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Hello and welcome to the Only Connect semifinals. | 0:00:21 | 0:00:24 | |
Yes, we are in the home straight towards the deciding of | 0:00:24 | 0:00:27 | |
this year's championship, which means so much to everyone involved. | 0:00:27 | 0:00:30 | |
"Remember last year's winners?" | 0:00:30 | 0:00:32 | |
is the very difficult tie-break question I'll be asking | 0:00:32 | 0:00:35 | |
in the event of a draw. | 0:00:35 | 0:00:36 | |
We're all very excited here, in the studio. | 0:00:36 | 0:00:38 | |
Let's meet the first contenders for this year's final. | 0:00:38 | 0:00:42 | |
On my right... | 0:00:42 | 0:00:43 | |
Jeremy Partington, | 0:00:43 | 0:00:45 | |
a civil servant who visited the set of A View To A Kill | 0:00:45 | 0:00:48 | |
while the crater which blew up Grace Jones was still smouldering. | 0:00:48 | 0:00:52 | |
Chris James, a software developer | 0:00:52 | 0:00:55 | |
who used to live next door | 0:00:55 | 0:00:57 | |
to the original lead singer of Iron Maiden. | 0:00:57 | 0:01:00 | |
And their captain, Jonathan Carter, | 0:01:00 | 0:01:02 | |
a civil servant who's been down a salt mine in Poland, | 0:01:02 | 0:01:05 | |
a silver mine in the Czech Republic and a coal mine in County Durham. | 0:01:05 | 0:01:08 | |
United by a fondness | 0:01:08 | 0:01:09 | |
for well-tended shrubbery, | 0:01:09 | 0:01:11 | |
they are the Surrealists. | 0:01:11 | 0:01:13 | |
Jonathan, your team has not lost a single game on the way here. | 0:01:13 | 0:01:17 | |
How's your team faring as the pressure mounts? | 0:01:17 | 0:01:19 | |
Well, it's been so surreal that I think we've broken through | 0:01:19 | 0:01:22 | |
and come out the other side, where it's all too worryingly real. | 0:01:22 | 0:01:25 | |
Tonight, you are facing, on my left... | 0:01:25 | 0:01:29 | |
Phyl Styles, a secondary school teacher who's had | 0:01:29 | 0:01:32 | |
a total of 104 children living in her house at various times. | 0:01:32 | 0:01:36 | |
Tom Cappleman, a software engineer | 0:01:36 | 0:01:39 | |
who spent several consecutive nights | 0:01:39 | 0:01:41 | |
sleeping in a graveyard. | 0:01:41 | 0:01:44 | |
And their captain, Graeme Cole, | 0:01:44 | 0:01:46 | |
a computer sciences graduate who designed a logo for | 0:01:46 | 0:01:49 | |
a teletext page that was used for the next ten years. | 0:01:49 | 0:01:52 | |
United by a love of language, | 0:01:52 | 0:01:54 | |
they are the Verbivores. | 0:01:54 | 0:01:55 | |
Now, this is a rematch. | 0:01:55 | 0:01:57 | |
You've met tonight's opposition once before, | 0:01:57 | 0:01:59 | |
and you suffered a defeat on that occasion. | 0:01:59 | 0:02:02 | |
How are the team's spirits tonight? | 0:02:02 | 0:02:03 | |
Well, we thought, to maximise our chances today, | 0:02:03 | 0:02:06 | |
we ought to spend the previous night swotting up with encyclopaedias | 0:02:06 | 0:02:09 | |
and quiz books and so on. | 0:02:09 | 0:02:10 | |
Then we decided it would be a lot more fun to go bowling, | 0:02:10 | 0:02:13 | |
so we did that instead. | 0:02:13 | 0:02:15 | |
