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Good evening and welcome to Only Connect, | 0:00:21 | 0:00:23 | |
coming to you, as always, from sparkling downtown Cardiff. | 0:00:23 | 0:00:27 | |
By the way, when I'm out and about, | 0:00:27 | 0:00:28 | |
some people tell me they assume Only Connect is made in Wales | 0:00:28 | 0:00:31 | |
because of some kind of quota system or regional diversity budget. | 0:00:31 | 0:00:35 | |
And I say, "No! This is a properly Welsh show. | 0:00:35 | 0:00:38 | |
"It was devised by Welsh people at a Welsh production company. | 0:00:38 | 0:00:41 | |
"The producer's Welsh, the director's Welsh, the crew is Welsh. | 0:00:41 | 0:00:44 | |
"Only Connect isn't one of those trendy fly-by-night visiting | 0:00:44 | 0:00:47 | |
"London bandwagons, it's Welsh to its very soul." | 0:00:47 | 0:00:50 | |
And then they say, "Why don't they get someone Welsh to present it?" | 0:00:50 | 0:00:53 | |
And I say... | 0:00:53 | 0:00:54 | |
"Shut up!" | 0:00:56 | 0:00:58 | |
Let's meet the teams. | 0:00:58 | 0:01:00 | |
On my right, | 0:01:00 | 0:01:01 | |
Taissa Csaky, a classics graduate and dog-lover, who was told by | 0:01:01 | 0:01:06 | |
a Glastonbury hippy that the Egyptian god of mummification | 0:01:06 | 0:01:09 | |
was visible in her dog Zephyr's aura. | 0:01:09 | 0:01:12 | |
Niall Sheekey, a trained bell-ringer, | 0:01:12 | 0:01:14 | |
who spends every Boxing Day | 0:01:14 | 0:01:16 | |
jumping into the freezing cold sea. | 0:01:16 | 0:01:18 | |
And their captain, Michael Jelley, | 0:01:18 | 0:01:21 | |
a maths graduate and enthusiastic korfball player, who rescued | 0:01:21 | 0:01:25 | |
the team pom-poms from a burning gymnasium. | 0:01:25 | 0:01:28 | |
United in their devotion to the Dutch sport of korfball, | 0:01:28 | 0:01:31 | |
they are the Korfballers. | 0:01:31 | 0:01:33 | |
Welcome to the semifinal. | 0:01:33 | 0:01:34 | |
Michael, this means you got further than your brother, | 0:01:34 | 0:01:37 | |
who played Only Connect and made the quarterfinals. | 0:01:37 | 0:01:39 | |
How do you feel about that? | 0:01:39 | 0:01:41 | |
I'm delighted, but of course in life, as in korfball, | 0:01:41 | 0:01:45 | |
the only success is victory. | 0:01:45 | 0:01:46 | |
Excellent. | 0:01:46 | 0:01:48 | |
You are facing tonight, on my left, | 0:01:48 | 0:01:50 | |
Annette Fenner, a medical journal editor | 0:01:50 | 0:01:53 | |
who hand-delivers a cake every year | 0:01:53 | 0:01:55 | |
to the Test Match Special team at Lord's. | 0:01:55 | 0:01:58 | |
Emily Watnick, | 0:01:58 | 0:01:59 | |
a retired finance manager, | 0:01:59 | 0:02:01 | |
whose great-uncle was Albert Einstein's physician. | 0:02:01 | 0:02:04 | |
And their captain, Amy Godel, | 0:02:04 | 0:02:07 | |
a former hypnotherapist who enjoys going to museums at night. | 0:02:07 | 0:02:10 | |
United by their love of air travel and alcohol, | 0:02:10 | 0:02:13 | |
they are the Cosmopolitans. | 0:02:13 | 0:02:15 | |
You've won every game you've played so far. | 0:02:15 | 0:02:17 | |
What is the secret of a successful Only Connect strategy? | 0:02:17 | 0:02:20 | |
Well, if we knew the secret, we'd be a bit more confident at this point. | 0:02:20 | 0:02:24 | |
Um, we don't really have one. | 0:02:24 | 0:02:26 | |
Perhaps you can publish your book afterwards. | 0:02:26 | 0:02:28 | |
You won the toss, Cosmopolitans, so you'll be going first. | 0:02:28 | 0:02:31 | |
Please choose an Egyptian hieroglyph. | 0:02:31 | 0:02:33 | |
Horned Viper, please. | 0:02:33 | 0:02:35 | |
First question of the semifinal, the Horned Viper. | 0:02:35 | 0:02:37 | |
What is the connection between these clues? | 0:02:37 | 0:02:39 | |
Here's the first. | 0:02:39 | 0:02:41 | |
THEY CONFER | 0:02:42 | 0:02:44 | |
Where? What other Canadian word? | 0:02:44 | 0:02:46 | |
Do we know any? | 0:02:46 | 0:02:48 | |
-No. -I don't know. | 0:02:48 | 0:02:49 | |
-Next. -Next. | 0:02:49 | 0:02:51 | |
Attributed to Schumann... | 0:02:53 | 0:02:55 | |
INDISTINCT SPEECH | 0:02:55 | 0:02:57 | |
Mistakes? | 0:03:00 | 0:03:02 | |
-Various kinds of... Next. -Next. | 0:03:02 | 0:03:04 | |
Statue of Liberty commemorated... | 0:03:04 | 0:03:08 | |
Oh, are these some kind of...? | 0:03:08 | 0:03:11 | |
Next. | 0:03:13 | 0:03:14 | |
They're some kind of mistakes | 0:03:18 | 0:03:21 | |
in the Encyclopaedia Britannica? | 0:03:21 | 0:03:24 | |
Mistakes in the Encyclopaedia Britannica?! | 0:03:24 | 0:03:27 | |
The slander. | 0:03:27 | 0:03:28 | |
They are most certainly not. | 0:03:28 | 0:03:30 | |
Korfballers, do you want to have a go for a bonus point? | 0:03:30 | 0:03:32 | |
Were they mistakes made in Olympic opening ceremonies? | 0:03:32 | 0:03:36 | |
They were not. | 0:03:36 | 0:03:38 | |
These are mistakes on stamps. | 0:03:38 | 0:03:41 | |
