15:36 | |
So a bonus chance for you, | 0:15:36 | 0:15:38 | |
Cosmopolitans. | 0:15:38 | 0:15:39 | |
OK. Well, first... | 0:15:39 | 0:15:41 | |
-Georgia? -Georgia? | 0:15:41 | 0:15:43 | |
That's not it either. | 0:15:43 | 0:15:45 | |
Why do you say Louisiana? | 0:15:45 | 0:15:46 | |
We took a bit of a punt | 0:15:46 | 0:15:48 | |
and thought it might be | 0:15:48 | 0:15:49 | |
the locations of the poorest | 0:15:49 | 0:15:52 | |
counties in the US. | 0:15:52 | 0:15:53 | |
Right. No, that's not the sequence. | 0:15:53 | 0:15:56 | |
What were you thinking over there? | 0:15:56 | 0:15:57 | |
That it was a state. | 0:15:57 | 0:15:59 | |
-LAUGHTER -Maybe the lowest-lying state. | 0:15:59 | 0:16:01 | |
No, I'll tell you what it is. | 0:16:01 | 0:16:02 | |
This is in reverse order, | 0:16:02 | 0:16:04 | |
henceforth third, | 0:16:04 | 0:16:05 | |
second, secessionist states. | 0:16:05 | 0:16:07 | |
So we want to know the first state | 0:16:07 | 0:16:09 | |
to secede from the Union, | 0:16:09 | 0:16:11 | |
South Carolina. | 0:16:11 | 0:16:13 | |
You just had to ask yourselves, | 0:16:13 | 0:16:14 | |
"Which one is the most racist?" | 0:16:14 | 0:16:16 | |
It is South Carolina. | 0:16:16 | 0:16:17 | |
Do you know what happened there? | 0:16:17 | 0:16:19 | |
South Carolina, it was so devoted to | 0:16:19 | 0:16:21 | |
slavery that when a Republican | 0:16:21 | 0:16:23 | |
senator gave a speech | 0:16:23 | 0:16:24 | |
denouncing slavery, | 0:16:24 | 0:16:25 | |
a Democrat congressman | 0:16:25 | 0:16:27 | |
beat him unconscious with a cane | 0:16:27 | 0:16:28 | |
and it took him three years | 0:16:28 | 0:16:30 | |
to recover. | 0:16:30 | 0:16:31 | |
That's how determined they were | 0:16:31 | 0:16:33 | |
not to have a bad word | 0:16:33 | 0:16:34 | |
spoken of slavery. | 0:16:34 | 0:16:36 | |
First state to secede from the Union, South Carolina. | 0:16:36 | 0:16:38 | |
So, no bonus points, | 0:16:38 | 0:16:39 | |
but Cosmopolitans, you may choose a question. | 0:16:39 | 0:16:41 | |
-Twisted Flax, please. -Twisted Flax. OK. | 0:16:41 | 0:16:43 | |
These are going to be picture clues. | 0:16:43 | 0:16:45 | |
What would you expect to see in the fourth picture? | 0:16:45 | 0:16:47 | |
Here's the first. | 0:16:47 | 0:16:48 | |
-Bob Marley. Erm... -Next. | 0:16:50 | 0:16:52 | |
Christmas, 1843. | 0:16:55 | 0:16:57 | |
Oh, it's the ghosts, isn't it? | 0:16:59 | 0:17:02 | |
-Christmas Carol. -OK. | 0:17:02 | 0:17:03 | |
So Christmas yet to come. | 0:17:03 | 0:17:04 | |
-No. So Marley... -Yes. | 0:17:04 | 0:17:06 | |
-..past, present, future. -Yes. | 0:17:06 | 0:17:08 | |
So December 25th, 2027, | 0:17:08 | 0:17:10 | |
-or something? -Yes. | 0:17:10 | 0:17:12 | |
December the 25th, 2027? | 0:17:12 | 0:17:15 | |
That's right, we went with 2024, | 0:17:15 | 0:17:17 | |
but I will accept 2027. | 0:17:17 | 0:17:19 | |
A future Christmas. | 0:17:19 | 0:17:20 | |
-What is the sequence? -They're the ghosts in A Christmas Carol. | 0:17:20 | 0:17:24 | |
