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Hello and welcome to Only Connect where everyone's very excited | 0:00:21 | 0:00:24 | |
because we just had Alphabetti Spaghetti in the canteen. | 0:00:24 | 0:00:28 | |
Tasty - AND an anagram. | 0:00:28 | 0:00:30 | |
I actually wanted to make fish fingers | 0:00:30 | 0:00:31 | |
but I only had one F. | 0:00:31 | 0:00:33 | |
Joining us for a spell tonight | 0:00:33 | 0:00:35 | |
are, on my right, | 0:00:35 | 0:00:37 | |
Mark Smith, an archivist who used to work in a sponge factory. | 0:00:37 | 0:00:41 | |
Nick Holland, | 0:00:41 | 0:00:43 | |
a freelance copywriter, whose Anne Bronte biography | 0:00:43 | 0:00:46 | |
so inspired a reader that she wrote a song about it | 0:00:46 | 0:00:49 | |
called Anne, Gentle Anne. | 0:00:49 | 0:00:51 | |
And their captain, Nick Reed, | 0:00:51 | 0:00:54 | |
an English graduate who used to play Sunday morning football | 0:00:54 | 0:00:56 | |
with the creator of Bob The Builder. | 0:00:56 | 0:00:59 | |
United by a passion for PG Wodehouse and gloomy music, | 0:00:59 | 0:01:02 | |
they are the Smiths. | 0:01:02 | 0:01:04 | |
Now you are, of course, the One Directioners of Only Connect, | 0:01:04 | 0:01:07 | |
people will remember that as soon as they see you. | 0:01:07 | 0:01:09 | |
Do you think this is a success, this experiment? | 0:01:09 | 0:01:12 | |
Are you glad you've come? | 0:01:12 | 0:01:13 | |
Very much so, yes. | 0:01:13 | 0:01:14 | |
We aim to continue quizzing | 0:01:14 | 0:01:16 | |
and Holmfirth is the middle of where the three of us live, | 0:01:16 | 0:01:21 | |
so we might go there in disguise by taking our glasses off. | 0:01:21 | 0:01:24 | |
CHUCKLES Look out, Holmfirth. | 0:01:24 | 0:01:27 | |
You are facing tonight, on my left, | 0:01:27 | 0:01:29 | |
Annette Fenner, a travel enthusiast who honeymooned in Syria | 0:01:29 | 0:01:33 | |
and can only write upside-down. | 0:01:33 | 0:01:36 | |
Emily Watnick, a retired finance manager and history enthusiast | 0:01:36 | 0:01:40 | |
who discovered a medieval anthrax pit during | 0:01:40 | 0:01:43 | |
a routine archaeological dig. | 0:01:43 | 0:01:45 | |
And their captain, Amy Godel, a semi-retired Maths teacher | 0:01:45 | 0:01:49 | |
who, when visiting the New Forest, | 0:01:49 | 0:01:52 | |
mowed down some trees in a Chieftain tank. | 0:01:52 | 0:01:54 | |
United by a craving for cocktails and travel, | 0:01:54 | 0:01:56 | |
they are the Cosmopolitans. | 0:01:56 | 0:01:58 | |
Now you're on a bit of a winning streak. | 0:01:58 | 0:02:00 | |
You beat the Beekeepers last time round. | 0:02:00 | 0:02:02 | |
How does the team relax between games? | 0:02:02 | 0:02:04 | |
Well, given the massive range of cultural activities in Cardiff, | 0:02:04 | 0:02:08 | |
we obviously went to the Doctor Who Experience yesterday. | 0:02:08 | 0:02:11 | |
Of course there are other experiences available in Cardiff. | 0:02:11 | 0:02:14 | |
And I should know. | 0:02:14 | 0:02:16 | |
Smiths, you won the toss so you'll be going first. | 0:02:16 | 0:02:19 | |
This is a quarterfinal, so I think the winner goes to the semifinal, | 0:02:19 | 0:02:22 | |
although with our current structure, I'm really not sure. Good luck. | 0:02:22 | 0:02:25 | |
Which hieroglyph would you like? | 0:02:25 | 0:02:26 | |
-Two Reeds, please. -Two Reeds, OK. | 0:02:26 | 0:02:29 | |
What is the connection between these clues? | 0:02:29 | 0:02:31 | |
Here's the first. | 0:02:31 | 0:02:32 | |
Um... OK, um... | 0:02:34 | 0:02:36 | |
Next. | 0:02:36 | 0:02:38 | |
They were hits in both of those years. | 0:02:40 | 0:02:44 | |
The cover version's by Tygers Of Pan Tang, Love Potion No 9. | 0:02:44 | 0:02:47 | |
I don't know who did Ode To Billie Joe. | 0:02:47 | 0:02:49 | |
-I don't know either of them. -Next. | 0:02:49 | 0:02:51 | |
Convoy... Well, the Trucker Anthem. | 0:02:51 | 0:02:55 | |
That was McCall and Dave Lee Travis. | 0:02:55 | 0:02:58 | |
OK. | 0:02:58 | 0:03:00 | |
Were they cover versions? | 0:03:00 | 0:03:01 | |
-Um, no. -Next. | 0:03:01 | 0:03:04 | |
Oh, it was the movie following the single. | 0:03:06 | 0:03:09 | |
BELL | 0:03:09 | 0:03:10 | |
Perfect. | 0:03:10 | 0:03:11 | |
The first date is for the record, hit single | 0:03:11 | 0:03:15 | |
and the second date is the movie based on it. | 0:03:15 | 0:03:18 | |
That's absolutely right. | 0:03:18 | 0:03:19 | |
They are songs that were adapted | 0:03:19 | 0:03:21 | |
into films - unusually. | 0:03:21 | 0:03:22 | |
What can you tell me | 0:03:22 | 0:03:23 | |
about some of those films? | 0:03:23 | 0:03:24 | |
Ode To Billie Joe was a hit for Bobbie Gentry in 1967 | 0:03:24 | 0:03:28 | |
and a rather good film was made about it in '76. | 0:03:28 | 0:03:30 | |
