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Good evening and welcome to Only Connect, the grand final. | 0:00:21 | 0:00:25 | |
Yes, this is it, the big night, the culmination of months of quizzing. | 0:00:25 | 0:00:30 | |
I'm incredibly excited, | 0:00:30 | 0:00:31 | |
my good mood tempered only | 0:00:31 | 0:00:33 | |
by the fact that under ridiculous and excessive | 0:00:33 | 0:00:35 | |
new scrutiny of the BBC, since last week's show, | 0:00:35 | 0:00:38 | |
they've ruled that our champagne tower now has to be in shot. | 0:00:38 | 0:00:42 | |
Anyway, let's get on with the final. | 0:00:42 | 0:00:43 | |
Sorry about my appearance - I came straight from a dinner, | 0:00:43 | 0:00:46 | |
I didn't have time to get changed. | 0:00:46 | 0:00:48 | |
Our finalists tonight are... | 0:00:48 | 0:00:50 | |
On my right - Phyl Styles, | 0:00:50 | 0:00:52 | |
a secondary school teacher who is fluent in six different Braille | 0:00:52 | 0:00:55 | |
languages and has sung Swing Low, Sweet Chariot | 0:00:55 | 0:00:58 | |
as a solo in a French cathedral. | 0:00:58 | 0:01:00 | |
Tom Cappleman, a board-game fanatic | 0:01:01 | 0:01:04 | |
who has flown a glider for less than a minute. | 0:01:04 | 0:01:07 | |
And their captain, Graeme Cole, | 0:01:07 | 0:01:09 | |
a software engineer who was thrown into a wall while dog sledding in | 0:01:09 | 0:01:13 | |
Norway. United by a love of | 0:01:13 | 0:01:15 | |
language, they are the Verbivores. | 0:01:15 | 0:01:18 | |
Graeme, you've played a record seven games to get to the final. | 0:01:18 | 0:01:21 | |
How important is it to you to win now? | 0:01:21 | 0:01:24 | |
It would be nice to win, | 0:01:24 | 0:01:26 | |
but genuinely, | 0:01:26 | 0:01:28 | |
we are just amazed that we got | 0:01:28 | 0:01:29 | |
anywhere near this far. | 0:01:29 | 0:01:30 | |
We'd won couple of games by one point, | 0:01:30 | 0:01:32 | |
took the longest possible route to get here, | 0:01:32 | 0:01:34 | |
we know we're up against a brilliant team, so win or lose, we're happy. | 0:01:34 | 0:01:39 | |
Your brilliant opponents tonight | 0:01:39 | 0:01:41 | |
are, on my left - Annette Fenner, | 0:01:41 | 0:01:44 | |
a medical journal editor who was | 0:01:44 | 0:01:46 | |
the 1993 Seal primary school spelling champion | 0:01:46 | 0:01:49 | |
and can trace her ancestry back | 0:01:49 | 0:01:51 | |
to William the Conqueror's brother-in-law. | 0:01:51 | 0:01:54 | |
Emily Watnick, | 0:01:54 | 0:01:55 | |
a retired finance manager who, | 0:01:55 | 0:01:57 | |
on the 50th anniversary of JFK's assassination, | 0:01:57 | 0:02:00 | |
recreated the tragedy in an interpretive buffet | 0:02:00 | 0:02:02 | |
at a birthday party. | 0:02:02 | 0:02:04 | |
Their captain, Amy Godel, | 0:02:05 | 0:02:07 | |
a semiretired maths teacher who has participated in a public crossword | 0:02:07 | 0:02:11 | |
competition and whose great-great-grandmother | 0:02:11 | 0:02:14 | |
was born in 1815 in Waterloo. | 0:02:14 | 0:02:16 | |
United by a taste | 0:02:16 | 0:02:17 | |
for travel and a tipple, | 0:02:17 | 0:02:18 | |
they are the Cosmopolitans. | 0:02:18 | 0:02:20 | |
You beat the Korfballers to secure your place in the final, | 0:02:20 | 0:02:23 | |
how important is it to you to win? | 0:02:23 | 0:02:25 | |
I'm just amazed that we beat | 0:02:25 | 0:02:27 | |
the Korfballers, to be honest! | 0:02:27 | 0:02:29 | |
Having got here, having got to the end, is really just fantastic. | 0:02:29 | 0:02:34 | |
Well done, all of you, for making the final. | 0:02:34 | 0:02:36 | |
Let's go on and play it. | 0:02:36 | 0:02:37 | |
Verbivores, you won the toss, | 0:02:37 | 0:02:39 | |
please choose an Egyptian hieroglyphic. | 0:02:39 | 0:02:41 | |
-Two Reeds, please. -Two Reeds. | 0:02:41 | 0:02:43 | |
OK. Let the final begin with this question. | 0:02:43 | 0:02:46 | |
Your time starts...now. | 0:02:46 | 0:02:48 | |
Cordate, is that to do the heart? | 0:02:49 | 0:02:52 | |
Cordate is... | 0:02:52 | 0:02:54 | |
Next. | 0:02:55 | 0:02:56 | |
Right, black... Orange is that? | 0:02:58 | 0:03:00 | |
Is it red? I don't know. | 0:03:03 | 0:03:04 | |
Next. | 0:03:04 | 0:03:05 | |
Trifoliate. | 0:03:07 | 0:03:08 | |
Um, something with four leaves? | 0:03:09 | 0:03:11 | |
But what? In green, a four-leaf clover perhaps? | 0:03:11 | 0:03:15 | |
Well, it's not a sequence, so what's the link? | 0:03:15 | 0:03:16 | |
Oh, sorry! | 0:03:16 | 0:03:18 | |
How many times have I played this?! | 0:03:18 | 0:03:19 | |
So it's just, what, um, number of leaves and... | 0:03:19 | 0:03:24 | |
-Three seconds. -Next. | 0:03:25 | 0:03:27 | |
-Oh, the clock's run out! -Good start(!) -Bonus chance for you, | 0:03:29 | 0:03:31 | |
Cosmopolitans. | 0:03:31 | 0:03:33 | |
The colour of and the description of things on flags? | 0:03:33 | 0:03:38 | |
They are not things on flags, | 0:03:38 | 0:03:39 | |
I'm afraid. | 0:03:39 | 0:03:40 | |
What they are is suits of the pack. | 0:03:40 | 0:03:42 | |
-Of course they are! -Cordate is a sort of | 0:03:42 | 0:03:45 | |
inverted heart shape, like a spade. | 0:03:45 | 0:03:47 | |