That's right. Marley, Jacob Marley was the first ghostly visitor, | 0:17:24 | 0:17:27 | |
represented here by the singer, Bob Marley. | 0:17:27 | 0:17:30 | |
And Christmas past, why 1843? | 0:17:30 | 0:17:33 | |
Maybe that's when it was written? | 0:17:33 | 0:17:34 | |
That's the year of publication | 0:17:34 | 0:17:36 | |
of A Christmas Carol, | 0:17:36 | 0:17:37 | |
the Dickens story | 0:17:37 | 0:17:38 | |
in which the ghosts appear. | 0:17:38 | 0:17:40 | |
Beekeepers, one question remains, | 0:17:40 | 0:17:42 | |
Water. What will come fourth in this sequence? | 0:17:42 | 0:17:44 | |
Here's the first. | 0:17:44 | 0:17:45 | |
-These are the drinks... -INDISTINCT | 0:17:47 | 0:17:49 | |
Shall we do...? One more? | 0:17:54 | 0:17:56 | |
Er, next, please. | 0:18:02 | 0:18:03 | |
THEY CONFER | 0:18:08 | 0:18:09 | |
Restores you to your normal size. | 0:18:14 | 0:18:16 | |
I'm afraid that is not the answer. | 0:18:17 | 0:18:21 | |
Although why? | 0:18:21 | 0:18:22 | |
If you can persuade me | 0:18:22 | 0:18:23 | |
that is a valid sequence... | 0:18:23 | 0:18:25 | |
So... | 0:18:25 | 0:18:26 | |
Assuming these are the drinks | 0:18:26 | 0:18:27 | |
consumed unwisely | 0:18:27 | 0:18:29 | |
by Alice on the orders of the labels | 0:18:29 | 0:18:31 | |
attached to their bottles, | 0:18:31 | 0:18:32 | |
these are the things | 0:18:32 | 0:18:34 | |
that happened to her | 0:18:34 | 0:18:35 | |
when she consumes them, in order. | 0:18:35 | 0:18:38 | |
I can't take it, and I'm going to | 0:18:38 | 0:18:40 | |
explain why in a minute. | 0:18:40 | 0:18:41 | |
I'll show the third in | 0:18:41 | 0:18:42 | |
the sequence to the Cosmopolitans | 0:18:42 | 0:18:44 | |
for a possible bonus point. | 0:18:44 | 0:18:45 | |
Makes your neck very long. | 0:18:45 | 0:18:47 | |
Makes you very small? | 0:18:47 | 0:18:48 | |
Cos there is a "drink me" that makes you small, isn't there? | 0:18:48 | 0:18:51 | |
Makes you very small. | 0:18:51 | 0:18:52 | |
Makes you very small | 0:18:53 | 0:18:55 | |
is the right answer. | 0:18:55 | 0:18:56 | |
Now, this is very interesting. | 0:18:56 | 0:18:57 | |
The person that wrote this question | 0:18:58 | 0:19:00 | |
was thinking of the Roald Dahl story | 0:19:00 | 0:19:02 | |
George's Marvellous Medicine. | 0:19:02 | 0:19:04 | |
And they are medicines number one, | 0:19:04 | 0:19:06 | |
two, three and four. | 0:19:06 | 0:19:07 | |
As it happens, I'm a particular fan | 0:19:07 | 0:19:09 | |
of the Alice stories and I know | 0:19:09 | 0:19:11 | |
exactly what you mean. It's in The Pool Of Tears, chapter two. | 0:19:11 | 0:19:13 | |
She has the "eat me" cake. | 0:19:13 | 0:19:15 | |
-Yes. -And it does make her very tall. | 0:19:15 | 0:19:17 | |
The legs being long and the necks | 0:19:17 | 0:19:19 | |
being long, it's part of being tall, | 0:19:19 | 0:19:21 | |
isn't it? That's all the one thing, | 0:19:21 | 0:19:22 | |
really, at clue one. | 0:19:22 | 0:19:24 | |
And then, actually, the cake, | 0:19:24 | 0:19:25 | |
that's all it does is make her tall, | 0:19:25 | 0:19:26 | |
