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Ding-dong, ding-dong, ding-dong, ding-dong. | 0:00:21 | 0:00:24 | |
Ding-dong, ding-dong, ding-dong, ding-dong. | 0:00:24 | 0:00:26 | |
Bong-bong-bong. | 0:00:26 | 0:00:29 | |
We all know the tune, | 0:00:29 | 0:00:31 | |
but who among us has paused, even for a second, | 0:00:31 | 0:00:34 | |
to think about the lyricist? | 0:00:34 | 0:00:37 | |
Hoping to escape that poor fellow's obscurity tonight are, on my right, | 0:00:37 | 0:00:41 | |
Jeremy Partington, | 0:00:41 | 0:00:43 | |
a history graduate who spent six months living in France | 0:00:43 | 0:00:47 | |
dressed as a cowboy. | 0:00:47 | 0:00:49 | |
Chris James, a software developer with a degree in civil engineering, | 0:00:49 | 0:00:52 | |
who received a naked autograph from an England cricket captain. | 0:00:52 | 0:00:57 | |
And their captain, Jonathan Carter, | 0:00:57 | 0:01:00 | |
a former barrister who has twice reached the final of | 0:01:00 | 0:01:03 | |
The Times crossword competition | 0:01:03 | 0:01:04 | |
and once crashed a boat on the Norfolk broads. | 0:01:04 | 0:01:07 | |
United by a love of melty clocks and Monty Python, | 0:01:07 | 0:01:10 | |
they are the Surrealists. | 0:01:10 | 0:01:12 | |
Now, you won your first game against the Genealogists, | 0:01:12 | 0:01:15 | |
then you beat the Part-Time Poets to get to this round. | 0:01:15 | 0:01:17 | |
How important is it to you to keep winning? | 0:01:17 | 0:01:20 | |
Well, I think we consider ourselves fortunate that we've got this far, | 0:01:20 | 0:01:23 | |
so if we can go a bit further, then all to the good, I think. | 0:01:23 | 0:01:26 | |
You'll be trying to beat this time around, on my left - Phyl Styles, | 0:01:26 | 0:01:31 | |
a secondary school teacher who woke up one day to find her car had been | 0:01:31 | 0:01:35 | |
buried beneath the market stalls of a village fete. | 0:01:35 | 0:01:39 | |
Tom Cappleman, a software engineer with an interest in Japanese anime, | 0:01:39 | 0:01:43 | |
who owns a significant collection of 3D jigsaws. | 0:01:43 | 0:01:47 | |
And their captain, Graham Cole, | 0:01:47 | 0:01:49 | |
a computer science graduate who loves a puzzle and had his brain | 0:01:49 | 0:01:52 | |
experimented on as an infant. | 0:01:52 | 0:01:55 | |
United by a love of languages, they are the Verbivores. | 0:01:55 | 0:01:58 | |
Now, Graham, you lost your opening game against the Smiths. | 0:01:58 | 0:02:01 | |
You're here as one of the highest-scoring losers. | 0:02:01 | 0:02:04 | |
You beat the Channel Islanders and the Taverners to get through to | 0:02:04 | 0:02:07 | |
Round Three. What do you think about tonight's opposition? | 0:02:07 | 0:02:10 | |
Jonathan, by all accounts, is pretty good at the missing vowels. | 0:02:10 | 0:02:13 | |
So our previous strategy of fall behind on the wall and then win by | 0:02:13 | 0:02:16 | |
one point in the last round, might not work this time. | 0:02:16 | 0:02:19 | |
Well, let's see. Why don't we kick off with Round One and see how | 0:02:19 | 0:02:22 | |
you fare? You won the toss, | 0:02:22 | 0:02:24 | |
but you've decided to put the Surrealists in first. | 0:02:24 | 0:02:27 | |
So, Surrealists, what would you like? | 0:02:27 | 0:02:29 | |
The Twisted Flax, please. | 0:02:29 | 0:02:31 | |
The Twisted Flax. OK. | 0:02:31 | 0:02:33 | |
What is the connection between these apparently random clues? | 0:02:33 | 0:02:35 | |
Here is the first. | 0:02:35 | 0:02:37 | |
Next, please. | 0:02:38 | 0:02:40 | |
Is it the actor...? | 0:02:45 | 0:02:48 | |
Charlotte Gray? | 0:02:48 | 0:02:52 | |
-It's not... -Next, please. | 0:02:52 | 0:02:55 | |
They've all played Doctor No? | 0:02:57 | 0:03:00 | |
No, it's Blofeld. | 0:03:00 | 0:03:02 | |
Blofeld, that's it. | 0:03:02 | 0:03:04 | |
-Yeah? -Yeah. | 0:03:04 | 0:03:06 | |
They have all played Blofeld in the James Bond films. | 0:03:06 | 0:03:09 | |
They have all played Ernst Blofeld in the James Bond films. | 0:03:09 | 0:03:13 | |
You didn't need the last and greatest one, Telly Savalas, | 0:03:13 | 0:03:16 | |
On Her Majesty's Secret Service, of course. | 0:03:16 | 0:03:18 | |
Which films did these actors appear in? | 0:03:18 | 0:03:20 | |
Gray must be the recent one. | 0:03:20 | 0:03:23 | |
Waltz was Spectre, which was the last one. | 0:03:23 | 0:03:25 | |
Christoph Waltz was in Spectre. | 0:03:25 | 0:03:27 | |
Pleasance was... | 0:03:27 | 0:03:28 | |
Gray was the original, wasn't he, in Doctor No? | 0:03:28 | 0:03:31 | |
Savalas was Diamonds Are Forever? | 0:03:31 | 0:03:33 | |
No. Charles Gray is Diamonds Are Forever. | 0:03:33 | 0:03:35 | |
-Oh, right. -Right. -Telly Savalas, On Her Majesty's Secret Service. | 0:03:35 | 0:03:38 | |
Donald Pleasance was in | 0:03:38 | 0:03:39 | |
You Only Live Twice. | 0:03:39 | 0:03:41 | |