That's absolutely right. | 0:03:30 | 0:03:32 | |
Convoy - what's that about? | 0:03:32 | 0:03:34 | |
-Trucking. -Trucks. | 0:03:34 | 0:03:35 | |
It is. It's sort of CB radio, | 0:03:35 | 0:03:37 | |
Rubber Duck and so on. | 0:03:37 | 0:03:38 | |
Not that much happens in the song | 0:03:38 | 0:03:40 | |
but it turns into a film with a plot, anyway. | 0:03:40 | 0:03:42 | |
Yellow Submarine, of course, the Ringo Starr | 0:03:42 | 0:03:45 | |
and Love Potion No 9, the tale of | 0:03:45 | 0:03:47 | |
a gypsy's aphrodisiac elixir, | 0:03:47 | 0:03:50 | |
became a film with Sandra Bullock in 1992. | 0:03:50 | 0:03:52 | |
Well done. | 0:03:52 | 0:03:54 | |
Cosmopolitans, what would you like? | 0:03:54 | 0:03:55 | |
Er, Horned Viper, please. | 0:03:55 | 0:03:56 | |
OK, what is the connection | 0:03:56 | 0:03:58 | |
between these picture clues? | 0:03:58 | 0:04:00 | |
Here's the first. | 0:04:00 | 0:04:01 | |
It's Henry. | 0:04:01 | 0:04:03 | |
Um, next. | 0:04:03 | 0:04:05 | |
-Is that the Hay Wain? -Yes. | 0:04:07 | 0:04:10 | |
Henry, Henry. | 0:04:10 | 0:04:11 | |
Hoover. | 0:04:11 | 0:04:13 | |
The Hay Wain. | 0:04:13 | 0:04:14 | |
Shall we have another one? | 0:04:14 | 0:04:16 | |
Yes, next. | 0:04:16 | 0:04:18 | |
-Is that Patricia Routledge? -No. | 0:04:18 | 0:04:20 | |
I don't know, I have no idea who that is. | 0:04:21 | 0:04:24 | |
-OK. -Um... | 0:04:24 | 0:04:26 | |
Let's go next. | 0:04:26 | 0:04:28 | |
Next. | 0:04:28 | 0:04:29 | |
That's the Khyber Pass. | 0:04:30 | 0:04:32 | |
-Oh... -BELL | 0:04:32 | 0:04:34 | |
Carry On movies. | 0:04:34 | 0:04:36 | |
They are Carry On films. | 0:04:36 | 0:04:38 | |
What are we looking at? | 0:04:38 | 0:04:39 | |
-Er, Carry On Henry. -Mm. | 0:04:39 | 0:04:41 | |
Carry On Constable. | 0:04:41 | 0:04:43 | |
Carry On Matron | 0:04:43 | 0:04:44 | |
and Carry On Up The Khyber. | 0:04:44 | 0:04:46 | |
Carry On Up The Khyber is such | 0:04:46 | 0:04:48 | |
-a great title. -That's the best. | 0:04:48 | 0:04:49 | |
Why anyone ever puts anything else | 0:04:49 | 0:04:51 | |
into the hat for charades, | 0:04:51 | 0:04:52 | |
I don't know. Well spotted. | 0:04:52 | 0:04:54 | |
Smiths, what would you like? | 0:04:54 | 0:04:56 | |
Twisted Flax, please. | 0:04:56 | 0:04:58 | |
The Twisted Flax. | 0:04:58 | 0:04:59 | |
Well, it's the Music question. | 0:04:59 | 0:05:01 | |
You'll be hearing your clues. | 0:05:01 | 0:05:02 | |
What connects them? | 0:05:02 | 0:05:03 | |
Here's the first. | 0:05:03 | 0:05:05 | |
# Got myself just one more dime | 0:05:05 | 0:05:07 | |
# But will the operator hold the line | 0:05:07 | 0:05:10 | |
# When my ears keep telling me... # | 0:05:10 | 0:05:13 | |
Next. | 0:05:13 | 0:05:14 | |
# Jenny, Jenny, who can I turn to? | 0:05:14 | 0:05:17 | |
It sounds like Morrissey. | 0:05:17 | 0:05:18 | |
-Does it not? -No. | 0:05:18 | 0:05:21 | |
# You give me something I can hold on to... # | 0:05:21 | 0:05:23 | |
-Is it Thin Lizzy? -Could be. | 0:05:23 | 0:05:25 | |
Named after a cartoon character. | 0:05:25 | 0:05:27 | |
Next. | 0:05:27 | 0:05:28 | |
# If you need a little lovin' | 0:05:28 | 0:05:31 | |
# Call on me | 0:05:31 | 0:05:34 | |
# If you want a little... # | 0:05:37 | 0:05:39 | |
Next. | 0:05:39 | 0:05:42 | |
Two seconds. | 0:05:42 | 0:05:43 | |
BELL | 0:05:43 | 0:05:45 | |
Is the connection cartoon characters? | 0:05:45 | 0:05:48 | |
It is not. | 0:05:48 | 0:05:50 | |
So, Cosmopolitans, you have | 0:05:50 | 0:05:51 | |
the chance of a bonus point. | 0:05:51 | 0:05:52 | |
Telephones. | 0:05:52 | 0:05:54 | |
Telephones, that is it. | 0:05:54 | 0:05:56 | |
You look surprised. | 0:05:56 | 0:05:57 | |
Yes. | 0:05:57 | 0:05:59 | |
-Extremely. -Purely on the first. | 0:05:59 | 0:06:00 | |
Purely on the first piece of music. | 0:06:00 | 0:06:02 | |
What was the first one? | 0:06:02 | 0:06:03 | |
No idea, but it had something about operators in it. | 0:06:03 | 0:06:05 | |
Oh, wow! That's... | 0:06:05 | 0:06:07 | |
-That's the level of analysis that we apply here. -That's amazing. | 0:06:07 | 0:06:10 | |
Well, I'll tell you what you heard. | 0:06:10 | 0:06:12 | |
That was 5.7.0.5 by City Boy. | 0:06:12 | 0:06:15 | |
Next one was 867-5309 Jenny. | 0:06:15 | 0:06:18 | |
Next one was 634-5789, | 0:06:18 | 0:06:20 | |
Soulsville, USA. And you didn't recognise the last one? | 0:06:20 | 0:06:22 | |
No. | 0:06:22 | 0:06:24 | |
Pennsylvania 6-5000. | 0:06:24 | 0:06:26 | |
All telephone numbers. | 0:06:26 | 0:06:27 | |
Well guessed. | 0:06:27 | 0:06:29 | |
Any you may now choose a question. | 0:06:29 | 0:06:31 | |
Um, Lion, please. | 0:06:31 | 0:06:32 | |
Lion. What is the connection between these clues? | 0:06:32 | 0:06:35 | |
Here's the first. | 0:06:35 | 0:06:36 | |
I don't know. | 0:06:38 | 0:06:40 | |
