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Good evening, and I'm afraid there's bad news for quizzers everywhere. | 0:00:21 | 0:00:25 | |
The International Olympic Committee has just ruled that quizzing is | 0:00:25 | 0:00:29 | |
not a sport. Officially not a sport. | 0:00:29 | 0:00:33 | |
So, that's a shame. | 0:00:33 | 0:00:34 | |
On the plus side, it means we can now take all the drugs we like! | 0:00:34 | 0:00:37 | |
Sadly receiving the news too late, | 0:00:37 | 0:00:40 | |
and thus quizzing sober tonight, are - | 0:00:40 | 0:00:42 | |
on my right, Ian Wallace, a bee enthusiast, | 0:00:42 | 0:00:46 | |
who at six months old weighed 2st, | 0:00:46 | 0:00:49 | |
and was named the heaviest baby in Tyneside. | 0:00:49 | 0:00:51 | |
Josh Spero, a classics graduate who inadvertently ate a | 0:00:52 | 0:00:56 | |
floral decoration at a parliamentary dinner. | 0:00:56 | 0:00:59 | |
And their captain, Mark Wallace, | 0:00:59 | 0:01:01 | |
a political journalist who got into an altercation with global megastar | 0:01:01 | 0:01:05 | |
Seal over an egg and cress sandwich. | 0:01:05 | 0:01:07 | |
United by a taste for honey, they are the Beekeepers. | 0:01:07 | 0:01:10 | |
Now, you won your opening matches, | 0:01:10 | 0:01:12 | |
but just dropped a game against the Cosmopolitans. | 0:01:12 | 0:01:15 | |
Has that dented confidence? | 0:01:15 | 0:01:16 | |
Not in the slightest. What doesn't kill you makes you stronger. | 0:01:16 | 0:01:19 | |
So we're here, we're back, and we're hoping to get ahead this time. | 0:01:19 | 0:01:22 | |
Or it kills you later. | 0:01:22 | 0:01:24 | |
-Sometimes. -Well, let's hope nothing kills you tonight, | 0:01:24 | 0:01:27 | |
least of all your opponents, who are - | 0:01:27 | 0:01:29 | |
on my left, Howard Freedman, | 0:01:29 | 0:01:32 | |
a taxi driver who met his girlfriend on the picket line during | 0:01:32 | 0:01:35 | |
the Wapping dispute. Adrian Knott, a keen ukulele player, | 0:01:35 | 0:01:39 | |
who gave his sister a mounted dead tarantula as a wedding present. | 0:01:39 | 0:01:44 | |
And their captain, Michael Slowey, | 0:01:44 | 0:01:47 | |
a business studies graduate who witnessed several armed robberies as | 0:01:47 | 0:01:50 | |
a child, most of them at his local post office. | 0:01:50 | 0:01:53 | |
United by a soft spot for statuettes, they are the Oscar Men. | 0:01:53 | 0:01:57 | |
Now, you lost your last game against the Smiths, | 0:01:57 | 0:02:00 | |
has that dented your confidence? How are you feeling? | 0:02:00 | 0:02:02 | |
No, not at all, we're surprisingly relaxed. | 0:02:02 | 0:02:04 | |
So, both teams have now a second, and last, chance | 0:02:04 | 0:02:07 | |
to make the quarterfinals, | 0:02:07 | 0:02:08 | |
and we will determine it by playing our usual quiz. | 0:02:08 | 0:02:11 | |
You won the toss over there, so you'll be going first. | 0:02:11 | 0:02:14 | |
Please choose an Egyptian hieroglyph. | 0:02:14 | 0:02:16 | |
-Lion, please. -Lion. OK. | 0:02:16 | 0:02:19 | |
What is the connection between these clues? | 0:02:19 | 0:02:21 | |
Here's the first. | 0:02:21 | 0:02:22 | |
THEY WHISPER | 0:02:24 | 0:02:27 | |
Next, please. | 0:02:27 | 0:02:28 | |
The eighth wonder of the world? | 0:02:33 | 0:02:35 | |
THEY WHISPER | 0:02:35 | 0:02:36 | |
Next, please. | 0:02:40 | 0:02:41 | |
That's Donkey Kong. Kong. | 0:02:44 | 0:02:46 | |
-Kong. -Is the answer. | 0:02:50 | 0:02:52 | |
You didn't need to see the last one. | 0:02:52 | 0:02:54 | |
The other clues are all Kong. | 0:02:57 | 0:02:58 | |
Yes, you recognised the computer game, did you, Donkey Kong? | 0:02:58 | 0:03:01 | |
-Yes. -Have you played that obsessively as a younger person? | 0:03:01 | 0:03:05 | |
As a five-year-old, yeah, I was up and down those ladders all the time. | 0:03:05 | 0:03:08 | |
And the eighth wonder of course, King Kong, from the film. | 0:03:08 | 0:03:11 | |
What's Miranda - Queen, what's that referring to? | 0:03:11 | 0:03:13 | |
Her friend calls her, in the TV series, her friend calls her | 0:03:13 | 0:03:16 | |
Queen Kong, because she's very tall and ungainly. | 0:03:16 | 0:03:18 | |
That's right, in the sitcom Miranda, | 0:03:18 | 0:03:20 | |
Miranda Hart's character is referred to as Queen Kong by her | 0:03:20 | 0:03:23 | |
boarding school chums. Well done. | 0:03:23 | 0:03:25 | |
Oscar Men, what would you like? | 0:03:25 | 0:03:27 | |
Can we have Horned Viper, please? | 0:03:27 | 0:03:28 | |
I don't see why not. These are going to be picture clues. | 0:03:28 | 0:03:31 | |
What connects them? Here's the first. | 0:03:31 | 0:03:33 | |
Tyrannosaurus Rex, but it's in 8-bit graphics. | 0:03:35 | 0:03:38 | |
Next, please. | 0:03:39 | 0:03:40 | |
OK, broken robot... | 0:03:41 | 0:03:43 | |
THEY WHISPER | 0:03:45 | 0:03:48 | |
Yeah. Next, please. | 0:03:48 | 0:03:52 | |
I think this might be to do with | 0:03:54 | 0:03:57 | |