Blofeld. If you were going to play a Bond villain, let me ask you this, | 0:03:41 | 0:03:44 | |
Jonathan, what would be | 0:03:44 | 0:03:46 | |
your weird thing? | 0:03:46 | 0:03:47 | |
A cat, a glass eye, what would be your thing? | 0:03:47 | 0:03:49 | |
-What would be my weird thing? -What animal would you be | 0:03:49 | 0:03:52 | |
stroking in the opening scene? | 0:03:52 | 0:03:53 | |
Oh, probably an Alsatian. | 0:03:53 | 0:03:56 | |
That would be a good one. | 0:03:56 | 0:03:57 | |
Really stroking an Alsatian would be quite sinister. | 0:03:57 | 0:03:59 | |
Cos it's quite relaxing anyway. | 0:03:59 | 0:04:01 | |
If you make the final, we'll try to arrange to have one here! | 0:04:01 | 0:04:03 | |
It's worth getting there just for that. | 0:04:03 | 0:04:05 | |
There are plenty that work on the production, | 0:04:05 | 0:04:07 | |
so I think it can be arranged. | 0:04:07 | 0:04:09 | |
Verbivores, what would you like? | 0:04:09 | 0:04:10 | |
-Horned Viper, please. -The Horned Viper. | 0:04:10 | 0:04:12 | |
What is the connection between these clues? | 0:04:12 | 0:04:14 | |
These musical clues. | 0:04:14 | 0:04:16 | |
First one coming in now. | 0:04:16 | 0:04:18 | |
# I need somebody to be my baby | 0:04:18 | 0:04:22 | |
# Someone to tell... # | 0:04:22 | 0:04:23 | |
Next, please... | 0:04:23 | 0:04:25 | |
# Her name is Noelle | 0:04:25 | 0:04:27 | |
# I have a dream about her | 0:04:27 | 0:04:29 | |
# She rings my bell... # | 0:04:29 | 0:04:32 | |
Wheatus... | 0:04:32 | 0:04:34 | |
Next... | 0:04:34 | 0:04:36 | |
# Before you met me... | 0:04:36 | 0:04:37 | |
Baby, teenage... | 0:04:37 | 0:04:39 | |
-I think it's all just teenage. -Teenage. | 0:04:39 | 0:04:44 | |
-Teenage? -That is the connection. | 0:04:44 | 0:04:47 | |
-What did we hear? -The last one was Teenage Dream. | 0:04:47 | 0:04:50 | |
The one before that was Teenage Dirtbag. | 0:04:50 | 0:04:52 | |
-I don't know about the first one. -Yeah, Teenage Dream, Katy Perry. | 0:04:52 | 0:04:55 | |
Teenage Dirtbag, Wheatus. | 0:04:55 | 0:04:57 | |
The first one? Teenage Idol by Ricky Nelson. | 0:04:57 | 0:04:59 | |
What do you think the fourth clue would have been? | 0:04:59 | 0:05:02 | |
Oh, come on, what's the most famous | 0:05:02 | 0:05:04 | |
song with teenage in the title? | 0:05:04 | 0:05:05 | |
-Kicks. -Teenage Kicks, The Undertones. | 0:05:05 | 0:05:07 | |
That's what that would have been, but we didn't need that one. | 0:05:07 | 0:05:10 | |
You came in after three clues. You get two points. Well done. | 0:05:10 | 0:05:12 | |
Surrealists, what would you like? | 0:05:12 | 0:05:14 | |
-The Eye of Horus, please. -The Eye of Horus, OK. | 0:05:14 | 0:05:16 | |
What is the connection between these clues? | 0:05:16 | 0:05:18 | |
Here is the first. | 0:05:18 | 0:05:20 | |
Next, please. | 0:05:25 | 0:05:26 | |
Are they Humphrey Bogart films with a letter changed? | 0:05:31 | 0:05:33 | |
Yeah? | 0:05:33 | 0:05:35 | |
Try that. | 0:05:38 | 0:05:40 | |
-Shall we go next? -Go on. | 0:05:40 | 0:05:42 | |
Next, please. | 0:05:42 | 0:05:43 | |
-Yeah. -Yeah. | 0:05:44 | 0:05:47 | |
So, they're films with one letter changed, | 0:05:47 | 0:05:53 | |
all starring Humphrey Bogart. | 0:05:53 | 0:05:56 | |
They are Humphrey Bogart films with one letter changed. | 0:05:56 | 0:05:59 | |
Capablanca would have been the last one. | 0:05:59 | 0:06:01 | |
I think you spotted that after two clues, Chris. | 0:06:01 | 0:06:04 | |
-Yeah, I did, yeah. -What should these film titles be? | 0:06:04 | 0:06:06 | |
In A Lonely Place. Dark Passage. | 0:06:06 | 0:06:09 | |
The Big Sleep. And Casablanca. | 0:06:09 | 0:06:12 | |
I'd quite like to see The Big Sheep. | 0:06:12 | 0:06:13 | |
I think that would be a really good version. | 0:06:13 | 0:06:15 | |
Verbivores, what would you like? | 0:06:15 | 0:06:17 | |
-Two Reeds, please. -Two Reeds, OK. | 0:06:17 | 0:06:19 | |
These are going to be picture clues. | 0:06:19 | 0:06:21 | |
What connects them? Here's the first. | 0:06:21 | 0:06:24 | |
Maybe a Rolls-Royce? | 0:06:24 | 0:06:26 | |
You think it's Rolls-Royce? | 0:06:26 | 0:06:28 | |
Next, please. | 0:06:28 | 0:06:29 | |
A painting. Some kind of name? | 0:06:33 | 0:06:34 | |
Could it be the artist? | 0:06:34 | 0:06:36 | |
Next. | 0:06:37 | 0:06:39 | |
Oh... | 0:06:39 | 0:06:41 | |
The tomb of the | 0:06:41 | 0:06:43 | |
unknown soldier? Could be? | 0:06:43 | 0:06:46 | |
Is it a Rolls-Royce soldier? | 0:06:46 | 0:06:48 | |
Or Phantom, I don't know? Next. | 0:06:48 | 0:06:49 | |
A stamp. | 0:06:52 | 0:06:53 | |
I don't know. | 0:06:55 | 0:06:56 | |
Oh, we're just going to have to say something, aren't we? | 0:06:58 | 0:07:01 | |
Erm... | 0:07:01 | 0:07:02 | |
They all face to the left. | 0:07:05 | 0:07:08 | |
They all face to the left? | 0:07:08 | 0:07:09 | |
Well, it's true of the last one. | 0:07:09 | 0:07:11 | |
And maybe the unknown soldier is facing to the left. | 0:07:11 | 0:07:14 | |