There were some Canadian stamps, which showed the rocks from | 0:03:41 | 0:03:43 | |
a park, but they identified it as a different park. | 0:03:43 | 0:03:47 | |
There was a German stamp, | 0:03:47 | 0:03:48 | |
which was meant to be a tribute to Schumann, and it had a score | 0:03:48 | 0:03:51 | |
in the background, a Schubert's score. | 0:03:51 | 0:03:52 | |
The American stamp was meant to have the Statue of Liberty on it | 0:03:52 | 0:03:55 | |
and they chose the Statue of Liberty from the hotel New York-New York | 0:03:55 | 0:03:59 | |
in Las Vegas, a big plastic one. | 0:03:59 | 0:04:00 | |
And the Isle Of Wight, you'll spot there, | 0:04:00 | 0:04:03 | |
is not written how it's supposed to be. | 0:04:03 | 0:04:04 | |
No points there, Korfballers, but you may choose a question. | 0:04:04 | 0:04:08 | |
-The Two Reeds, please. -Two Reeds. | 0:04:08 | 0:04:10 | |
MUSICAL TONE The music question, | 0:04:10 | 0:04:12 | |
something connects the clues you're going to hear. | 0:04:12 | 0:04:14 | |
What is it? First one coming in now. | 0:04:14 | 0:04:16 | |
-# John Wayne in Lover's Lane -Making whoopee with his squaw | 0:04:16 | 0:04:20 | |
# But his bullet belt starts getting in the way | 0:04:20 | 0:04:22 | |
-# It's making his life a bore... # -Erm, move on. | 0:04:22 | 0:04:24 | |
-# So she says to him... # -Next, please. | 0:04:24 | 0:04:26 | |
# Foresight minds wide magic imagery... # | 0:04:26 | 0:04:30 | |
INSTRUMENTAL | 0:04:30 | 0:04:32 | |
-Ah... -Go on. -Next, please. | 0:04:34 | 0:04:37 | |
# Don't you... | 0:04:37 | 0:04:39 | |
# Forget about me | 0:04:39 | 0:04:42 | |
# Don't, don't, don't, don't, don't you | 0:04:43 | 0:04:47 | |
# Forget about me... # | 0:04:47 | 0:04:50 | |
Next, please. | 0:04:50 | 0:04:52 | |
# Today is going to be the day | 0:04:52 | 0:04:53 | |
# That they're going to throw it back to you... # | 0:04:53 | 0:04:55 | |
Two seconds. | 0:04:55 | 0:04:57 | |
Erm... | 0:04:57 | 0:04:58 | |
They were all kept off number one | 0:04:58 | 0:05:02 | |
by a remarkably small number of records. | 0:05:02 | 0:05:05 | |
They were not all kept off number one | 0:05:05 | 0:05:08 | |
by a remarkably small series of records. | 0:05:08 | 0:05:10 | |
So, Cosmopolitans, your chance for a bonus point now. | 0:05:10 | 0:05:12 | |
Are they all recorded by someone | 0:05:12 | 0:05:14 | |
who was married to Patsy Kensit? | 0:05:14 | 0:05:16 | |
Oh, well done. | 0:05:16 | 0:05:18 | |
They all feature someone | 0:05:18 | 0:05:19 | |
who was married to Patsy Kensit. | 0:05:19 | 0:05:21 | |
What did we hear? | 0:05:21 | 0:05:23 | |
-I didn't recognise the first... -Well, there was a Simple Minds... | 0:05:23 | 0:05:26 | |
But we had Simple Minds and Oasis. | 0:05:26 | 0:05:27 | |
She was married to Jim Kerr and Liam Gallagher. | 0:05:27 | 0:05:29 | |
The first clue was Haysi Fantayzee, with the vocalist Jeremy Healy. | 0:05:29 | 0:05:32 | |
And the second one, Big Audio Dynamite - | 0:05:32 | 0:05:35 | |
-she was married to the keyboardist, Dan Donovan. -Yes. | 0:05:35 | 0:05:38 | |
All husbands of Patsy Kensit. | 0:05:38 | 0:05:40 | |
Excellent lateral thinking, well done. | 0:05:40 | 0:05:42 | |
-And you may choose your own question. -Twisted Flax. | 0:05:42 | 0:05:45 | |
Twisted Flax, OK. What is the connection between these clues? | 0:05:45 | 0:05:48 | |
Here's the first. | 0:05:48 | 0:05:49 | |
Belgium equals Z. | 0:05:49 | 0:05:52 | |
Erm, next. | 0:05:55 | 0:05:57 | |
THEY CONFER | 0:05:57 | 0:05:59 | |
I don't know. Next. | 0:06:03 | 0:06:05 | |
Malta equals... | 0:06:07 | 0:06:09 | |
Eight...? | 0:06:10 | 0:06:12 | |
No, they're not, no. | 0:06:12 | 0:06:14 | |
Could it be something to do with the Eurovision Song Contest? | 0:06:14 | 0:06:17 | |
No. Next. | 0:06:17 | 0:06:19 | |
THEY WHISPER | 0:06:19 | 0:06:21 | |
Three seconds. | 0:06:25 | 0:06:26 | |
Erm... | 0:06:28 | 0:06:29 | |
-No. -SHE LAUGHS | 0:06:29 | 0:06:31 | |
-Nothing? -No. | 0:06:31 | 0:06:32 | |
Korfballers, do you know? | 0:06:32 | 0:06:34 | |
Is it the letter that each country | 0:06:34 | 0:06:37 | |
is allotted in the draw for Eurovision | 0:06:37 | 0:06:39 | |
and the order that Eurovision runs? | 0:06:39 | 0:06:41 | |
-It is not. -Oh... | 0:06:41 | 0:06:43 | |
It is the letter that you might see | 0:06:43 | 0:06:46 | |
on the serial number | 0:06:46 | 0:06:48 | |
of this country's euro banknotes. | 0:06:48 | 0:06:50 | |
Z, for Belgium, | 0:06:50 | 0:06:51 | |
H for Slovenia, F for Malta. | 0:06:51 | 0:06:53 | |
All serial codes on euro banknotes. | 0:06:53 | 0:06:57 | |
Back to you, Korfballers, for a choice. | 0:06:57 | 0:06:59 | |
-The Lion, please. -Lion, OK. | 0:06:59 | 0:07:01 | |
These are going to be picture clues. | 0:07:01 | 0:07:02 | |
What connects them? Here's the first. | 0:07:02 | 0:07:04 | |
-Playing cards. -Solitaire. | 0:07:06 | 0:07:09 | |