Then we've got heart-shaped. | 0:03:47 | 0:03:49 | |
Trifoliate, that's like clubs, it's that shape, | 0:03:49 | 0:03:51 | |
and rhomboid, the diamond. | 0:03:51 | 0:03:53 | |
The colours denote the suits of the pack. | 0:03:53 | 0:03:56 | |
So, no points there, Cosmos, | 0:03:56 | 0:03:57 | |
but you may choose a question. | 0:03:57 | 0:03:59 | |
Um, Horned Viper, please. | 0:03:59 | 0:04:01 | |
The Viper. What is the connection between these clues? | 0:04:01 | 0:04:03 | |
Here's the first. | 0:04:03 | 0:04:05 | |
The property of a lady... | 0:04:05 | 0:04:08 | |
No. Next. | 0:04:09 | 0:04:11 | |
The Hildebrand Rarity. | 0:04:11 | 0:04:14 | |
Are they... Is it the names of... | 0:04:14 | 0:04:16 | |
Next. | 0:04:19 | 0:04:20 | |
Risico. | 0:04:21 | 0:04:22 | |
They might be the names of some kind of... | 0:04:27 | 0:04:29 | |
Shall we go with the next one? | 0:04:30 | 0:04:32 | |
Next. | 0:04:32 | 0:04:33 | |
007 in New York. | 0:04:34 | 0:04:37 | |
Um... | 0:04:38 | 0:04:40 | |
Um... Are they... | 0:04:43 | 0:04:46 | |
all written by Sebastian Faulks? | 0:04:46 | 0:04:50 | |
They are not all written | 0:04:50 | 0:04:51 | |
by Sebastian Faulks. | 0:04:51 | 0:04:52 | |
So, Verbivores, | 0:04:52 | 0:04:53 | |
you have a bonus chance now. | 0:04:53 | 0:04:55 | |
Are they spin-off films? | 0:04:55 | 0:04:58 | |
It's almost the exact opposite. | 0:04:58 | 0:05:00 | |
-Oh. -They are James Bond stories | 0:05:00 | 0:05:02 | |
that have not been filmed. | 0:05:02 | 0:05:04 | |
There are only four left - stories that haven't been filmed. | 0:05:04 | 0:05:07 | |
The Property Of A Lady, that was going to be | 0:05:07 | 0:05:09 | |
Timothy Dalton's next Bond film, | 0:05:09 | 0:05:10 | |
but there was a legal problem, | 0:05:10 | 0:05:11 | |
they stopped filming. | 0:05:11 | 0:05:12 | |
The Hildebrand Rarity, that sounds brilliant. | 0:05:12 | 0:05:15 | |
James Bond goes into a sort of | 0:05:15 | 0:05:16 | |
old-fashioned murder mystery at sea. | 0:05:16 | 0:05:18 | |
That sounds great. And also a great one for charades. | 0:05:18 | 0:05:20 | |
The Hildebrand Rarity, | 0:05:20 | 0:05:22 | |
how would you do it? | 0:05:22 | 0:05:23 | |
Risico, or "Rizico", | 0:05:23 | 0:05:25 | |
that's Bond investigating | 0:05:25 | 0:05:26 | |
a drugs ring, and 007 In New York | 0:05:26 | 0:05:28 | |
is a very short one | 0:05:28 | 0:05:29 | |
about a Russian spy. | 0:05:29 | 0:05:31 | |
Anyway, who wants a question? | 0:05:31 | 0:05:33 | |
Verbivores, you can have one. | 0:05:33 | 0:05:34 | |
-Which will it be? -Can we have Twisted Flax, please? | 0:05:34 | 0:05:36 | |
Why not? Twisted Flax. | 0:05:36 | 0:05:38 | |
MUSICAL TONE It's the music question. I feel like a dance. | 0:05:38 | 0:05:40 | |
What connects these clues? Here's the first. | 0:05:40 | 0:05:42 | |
# Boy toy named Troy Used to live in Detroit | 0:05:42 | 0:05:46 | |
# Big, big, big money He was gettin' some coins... # | 0:05:46 | 0:05:50 | |
Next. | 0:05:51 | 0:05:52 | |
# Have you seen her on the dance floor? | 0:05:52 | 0:05:55 | |
# She got the boom Shake the room... # | 0:05:55 | 0:05:58 | |
Next. | 0:05:58 | 0:05:59 | |
# My momma, she told me Don't worry about your size | 0:05:59 | 0:06:04 | |
# Shoo-wop-wop, sha-ooh, wop, wop | 0:06:04 | 0:06:06 | |
# She says boys like the ladies... # | 0:06:06 | 0:06:08 | |
-I know this one, but I can't remember its name. -Next. | 0:06:08 | 0:06:11 | |
# Baby, can you handle this? | 0:06:11 | 0:06:13 | |
# I don't think you can handle this... # | 0:06:13 | 0:06:15 | |
It's all, talking about their size. | 0:06:15 | 0:06:17 | |
# H-town goin' hard... # | 0:06:17 | 0:06:21 | |
Are they talking about their size? | 0:06:22 | 0:06:24 | |
I need to hear something specific. | 0:06:24 | 0:06:26 | |
Big... | 0:06:26 | 0:06:27 | |
Behinds? | 0:06:27 | 0:06:28 | |
Lovely big behinds... | 0:06:28 | 0:06:30 | |
are being celebrated | 0:06:30 | 0:06:32 | |
in this piece of music. | 0:06:32 | 0:06:34 | |
We're testing two things | 0:06:34 | 0:06:35 | |
with this question. | 0:06:35 | 0:06:36 | |
One - do you know the pieces, | 0:06:36 | 0:06:38 | |
two - dare you say the answer? | 0:06:38 | 0:06:39 | |
What did we hear? | 0:06:39 | 0:06:40 | |
For the first one big, big, big something. | 0:06:42 | 0:06:44 | |
-Behinds, I suppose. -The song was called Anaconda. | 0:06:44 | 0:06:46 | |
Well, it was sampling Sir Mixalot. | 0:06:46 | 0:06:48 | |
It's a Nicki Minaj song. | 0:06:48 | 0:06:50 | |
They sampled the bit where the chap sings apparently, | 0:06:50 | 0:06:53 | |
"My anaconda don't want none | 0:06:53 | 0:06:55 | |
"Unless you got buns, hon." | 0:06:55 | 0:06:58 | |
And Nicki Minaj sings, | 0:06:58 | 0:06:59 | |
"He toss my salad | 0:06:59 | 0:07:01 | |
"like his name Romaine | 0:07:01 | 0:07:02 | |
"and when we done | 0:07:02 | 0:07:04 | |
"I make him buy me Balmain." | 0:07:04 | 0:07:06 | |
That's a lovely message for the | 0:07:06 | 0:07:08 | |
young women of today, isn't it? | 0:07:08 | 0:07:09 | |
That's absolutely lovely. | 0:07:09 | 0:07:10 | |