I think that is not something that | 0:07:15 | 0:07:17 | |
connects all four clues, I'm afraid. | 0:07:17 | 0:07:19 | |
Though not a bad guess. Surrealists, | 0:07:19 | 0:07:20 | |
would you like to have a go for a bonus? | 0:07:20 | 0:07:22 | |
Led Zeppelin. | 0:07:22 | 0:07:24 | |
No, that's not it either, but tell | 0:07:24 | 0:07:26 | |
me about the second clue. | 0:07:26 | 0:07:28 | |
The album cover for one of their albums, isn't it? | 0:07:28 | 0:07:30 | |
It is the album cover for their fourth album, | 0:07:30 | 0:07:32 | |
which doesn't have a title. | 0:07:32 | 0:07:34 | |
And neither does it feature the name of the band. | 0:07:34 | 0:07:37 | |
The tomb of the unknown soldier you recognised. | 0:07:37 | 0:07:39 | |
That is one of the Queen's cars in | 0:07:39 | 0:07:41 | |
the first clue, no numberplate. | 0:07:41 | 0:07:42 | |
The Queen's cars don't have a numberplate. | 0:07:42 | 0:07:45 | |
And stamps, they do not say British stamps, | 0:07:45 | 0:07:48 | |
the country of origin, | 0:07:48 | 0:07:49 | |
so they are all things that lack | 0:07:49 | 0:07:51 | |
the traditional identification. | 0:07:51 | 0:07:53 | |
You would normally see numberplates on a car, a title on an album, | 0:07:53 | 0:07:56 | |
a name on a tomb or a country on a stamp, | 0:07:56 | 0:07:58 | |
but not in the case of these four. | 0:07:58 | 0:08:01 | |
So, no bonus point, but you may choose a question. | 0:08:01 | 0:08:03 | |
-Lion, please. -Lion, OK. | 0:08:03 | 0:08:05 | |
What is the connection between these clues? | 0:08:05 | 0:08:07 | |
Here's the first. | 0:08:07 | 0:08:08 | |
Next, please. | 0:08:11 | 0:08:13 | |
-Is it in Russian? -The equivalent? | 0:08:17 | 0:08:21 | |
I don't know, go for the third. | 0:08:21 | 0:08:24 | |
..In the USSR, wasn't it? | 0:08:24 | 0:08:25 | |
Yeah, yeah, so should we go for it? | 0:08:25 | 0:08:27 | |
What was the year, though? | 0:08:27 | 0:08:29 | |
Shall we go for it? | 0:08:29 | 0:08:31 | |
-One more. -One more? Next, please. | 0:08:31 | 0:08:33 | |
Yeah? | 0:08:35 | 0:08:37 | |
Yeah. | 0:08:37 | 0:08:39 | |
It's the Cyrillic alphabet and their equivalent in... | 0:08:39 | 0:08:44 | |
-Latin alphabet. -In the... Yeah. -Or the Roman alphabet. | 0:08:44 | 0:08:47 | |
That's absolutely right. So these are Cyrillic letters and the way you | 0:08:47 | 0:08:50 | |
would pronounce them so... | 0:08:50 | 0:08:51 | |
Suh, ruh, nuh, vuh. | 0:08:51 | 0:08:53 | |
It's a pronunciation thing. | 0:08:53 | 0:08:55 | |
Again, I think you spotted it after two clues. | 0:08:55 | 0:08:57 | |
Because I remembered the Russian road signs have "CTOP" with C-T. | 0:08:57 | 0:09:01 | |
Oh, good memory. | 0:09:01 | 0:09:03 | |
-Did you obey them? -I wasn't driving. | 0:09:03 | 0:09:05 | |
LAUGHTER | 0:09:05 | 0:09:06 | |
All right, Verbivores, back to you for the last question of the round, | 0:09:08 | 0:09:10 | |
Water. What is the connection between these clues? | 0:09:10 | 0:09:13 | |
Here's the first. | 0:09:13 | 0:09:14 | |
James Watson's Nobel medal... | 0:09:15 | 0:09:17 | |
-What happened? -Is that Crick and Watson? | 0:09:17 | 0:09:19 | |
I think so. | 0:09:19 | 0:09:21 | |
Next, please. | 0:09:21 | 0:09:23 | |
Yeah, holding company? | 0:09:27 | 0:09:31 | |
Next. | 0:09:31 | 0:09:34 | |
Is it something to do with a certain metal? | 0:09:36 | 0:09:38 | |
Erm... | 0:09:40 | 0:09:41 | |
Platinum or... I don't know. | 0:09:41 | 0:09:43 | |
Next. | 0:09:43 | 0:09:45 | |
I think it's going to be some kind of metal. | 0:09:46 | 0:09:50 | |
Or shared ownership? | 0:09:50 | 0:09:52 | |
Two seconds. | 0:09:52 | 0:09:56 | |
Er... Platinum. | 0:09:56 | 0:09:58 | |
Not the answer, I'm afraid. | 0:09:58 | 0:09:59 | |
So another bonus chance for the Surrealists. | 0:09:59 | 0:10:02 | |
They've all had to be sold. | 0:10:02 | 0:10:05 | |
No, they've all been... | 0:10:06 | 0:10:09 | |
I'm afraid it doesn't work like that. | 0:10:09 | 0:10:11 | |
Once you've given an answer, I have | 0:10:11 | 0:10:13 | |
to take that as your answer. | 0:10:13 | 0:10:14 | |
I think you can say that pretty | 0:10:14 | 0:10:16 | |
much everything in the world has had | 0:10:16 | 0:10:18 | |
to be sold. I know I have. | 0:10:18 | 0:10:19 | |
So I can't really take that. | 0:10:19 | 0:10:21 | |
It is to do with buying and selling though. | 0:10:21 | 0:10:23 | |
Specifically, they've all been bought by Alisher Usmanov, | 0:10:23 | 0:10:26 | |
a Russian oligarch who is part owner of Arsenal, and he also bought | 0:10:26 | 0:10:30 | |
James Watson's Nobel medal in order to give it back to him, actually. | 0:10:30 | 0:10:34 | |
Quite a nice thing to do. He bought holdings in Facebook and mines in | 0:10:34 | 0:10:38 | |
Russia were the source of his income. | 0:10:38 | 0:10:41 | |
Have you heard of him? | 0:10:41 | 0:10:43 | |