Excellent. That'll get you right in the mood. | 0:02:15 | 0:02:17 | |
Let's bowl a few questions at these teams. | 0:02:17 | 0:02:19 | |
You won the toss, Surrealists, | 0:02:19 | 0:02:20 | |
but you decided to put your opponents in first. | 0:02:20 | 0:02:22 | |
So, Verbivores, | 0:02:22 | 0:02:23 | |
-please choose a hieroglyph. -Lion, please. | 0:02:23 | 0:02:26 | |
OK. The first question of this year's semifinals | 0:02:26 | 0:02:29 | |
will be the Lion question. | 0:02:29 | 0:02:30 | |
Your first clue is coming in now. | 0:02:30 | 0:02:32 | |
Next. | 0:02:35 | 0:02:36 | |
Precision. Detective? | 0:02:42 | 0:02:45 | |
Pre... So it's C, I, S. | 0:02:46 | 0:02:48 | |
-But that doesn't... Yeah. -Next. | 0:02:48 | 0:02:50 | |
Influen... Oh, tec! | 0:02:52 | 0:02:54 | |
Yes, detective can be used for tec. | 0:02:54 | 0:02:56 | |
So you can use it for what it would be related to. | 0:02:56 | 0:02:59 | |
A common abbreviation of these words have been removed from the words. | 0:03:01 | 0:03:05 | |
Very well spotted. | 0:03:05 | 0:03:06 | |
You didn't need the last clue. | 0:03:06 | 0:03:08 | |
Eabeth, from which Liz has been removed. Elizabeth. | 0:03:08 | 0:03:11 | |
What words are we looking at? | 0:03:11 | 0:03:13 | |
Detective, influenza and... | 0:03:13 | 0:03:17 | |
The first one? I'm not sure. | 0:03:17 | 0:03:19 | |
It's prescription. | 0:03:19 | 0:03:20 | |
You can say script for prescription. | 0:03:20 | 0:03:22 | |
That's come out of prescription. | 0:03:22 | 0:03:23 | |
Tec out of detective. | 0:03:23 | 0:03:24 | |
Flu out of influenza. | 0:03:24 | 0:03:26 | |
And Liz out of Elizabeth. | 0:03:26 | 0:03:27 | |
Very well spotted. Well done. | 0:03:27 | 0:03:28 | |
Abbreviations have been taken out. | 0:03:28 | 0:03:30 | |
Surrealists, what would you like? | 0:03:30 | 0:03:32 | |
-Twisted Flax, please. -Twisted Flax. | 0:03:32 | 0:03:33 | |
OK, what is the connection between these clues? | 0:03:33 | 0:03:36 | |
Here's the first. | 0:03:36 | 0:03:37 | |
Anything? Next, please. | 0:03:40 | 0:03:42 | |
That was the first film... | 0:03:46 | 0:03:48 | |
And they're the producers. | 0:03:50 | 0:03:52 | |
What were the first films...? | 0:03:52 | 0:03:54 | |
-Have to take another. -Next, please. | 0:03:54 | 0:03:56 | |
Oh, it's the first... | 0:03:58 | 0:03:59 | |
The first lesbian kiss. | 0:03:59 | 0:04:00 | |
It's the first kiss | 0:04:00 | 0:04:01 | |
of a particular kind. | 0:04:01 | 0:04:03 | |
Yeah. First kisses. | 0:04:03 | 0:04:05 | |
First kisses. | 0:04:09 | 0:04:11 | |
Well, I will take it. | 0:04:11 | 0:04:12 | |
There's an interesting fact about the last clue | 0:04:12 | 0:04:15 | |
that you haven't seen yet - that's about to come up now - but, yes. | 0:04:15 | 0:04:18 | |
May Irwin and John Rice, do you know what that is? | 0:04:18 | 0:04:21 | |
-That's a very early film. -The first film kiss? | 0:04:21 | 0:04:23 | |
That's one of the first kisses | 0:04:23 | 0:04:24 | |
we know about on film. | 0:04:24 | 0:04:25 | |
Thomas Edison filmed a scene from a musical that had a kiss in it, | 0:04:25 | 0:04:29 | |