What else did we hear? | 0:07:10 | 0:07:12 | |
Last one, Bootylicious? | 0:07:12 | 0:07:13 | |
Bootylicious, Destiny's Child. | 0:07:13 | 0:07:15 | |
All About That Bass, Meghan Trainor. | 0:07:15 | 0:07:17 | |
And the second one - | 0:07:17 | 0:07:18 | |
Booty, Jennifer Lopez. | 0:07:18 | 0:07:20 | |
"Mesmerised by the size of it | 0:07:20 | 0:07:22 | |
"You can fight it if you like | 0:07:22 | 0:07:24 | |
"Take your time." | 0:07:24 | 0:07:25 | |
Quite the image to juggle, isn't it? | 0:07:25 | 0:07:27 | |
"You can fight it if you like," | 0:07:27 | 0:07:29 | |
that's an evening. Well done, you get the point. | 0:07:29 | 0:07:31 | |
Cosmopolitans, what would you like? | 0:07:31 | 0:07:33 | |
-Lion. -Lion, please. | 0:07:33 | 0:07:34 | |
Lion. What is the connection between these clues? Here's the first. | 0:07:34 | 0:07:38 | |
Bravo 9.30. | 0:07:40 | 0:07:42 | |
Next. | 0:07:46 | 0:07:48 | |
Oh, OK... | 0:07:48 | 0:07:49 | |
ANNETTE WHISPERS | 0:07:49 | 0:07:51 | |
So... | 0:07:53 | 0:07:54 | |
Yes, yes. | 0:07:56 | 0:07:58 | |
Next. | 0:07:58 | 0:08:00 | |
R 3.45, B 9.30, | 0:08:01 | 0:08:05 | |
J three o'clock. R... | 0:08:05 | 0:08:09 | |
Next. | 0:08:09 | 0:08:11 | |
Delta six o'clock. | 0:08:11 | 0:08:13 | |
Um... | 0:08:16 | 0:08:17 | |
The times of different watches | 0:08:18 | 0:08:21 | |
on ships? | 0:08:21 | 0:08:22 | |
Not the answer, I'm afraid. | 0:08:22 | 0:08:23 | |
Verbivores, do you want to have a go for a bonus? | 0:08:23 | 0:08:25 | |
Are these the semaphore representations | 0:08:25 | 0:08:28 | |
of these letters as they would appear on a clock? | 0:08:28 | 0:08:32 | |
That's absolutely brilliant. | 0:08:32 | 0:08:34 | |
Cheers to you. | 0:08:34 | 0:08:36 | |
I can't demonstrate it myself in | 0:08:36 | 0:08:37 | |
this dress before the watershed, | 0:08:37 | 0:08:39 | |
but if you could hold your arms | 0:08:39 | 0:08:41 | |
in the shapes denoted here, | 0:08:41 | 0:08:43 | |
if you hold your arm at 9.30, please. | 0:08:43 | 0:08:46 | |
Like that. My 9.30. | 0:08:46 | 0:08:47 | |
-Well, that's not really 9.30, is it? -The camera's 9.30. | 0:08:47 | 0:08:50 | |
You'd be bit more sort of... | 0:08:50 | 0:08:52 | |
Well, that's the letter B. | 0:08:52 | 0:08:54 | |
That's B in flag semaphore. | 0:08:54 | 0:08:57 | |
Phyl, could you show us | 0:08:57 | 0:08:59 | |
three o'clock? | 0:08:59 | 0:09:00 | |
Well, I know D is up there. | 0:09:00 | 0:09:02 | |
Well, it's J we're looking for, | 0:09:02 | 0:09:04 | |
and that's three o'clock. | 0:09:04 | 0:09:05 | |
You see, if you were... | 0:09:05 | 0:09:06 | |
-Like that. -There you go. 3.45? | 0:09:06 | 0:09:08 | |
R. And 6pm, or 6am, | 0:09:08 | 0:09:11 | |
that's the D, that's Delta. | 0:09:11 | 0:09:13 | |
So, if you held your arms out | 0:09:13 | 0:09:15 | |
for semaphore to denote these letters on a clock face, | 0:09:15 | 0:09:18 | |
that's the time it would be. | 0:09:18 | 0:09:20 | |
Amazingly well spotted. | 0:09:20 | 0:09:21 | |
What would you like next, Verbivores? | 0:09:21 | 0:09:23 | |
-Eye of Horus, please. -The Eye of Horus. | 0:09:23 | 0:09:25 | |
OK. These are going to be picture clues, what connects them? | 0:09:25 | 0:09:27 | |
Here's the first. | 0:09:27 | 0:09:29 | |
No? Next. | 0:09:31 | 0:09:32 | |
Looks familiar, don't know his name. | 0:09:36 | 0:09:39 | |
Next. | 0:09:39 | 0:09:40 | |
Oh, Mackenzie Crook. | 0:09:40 | 0:09:42 | |
-Um... -We need something else. -Next. | 0:09:42 | 0:09:47 | |
John Craven. | 0:09:47 | 0:09:48 | |
They all mean crooked, don't they? | 0:09:48 | 0:09:50 | |
Well, the surnames are synonyms. | 0:09:50 | 0:09:52 | |
Are their surnames associated with crookedness? | 0:09:52 | 0:09:56 | |
I'm afraid their surnames are not | 0:09:56 | 0:09:57 | |
all associated with crookedness. | 0:09:57 | 0:09:59 | |
So, Cosmopolitans, your chance for a bonus? | 0:09:59 | 0:10:01 | |
If you took the first letter off, they would be birds. | 0:10:01 | 0:10:04 | |
If you took the first letter off, they would be birds. | 0:10:04 | 0:10:06 | |
Who are we looking at? | 0:10:06 | 0:10:08 | |
There's Alan Clark. | 0:10:08 | 0:10:09 | |
-Yes. -ALL: -Mackenzie Crook. | 0:10:09 | 0:10:11 | |
-ALL: -John Craven. | 0:10:11 | 0:10:13 | |
But we don't know who that first one is. | 0:10:13 | 0:10:14 | |
That's Joan Chen. | 0:10:14 | 0:10:16 | |
Or hen. | 0:10:16 | 0:10:18 | |
They all begin with the C, and if you take it off, you get Hen | 0:10:18 | 0:10:21 | |
from Chen, lark from Clark, | 0:10:21 | 0:10:23 | |
rook from Crook | 0:10:23 | 0:10:24 | |
and raven from Craven. Yes. | 0:10:24 | 0:10:26 | |
Birds at the end of their names. | 0:10:26 | 0:10:28 | |
That's the sort of one I think | 0:10:28 | 0:10:30 | |
you'd get, Verbivores, normally. | 0:10:30 | 0:10:31 | |
So you get a bonus, Cosmopolitans, | 0:10:31 | 0:10:33 | |
and the last question, Water, | 0:10:33 | 0:10:34 | |
what is the connection between these clues? Here's the first. | 0:10:34 | 0:10:36 | |
Is it, then, construction, a point, house. | 0:10:40 | 0:10:45 | |
OK, next. | 0:10:45 | 0:10:47 | |
