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Hello. Sorry if I'm looking a bit the worse for wear, | 0:00:21 | 0:00:24 | |
I mixed my drinks at the preshow party. | 0:00:24 | 0:00:26 | |
Turns out that cream sherry does not sit well with a pint of my own | 0:00:26 | 0:00:30 | |
home-made bathtub turnip moonshine. | 0:00:30 | 0:00:33 | |
So, no more sherry for me. | 0:00:33 | 0:00:35 | |
Oof! | 0:00:35 | 0:00:36 | |
On my right, Jeremy Partington. | 0:00:36 | 0:00:40 | |
A geography graduate who, | 0:00:40 | 0:00:41 | |
while attending the 60th anniversary of the D-Day landing, | 0:00:41 | 0:00:44 | |
found himself inexplicably involved in the medal ceremony. | 0:00:44 | 0:00:47 | |
Chris James, a software developer | 0:00:48 | 0:00:50 | |
whose greatest wish is to invent a time machine, | 0:00:50 | 0:00:52 | |
travel back to the 1970s and watch a set by the legendary | 0:00:52 | 0:00:56 | |
comedian Norman Collier. | 0:00:56 | 0:00:59 | |
And their captain, Jonathan Carter. | 0:00:59 | 0:01:01 | |
A civil servant who came third | 0:01:01 | 0:01:03 | |
in a national geography quiz and was given an award by Michael Fish. | 0:01:03 | 0:01:07 | |
United by a willingness to be weird, | 0:01:07 | 0:01:09 | |
they are the Surrealists. | 0:01:09 | 0:01:11 | |
So you've done very well on your trip here. You've had several wins. | 0:01:11 | 0:01:14 | |
Most recently against the Verbivores. | 0:01:14 | 0:01:16 | |
How have you been decompressing between games? | 0:01:16 | 0:01:18 | |
Well, we went back and read Is There A Text In This Class | 0:01:18 | 0:01:21 | |
and it turns out the answer's no. | 0:01:21 | 0:01:23 | |
Excellent. That was a tough group. | 0:01:23 | 0:01:25 | |
That was one tough group. | 0:01:25 | 0:01:27 | |
You are facing this evening, on my left, | 0:01:27 | 0:01:30 | |
Taissa Csaky - a museums interpretation planner | 0:01:30 | 0:01:33 | |
who once steered a tall ship safely into Cardiff Harbour. | 0:01:33 | 0:01:38 | |
Niall Sheekey, a librarian, | 0:01:38 | 0:01:39 | |
who shares a birthday with Joss Stone and is named after a renowned | 0:01:39 | 0:01:43 | |
architect and Joycean scholar. | 0:01:43 | 0:01:46 | |
And their captain, Michael Jelley. | 0:01:46 | 0:01:48 | |
A maths graduate who has co-devised a mathematical theorem called | 0:01:48 | 0:01:52 | |
the Bowler-Jelley theorem. | 0:01:52 | 0:01:53 | |
United by a soft spot for sport, | 0:01:53 | 0:01:55 | |
they are the Korfballers. | 0:01:55 | 0:01:57 | |
You won your last game against the Fire-Eaters. | 0:01:57 | 0:01:59 | |
There was a bit of fighting talk before that match. | 0:01:59 | 0:02:01 | |
How competitive are you feeling tonight? | 0:02:01 | 0:02:03 | |
Well, I've conferred with the team | 0:02:03 | 0:02:05 | |
and we are still prepared to do literally anything to win. | 0:02:05 | 0:02:08 | |
Excellent. But what if we made a note of that last time and we've got | 0:02:09 | 0:02:12 | |
literally anything ready? | 0:02:12 | 0:02:14 | |
Well, then we'll hopefully be prepared. | 0:02:14 | 0:02:17 | |
Let's get on with the quiz. | 0:02:17 | 0:02:18 | |
Now, Surrealists, you won the toss, | 0:02:18 | 0:02:20 | |
but you've decided to put the Korfballers in first. | 0:02:20 | 0:02:22 | |
So, Michael, please choose a hieroglyph. | 0:02:22 | 0:02:24 | |
Two Reeds, please. | 0:02:24 | 0:02:26 | |
Now, the Two Reeds requires you to climb into a bath of green mould | 0:02:26 | 0:02:31 | |
and find the hidden mathematical theorems within it. | 0:02:31 | 0:02:34 | |
-Again? -What links these pictures? | 0:02:34 | 0:02:37 | |
Here's the first. | 0:02:37 | 0:02:38 | |
-Shelley. -OK. | 0:02:41 | 0:02:42 | |
Next, please. | 0:02:44 | 0:02:46 | |
That's a ray. | 0:02:47 | 0:02:48 | |
Sting? | 0:02:49 | 0:02:50 | |
Fish. | 0:02:51 | 0:02:52 | |
Next, please. | 0:02:54 | 0:02:56 | |
Oh, Lord. | 0:02:57 | 0:02:59 | |
-Was that supposed to happen? -Yes. | 0:02:59 | 0:03:01 | |
-That's odd. -Kate Moss. | 0:03:03 | 0:03:04 | |
Kate Moss. Catherine Thomas. | 0:03:04 | 0:03:06 | |
Is that four Kates? | 0:03:06 | 0:03:07 | |
-I think it's Kates. -Four Kates. | 0:03:07 | 0:03:09 | |
Next, please. | 0:03:10 | 0:03:11 | |
Steak. | 0:03:13 | 0:03:14 | |
Three seconds. | 0:03:15 | 0:03:16 | |
They're all anagrams of each other. | 0:03:16 | 0:03:19 | |
They're all anagrams of each other. | 0:03:19 | 0:03:21 | |
What are we looking at? | 0:03:21 | 0:03:22 | |