Next, please. | 0:07:09 | 0:07:10 | |
Oh, is that KerPlunk? | 0:07:13 | 0:07:15 | |
It's Mikado, or it's called... | 0:07:15 | 0:07:16 | |
Oh, solitaire is because... | 0:07:16 | 0:07:18 | |
You play it on your own? | 0:07:18 | 0:07:19 | |
Gilbert and Sullivan. | 0:07:19 | 0:07:21 | |
Mikado... Do you think? | 0:07:21 | 0:07:23 | |
-You said Mikado. -Yeah, it's Mikado. | 0:07:23 | 0:07:25 | |
BELL | 0:07:25 | 0:07:27 | |
Are they... | 0:07:27 | 0:07:28 | |
Gilbert and Sullivan... | 0:07:28 | 0:07:30 | |
-Works? -..operettas? | 0:07:30 | 0:07:32 | |
They are operettas | 0:07:32 | 0:07:33 | |
of Gilbert and Sullivan. | 0:07:33 | 0:07:34 | |
Very well done. | 0:07:34 | 0:07:35 | |
What are we looking at? | 0:07:35 | 0:07:37 | |
We are looking at the Mikado. | 0:07:37 | 0:07:39 | |
-Erm... -Yeah, that's a Hungarian game. | 0:07:39 | 0:07:41 | |
The Mikado, also an operetta. | 0:07:41 | 0:07:42 | |
-Patience. -Mm-hm. | 0:07:42 | 0:07:44 | |
Is that a little maid from school by any chance? | 0:07:44 | 0:07:47 | |
-Well... -That's a pinafore. | 0:07:47 | 0:07:48 | |
-A pinafore! -Yes, that wouldn't be quite the title. | 0:07:48 | 0:07:50 | |
HMS Pinafore is what that denotes. | 0:07:50 | 0:07:52 | |
And some gondoliers. | 0:07:52 | 0:07:53 | |
And The Gondoliers. That is right. | 0:07:53 | 0:07:55 | |
You only needed to see two clues | 0:07:55 | 0:07:56 | |
though, so you get three points. | 0:07:56 | 0:07:57 | |
The pictures denote operettas by Gilbert and Sullivan. | 0:07:57 | 0:08:00 | |
-Very well done. -Thank you. | 0:08:00 | 0:08:01 | |
Game on, Cosmos. What would you like? | 0:08:01 | 0:08:03 | |
-Water, please. -Water. | 0:08:03 | 0:08:05 | |
What is the connection between these clues? Here's the first. | 0:08:05 | 0:08:08 | |
Pudding and cheese. Pfft... | 0:08:09 | 0:08:12 | |
Erm... | 0:08:12 | 0:08:14 | |
Next. | 0:08:14 | 0:08:15 | |
Oh, so it's something pudding and something cheese. | 0:08:17 | 0:08:20 | |
Santa Maria, Santa Peter? | 0:08:20 | 0:08:23 | |
Erm... Yorkshire? | 0:08:26 | 0:08:28 | |
Next. | 0:08:28 | 0:08:29 | |
Black widow. | 0:08:31 | 0:08:33 | |
Black pudding. | 0:08:33 | 0:08:35 | |
-Oh, it's black and... -Peter... | 0:08:35 | 0:08:38 | |
And... | 0:08:38 | 0:08:39 | |
-Shall we see the next one? -Next. | 0:08:39 | 0:08:41 | |
BELL | 0:08:44 | 0:08:46 | |
-Black and blue. -Black and blue. | 0:08:46 | 0:08:47 | |
Black and blue is the right answer. | 0:08:47 | 0:08:49 | |
And I think you could have come in | 0:08:49 | 0:08:50 | |
-a clue earlier. -We could, couldn't we? Yes. | 0:08:50 | 0:08:53 | |
Yes, the first word in each clue | 0:08:53 | 0:08:55 | |
you can put black before | 0:08:55 | 0:08:56 | |
and blue before the second one, so black pudding and blue cheese, | 0:08:56 | 0:08:59 | |
Black Maria and Blue Peter, | 0:08:59 | 0:09:00 | |
black widow and blue murder, | 0:09:00 | 0:09:02 | |
Black Ops and blue funk. | 0:09:02 | 0:09:04 | |
Back to you, Korfballers. | 0:09:04 | 0:09:05 | |
You'll be getting the Eye of Horus. | 0:09:05 | 0:09:06 | |
What is the connection between these clues? | 0:09:06 | 0:09:08 | |
Here's the first. | 0:09:08 | 0:09:10 | |
THEY CONFER QUIETLY | 0:09:11 | 0:09:14 | |
Er, next, please. | 0:09:14 | 0:09:15 | |
Bianca was Pasty Palmer... | 0:09:18 | 0:09:20 | |
She didn't have any children, did she? | 0:09:20 | 0:09:22 | |
I think she did produce a son. | 0:09:22 | 0:09:24 | |
Did she? | 0:09:24 | 0:09:25 | |
Ricky or something? Yeah, next, please. | 0:09:25 | 0:09:28 | |
Otto? | 0:09:28 | 0:09:30 | |
-Heard of this one? -Crossroads? | 0:09:30 | 0:09:32 | |
Is it possible that none of us knows? | 0:09:32 | 0:09:35 | |
I don't know... | 0:09:35 | 0:09:36 | |
Charlene could well have driven the bus. | 0:09:36 | 0:09:38 | |
Did Bianca? I don't watch soaps. | 0:09:38 | 0:09:41 | |
-Shall we go for one more? -Yeah. | 0:09:41 | 0:09:42 | |
Next, please. | 0:09:42 | 0:09:44 | |
Wilson from On The Buses? | 0:09:44 | 0:09:47 | |
Two seconds. BELL | 0:09:47 | 0:09:49 | |
Did they all drive buses? | 0:09:49 | 0:09:51 | |
Not the answer, I'm afraid. | 0:09:51 | 0:09:52 | |
Cosmopolitans, would you like | 0:09:52 | 0:09:53 | |
to have a go for a bonus? | 0:09:53 | 0:09:55 | |
Are they some kind of famous dogs? | 0:09:55 | 0:09:57 | |
They are not famous dogs. | 0:09:57 | 0:10:00 | |
So, Wilson, you surely remember, | 0:10:00 | 0:10:02 | |
is the volleyball that befriends | 0:10:02 | 0:10:04 | |
-Tom Hanks in Castaway. -Oh, no. | 0:10:04 | 0:10:07 | |
They are all inanimate objects | 0:10:07 | 0:10:09 | |
in cinema. | 0:10:09 | 0:10:10 | |
Otto is the autopilot in Airplane! - that's a character. | 0:10:10 | 0:10:13 | |
-Oh, yes. -Of course! | 0:10:13 | 0:10:15 | |
Charlene is Private Pyles' rifle | 0:10:15 | 0:10:17 | |