Do we know who that is? | 0:06:40 | 0:06:41 | |
Next. | 0:06:41 | 0:06:42 | |
Next. | 0:06:54 | 0:06:56 | |
Oh! | 0:06:58 | 0:06:59 | |
BELL | 0:06:59 | 0:07:00 | |
They are countries and their capitals | 0:07:00 | 0:07:02 | |
with the first letters cut off. | 0:07:02 | 0:07:03 | |
That's absolutely right. | 0:07:03 | 0:07:04 | |
You didn't need to see Enya Airobi | 0:07:04 | 0:07:06 | |
in the last clue. | 0:07:06 | 0:07:08 | |
Kenya, Nairobi. | 0:07:08 | 0:07:09 | |
What are the countries and capitals? | 0:07:09 | 0:07:11 | |
-Mali and Bamako. -Mmm. | 0:07:11 | 0:07:12 | |
-Greece and Athens. -Mmm. | 0:07:12 | 0:07:14 | |
Belize and Belmopan. | 0:07:14 | 0:07:15 | |
And Kenya and Nairobi. | 0:07:15 | 0:07:16 | |
That's right. It's not people's names at all. | 0:07:16 | 0:07:19 | |
We've taken the first letters off countries and their capitals. | 0:07:19 | 0:07:21 | |
Well done. | 0:07:21 | 0:07:23 | |
Back to you, Smiths, for a choice. | 0:07:23 | 0:07:24 | |
-Water, please. -Water. | 0:07:24 | 0:07:25 | |
OK, what connects these clues? | 0:07:25 | 0:07:27 | |
Here's the first. | 0:07:27 | 0:07:28 | |
Next. | 0:07:31 | 0:07:33 | |
Now, could this be to do with pop? | 0:07:35 | 0:07:36 | |
-Because there's a pop band called the Kaiser Chiefs. -OK. | 0:07:36 | 0:07:39 | |
There's probably a band named after the guy that played The Joker on TV. | 0:07:39 | 0:07:42 | |
We should go for it? | 0:07:43 | 0:07:45 | |
Go for next? | 0:07:45 | 0:07:47 | |
-Your choice. -I think we should go for it. | 0:07:47 | 0:07:49 | |
BELL | 0:07:49 | 0:07:50 | |
We think these are the names of pop bands. | 0:07:50 | 0:07:53 | |
I'm afraid that is not an acceptable answer. | 0:07:55 | 0:07:59 | |
So I'm going to show the next two clues to the Cosmopolitans | 0:07:59 | 0:08:01 | |
for a possible bonus point. | 0:08:01 | 0:08:04 | |
I think they're all words for Caesar, Kaiser, Tsar. | 0:08:04 | 0:08:09 | |
That's what it is. | 0:08:09 | 0:08:11 | |
It's to do with derivations from Caesar. | 0:08:11 | 0:08:13 | |
Yes, that second clue, the Johannesburg football club, | 0:08:13 | 0:08:15 | |
is called the Kaizer Chiefs. There is a pop band. | 0:08:15 | 0:08:18 | |
It's not spelt the same but they took their name from that. | 0:08:18 | 0:08:21 | |
The actor who played The Joker on TV, Cesar Romero, that's that one. | 0:08:21 | 0:08:25 | |
And, yes, I didn't know this, that | 0:08:25 | 0:08:27 | |
the word Tsar derives from Caesar. | 0:08:27 | 0:08:29 | |
And the villain in The Usual Suspects | 0:08:29 | 0:08:31 | |
is, of course, Keyser Soze. | 0:08:31 | 0:08:33 | |
All names derived from Caesar. | 0:08:33 | 0:08:35 | |
Well done for the bonus point and you will get the last question, | 0:08:35 | 0:08:38 | |
Eye Of Horus. | 0:08:38 | 0:08:39 | |
What is the connection between these clues? | 0:08:39 | 0:08:42 | |
Here's the first. | 0:08:42 | 0:08:43 | |
No, next. | 0:08:47 | 0:08:48 | |
Chatham, dockyards, mutinies? Perhaps. | 0:08:50 | 0:08:54 | |
We need to carry on. | 0:08:54 | 0:08:55 | |
Next. | 0:08:55 | 0:08:56 | |
Beaconsfield. | 0:08:56 | 0:08:58 | |
-Oh! They're... -Lords. -Yes. | 0:08:58 | 0:09:00 | |
-Lords of ex-prime ministers. -Yeah. | 0:09:00 | 0:09:03 | |
-Yeah. -BELL | 0:09:03 | 0:09:05 | |
Um, the titles taken by prime ministers | 0:09:05 | 0:09:07 | |
when they went to the House Of Lords. | 0:09:07 | 0:09:09 | |
I want to hear something specific. | 0:09:09 | 0:09:11 | |
-Earls. -Earldoms. They are earldoms | 0:09:11 | 0:09:14 | |
assumed by prime ministers. | 0:09:14 | 0:09:15 | |
You didn't need to see Oxford and Asquith, 1925. | 0:09:15 | 0:09:18 | |
Who are the prime ministers? | 0:09:18 | 0:09:20 | |
I only know Beaconsfield is Disraeli. | 0:09:20 | 0:09:22 | |
That's right. | 0:09:22 | 0:09:23 | |
Do you know Dwyfor? | 0:09:23 | 0:09:25 | |
Do you want to have a guess? | 0:09:25 | 0:09:27 | |
Churchill or Lloyd George. | 0:09:27 | 0:09:28 | |
Lloyd George, yes. | 0:09:28 | 0:09:29 | |
A slightly more Welsh one, we'd be looking for there. | 0:09:29 | 0:09:32 | |
Chatham is William Pitt, the Elder. | 0:09:32 | 0:09:33 | |
-Right. -And what about that last one? | 0:09:33 | 0:09:36 | |
-Do you know why it's Oxford and Asquith? -No. -What it is, | 0:09:36 | 0:09:38 | |
he wanted to be Earl Of Oxford. | 0:09:38 | 0:09:41 | |
There wasn't an Earl Of Oxford. That's what he asked for. | 0:09:41 | 0:09:44 | |
They were going to give it to him but the problem was | 0:09:44 | 0:09:46 | |
there was still a family - | 0:09:46 | 0:09:48 | |
the title Earl Of Oxford died out | 0:09:48 | 0:09:50 | |
a few generations before | 0:09:50 | 0:09:51 | |
because the chap had not had any male heirs and you can't give | 0:09:51 | 0:09:53 | |