and that was terribly controversial. | 0:04:29 | 0:04:31 | |
The next one, Jack Powell and David Armstrong, what's that? | 0:04:31 | 0:04:35 | |
That must be the first male kiss on film, somewhere. | 0:04:35 | 0:04:38 | |
Of course, we don't know | 0:04:38 | 0:04:40 | |
everything that's on film, | 0:04:40 | 0:04:41 | |
but the first or one of the first kisses between two men. | 0:04:41 | 0:04:44 | |
It's a Clara Bow movie, | 0:04:44 | 0:04:45 | |
and the two men are competing | 0:04:45 | 0:04:46 | |
for her affection, and they kiss | 0:04:46 | 0:04:48 | |
each other - in a very manly way. | 0:04:48 | 0:04:50 | |
But still, a little controversial at the time. | 0:04:50 | 0:04:52 | |
Beth Jordache and Margaret Clemence from Brookside, | 0:04:52 | 0:04:54 | |
a lesbian kiss that was very much talked about | 0:04:54 | 0:04:56 | |
and actually used, I think, | 0:04:56 | 0:04:58 | |
at the beginning of the Olympics. | 0:04:58 | 0:04:59 | |
-Yes. -Because people were very proud of that one. | 0:04:59 | 0:05:02 | |
Let's have a look at the last clue. | 0:05:02 | 0:05:04 | |
Star Trek, yeah. | 0:05:04 | 0:05:06 | |
-Interracial. -First interracial kiss, wasn't it, I think? | 0:05:06 | 0:05:08 | |
Except that it wasn't, you see. | 0:05:08 | 0:05:10 | |
There had been an interracial kiss | 0:05:10 | 0:05:12 | |
on a TV play for Granada, | 0:05:12 | 0:05:13 | |
You In Your Small Corner, that | 0:05:13 | 0:05:15 | |
was quietly the first interracial | 0:05:15 | 0:05:17 | |
kiss on TV, but thought to be the first one is this from Star Trek. | 0:05:17 | 0:05:20 | |
It is thought to be the first kiss. | 0:05:20 | 0:05:22 | |
Very well done. | 0:05:22 | 0:05:23 | |
Verbivores, what would you like? | 0:05:23 | 0:05:25 | |
-Eye of Horus, please. -Eye of Horus. | 0:05:25 | 0:05:27 | |
You're going to see some picture clues. What connects them? | 0:05:27 | 0:05:30 | |
Here's the first. | 0:05:30 | 0:05:31 | |
-Don't recognise them. -No. -Next. | 0:05:33 | 0:05:36 | |
-Don't know who they are. -I don't know. -Next. | 0:05:39 | 0:05:42 | |
Well, we're clattering through these, aren't we? | 0:05:43 | 0:05:46 | |
Do you know who that is? | 0:05:46 | 0:05:47 | |
HE WHISPERS | 0:05:47 | 0:05:49 | |
-No, I don't. Not good at these people. -Next. | 0:05:49 | 0:05:52 | |
David Bowie... | 0:05:53 | 0:05:55 | |
Is that Liam Gallagher? | 0:05:55 | 0:05:57 | |
Are they...? I don't know, have they done duets? | 0:05:59 | 0:06:02 | |
If we haven't got anything else, let's do it. | 0:06:02 | 0:06:04 | |
-Two seconds. -Same names? | 0:06:04 | 0:06:07 | |
Uh... Is the surname of one the first name of another? | 0:06:07 | 0:06:12 | |
The surname of one | 0:06:13 | 0:06:14 | |
is not the first name of another, | 0:06:14 | 0:06:16 | |
I'm afraid. | 0:06:16 | 0:06:18 | |
Surrealists, do you want | 0:06:18 | 0:06:19 | |
to have a go for a bonus point? | 0:06:19 | 0:06:20 | |
They both have the same real name. | 0:06:20 | 0:06:22 | |
The whole name is the same. | 0:06:22 | 0:06:24 | |
Their birth names are the same. | 0:06:24 | 0:06:25 | |
Who are we looking at? | 0:06:25 | 0:06:27 | |