in Full Metal Jacket. | 0:10:17 | 0:10:18 | |
And Bianca is from the film | 0:10:20 | 0:10:21 | |
Lars And The Real Girl. Bianca is... | 0:10:21 | 0:10:24 | |
Is not the real girl. | 0:10:24 | 0:10:26 | |
Yes. It's... Let's just say, a doll. | 0:10:26 | 0:10:28 | |
An anatomically realistic doll | 0:10:28 | 0:10:31 | |
that Lars befriends. | 0:10:31 | 0:10:33 | |
Inanimate cinematic characters. | 0:10:33 | 0:10:36 | |
At the end of Round One, | 0:10:36 | 0:10:37 | |
the Cosmopolitans have two points. | 0:10:37 | 0:10:39 | |
The Korfballers have three. | 0:10:39 | 0:10:41 | |
On to Round Two, the sequences round. | 0:10:43 | 0:10:45 | |
And, Cosmopolitans, you'll be going first again, | 0:10:45 | 0:10:47 | |
so what would you like? | 0:10:47 | 0:10:48 | |
-Horned Viper, please. -The Horned Viper. | 0:10:48 | 0:10:50 | |
What would come fourth in this sequence? | 0:10:50 | 0:10:52 | |
Here's the first. | 0:10:52 | 0:10:53 | |
Monday (2,4)... | 0:10:55 | 0:10:57 | |
No. Next. | 0:11:00 | 0:11:02 | |
Three, four. | 0:11:04 | 0:11:06 | |
Is it number of letters in a phrase? | 0:11:06 | 0:11:09 | |
Monday's child is fair of face. | 0:11:09 | 0:11:11 | |
No, it isn't. Erm... | 0:11:13 | 0:11:15 | |
Wednesday... Next. | 0:11:16 | 0:11:18 | |
So, it's going to be Thursday. | 0:11:20 | 0:11:23 | |
Erm... | 0:11:23 | 0:11:24 | |
One, two, three, four... | 0:11:26 | 0:11:28 | |
Two seconds. BELL | 0:11:31 | 0:11:34 | |
Thursday... Erm... | 0:11:34 | 0:11:37 | |
Two... | 0:11:37 | 0:11:39 | |
Six. | 0:11:39 | 0:11:40 | |
Is the right answer. And why is that? | 0:11:40 | 0:11:42 | |
The number of vowels and consonants. | 0:11:42 | 0:11:43 | |
That's what it is. | 0:11:43 | 0:11:44 | |
There are two vowels in Monday | 0:11:44 | 0:11:46 | |
and four consonants. | 0:11:46 | 0:11:47 | |
Three vowels in Tuesday | 0:11:47 | 0:11:48 | |
and four consonants and so on. | 0:11:48 | 0:11:50 | |
We're going towards Thursday, | 0:11:50 | 0:11:51 | |
which has U and A for two vowels | 0:11:51 | 0:11:53 | |
alongside six consonants. | 0:11:53 | 0:11:55 | |
Well calculated. | 0:11:55 | 0:11:56 | |
Korfballers, what would you like? | 0:11:56 | 0:11:58 | |
The Two Reeds, please. | 0:11:58 | 0:11:59 | |
Two Reeds, OK. | 0:11:59 | 0:12:00 | |
What would you expect to come fourth in this sequence? | 0:12:00 | 0:12:03 | |
Here's the first. | 0:12:03 | 0:12:04 | |
Next, please. | 0:12:10 | 0:12:12 | |
Aluminium. Is it alloys or something? | 0:12:17 | 0:12:19 | |
What's going to be the fourth? | 0:12:19 | 0:12:22 | |
All I can think is it | 0:12:22 | 0:12:24 | |
what they make coins with? | 0:12:24 | 0:12:26 | |
But how are we going to know that? | 0:12:26 | 0:12:27 | |
I don't know. Next, please. | 0:12:27 | 0:12:29 | |
-Gold. -50. | 0:12:30 | 0:12:33 | |
Oh... | 0:12:33 | 0:12:35 | |
It would be diamond. | 0:12:35 | 0:12:36 | |
Is it just carbon? So... | 0:12:36 | 0:12:38 | |
C. | 0:12:38 | 0:12:39 | |
-C (60). -BELL | 0:12:39 | 0:12:42 | |
Is it C (60)? | 0:12:42 | 0:12:45 | |
Yes, it is. And why? | 0:12:45 | 0:12:47 | |
We think they're wedding anniversaries. | 0:12:47 | 0:12:49 | |
They are wedding anniversaries. | 0:12:49 | 0:12:50 | |
So, what are we looking at? | 0:12:50 | 0:12:51 | |
Erm, well... | 0:12:51 | 0:12:52 | |
That is diamond, a specific form | 0:12:52 | 0:12:55 | |
of carbon, for the... | 0:12:55 | 0:12:56 | |
The 60th wedding anniversary is the | 0:12:56 | 0:12:57 | |
diamond, which is made from carbon. | 0:12:57 | 0:13:00 | |
Then gold... 40 is ruby? | 0:13:00 | 0:13:02 | |
And 30, I think, is pearl. | 0:13:02 | 0:13:04 | |
Yes, so pearl is the | 0:13:04 | 0:13:05 | |
30th anniversary and that's made | 0:13:05 | 0:13:07 | |
predominantly from a form of | 0:13:07 | 0:13:09 | |
calcium carbonate, so CaCO3. | 0:13:09 | 0:13:11 | |
And ruby, made from...? Do you know? | 0:13:11 | 0:13:13 | |
Is it aluminium oxide and chromium? | 0:13:13 | 0:13:15 | |
That's exactly what it is. | 0:13:15 | 0:13:16 | |
There is a trace of chromium. | 0:13:16 | 0:13:17 | |
Very well done. Happy anniversary to you. | 0:13:17 | 0:13:19 | |
-Thanks. -Well spotted. | 0:13:19 | 0:13:21 | |
It is wedding anniversaries | 0:13:21 | 0:13:22 | |
as chemical formulae. | 0:13:22 | 0:13:24 | |
Cosmopolitans, what would you like? | 0:13:24 | 0:13:26 | |
-Twisted Flax, please. -The Twisted Flax. | 0:13:26 | 0:13:28 | |
What would come fourth in this sequence? Here's the first. | 0:13:28 | 0:13:31 | |
I: Alpin... | 0:13:33 | 0:13:35 | |
Next. | 0:13:39 | 0:13:40 | |
II: Alpin. Is that a name? | 0:13:41 | 0:13:44 | |
No. Next. | 0:13:47 | 0:13:49 | |
-Dunkeld? -I've heard of that. | 0:13:50 | 0:13:52 | |
What is that? | 0:13:52 | 0:13:54 | |
Is it...? | 0:13:59 | 0:14:00 | |
One, two, three, four... | 0:14:00 | 0:14:03 | |
Successive... | 0:14:06 | 0:14:08 | |