that sort of thing to women. | 0:09:53 | 0:09:55 | |
Imagine what they'd do with it! | 0:09:55 | 0:09:56 | |
Seriously, imagine what they'd do with it. | 0:09:56 | 0:09:58 | |
So the family that were descended | 0:09:58 | 0:10:00 | |
from the original earl | 0:10:00 | 0:10:02 | |
said that they would be terribly offended and you couldn't do | 0:10:02 | 0:10:04 | |
that at all. So they let him be Oxford and Asquith. | 0:10:04 | 0:10:08 | |
That means, at the end of Round One, | 0:10:08 | 0:10:09 | |
the Smiths have one point, | 0:10:09 | 0:10:11 | |
the Cosmopolitans have seven. | 0:10:11 | 0:10:13 | |
On to Round Two, the Sequences round. | 0:10:15 | 0:10:17 | |
You'll be going first again, Smiths. | 0:10:17 | 0:10:19 | |
So please choose a hieroglyph. | 0:10:19 | 0:10:20 | |
-Two Reeds, please. -OK. | 0:10:20 | 0:10:22 | |
BELL Oh... | 0:10:22 | 0:10:24 | |
It's a Music sequence. How lovely. | 0:10:24 | 0:10:26 | |
You're going to hear up to three pieces of music. | 0:10:26 | 0:10:28 | |
I want to know what sort of thing you'd expect to hear | 0:10:28 | 0:10:30 | |
in fourth place. Here's the first. | 0:10:30 | 0:10:33 | |
# Rock my world into the sunlight | 0:10:33 | 0:10:36 | |
# Make this dream the best I've ever known | 0:10:36 | 0:10:40 | |
# Dirty dancing in the moonlight... # | 0:10:40 | 0:10:42 | |
Next. | 0:10:42 | 0:10:43 | |
# I'm spinning around | 0:10:43 | 0:10:46 | |
# Move outta my way... # | 0:10:46 | 0:10:48 | |
Next. | 0:10:48 | 0:10:49 | |
# Cos when the sun sets, baby | 0:10:49 | 0:10:52 | |
# On the avenue | 0:10:52 | 0:10:53 | |
# I get that drunk sex feeling | 0:10:53 | 0:10:56 | |
# Yeah, when I'm with you | 0:10:56 | 0:10:57 | |
# So put your arms around me, baby | 0:10:57 | 0:11:01 | |
# We're tearing up the town | 0:11:01 | 0:11:04 | |
BELL | 0:11:04 | 0:11:06 | |
We think it might be a song by Rita Ora. | 0:11:06 | 0:11:10 | |
I'm afraid that's not the right answer. | 0:11:10 | 0:11:12 | |
So there's a bonus chance for you, Cosmopolitans. | 0:11:12 | 0:11:16 | |
Mm... | 0:11:16 | 0:11:17 | |
Something to do with card games. | 0:11:17 | 0:11:20 | |
Not it, either. | 0:11:21 | 0:11:23 | |
Why do you think it might be | 0:11:23 | 0:11:24 | |
something by Rita Ora? | 0:11:24 | 0:11:25 | |
What do you think you heard and what do you think the sequence is? | 0:11:25 | 0:11:28 | |
Don't know what the first one was. | 0:11:28 | 0:11:29 | |
The second is Kylie Minogue. | 0:11:29 | 0:11:31 | |
And the third was Jessie J. | 0:11:31 | 0:11:33 | |
We're thinking it might be successive judges from The Voice. | 0:11:33 | 0:11:37 | |
The first piece was Domino by Jessie J. | 0:11:37 | 0:11:40 | |
The second was Spinning Around by Kylie Minogue. | 0:11:40 | 0:11:42 | |
The third was How We Do by Rita Ora. | 0:11:42 | 0:11:45 | |
-Ah... -It is successive female judges of The Voice. | 0:11:45 | 0:11:48 | |
We needed to hear something | 0:11:48 | 0:11:49 | |
by Paloma Faith. | 0:11:49 | 0:11:51 | |
Paloma Faith would be next. | 0:11:51 | 0:11:53 | |
I don't know any Paloma Faith songs. Do you? | 0:11:53 | 0:11:55 | |
-No. -None at all. | 0:11:55 | 0:11:56 | |
According to my notes she's done a song, Do You Want The Truth | 0:11:56 | 0:11:59 | |
Or Something Beautiful? | 0:11:59 | 0:12:00 | |
I think we know which we prefer | 0:12:00 | 0:12:02 | |
on this show. | 0:12:02 | 0:12:02 | |
Does anybody know that one? | 0:12:02 | 0:12:04 | |
No, but she did absolutely murder, | 0:12:04 | 0:12:07 | |
um, I Vow To Thee My Country | 0:12:07 | 0:12:10 | |
for the Rugby World Cup. | 0:12:10 | 0:12:12 | |
That, I think, we can recreate. | 0:12:12 | 0:12:14 | |
One, two, three! | 0:12:14 | 0:12:16 | |
MARK SINGS BADLY | 0:12:16 | 0:12:21 | |
That's slightly better | 0:12:21 | 0:12:22 | |
than her version. | 0:12:22 | 0:12:23 | |
Lovely, lovely. | 0:12:24 | 0:12:26 | |
I think that's brought the performance alive. | 0:12:26 | 0:12:28 | |
Cosmopolitans, what would you like? | 0:12:29 | 0:12:31 | |
-Horned Viper, please. -OK. | 0:12:31 | 0:12:33 | |
What would come fourth in this sequence? | 0:12:33 | 0:12:35 | |
Here's the first. | 0:12:35 | 0:12:36 | |
Castaway in Jamaica. | 0:12:38 | 0:12:39 | |
Next. | 0:12:43 | 0:12:44 | |
OK, so this is what happened to... | 0:12:46 | 0:12:48 | |
To who? | 0:12:48 | 0:12:50 | |
Um, Captain Cook? | 0:12:50 | 0:12:51 | |
No. Captain Cook, do you think? | 0:12:51 | 0:12:53 | |
-No. -Oh! Captain Bligh, maybe. | 0:12:53 | 0:12:56 | |
-Maybe. Shall we go for next? -Next. | 0:12:56 | 0:12:58 | |
Oh, built the city of... Really? | 0:12:59 | 0:13:02 | |
If it's Bligh, it's not going to be that one. | 0:13:02 | 0:13:05 | |
-No, it wasn't. -It's not that. -I wouldn't have thought so. | 0:13:05 | 0:13:09 | |