The legs of Mrs Wilcox? | 0:10:49 | 0:10:51 | |
-I don't know. -Next. | 0:10:54 | 0:10:56 | |
It's got to be "only connect"... | 0:10:59 | 0:11:00 | |
Yes, but what's the other thing? | 0:11:01 | 0:11:05 | |
What is the other thing? | 0:11:05 | 0:11:07 | |
Next. | 0:11:07 | 0:11:08 | |
Three seconds. | 0:11:12 | 0:11:13 | |
-So... -Oh, | 0:11:15 | 0:11:16 | |
it's "only connect" | 0:11:16 | 0:11:18 | |
and something to do with Howard's Way | 0:11:18 | 0:11:20 | |
where the saying is from. | 0:11:20 | 0:11:22 | |
Howard's End, even, not Howard's Way! | 0:11:22 | 0:11:24 | |
What to do with it? | 0:11:24 | 0:11:26 | |
We're looking at "only connect"... | 0:11:26 | 0:11:27 | |
-Yes. -And then... | 0:11:27 | 0:11:29 | |
And then names of others, | 0:11:29 | 0:11:32 | |
other EM Forster... | 0:11:32 | 0:11:34 | |
-Or parts of EM Forster. -I'm afraid that's not it. | 0:11:34 | 0:11:37 | |
Verbivores, do you want | 0:11:37 | 0:11:38 | |
to have a go for a bonus? | 0:11:38 | 0:11:39 | |
They are "only connect" in different languages | 0:11:39 | 0:11:42 | |
and what is it, Howard's End, when it was translated to those, | 0:11:42 | 0:11:44 | |
shall we try that? | 0:11:44 | 0:11:46 | |
That is what it is. | 0:11:46 | 0:11:47 | |
I'm afraid in the final, I need to hear that. | 0:11:47 | 0:11:49 | |
It is the phrase "only connect", | 0:11:49 | 0:11:51 | |
translated in the EM Forster novel Howard's End, | 0:11:51 | 0:11:55 | |
and in bracket is the title Howard's End. | 0:11:55 | 0:11:57 | |
Of course, it's not called Howard's End in all the languages, | 0:11:57 | 0:12:00 | |
so La Mansion in Spanish, | 0:12:00 | 0:12:02 | |
The Legs De Mrs Wilcox in French - | 0:12:02 | 0:12:04 | |
that's the legacy of Mrs Wilcox, that's what that's called. | 0:12:04 | 0:12:07 | |
I don't really speak Portuguese, | 0:12:07 | 0:12:08 | |
but The House again in Portuguese, | 0:12:08 | 0:12:10 | |
and Casa Howard, that's really the | 0:12:10 | 0:12:12 | |
clue, in Italian, solo connettere. | 0:12:12 | 0:12:14 | |
So it is the title Howard's End, | 0:12:14 | 0:12:16 | |
as it translates in different | 0:12:16 | 0:12:17 | |
languages with our key quote. | 0:12:17 | 0:12:19 | |
So, another bonus for you, | 0:12:19 | 0:12:21 | |
Verbivores. And that means, | 0:12:21 | 0:12:22 | |
at the end of Round One, | 0:12:22 | 0:12:23 | |
the Cosmopolitans have one point, | 0:12:23 | 0:12:25 | |
the Verbivores have three. | 0:12:25 | 0:12:27 | |
Onto Round Two - sequences - | 0:12:29 | 0:12:31 | |
and you will be going first again. | 0:12:31 | 0:12:32 | |
Please choose a hieroglyph. | 0:12:32 | 0:12:34 | |
-Eye of Horus, please. -The Eye of Horus. | 0:12:34 | 0:12:36 | |
What would come forth in this sequence? Here's the first. | 0:12:36 | 0:12:38 | |
Wow. | 0:12:40 | 0:12:42 | |
I don't have any idea. | 0:12:42 | 0:12:44 | |
Next. | 0:12:44 | 0:12:45 | |
Gamma hydroxybutyrate, is that vitamin C? | 0:12:48 | 0:12:51 | |
-Go next. -Next. | 0:12:51 | 0:12:52 | |
Mephedrone, B. It's going to be something A. | 0:12:53 | 0:12:56 | |
Is it vitamins? | 0:12:56 | 0:12:58 | |
I mean, vitamin A, is it retinol A? | 0:12:58 | 0:13:00 | |
Could go for that. | 0:13:00 | 0:13:02 | |
Well, yes. | 0:13:02 | 0:13:04 | |
Retinol brackets A, close brackets. | 0:13:06 | 0:13:09 | |
I'm afraid it absolutely is not that! | 0:13:09 | 0:13:12 | |
Cosmopolitans, do you want to have | 0:13:12 | 0:13:13 | |
a go for a bonus point? | 0:13:13 | 0:13:15 | |
Um, so, it would be heroin A? | 0:13:15 | 0:13:18 | |
Heroin A would be | 0:13:18 | 0:13:20 | |
an acceptable answer, | 0:13:20 | 0:13:21 | |
or as we went for, | 0:13:21 | 0:13:22 | |
magic mushrooms. | 0:13:22 | 0:13:24 | |
What are we looking at? | 0:13:24 | 0:13:25 | |
Legal classes of drugs. | 0:13:25 | 0:13:27 | |
-Well... -Illegal classes. | 0:13:27 | 0:13:29 | |
I'm not sure, if heroin's legal | 0:13:29 | 0:13:30 | |
since we started this show, | 0:13:30 | 0:13:32 | |
nobody's told me! | 0:13:32 | 0:13:33 | |
It's drug classification, that's right. | 0:13:33 | 0:13:35 | |
It's that first one, where the drugs | 0:13:35 | 0:13:37 | |
are not yet criminalised. | 0:13:37 | 0:13:39 | |
So this one we're looking at, | 0:13:39 | 0:13:40 | |
also known as Posh or Banshee Dust, | 0:13:40 | 0:13:42 | |
I'm reliably informed | 0:13:42 | 0:13:43 | |
by our question editor, | 0:13:43 | 0:13:44 | |
who has certainly never taken illegal drugs - | 0:13:44 | 0:13:46 | |
I mean, he really hasn't, | 0:13:46 | 0:13:47 | |
you can barely get him to have a cup of tea. | 0:13:47 | 0:13:49 | |
So that's a temporary class | 0:13:49 | 0:13:50 | |
while it's waiting for something else. | 0:13:50 | 0:13:52 | |
And then we're looking at class C, | 0:13:52 | 0:13:53 | |
class B and I want to hear | 0:13:53 | 0:13:55 | |
some sort of drug that is very bad. | 0:13:55 | 0:13:57 | |
Retinol A, not it. | 0:13:57 | 0:13:59 | |
So you get that bonus, Cosmos, | 0:13:59 | 0:14:01 | |
and you may choose a question. | 0:14:01 | 0:14:02 | |
Horned Viper, please. | 0:14:02 | 0:14:03 | |