We are looking at Keats, it turns out, | 0:03:22 | 0:03:24 | |
rather than Shelley. A skate. | 0:03:24 | 0:03:26 | |
-That's right. -Kates. And some steak. | 0:03:26 | 0:03:28 | |
That's absolutely right - | 0:03:28 | 0:03:30 | |
Keats, Kates, Skate, Steak. | 0:03:30 | 0:03:31 | |
They are all anagrams of each other. | 0:03:31 | 0:03:33 | |
Well spotted. Back to you, Surrealists, for a choice. | 0:03:33 | 0:03:35 | |
-Eye of Horus, please. -The Eye of Horus. | 0:03:35 | 0:03:38 | |
OK. What connects these clues? | 0:03:38 | 0:03:40 | |
Here's the first. | 0:03:40 | 0:03:41 | |
Next, please. | 0:03:44 | 0:03:45 | |
Next, please. | 0:03:55 | 0:03:56 | |
Defra... | 0:03:58 | 0:03:59 | |
Rural affairs, environment and rural affairs. | 0:03:59 | 0:04:04 | |
TV is there. | 0:04:06 | 0:04:08 | |
-Defra... -Next, please. | 0:04:09 | 0:04:12 | |
Nope. | 0:04:12 | 0:04:13 | |
Open? | 0:04:14 | 0:04:16 | |
Three seconds. | 0:04:17 | 0:04:18 | |
Anything? | 0:04:20 | 0:04:21 | |
Nothing? OK. | 0:04:22 | 0:04:24 | |
There is a possible bonus chance | 0:04:24 | 0:04:25 | |
for the Korfballers. | 0:04:25 | 0:04:27 | |
Are they all words that have been extended? | 0:04:27 | 0:04:29 | |
No, although you started in | 0:04:31 | 0:04:32 | |
the right area - it is a word one. | 0:04:32 | 0:04:35 | |
And it is to do with contracting them. | 0:04:35 | 0:04:37 | |
They all start with three | 0:04:37 | 0:04:39 | |
consecutive letters. | 0:04:39 | 0:04:40 | |
T-U-V, H-I-J, D-E-F, N-O-P. | 0:04:40 | 0:04:44 | |
What's good is that due to the | 0:04:44 | 0:04:46 | |
blossoming of quizzes in the world, | 0:04:46 | 0:04:48 | |
particularly Pointless, I think, | 0:04:48 | 0:04:50 | |
Tuvalu is now so familiar. | 0:04:50 | 0:04:51 | |
They don't think, that's a weird | 0:04:51 | 0:04:52 | |
word, what's going on? | 0:04:52 | 0:04:54 | |
When you are looking at the letters, | 0:04:54 | 0:04:55 | |
you're thinking of the things you know about that place. | 0:04:55 | 0:04:58 | |
So nobody spotted that one. | 0:04:58 | 0:04:59 | |
I did like it, by the way, that during the Kates question you said, | 0:04:59 | 0:05:02 | |
was that supposed to happen? | 0:05:02 | 0:05:03 | |
After a while on Only Connect, | 0:05:03 | 0:05:05 | |
on our sort of wonky sets and dodgy cameramen, people start going, | 0:05:05 | 0:05:08 | |
is this deliberate? Is any of this meant to be happening? | 0:05:08 | 0:05:10 | |
Is it a mistake? But no, it's all real. | 0:05:10 | 0:05:13 | |
Back to you, Korfballers, for a choice. | 0:05:13 | 0:05:15 | |
-What would you like? -I think we'll have the Lion, please. | 0:05:15 | 0:05:17 | |
Why not? What is the connection between these clues? | 0:05:17 | 0:05:19 | |
Here's the first. | 0:05:19 | 0:05:22 | |
In red. | 0:05:22 | 0:05:24 | |
Pink-ish. | 0:05:24 | 0:05:25 | |
Next, please. | 0:05:26 | 0:05:28 | |
-OK, so that's blue. -Are these... | 0:05:29 | 0:05:32 | |
-A change? -Flamin' hot... | 0:05:33 | 0:05:34 | |
-Would that be something to do with Burger King, or McCains, or... -Oh! | 0:05:34 | 0:05:37 | |
Yeah, flamin' Burger King. | 0:05:39 | 0:05:42 | |
Next, please. | 0:05:42 | 0:05:44 | |
Oh, yeah, so that's a crisp flavour. | 0:05:45 | 0:05:47 | |
Monster Munch flavours. | 0:05:47 | 0:05:49 | |
Yes, it's not a secret, is it? | 0:05:49 | 0:05:51 | |
We think they are flavours of Monster Munch | 0:05:51 | 0:05:55 | |
in the colours of the packets. | 0:05:55 | 0:05:57 | |
Well, I'll take that, but there is | 0:05:59 | 0:06:00 | |
something I'd rather have heard | 0:06:00 | 0:06:01 | |
than the colours of the packets. | 0:06:01 | 0:06:03 | |
The colours of the monsters on the packets. | 0:06:03 | 0:06:05 | |
The monsters, absolutely right. The creatures. | 0:06:05 | 0:06:07 | |
You didn't need to see the big orange one at the end there, | 0:06:07 | 0:06:10 | |
pickled onion. But, yes. | 0:06:10 | 0:06:12 | |
What's this going... | 0:06:12 | 0:06:13 | |
What's happening in brackets here? | 0:06:13 | 0:06:14 | |
The monster is retired and moved on. | 0:06:14 | 0:06:17 | |
The yellow monster's now in charge of pickled onion. | 0:06:17 | 0:06:19 | |
That's right, the monsters were | 0:06:19 | 0:06:21 | |
originally employees | 0:06:21 | 0:06:23 | |
of Smiths Crisps, | 0:06:23 | 0:06:24 | |
and they were later rehired by Walkers. | 0:06:24 | 0:06:26 | |
And some of them changed a bit. | 0:06:26 | 0:06:27 | |