then it's finished. | 0:19:26 | 0:19:27 | |
What makes her small | 0:19:27 | 0:19:28 | |
is the bottle of drink. | 0:19:28 | 0:19:30 | |
It's a whole different thing. | 0:19:30 | 0:19:31 | |
-Yes. -Yes. But that's absolutely it. | 0:19:31 | 0:19:33 | |
She eats the cake and she says, | 0:19:33 | 0:19:35 | |
"I feel I'm opening out like the | 0:19:35 | 0:19:36 | |
"largest telescope there ever was." | 0:19:36 | 0:19:38 | |
I'm slightly obsessed | 0:19:38 | 0:19:40 | |
with that story. | 0:19:40 | 0:19:41 | |
So I can see exactly why you'd think | 0:19:41 | 0:19:43 | |
of it but it doesn't quite work. | 0:19:43 | 0:19:45 | |
Nevertheless, you have found your | 0:19:45 | 0:19:47 | |
way over there to the right answer | 0:19:47 | 0:19:48 | |
while thinking of | 0:19:48 | 0:19:49 | |
a whole different story. | 0:19:49 | 0:19:50 | |
-For the wrong reason. -Very well done. | 0:19:50 | 0:19:52 | |
That means, at the end of Round Two, | 0:19:52 | 0:19:54 | |
the Beekeepers have four points, | 0:19:54 | 0:19:56 | |
Cosmopolitans have a rather amazing 16. | 0:19:56 | 0:19:59 | |
Time now for the Connecting Wall. | 0:20:02 | 0:20:04 | |
It'll be the Beekeepers to go first this time. | 0:20:04 | 0:20:06 | |
You chose to go second initially, so you're in first now. | 0:20:06 | 0:20:09 | |
Would you like Lion or Water? | 0:20:09 | 0:20:11 | |
-Lion, please. -Lion, OK. | 0:20:11 | 0:20:13 | |
Two and a half minutes to solve the Lion wall, starting now. | 0:20:13 | 0:20:17 | |
OK. So Pippin and Merry are both, erm, they're hobbits. | 0:20:19 | 0:20:24 | |
Hobbits. So... | 0:20:24 | 0:20:25 | |
THEY TALK OVER EACH OTHER | 0:20:25 | 0:20:27 | |
What follows show off? | 0:20:29 | 0:20:31 | |
Show of force, show of strength. | 0:20:31 | 0:20:33 | |
-Gaffer tape, cassette tape. -Yes. And duct tape. -Duct tape. | 0:20:35 | 0:20:39 | |
-And... -Ticker tape. | 0:20:39 | 0:20:41 | |
Ticker tape. | 0:20:41 | 0:20:43 | |
-So we've got ticker tape and... -Duct tape. -Duct tape, | 0:20:44 | 0:20:48 | |
Gaffer tape and cassette tape. | 0:20:48 | 0:20:50 | |
No. | 0:20:50 | 0:20:52 | |
-Is there...? -Any other tape? | 0:20:52 | 0:20:54 | |
OK, we'll leave this one. | 0:20:55 | 0:20:57 | |
OK, so he's going there. Is he? Yeah. | 0:20:57 | 0:21:00 | |
And Gala is... | 0:21:00 | 0:21:03 | |
What else have we got? Healing hands? | 0:21:04 | 0:21:07 | |
Show of hands? | 0:21:07 | 0:21:08 | |
-Yeah. -Yeah. -OK, so we've got healing hands, show of hands. | 0:21:08 | 0:21:13 | |
-Greg Hands. -And join hands. -And join hands. | 0:21:13 | 0:21:16 | |
HE LAUGHS Three strikes and you're out now. | 0:21:16 | 0:21:18 | |
So Gaffer, Ticker, Duct, Cassette. | 0:21:18 | 0:21:21 | |
We've tried that. Which other one of those might be a tape? | 0:21:21 | 0:21:24 | |
-Twill tape? -twill tape, merry tape, pippin tape, Sam tape. | 0:21:24 | 0:21:28 | |
So if you've got... | 0:21:28 | 0:21:29 | |
That would mean the others would be Pippin, Merry, Sam... | 0:21:29 | 0:21:32 | |
Pippin, Merry, Sam and Gaffer. | 0:21:32 | 0:21:35 | |