OK, what would come fourth in this picture sequence? | 0:14:03 | 0:14:07 | |
Here's the first. | 0:14:07 | 0:14:09 | |
Um... | 0:14:11 | 0:14:12 | |
-Let's got the next one. -Next. | 0:14:12 | 0:14:14 | |
It's a big baby in a parade. | 0:14:15 | 0:14:18 | |
Next. | 0:14:21 | 0:14:23 | |
Oh, my goodness. | 0:14:23 | 0:14:25 | |
Yes, and what happened? | 0:14:30 | 0:14:32 | |
-And what happened? -Yes. | 0:14:32 | 0:14:34 | |
We're going to have to figure something out. | 0:14:34 | 0:14:39 | |
Three seconds. | 0:14:39 | 0:14:40 | |
Um... | 0:14:41 | 0:14:44 | |
A giant... | 0:14:44 | 0:14:45 | |
-Um... -Elephant. -..Balloon. | 0:14:45 | 0:14:48 | |
In the shape of an elephant, perhaps. | 0:14:48 | 0:14:50 | |
It is not a giant balloon | 0:14:50 | 0:14:51 | |
in the shape of an elephant. | 0:14:51 | 0:14:53 | |
So, Verbivores, you've got | 0:14:53 | 0:14:54 | |
the chance of a bonus point. | 0:14:54 | 0:14:55 | |
A giant effigy of David Cameron? | 0:14:55 | 0:14:57 | |
Is the right answer. | 0:14:57 | 0:14:58 | |
Of course, Lewes fireworks, isn't it? | 0:14:58 | 0:15:00 | |
It's Lewes fireworks, yes. | 0:15:00 | 0:15:02 | |
In Lewes, in Sussex, every year on | 0:15:02 | 0:15:04 | |
Bonfire Night, they burn effigies. | 0:15:04 | 0:15:06 | |
They burn the Pope and Guy Fawkes and there's a sort of topical guest | 0:15:06 | 0:15:09 | |
attraction. Let's all try | 0:15:09 | 0:15:11 | |
to identify who they are. | 0:15:11 | 0:15:12 | |
Who do you think that is in the first picture, 2012? | 0:15:12 | 0:15:14 | |
I don't know, I have no idea! | 0:15:14 | 0:15:16 | |
Angela Merkel, of course. | 0:15:16 | 0:15:17 | |
Oh, the German flag, yes! | 0:15:17 | 0:15:19 | |
And you said a big baby in a parade. | 0:15:19 | 0:15:22 | |
Now you know it's a topical guest of 2013, it is of course... | 0:15:22 | 0:15:26 | |
Prince George? | 0:15:26 | 0:15:27 | |
Kim Jong Un, that's right! | 0:15:27 | 0:15:29 | |
And sandwiched uncomfortably between | 0:15:31 | 0:15:33 | |
Kim Jong Un and David Cameron, | 0:15:33 | 0:15:35 | |
that third picture? | 0:15:35 | 0:15:36 | |
-Alex Salmond. -It is Alex Salmond, | 0:15:36 | 0:15:38 | |
yes, yes, yes. | 0:15:38 | 0:15:39 | |
Once you know, it's so obvious. | 0:15:39 | 0:15:41 | |
Very well done for the bonus. | 0:15:41 | 0:15:43 | |
Which question would you like? | 0:15:43 | 0:15:44 | |
-Lion, please. -Lion, OK. | 0:15:44 | 0:15:46 | |
What would come fourth in this sequence? Here's the first. | 0:15:46 | 0:15:48 | |
Capital Q. | 0:15:50 | 0:15:51 | |
Nope. Next. | 0:15:52 | 0:15:54 | |
What is this? | 0:15:58 | 0:16:00 | |
Q, U. | 0:16:00 | 0:16:02 | |
Is it going to spell out a four-letter word? Q, U... | 0:16:02 | 0:16:04 | |
-I don't know. -Next. -Next. | 0:16:04 | 0:16:06 | |
So, Pakistan's capital is Islamabad. | 0:16:08 | 0:16:10 | |
Mongolia's is Ulaanbaatar, but I don't know what the sequence is. | 0:16:10 | 0:16:14 | |
So, what's fourth? | 0:16:14 | 0:16:17 | |
Q, U, I... | 0:16:17 | 0:16:19 | |
-Capital of Kuwait, for example. -Quiz? | 0:16:19 | 0:16:22 | |
Yeah. Croatia's is. Capital Z, in brackets - C. | 0:16:22 | 0:16:26 | |
Capital Z, brackets - C - close brackets. | 0:16:28 | 0:16:31 | |
The answer is Capital Z brackets C. | 0:16:31 | 0:16:34 | |
Tom, perhaps you could explain | 0:16:34 | 0:16:35 | |
what the sequence is? | 0:16:35 | 0:16:36 | |
The letter in the brackets begins a country which is the only one with a | 0:16:36 | 0:16:40 | |
capital beginning with a previous letter. | 0:16:40 | 0:16:42 | |
That's exactly right. There are only | 0:16:42 | 0:16:44 | |
four letters of the alphabet which | 0:16:44 | 0:16:46 | |
are the first letters | 0:16:46 | 0:16:47 | |
of a capital city only one time. | 0:16:47 | 0:16:48 | |
So there's only one capital | 0:16:48 | 0:16:50 | |
that begins with a Q, and that is of course... | 0:16:50 | 0:16:52 | |
Quito of Ecuador. | 0:16:52 | 0:16:54 | |
There's only one U... | 0:16:54 | 0:16:55 | |
Ulaanbaatar, Mongolia. | 0:16:55 | 0:16:57 | |
That's absolutely right. One I. | 0:16:57 | 0:16:58 | |
Islamabad, Pakistan. | 0:16:58 | 0:17:00 | |
And of course, we're not going | 0:17:00 | 0:17:01 | |
in alphabetical order, | 0:17:01 | 0:17:02 | |
we are spelling out the word quiz, | 0:17:02 | 0:17:04 | |
so I wanted to hear Z for Zagreb, | 0:17:04 | 0:17:06 | |
the capital of Croatia. | 0:17:06 | 0:17:08 | |
Very well done. Well quizzed. | 0:17:08 | 0:17:10 | |
Cosmopolitans, what would you like? | 0:17:10 | 0:17:12 | |
-Twisted Flax, please. -Twisted Flax, OK. | 0:17:12 | 0:17:15 | |
What would come fourth in this sequence? Here's the first. | 0:17:15 | 0:17:19 | |
Right. | 0:17:24 | 0:17:26 | |
Next. | 0:17:26 | 0:17:27 | |
Nighthawks, there are two people in it. | 0:17:27 | 0:17:31 | |
Is it the number of people? | 0:17:31 | 0:17:33 | |
-It's not, there's four. -Possibly. | 0:17:33 | 0:17:34 | |
Shall we go for the third one? | 0:17:34 | 0:17:36 | |
-Yes, I think we better. -Next. | 0:17:36 | 0:17:38 | |
Yes, so... | 0:17:39 | 0:17:41 | |
THEY WHISPER | 0:17:41 | 0:17:43 | |
Yes, OK. | 0:17:51 | 0:17:52 | |