Three seconds. | 0:13:13 | 0:13:15 | |
Um, died in Hawaii. | 0:13:15 | 0:13:17 | |
And why do you say that? | 0:13:18 | 0:13:19 | |
Because it might have been things | 0:13:19 | 0:13:21 | |
that happened to Captain Cook. | 0:13:21 | 0:13:22 | |
I see. | 0:13:22 | 0:13:23 | |
And we're going from 4 to 1, | 0:13:23 | 0:13:25 | |
so you think the first thing | 0:13:25 | 0:13:27 | |
would be dying in Hawaii, and | 0:13:27 | 0:13:28 | |
subsequently these other adventures. | 0:13:28 | 0:13:31 | |
Not it, I'm afraid. Psmiths, you've | 0:13:31 | 0:13:33 | |
got a chance of a bonus point. | 0:13:33 | 0:13:35 | |
Is it 1, landed in Dominica in 1492? | 0:13:35 | 0:13:39 | |
Would be one of several | 0:13:39 | 0:13:40 | |
acceptable answers. And why? | 0:13:40 | 0:13:42 | |
Because it's events in the life of | 0:13:42 | 0:13:44 | |
Christopher Columbus. | 0:13:44 | 0:13:46 | |
Christopher Columbus is | 0:13:46 | 0:13:47 | |
the explorer we were looking for. | 0:13:47 | 0:13:49 | |
And these are his voyages | 0:13:49 | 0:13:50 | |
from 4 to 1 going backwards. | 0:13:50 | 0:13:51 | |
And something like landed | 0:13:51 | 0:13:53 | |
in the New World, | 0:13:53 | 0:13:54 | |
discovered America, | 0:13:54 | 0:13:55 | |
something that he did | 0:13:55 | 0:13:56 | |
on the first one in 1492. | 0:13:56 | 0:13:57 | |
Well done. | 0:13:57 | 0:13:58 | |
So you get the bonus, and what would | 0:13:58 | 0:13:59 | |
you like as a question? | 0:13:59 | 0:14:00 | |
-Water, please. -Water. | 0:14:00 | 0:14:01 | |
What would be the fourth in this sequence? | 0:14:01 | 0:14:04 | |
Here's the first. | 0:14:04 | 0:14:05 | |
Next. | 0:14:08 | 0:14:10 | |
Are these famous gravestones, or something? | 0:14:15 | 0:14:18 | |
-Highgate Cemetery. -Is it as simple as...? | 0:14:18 | 0:14:20 | |
We'll have another. | 0:14:20 | 0:14:22 | |
-We need another, don't we? -Next. | 0:14:22 | 0:14:24 | |
Yeah, it's the first names going backwards... | 0:14:25 | 0:14:28 | |
Oh, yes, well done. | 0:14:28 | 0:14:29 | |
Also going backwards. | 0:14:29 | 0:14:32 | |
So we want I, K, Kant. | 0:14:32 | 0:14:35 | |
No, we need a... | 0:14:37 | 0:14:39 | |
We think Immanuel Kant. | 0:14:42 | 0:14:44 | |
That's a perfect answer. And why? | 0:14:44 | 0:14:47 | |
Cos the initials on both the | 0:14:47 | 0:14:49 | |
forenames and surnames are going | 0:14:49 | 0:14:51 | |
backwards one place in the | 0:14:51 | 0:14:52 | |
alphabet for each person. | 0:14:52 | 0:14:53 | |
That's absolutely right. | 0:14:53 | 0:14:55 | |
I, J, K, L, going backwards. | 0:14:55 | 0:14:56 | |
And then K, L, M, N going | 0:14:56 | 0:14:58 | |
backwards, are the names. | 0:14:58 | 0:14:59 | |
And they're all philosophers. | 0:14:59 | 0:15:00 | |
So to give me a philosopher with | 0:15:00 | 0:15:02 | |
those initials is a perfect answer. | 0:15:02 | 0:15:04 | |
Very well done. | 0:15:04 | 0:15:06 | |
-Back to you, Cosmopolitans, for a choice. -Twisted Flax, please. | 0:15:06 | 0:15:09 | |
Twisted Flax, OK. | 0:15:09 | 0:15:10 | |
These are going to be picture clues. | 0:15:10 | 0:15:12 | |
What would you expect to come in the fourth picture? Here's the first. | 0:15:12 | 0:15:15 | |
OK. | 0:15:17 | 0:15:19 | |
Is it something to do with... Next. | 0:15:20 | 0:15:23 | |
It's a hyphen. | 0:15:24 | 0:15:26 | |
So what's...? | 0:15:27 | 0:15:29 | |
fourth? | 0:15:29 | 0:15:30 | |
Next. | 0:15:32 | 0:15:34 | |
OK. It's a rest. | 0:15:35 | 0:15:37 | |
Oh, it's different levels of rests. | 0:15:37 | 0:15:40 | |
You're the musician, you tell us. | 0:15:40 | 0:15:41 | |
Oh, it's the... | 0:15:41 | 0:15:43 | |
What's it called? | 0:15:43 | 0:15:45 | |
-Is it just a dot? -It's the... | 0:15:45 | 0:15:47 | |
What's the fourth? | 0:15:47 | 0:15:49 | |
It's a four-bar rest. | 0:15:49 | 0:15:51 | |
A four-bar rest, yeah. | 0:15:51 | 0:15:52 | |
A four-bars rest. | 0:15:52 | 0:15:53 | |
Not the answer, I'm afraid. So, Psmiths, | 0:15:53 | 0:15:55 | |
you've got another bonus chance. | 0:15:55 | 0:15:57 | |
It's either a treble clef or | 0:15:57 | 0:15:59 | |
a bass clef. Which do we want? | 0:15:59 | 0:16:00 | |
Because that's the tenor clef. | 0:16:00 | 0:16:03 | |
Actually, I'm letting you chat | 0:16:03 | 0:16:04 | |
about it, because it's not the clef. | 0:16:04 | 0:16:06 | |
-All right. -You were right to say that they're | 0:16:06 | 0:16:08 | |
musical rests, but they are | 0:16:08 | 0:16:09 | |
halving in duration each time, | 0:16:09 | 0:16:11 | |
so a quaver rest is what we want. | 0:16:11 | 0:16:13 | |
We've got a semibreve rest, and a | 0:16:13 | 0:16:14 | |
minim rest, a crotchet rest | 0:16:14 | 0:16:16 | |
and we want an eighth rest, | 0:16:16 | 0:16:18 | |
or a quaver, in the last clue. | 0:16:18 | 0:16:20 | |