Two seconds. BELL | 0:14:08 | 0:14:10 | |
Erm... IV: Alpin. | 0:14:10 | 0:14:14 | |
Not the answer, I'm afraid. | 0:14:14 | 0:14:16 | |
Korfballers, would you like to have a go for a bonus point? | 0:14:16 | 0:14:19 | |
Four... IV: Aviemore? | 0:14:19 | 0:14:23 | |
Not it. The answer is, and here's where | 0:14:23 | 0:14:25 | |
you were unlucky, Cosmopolitans, IV: Dunkeld. | 0:14:25 | 0:14:27 | |
It was a repeat, but it was Dunkeld. | 0:14:27 | 0:14:29 | |
This is our producer's | 0:14:29 | 0:14:30 | |
favourite question of the series. | 0:14:30 | 0:14:31 | |
It's the Malcolms of Scotland. | 0:14:31 | 0:14:33 | |
-The Malcolms! -Oh, no! | 0:14:33 | 0:14:34 | |
Yes, the Malcolms. | 0:14:34 | 0:14:36 | |
Malcolm I of Alpin. | 0:14:36 | 0:14:37 | |
Malcolm II, Alpin. | 0:14:37 | 0:14:39 | |
Malcolm III, Dunkeld. | 0:14:39 | 0:14:41 | |
Malcolm IV, Dunkeld. | 0:14:41 | 0:14:44 | |
Yes, it's a little array | 0:14:44 | 0:14:45 | |
of Malcolms and the fourth, | 0:14:45 | 0:14:46 | |
Dunkeld, is what I wanted to hear. | 0:14:46 | 0:14:48 | |
So no bonus points, | 0:14:48 | 0:14:50 | |
Korfballers, but I can offer you a choice. | 0:14:50 | 0:14:52 | |
-The Lion, please. -Lion. | 0:14:52 | 0:14:53 | |
What would come fourth in this sequence? | 0:14:53 | 0:14:55 | |
Here's the first. | 0:14:55 | 0:14:56 | |
Stuart... | 0:15:00 | 0:15:02 | |
Next, please. | 0:15:04 | 0:15:06 | |
Some kind of thing they've been. | 0:15:07 | 0:15:10 | |
Could it be...? | 0:15:15 | 0:15:17 | |
Could they both be some kind of mash-up of names? | 0:15:17 | 0:15:20 | |
Next, please. | 0:15:22 | 0:15:23 | |
Richard F. Who's Richard F Gordon? | 0:15:24 | 0:15:27 | |
Two seconds. BELL | 0:15:33 | 0:15:35 | |
Erm... Is it... | 0:15:37 | 0:15:38 | |
Otto G... | 0:15:39 | 0:15:41 | |
Philip? | 0:15:41 | 0:15:43 | |
-Brackets. -The world's... Er, (11). | 0:15:43 | 0:15:45 | |
And why would that be? | 0:15:45 | 0:15:47 | |
He was Korfball player of the year... | 0:15:47 | 0:15:49 | |
LAUGHTER | 0:15:49 | 0:15:51 | |
-No, I'm afraid it's not a Korfball question. -What a coincidence(!) | 0:15:51 | 0:15:55 | |
I hope that doesn't give too much away, Cosmopolitans. | 0:15:55 | 0:15:57 | |
-It is not Korfball. -It's close though, isn't it? | 0:15:57 | 0:16:00 | |
We think it might be | 0:16:00 | 0:16:02 | |
Michael Collins (11). | 0:16:02 | 0:16:03 | |
It is Michael Collins (11). | 0:16:03 | 0:16:04 | |
Well done. What's going on here? | 0:16:04 | 0:16:06 | |
They're the astronauts that either didn't go on the moon | 0:16:06 | 0:16:10 | |
or were due, in the case of Jack's Swigert, | 0:16:10 | 0:16:11 | |
-not to go on the moon. -They were the ones who stayed up in the... | 0:16:11 | 0:16:14 | |
In the spacecraft while the others went down on the moon. | 0:16:14 | 0:16:17 | |
That's right. They're the pilots | 0:16:17 | 0:16:18 | |
of command modules | 0:16:18 | 0:16:19 | |
on various Apollo missions. | 0:16:19 | 0:16:21 | |
We're going backwards. | 0:16:21 | 0:16:22 | |
Apollo 11, of course, | 0:16:22 | 0:16:23 | |
Neil Armstrong was on the moon, | 0:16:23 | 0:16:25 | |
Michael Collins, no, | 0:16:25 | 0:16:26 | |
stayed aboard the craft. Well done. | 0:16:26 | 0:16:29 | |
And you get your own question. | 0:16:29 | 0:16:30 | |
-Which is it to be? -Water, please. | 0:16:30 | 0:16:31 | |
Water. What will come fourth in this sequence? | 0:16:31 | 0:16:34 | |
Here's the first. | 0:16:34 | 0:16:36 | |
-Roman... -Could be anything. Next. | 0:16:36 | 0:16:39 | |
Is it films? | 0:16:40 | 0:16:42 | |
Names of films, maybe? | 0:16:42 | 0:16:44 | |
No. | 0:16:50 | 0:16:52 | |
-Should we go for the next? -Yes. | 0:16:52 | 0:16:54 | |
Next. | 0:16:54 | 0:16:56 | |
Classic. | 0:16:56 | 0:16:58 | |
Oh, is it kinds of...? | 0:16:58 | 0:17:00 | |
Classic... | 0:17:03 | 0:17:04 | |
Is it the titles for sort of | 0:17:05 | 0:17:07 | |
Trivial Pursuit or something? | 0:17:07 | 0:17:09 | |
-Classic? -Genius? | 0:17:09 | 0:17:12 | |
BELL | 0:17:12 | 0:17:14 | |
-Genus. -Not the answer, I'm afraid. | 0:17:14 | 0:17:17 | |
So a bonus chance for you now, Korfballers. | 0:17:17 | 0:17:19 | |
-Arabic? -That's not it. | 0:17:19 | 0:17:21 | |
These are Times newspaper typefaces. | 0:17:21 | 0:17:24 | |
Roman then Millennium, and then | 0:17:24 | 0:17:26 | |
Classic, and the current one | 0:17:26 | 0:17:28 | |
at time of recording, Times Modern. | 0:17:28 | 0:17:31 | |
So no bonus points, | 0:17:31 | 0:17:32 | |
Korfballers, but I may offer you a question. | 0:17:32 | 0:17:34 | |
It will be the Eye of Horus. | 0:17:34 | 0:17:35 | |
I don't know why that keeps being left in the bowl. | 0:17:35 | 0:17:37 | |
It's a picture question. | 0:17:37 | 0:17:38 | |
What would you expect to come fourth? | 0:17:38 | 0:17:40 | |
Here's the first. | 0:17:40 | 0:17:41 | |