The blue monster lost his hat, | 0:06:27 | 0:06:29 | |
the yellow monster took over | 0:06:29 | 0:06:31 | |
the pickled onion brief | 0:06:31 | 0:06:32 | |
of the orange monster | 0:06:32 | 0:06:33 | |
when they changed jobs. | 0:06:33 | 0:06:34 | |
That's what's going on there. | 0:06:34 | 0:06:36 | |
But well remembered, we love those guys. | 0:06:36 | 0:06:39 | |
Surrealists, what would you like? | 0:06:39 | 0:06:40 | |
-Twisted Flax, please. -Twisted Flax, OK. | 0:06:40 | 0:06:42 | |
What is the connection between these clues? | 0:06:42 | 0:06:44 | |
Here's the first. | 0:06:44 | 0:06:45 | |
Next, please. | 0:06:48 | 0:06:49 | |
Anything? | 0:06:55 | 0:06:56 | |
What's dry bob? Yeah, but what's dry bob? | 0:06:59 | 0:07:03 | |
I think we'd better have one more. | 0:07:03 | 0:07:06 | |
Next, please. | 0:07:06 | 0:07:08 | |
Just do it. | 0:07:09 | 0:07:11 | |
Yeah? | 0:07:11 | 0:07:12 | |
-They all went to Eton. -They are old Etonians. | 0:07:13 | 0:07:16 | |
Very well done. | 0:07:16 | 0:07:17 | |
You didn't need to see the last one, | 0:07:17 | 0:07:19 | |
Commander James Bond, | 0:07:19 | 0:07:20 | |
who was removed during the first | 0:07:20 | 0:07:22 | |
year for various nefarious things. | 0:07:22 | 0:07:24 | |
That's absolutely right. When did you recognise it? | 0:07:24 | 0:07:27 | |
I think Chris had it after Captain Hook. | 0:07:27 | 0:07:31 | |
I think you did. Are you familiar | 0:07:31 | 0:07:32 | |
with the term dry bob? | 0:07:32 | 0:07:33 | |
-No, not at all. -Dry bob means | 0:07:33 | 0:07:35 | |
that you don't row. | 0:07:35 | 0:07:36 | |
That's what that means at Eton. | 0:07:36 | 0:07:38 | |
At most schools, you don't row! | 0:07:38 | 0:07:40 | |
But at Eton, if you don't row, | 0:07:40 | 0:07:42 | |
you get a special name, dry bob. | 0:07:42 | 0:07:43 | |
And Captain James Hook, | 0:07:43 | 0:07:45 | |
ironically, was one of those. | 0:07:45 | 0:07:47 | |
The others, all old Etonians. Well done. | 0:07:47 | 0:07:49 | |
-Korfballers, what would you like? -The Horned Viper, please. | 0:07:49 | 0:07:53 | |
The Horned Viper. OK. Ah, it's the music question. | 0:07:53 | 0:07:56 | |
What connects these clues? | 0:07:56 | 0:07:57 | |
Here's the first. | 0:07:57 | 0:07:59 | |
# As time goes by... # | 0:07:59 | 0:08:04 | |
Next, please. | 0:08:09 | 0:08:10 | |
# ..Under the covers, | 0:08:10 | 0:08:11 | |
# And I guess that's why they call it the blues... # | 0:08:11 | 0:08:16 | |
Elton John. | 0:08:16 | 0:08:17 | |
Next, please. | 0:08:17 | 0:08:18 | |
# Let me rock you, Chaka Khan | 0:08:18 | 0:08:20 | |
# Let me rock you, that's all I wanna do | 0:08:20 | 0:08:22 | |
-# Chaka Khan, let me rock you... # -I Feel For You. | 0:08:22 | 0:08:24 | |
# Let me rock you, cos I feel for you... # | 0:08:24 | 0:08:27 | |
Blues? | 0:08:27 | 0:08:29 | |
Next, please. | 0:08:29 | 0:08:31 | |
# La da dee da da da da, da da... # | 0:08:31 | 0:08:35 | |
-It must be names of band members. -Three seconds. | 0:08:35 | 0:08:37 | |
-Yes, I think so. -Is it bracketed number ones | 0:08:38 | 0:08:43 | |
and they've got two sets of brackets? | 0:08:43 | 0:08:47 | |
It's a good guess, but that does not | 0:08:47 | 0:08:48 | |
apply to all the clues, I'm afraid. | 0:08:48 | 0:08:50 | |
So there is a bonus opportunity for the Surrealists. | 0:08:50 | 0:08:52 | |
They all feature harmonica parts. | 0:08:52 | 0:08:55 | |
I need to hear something | 0:08:55 | 0:08:56 | |
more than that for a bonus point. | 0:08:56 | 0:08:58 | |
Stevie Wonder playing the harmonica. | 0:08:58 | 0:09:00 | |
Very well done, they all feature | 0:09:00 | 0:09:02 | |
Stevie Wonder guesting on the harmonica. | 0:09:02 | 0:09:05 | |
What are the songs? | 0:09:05 | 0:09:06 | |
The last one was Annie Lennox, | 0:09:06 | 0:09:09 | |
There's an Orchestra of Angels. Playing With My Heart... | 0:09:09 | 0:09:11 | |
There Must Be An Angel. | 0:09:11 | 0:09:13 | |
There Must Be An Angel, | 0:09:13 | 0:09:14 | |
(Playing With My Heart). | 0:09:14 | 0:09:16 | |
The Elton John one was, Guess That's Why They Call It The Blues. | 0:09:16 | 0:09:19 | |
I Feel For You. Chaka Khan, | 0:09:19 | 0:09:21 | |
the last one. Rufus and Chaka Khan. | 0:09:21 | 0:09:23 | |
I Feel For You, | 0:09:23 | 0:09:25 | |
just Chaka Khan on her own. | 0:09:25 | 0:09:26 | |
First one, As Time Goes By, covered | 0:09:26 | 0:09:28 | |
by Carly Simon with Stevie Wonder | 0:09:28 | 0:09:30 | |