Stewart Grainger and James Stewart. | 0:06:27 | 0:06:28 | |
-Michael Douglas and Michael Keaton. -Mm-hm. | 0:06:28 | 0:06:31 | |
Katy Perry and... Elizabeth Hudson? | 0:06:31 | 0:06:35 | |
-Kate Hudson. -Kate Hudson. Yeah. | 0:06:35 | 0:06:37 | |
David Bowie and David Jones. | 0:06:37 | 0:06:39 | |
Davy Jones. | 0:06:39 | 0:06:40 | |
David Bowie and Davy Jones. | 0:06:40 | 0:06:42 | |
Yes, Davy Jones very much | 0:06:42 | 0:06:43 | |
the Liam Gallagher of the 1960s. | 0:06:43 | 0:06:46 | |
That's right, the person on the left | 0:06:46 | 0:06:48 | |
was born with the same name | 0:06:48 | 0:06:49 | |
as the person on the right, | 0:06:49 | 0:06:51 | |
but they changed it to avoid fusion. | 0:06:51 | 0:06:52 | |
So James Stewart became Stewart Grainger. | 0:06:52 | 0:06:55 | |
Michael Douglas became Michael Keaton. And so on. | 0:06:55 | 0:06:58 | |
Surrealists, what would you like? | 0:06:58 | 0:07:00 | |
The Horned Viper, please. | 0:07:00 | 0:07:01 | |
The Horned Viper. What is the connection between these clues? | 0:07:01 | 0:07:03 | |
Here's the first. | 0:07:03 | 0:07:05 | |
Anything? | 0:07:07 | 0:07:09 | |
Next, please. | 0:07:09 | 0:07:10 | |
So that will be versions, or something. | 0:07:12 | 0:07:14 | |
Next, please. | 0:07:18 | 0:07:19 | |
Renaldo. Renee and Renaldo? | 0:07:21 | 0:07:24 | |
-What's their song? -No, it's not. | 0:07:25 | 0:07:27 | |
-That's completely different. -Next. Next, please. | 0:07:27 | 0:07:31 | |
Those are singers of the... | 0:07:33 | 0:07:35 | |
HE WHISPERS | 0:07:35 | 0:07:37 | |
It's the Four Tops, I think. | 0:07:39 | 0:07:40 | |
-Sure? -Three seconds. | 0:07:40 | 0:07:42 | |
They're all singers for the Four Tops. | 0:07:44 | 0:07:46 | |
These are the Four Tops, | 0:07:46 | 0:07:47 | |
that is absolutely right. | 0:07:47 | 0:07:49 | |
The Motown vocal quartet, the Four Tops, | 0:07:49 | 0:07:51 | |
and these are the four. | 0:07:51 | 0:07:52 | |
Very well done. | 0:07:52 | 0:07:54 | |
Verbivores, what would you like? | 0:07:54 | 0:07:56 | |
Two Reeds, please. Two Reeds. | 0:07:56 | 0:07:57 | |
-MUSICAL TONE -Water, please. | 0:07:57 | 0:07:59 | |
SHE LAUGHS | 0:07:59 | 0:08:00 | |
Too late, I'm afraid. | 0:08:00 | 0:08:01 | |
It is the lovely music question. | 0:08:01 | 0:08:03 | |
You'll be hearing your clues. What connects them? | 0:08:03 | 0:08:05 | |
Here's the first. | 0:08:05 | 0:08:06 | |
ORCHESTRAL MUSIC PLAYS | 0:08:06 | 0:08:09 | |
Oh, my God, what is this? | 0:08:09 | 0:08:12 | |
I think that's...a ballet. | 0:08:12 | 0:08:14 | |
-There's one that goes... It's not that, is it? -No. | 0:08:14 | 0:08:16 | |
Next. | 0:08:16 | 0:08:17 | |
LIVELY ORCHESTRAL MUSIC PLAYS | 0:08:17 | 0:08:20 | |
No. Next. | 0:08:23 | 0:08:25 | |
# Lights go out and I can't be saved... # | 0:08:25 | 0:08:27 | |
Coldplay. | 0:08:27 | 0:08:28 | |
-# Tides that I tried... # -X And Y? X And Y? | 0:08:28 | 0:08:32 | |
-# Have brought me down... # -Next. | 0:08:32 | 0:08:35 | |
LIVELY GUITAR MUSIC PLAYS | 0:08:35 | 0:08:37 | |
Two seconds. | 0:08:44 | 0:08:46 | |
Letters of the alphabet. | 0:08:46 | 0:08:48 | |