-Rings a bell, I think. -I mean, that's my kind of oligarch. | 0:10:43 | 0:10:46 | |
Owns pretty much everything and people don't really know his name. | 0:10:46 | 0:10:49 | |
That's definitely the kind of oligarch I'd be. | 0:10:49 | 0:10:51 | |
So, no bonus points. | 0:10:51 | 0:10:53 | |
At the end of Round One... | 0:10:53 | 0:10:56 | |
On to Round Two, the sequences round. | 0:11:00 | 0:11:02 | |
The teams must work out the connection and then tell me what would come fourth. | 0:11:02 | 0:11:05 | |
You'll be going first again, Surrealists. | 0:11:05 | 0:11:07 | |
So, please pick a hieroglyph. | 0:11:07 | 0:11:09 | |
-Horned Viper, please. -The Horned Viper, OK. | 0:11:09 | 0:11:11 | |
You'll be seeing the first in a sequence. | 0:11:11 | 0:11:13 | |
What would come fourth? Time starts now. | 0:11:13 | 0:11:16 | |
I know who that is... | 0:11:18 | 0:11:20 | |
Next, please. | 0:11:20 | 0:11:22 | |
-That's the Tailor of Gloucester. -So it's Peter Rabbit, | 0:11:22 | 0:11:25 | |
-the Tailor of Gloucester... -But what the hell is the sequence? | 0:11:25 | 0:11:28 | |
What was the fourth one? Oh, God, no.... | 0:11:28 | 0:11:32 | |
-What was the third one? -Next, please. | 0:11:32 | 0:11:35 | |
-Squirrel Nutkin. Is it... -No, it's not Jeremy Fisher. | 0:11:35 | 0:11:39 | |
-Is it not Jeremy Fisher? -It might be. | 0:11:39 | 0:11:42 | |
I don't know. Mrs Tiggy-Winkle? Madame Tiggy-Winkle? | 0:11:42 | 0:11:44 | |
-I've got nothing else. -Yeah, go one, then. | 0:11:44 | 0:11:48 | |
Madame Tiggy-Winkle. | 0:11:48 | 0:11:50 | |
Not the answer, I'm afraid, so | 0:11:50 | 0:11:52 | |
there's a bonus point for you now, | 0:11:52 | 0:11:54 | |
-Verbivores. -Pierre Lapin? | 0:11:54 | 0:11:56 | |
Pierre Lapin is the right answer. | 0:11:56 | 0:11:58 | |
What is the sequence? | 0:11:58 | 0:11:59 | |
They're Beatrix Potter stories in French but I'm not sure what the | 0:11:59 | 0:12:03 | |
-sequence is. -Publishing order in reverse? | 0:12:03 | 0:12:06 | |
In reverse, so the first one, Pierre Lapin, | 0:12:06 | 0:12:08 | |
Peter Rabbit and then we're going backwards, | 0:12:08 | 0:12:11 | |
so we started at The Tale Of Benjamin Bunny, | 0:12:11 | 0:12:13 | |
then The Tailor Of Gloucester, then The Tale Of Squirrel Nutkin. | 0:12:13 | 0:12:17 | |
Mrs Tiggy-Winkle is... I think is | 0:12:17 | 0:12:19 | |
Madame Piquedru la blanchisseuse. | 0:12:19 | 0:12:21 | |
Ah! That was what I was going to say! | 0:12:21 | 0:12:24 | |
Yes, indeed. I probably would have taken Madame Tiggy-Winkle | 0:12:24 | 0:12:27 | |
if that was the answer in translation. | 0:12:27 | 0:12:29 | |
But, yes, the laundress. | 0:12:29 | 0:12:30 | |
Mrs Tiggy-Winkle is a laundress in the French title. | 0:12:30 | 0:12:33 | |
But Peter Rabbit or Pierre Lapin is the answer. | 0:12:33 | 0:12:36 | |
So, well done, you get a bonus point and you may choose a question. | 0:12:36 | 0:12:38 | |
-Eye of Horus, please. -The Eye of Horus. | 0:12:38 | 0:12:40 | |
OK. What would come fourth in this sequence? | 0:12:40 | 0:12:43 | |
Here's the first. | 0:12:43 | 0:12:45 | |
-Song? -Something in antiques... | 0:12:45 | 0:12:48 | |
Next. | 0:12:50 | 0:12:51 | |
It was a show in the '80s. | 0:12:52 | 0:12:54 | |
They can't be just shows in... | 0:12:55 | 0:12:57 | |
Next. It's Michael Aspel, isn't it? Isn't it? | 0:13:01 | 0:13:05 | |
What's Michael Aspel present now? | 0:13:05 | 0:13:08 | |
Does he do Antiques Roadshow? | 0:13:08 | 0:13:09 | |
I think he did. | 0:13:09 | 0:13:12 | |
So... | 0:13:12 | 0:13:13 | |
-Yeah. -If that's all we know. | 0:13:13 | 0:13:15 | |
Shall we go that? Yeah. | 0:13:15 | 0:13:17 | |
-Antiques Roadshow? -Not the answer, I'm afraid. | 0:13:17 | 0:13:21 | |
So, Surrealists, you have a chance for a bonus point. | 0:13:21 | 0:13:23 | |
-Michael Parkinson? -No, it's a programme. | 0:13:23 | 0:13:27 | |
Oh, is it Give Us A Clue? | 0:13:27 | 0:13:29 | |
-Ask Aspel. -No, that's not it. | 0:13:29 | 0:13:31 | |
You see, they're not all about Michael Aspel. | 0:13:31 | 0:13:33 | |
-No. -Right. -Although they are all about the Antiques Roadshow. | 0:13:33 | 0:13:36 | |
These are successive Antiques Roadshow presenters. | 0:13:36 | 0:13:40 | |
Arthur Negus was a presenter of Going For A Song. | 0:13:40 | 0:13:41 | |
Michael Aspel never presented Nationwide. | 0:13:41 | 0:13:43 | |
Hugh Scully did, though. | 0:13:43 | 0:13:45 | |
-Oh, right! -Michael Aspel. So we | 0:13:45 | 0:13:47 | |
wanted a show presented by Fiona Bruce. | 0:13:47 | 0:13:49 | |
The next Antiques Roadshow presenter. | 0:13:49 | 0:13:50 | |
For example, Hive Minds, the BBC Four quiz. | 0:13:50 | 0:13:53 | |
BBC Four! Who would want to present | 0:13:53 | 0:13:55 | |
a quiz on BBC Four? | 0:13:55 | 0:13:56 | |
Who'd want to do that? | 0:13:56 | 0:13:58 | |
Who would want to be on BBC Four? | 0:13:58 | 0:14:00 | |