Douglas Adams. A whale flying, and | 0:03:57 | 0:04:00 | |
Marvin the Android was a... | 0:04:00 | 0:04:03 | |
OK. Shall we go for Douglas Adams? | 0:04:05 | 0:04:08 | |
Erm, can we go for Douglas Adams linking them all? | 0:04:08 | 0:04:11 | |
Or, The Hitchhiker's Guide To The Galaxy, specifically? | 0:04:11 | 0:04:15 | |
Yes, I don't think it really is... | 0:04:15 | 0:04:16 | |
I quite like that inventive answer, | 0:04:16 | 0:04:18 | |
but that's not what it is. | 0:04:18 | 0:04:19 | |
I'm going to show the fourth clue to the | 0:04:19 | 0:04:21 | |
Beekeepers for a possible bonus point. | 0:04:21 | 0:04:23 | |
These are the symbols displayed by | 0:04:23 | 0:04:27 | |
particular websites when they break. | 0:04:27 | 0:04:30 | |
-So, failure online. -That's what it is. | 0:04:30 | 0:04:34 | |
They are error messages, | 0:04:34 | 0:04:35 | |
pictorial error messages. | 0:04:35 | 0:04:37 | |
-Which websites? -We've got Google Chrome is the first one. | 0:04:37 | 0:04:41 | |
Josh was playing that on the train on the way here, | 0:04:41 | 0:04:43 | |
when his internet connection broke. | 0:04:43 | 0:04:44 | |
There's a little game, when it goes down you press the space bar, | 0:04:44 | 0:04:47 | |
and the dinosaur races, and you have to jump over cacti. | 0:04:47 | 0:04:50 | |
So when you claimed that your obsessive Donkey Kong playing was | 0:04:50 | 0:04:52 | |
when you were five years old, you were fudging the truth? | 0:04:52 | 0:04:54 | |
-I didn't say I'd stopped! -Just through other media. | 0:04:54 | 0:04:57 | |
The third one is the fail whale | 0:04:57 | 0:04:59 | |
on Twitter. | 0:04:59 | 0:05:00 | |
That's absolutely right. | 0:05:00 | 0:05:01 | |
The final one would be YouTube. | 0:05:01 | 0:05:02 | |
That's it, well done for the bonus. | 0:05:02 | 0:05:04 | |
And you may choose a question. Which is it? | 0:05:04 | 0:05:06 | |
-Two Reeds, please. -Two Reeds, OK. | 0:05:06 | 0:05:08 | |
What is the connection between these clues? | 0:05:08 | 0:05:10 | |
Here's the first. | 0:05:10 | 0:05:11 | |
Next, please. | 0:05:15 | 0:05:17 | |
Are these two different things? | 0:05:23 | 0:05:26 | |
THEY WHISPER | 0:05:26 | 0:05:28 | |
Next, please. | 0:05:28 | 0:05:30 | |
THEY WHISPER | 0:05:31 | 0:05:34 | |
-Some sort of publishers... -Shall we go for another? | 0:05:34 | 0:05:38 | |
-Yes. -Next, please. | 0:05:38 | 0:05:40 | |
Fictional publishers. | 0:05:40 | 0:05:43 | |
Fictional publishers. | 0:05:46 | 0:05:47 | |
They are not | 0:05:49 | 0:05:50 | |
all fictional publishers. | 0:05:50 | 0:05:51 | |
So, Oscar Men, you have the chance | 0:05:51 | 0:05:52 | |
of a bonus point. | 0:05:52 | 0:05:53 | |
These are all the companies in different versions of The Office, | 0:05:53 | 0:05:56 | |
-throughout the world. -That is what it is. | 0:05:56 | 0:05:58 | |
It's versions of The Office. | 0:05:58 | 0:05:59 | |
And if they were all publishers, there'd be all fictional publishers. | 0:05:59 | 0:06:02 | |
But actually in the first one, it becomes an insurance firm | 0:06:02 | 0:06:04 | |
in the German version of The Office. It's insurance. | 0:06:04 | 0:06:07 | |
Les Papiers Jennings, which version is that, do you think? | 0:06:07 | 0:06:09 | |
La Francaise? | 0:06:09 | 0:06:11 | |
It's actually Canada, French-Canadian version, | 0:06:11 | 0:06:13 | |
it's set in a paper company in Montreal. | 0:06:13 | 0:06:15 | |
Dunder Mifflin... | 0:06:15 | 0:06:16 | |
-That's the US version. -That's the American one, | 0:06:16 | 0:06:18 | |
that's set in Pennsylvania. And Wernham Hogg, of course, | 0:06:18 | 0:06:20 | |
the British one, in a paper company in Slough. | 0:06:20 | 0:06:23 | |
So you get the bonus there, for versions of The Office. | 0:06:23 | 0:06:26 | |
And which question would you like? | 0:06:26 | 0:06:27 | |
-Twisted Flax, please. -The Twisted Flax. | 0:06:27 | 0:06:30 | |
Well, it's a music question. | 0:06:30 | 0:06:31 | |
We'll be hearing your lovely clues. | 0:06:31 | 0:06:33 | |
What connects them? Here's the first. | 0:06:33 | 0:06:35 | |
CLASSICAL MUSIC PLAYS | 0:06:35 | 0:06:37 | |
I know the piece of music. I don't know what it is, though. | 0:06:37 | 0:06:41 | |
Next, please. | 0:06:42 | 0:06:44 | |
# You could have done something... # | 0:06:44 | 0:06:48 | |
This is a theme tune, isn't it? | 0:06:48 | 0:06:50 | |
-Does this ring a bell to you? -Not really, no. | 0:06:50 | 0:06:54 | |
Will we just get one more? Next, please. | 0:06:54 | 0:06:57 | |
# Spring is here, sky is blue... # | 0:06:57 | 0:07:01 | |
-THEY WHISPER -Yeah, OK. | 0:07:01 | 0:07:04 | |
Next one, please. | 0:07:06 | 0:07:08 | |
# If I am dancing, pull up the floor | 0:07:08 | 0:07:10 | |
# If I am whistling... | 0:07:10 | 0:07:12 | |
Three seconds... | 0:07:12 | 0:07:14 | |
-Shall we say weddings? -Yeah, weddings, involving weddings. | 0:07:15 | 0:07:19 | |
That is not the answer, I'm afraid. | 0:07:19 | 0:07:21 | |