on the harmonica. | 0:09:30 | 0:09:31 | |
So, well done, you get the bonus and you get your own question. | 0:09:31 | 0:09:34 | |
Water. What is the connection between these Water clues. | 0:09:34 | 0:09:38 | |
Here's the first. | 0:09:38 | 0:09:40 | |
Anything? | 0:09:41 | 0:09:43 | |
Next, please. | 0:09:45 | 0:09:47 | |
Anything? Next, please. | 0:09:54 | 0:09:57 | |
Poly. With poly in front. | 0:10:03 | 0:10:05 | |
Polymath. | 0:10:07 | 0:10:08 | |
They can all be preceded by poly, P-O-L-Y, | 0:10:11 | 0:10:16 | |
to give you the answer underneath. | 0:10:16 | 0:10:19 | |
-The definition. -Yeah. -Very well done. | 0:10:19 | 0:10:22 | |
You didn't need to see the last one, | 0:10:22 | 0:10:23 | |
which hinted at Polynesia, the subregion of Oceania. | 0:10:23 | 0:10:26 | |
Very well done. Well spotted. | 0:10:26 | 0:10:28 | |
Polyp - an abnormal growth. | 0:10:28 | 0:10:29 | |
You get them in your nose | 0:10:29 | 0:10:31 | |
if you have breathing disorders. | 0:10:31 | 0:10:32 | |
I think I share with many Only Connecters. | 0:10:32 | 0:10:34 | |
Terrible history with polyps. | 0:10:34 | 0:10:36 | |
Oh, I'm a slave to my polyps. | 0:10:36 | 0:10:37 | |
Polymath - a Renaissance man, | 0:10:37 | 0:10:38 | |
which we hope we have many of here. | 0:10:38 | 0:10:40 | |
Man in the more general sense, of course. | 0:10:40 | 0:10:42 | |
Polymnia - | 0:10:43 | 0:10:45 | |
what can you tell me about that? | 0:10:45 | 0:10:47 | |
It's presumably a love of a muse. | 0:10:47 | 0:10:50 | |
-What sort of muse? -An artist's muse, I presume. | 0:10:50 | 0:10:52 | |
One of the original nine Muses | 0:10:52 | 0:10:54 | |
in Greek mythology. | 0:10:54 | 0:10:55 | |
That's absolutely right. Well done. | 0:10:55 | 0:10:57 | |
That means, at the end of round one, the Korfballers have 3 points, | 0:10:57 | 0:11:00 | |
and the Surrealists have 5. | 0:11:00 | 0:11:02 | |
On to Round Two, the sequences round. | 0:11:05 | 0:11:07 | |
You sneeze a lot, you get polyps - | 0:11:07 | 0:11:08 | |
that's the sort of sequence I'm talking about. | 0:11:08 | 0:11:10 | |
Korfballers, you'll be going first again. Which question | 0:11:10 | 0:11:13 | |
-would you like? -The Eye of Horus, please. -The Eye of Horus. | 0:11:13 | 0:11:15 | |
OK, what would you expect to come fourth in this sequence? | 0:11:15 | 0:11:18 | |
Here's the first. | 0:11:18 | 0:11:19 | |
Next, please. | 0:11:23 | 0:11:28 | |
THEY MUTTER | 0:11:31 | 0:11:33 | |
Is it F: Australia? | 0:11:45 | 0:11:48 | |
It is not F: Australia. | 0:11:48 | 0:11:50 | |
Good gamble, but not the right answer, | 0:11:50 | 0:11:52 | |
so I'm going to show the third | 0:11:52 | 0:11:53 | |
in the sequence to the Surrealists | 0:11:53 | 0:11:55 | |
for a possible bonus point. | 0:11:55 | 0:11:57 | |
Haven't got that long. | 0:11:57 | 0:11:58 | |
I can't give you long. | 0:12:00 | 0:12:02 | |
F: New Zealand. | 0:12:02 | 0:12:03 | |
Not it. It's F: Belgium. | 0:12:03 | 0:12:06 | |
What do you think the sequence is? | 0:12:06 | 0:12:08 | |
Well, we did think it was | 0:12:08 | 0:12:13 | |
the England World Cup run in 2005... | 0:12:13 | 0:12:16 | |
2003, sorry. | 0:12:16 | 0:12:18 | |
And now we think it might be tennis. | 0:12:18 | 0:12:19 | |
It is tennis. It is the 2015 | 0:12:19 | 0:12:22 | |
Davis Cup opponents of Britain. | 0:12:22 | 0:12:24 | |
And in the final, they were up against Belgium. | 0:12:24 | 0:12:27 | |
How did they get on against Belgium? | 0:12:27 | 0:12:28 | |
-They won. -They won. The first time | 0:12:28 | 0:12:30 | |
they'd won the Davis Cup since 1936. | 0:12:30 | 0:12:32 | |
Excellent. That's why | 0:12:32 | 0:12:33 | |
you should have remembered it. | 0:12:33 | 0:12:35 | |
So, no points there, but Surrealists, | 0:12:35 | 0:12:37 | |
you may choose a question. | 0:12:37 | 0:12:38 | |
Two Reeds, please. | 0:12:38 | 0:12:40 | |
Two Reeds. What will come fourth in this sequence? | 0:12:40 | 0:12:42 | |
Here's the first. | 0:12:42 | 0:12:44 | |
THEY MUTTER | 0:12:48 | 0:12:52 | |
Next, please. | 0:12:52 | 0:12:54 | |
I don't know why it's two of four. | 0:12:58 | 0:13:00 | |
What's the sequence? | 0:13:01 | 0:13:03 | |
Try the next one. | 0:13:03 | 0:13:04 | |
Next one, please. | 0:13:04 | 0:13:06 | |
THEY CONFER | 0:13:09 | 0:13:11 | |
It would be N-something. | 0:13:15 | 0:13:17 | |
Three seconds. | 0:13:19 | 0:13:20 | |
Four of four: U-u-n, | 0:13:20 | 0:13:23 | |