Something presented by Fiona Bruce, | 0:14:02 | 0:14:04 | |
I wanted to hear. | 0:14:04 | 0:14:05 | |
So you're all in the right area, but not the answer. | 0:14:05 | 0:14:08 | |
So, Surrealists, what would you like next? | 0:14:08 | 0:14:10 | |
-Twisted Flax, please. -Twisted Flax. | 0:14:10 | 0:14:13 | |
What would come fourth in this picture sequence? Here's the first. | 0:14:13 | 0:14:16 | |
Next, please. | 0:14:24 | 0:14:28 | |
-That's Mariel Hemingway. -Are you sure? | 0:14:31 | 0:14:34 | |
-I think. -It's not her. No, it's not. -Next, please. | 0:14:34 | 0:14:39 | |
That's Jake Gyllenhaal. | 0:14:39 | 0:14:41 | |
Is it siblings? | 0:14:43 | 0:14:45 | |
Is that Imogen Stubbs? | 0:14:45 | 0:14:47 | |
You're right... | 0:14:47 | 0:14:48 | |
-Kissinger. -Stubbs... | 0:14:48 | 0:14:50 | |
Three seconds. | 0:14:52 | 0:14:54 | |
-Anything? -No. | 0:14:55 | 0:14:57 | |
Is it Shakespeare or something? | 0:14:57 | 0:14:59 | |
I can't let you chat. | 0:14:59 | 0:15:01 | |
Erm... Kenneth Branagh. | 0:15:01 | 0:15:03 | |
No. That wouldn't be an acceptable answer, | 0:15:03 | 0:15:05 | |
although I'm interested you say it. I'll come back to you. | 0:15:05 | 0:15:07 | |
Verbivores, do you want to have | 0:15:07 | 0:15:09 | |
-a go for a bonus? -Someone ending with -inger? | 0:15:09 | 0:15:12 | |
-Schlessinger? -Something Schlessinger? | 0:15:12 | 0:15:14 | |
Someone called Schlessinger? | 0:15:14 | 0:15:16 | |
And why would that be? | 0:15:16 | 0:15:18 | |
Well, we think... We could have got this completely wrong, | 0:15:18 | 0:15:21 | |
but we think the first one might be Henry Kissinger and then | 0:15:21 | 0:15:23 | |
Kim Basinger... | 0:15:23 | 0:15:24 | |
Oh, right, OK. | 0:15:24 | 0:15:26 | |
And then Jake Gyll-inger? | 0:15:26 | 0:15:28 | |
Erm... No, it is Henry Kissinger. | 0:15:28 | 0:15:30 | |
But that's not the answer. Now, I'm coming back to you. | 0:15:30 | 0:15:33 | |
Why did you say Kenneth Branagh? | 0:15:33 | 0:15:34 | |
-Shakespeare. -For no reason whatsoever. | 0:15:34 | 0:15:36 | |
-To be honest. -Shakespearean actors. -Oh, OK, | 0:15:36 | 0:15:38 | |
so you hadn't noticed it was alphabetical? | 0:15:38 | 0:15:40 | |
It's Henry Kissinger, Imogen Stubbs, | 0:15:40 | 0:15:42 | |
Jake Gyllenhaal. | 0:15:42 | 0:15:44 | |
So we are going H-I-J. | 0:15:44 | 0:15:46 | |
I wanted someone whose name began with a K, but it's got to be Katie. | 0:15:46 | 0:15:49 | |
For example, Katie Durham. | 0:15:49 | 0:15:51 | |
These are UK storms. | 0:15:51 | 0:15:53 | |
You know they're given names? And these are successive storms. | 0:15:53 | 0:15:55 | |
They're all from 2016. | 0:15:55 | 0:15:57 | |
Storm Henry, Storm Imogen, | 0:15:57 | 0:15:58 | |
Storm Jake and they named it after | 0:15:58 | 0:16:00 | |
someone with a K, but it wasn't Kenneth, | 0:16:00 | 0:16:02 | |
I'm afraid. It was Katie. | 0:16:02 | 0:16:04 | |
Interesting coincidence. | 0:16:04 | 0:16:06 | |
So, Verbivores, you don't get the bonus, | 0:16:07 | 0:16:08 | |
but you may choose a question. | 0:16:08 | 0:16:10 | |
-Lion, please. -Lion. | 0:16:10 | 0:16:11 | |
OK. What would come fourth in this sequence? | 0:16:11 | 0:16:14 | |
Here's the first. | 0:16:14 | 0:16:15 | |
Right. Brown in green. | 0:16:17 | 0:16:19 | |
Next. | 0:16:19 | 0:16:21 | |
Green in yellow. | 0:16:22 | 0:16:24 | |
What's the sequence here? | 0:16:24 | 0:16:26 | |
No, it's not snooker balls. | 0:16:26 | 0:16:28 | |
No. Next. | 0:16:29 | 0:16:31 | |
Yellow in orange. Oh, it is snooker balls, but it's... | 0:16:31 | 0:16:36 | |
It could be red in red. It's the rainbow and snooker balls. | 0:16:36 | 0:16:39 | |
So it's red in the colour red. | 0:16:39 | 0:16:41 | |
-Isn't it? -They don't have orange in snooker. | 0:16:41 | 0:16:43 | |
No, but it's part of the rainbow. | 0:16:43 | 0:16:45 | |
It's red, yellow, green, brown for snooker, and... | 0:16:45 | 0:16:47 | |
Yeah. | 0:16:47 | 0:16:49 | |
The word red in red. | 0:16:49 | 0:16:51 | |
Is the right answer. | 0:16:51 | 0:16:53 | |
And I can hear that you know two | 0:16:53 | 0:16:54 | |
sequences are going on here. | 0:16:54 | 0:16:56 | |
Snooker and the rainbow and both are going backwards, | 0:16:56 | 0:16:59 | |
so it is snooker balls in reverse | 0:16:59 | 0:17:00 | |
order of potting them and then | 0:17:00 | 0:17:02 | |
reversed colours of the rainbow in | 0:17:02 | 0:17:04 | |
the way we normally remember them. | 0:17:04 | 0:17:06 | |
So red in red is the fourth one. | 0:17:06 | 0:17:08 | |
Well done. So, Surrealists, | 0:17:08 | 0:17:10 | |
please choose a question. | 0:17:10 | 0:17:11 | |
-Two Reeds, please. -Two Reeds. | 0:17:11 | 0:17:12 | |
What is a fourth in this sequence? | 0:17:12 | 0:17:14 | |
Here's the first. | 0:17:14 | 0:17:17 | |
OK. | 0:17:17 | 0:17:19 | |
Next, please. | 0:17:21 | 0:17:23 | |
Oh, that's... | 0:17:23 | 0:17:25 | |