Not the answer, I'm afraid. | 0:08:48 | 0:08:50 | |
So, surrealists, would you like | 0:08:50 | 0:08:52 | |
to have a go for a bonus point? | 0:08:52 | 0:08:54 | |
-Clocks? -Clocks is the answer. | 0:08:54 | 0:08:56 | |
What did we hear? | 0:08:56 | 0:08:58 | |
Was the first one Haydn's Clock Symphony? | 0:08:58 | 0:09:00 | |
I mean, it's officially | 0:09:00 | 0:09:01 | |
Haydn's Symphony Number 101, | 0:09:01 | 0:09:02 | |
but it is known as the Clock Symphony | 0:09:02 | 0:09:04 | |
because of the ticking | 0:09:04 | 0:09:05 | |
throughout one of the movements. | 0:09:05 | 0:09:06 | |
What else? | 0:09:06 | 0:09:07 | |
The third one was Coldplay. | 0:09:07 | 0:09:09 | |
Coldplay, Clocks. | 0:09:09 | 0:09:11 | |
The last one was Rock Around The Clock, wasn't it? | 0:09:11 | 0:09:13 | |
Rock Around The Clock, Bill Haley & the Comets. | 0:09:13 | 0:09:15 | |
And the second one was The Syncopated Clock. | 0:09:15 | 0:09:17 | |
Clocks is the answer | 0:09:17 | 0:09:18 | |
for a bonus point. | 0:09:18 | 0:09:19 | |
And your question now, Water. | 0:09:19 | 0:09:21 | |
What is the connection between these clues? | 0:09:21 | 0:09:23 | |
Here's the first. | 0:09:23 | 0:09:24 | |
Anything? Next, please. | 0:09:30 | 0:09:32 | |
-Why? -THEY WHISPER | 0:09:39 | 0:09:42 | |
Next, please. | 0:09:42 | 0:09:43 | |
-What's that? -Oh, the next part of that is... | 0:09:46 | 0:09:49 | |
-No, but they must all have... -Hampton Court, is it? No. | 0:09:49 | 0:09:51 | |
It's between... Wait, Hammersmith. | 0:09:51 | 0:09:53 | |
Yeah, but what's the connection? Next, please. | 0:09:53 | 0:09:56 | |
-Which one is it, though? -It's not a sequence. | 0:09:56 | 0:09:58 | |
No, but the... | 0:09:58 | 0:09:59 | |
Two seconds. | 0:10:02 | 0:10:04 | |
-The Kew Bridge. -Q. -Q. | 0:10:04 | 0:10:05 | |
Q. | 0:10:05 | 0:10:06 | |
The answer is Q. | 0:10:06 | 0:10:08 | |
You don't have to write it down, so it doesn't matter how you spell it. | 0:10:08 | 0:10:11 | |
How would you spell it in these various clues? | 0:10:11 | 0:10:14 | |
Um... That must be C-U-E in the first one. | 0:10:14 | 0:10:17 | |
That first one, it is a term | 0:10:17 | 0:10:19 | |
from psychology and biology. | 0:10:19 | 0:10:20 | |
A cue that prompts an organism | 0:10:20 | 0:10:22 | |
to make inferences. | 0:10:22 | 0:10:23 | |
-Q-U-E-U-E. -That's right. | 0:10:23 | 0:10:25 | |
That's the second complicated one. | 0:10:25 | 0:10:27 | |
-Kew. -That's Kew Bridge. -And then just Q. | 0:10:27 | 0:10:30 | |
The letter Q is the least common in the OED. | 0:10:30 | 0:10:32 | |
All sound-alikes of Q. Well done. | 0:10:32 | 0:10:35 | |
That means, at the end of Round One, | 0:10:35 | 0:10:37 | |
the Verbivores have two points, | 0:10:37 | 0:10:39 | |
the Surrealists have six. | 0:10:39 | 0:10:41 | |
On to round Q, the sequences round, or two as some people call it. | 0:10:44 | 0:10:48 | |
You will be going first again, Verbivores. | 0:10:48 | 0:10:49 | |
Which hieroglyph would you like? | 0:10:49 | 0:10:51 | |
-The Horned Viper, please. -The Horned Viper, OK. | 0:10:51 | 0:10:53 | |