Back to you, Psmiths, for a choice. | 0:16:20 | 0:16:22 | |
Lion, please. | 0:16:22 | 0:16:23 | |
Lion, OK, what will be the fourth in this sequence? | 0:16:23 | 0:16:26 | |
Here's the first. | 0:16:26 | 0:16:27 | |
Next. | 0:16:30 | 0:16:31 | |
Fourth going from the top to the bottom. Next. | 0:16:39 | 0:16:42 | |
Is it how many digits of text...? | 0:17:00 | 0:17:04 | |
Three seconds. | 0:17:04 | 0:17:05 | |
Is it 12 with a five underneath it? | 0:17:07 | 0:17:14 | |
It is not. So, Cosmopolitans, | 0:17:14 | 0:17:16 | |
your bonus chance now. | 0:17:16 | 0:17:17 | |
Is it 100 with a five below it? | 0:17:17 | 0:17:21 | |
It is not. I mean, it's sort of 100 | 0:17:21 | 0:17:23 | |
although I would say one zero zero. | 0:17:23 | 0:17:25 | |
But then it's a two. | 0:17:25 | 0:17:26 | |
Unfortunately, you've got the five | 0:17:26 | 0:17:28 | |
in the first one. | 0:17:28 | 0:17:29 | |
We're going back towards a two. | 0:17:29 | 0:17:30 | |
One zero zero with a two. | 0:17:30 | 0:17:32 | |
It is the number four | 0:17:32 | 0:17:33 | |
represented in base. | 0:17:33 | 0:17:34 | |
Base five, base four, | 0:17:34 | 0:17:36 | |
base three, base two. | 0:17:36 | 0:17:37 | |
Yes, you were unlucky there | 0:17:37 | 0:17:39 | |
because you meant two, didn't you? | 0:17:39 | 0:17:40 | |
But I need to hear that. | 0:17:40 | 0:17:41 | |
One zero zero with a little two, | 0:17:41 | 0:17:43 | |
that is the number four | 0:17:43 | 0:17:44 | |
represented in base two. | 0:17:44 | 0:17:45 | |
Unlucky. | 0:17:45 | 0:17:47 | |
But you may have the last question | 0:17:47 | 0:17:48 | |
of the round. The Eye of Horus. | 0:17:48 | 0:17:50 | |
What will come fourth in this sequence? Here's the first. | 0:17:50 | 0:17:53 | |
Forty-niners. | 0:17:54 | 0:17:56 | |
Next. | 0:18:00 | 0:18:02 | |
-We need another one. -Yeah. Um, next. | 0:18:08 | 0:18:11 | |
Oh, Padres is San Diego. | 0:18:13 | 0:18:16 | |
It's the teams going south. | 0:18:16 | 0:18:18 | |
-San Francisco... -LA, San Diego. | 0:18:18 | 0:18:20 | |
What teams are we talking? | 0:18:20 | 0:18:22 | |
-Is it basketball? -Padres is baseball. | 0:18:22 | 0:18:24 | |
-So it's number one... -The LA... -Padres is baseball? | 0:18:24 | 0:18:29 | |
So it's the LA, LA... | 0:18:29 | 0:18:32 | |
Ahhh! | 0:18:32 | 0:18:33 | |
No. Number one. | 0:18:35 | 0:18:38 | |
Los Angeles Dodgers. | 0:18:38 | 0:18:40 | |
Dodgers is the right answer | 0:18:40 | 0:18:42 | |
although we've actually got Lakers. | 0:18:42 | 0:18:44 | |
As you seemed to realise, | 0:18:44 | 0:18:46 | |
there are many possible answers. | 0:18:46 | 0:18:47 | |
We couldn't really decide the sport. | 0:18:47 | 0:18:49 | |
There are all sorts of ones. | 0:18:49 | 0:18:50 | |
Well, it's just general major league | 0:18:50 | 0:18:52 | |
sports. What is the sequence? | 0:18:52 | 0:18:53 | |
Yes, going south down the West Coast. | 0:18:53 | 0:18:57 | |
No, no, it's not. There's something | 0:18:57 | 0:18:59 | |
you haven't noticed. | 0:18:59 | 0:19:00 | |
They're getting bigger. | 0:19:00 | 0:19:02 | |
Yes, it's size of Californian cities. | 0:19:02 | 0:19:04 | |
So they are teams from | 0:19:04 | 0:19:06 | |
San Francisco, San Jose, | 0:19:06 | 0:19:07 | |
San Diego, so we need | 0:19:07 | 0:19:08 | |
a team from the largest city | 0:19:08 | 0:19:10 | |
which is Los Angeles, | 0:19:10 | 0:19:11 | |
so you knew it was Los Angeles for | 0:19:11 | 0:19:12 | |
a different reason. | 0:19:12 | 0:19:14 | |
And Lakers, Galaxy, Dodgers, Kings, | 0:19:14 | 0:19:16 | |
Clippers, Rams, I could go on. | 0:19:16 | 0:19:18 | |
I couldn't go on because | 0:19:18 | 0:19:19 | |
that's the list I've got and I don't | 0:19:19 | 0:19:20 | |
know any Los Angeles sports teams. | 0:19:20 | 0:19:22 | |
But the one you gave me | 0:19:22 | 0:19:23 | |
was one of them. | 0:19:23 | 0:19:24 | |
That means, at the end of Round Two, | 0:19:24 | 0:19:26 | |
the Psmiths have four points, | 0:19:26 | 0:19:28 | |
the Cosmopolitans have nine. | 0:19:28 | 0:19:29 | |
It's the Connecting Wall now, and, Cosmopolitans, | 0:19:32 | 0:19:34 | |
you'll be going first this time, so please choose Lion or Water. | 0:19:34 | 0:19:38 | |
-Lion. -OK, two and a half minutes | 0:19:38 | 0:19:41 | |
to solve the Lion Wall, starting now. | 0:19:41 | 0:19:44 | |
Right, OK, so the Koh-i-Noor is a diamond. | 0:19:46 | 0:19:49 | |
-Culinan is a diamond. -Hope. | 0:19:49 | 0:19:53 | |
And there might be a Taylor-Burton diamond. | 0:19:53 | 0:19:56 | |
-Oh, yes. -There is, indeed. | 0:19:56 | 0:19:57 | |
-I would say Dingle and Sugden are in Emmerdale. -Yes. | 0:19:57 | 0:20:00 | |
-Barton could be.... -Thomas Hudson is... -OK, shall we just try some? | 0:20:02 | 0:20:05 | |
You've got your sleeves... | 0:20:08 | 0:20:09 | |