So Beekeepers, you have a bonus chance now. | 0:07:21 | 0:07:23 | |
These are different types of ecclesiastical location, | 0:07:23 | 0:07:26 | |
or different types of church. | 0:07:26 | 0:07:28 | |
They are places of worship, yes. | 0:07:28 | 0:07:30 | |
Now, we did hear Get Me To The Church On Time, | 0:07:30 | 0:07:32 | |
which is about a wedding, | 0:07:32 | 0:07:34 | |
and Chapel of Love, which I suppose could be a wedding chapel. | 0:07:34 | 0:07:36 | |
What about the first two pieces? | 0:07:36 | 0:07:38 | |
The second was Winchester Cathedral, | 0:07:38 | 0:07:42 | |
who it was by escapes me. | 0:07:42 | 0:07:44 | |
-The New Vaudeville Band. -Ah, yes. | 0:07:44 | 0:07:45 | |
-And the first one? -No idea. -Not sure. | 0:07:45 | 0:07:47 | |
Tchaikovsky's A l'eglise, | 0:07:47 | 0:07:49 | |
or To The Church, in French. | 0:07:49 | 0:07:51 | |
So not all about weddings, but more | 0:07:51 | 0:07:53 | |
generally, places of worship. | 0:07:53 | 0:07:55 | |
Lots of bonuses changing hands this evening. | 0:07:55 | 0:07:57 | |
What about your own question? | 0:07:57 | 0:07:58 | |
-Water, please. -OK. | 0:07:58 | 0:08:00 | |
What is the connection between these clues? | 0:08:00 | 0:08:01 | |
Here's the first. | 0:08:01 | 0:08:03 | |
Next, please. | 0:08:07 | 0:08:09 | |
THEY WHISPER | 0:08:09 | 0:08:15 | |
These are letters that have been deleted from alphabets, | 0:08:27 | 0:08:31 | |
and the date and country which did so, and when. | 0:08:31 | 0:08:34 | |
Very well done, | 0:08:34 | 0:08:35 | |
coming in after two clues. | 0:08:35 | 0:08:37 | |
You get three points. Let's have a look at all the clues, | 0:08:37 | 0:08:39 | |
what can you tell me about them? | 0:08:39 | 0:08:42 | |
So... | 0:08:42 | 0:08:44 | |
Did Ataturk not like the letter Q? | 0:08:44 | 0:08:47 | |
Well, he didn't like the letter Q, | 0:08:47 | 0:08:49 | |
but also, he passed the alphabet law. | 0:08:49 | 0:08:51 | |
So they Romanised the alphabet generally, but they dropped the Q, | 0:08:51 | 0:08:54 | |
that disappeared, and K was preferred. | 0:08:54 | 0:08:57 | |
Those letters from the Cyrillic | 0:08:57 | 0:08:59 | |
alphabet in the second clue, | 0:08:59 | 0:09:00 | |
that's to do with a general | 0:09:00 | 0:09:02 | |
simplifying of the language, | 0:09:02 | 0:09:03 | |
in a Communist style. They took a few out that were a bit alike, | 0:09:03 | 0:09:07 | |
because we don't need them all. | 0:09:07 | 0:09:08 | |
Azerbaijan decided it could dispense | 0:09:08 | 0:09:10 | |
with the entire Cyrillic alphabet in | 0:09:10 | 0:09:12 | |
1991, and what about that fourth clue? | 0:09:12 | 0:09:14 | |
Does that ring any bells with you? | 0:09:14 | 0:09:16 | |
The Academie Francaise, in its perpetual revision of the | 0:09:16 | 0:09:19 | |
French language, decided 26 years ago, I think, | 0:09:19 | 0:09:22 | |
that they were going to get rid of some letters, | 0:09:22 | 0:09:24 | |
and they only just got rid of the silent I in "oignon". | 0:09:24 | 0:09:27 | |
That's right. To the absolute fury | 0:09:27 | 0:09:28 | |
of the National Front. | 0:09:28 | 0:09:29 | |
FRENCH ACCENT: "What? But the I is | 0:09:29 | 0:09:31 | |
"absolutely key to our identity!" | 0:09:31 | 0:09:32 | |
That was dropped, | 0:09:32 | 0:09:33 | |
and there were all sorts of complaints, | 0:09:33 | 0:09:35 | |
so you might have remembered that news story. | 0:09:35 | 0:09:37 | |
All removed letters, very well done. | 0:09:37 | 0:09:40 | |
Oscar Men, there is one remaining question, the Eye of Horus, | 0:09:40 | 0:09:43 | |
so it's swivelling itself towards you. | 0:09:43 | 0:09:45 | |
What is the connection between these clues? | 0:09:45 | 0:09:47 | |
Here's the first. | 0:09:47 | 0:09:48 | |
THEY WHISPER | 0:09:50 | 0:09:53 | |
Next one, please. | 0:09:55 | 0:09:57 | |
They've been named after gods, or... | 0:10:00 | 0:10:02 | |
Norse gods, or something, I don't know. | 0:10:03 | 0:10:06 | |
Next, please. | 0:10:09 | 0:10:13 | |
Norse gods or Roman gods? | 0:10:16 | 0:10:18 | |
We believe they may all be named after Norse gods. | 0:10:25 | 0:10:28 | |
They are not all named after | 0:10:30 | 0:10:31 | |
Norse gods, I'm afraid, | 0:10:31 | 0:10:33 | |
so I'm going to show the fourth clue | 0:10:33 | 0:10:34 | |
to the Beekeepers for a possible | 0:10:34 | 0:10:36 | |
-bonus point. -These things that the name has been voted on | 0:10:36 | 0:10:40 | |
-in a popular vote. -I'll take that. | 0:10:40 | 0:10:43 | |
Things that have been voted on. | 0:10:43 | 0:10:45 | |
They've been the subject of polls on the internet, not all of them | 0:10:45 | 0:10:47 | |
actually adopted as names. | 0:10:47 | 0:10:49 | |
The newly-discovered moons of Pluto, | 0:10:49 | 0:10:51 | |
do you know what Star Trek fans voted for? | 0:10:51 | 0:10:53 | |
Moony McMoonface? | 0:10:53 | 0:10:55 | |
Spock. | 0:10:55 | 0:10:56 | |
No, it was Vulcan and Romulus. | 0:10:56 | 0:10:58 | |