It's The Truman Show and that's... | 0:17:43 | 0:17:46 | |
Ed someone. | 0:17:46 | 0:17:47 | |
-Go on. -Next, please. | 0:17:47 | 0:17:50 | |
Ed Harris. | 0:17:50 | 0:17:51 | |
Oh, we should know who he is. | 0:17:51 | 0:17:54 | |
-Go next. -Next, please. | 0:17:54 | 0:17:57 | |
Christ the Redeemer. | 0:17:57 | 0:17:59 | |
Rio... | 0:17:59 | 0:18:01 | |
Truman... | 0:18:03 | 0:18:04 | |
But then what would the fourth be? | 0:18:04 | 0:18:06 | |
True man? Spectacles... | 0:18:07 | 0:18:10 | |
Christof is his name in the show. | 0:18:10 | 0:18:13 | |
Two seconds. BELL | 0:18:13 | 0:18:16 | |
Christopher Columbus. | 0:18:16 | 0:18:17 | |
Christopher Columbus? | 0:18:17 | 0:18:19 | |
For what reason? | 0:18:19 | 0:18:21 | |
They are people who are known as | 0:18:21 | 0:18:24 | |
or called Christopher, | 0:18:24 | 0:18:25 | |
going backwards in time? | 0:18:25 | 0:18:28 | |
What an enormous sequence | 0:18:28 | 0:18:30 | |
that would be! | 0:18:30 | 0:18:31 | |
I'm afraid I can't take it. | 0:18:32 | 0:18:34 | |
The last bonus chance, Cosmopolitans. | 0:18:34 | 0:18:37 | |
Anybody? | 0:18:37 | 0:18:39 | |
No, really, we've nothing. | 0:18:39 | 0:18:40 | |
You were terribly close, Korfballers. | 0:18:40 | 0:18:43 | |
Had you said Christopher Columbus | 0:18:43 | 0:18:45 | |
because he was commonly known | 0:18:45 | 0:18:46 | |
as Chris, | 0:18:46 | 0:18:47 | |
I would have given it to you. | 0:18:47 | 0:18:48 | |
We've got a picture of Chris Tarrant. | 0:18:48 | 0:18:50 | |
You correctly identified Christof | 0:18:50 | 0:18:52 | |
from The Truman Show. | 0:18:52 | 0:18:53 | |
Take the last letter off his name, | 0:18:53 | 0:18:55 | |
you get Christo from the married art | 0:18:55 | 0:18:56 | |
duo Christo and Jeanne-Claude. | 0:18:56 | 0:18:59 | |
Then Christ and you take | 0:18:59 | 0:19:00 | |
a letter off Christ, you get Chris. | 0:19:00 | 0:19:02 | |
Unfortunately, you made it longer. | 0:19:02 | 0:19:05 | |
Columbus's nickname, | 0:19:05 | 0:19:06 | |
that's what we needed. | 0:19:06 | 0:19:08 | |
That means, at the end of Round Two, | 0:19:08 | 0:19:10 | |
the Korfballers have five points, | 0:19:10 | 0:19:12 | |
the Cosmopolitans have five points. | 0:19:12 | 0:19:15 | |
So, we go neck-and-neck to the Connecting Wall and you'll be | 0:19:17 | 0:19:20 | |
going first this time, Korfballers, so please choose Lion or Water. | 0:19:20 | 0:19:24 | |
-We'd like the Water Wall, please. -OK. | 0:19:24 | 0:19:27 | |
Two and a half minutes to solve the Water Wall starting now. | 0:19:27 | 0:19:30 | |
Rose, thistle... | 0:19:33 | 0:19:35 | |
Wren is on a coin and portcullis is on a coin. | 0:19:35 | 0:19:40 | |
They've built societies or libraries... | 0:19:40 | 0:19:41 | |
Tudor rose is on a coin. | 0:19:41 | 0:19:43 | |
Should we go with some of the coin ones so that we don't...? | 0:19:43 | 0:19:45 | |
-Let's try that. -Thistle. | 0:19:45 | 0:19:47 | |
And the wren used to be. | 0:19:47 | 0:19:49 | |
Is this...? Are there any more of these? | 0:19:49 | 0:19:51 | |
-Because we should probably stop doing them. -No. | 0:19:51 | 0:19:55 | |
-Go... -Lit and Phil, Beinecke, these are definitely libraries. | 0:19:55 | 0:19:59 | |
-Wren Library. -Yes. | 0:19:59 | 0:20:01 | |
-George Peabody? -Peabody, yes. | 0:20:01 | 0:20:04 | |
Great. OK. | 0:20:05 | 0:20:07 | |
Ships, or... | 0:20:07 | 0:20:09 | |
-Caledonian, Britannia... -Thistle Line? | 0:20:09 | 0:20:12 | |
That is a ferry as well, isn't it? | 0:20:12 | 0:20:14 | |
Anyone know what the NMR is? | 0:20:14 | 0:20:16 | |
And what's this, Thiele? | 0:20:16 | 0:20:18 | |
-Tudor Rose could be a ship. -Yeah, it could. | 0:20:18 | 0:20:20 | |
Yeah, try that. And the Thistle. | 0:20:20 | 0:20:23 | |
BuzzFeed, animal feed. | 0:20:26 | 0:20:29 | |
-Oh, buzz... -Test... | 0:20:29 | 0:20:32 | |
Test match, buzz... | 0:20:33 | 0:20:34 | |
Portcullis, it's a symbol of government, isn't it? | 0:20:34 | 0:20:37 | |
A portcullis is the symbol of... | 0:20:37 | 0:20:39 | |
Thistle, when in Scotland. | 0:20:41 | 0:20:42 | |
Try the Lion again. | 0:20:45 | 0:20:46 | |
Maybe it's not the Tudor Rose then. | 0:20:48 | 0:20:51 | |
-What's a Thiele? Do you actually know what it is? -No. | 0:20:51 | 0:20:54 | |
Caledonian, Lion, Thistle... | 0:20:54 | 0:20:56 | |
-Just going to do it. -OK, go for it. | 0:20:58 | 0:21:00 | |
See if we can get anywhere. | 0:21:00 | 0:21:01 | |
You keep thinking. | 0:21:01 | 0:21:03 | |
Airlines, airlines. Buzz is an airline? | 0:21:03 | 0:21:04 | |
Britannia was an airline. | 0:21:04 | 0:21:06 | |
-It was. Yes, good. -Go and... | 0:21:06 | 0:21:09 | |
20 seconds. | 0:21:12 | 0:21:13 | |
This is obviously guesswork. | 0:21:14 | 0:21:16 | |
Hotels. Thistle Hotel. | 0:21:18 | 0:21:20 | |
Caledonian is definitely a hotel. | 0:21:20 | 0:21:21 | |