-That's bays, Hudson Bay. Botany Bay. -Cardigan Bay... | 0:20:09 | 0:20:13 | |
-Guanabara Bay? -Sounds possible. No. -Dingle Bay? | 0:20:13 | 0:20:17 | |
Oh, there is Dingle Bay. Yes. | 0:20:17 | 0:20:20 | |
Cardigan and Botany. No. | 0:20:20 | 0:20:22 | |
Lucan, Raglan and Cardigan were in the Charge of the Light Brigade. | 0:20:22 | 0:20:27 | |
OK. Along with... Who knows? | 0:20:27 | 0:20:30 | |
Oh, they could be sleeves. | 0:20:37 | 0:20:39 | |
Raglan is a type of T-shirt. And so it's a kind of top. | 0:20:41 | 0:20:44 | |
-And so is Cardigan. -Yes. | 0:20:44 | 0:20:46 | |
I don't know what the others are. | 0:20:47 | 0:20:49 | |
Right, so Dingle, Barton, Sugden and... | 0:20:49 | 0:20:54 | |
-I'm sure there's Emmerdale. -Yeah, it has to be Emmerdale. | 0:20:54 | 0:20:59 | |
-We're jumping around a bit. -Yeah, I'm just... Scarlett, Scarlett... | 0:20:59 | 0:21:04 | |
O'Hara. | 0:21:04 | 0:21:06 | |
-Could she...? -So bays. Botany, Hudson. -Cardigan. -Cardigan. | 0:21:07 | 0:21:13 | |
-And Dingle. -No, we tried that. -Cardigan. | 0:21:13 | 0:21:17 | |
-Can we do that? No. -So let's try... | 0:21:17 | 0:21:19 | |
-Ah! -That's it. -Three lives now. -OK, three. | 0:21:19 | 0:21:23 | |
-So now we must have Emmerdale and jumpers or something. -Yes. | 0:21:23 | 0:21:27 | |
So Scarlett could be, I think it's more likely to go with the... | 0:21:27 | 0:21:33 | |
You've solved it. Very well done. | 0:21:37 | 0:21:39 | |
What about the connections? | 0:21:39 | 0:21:41 | |
Tell me about the first group. Culinan, Taylor-Burton, | 0:21:41 | 0:21:44 | |
Hope, Koh-i-Noor. | 0:21:44 | 0:21:45 | |
They're diamonds. Famous diamonds. | 0:21:45 | 0:21:47 | |
Famous diamonds. That's right. | 0:21:47 | 0:21:48 | |
And the green group. Dingle, Hudson, Botany, Guanabara. | 0:21:48 | 0:21:52 | |
They're bays. | 0:21:52 | 0:21:53 | |
They're all bays. | 0:21:53 | 0:21:55 | |
And what about the next group, starting Scarlett? | 0:21:55 | 0:21:57 | |
They are people in the Charge of the Light Brigade, | 0:21:57 | 0:22:01 | |
in the Crimean War. | 0:22:01 | 0:22:04 | |
They are Crimean War commanders that were involved | 0:22:04 | 0:22:07 | |
in the Charge of the Light Brigade. | 0:22:07 | 0:22:09 | |
Yes, people might be wondering about Scarlett. | 0:22:09 | 0:22:11 | |
Sir James Yorke Scarlett was involved | 0:22:11 | 0:22:12 | |
in the battle that led to the charge. | 0:22:12 | 0:22:14 | |
And the last turquoise group, Barton, Sugden, Thomas, Sharma... | 0:22:14 | 0:22:18 | |
They might be families in Emmerdale. | 0:22:18 | 0:22:21 | |
They are families in the soap opera Emmerdale. | 0:22:21 | 0:22:23 | |
So that is the maximum of ten points. Very well done. | 0:22:23 | 0:22:26 | |
Let's bring in the Psmiths now, and give them the Water Wall. | 0:22:26 | 0:22:29 | |
See what they can do about solving it. | 0:22:29 | 0:22:32 | |
Two and a half minutes for you, too, of course, starting now. | 0:22:32 | 0:22:36 | |
-Sitcoms. -Well done. | 0:22:38 | 0:22:42 | |
-Ellen? -Ellen. -Bread. Bread is a sitcom. | 0:22:42 | 0:22:46 | |
So let's omit Rhoda, was one of them. | 0:22:46 | 0:22:48 | |
OK, let's omit Taxi. | 0:22:48 | 0:22:50 | |
Let's omit Soap. | 0:22:51 | 0:22:54 | |
OK, um... | 0:22:54 | 0:22:55 | |
We'll try that combination. | 0:22:55 | 0:22:59 | |
-Flying squirrel. Flying fish. Flying saucer. -Flying carpet. | 0:22:59 | 0:23:03 | |
-Flying... -Uhuru is the Swahili word for freedom. | 0:23:04 | 0:23:10 | |
Kenyatta is the president of Kenya. | 0:23:10 | 0:23:13 | |
Robert Mugabe, Uhuru Kenyatta, | 0:23:13 | 0:23:16 | |
right, we are looking for African presidents. | 0:23:16 | 0:23:18 | |
Jacob Zuma. | 0:23:18 | 0:23:20 | |
Omar, probably, one of them. | 0:23:20 | 0:23:22 | |
Oh, Ellen Johnson Sirleaf. | 0:23:22 | 0:23:25 | |
-Yeah, but not. -But not. Oh, God. | 0:23:25 | 0:23:28 | |
Also we've got Omar in. | 0:23:28 | 0:23:31 | |
Three lives now. | 0:23:31 | 0:23:33 | |
OK, so we've got Flying Squirrel, Flying Fish, Flying Saucer. | 0:23:33 | 0:23:36 | |
-Something else. -No, we... Let's find the others. | 0:23:36 | 0:23:40 | |
What else have we got, then? | 0:23:40 | 0:23:42 | |
Maps. | 0:23:42 | 0:23:43 | |
Dieters or it could be Dieters if it's a German name. | 0:23:43 | 0:23:47 | |
Carpet... Fish. | 0:23:47 | 0:23:50 | |
-Oh, yeah, yeah. -Something else. Flying Carpet, Fish, Squirrel... | 0:23:50 | 0:23:57 | |
-Don't go saucer, we tried that. -No, let's try music. | 0:23:57 | 0:23:59 | |
Flying Saucer. Flying Fish. | 0:24:03 | 0:24:05 | |
30 seconds. | 0:24:10 | 0:24:11 | |
Flying maps? | 0:24:17 | 0:24:18 | |
No. OK, we've got a pattern there. | 0:24:22 | 0:24:28 | |
Saucer. | 0:24:29 | 0:24:31 | |