-Tea For Two. -OK. | 0:17:25 | 0:17:27 | |
-So is that... -I don't know. | 0:17:28 | 0:17:30 | |
What was the connection, then? | 0:17:30 | 0:17:32 | |
Next, please. | 0:17:32 | 0:17:34 | |
Oh, so that's... | 0:17:34 | 0:17:37 | |
So, tea. They're going backwards. | 0:17:37 | 0:17:39 | |
So, tea, lunch, so something with breakfast? | 0:17:39 | 0:17:42 | |
So, Breakfast At Tiffany's. | 0:17:42 | 0:17:45 | |
A film starring Audrey Hepburn. | 0:17:45 | 0:17:47 | |
-And why would that be? -Breakfast At Tiffany's. | 0:17:47 | 0:17:49 | |
That's absolutely right. Breakfast At Tiffany's would be a good one. | 0:17:49 | 0:17:52 | |
We went with a Kurt Vonnegut novel of 1973, Breakfast Of Champions. | 0:17:52 | 0:17:56 | |
What's the sequence? | 0:17:56 | 0:17:58 | |
So, they're meals of the day going backwards, so we think... | 0:17:58 | 0:18:04 | |
-Louis Malle is... -That's probably dinner. | 0:18:04 | 0:18:06 | |
-What is that? -My Dinner With Andre | 0:18:06 | 0:18:08 | |
is that Louis Malle film. | 0:18:08 | 0:18:10 | |
-And then... -Tea For Two, is it? -Mm. | 0:18:10 | 0:18:12 | |
Dejeuner sur l'herbe. | 0:18:12 | 0:18:14 | |
Or Luncheon On The Grass. | 0:18:14 | 0:18:16 | |
I mean, I have a problem with this question in that I eat at least | 0:18:16 | 0:18:18 | |
eight meals between breakfast and lunch, | 0:18:18 | 0:18:21 | |
but they've missed out elevenses and tenses and nineses and all the | 0:18:21 | 0:18:23 | |
various other ones, but you thought like the question writers, | 0:18:23 | 0:18:26 | |
so well done. You get the points. | 0:18:26 | 0:18:28 | |
Verbivores, one question remains for you, Water. | 0:18:28 | 0:18:31 | |
What would come fourth in this sequence? | 0:18:31 | 0:18:33 | |
Here's the first. | 0:18:33 | 0:18:34 | |
-OK. -Next. | 0:18:35 | 0:18:37 | |
-Er... Conference. -Football flights? | 0:18:39 | 0:18:42 | |
Is there something below conference? | 0:18:42 | 0:18:43 | |
No, it's not summer, is it? Next. | 0:18:43 | 0:18:46 | |
Summer, conference... Oh, it's... | 0:18:47 | 0:18:50 | |
Erm... Conference season, November is when they do... | 0:18:50 | 0:18:53 | |
It's nothing to do with the Budget, is it? | 0:18:53 | 0:18:56 | |
It would be recesses of Parliament. | 0:18:56 | 0:18:59 | |
And when's the next one? | 0:18:59 | 0:19:00 | |
-Christmas? -I guess. | 0:19:00 | 0:19:03 | |
-Yeah, it must be. -Yeah. May as well go with that. | 0:19:03 | 0:19:07 | |
-Christmas? -Is the right answer, | 0:19:07 | 0:19:09 | |
and why is that? | 0:19:09 | 0:19:11 | |
Tom thinks it's recesses in Parliament. | 0:19:11 | 0:19:14 | |
Well, Tom thinks rightly. You must | 0:19:14 | 0:19:15 | |
have thought it was wrong or you | 0:19:15 | 0:19:17 | |
wouldn't have blamed Tom so quickly, but that is correct. | 0:19:17 | 0:19:20 | |
My evil plan foiled! | 0:19:20 | 0:19:21 | |
They are House of Commons recesses going towards Christmas. | 0:19:21 | 0:19:24 | |
Well done. So, at the end of Round Two... | 0:19:24 | 0:19:27 | |
Connecting Wall time now and, Verbivores, | 0:19:32 | 0:19:35 | |
you chose to go second in the earlier rounds, which means you've chosen to | 0:19:35 | 0:19:38 | |
go first here. Would you like Lion or Water? | 0:19:38 | 0:19:40 | |
-Lion, please. -OK. | 0:19:40 | 0:19:42 | |
Two and a half minutes to solve the Lion wall. | 0:19:42 | 0:19:44 | |
Starting now. | 0:19:44 | 0:19:45 | |
-Emmeline Pankhurst. -Emily Davison, isn't it? | 0:19:49 | 0:19:52 | |
The feminist. | 0:19:52 | 0:19:54 | |
-Christabel, possibly. -Possibly, I can't see any others. | 0:19:54 | 0:19:58 | |
Annie. | 0:19:58 | 0:20:00 | |
Parsley, dill is... | 0:20:02 | 0:20:03 | |
Good, yeah. | 0:20:03 | 0:20:05 | |
-Angelica? -And Angelica. | 0:20:05 | 0:20:08 | |
What about carrot? Is that going to be...? | 0:20:08 | 0:20:12 | |
Don't think you can call it a herb. | 0:20:12 | 0:20:14 | |
Three strikes now. | 0:20:16 | 0:20:20 | |
Fourth gold, fourth cap and fourth paradise, perhaps? | 0:20:20 | 0:20:24 | |
What are the others? Riser, parsley, nosing and tread. | 0:20:24 | 0:20:27 | |
-Talk about an early riser. -Tread water, riser... | 0:20:28 | 0:20:31 | |
I think it has something to do with tyres, | 0:20:33 | 0:20:35 | |
is there a riser in a tyre to tell you how high the wear is? | 0:20:35 | 0:20:39 | |
-Stairs. Stairs have risers. -Stairs have tread. | 0:20:39 | 0:20:42 | |
Or you can tread, is that right? | 0:20:42 | 0:20:44 | |
I'm pretty sure stairs don't have parsley, do they? | 0:20:44 | 0:20:47 | |
I'm not sure parsley would be... | 0:20:47 | 0:20:49 | |
Depends what you're growing on your stairs, but... Nosing. Nosing. | 0:20:49 | 0:20:51 | |
Nosing, riser. | 0:20:51 | 0:20:53 | |
It was wordy ones. | 0:20:53 | 0:20:56 | |
Players. | 0:20:56 | 0:20:58 | |
Player, yeah. | 0:20:58 | 0:20:59 | |
I think if we ignore parsley and just look at these. | 0:20:59 | 0:21:02 | |