-All very similar. -Ten seconds. | 0:21:21 | 0:21:23 | |
And that's it. The time has run out and the Wall has frozen. | 0:21:31 | 0:21:34 | |
But well done for finding a group on that horrible Wall. | 0:21:34 | 0:21:37 | |
-Thank you. -Can you tell me the connection? | 0:21:37 | 0:21:38 | |
Let and Phil, Wren, Beinecke, George Peabody. | 0:21:38 | 0:21:41 | |
They are libraries. | 0:21:41 | 0:21:43 | |
All celebrated libraries. And you can still get points | 0:21:43 | 0:21:45 | |
for the connections of the groups you didn't find, | 0:21:45 | 0:21:47 | |
so let's resolve the Wall. | 0:21:47 | 0:21:49 | |
There you go. Portcullis, Tudor Rose, Lion, Britannia. | 0:21:49 | 0:21:53 | |
They're all found on the reverse of coins. | 0:21:53 | 0:21:58 | |
They have all historically been found on the reverse of | 0:21:58 | 0:22:01 | |
British coins. | 0:22:01 | 0:22:02 | |
And the next group - Test, Thiele, NMR, Thistle. | 0:22:02 | 0:22:06 | |
-Hotels. -Hotel chains. | 0:22:06 | 0:22:09 | |
-No, they're tubes. Laboratory tubes. -Oh. | 0:22:09 | 0:22:11 | |
And the turquoise group - Buzz Caledonian, Go, BEA. | 0:22:11 | 0:22:15 | |
They're all airlines. | 0:22:15 | 0:22:17 | |
They are at the defunct airlines. | 0:22:17 | 0:22:19 | |
But you found a group and you told me three connections. | 0:22:19 | 0:22:21 | |
That is a total of four. | 0:22:21 | 0:22:22 | |
Let's bring in the Cosmopolitans now and give them the other | 0:22:22 | 0:22:25 | |
Connecting Wall and see what they can do with it. | 0:22:25 | 0:22:27 | |
You'll be getting the Lion Wall because the Water's been taken. | 0:22:27 | 0:22:30 | |
You have two and a half minutes to solve it starting now. | 0:22:30 | 0:22:33 | |
-Right, Atari... -N64. | 0:22:35 | 0:22:38 | |
-They're both games consoles. -Yes. | 0:22:38 | 0:22:41 | |
-Dreamcast. -And... Satrap? | 0:22:41 | 0:22:44 | |
-Monkey Jump? -Really? | 0:22:44 | 0:22:45 | |
-Neo Geo? -No. | 0:22:45 | 0:22:48 | |
Try... | 0:22:48 | 0:22:50 | |
You don't think there is a... | 0:22:50 | 0:22:52 | |
-No. -OK. | 0:22:52 | 0:22:54 | |
-There is the sort of names of... -Bells. | 0:22:54 | 0:22:56 | |
Lutine Bell, Great Paul, Liberty Bell and... | 0:22:56 | 0:22:59 | |
Japanese Peace Bell? | 0:22:59 | 0:23:01 | |
-No. Kaiser, Doge, Tsar... -Maharani? | 0:23:01 | 0:23:06 | |
And Maharani... | 0:23:06 | 0:23:07 | |
Oh, no, they're ladies. | 0:23:07 | 0:23:09 | |
Dame and Maharani. | 0:23:09 | 0:23:10 | |
-Erm... -Not Satrap? -No. | 0:23:10 | 0:23:12 | |
I don't recognise that. | 0:23:12 | 0:23:14 | |
Satrap is a kind of leader. | 0:23:14 | 0:23:16 | |
-OK, so then we have Tsar and Doge... -Nope. | 0:23:16 | 0:23:19 | |
-Erm... -Let's try Maharani again. | 0:23:19 | 0:23:22 | |
-Maharani... -Satrap, Dame, Kaiser. | 0:23:22 | 0:23:26 | |
-No. -No. | 0:23:26 | 0:23:27 | |
Think of other things, and I'll... I'll try these. | 0:23:27 | 0:23:30 | |
Japanese Peace, it is a garden? | 0:23:30 | 0:23:32 | |
I'm sure... Yes, gardens. Yes. | 0:23:32 | 0:23:34 | |
The one in Hiroshima, | 0:23:34 | 0:23:36 | |
is that a garden or is it a tower? | 0:23:36 | 0:23:39 | |
So Japanese Peace Garden... | 0:23:39 | 0:23:41 | |
Liberty Garden? | 0:23:42 | 0:23:44 | |
Liberty Garden. | 0:23:44 | 0:23:45 | |
And... Erm... No. | 0:23:45 | 0:23:48 | |
I kind of want there to be a Monkey Jump Garden. | 0:23:48 | 0:23:51 | |
Yes, so do I! So do I. | 0:23:51 | 0:23:52 | |
Bells though... | 0:23:52 | 0:23:54 | |
-Erm... -Liberty. | 0:23:54 | 0:23:56 | |
-Japanese Peace Bell. -We did that. | 0:23:56 | 0:23:58 | |
Liberty doesn't have to be a garden. | 0:23:58 | 0:24:01 | |
Atari... | 0:24:02 | 0:24:03 | |
Atari might be another Japanese word for something | 0:24:03 | 0:24:05 | |
-that's not video games. -30 seconds. | 0:24:05 | 0:24:08 | |
Yes, OK. It could be. | 0:24:08 | 0:24:09 | |
So Atari, Japanese Peace Bell... | 0:24:09 | 0:24:12 | |
Erm... | 0:24:12 | 0:24:14 | |
Argh! | 0:24:14 | 0:24:16 | |
No. | 0:24:16 | 0:24:17 | |
-OK, so... This is hard. -This is so hard. | 0:24:17 | 0:24:20 | |
-Kaiser... -Lutine? -Satrap? | 0:24:20 | 0:24:23 | |
No, we've tried that. Did we try...? | 0:24:23 | 0:24:25 | |
Atari. | 0:24:25 | 0:24:27 | |
Kaiser, Tsar? | 0:24:27 | 0:24:29 | |
Satrap, Kaiser, Doge, Atari? | 0:24:29 | 0:24:32 | |
No. | 0:24:32 | 0:24:33 | |
There's just nothing! Nothing. | 0:24:33 | 0:24:36 | |
And that's it. | 0:24:36 | 0:24:37 | |
The time has run out and that horrible Wall has frozen. | 0:24:37 | 0:24:40 | |
-That is a horrible Wall! -I'm afraid so. | 0:24:40 | 0:24:42 | |
But you can still get points for the connections | 0:24:42 | 0:24:44 | |
in the groups you didn't find, so let's resolve the Wall. | 0:24:44 | 0:24:47 | |
There you go. | 0:24:47 | 0:24:49 | |
Atari, Liberty, Monkey Jump, Dame. | 0:24:49 | 0:24:52 | |