But they were called Styx and Kerberos instead. | 0:10:58 | 0:11:01 | |
The apple-flavoured Mountain Dew drink, | 0:11:01 | 0:11:03 | |
that wasn't an official thing by Mountain Dew, it was a third party. | 0:11:03 | 0:11:05 | |
They had this poll, and people voted for things like Diabetes. | 0:11:05 | 0:11:09 | |
And the humpbacked whale, | 0:11:10 | 0:11:13 | |
now that WAS given the name that people voted for on the internet, | 0:11:13 | 0:11:15 | |
which was Mr Splashy Pants. | 0:11:15 | 0:11:18 | |
I think that's one of the places where your Norse gods rather | 0:11:18 | 0:11:20 | |
fall down, Mr Splashy Pants. And what about that fourth one? | 0:11:20 | 0:11:24 | |
-Boaty McBoatface. -Boaty McBoatface won the poll, | 0:11:24 | 0:11:26 | |
but the people were denied, cruelly. | 0:11:26 | 0:11:28 | |
Boaty McBoatface won the poll, | 0:11:28 | 0:11:30 | |
but the vessel was named after Sir David Attenborough, | 0:11:30 | 0:11:33 | |
the great naturalist, instead. | 0:11:33 | 0:11:35 | |
Well remembered. That means, at the end of Round One, | 0:11:35 | 0:11:38 | |
the Oscar Men have one point, the Beekeepers have eight. | 0:11:38 | 0:11:41 | |
Onwards to Round Two, the sequences round. | 0:11:44 | 0:11:46 | |
Beekeepers, you'll be going first again, | 0:11:46 | 0:11:48 | |
so please choose a hieroglyph. | 0:11:48 | 0:11:50 | |
-Lion, please. -Lion. | 0:11:50 | 0:11:51 | |
OK, I'd like to know what would come fourth in this sequence. | 0:11:51 | 0:11:55 | |
Here's the first. | 0:11:55 | 0:11:56 | |
THEY WHISPER | 0:11:58 | 0:12:00 | |
Next, please. | 0:12:01 | 0:12:04 | |
THEY WHISPER | 0:12:04 | 0:12:07 | |
So, Clinton, Bush, Obama - "Yes, we can". | 0:12:07 | 0:12:11 | |
"Yes, we can, (44)". | 0:12:16 | 0:12:18 | |
Is an acceptable answer. | 0:12:18 | 0:12:20 | |
Very well done, and why? | 0:12:20 | 0:12:22 | |
These are the slogans associated with Presidents, | 0:12:22 | 0:12:26 | |
followed by the President's number in brackets. | 0:12:26 | 0:12:29 | |
That's absolutely right. | 0:12:29 | 0:12:30 | |
Not the only slogans, | 0:12:30 | 0:12:32 | |
but various slogans are | 0:12:32 | 0:12:33 | |
associated with presidential campaigns, and these are some | 0:12:33 | 0:12:36 | |
of them. Who are the presidents? | 0:12:36 | 0:12:38 | |
Bush, Clinton, | 0:12:38 | 0:12:41 | |
Bush, and Obama. | 0:12:41 | 0:12:43 | |
That's absolutely right. So, "yes, we can", | 0:12:43 | 0:12:45 | |
or some other slogan associated with | 0:12:45 | 0:12:46 | |
President Obama, the 44th President, | 0:12:46 | 0:12:48 | |
I wanted to hear. | 0:12:48 | 0:12:50 | |
Oscar Men, what would you like? | 0:12:50 | 0:12:51 | |
-Two Reeds, please. -The Two Reeds, OK. | 0:12:51 | 0:12:53 | |
These are going to be picture clues, | 0:12:53 | 0:12:55 | |
what sort of thing would you expect to see in the fourth picture? | 0:12:55 | 0:12:58 | |
Here's the first. | 0:12:58 | 0:12:59 | |
Val Kilmer... | 0:13:00 | 0:13:01 | |
It could be Batmans. | 0:13:03 | 0:13:04 | |
Next, please. | 0:13:05 | 0:13:08 | |
OK, right. Let's work this out. | 0:13:08 | 0:13:09 | |
It was George Clooney, then it was Michael Keaton... | 0:13:11 | 0:13:15 | |
-No. -Oh, is it Christian Bale? | 0:13:15 | 0:13:18 | |
Then, it's got to be... What do you call him? Ben Affleck. | 0:13:18 | 0:13:21 | |
-Ben Affleck. -Is the right answer for | 0:13:24 | 0:13:26 | |
three points, very well done. | 0:13:26 | 0:13:28 | |
Tell me who you're looking at, and what the sequence is. | 0:13:28 | 0:13:31 | |
A rather chubby Val Kilmer, he was in Batman Returns, | 0:13:31 | 0:13:34 | |
and then there's George Clooney, was in Batman and Robin. | 0:13:34 | 0:13:37 | |
Christian Bale was The Dark Knight. | 0:13:37 | 0:13:39 | |
Then we've now got the Batman v Superman version, Ben Affleck. | 0:13:39 | 0:13:44 | |
That's pretty much it. | 0:13:44 | 0:13:45 | |
Batman Forever was Val Kilmer's film, | 0:13:45 | 0:13:47 | |
but they are successive Batmen. | 0:13:47 | 0:13:49 | |
And the most recent in 2016, | 0:13:49 | 0:13:51 | |
Ben Affleck from Batman v Superman - Dawn Of Justice. | 0:13:51 | 0:13:55 | |
Very well done, and back to you Beekeepers for a choice. | 0:13:55 | 0:13:58 | |
Horned Viper, please. | 0:13:58 | 0:13:59 | |
The Horned Viper. OK, what would come fourth in this sequence? | 0:13:59 | 0:14:02 | |
Here's the first. | 0:14:02 | 0:14:03 | |
-1946... We need to go for another. -I'll get it. | 0:14:05 | 0:14:08 | |
Next, please. | 0:14:08 | 0:14:09 | |
-These are cars. -Oh, yeah, cars. | 0:14:11 | 0:14:14 | |
-So it's vintage... I don't know the date. -Do you want another? | 0:14:15 | 0:14:18 | |
-It's -1900. Shall we get another? -Yeah. | 0:14:18 | 0:14:22 | |
Next, please. | 0:14:22 | 0:14:23 | |
I think it's 1900-1915... | 0:14:23 | 0:14:26 | |
It's a classic. | 0:14:27 | 0:14:31 | |
-Is it classic? -Yes. | 0:14:31 | 0:14:33 | |