You'll be seeing the first in a sequence of pictures. | 0:10:53 | 0:10:56 | |
What would you expect to see in the fourth picture? The time starts now. | 0:10:56 | 0:11:00 | |
-4, dart. -OK. | 0:11:02 | 0:11:04 | |
Next. | 0:11:04 | 0:11:05 | |
4, 1... | 0:11:08 | 0:11:10 | |
Two o'clock. One o'clock. | 0:11:12 | 0:11:14 | |
No, it's not that. Next. | 0:11:14 | 0:11:16 | |
-18. -Is it adding a double? | 0:11:17 | 0:11:20 | |
D-A-R-T! | 0:11:21 | 0:11:22 | |
A dart in the 20. | 0:11:23 | 0:11:25 | |
Is the right answer. Very well done. | 0:11:25 | 0:11:28 | |
So, you spotted what is going on in this fiendish sequence. | 0:11:28 | 0:11:31 | |
-Talk me through it. -It's the... | 0:11:31 | 0:11:33 | |
The fourth letter of the alphabet is D, | 0:11:33 | 0:11:35 | |
the first is A, the 18th is R and the 20th is T, | 0:11:35 | 0:11:37 | |
and it spells out dart. | 0:11:37 | 0:11:39 | |
That's right. | 0:11:39 | 0:11:40 | |
This is very much up your street. | 0:11:40 | 0:11:42 | |
It is a clever letter question, | 0:11:42 | 0:11:44 | |
but deeply disguised on a dartboard, | 0:11:44 | 0:11:46 | |
so very well spotted there. | 0:11:46 | 0:11:47 | |
T is the right answer, to spell out the word dart. | 0:11:47 | 0:11:50 | |
Back to you, Surrealists, | 0:11:50 | 0:11:51 | |
for a sequence choice. | 0:11:51 | 0:11:52 | |
-Eye of Horus, please. -OK. | 0:11:52 | 0:11:54 | |
What would come fourth in this sequence? Here's the first. | 0:11:54 | 0:11:58 | |
-1381. -Yes. | 0:12:00 | 0:12:01 | |
-Next, please. -Next one. | 0:12:04 | 0:12:06 | |
1581? | 0:12:09 | 0:12:10 | |
No, was it that? | 0:12:10 | 0:12:12 | |
No, that was before the Spanish Armada, | 0:12:12 | 0:12:14 | |
so that would be... | 0:12:14 | 0:12:15 | |
So we think it could be something that happened...? | 0:12:15 | 0:12:17 | |
It could still be. | 0:12:17 | 0:12:19 | |
-You think it could be 1981? -Yeah. | 0:12:19 | 0:12:20 | |
-It could be 1981. -What do you want? | 0:12:20 | 0:12:22 | |
-Next? -OK. | 0:12:22 | 0:12:23 | |
-Next? -1781, so it will be... -Next, please. | 0:12:23 | 0:12:25 | |
So what happened in 1981? | 0:12:27 | 0:12:29 | |
Assassination attempt of Reagan. | 0:12:32 | 0:12:35 | |
Was that...? | 0:12:35 | 0:12:37 | |
-Um... Was that definitely in 1981? -Yeah. | 0:12:37 | 0:12:39 | |
Something that happened in 1981. | 0:12:39 | 0:12:40 | |
Something that happened in 1981. | 0:12:40 | 0:12:42 | |
Well, that's the right answer, but I would like an example. | 0:12:42 | 0:12:45 | |
Assassination attempt of Ronald Reagan, or the Pope. | 0:12:45 | 0:12:48 | |
Both those assassination | 0:12:48 | 0:12:49 | |
attempts were in 1981. | 0:12:49 | 0:12:50 | |
Charles and Diana's wedding would be | 0:12:50 | 0:12:52 | |
the cheerier example that we | 0:12:52 | 0:12:53 | |
were thinking of, but that's right. | 0:12:53 | 0:12:55 | |
And what were the years of these other things? | 0:12:55 | 0:12:57 | |
So, 1381, | 0:12:57 | 0:12:59 | |
1581, | 0:12:59 | 0:13:01 | |
1781 and 1981. | 0:13:01 | 0:13:03 | |
-So going up in 200s. -That's right. | 0:13:03 | 0:13:05 | |
The Battle of Yorktown | 0:13:05 | 0:13:06 | |