large U and then small u-n. | 0:13:23 | 0:13:26 | |
Not the right answer, I'm afraid. | 0:13:26 | 0:13:28 | |
So, Korfballers, | 0:13:28 | 0:13:29 | |
you have the chance of a bonus. | 0:13:29 | 0:13:30 | |
H? H? | 0:13:30 | 0:13:32 | |
We think 4 of 4: U-u-h. | 0:13:32 | 0:13:35 | |
That's not it, either. What do you | 0:13:35 | 0:13:36 | |
think the sequence is, over there? | 0:13:36 | 0:13:38 | |
Chemical elements for the ones, transuranic ones, but I don't know. | 0:13:38 | 0:13:42 | |
That's right. They're elements that | 0:13:42 | 0:13:44 | |
have been added to the periodic table. | 0:13:44 | 0:13:46 | |
At time of recording, | 0:13:46 | 0:13:47 | |
they simply have the names 113-ium, | 0:13:47 | 0:13:49 | |
115-ium, and so on. | 0:13:49 | 0:13:52 | |
And the last one is 4 of 4: U-u-o, | 0:13:52 | 0:13:55 | |
because we're translating numbers | 0:13:55 | 0:13:57 | |
into Latin, and 118-ium, | 0:13:57 | 0:13:59 | |
ununoctium, Uuo. | 0:13:59 | 0:14:01 | |
It reminds you of the Tom Lehrer song. | 0:14:01 | 0:14:03 | |
Do you know the Tom Lehrer song? | 0:14:03 | 0:14:05 | |
Not well enough to sing it! | 0:14:05 | 0:14:07 | |
"These are the only ones of which | 0:14:07 | 0:14:09 | |
"the news has come to Harvard, | 0:14:09 | 0:14:10 | |
"And there may be many others, | 0:14:10 | 0:14:12 | |
"but they haven't been DISCARVARD." | 0:14:12 | 0:14:13 | |
The Elements Song, and these are new | 0:14:13 | 0:14:15 | |
elements not yet permanently named. | 0:14:15 | 0:14:17 | |
Korfballers, what would you like next? | 0:14:18 | 0:14:20 | |
I think we'll revert to type and have the Lion, please. | 0:14:20 | 0:14:22 | |
The Lion, OK. What would come fourth in this sequence? | 0:14:22 | 0:14:25 | |
Here's the first. | 0:14:25 | 0:14:26 | |
THEY CONFER | 0:14:29 | 0:14:32 | |
Next, please. | 0:14:32 | 0:14:33 | |
-Is she...? -She's done other things as well. | 0:14:42 | 0:14:45 | |
No, no, really? | 0:14:48 | 0:14:50 | |
INDISTINCT | 0:14:50 | 0:14:53 | |
-Who played the most recent one? -Oh, it's Halley Berry. | 0:14:53 | 0:14:58 | |
-Ann Hathaway. -Is the right answer. | 0:14:58 | 0:15:00 | |
Well done. What are we looking at? | 0:15:00 | 0:15:02 | |
We are looking at various stages of Catwoman. | 0:15:02 | 0:15:06 | |
That's absolutely right. Well, not necessarily stages, | 0:15:06 | 0:15:08 | |
these are all Catwomen. | 0:15:08 | 0:15:11 | |
They are the four people to play | 0:15:11 | 0:15:13 | |
Catwoman in live action cinema | 0:15:13 | 0:15:15 | |
release films and the next would be Anne Hathaway. | 0:15:15 | 0:15:17 | |
Well done. | 0:15:17 | 0:15:18 | |
Which is the best Catwoman? | 0:15:18 | 0:15:19 | |
-Anne Hathaway. -Really? | 0:15:19 | 0:15:21 | |
Michelle Pfeiffer. | 0:15:21 | 0:15:22 | |
Obviously, Michelle Pfeiffer! | 0:15:22 | 0:15:24 | |
Possibly Lee Meriwether. | 0:15:24 | 0:15:26 | |
She was a great Catwoman. | 0:15:26 | 0:15:27 | |
You're too young. | 0:15:27 | 0:15:29 | |
I'm also too young by the way, | 0:15:29 | 0:15:30 | |
I've just seen old repeats, | 0:15:30 | 0:15:31 | |
that's all that is! | 0:15:31 | 0:15:33 | |
Surrealists, what would you like? | 0:15:33 | 0:15:34 | |
-Horned Viper, please. -The Horned Viper. | 0:15:34 | 0:15:36 | |
What would come fourth in this sequence? | 0:15:36 | 0:15:38 | |
Here's the first. | 0:15:38 | 0:15:40 | |
THEY CONFER | 0:15:42 | 0:15:45 | |
Next, please. | 0:15:53 | 0:15:55 | |
With population... It's population. | 0:16:01 | 0:16:04 | |
California is the most populous state. | 0:16:04 | 0:16:09 | |
Yeah? | 0:16:09 | 0:16:10 | |
First, Alaska, California. | 0:16:15 | 0:16:19 | |
Well done, that is the right answer, | 0:16:19 | 0:16:21 | |
and why? | 0:16:21 | 0:16:22 | |
So, the state on the top is going backwards in order of size, | 0:16:22 | 0:16:28 | |
so it finishes with the largest | 0:16:28 | 0:16:30 | |
and the state underneath is going upwards | 0:16:30 | 0:16:32 | |
in size of population, so it finishes with the most populous. | 0:16:32 | 0:16:37 | |
That's right. So they are sizes | 0:16:37 | 0:16:39 | |
of American States going backwards | 0:16:39 | 0:16:41 | |
and the top one is the size geographically | 0:16:41 | 0:16:43 | |
and the lowest one by population. | 0:16:43 | 0:16:44 | |
Alaska for example, like my last | 0:16:44 | 0:16:46 | |
birthday party, huge with no people. | 0:16:46 | 0:16:49 | |
And California is full of people, | 0:16:49 | 0:16:51 | |