I'm so sorry. | 0:17:55 | 0:17:56 | |
THEY LAUGH | 0:17:56 | 0:17:57 | |
The Mona Lisa, brackets - da Vinci. | 0:17:57 | 0:18:00 | |
Not, I'm afraid, the right answer. | 0:18:00 | 0:18:02 | |
So, Verbivores, what's your guess | 0:18:02 | 0:18:05 | |
for a bonus point? | 0:18:05 | 0:18:06 | |
-Irises, brackets - Van Gogh? -Not it either. | 0:18:07 | 0:18:10 | |
What sequence are you thinking of? | 0:18:10 | 0:18:12 | |
-We're thinking the number of people in the pictures. -Right. | 0:18:12 | 0:18:15 | |
And we were going down, and we were thinking four, three, two, one, | 0:18:15 | 0:18:19 | |
because we thought there were two in The Scream. | 0:18:19 | 0:18:21 | |
I'm afraid there are three people in The Scream. | 0:18:21 | 0:18:24 | |
Really? | 0:18:24 | 0:18:25 | |
There are five dancers | 0:18:25 | 0:18:26 | |
in Matisse's Dance II. | 0:18:26 | 0:18:28 | |
There are four people in Hopper's Nighthawks. | 0:18:28 | 0:18:30 | |
American Gothic, then? | 0:18:30 | 0:18:31 | |
American Gothic is the very one we went with, yes. | 0:18:31 | 0:18:33 | |
In The Scream, there is the chap that people say | 0:18:33 | 0:18:36 | |
has just heard a scream, | 0:18:36 | 0:18:38 | |
and there's actually two people | 0:18:38 | 0:18:39 | |
walking away, so three. | 0:18:39 | 0:18:41 | |
So we need to hear a painting | 0:18:41 | 0:18:42 | |
with two people in it - for example, | 0:18:42 | 0:18:44 | |
American Gothic. | 0:18:44 | 0:18:45 | |
So no points there, Verbivores, | 0:18:45 | 0:18:47 | |
but you may choose a question. | 0:18:47 | 0:18:49 | |
-Water, please. -OK, what would come fourth in this sequence? | 0:18:49 | 0:18:52 | |
Here's the first. | 0:18:52 | 0:18:53 | |
That's the golden ratio, isn't it? | 0:18:54 | 0:18:56 | |
It's phi. | 0:18:56 | 0:18:58 | |
If we are doing Greek letters, do you know...? | 0:18:58 | 0:19:00 | |
Next. | 0:19:04 | 0:19:05 | |
That's chi, isn't it? | 0:19:06 | 0:19:08 | |
-Phi, chi... -Omega. | 0:19:08 | 0:19:10 | |
Is omega the last one? | 0:19:10 | 0:19:12 | |
Yes. | 0:19:12 | 0:19:13 | |
HE MUMBLES | 0:19:13 | 0:19:16 | |
What represents omega? | 0:19:16 | 0:19:18 | |
Is it an ohm, yeah. | 0:19:18 | 0:19:21 | |
The symbol for an ohm, the unit of resistance. | 0:19:21 | 0:19:24 | |
-And why would that be? -Because it's an omega. | 0:19:24 | 0:19:27 | |
Once again, that is the right answer | 0:19:27 | 0:19:29 | |
in a very difficult final question. | 0:19:29 | 0:19:31 | |
Well done. Talk me through these clues. | 0:19:31 | 0:19:33 | |
They're the last four letters of the Greek alphabet - | 0:19:33 | 0:19:36 | |
the golden ratio is represented by phi, | 0:19:36 | 0:19:38 | |
the life force in Chinese medicine is chi, | 0:19:38 | 0:19:40 | |
-pounds per square inch is psi... -And for example, | 0:19:40 | 0:19:42 | |
the last element of the sequence | 0:19:42 | 0:19:44 | |
or the Charlton Heston film - | 0:19:44 | 0:19:46 | |
something Man - some kind of representation of omega, | 0:19:46 | 0:19:48 | |
very well done. | 0:19:48 | 0:19:50 | |
Cosmopolitans, one horrible question | 0:19:50 | 0:19:52 | |
remains for you, it is the Two Reeds, | 0:19:52 | 0:19:55 | |
what will come fourth in this sequence? Here is the first. | 0:19:55 | 0:19:58 | |
OK, Brazil 4... | 0:20:00 | 0:20:02 | |
Are these the World Cup final results? | 0:20:02 | 0:20:05 | |
Is it? No? | 0:20:05 | 0:20:08 | |
Next. | 0:20:08 | 0:20:09 | |
2006 Italy 3... | 0:20:10 | 0:20:13 | |
What happened? Italy won. | 0:20:13 | 0:20:14 | |
2010 was Spain... | 0:20:14 | 0:20:17 | |
-2014... -Yeah, is what? | 0:20:17 | 0:20:20 | |
-Germany. -Germany... | 0:20:20 | 0:20:22 | |
-One. -One. | 0:20:22 | 0:20:24 | |
-That's too easy. -Surely. | 0:20:24 | 0:20:26 | |
Is it really 4-3? | 0:20:26 | 0:20:28 | |
What do you think? | 0:20:28 | 0:20:29 | |
Yeah. But would it... | 0:20:31 | 0:20:32 | |
THEY WHISPER | 0:20:32 | 0:20:34 | |
-Could it be? -Argentina. | 0:20:34 | 0:20:36 | |
Two seconds. | 0:20:36 | 0:20:37 | |
So it's 2014. | 0:20:38 | 0:20:42 | |
What do you think, Emily? | 0:20:42 | 0:20:43 | |
Germany one, Argentina nil. | 0:20:43 | 0:20:46 | |
Not the answer, I'm afraid. | 0:20:46 | 0:20:48 | |
Verbivores, you've got the chance of a bonus point. | 0:20:48 | 0:20:50 | |
2014... | 0:20:50 | 0:20:53 | |
HE STUTTERS | 0:20:53 | 0:20:55 | |
..Germany four, Argentina three. | 0:20:55 | 0:20:58 | |
That's not it. | 0:20:58 | 0:20:59 | |
But why are you saying that? | 0:20:59 | 0:21:01 | |
I think it's the finalists in the World Cup and the number of times | 0:21:01 | 0:21:06 | |
they've won the World Cup after that game was played. | 0:21:06 | 0:21:09 | |
Your problem is, it was before | 0:21:09 | 0:21:11 | |
that game was played. | 0:21:11 | 0:21:12 | |
You have spotted the horrible thing we've done here. | 0:21:12 | 0:21:14 | |
It couldn't be 0-0, could it?! | 0:21:14 | 0:21:16 | |
They are successive | 0:21:16 | 0:21:18 | |
World Cup matches | 0:21:18 | 0:21:20 | |
and they are the finalists in those matches, | 0:21:20 | 0:21:22 | |