was the last major battle | 0:13:06 | 0:13:07 | |
in the American War of Independence. | 0:13:07 | 0:13:09 | |
We are jumping 200 years each time. | 0:13:09 | 0:13:10 | |
Something from 1981, | 0:13:10 | 0:13:12 | |
for example a wedding or an assassination attempt, | 0:13:12 | 0:13:15 | |
depending on your... | 0:13:15 | 0:13:16 | |
outlook on life. | 0:13:16 | 0:13:17 | |
Verbivores, back to you for | 0:13:18 | 0:13:19 | |
-a choice. -Twisted Flax, please. | 0:13:19 | 0:13:21 | |
The Twisted Flax. OK. What would come fourth in this sequence? | 0:13:21 | 0:13:24 | |
Here's the first. | 0:13:24 | 0:13:25 | |
A wanderer. A wanderer is another word for a star, isn't it? | 0:13:27 | 0:13:30 | |
-Planet. -Sorry, no, you're right. Yes, sorry, planet. | 0:13:30 | 0:13:34 | |
Next. | 0:13:34 | 0:13:35 | |
Horch. | 0:13:36 | 0:13:37 | |
-It's going to be four... -Is it going to be the Audi symbol? -Yeah. | 0:13:37 | 0:13:42 | |
Cos that means a planet, that... I don't know what Horch is, | 0:13:42 | 0:13:45 | |
-but should we say four rings and Audi? -Yeah. | 0:13:45 | 0:13:48 | |
Four rings, Audi. | 0:13:48 | 0:13:50 | |
Four rings, Audi | 0:13:50 | 0:13:52 | |
is the right answer. | 0:13:52 | 0:13:53 | |
-And why? -They're just successive number of rings. | 0:13:53 | 0:13:57 | |
The first one, I think it is the symbol for a planet, | 0:13:57 | 0:14:00 | |
which is otherwise called a wanderer. | 0:14:00 | 0:14:02 | |
What it is, the four rings symbolise | 0:14:02 | 0:14:05 | |
four different car companies | 0:14:05 | 0:14:07 | |
that merged in 1932. | 0:14:07 | 0:14:08 | |
-Oh. -Wanderer - or "Vanderer" - | 0:14:08 | 0:14:10 | |
Horch, DKW, | 0:14:10 | 0:14:12 | |
however you pronounce them, | 0:14:12 | 0:14:13 | |
these are four German car companies | 0:14:13 | 0:14:14 | |
that merged | 0:14:14 | 0:14:15 | |
and they ended up with Audi. | 0:14:15 | 0:14:18 | |
We're going in reverse alphabetical order. | 0:14:18 | 0:14:20 | |
It's not that Audi was particularly the fourth. | 0:14:20 | 0:14:22 | |
Audi is also the one | 0:14:22 | 0:14:23 | |
you're most likely to guess, | 0:14:23 | 0:14:24 | |
if you recognise the logo - well done. | 0:14:24 | 0:14:26 | |
Back to you, Surrealists, for a choice. | 0:14:26 | 0:14:28 | |
-Lion, please. -Lion. | 0:14:28 | 0:14:30 | |
What is the fourth in this sequence? | 0:14:30 | 0:14:33 | |
Here's the first. | 0:14:33 | 0:14:34 | |
Next, please. | 0:14:38 | 0:14:41 | |
There is commas... Full stops... | 0:14:44 | 0:14:46 | |
Comma, dot-dot-dot. | 0:14:46 | 0:14:47 | |
It's missing out B, C, F, G... | 0:14:47 | 0:14:50 | |
And H, I, K. | 0:14:50 | 0:14:52 | |
M... | 0:14:52 | 0:14:54 | |
-Next. -Next, please. | 0:14:54 | 0:14:55 | |
M, O, P... | 0:14:56 | 0:14:59 | |
S, T. So it would be... | 0:14:59 | 0:15:01 | |
The last one missing is the first one and the next one. | 0:15:01 | 0:15:04 | |
So...you'll have to do something. | 0:15:04 | 0:15:07 | |
I'm stumped. Can't see it. | 0:15:07 | 0:15:10 | |
Two seconds. | 0:15:10 | 0:15:12 | |
BELL | 0:15:12 | 0:15:13 | |
Um...T... | 0:15:13 | 0:15:16 | |