Yeah. | 0:21:35 | 0:21:36 | |
You've solved the wall. | 0:21:36 | 0:21:39 | |
Very impressive. So that's four point immediately for the groups. | 0:21:39 | 0:21:41 | |
Let's have a look at the connections. | 0:21:41 | 0:21:43 | |
Jazz, Gala, Honeygold, Jonathan. | 0:21:43 | 0:21:46 | |
-Apples. -They are all apples. | 0:21:46 | 0:21:48 | |
Do you know that as a beekeeper? | 0:21:48 | 0:21:49 | |
No, I know it as an apple enthusiast. | 0:21:49 | 0:21:51 | |
Were you familiar with the Jonathan apple? | 0:21:51 | 0:21:54 | |
-Yes. -What does it taste like? -It's not one of my favourites. | 0:21:54 | 0:21:57 | |
It's a bit lightweight, a bit fruity, bit of white flesh. | 0:21:57 | 0:22:00 | |
Is apples not a thing to grow in the garden to attract bees? | 0:22:00 | 0:22:04 | |
Oh, lovely. Good early pollen and nectar | 0:22:04 | 0:22:06 | |
and something to show at the end of it. | 0:22:06 | 0:22:09 | |
But you've got to make sure that you crop them early, thin them, | 0:22:09 | 0:22:12 | |
to stop the wasps getting, cos the wasps will attack the bees. | 0:22:12 | 0:22:15 | |
I feel a spin-off show coming on. | 0:22:15 | 0:22:17 | |
In my experience, Jonathans never taste as good. | 0:22:17 | 0:22:20 | |
Let's move on to the next group. | 0:22:20 | 0:22:21 | |
Healing, Join, Greg, Show of. | 0:22:21 | 0:22:24 | |
These are all followed by the word "hands". | 0:22:24 | 0:22:27 | |
Healing hands, join hands, Greg... | 0:22:27 | 0:22:29 | |
-Who's Greg Hands? -Conservative MP, Greg Hands. | 0:22:29 | 0:22:32 | |
MP for Chelsea and Fulham. And show of hands. | 0:22:32 | 0:22:35 | |
And what about this next pink or purple group? | 0:22:35 | 0:22:37 | |
Pippin, Merry, Gaffer, Sam. | 0:22:37 | 0:22:39 | |
These are hobbits. | 0:22:39 | 0:22:41 | |
They are, like so many of our visitors here, significant hobbits. | 0:22:41 | 0:22:45 | |
That's right. Pippin, not an apple, that was a red herring. | 0:22:45 | 0:22:48 | |
And the last group. Twill, Duct, Ticker, Cassette. | 0:22:48 | 0:22:51 | |
-Tape. -They're all types of tape. | 0:22:51 | 0:22:53 | |
Four more points for the connections | 0:22:53 | 0:22:54 | |
and I'll give you the bonus | 0:22:54 | 0:22:56 | |
of two. That is a maximum of ten points. Very well done. | 0:22:56 | 0:22:58 | |
Let's bring in the Cosmopolitans and give them a healthy | 0:22:58 | 0:23:01 | |
glass of water. It's not that healthy. | 0:23:01 | 0:23:03 | |
It's the Water wall. | 0:23:03 | 0:23:04 | |
You have two and a half minutes to solve it. | 0:23:04 | 0:23:06 | |
Starting now. | 0:23:06 | 0:23:08 | |
-Right, so... -So the Picasso Museum, the Louvre, the art museum. | 0:23:11 | 0:23:15 | |
The D'Orsay. | 0:23:15 | 0:23:17 | |
OK, try that. | 0:23:17 | 0:23:19 | |
D'Orsay, Picasso, Louvre. | 0:23:19 | 0:23:21 | |
-Marmottan, Is that perhaps...? -Maybe? | 0:23:21 | 0:23:23 | |
Agnes B, Jessie J. | 0:23:23 | 0:23:27 | |
Jay Z. | 0:23:27 | 0:23:29 | |
-Malcolm X. -Yes. | 0:23:30 | 0:23:32 | |
-Oh! Wow. -Oh, good. | 0:23:32 | 0:23:34 | |