That's it. That's your three lives and the Wall has frozen. | 0:24:35 | 0:24:39 | |
But you found two groups. What about the connections? | 0:24:39 | 0:24:42 | |
Bread, Rhoda, Taxi, Soap. | 0:24:42 | 0:24:44 | |
-They are sitcoms. -They are single-word sitcom titles. | 0:24:44 | 0:24:49 | |
And the green group, Robert, Omar, Ellen, Uhuru. | 0:24:49 | 0:24:52 | |
These are the first names of African premiers. | 0:24:52 | 0:24:54 | |
They are African Presidents' names. | 0:24:54 | 0:24:56 | |
And you can still get points for the connections | 0:24:56 | 0:24:58 | |
in the groups you didn't find. | 0:24:58 | 0:24:59 | |
So let's resolve the Wall. | 0:24:59 | 0:25:01 | |
Here we go, Squirrel, Jacob, Carpet, Saucer. | 0:25:01 | 0:25:05 | |
Are these flying things? | 0:25:06 | 0:25:08 | |
Yes, Flying Jacob is a Swedish casserole dish. | 0:25:08 | 0:25:12 | |
And the last group, starting music. | 0:25:12 | 0:25:15 | |
-Are they apps? -They are not apps. There are apps involving them. | 0:25:15 | 0:25:19 | |
It's not Dieters. It's dieters. | 0:25:19 | 0:25:22 | |
Music, Dieters, Fish and Maps all have scales. | 0:25:22 | 0:25:26 | |
They all require scales of different kinds. | 0:25:27 | 0:25:30 | |
I can see you're amused. | 0:25:30 | 0:25:32 | |
But you do get two points for the groups that you found | 0:25:32 | 0:25:35 | |
and three for the connections, so that's a total of five. | 0:25:35 | 0:25:37 | |
Let's have a look at the overall scores. | 0:25:37 | 0:25:40 | |
The Psmiths have nine points, the Cosmopolitans have 19. | 0:25:40 | 0:25:45 | |
So one team is a little ahead, | 0:25:46 | 0:25:48 | |
but lots of points available in the Missing Vowels round. | 0:25:48 | 0:25:51 | |
Fingers on buzzers, teams. | 0:25:51 | 0:25:53 | |
I can tell you that the first group are all... | 0:25:53 | 0:25:56 | |
Psmiths. | 0:26:02 | 0:26:04 | |
Correct. | 0:26:05 | 0:26:06 | |
Cosmopolitans. | 0:26:07 | 0:26:09 | |
Correct. | 0:26:09 | 0:26:10 | |
Psmiths. | 0:26:12 | 0:26:14 | |
Yes, it is. | 0:26:14 | 0:26:15 | |
Cosmopolitans. | 0:26:17 | 0:26:19 | |
Correct. Next category. | 0:26:19 | 0:26:21 | |
Cosmopolitans? | 0:26:25 | 0:26:27 | |
Correct. | 0:26:27 | 0:26:29 | |
Cosmos. | 0:26:32 | 0:26:34 | |
Yes. | 0:26:34 | 0:26:35 | |
Psmiths? | 0:26:37 | 0:26:40 | |
Correct. | 0:26:40 | 0:26:41 | |
Cosmopolitans? | 0:26:43 | 0:26:44 | |
Correct. Next category... | 0:26:46 | 0:26:47 | |
Psmiths. | 0:26:51 | 0:26:53 | |
Yes, it is. | 0:26:53 | 0:26:54 | |
Cosmopolitans. | 0:26:58 | 0:27:00 | |
Patriarchy. | 0:27:00 | 0:27:01 | |
Not it, Psmiths, do you know? | 0:27:01 | 0:27:02 | |
No? It's... | 0:27:02 | 0:27:04 | |
Next clue... | 0:27:04 | 0:27:05 | |
Cosmos. | 0:27:08 | 0:27:09 | |
Correct. | 0:27:09 | 0:27:10 | |
Psmiths. | 0:27:13 | 0:27:15 | |
Yes, it is. | 0:27:15 | 0:27:16 | |
Next category... | 0:27:16 | 0:27:17 | |
Cosmos. | 0:27:21 | 0:27:23 | |
Correct. | 0:27:23 | 0:27:24 | |
That last one was sales assistant, | 0:27:29 | 0:27:32 | |
but no time to tell me because the bell has gone | 0:27:32 | 0:27:34 | |
for the end of the quiz. | 0:27:34 | 0:27:35 | |
And I must say, Cosmos, I did enjoy you shouting "patriarchy" | 0:27:35 | 0:27:38 | |
in the middle of that round. | 0:27:38 | 0:27:40 | |
-Not the right answer, but very important. -It was a protest. | 0:27:40 | 0:27:43 | |
When we do have an all women's team, | 0:27:43 | 0:27:44 | |
I think to shout patriarchy in the middle is only right and proper. | 0:27:44 | 0:27:48 | |
Looking at the final scores, I can tell you that the winners, | 0:27:49 | 0:27:51 | |
with 25 points and straight through to the semifinals | 0:27:51 | 0:27:54 | |
are the Cosmopolitans. | 0:27:54 | 0:27:56 | |
Very well done. | 0:27:56 | 0:27:57 | |
The overturning of the patriarchy begins here. | 0:27:57 | 0:28:00 | |
Having said that, | 0:28:00 | 0:28:01 | |
Psmiths, I'm delighted to report that you are NOT going home. | 0:28:01 | 0:28:04 | |
Under our new format, which probably makes sense to the sort of people | 0:28:04 | 0:28:07 | |
that were shouting, "It's one zero zero | 0:28:07 | 0:28:10 | |
"with a little two," from clue one, | 0:28:10 | 0:28:11 | |
the teams get to play two quarterfinals. | 0:28:11 | 0:28:13 | |
So you will have another chance | 0:28:13 | 0:28:15 | |
to make those semifinals a little bit later on. | 0:28:15 | 0:28:18 | |
Looking forward to seeing you again. | 0:28:18 | 0:28:20 | |
Please, join me next time, when, | 0:28:20 | 0:28:22 | |
in another interesting twist to the format, | 0:28:22 | 0:28:24 | |
we will play Only Connect to the death. | 0:28:24 | 0:28:26 | |
I don't know why we didn't do that for the Christmas Special, | 0:28:26 | 0:28:28 | |
but there it is. | 0:28:28 | 0:28:30 | |
Goodbye. | 0:28:30 | 0:28:31 |