but the numbers represent not the score, | 0:21:22 | 0:21:24 | |
but the number of World Cups those | 0:21:24 | 0:21:25 | |
teams had previously won before they | 0:21:25 | 0:21:27 | |
got the final. As you say yourself, | 0:21:27 | 0:21:29 | |
Spain and the Netherlands had won no | 0:21:29 | 0:21:31 | |
World Cups, so Germany had won three | 0:21:31 | 0:21:34 | |
and Argentina two when they went in | 0:21:34 | 0:21:36 | |
to that 2014 final. | 0:21:36 | 0:21:38 | |
But I see my drinks are coming to an end, | 0:21:38 | 0:21:39 | |
so we'd better finish the round. | 0:21:39 | 0:21:41 | |
I'll give you the scores. | 0:21:41 | 0:21:42 | |
Cosmopolitans, two, Verbivores nine. | 0:21:42 | 0:21:46 | |
And just when you were thinking it couldn't get nastier, | 0:21:48 | 0:21:50 | |
time for the Connecting Wall. | 0:21:50 | 0:21:52 | |
And you'll be going first this time, Cosmopolitans. | 0:21:52 | 0:21:54 | |
Would you like Lion or Water? | 0:21:54 | 0:21:56 | |
-Water, please. -OK, | 0:21:56 | 0:21:58 | |
you have 2½ minutes to solve the Water wall, starting now. | 0:21:58 | 0:22:02 | |
Oh, great, OK. | 0:22:03 | 0:22:05 | |
So 1837 is Victoria coming to the throne. | 0:22:05 | 0:22:08 | |
-What other years...? -1558... | 0:22:08 | 0:22:10 | |
-1952 was the Queen. -The Queen, yes. | 0:22:10 | 0:22:12 | |
-1702. -Yes. | 0:22:12 | 0:22:15 | |
OK. Great. | 0:22:15 | 0:22:16 | |
There... Are there some cubes? | 0:22:16 | 0:22:18 | |
343 is a cube. 125, 27, one. | 0:22:18 | 0:22:21 | |
Oh, 1, yes. | 0:22:21 | 0:22:23 | |
-OK. -Three lives now. | 0:22:24 | 0:22:27 | |
-Oh, dear! That's unfortunate. -5, 6, 7, 8, is a song by Steps. | 0:22:27 | 0:22:31 | |
It is. One is probably a song. | 0:22:31 | 0:22:34 | |
-1999, is that? -Yes! | 0:22:34 | 0:22:35 | |
-1999 is a song. -Prince. | 0:22:35 | 0:22:37 | |
Let's not solve. | 0:22:37 | 0:22:38 | |
-OK. -What's the other one? | 0:22:38 | 0:22:40 | |
-10,000? -5.15? | 0:22:40 | 0:22:42 | |
And what of all of these others? | 0:22:42 | 0:22:43 | |
That's the thing, right. | 0:22:43 | 0:22:44 | |
Shall we undo these? | 0:22:44 | 0:22:46 | |
-So if you look at them... -Yeah. | 0:22:46 | 0:22:48 | |
So, 400, 1500... | 0:22:48 | 0:22:51 | |
Are these measurements of something like the lines on a TV? | 0:22:51 | 0:22:54 | |
They are sort of athletics things. | 0:22:54 | 0:22:56 | |
Yes, 1500, 400, 110 and 10,000, yes. | 0:22:56 | 0:22:59 | |
You've solved the Wall! Absolutely amazing. | 0:23:01 | 0:23:03 | |
Not even halfway through the time. | 0:23:03 | 0:23:05 | |
That was incredible. What about the connections, then? | 0:23:05 | 0:23:07 | |
The first group, 1837, | 0:23:07 | 0:23:09 | |
or 1-8-3-7, and so on. | 0:23:09 | 0:23:11 | |
The accession dates of British queens. | 0:23:11 | 0:23:14 | |
That's absolutely right. | 0:23:14 | 0:23:15 | |
Queenly accession dates. | 0:23:15 | 0:23:17 | |
And the next green group, starting 27? | 0:23:17 | 0:23:19 | |
They're just cubes. | 0:23:19 | 0:23:21 | |
They're just cubes, simple as that, just cubes. | 0:23:21 | 0:23:23 | |
And the pink or purple group, starting 1500? | 0:23:23 | 0:23:26 | |
Athletics distances? | 0:23:26 | 0:23:28 | |
They are athletics distances. | 0:23:28 | 0:23:29 | |
Some people might not recognise 110. | 0:23:29 | 0:23:31 | |
That's the high hurdles for men. | 0:23:31 | 0:23:33 | |
Men's sprint hurdles, absolutely right. | 0:23:33 | 0:23:35 | |
And the last turquoise group, starting 1999. | 0:23:35 | 0:23:38 | |
It's songs. | 0:23:38 | 0:23:40 | |
It is songs. It's actually 1999, | 0:23:40 | 0:23:43 | |
isn't it, by Prince? | 0:23:43 | 0:23:44 | |
So, you told me all four connections | 0:23:44 | 0:23:45 | |
as well, and of course, | 0:23:45 | 0:23:47 | |
you get the bonus. That is a maximum of ten on this horrible final wall. | 0:23:47 | 0:23:50 | |
Very well done. | 0:23:50 | 0:23:52 | |
Let's bring in the Verbivores now and give them another | 0:23:52 | 0:23:54 | |
wall to see what they can do with it. | 0:23:54 | 0:23:57 | |
Welcome back, Verbivores. | 0:23:57 | 0:23:58 | |
I don't know if you'll think it's much of a welcome. | 0:23:58 | 0:24:00 | |
You're going to be getting the Lion wall. | 0:24:00 | 0:24:02 | |
2½ minutes to solve it, starting... | 0:24:02 | 0:24:05 | |
now. | 0:24:05 | 0:24:06 | |
I'm off! OK, | 0:24:07 | 0:24:09 | |
so that's the | 0:24:09 | 0:24:12 | |
freezing point in Kelvin, isn't it? | 0:24:12 | 0:24:14 | |
That's it in Fahrenheit. | 0:24:14 | 0:24:15 | |
That's the freezing point in Celsius. | 0:24:15 | 0:24:17 | |
-Um... -That one? -Go on, then. | 0:24:17 | 0:24:19 | |
-There we are! -1066 is an important date. | 0:24:19 | 0:24:22 | |
-A battle. 1087... -That's a change of reign. -Yes, it is. | 0:24:22 | 0:24:26 | |
That's a change of reign. | 0:24:26 | 0:24:27 | |
Shall we go round the years? | 0:24:27 | 0:24:29 | |
-Oh, right. -Three lives now. | 0:24:29 | 0:24:30 | |
It's record speeds, record speeds. | 0:24:30 | 0:24:32 | |
-Speed of records. -That one, that one, that one and... | 0:24:32 | 0:24:34 | |
Right. Ten, infinity, 300, 2012... | 0:24:34 | 0:24:37 | |