-So, could they be... -I have no idea. | 0:24:53 | 0:24:55 | |
..something to do with games? | 0:24:55 | 0:24:57 | |
-If you don't know, you just don't know. -Really don't. | 0:24:57 | 0:24:59 | |
They are from a game - the board game Go. | 0:24:59 | 0:25:01 | |
-Terms from Go. -No, we don't know that. | 0:25:01 | 0:25:04 | |
And the green one - | 0:25:04 | 0:25:05 | |
Great Paul, Tsar, Japanese Peace, Lutine. | 0:25:05 | 0:25:09 | |
Yeah, they are bells. | 0:25:09 | 0:25:10 | |
Yes, Tsar, that's the biggest bell in the world, though it's broken. | 0:25:10 | 0:25:13 | |
-Is it? -It's in the Kremlin. -Oh, wow! -Yes, yeah. | 0:25:13 | 0:25:15 | |
Those are the bells. | 0:25:15 | 0:25:17 | |
Odyssey, Dreamcast, Neo Geo, N64. | 0:25:17 | 0:25:21 | |
They're games consoles. | 0:25:21 | 0:25:23 | |
They are games consoles, that's right. | 0:25:23 | 0:25:25 | |
And the turquoise group - Maharani, Satrap, Doge, Kaiser. | 0:25:25 | 0:25:28 | |
Well, they're kinds of leaders or governors. | 0:25:28 | 0:25:31 | |
They are leaders and rulers, that's right. | 0:25:31 | 0:25:33 | |
So, you didn't find any groups, | 0:25:33 | 0:25:34 | |
but you did find three connections. | 0:25:34 | 0:25:35 | |
That is a total of three. | 0:25:35 | 0:25:37 | |
Let's have a look at the scores going into the final round. | 0:25:37 | 0:25:40 | |
The Cosmopolitans have eight points, | 0:25:40 | 0:25:43 | |
the Korfballers have nine. | 0:25:43 | 0:25:45 | |
So relief from both teams as they realise that the scores are | 0:25:46 | 0:25:49 | |
still very close going into the Missing Vowels Round | 0:25:49 | 0:25:52 | |
that will decide that place in the final. | 0:25:52 | 0:25:55 | |
Fingers on buzzers, teams. | 0:25:55 | 0:25:57 | |
I can tell you that the first group are all... | 0:25:57 | 0:25:59 | |
four-syllable phrases. | 0:25:59 | 0:26:01 | |
Korfballers. | 0:26:04 | 0:26:05 | |
-Hocus-pocus. -Correct. | 0:26:05 | 0:26:06 | |
Cosmopolitans. | 0:26:08 | 0:26:09 | |
-Hoity-toity. -Correct. | 0:26:09 | 0:26:11 | |
Korfballers. | 0:26:13 | 0:26:14 | |
-Heebie-jeebies. -Correct. | 0:26:14 | 0:26:16 | |
Korfballers. | 0:26:18 | 0:26:19 | |
-Erm, no... -Boogie-woogie. | 0:26:19 | 0:26:21 | |
Cosmopolitans, do you know? | 0:26:21 | 0:26:22 | |
-Boogie-woogie. -Boogie-woogie. | 0:26:22 | 0:26:24 | |
Next category are all from Exodus chapter 20 in the King James Bible. | 0:26:24 | 0:26:28 | |
Cosmos. | 0:26:31 | 0:26:32 | |
-Thou shalt not kill. -Correct. | 0:26:32 | 0:26:34 | |
Korfballers. | 0:26:36 | 0:26:37 | |
-Thou shalt not steal. -Correct. | 0:26:37 | 0:26:39 | |
Cosmos. | 0:26:40 | 0:26:41 | |
-Thou shalt not bear false witness against thy neighbour. -Well done. | 0:26:41 | 0:26:44 | |
Cosmos. | 0:26:47 | 0:26:48 | |
-Thou shalt not commit adultery. -Really? | 0:26:48 | 0:26:50 | |
Next category - things of which there are 50. | 0:26:50 | 0:26:53 | |
Korfballers. | 0:26:55 | 0:26:56 | |
-Ways to leave your lover. -Correct. | 0:26:56 | 0:26:58 | |
Cosmos. | 0:27:00 | 0:27:01 | |
-American states. -Correct. | 0:27:01 | 0:27:03 | |
Korfballers. | 0:27:07 | 0:27:08 | |
-Points for the bull's-eye in darts. -Correct. | 0:27:08 | 0:27:11 | |
Cosmos. | 0:27:12 | 0:27:13 | |
-BOTH: -Shades of grey. -Correct. | 0:27:13 | 0:27:15 | |
Next category - things that one figuratively doesn't have. | 0:27:15 | 0:27:19 | |
Korfballers. | 0:27:20 | 0:27:22 | |
-A penny to your name. -Correct. | 0:27:22 | 0:27:24 | |
END OF ROUND JINGLE | 0:27:25 | 0:27:30 | |
No time to tell me that last one, which was a leg to stand on, | 0:27:30 | 0:27:33 | |
because the bell has gone for the end of the quiz. | 0:27:33 | 0:27:36 | |
And looking at the final scores, I can tell you | 0:27:36 | 0:27:39 | |
that after a very close match, the winners and going to the final | 0:27:39 | 0:27:43 | |
with 15 points are... | 0:27:43 | 0:27:46 | |
The Cosmopolitans. | 0:27:46 | 0:27:48 | |
And in second place, with 14 points, | 0:27:48 | 0:27:51 | |
it's the Korfballers. | 0:27:51 | 0:27:53 | |
That boogie-woogie one. | 0:27:53 | 0:27:54 | |
There was barely a matchstick in it. | 0:27:54 | 0:27:56 | |
Very well done, Cosmopolitans. | 0:27:56 | 0:27:58 | |
You're in the final. | 0:27:58 | 0:27:59 | |
Korfballers, thank you so much for playing. | 0:27:59 | 0:28:01 | |
You've been brilliant, but time to go home. | 0:28:01 | 0:28:04 | |
And so another show comes to an end. | 0:28:05 | 0:28:08 | |
An ending so inevitable, it makes the beginning seem almost pointless. | 0:28:08 | 0:28:12 | |
For what is birth but a precursor of death? | 0:28:12 | 0:28:15 | |
What is new growth but a foretelling of decay? | 0:28:15 | 0:28:18 | |
What is a rising sun but a herald of pitch-black, lonely night? | 0:28:18 | 0:28:23 | |
And next week is the final! | 0:28:23 | 0:28:24 | |
Goodbye. | 0:28:24 | 0:28:26 |