THEY WHISPER | 0:14:33 | 0:14:36 | |
1900-1915 - Classic. | 0:14:40 | 0:14:45 | |
Not the answer I'm afraid, | 0:14:45 | 0:14:46 | |
although an interesting guess, | 0:14:46 | 0:14:47 | |
and I'll come back to you. | 0:14:47 | 0:14:48 | |
Oscar Men, do you want to have a go | 0:14:48 | 0:14:50 | |
-for a bonus? -1914 and below, and we're going to go with veteran. | 0:14:50 | 0:14:53 | |
Before 1914, veteran | 0:14:53 | 0:14:55 | |
is the right answer. | 0:14:55 | 0:14:57 | |
What is the sequence? | 0:14:57 | 0:14:58 | |
These are all classified of old cars, reg of all the cars, | 0:14:58 | 0:15:01 | |
so having a classic car is what you have now. | 0:15:01 | 0:15:04 | |
But these were all how you would classify the cars in these various | 0:15:04 | 0:15:08 | |
periods of age. | 0:15:08 | 0:15:10 | |
That's right. They are | 0:15:10 | 0:15:11 | |
classifications of classic cars. | 0:15:11 | 0:15:12 | |
I think the problem with your answer | 0:15:12 | 0:15:14 | |
is that they are all sort of classic. | 0:15:14 | 0:15:15 | |
And also 1915 is the beginning of | 0:15:15 | 0:15:16 | |
the vintage period, so we need | 0:15:16 | 0:15:18 | |
to hear 1914 and before and veteran. | 0:15:18 | 0:15:20 | |
Or Edwardian, some people say. | 0:15:20 | 0:15:22 | |
Which I think is rather nicer. | 0:15:22 | 0:15:23 | |
Edwardian. Rather charming. | 0:15:23 | 0:15:26 | |
So, well done for the bonus, | 0:15:26 | 0:15:27 | |
and what would you like | 0:15:27 | 0:15:28 | |
for your own question? | 0:15:28 | 0:15:29 | |
-Twisted Flax, please. -The Twisted Flax. | 0:15:29 | 0:15:31 | |
What would come fourth in this sequence? | 0:15:31 | 0:15:33 | |
Here's the first. | 0:15:33 | 0:15:35 | |
Right, 129. | 0:15:35 | 0:15:37 | |
Next one, please. | 0:15:37 | 0:15:40 | |
So, 134... | 0:15:40 | 0:15:42 | |
-Got an idea? -Not yet, no. | 0:15:42 | 0:15:44 | |
OK, shall we move on? | 0:15:44 | 0:15:46 | |
-Yeah. -OK, can we have the next one, please? | 0:15:46 | 0:15:50 | |
THEY WHISPER | 0:15:50 | 0:15:52 | |
Three seconds. | 0:16:01 | 0:16:02 | |
OK, 156 in black. | 0:16:04 | 0:16:09 | |
-And why would that be? -It's just a nice number and it's a nice colour. | 0:16:09 | 0:16:12 | |
Unfortunately, | 0:16:13 | 0:16:14 | |
it's not the right answer. | 0:16:14 | 0:16:16 | |
-Beekeepers. -147 in black. | 0:16:16 | 0:16:19 | |
Is the right answer. | 0:16:19 | 0:16:21 | |
-And why? -Because these are the | 0:16:21 | 0:16:24 | |
scores you get in a perfect game in snooker when you get 147... | 0:16:24 | 0:16:28 | |
That's the colour you've just potted to get to that score. | 0:16:28 | 0:16:31 | |
That is exactly right. | 0:16:31 | 0:16:32 | |
The colour represents the | 0:16:32 | 0:16:33 | |
snooker ball you've just potted to get that score on your way to | 0:16:33 | 0:16:36 | |
a perfect break. Now, here's where | 0:16:36 | 0:16:38 | |
you were unlucky, Oscar Men, | 0:16:38 | 0:16:39 | |
with your guess of 156 in black. | 0:16:39 | 0:16:41 | |
Had you said 155 in black, | 0:16:41 | 0:16:44 | |
I would have given it to you. | 0:16:44 | 0:16:46 | |
Do you know why? | 0:16:46 | 0:16:47 | |
Yeah, because a foul... | 0:16:47 | 0:16:48 | |
If your opponent fouls, you can get extra points... | 0:16:48 | 0:16:51 | |
That's right, if your opponent fouls | 0:16:51 | 0:16:53 | |
before your perfect break, | 0:16:53 | 0:16:54 | |
you would get 155. | 0:16:54 | 0:16:56 | |
I would have given you that, but you were one wrong in your otherwise | 0:16:56 | 0:16:59 | |
-beautiful guess. -Thank you. | 0:16:59 | 0:17:00 | |
You get the bonus then, Beekeepers. | 0:17:00 | 0:17:02 | |
And which question would you like? | 0:17:02 | 0:17:03 | |
-Water, please. -Water. | 0:17:03 | 0:17:04 | |
OK. What would come fourth in this sequence? | 0:17:04 | 0:17:07 | |
Here is the first. | 0:17:07 | 0:17:09 | |
-Are these constituencies? -Next, please. | 0:17:10 | 0:17:12 | |
THEY WHISPER | 0:17:12 | 0:17:13 | |
Yeah, but which election? I'm not sure it was last year. | 0:17:17 | 0:17:22 | |
Next, please. | 0:17:22 | 0:17:23 | |
-Sunderland South. -Sunderland South, yeah. | 0:17:25 | 0:17:29 | |
Sunderland South. | 0:17:29 | 0:17:30 | |
I will accept, | 0:17:30 | 0:17:32 | |
but before the answer comes up, | 0:17:32 | 0:17:34 | |
we've got something slightly longer on the screen. | 0:17:34 | 0:17:36 | |
Do you know what it is? | 0:17:36 | 0:17:37 | |
Come, come. | 0:17:38 | 0:17:39 | |
You're a political journalist. | 0:17:39 | 0:17:41 | |
Is it something...? | 0:17:41 | 0:17:43 | |
-Is it South with four -Hs? No. | 0:17:43 | 0:17:45 | |
It's Houghton and Sunderland South. | 0:17:45 | 0:17:47 | |
That is the full name of the constituency, | 0:17:47 | 0:17:49 | |
known as Sunderland South, as was its previous name. | 0:17:49 | 0:17:52 | |
And what is the sequence? | 0:17:52 | 0:17:54 | |
This is in reverse order the constituencies which declared | 0:17:54 | 0:17:58 | |