-OK. -So there must be something where it's a word. | 0:23:34 | 0:23:38 | |
Yes. | 0:23:38 | 0:23:40 | |
Window, rose window, bay window. | 0:23:40 | 0:23:44 | |
Shop window. Louvre Window. | 0:23:44 | 0:23:47 | |
Yes, that could work. | 0:23:47 | 0:23:48 | |
Three lives now. | 0:23:48 | 0:23:51 | |
It's got to be museums, hasn't it? | 0:23:53 | 0:23:56 | |
Carnavalet, D'Orsay, Marmottan. | 0:23:56 | 0:24:01 | |
So, Sleep, Power, Street, Hill. | 0:24:01 | 0:24:03 | |
-What could that be? -Stations? | 0:24:03 | 0:24:05 | |
Big Sleep? | 0:24:08 | 0:24:10 | |
Easy Street. | 0:24:12 | 0:24:14 | |
So what could it be? | 0:24:18 | 0:24:20 | |
Hill. | 0:24:20 | 0:24:21 | |
-Street. -Can you take any other words out? | 0:24:21 | 0:24:24 | |
Are we sure we've got the museums, though? That's the question. | 0:24:24 | 0:24:27 | |
Well, we don't know but it's so likely, isn't it? | 0:24:27 | 0:24:29 | |
But if we try it and it's right, we're resolved. | 0:24:29 | 0:24:32 | |
What about films? | 0:24:32 | 0:24:34 | |
Sleep. | 0:24:34 | 0:24:36 | |
Identify the museums. | 0:24:36 | 0:24:38 | |
We've got a little while. | 0:24:40 | 0:24:42 | |
So, Street... | 0:24:42 | 0:24:45 | |
Yeah, but these are all, I think, French, aren't they? | 0:24:48 | 0:24:52 | |
Picasso museum is not in Paris. It's in Barcelona. | 0:24:52 | 0:24:55 | |
I think we should just go for it. | 0:24:55 | 0:24:57 | |
That's it, you solved the wall. | 0:24:57 | 0:24:59 | |
Well done. And what about the connections? | 0:24:59 | 0:25:01 | |
Tell me about the first blue group, starting J. | 0:25:01 | 0:25:03 | |
They have surnames that are just letters. | 0:25:03 | 0:25:06 | |
That is absolutely right. That is the American rapper Jay Z, Malcom X. | 0:25:06 | 0:25:10 | |
Jessie J and Agnes B. | 0:25:10 | 0:25:12 | |
They all have initials as surnames. | 0:25:12 | 0:25:14 | |
And what about the green group, starting Bay? | 0:25:14 | 0:25:16 | |
-Windows? -Bay window, rose window shop window, louvre window. | 0:25:16 | 0:25:20 | |
The next group, starting Picasso. | 0:25:20 | 0:25:22 | |
Paris museums. | 0:25:22 | 0:25:25 | |
They are museums in Paris. Absolutely right. | 0:25:25 | 0:25:27 | |
And the last turquoise group, Power, Hill, Sleep, Street. | 0:25:27 | 0:25:31 | |
Station? | 0:25:31 | 0:25:33 | |
It's walking. THEY GROAN | 0:25:33 | 0:25:35 | |
Power walking, hill walking, sleepwalking, street walking. | 0:25:35 | 0:25:38 | |
-It was the street that threw us off. -I should hope so. | 0:25:38 | 0:25:41 | |
But you do get four points for the groups that you found | 0:25:41 | 0:25:44 | |
and three for the connections, it's a total of seven. | 0:25:44 | 0:25:46 | |
Let's have a look at the scores. | 0:25:46 | 0:25:48 | |
The Beekeepers have 14 points, the Cosmopolitans have 23. | 0:25:48 | 0:25:53 | |
So it's on to Round Four - the missing vowels round. | 0:25:54 | 0:25:57 | |
We have taken the vowels | 0:25:57 | 0:25:58 | |
out of well-known names, phrases and sayings. | 0:25:58 | 0:26:00 | |