but not as big. | 0:16:51 | 0:16:52 | |
Very well calculated. | 0:16:52 | 0:16:53 | |
Well done to you. | 0:16:53 | 0:16:55 | |
Korfballers, what would you like next? | 0:16:55 | 0:16:57 | |
-The Twisted Flax, please. -The Twisted Flax, OK. | 0:16:57 | 0:16:59 | |
These are going to be picture clues. | 0:16:59 | 0:17:00 | |
What would you expect to see in the fourth picture? | 0:17:00 | 0:17:02 | |
Here is the first. | 0:17:02 | 0:17:05 | |
THEY CONFER | 0:17:08 | 0:17:10 | |
Next, please. | 0:17:13 | 0:17:14 | |
Next, please. | 0:17:20 | 0:17:21 | |
So is it just the decreasing...? | 0:17:27 | 0:17:28 | |
Is it going to be the microscope? | 0:17:28 | 0:17:30 | |
Is it a magnifying glass, possibly with the letter I in it? | 0:17:37 | 0:17:41 | |
It is a magnifying glass | 0:17:41 | 0:17:42 | |
with the letter I in it. | 0:17:42 | 0:17:43 | |
Very well done. | 0:17:43 | 0:17:44 | |
What are we looking at? | 0:17:44 | 0:17:46 | |
Concentric parts of the QI logo. | 0:17:46 | 0:17:48 | |
That is absolutely right. | 0:17:48 | 0:17:50 | |
We are going into the QI roundel. | 0:17:50 | 0:17:52 | |
Do you know what features in | 0:17:52 | 0:17:53 | |
these images of the outer circles? | 0:17:53 | 0:17:56 | |
I'm sure they are extremely clever people's writings. | 0:17:56 | 0:17:58 | |
Well, it depends on your point of view. | 0:18:00 | 0:18:02 | |
The first one is the Dead Sea Scrolls. | 0:18:02 | 0:18:04 | |
That's in that circle. | 0:18:04 | 0:18:05 | |
Then Newtonian scientific formulae, and then clue three, that white one, | 0:18:05 | 0:18:09 | |
that's an astrological clock going in | 0:18:09 | 0:18:12 | |
towards the QI logo of the "i" in the middle. Well done. | 0:18:12 | 0:18:16 | |
Surrealists, one question remains. | 0:18:16 | 0:18:17 | |
It is Water again. | 0:18:17 | 0:18:19 | |
What would you expect to see fourth in this sequence? | 0:18:19 | 0:18:22 | |
Here is the first. | 0:18:22 | 0:18:23 | |
Next, please. | 0:18:27 | 0:18:29 | |
Is it something with one... | 0:18:37 | 0:18:39 | |
-Try another one. -Sure? | 0:18:47 | 0:18:50 | |
Yeah, OK. | 0:18:55 | 0:18:56 | |
Yeah? | 0:18:56 | 0:18:58 | |
-D'Artagnan. -And why would that be? | 0:18:59 | 0:19:01 | |
Because he has one sword. | 0:19:01 | 0:19:03 | |
I will accept that answer, | 0:19:03 | 0:19:04 | |
even though I expect D'Artagnan | 0:19:04 | 0:19:05 | |
probably has millions of swords. | 0:19:05 | 0:19:07 | |
If you mean the one primary sword - | 0:19:07 | 0:19:09 | |
one at a time, often the rule, with swords. That is the right answer. | 0:19:09 | 0:19:12 | |
Very well done. | 0:19:12 | 0:19:14 | |
Can you describe the recuperation card in the tarot? | 0:19:14 | 0:19:16 | |
-Must have four... -Don't know! | 0:19:16 | 0:19:18 | |
It's a knight with one sword, but three swords hanging above. | 0:19:20 | 0:19:24 | |
The flag of Essex, three Saxon swords. | 0:19:24 | 0:19:27 | |
And what about battlefield on an Ordnance Survey map? | 0:19:27 | 0:19:29 | |
Two crossed swords. Exactly. | 0:19:29 | 0:19:31 | |
And something with one sword, like | 0:19:31 | 0:19:33 | |
the Statue of Justice or D'Artagnan, | 0:19:33 | 0:19:35 | |
or me when I'm in | 0:19:35 | 0:19:36 | |
an old-fashioned mood. One sword. | 0:19:36 | 0:19:39 | |
Something with one sword is correct. | 0:19:39 | 0:19:40 | |
That means at the end of Round Two the Korfballers have eight points. | 0:19:40 | 0:19:44 | |
The Surrealists have 11. | 0:19:44 | 0:19:46 | |
Time now for the Connecting Wall and, Surrealists, | 0:19:48 | 0:19:51 | |
you will be going first, this time, so please choose Lion or Water. | 0:19:51 | 0:19:55 | |
-Lion, please. -OK, | 0:19:55 | 0:19:56 | |
you have two and a half minutes to solve the Lion wall, starting now. | 0:19:56 | 0:20:00 | |
I think the theme is Calypso, so... | 0:20:06 | 0:20:09 | |
BUZZ | 0:20:09 | 0:20:11 | |
-So was Nestor. -Which one? -Nestor. | 0:20:11 | 0:20:13 | |
BUZZ | 0:20:13 | 0:20:15 | |
BUZZ | 0:20:15 | 0:20:16 | |
Fuchsia pink, coral pink, shocking pink... | 0:20:16 | 0:20:20 | |
oyster? No, | 0:20:20 | 0:20:22 | |
cos I think that is a card. | 0:20:22 | 0:20:24 | |
Octopus pink? | 0:20:24 | 0:20:25 | |
BUZZ | 0:20:25 | 0:20:26 | |
-Oyster card... Which is a card? Get Me There"? -Yeah. | 0:20:28 | 0:20:31 | |
And your Oyster card. | 0:20:31 | 0:20:32 | |
No. | 0:20:32 | 0:20:33 | |
Navigo? | 0:20:33 | 0:20:35 | |