respectively fourth, third, second and first | 0:17:58 | 0:18:01 | |
at the last general election? | 0:18:01 | 0:18:04 | |
In the 2015 general election, | 0:18:04 | 0:18:06 | |
it is in reverse order | 0:18:06 | 0:18:07 | |
the first four to declare. | 0:18:07 | 0:18:08 | |
And Sunderland South often is. | 0:18:08 | 0:18:10 | |
I mean, in the last six elections, | 0:18:10 | 0:18:12 | |
they were the first to declare, | 0:18:12 | 0:18:13 | |
that is why people might remember them. | 0:18:13 | 0:18:15 | |
Well done. | 0:18:15 | 0:18:16 | |
They also remember them if they | 0:18:16 | 0:18:17 | |
come from that area or have lived in | 0:18:17 | 0:18:18 | |
that area, or have any kind of | 0:18:18 | 0:18:20 | |
knowledge, I don't mean it's | 0:18:20 | 0:18:21 | |
just because of that election, | 0:18:21 | 0:18:22 | |
but I mean people might guess | 0:18:22 | 0:18:23 | |
the answer for that reason. | 0:18:23 | 0:18:24 | |
Don't write in. Oscar Men, | 0:18:24 | 0:18:26 | |
one question remains. | 0:18:26 | 0:18:27 | |
The Eye of Horus. Once again, that's left on the shelf. | 0:18:27 | 0:18:30 | |
What would come fourth in this sequence? | 0:18:30 | 0:18:33 | |
Here's the first. | 0:18:33 | 0:18:34 | |
THEY WHISPER | 0:18:35 | 0:18:39 | |
-This is musicals by Ben Elton. -Oh, right. | 0:18:43 | 0:18:46 | |
Next, please. | 0:18:46 | 0:18:47 | |
Right, so... | 0:18:48 | 0:18:49 | |
No, I don't think so. | 0:18:52 | 0:18:54 | |
-This is definitely... -What's the one he did with Lloyd Webber? | 0:18:54 | 0:18:57 | |
-That's The Beautiful Game. -Oh, right. | 0:18:57 | 0:18:59 | |
Next, please. | 0:18:59 | 0:19:01 | |
Tonight's The Night. | 0:19:01 | 0:19:02 | |
THEY WHISPER | 0:19:05 | 0:19:08 | |
Three seconds. | 0:19:10 | 0:19:12 | |
OK, we are going to go with Tommy. | 0:19:14 | 0:19:16 | |
Not the answer, I'm afraid. | 0:19:17 | 0:19:19 | |
Beekeepers, do you know? | 0:19:19 | 0:19:20 | |
-Billy Elliot? -That's not it either. | 0:19:21 | 0:19:23 | |
What do you think the sequence is? | 0:19:23 | 0:19:25 | |
Not really sure. Something about musicals. | 0:19:25 | 0:19:26 | |
What do you think the sequence is? | 0:19:26 | 0:19:28 | |
We thought it was Ben Elton musicals | 0:19:28 | 0:19:29 | |
but we didn't know what his newest one was. | 0:19:29 | 0:19:31 | |
It is Ben Elton musicals, | 0:19:31 | 0:19:32 | |
and the next one is Love Never Dies. | 0:19:32 | 0:19:36 | |
Yes. They are musicals in the CV of the wonderful Ben Elton. | 0:19:36 | 0:19:40 | |
There's an urban myth about | 0:19:40 | 0:19:41 | |
The Beautiful Game, | 0:19:41 | 0:19:42 | |
have you ever heard it? About how | 0:19:42 | 0:19:44 | |
Ben Elton came to write it? | 0:19:44 | 0:19:45 | |
-No. -No. -The urban myth has it that | 0:19:45 | 0:19:47 | |
Andrew Lloyd Webber when looking for | 0:19:47 | 0:19:49 | |
someone to write the book for his | 0:19:49 | 0:19:51 | |
musical about football wanted to | 0:19:51 | 0:19:52 | |
approach the comedian David Baddiel, who is a writer, | 0:19:52 | 0:19:56 | |
who knows a lot about football, | 0:19:56 | 0:19:57 | |
and slightly muddled up | 0:19:57 | 0:19:59 | |
David Baddiel and Ben Elton | 0:19:59 | 0:20:00 | |
in his head because some people | 0:20:00 | 0:20:02 | |
think they look alike. | 0:20:02 | 0:20:03 | |
I'm sure it's not true. | 0:20:03 | 0:20:04 | |
But I've heard that said. | 0:20:04 | 0:20:05 | |
Anyway, Ben Elton wrote it. It was a | 0:20:05 | 0:20:06 | |
massive success and he went on to | 0:20:06 | 0:20:07 | |
write these others. | 0:20:07 | 0:20:08 | |
Tonight's The Night, | 0:20:08 | 0:20:10 | |
what music does that feature? | 0:20:10 | 0:20:12 | |
I don't know. | 0:20:12 | 0:20:14 | |
-It doesn't ring a bell. -Oh, come on. | 0:20:14 | 0:20:16 | |
# Tonight's the night. # | 0:20:16 | 0:20:17 | |
It's a Rod Stewart musical but it's | 0:20:17 | 0:20:19 | |
actually not above the life of | 0:20:19 | 0:20:20 | |
Rod Stewart. It's about a Detroit | 0:20:20 | 0:20:21 | |
car worker, that particular story. | 0:20:21 | 0:20:23 | |
But a jukebox musical with his music in it. | 0:20:23 | 0:20:26 | |
All Ben Elton musicals, | 0:20:26 | 0:20:28 | |
but you didn't get the last one. | 0:20:28 | 0:20:30 | |
At the end of Round Two, then, | 0:20:30 | 0:20:31 | |
the Oscar Men have five points, | 0:20:31 | 0:20:33 | |
the Beekeepers have 14. | 0:20:33 | 0:20:35 | |
Let's get these teams up against the wall, the Connecting Wall. | 0:20:38 | 0:20:42 | |
And, Oscar Men, you'll be going first this time. | 0:20:42 | 0:20:44 | |
So, please choose - Lion or Water? | 0:20:44 | 0:20:46 | |
-Water wall, please. -OK. | 0:20:46 | 0:20:48 | |
Two and a half minutes to solve the water wall, starting now. | 0:20:48 | 0:20:52 | |
That's a website. | 0:20:53 | 0:20:54 | |
Cockermouth in the Kendal... | 0:20:56 | 0:20:58 | |
These are places in Cumbria. | 0:20:58 | 0:20:59 | |
BUZZ | 0:21:03 | 0:21:04 | |