Re-space the consonants and I want the team to tell me | 0:26:00 | 0:26:02 | |
what the disguised clues are. | 0:26:02 | 0:26:04 | |
So fingers on buzzers, teams. | 0:26:04 | 0:26:06 | |
The first group are all road signs. | 0:26:06 | 0:26:10 | |
-Beekeepers. -Keep left. | 0:26:12 | 0:26:14 | |
Correct. | 0:26:14 | 0:26:16 | |
Too used to ignoring this one. | 0:26:22 | 0:26:23 | |
It's reduce speed now. | 0:26:23 | 0:26:25 | |
Beekeepers. | 0:26:28 | 0:26:30 | |
Please drive carefully through our village. | 0:26:30 | 0:26:32 | |
Well done. Next clue. | 0:26:32 | 0:26:35 | |
-Beekeepers. -No way. | 0:26:35 | 0:26:38 | |
I'm afraid that is not a road sign. Cosmopolitans, do you know? | 0:26:38 | 0:26:41 | |
-One-way. -That's the road sign. Next category... | 0:26:41 | 0:26:44 | |
-Beekeepers. -A few cards short of a deck. | 0:26:47 | 0:26:50 | |
That's right. | 0:26:50 | 0:26:52 | |
Beekeepers. | 0:26:54 | 0:26:55 | |
-Clowns short of a circus. -Correct. | 0:26:55 | 0:26:57 | |
Cosmopolitans. | 0:27:00 | 0:27:01 | |
Bricks short of a... | 0:27:01 | 0:27:03 | |
No, too long, I'm afraid. Beekeepers, do you know? | 0:27:03 | 0:27:06 | |
-Bricks short of a load. -Correct. | 0:27:06 | 0:27:09 | |
Cosmopolitans. | 0:27:11 | 0:27:12 | |
Sandwiches short of a picnic. | 0:27:12 | 0:27:14 | |
That's right. Next category. | 0:27:14 | 0:27:16 | |
Beekeepers. | 0:27:20 | 0:27:22 | |
-Japan... -No, that's too long. | 0:27:22 | 0:27:23 | |
-Cosmopolitans. -Japanama. -Well done. | 0:27:23 | 0:27:26 | |
-Cosmopolitans. ALL: -Vietnamibia. | 0:27:28 | 0:27:31 | |
Correct. | 0:27:31 | 0:27:32 | |
-Beekeepers. -Uzbekistanzania. | 0:27:35 | 0:27:37 | |
Well done. | 0:27:37 | 0:27:39 | |
-Beekeepers. -Cyprussia. | 0:27:42 | 0:27:43 | |
You've got the hang of it. But it's a new category. | 0:27:43 | 0:27:46 | |
Well, hallelujah, it's | 0:27:52 | 0:27:53 | |
the end of the quiz. | 0:27:53 | 0:27:54 | |
You can't tell me the last | 0:27:54 | 0:27:56 | |
clue but that's what it was. | 0:27:56 | 0:27:57 | |
At the end of the quiz | 0:27:57 | 0:27:59 | |
I can reveal that the winners, | 0:27:59 | 0:28:01 | |
and straight through to | 0:28:01 | 0:28:02 | |
the next round, with 26 points, | 0:28:02 | 0:28:04 | |
are the Cosmopolitans. | 0:28:04 | 0:28:06 | |
Second with 19 points, | 0:28:06 | 0:28:08 | |
it's the Beekeepers. | 0:28:08 | 0:28:09 | |
So, well done Cosmos. | 0:28:09 | 0:28:11 | |
Beekeepers, you're not going home, you will get to play again. | 0:28:11 | 0:28:13 | |
You've got another attempt to make it through to the quarterfinals. | 0:28:13 | 0:28:16 | |
We'll be seeing you later in the series. | 0:28:16 | 0:28:18 | |
Well done. Thank you for watching, | 0:28:18 | 0:28:20 | |
and please join me next time when, | 0:28:20 | 0:28:21 | |
in an attempt to make | 0:28:21 | 0:28:22 | |
the thinking even more lateral, | 0:28:22 | 0:28:24 | |
I'll be asking the teams | 0:28:24 | 0:28:25 | |
to identify what most doesn't | 0:28:25 | 0:28:27 | |
connect four random things. | 0:28:27 | 0:28:29 | |
Goodbye. | 0:28:29 | 0:28:31 |