Nosing, tread, riser. I think it might be, | 0:21:02 | 0:21:04 | |
if we don't have anything else, | 0:21:04 | 0:21:05 | |
we could go with stairs. I mean, parsley might be some obscure thing. | 0:21:05 | 0:21:09 | |
We're going to have to try paradise in case it's wrong. | 0:21:09 | 0:21:11 | |
Go back, just. OK, it isn't parsley. | 0:21:13 | 0:21:17 | |
So, paradise, parsley, errand and gold, cap would fit more. | 0:21:17 | 0:21:21 | |
Paradise, parsley, errand and gold. | 0:21:21 | 0:21:23 | |
And then the rest is more like... | 0:21:23 | 0:21:24 | |
There you go, you solved the wall. | 0:21:24 | 0:21:26 | |
So that's all the points for the groups. | 0:21:26 | 0:21:28 | |
What about the connections? | 0:21:28 | 0:21:30 | |
Christabel, Emmeline, Emily, Annie. | 0:21:30 | 0:21:33 | |
They're the first names of feminist campaigners. | 0:21:33 | 0:21:36 | |
-Suffragettes. -Suffragettes. | 0:21:36 | 0:21:37 | |
They're campaigners for women's suffrage. | 0:21:37 | 0:21:39 | |
Yes. So what are their surnames? | 0:21:39 | 0:21:41 | |
Emmeline...Pankhurst. | 0:21:41 | 0:21:43 | |
And Emily Davison. | 0:21:43 | 0:21:45 | |
Christabel Pankhurst. | 0:21:45 | 0:21:46 | |
That's right, that's Emmeline Pankhurst's daughter. | 0:21:46 | 0:21:49 | |
-Annie... -Annie Kennedy. | 0:21:49 | 0:21:52 | |
Yes, she worked with Christabel Pankhurst. | 0:21:52 | 0:21:54 | |
She was arrested for disrupting a Liberal meeting. | 0:21:54 | 0:21:57 | |
And she refused to pay her fines. | 0:21:57 | 0:22:00 | |
And the Green group. Carrot, dill, cicely, angelica. | 0:22:00 | 0:22:04 | |
-These are herbs. -Now, you see, they're not all herbs, | 0:22:06 | 0:22:10 | |
I'm afraid. What they are all, | 0:22:10 | 0:22:12 | |
and you could have just looked at it and said carrot and said they're all | 0:22:12 | 0:22:15 | |
carrots. They are all types of parsley, types of celery, types of | 0:22:15 | 0:22:18 | |
carrot. They're members of the same family. | 0:22:18 | 0:22:20 | |
-Ah. -But they're not all herbs. | 0:22:20 | 0:22:23 | |
And the pink or purple group, starting paradise. | 0:22:23 | 0:22:26 | |
Fool's, you can put fool's in front of all of them. | 0:22:26 | 0:22:28 | |
That's right. Fool's paradise, | 0:22:28 | 0:22:30 | |
fool's parsley, fool's errand, fool's gold. | 0:22:30 | 0:22:32 | |
Parsley, of course, red herring for the previous group. | 0:22:32 | 0:22:35 | |
And the last one, riser, tread, nosing, cap. | 0:22:35 | 0:22:39 | |
They're staircases or something with a shaft. | 0:22:39 | 0:22:42 | |
Shall we say... We'll do it with a shaft, | 0:22:42 | 0:22:47 | |
a mineshaft or something. | 0:22:47 | 0:22:48 | |
A riser can be a mineshaft, you can cap a shaft. | 0:22:48 | 0:22:52 | |
-It's wrong, isn't it? -Phyl is shaking her head with a noise, | 0:22:52 | 0:22:55 | |
because you know they are parts of the staircase. | 0:22:55 | 0:22:57 | |
Unlucky. | 0:22:57 | 0:22:59 | |
But four points for the groups and two points for the connections, | 0:22:59 | 0:23:02 | |
that is a total of six. | 0:23:02 | 0:23:04 | |
I'm going to bring in the Surrealists now, | 0:23:04 | 0:23:05 | |
give them a new Connecting Wall and see what they can do about solving it. | 0:23:05 | 0:23:09 | |
It will be the Water wall for you. | 0:23:09 | 0:23:11 | |
Two and a half minutes to solve it, starting now. | 0:23:11 | 0:23:14 | |
So, these are... | 0:23:16 | 0:23:19 | |
Didcot, Bristol... | 0:23:20 | 0:23:21 | |
Liverpool South | 0:23:21 | 0:23:23 | |
is a station, | 0:23:23 | 0:23:25 | |
but be careful, because it... | 0:23:25 | 0:23:27 | |
These are aeroplanes, aren't they? | 0:23:27 | 0:23:29 | |
-Bristol. -Bristol is an aeroplane. | 0:23:29 | 0:23:33 | |
Eaves, flashing, dormer, | 0:23:37 | 0:23:41 | |
gable. | 0:23:41 | 0:23:43 | |
-Yeah. Bristol... -Leigh, Liverpool. | 0:23:43 | 0:23:45 | |
-Shorts. -And there's airports in there. | 0:23:45 | 0:23:47 | |
Warwick Castle, Howard, Warwick Castle. | 0:23:47 | 0:23:50 | |
Leigh, Howard. | 0:23:51 | 0:23:53 | |
Trevor Howard, Vivien Leigh, Olivia de Havilland. | 0:23:54 | 0:23:56 | |
Oh, yeah. | 0:23:56 | 0:23:58 | |
And Rutherford, possibly. | 0:23:58 | 0:23:59 | |
-OK. -Three strikes now. | 0:23:59 | 0:24:02 | |
So, we've got aircraft, Hawker Siddeley, Vickers Armstrong. | 0:24:02 | 0:24:05 | |
Bristol. Shorts. | 0:24:05 | 0:24:08 | |
What are the other ones? These... | 0:24:08 | 0:24:10 | |
-Railways? -No, that's an airport. | 0:24:10 | 0:24:12 | |
That's possibly an airport. | 0:24:12 | 0:24:14 | |
-Yeah. -That's an airport. That leaves us three airports. | 0:24:14 | 0:24:17 | |
Bristol's an airport, is it? There's three airports. | 0:24:17 | 0:24:19 | |
We're going to have to start doing something soon. | 0:24:19 | 0:24:21 | |
So, shall I do... | 0:24:21 | 0:24:23 | |