-Try octopus. -Oh, yes, that rings a bell. | 0:20:35 | 0:20:37 | |
-Calypso rings a bell, actually. -Try that. | 0:20:37 | 0:20:40 | |
Three lives now. | 0:20:40 | 0:20:41 | |
Travelcards and pinks. | 0:20:41 | 0:20:43 | |
-We've got... -So we've got Polyphemus and Circe... | 0:20:43 | 0:20:48 | |
All from the Odyssey. | 0:20:48 | 0:20:50 | |
-So is Nestor. -So what's Santeria and Ackee? | 0:20:50 | 0:20:54 | |
-These are Jamaican... -That's Caribbean. | 0:20:54 | 0:20:57 | |
Is it Jamaican or Cuban? | 0:20:57 | 0:20:59 | |
Caribbean. | 0:20:59 | 0:21:02 | |
That's Caribbean, that's Caribbean. | 0:21:02 | 0:21:04 | |
-That's Caribbean. -That's a kind of fish. | 0:21:06 | 0:21:09 | |
Go on, then. | 0:21:09 | 0:21:11 | |
We think that's the Odyssey. | 0:21:11 | 0:21:16 | |
What's...? | 0:21:16 | 0:21:18 | |
What are we going to say for this? From the Caribbean. | 0:21:18 | 0:21:21 | |
-What is Ackee? -It's a fish. | 0:21:21 | 0:21:23 | |
You solved the wall, very well done. | 0:21:23 | 0:21:26 | |
That is an immediate four points. | 0:21:26 | 0:21:27 | |
What about the connections? | 0:21:27 | 0:21:29 | |
Tell me about the blue group. | 0:21:29 | 0:21:31 | |
Coral, oyster, shocking, fuchsia. | 0:21:31 | 0:21:34 | |
They are all types of pink. | 0:21:34 | 0:21:36 | |
They are all types of pink. | 0:21:36 | 0:21:38 | |
And what about the green one, starting Navigo? | 0:21:38 | 0:21:41 | |
-They are forms of travel card. -Electronic travelcards. | 0:21:41 | 0:21:45 | |
That's right. Smart travelcards from around the world. | 0:21:45 | 0:21:48 | |
And what about the next group, starting Nausicaa? | 0:21:48 | 0:21:52 | |
They are in Homer's Odyssey. | 0:21:52 | 0:21:55 | |
They are characters in the Odyssey. | 0:21:55 | 0:21:57 | |
Absolutely right. And the last turquoise group, starting Santeria? | 0:21:57 | 0:22:01 | |
They come from the Caribbean. | 0:22:01 | 0:22:03 | |
They are all from the Caribbean. | 0:22:03 | 0:22:05 | |
Four points for the groups you found, | 0:22:05 | 0:22:07 | |
four more for the connections and the bonus for getting it all right. | 0:22:07 | 0:22:10 | |
That is the maximum of ten, very well done. | 0:22:10 | 0:22:12 | |
Let's bring in the Korfballers and give them the other Connecting Wall | 0:22:12 | 0:22:15 | |
and see what they can do about finding the hidden groups. | 0:22:15 | 0:22:18 | |
It will be the Water wall for you, the Lion has been taken. | 0:22:18 | 0:22:21 | |
You have got two and a half minutes to solve it, starting now. | 0:22:21 | 0:22:26 | |
Frink is a sculptor. | 0:22:31 | 0:22:33 | |
He is also a fictional professor. | 0:22:34 | 0:22:36 | |
Oh, OK. | 0:22:36 | 0:22:37 | |
-And Van Helsing? -Van Helsing. | 0:22:37 | 0:22:39 | |
Shall we start with those? | 0:22:39 | 0:22:41 | |
Yeah. | 0:22:41 | 0:22:43 | |
INDISTINCT | 0:22:43 | 0:22:45 | |
BUZZ | 0:22:45 | 0:22:47 | |
-BUZZ -Shall we try the Romans? | 0:22:48 | 0:22:50 | |
Or Consul... There's lots of them. Try the actual... | 0:22:50 | 0:22:53 | |
-BUZZ -Nope. | 0:22:56 | 0:22:58 | |
What else is a centurion, then? | 0:23:05 | 0:23:07 | |
Shuttles, challengers? | 0:23:09 | 0:23:10 | |
-Paper chase, paper tiger, paper trail. -Yeah, lovely. -Paperclips. | 0:23:13 | 0:23:17 | |
So there are five of those. | 0:23:17 | 0:23:19 | |
BUZZ | 0:23:21 | 0:23:23 | |
BUZZ | 0:23:23 | 0:23:26 | |
BUZZ | 0:23:26 | 0:23:27 | |
Three lives now. | 0:23:30 | 0:23:31 | |
So, fictional professors. We've done... | 0:23:32 | 0:23:35 | |
INDISTINCT | 0:23:35 | 0:23:38 | |
-..we didn't look for? -Yes, we did. -OK. | 0:23:38 | 0:23:40 | |
Which...? | 0:23:40 | 0:23:41 | |
We need to get those three. | 0:23:44 | 0:23:46 | |
INDISTINCT | 0:23:46 | 0:23:49 | |
-Let's get your... -So which would you...? | 0:23:49 | 0:23:51 | |
Let's try these professors again. | 0:23:52 | 0:23:54 | |
I think Centurion, Tiger and Challenger are... | 0:23:54 | 0:23:56 | |
BUZZ | 0:23:56 | 0:23:58 | |
So, we've missed out those two each. | 0:23:58 | 0:24:01 | |
So let's try missing out Frink. | 0:24:01 | 0:24:04 | |
BUZZ | 0:24:04 | 0:24:05 | |
So we're just going to go for Van Helsing? | 0:24:05 | 0:24:07 | |
Is there anything you can think of? | 0:24:07 | 0:24:09 | |
30 seconds. | 0:24:09 | 0:24:10 | |
What's the film called with Van Helsing? | 0:24:10 | 0:24:13 | |
-Dracula. -Interview With A Vampire. | 0:24:13 | 0:24:15 | |
Let's just put them in and be ready to press. | 0:24:17 | 0:24:20 | |