-Films. -Are they all names of films? | 0:24:37 | 0:24:40 | |
300 is definitely a film, the Spartans. | 0:24:40 | 0:24:42 | |
2012 is a disaster movie. | 0:24:42 | 0:24:43 | |
Infinity and Ten probably are. | 0:24:43 | 0:24:45 | |
-Shall we go with that? -And I think that... | 0:24:45 | 0:24:47 | |
You've solved the wall! | 0:24:47 | 0:24:49 | |
That's amazing! | 0:24:49 | 0:24:50 | |
I wasn't thinking that was particularly a wall for a wordy | 0:24:50 | 0:24:53 | |
team. Very well done. | 0:24:53 | 0:24:55 | |
Let's have a look for those connections. | 0:24:55 | 0:24:57 | |
Tell me about the first blue group, starting 32. | 0:24:57 | 0:25:01 | |
They're freezing points of water | 0:25:01 | 0:25:03 | |
in various scales of temperature. | 0:25:03 | 0:25:05 | |
Freezing points of water. | 0:25:05 | 0:25:06 | |
And the green group - 1066, or 1-0-6-6, and so on. | 0:25:06 | 0:25:10 | |
Changes of reign. | 0:25:10 | 0:25:12 | |
Changes of reign in... | 0:25:12 | 0:25:15 | |
-British monarchs. -..England. -I need to hear something specific. | 0:25:15 | 0:25:17 | |
It's when Williams took over. | 0:25:17 | 0:25:19 | |
Accessions of Kings William. | 0:25:19 | 0:25:22 | |
And the next group, starting 3-3-1-3. | 0:25:22 | 0:25:26 | |
They are record speeds. | 0:25:26 | 0:25:28 | |
33 and a third and so on | 0:25:28 | 0:25:30 | |
are all record speeds. | 0:25:30 | 0:25:31 | |
And the turquoise group - 300, or 3-0-0, what are they? | 0:25:31 | 0:25:35 | |
They are names of films? | 0:25:35 | 0:25:36 | |
They are film titles. | 0:25:36 | 0:25:38 | |
So, you did find all the groups | 0:25:38 | 0:25:39 | |
and tell me all the connections - | 0:25:39 | 0:25:41 | |
that is a total of ten points. | 0:25:41 | 0:25:43 | |
Let's have a look at the scores. | 0:25:43 | 0:25:45 | |
We will now decide the Championship in the missing vowels round. | 0:25:52 | 0:25:56 | |
Fingers on buzzers, teams. | 0:25:56 | 0:25:57 | |
I can tell you that the first group are all... | 0:25:57 | 0:25:59 | |
-Cosmopolitans? -January and garnet. | 0:26:06 | 0:26:08 | |
Correct. | 0:26:08 | 0:26:09 | |
Cosmopolitans? | 0:26:10 | 0:26:12 | |
April and diamond. | 0:26:12 | 0:26:13 | |
Correct. | 0:26:13 | 0:26:14 | |
-Cosmos? -October and opal. | 0:26:16 | 0:26:18 | |
Well done. | 0:26:18 | 0:26:19 | |
-Verbivores? ALL: -May and emeralds. | 0:26:21 | 0:26:23 | |
Correct. Next category... | 0:26:23 | 0:26:24 | |
Careful. | 0:26:27 | 0:26:29 | |
-Verbivores. -Bag, big, big, bog, bug. | 0:26:31 | 0:26:34 | |
Correct. | 0:26:34 | 0:26:35 | |
Verbivores? | 0:26:37 | 0:26:39 | |
Patting, petting, pitting, potting, putting. | 0:26:39 | 0:26:42 | |
Correct. | 0:26:42 | 0:26:43 | |
-Cosmopolitans? -Mass, mess... | 0:26:45 | 0:26:48 | |
Not it, I'm afraid, Verbivores. | 0:26:48 | 0:26:49 | |
Masses, messes, misses, mosses, musses. | 0:26:49 | 0:26:53 | |
There are extra S for plurals, that's right. | 0:26:53 | 0:26:56 | |
Verbivores? | 0:26:56 | 0:26:57 | |
Last, lest, list, lost, lust. | 0:26:57 | 0:27:00 | |
Well done. Next category... | 0:27:00 | 0:27:01 | |
Cosmopolitans? | 0:27:05 | 0:27:06 | |
-Scampi. -Correct. | 0:27:06 | 0:27:08 | |
Cosmos? | 0:27:09 | 0:27:11 | |
-Battered sausage. -Correct. | 0:27:11 | 0:27:13 | |
-Cosmos? -Onion rings. | 0:27:15 | 0:27:17 | |
Correct. | 0:27:17 | 0:27:18 | |
-Verbivores? -Pickled egg. | 0:27:19 | 0:27:21 | |
Don't mind if I do. Next category... | 0:27:21 | 0:27:23 | |
-Cosmopolitans? -Arbitrary. -Yep. | 0:27:26 | 0:27:28 | |
-Verbivores? -Indiscriminate. | 0:27:30 | 0:27:32 | |
Correct. | 0:27:32 | 0:27:34 | |
END MUSIC PLAYS | 0:27:34 | 0:27:36 | |
No time to tell me the next | 0:27:38 | 0:27:40 | |
random word, which was irregular. | 0:27:40 | 0:27:43 | |
The bell has gone | 0:27:43 | 0:27:44 | |
for the end of the quiz. | 0:27:44 | 0:27:46 | |
And I can tell you that our second-place finishers | 0:27:46 | 0:27:49 | |
have 18 points, | 0:27:49 | 0:27:51 | |
but the winners with 26 | 0:27:51 | 0:27:53 | |
and the new champions of Only Connect | 0:27:53 | 0:27:55 | |
are the Verbivores. | 0:27:55 | 0:27:57 | |
Very well done to you. | 0:27:57 | 0:27:58 | |
Excellent stuff. | 0:27:58 | 0:28:00 | |
Well done, everybody. You all | 0:28:00 | 0:28:01 | |
quizzed absolutely brilliantly. | 0:28:01 | 0:28:02 | |
Fantastic. But you Verbivores | 0:28:02 | 0:28:04 | |
are the champions. | 0:28:04 | 0:28:06 | |
Well done. | 0:28:06 | 0:28:08 | |
And that's it, it's the end of the show and the series. | 0:28:08 | 0:28:11 | |
We are about to have our magnificent closing ceremony, | 0:28:11 | 0:28:15 | |
and then it will be a few months until we meet again. | 0:28:15 | 0:28:17 | |
But in the gap, if you miss us, | 0:28:17 | 0:28:19 | |
why not recreate the Only Connect experience | 0:28:19 | 0:28:21 | |
by trying to make small talk with a teenager? | 0:28:21 | 0:28:24 | |
Just like answering the questions on this show, | 0:28:24 | 0:28:26 | |
you'll find that whatever you say is probably wrong. | 0:28:26 | 0:28:29 | |
Goodbye. | 0:28:29 | 0:28:30 |