-Kendal, Barrow. Keswick... -Yeah. -Cockermouth. | 0:21:04 | 0:21:06 | |
BUZZ | 0:21:06 | 0:21:07 | |
Kendal, Barrow, Keswick, Aspatria. | 0:21:07 | 0:21:09 | |
BUZZ | 0:21:09 | 0:21:10 | |
-No, not Chuckle. -Not Chuckle, sorry. | 0:21:10 | 0:21:14 | |
BUZZ | 0:21:14 | 0:21:15 | |
-What are we missing out? -Miss out Aspatria. | 0:21:15 | 0:21:17 | |
OK. | 0:21:17 | 0:21:18 | |
-BUZZ -No, this isn't... | 0:21:20 | 0:21:22 | |
Brothers... | 0:21:22 | 0:21:23 | |
Marx brothers, Coen brothers, Chuckle brothers... | 0:21:23 | 0:21:27 | |
And Wright brothers. | 0:21:27 | 0:21:28 | |
-BUZZ -Everly brothers. | 0:21:28 | 0:21:31 | |
Marx, Chuckle, Coen. | 0:21:31 | 0:21:33 | |
-OK. So... -Guffaw, Chortle... -Titter... | 0:21:33 | 0:21:37 | |
-Must be Cachinnate. -Yeah. | 0:21:40 | 0:21:42 | |
Three lives now. | 0:21:42 | 0:21:43 | |
OK, so, Cockermouth and Kendal, | 0:21:43 | 0:21:45 | |
Barrow and... | 0:21:45 | 0:21:47 | |
We've had Keswick, haven't we? Have we tried...? | 0:21:47 | 0:21:49 | |
-Wheelchair, wheelspin, Wheelwright, wheelbarrow. -OK, so... | 0:21:49 | 0:21:52 | |
-Wheelspin. -No, no. | 0:21:52 | 0:21:55 | |
Wheelspin, Wheelwright, wheelchair, Barrow. | 0:21:55 | 0:21:59 | |
You solved the wall. | 0:21:59 | 0:22:00 | |
Very well done. So, that's four points immediately. | 0:22:00 | 0:22:02 | |
And what about the connections? | 0:22:02 | 0:22:04 | |
The top group - Marx, Chuckle, Coen, Everly? | 0:22:04 | 0:22:08 | |
-All brothers. -That is it. | 0:22:08 | 0:22:09 | |
They are all well-known groups of brothers. | 0:22:09 | 0:22:11 | |
And the green group - Chortle, Guffaw, I suppose that's Cachinnate, | 0:22:11 | 0:22:15 | |
-and Titter. -They're all laughs. Types of laugh. | 0:22:15 | 0:22:18 | |
They are ways to talk about laughter. | 0:22:18 | 0:22:20 | |
And what about the next group, starting Chair? | 0:22:20 | 0:22:22 | |
All preceded by the word wheel. | 0:22:22 | 0:22:24 | |
Wheelchair, wheelspin, wheelbarrow, Wheelwright. | 0:22:24 | 0:22:27 | |
That is correct. And what about this next one, starting Keswick? | 0:22:27 | 0:22:30 | |
These are all towns in Cumbria. | 0:22:30 | 0:22:32 | |
They are all places in Cumbria. | 0:22:32 | 0:22:35 | |
That is four points for the groups, four more for the connections, | 0:22:35 | 0:22:37 | |
another two for getting it all right. | 0:22:37 | 0:22:39 | |
Has that cheered you up after the earlier rounds? | 0:22:39 | 0:22:41 | |
-It has indeed. -A little bit. -Raised our spirits a bit. | 0:22:41 | 0:22:43 | |
Excellent stuff. Let's bring in their opponents now and give them a | 0:22:43 | 0:22:46 | |
new Connecting Wall, see what they can do about solving it. | 0:22:46 | 0:22:49 | |
You will be getting the Lion wall, that's what remains. | 0:22:49 | 0:22:53 | |
You have two and a half minutes to solve it, starting now. | 0:22:53 | 0:22:57 | |
So, children's game... | 0:22:59 | 0:23:02 | |
Children's TV shows - Flumps, Magic Roundabout, Paddington, | 0:23:02 | 0:23:05 | |
Noggin the Nog. | 0:23:05 | 0:23:06 | |
Engie Benjy and various others. | 0:23:06 | 0:23:08 | |
What else have we got? Melancholy, Psyche,... | 0:23:08 | 0:23:11 | |
Grecian Urn, Nightingale, odes on. | 0:23:11 | 0:23:14 | |
Yeah. | 0:23:14 | 0:23:15 | |
Ode on Melancholy? | 0:23:16 | 0:23:19 | |
Michelangelo's David? | 0:23:19 | 0:23:20 | |
Melancholy. | 0:23:20 | 0:23:21 | |
-BUZZ -OK. Right, let's keep... | 0:23:21 | 0:23:23 | |
There's various different... | 0:23:23 | 0:23:28 | |
What's Engie Benjy? It must be another children's TV show. | 0:23:28 | 0:23:32 | |
-Paddington Bear... Is there another bear? -Not that I can see. | 0:23:32 | 0:23:36 | |
-BUZZ -What else have we got? Bondi Beach. | 0:23:36 | 0:23:38 | |
Waybuloo is presumably an Australian place as well. | 0:23:38 | 0:23:41 | |
-Anywhere else in there? -Paddington is... | 0:23:43 | 0:23:46 | |
So, Bondi Beach, Woolloomooloo, Paddington... | 0:23:46 | 0:23:50 | |
Is Waybuloo an Australian...? | 0:23:50 | 0:23:53 | |
-BUZZ -No. | 0:23:53 | 0:23:54 | |
-Nightingale, I think. -OK. | 0:23:54 | 0:23:57 | |
-BUZZ -OK. What else do we have in here? | 0:23:57 | 0:24:00 | |
So, The Rocks. | 0:24:00 | 0:24:02 | |
On The Rocks? | 0:24:02 | 0:24:03 | |
BUZZ | 0:24:06 | 0:24:08 | |
-BUZZ -It's definitely Ode. | 0:24:10 | 0:24:13 | |
-Autumn? -Yes, on Autumn. | 0:24:13 | 0:24:15 | |
BUZZ | 0:24:17 | 0:24:18 | |
OK, do you want to take over? | 0:24:18 | 0:24:20 | |
Grecian Urn and... | 0:24:20 | 0:24:22 | |
BUZZ | 0:24:23 | 0:24:25 | |
BUZZ | 0:24:26 | 0:24:28 | |
-BUZZ -OK, erm... | 0:24:29 | 0:24:31 | |
The machine. What is the machine going to be? | 0:24:34 | 0:24:36 | |
-Florence... -Oh, Florence and... | 0:24:36 | 0:24:38 | |
The Magic Roundabout and Florence. | 0:24:38 | 0:24:39 | |
Oh, so Florence and the Machine, Florence and the Magic Roundabout, | 0:24:39 | 0:24:42 | |
Florence Nightingale and Florence... | 0:24:42 | 0:24:45 | |