Which one? East Midlands, Liverpool South, Bristol... | 0:24:23 | 0:24:25 | |
I don't know what the other one would be. | 0:24:25 | 0:24:28 | |
-Didcot's not that. -Didcot can't be an air... -No. | 0:24:28 | 0:24:30 | |
Let's do the aircraft manufacturers. | 0:24:32 | 0:24:35 | |
Vickers, Bristol. Which was the other one, East Midlands? | 0:24:35 | 0:24:37 | |
-Shorts. -Shorts. | 0:24:37 | 0:24:39 | |
So what would these be? Stations, or power stations? | 0:24:39 | 0:24:42 | |
No. | 0:24:42 | 0:24:44 | |
-Didcot Parkway? -East Midlands Parkway, Warwick Parkway, yes, | 0:24:44 | 0:24:47 | |
Liverpool South Parkway. Yeah, they're Parkway stations. | 0:24:47 | 0:24:50 | |
-Yes. -So take those off. -Yeah, it must be that one. We can go for it. | 0:24:50 | 0:24:53 | |
-Yeah, go on, then. -There you go. You solved the wall. | 0:24:53 | 0:24:56 | |
Very well done. So that's four for the groups. | 0:24:56 | 0:24:58 | |
What about the connections? | 0:24:58 | 0:25:00 | |
What about the top group? Flashing, dormer, gable, eaves. | 0:25:00 | 0:25:03 | |
They're all parts of a roof. | 0:25:03 | 0:25:06 | |
It's all roofing terminology, that's right. | 0:25:06 | 0:25:08 | |
And the next green group starting Howard. | 0:25:08 | 0:25:12 | |
They're all actors who have starred in Gone With The Wind. | 0:25:12 | 0:25:16 | |
They are all in Gone With The Wind. | 0:25:16 | 0:25:18 | |
What about the next group, starting Hawker Siddeley? | 0:25:18 | 0:25:22 | |
They are all aircraft manufacturers. | 0:25:22 | 0:25:24 | |
Aviation companies, that's right. | 0:25:24 | 0:25:25 | |
And the last one. Warwick, Didcot, East Midlands, Liverpool South. | 0:25:25 | 0:25:29 | |
Parkway stations. | 0:25:29 | 0:25:31 | |
You put Parkway after all of them to become railway stations, | 0:25:31 | 0:25:34 | |
that's absolutely right. So that's another four points for | 0:25:34 | 0:25:37 | |
the connections. You get a bonus of two for getting it all right. | 0:25:37 | 0:25:39 | |
That's the maximum of ten. | 0:25:39 | 0:25:41 | |
Let's have a look at the overall scores. | 0:25:41 | 0:25:44 | |
We're now going to play the missing vowels round. | 0:25:50 | 0:25:52 | |
This will determine who goes through and who goes through. | 0:25:52 | 0:25:56 | |
Because of course, in our new structure, nobody goes home. | 0:25:56 | 0:25:58 | |
I don't think anyone ever goes home, | 0:25:58 | 0:26:00 | |
we just play and play and play and play. | 0:26:00 | 0:26:02 | |
So, we've taken the vowels out of well-known names, phrases and sayings. | 0:26:02 | 0:26:06 | |
What are the disguised clues? | 0:26:06 | 0:26:08 | |
Fingers on buzzers, teams. | 0:26:08 | 0:26:10 | |
I can tell you that the first group are all works of literary criticism. | 0:26:10 | 0:26:15 | |
No? People at home will be shouting at the screen. | 0:26:24 | 0:26:26 | |
Seven Types Of Ambiguity. | 0:26:26 | 0:26:28 | |
Next clue. | 0:26:28 | 0:26:30 | |
-Verbivores? -Against Interpretation? | 0:26:35 | 0:26:37 | |
Well done. Next clue. | 0:26:37 | 0:26:38 | |
-Verbivores? -The Signifying Monkey. | 0:26:43 | 0:26:45 | |
Very good. | 0:26:45 | 0:26:47 | |
What is this, the final? This one is, Is There A Text In This Class? | 0:26:58 | 0:27:02 | |
You will be relieved to hear it's a new category. | 0:27:02 | 0:27:04 | |
Surrealists. | 0:27:13 | 0:27:14 | |
Soul Limbo And Cricket. | 0:27:14 | 0:27:16 | |
Correct. | 0:27:16 | 0:27:17 | |
Verbivores. | 0:27:19 | 0:27:21 | |
The Chain And Formula One. | 0:27:21 | 0:27:22 | |
Correct. | 0:27:22 | 0:27:23 | |
Surrealists. | 0:27:27 | 0:27:29 | |
Pop Looks Bach And Skiing. | 0:27:29 | 0:27:31 | |
Well done. Next clue. | 0:27:31 | 0:27:32 | |
END OF ROUND JINGLE | 0:27:37 | 0:27:38 | |
No time to give me that last one, which is of course... | 0:27:40 | 0:27:43 | |
Because the bell has gone for the end of the quiz. | 0:27:45 | 0:27:47 | |
That was a nasty couple of categories, wasn't it? | 0:27:47 | 0:27:50 | |
Starting to wonder if you even want to make the final! | 0:27:50 | 0:27:53 | |
I can tell you at the end of the quiz, | 0:27:53 | 0:27:56 | |
the Verbivores finish with 16 points, | 0:27:56 | 0:27:59 | |
but the winners with 20 are the Surrealists. | 0:27:59 | 0:28:02 | |
Very well done to you, you are through to next round. | 0:28:02 | 0:28:05 | |
Verbivores not out, | 0:28:05 | 0:28:06 | |
you will get to play again, to try and make the next round. | 0:28:06 | 0:28:09 | |
So, we will see all of you again. | 0:28:09 | 0:28:10 | |
And I hope we'll see you again, although we're not on next week. | 0:28:10 | 0:28:14 | |
We're being replaced by a Panorama special, | 0:28:14 | 0:28:17 | |
looking into rumours of corruption on quiz show Only Connect. | 0:28:17 | 0:28:20 | |
Rumours that first surfaced during these ill-advised closing remarks. | 0:28:20 | 0:28:25 | |
Still, no smoke without fire. | 0:28:25 | 0:28:28 |