Ten seconds. | 0:24:29 | 0:24:30 | |
No, that's your third life. | 0:24:31 | 0:24:33 | |
The wall has frozen. | 0:24:33 | 0:24:34 | |
But you found two groups, so that's two points immediately. | 0:24:34 | 0:24:37 | |
What about the connections? | 0:24:37 | 0:24:38 | |
Tell me about the first blue group, starting Praetor. | 0:24:38 | 0:24:42 | |
They are officers in the Roman army. | 0:24:42 | 0:24:44 | |
I'm sorry, they are Roman officials, but not in the military. | 0:24:44 | 0:24:48 | |
Aedile was actually a magistrate, | 0:24:48 | 0:24:51 | |
Consul was also a magistrate. I think a Legate is in the army, | 0:24:51 | 0:24:53 | |
but they are not all military, just Roman officials. | 0:24:53 | 0:24:56 | |
What about the green group? Clip, chase, money, trail. | 0:24:56 | 0:25:00 | |
They can all be preceded by "paper". | 0:25:00 | 0:25:02 | |
That's right. | 0:25:02 | 0:25:03 | |
Paperclip, paper chase, paper money and paper trail | 0:25:03 | 0:25:06 | |
And you can still get points for the | 0:25:06 | 0:25:08 | |
connections in the groups you didn't find. | 0:25:08 | 0:25:10 | |
So, let's resolve the wall. There we go. | 0:25:10 | 0:25:12 | |
Centurion, Tiger, Abrams, Merkava | 0:25:12 | 0:25:16 | |
Er... | 0:25:16 | 0:25:17 | |
Strange versions of world leaders. | 0:25:17 | 0:25:21 | |
Strange versions of world leaders? | 0:25:21 | 0:25:24 | |
Do you know, in a weird way, it almost is world leaders. | 0:25:24 | 0:25:27 | |
They are military tanks. | 0:25:27 | 0:25:29 | |
So if you are going to say that the weaponry rules us all, | 0:25:29 | 0:25:32 | |
which I'm not going to say, I can't give you the points, | 0:25:32 | 0:25:36 | |
they are various types of military tanks. | 0:25:36 | 0:25:39 | |
And the turquoise group? Challenger, Langdon, Van Helsing, Frink. | 0:25:39 | 0:25:43 | |
I think they are fictional professors. | 0:25:43 | 0:25:45 | |
They are all fictional professors. | 0:25:45 | 0:25:46 | |
So, you found two groups and two connections, | 0:25:46 | 0:25:49 | |
that is a total of four. | 0:25:49 | 0:25:50 | |
Let's have a look at the overall scores. | 0:25:50 | 0:25:53 | |
But of course, this is our new format where somebody goes | 0:25:59 | 0:26:03 | |
to the semifinal and nobody goes home, so none of this matters. | 0:26:03 | 0:26:06 | |
With that in mind, let's play Missing Vowels. | 0:26:06 | 0:26:08 | |
Fingers on buzzers, teams. | 0:26:08 | 0:26:11 | |
I can tell you that the first group are all varieties of sunflower. | 0:26:11 | 0:26:15 | |
Correct. | 0:26:21 | 0:26:22 | |
Lovely. | 0:26:26 | 0:26:27 | |
Yes, it is. | 0:26:31 | 0:26:33 | |
What a lovely group. The next category, | 0:26:36 | 0:26:38 | |
films with a word changed for its opposite. | 0:26:38 | 0:26:41 | |
Correct. | 0:26:45 | 0:26:46 | |
Correct. | 0:26:51 | 0:26:52 | |
Not it, I'm afraid. | 0:26:56 | 0:26:58 | |
To be an opposite it must be Mary Popp-OUTS. | 0:27:00 | 0:27:04 | |
Next clue. | 0:27:04 | 0:27:05 | |
Yes, it is. | 0:27:10 | 0:27:11 | |
Next category. | 0:27:11 | 0:27:13 | |
Correct. | 0:27:21 | 0:27:23 | |
Well done. | 0:27:28 | 0:27:29 | |
Yes, it is. | 0:27:34 | 0:27:35 | |
Correct. | 0:27:39 | 0:27:40 | |
END OF SHOW JINGLE | 0:27:40 | 0:27:43 | |
There will be no new category | 0:27:43 | 0:27:45 | |
because the bell has gone for the end of the quiz | 0:27:45 | 0:27:47 | |
and after a rather impressive Round Four, I can tell you that | 0:27:47 | 0:27:49 | |
the winners and straight through to the semifinals with 26 points are | 0:27:49 | 0:27:54 | |
the Surrealists. Very well done. | 0:27:54 | 0:27:55 | |
In second place with 17, it's the Korfballers. | 0:27:55 | 0:27:58 | |
But of course, you are not going home, nobody ever goes home now, | 0:27:58 | 0:28:02 | |
welcome to the Hotel California. | 0:28:02 | 0:28:04 | |
Thank you very much for watching | 0:28:04 | 0:28:05 | |
and I am terribly sorry about those weird noises from my stomach | 0:28:05 | 0:28:08 | |
during the wall round. | 0:28:08 | 0:28:09 | |
I made the mistake of trying to improve my hangover by having | 0:28:09 | 0:28:12 | |
a knocklewurst from the German cold cut platter at lunch. | 0:28:12 | 0:28:16 | |
I'm actually going to go off now and have another one. | 0:28:16 | 0:28:18 | |
That will sort me out. | 0:28:18 | 0:28:19 | |
Like getting a second bang on the head in a cartoon. | 0:28:19 | 0:28:21 | |
Goodbye. | 0:28:21 | 0:28:23 |