Florence! | 0:24:45 | 0:24:46 | |
-OK. -Three lives now. | 0:24:46 | 0:24:48 | |
Right, so, Australia. So, we've got children's... | 0:24:48 | 0:24:51 | |
Children's stuff, so we've got Noggin the Nog, Engie Benjy... | 0:24:51 | 0:24:56 | |
-Paddington and Waybuloo... -The Flumps. | 0:24:56 | 0:24:58 | |
-The Flumps. And then... Paddington? -Go on, sure. | 0:24:58 | 0:25:01 | |
-BUZZ -No, right, OK. | 0:25:01 | 0:25:03 | |
Do you want Waybuloo or Woolloomooloo? | 0:25:03 | 0:25:05 | |
Waybuloo. | 0:25:05 | 0:25:06 | |
That's it. You've solved the wall. | 0:25:08 | 0:25:10 | |
Very well done. Now, what about the connections? | 0:25:10 | 0:25:12 | |
Autumn, Melancholy, Grecian Urn, Psyche. | 0:25:12 | 0:25:15 | |
Are they all odes to...? | 0:25:15 | 0:25:17 | |
These are odes. | 0:25:17 | 0:25:18 | |
I need something more specific. | 0:25:18 | 0:25:20 | |
Keats' odes? | 0:25:20 | 0:25:22 | |
They are Keats' odes, yes. | 0:25:22 | 0:25:23 | |
Autumn is the most famous one. | 0:25:23 | 0:25:24 | |
That is the old season of mists and mellow fruitfulness. | 0:25:24 | 0:25:27 | |
And what about the green group, starting The Machine? | 0:25:27 | 0:25:29 | |
-Florence. -Florence. | 0:25:29 | 0:25:30 | |
That's right. Yes. That's all sorts of different kinds of connections. | 0:25:30 | 0:25:33 | |
There a band, Florence And The Machine, | 0:25:33 | 0:25:35 | |
a character in the Magic Roundabout, Florence Nightingale, the nurse, | 0:25:35 | 0:25:37 | |
of course, and Michelangelo's David is in Florence. | 0:25:37 | 0:25:40 | |
The next one, the Flumps, Waybuloo, Noggin the Nog, Engie Benjy. | 0:25:40 | 0:25:44 | |
Classic children's television shows. | 0:25:44 | 0:25:46 | |
Children's TV shows. | 0:25:46 | 0:25:48 | |
And the last one, starting Woolloomooloo? | 0:25:48 | 0:25:50 | |
Places in Australia. | 0:25:51 | 0:25:52 | |
Again, you need to be more specific. | 0:25:52 | 0:25:54 | |
Sydney. They're in Sydney. | 0:25:54 | 0:25:56 | |
-Places in Sydney? -They are places in Sydney. | 0:25:56 | 0:25:58 | |
So that is four more points for the connections and the bonus | 0:25:58 | 0:26:00 | |
for getting it all right, so the maximum of ten. | 0:26:00 | 0:26:02 | |
Very well done. Let's have a look at the scores. | 0:26:02 | 0:26:04 | |
The Oscar Men have 15 points, the Beekeepers have 24. | 0:26:06 | 0:26:09 | |
Time now for the missing vowels round. | 0:26:12 | 0:26:13 | |
This will decide our place in the quarterfinals. | 0:26:13 | 0:26:15 | |
So, fingers on buzzers, teams, | 0:26:15 | 0:26:18 | |
I can tell you that the first group all avoid the sun. | 0:26:18 | 0:26:22 | |
-Beekeepers? -Vampires. | 0:26:25 | 0:26:26 | |
Correct. | 0:26:26 | 0:26:28 | |
-Beekeepers? -Gremlins. | 0:26:29 | 0:26:31 | |
Correct. | 0:26:31 | 0:26:32 | |
Beekeepers? | 0:26:36 | 0:26:38 | |
No, too long. Oscar Men, do you know? | 0:26:38 | 0:26:40 | |
No? It's from Lord Of The Rings - the Nazgul. Next clue. | 0:26:40 | 0:26:44 | |
-Beekeepers? -Liverpudlians. | 0:26:46 | 0:26:48 | |
Correct. Next category - | 0:26:48 | 0:26:50 | |
Shakespeare plays with a word changed to its opposite. | 0:26:50 | 0:26:54 | |
-Oscar Men? -Much Ado About Everything. | 0:26:56 | 0:26:59 | |
Well done. | 0:26:59 | 0:27:00 | |
-Oscar Men? -Twelfth Day. | 0:27:02 | 0:27:04 | |
Yes, it is. | 0:27:04 | 0:27:05 | |
-Beekeepers? -The Summer's Tale. | 0:27:09 | 0:27:11 | |
Yes, it is. | 0:27:11 | 0:27:13 | |
-Beekeepers? -The Merry Husbands Of Windsor. | 0:27:16 | 0:27:18 | |
Correct. Next category, they can all be abbreviated to two letters. | 0:27:18 | 0:27:22 | |
-Oscar Men? -Headquarters. | 0:27:24 | 0:27:26 | |
HQ, correct. | 0:27:26 | 0:27:27 | |
-Beekeepers? -Province of Quebec. | 0:27:31 | 0:27:33 | |
PQ. | 0:27:33 | 0:27:35 | |
-Oscar Men? -Intelligence quotient. | 0:27:37 | 0:27:40 | |
IQ. | 0:27:40 | 0:27:41 | |
BELL RINGS | 0:27:49 | 0:27:51 | |
That last one was equalization, or EQ, | 0:27:53 | 0:27:56 | |
but the bell has gone for the end of the quiz. | 0:27:56 | 0:27:58 | |
And looking at the final scores, I can tell you that the winners, | 0:27:58 | 0:28:01 | |
with 29 points, and through to the quarterfinals, are the Beekeepers. | 0:28:01 | 0:28:06 | |
Very well done to you. Well quizzed, | 0:28:06 | 0:28:08 | |
and finishing in second place with 19, it's the Oscar Men. | 0:28:08 | 0:28:11 | |
So, and afraid, we are saying goodbye to you. | 0:28:11 | 0:28:13 | |
I'm sorry. You've been lovely to have around. | 0:28:13 | 0:28:15 | |
-Thank you. -Have a very good trip back. | 0:28:15 | 0:28:17 | |
Thank you very much for watching. | 0:28:17 | 0:28:19 | |
And if you were offended, or even if you weren't offended, | 0:28:19 | 0:28:21 | |
please do feel free to complain. | 0:28:21 | 0:28:23 | |
It's a wonderful way to learn how to use the internet. | 0:28:23 | 0:28:26 | |
Goodbye. | 0:28:26 | 0:28:28 |