X... | 0:15:18 | 0:15:19 | |
So, T,...X,...Z. | 0:15:19 | 0:15:25 | |
Is the right answer. | 0:15:25 | 0:15:27 | |
Do you have any idea why? | 0:15:27 | 0:15:29 | |
Cos we're missing out | 0:15:29 | 0:15:30 | |
some letters along the way! | 0:15:30 | 0:15:31 | |
We do sometimes have that. | 0:15:31 | 0:15:33 | |
Amazing thing about the brain. | 0:15:33 | 0:15:34 | |
Sometimes, people give an answer, and it's right, | 0:15:34 | 0:15:36 | |
and they don't know why - sometimes, | 0:15:36 | 0:15:37 | |
your unconscious mind's noticed something, | 0:15:37 | 0:15:39 | |
sometimes it's coincidence. | 0:15:39 | 0:15:40 | |
I'll tell you the letters | 0:15:40 | 0:15:41 | |
that are missed out - have a think | 0:15:41 | 0:15:43 | |
whether they have anything in common. | 0:15:43 | 0:15:45 | |
B, C, F, H, I, | 0:15:45 | 0:15:47 | |
K, N, O, P, S, U, V, W, Y. | 0:15:47 | 0:15:52 | |
They are elements. | 0:15:53 | 0:15:55 | |
-Oh! -We have removed all the letters | 0:15:55 | 0:15:58 | |
that symbolise chemical elements | 0:15:58 | 0:16:01 | |
and left only the letters | 0:16:01 | 0:16:02 | |
that are not elements. | 0:16:02 | 0:16:04 | |
So taking out V, vanadium, | 0:16:04 | 0:16:06 | |
W, tungsten, Y, yttrium, | 0:16:06 | 0:16:08 | |
we get T,...X,...Z. | 0:16:08 | 0:16:11 | |
Maybe a hypnotist could regress you | 0:16:11 | 0:16:13 | |
to the moment in your life | 0:16:13 | 0:16:14 | |
when you knew that, when the inner voice | 0:16:14 | 0:16:16 | |
told you T, X and Z were the answers. | 0:16:16 | 0:16:18 | |
Spooky. | 0:16:18 | 0:16:20 | |
Back to the people who sleep in graveyards. | 0:16:20 | 0:16:22 | |
LAUGHTER Verbivores, what would you like? | 0:16:22 | 0:16:24 | |
-Water, please. -Water, OK. | 0:16:24 | 0:16:26 | |
What will come fourth in this sequence? | 0:16:26 | 0:16:28 | |
Here's the first. | 0:16:28 | 0:16:29 | |
HORN, in capitals, for some reason. | 0:16:30 | 0:16:33 | |
Next. | 0:16:33 | 0:16:34 | |
It's the examples in a game of Scrabble. | 0:16:37 | 0:16:40 | |
HORN, FARM... | 0:16:40 | 0:16:42 | |
In the box, these are | 0:16:42 | 0:16:44 | |
the example words, aren't they? | 0:16:44 | 0:16:46 | |
We are going to have to see them. | 0:16:46 | 0:16:48 | |
Next. | 0:16:48 | 0:16:49 | |
PASTE... | 0:16:51 | 0:16:52 | |
I don't know... | 0:16:54 | 0:16:55 | |
FARM... | 0:16:57 | 0:16:58 | |
Where does PASTE go in, there? | 0:16:58 | 0:17:00 | |
Oh... | 0:17:00 | 0:17:01 | |
I know PIE is used, but... | 0:17:01 | 0:17:04 | |
Three seconds... | 0:17:05 | 0:17:06 | |
BELL | 0:17:06 | 0:17:08 | |
PIE, written vertically. | 0:17:08 | 0:17:10 | |
Not the answer, I'm afraid. | 0:17:10 | 0:17:12 | |
Surrealists, do you know? | 0:17:12 | 0:17:14 | |
-NOTE. -No. | 0:17:15 | 0:17:17 | |
If you don't know, you can't work it out. | 0:17:17 | 0:17:18 | |
You were absolutely right. | 0:17:18 | 0:17:19 | |
This is from the sample game from | 0:17:19 | 0:17:21 | |
the official rules of Scrabble. | 0:17:21 | 0:17:22 | |
They show you how to play Scrabble | 0:17:22 | 0:17:24 | |
by putting some words out | 0:17:24 | 0:17:26 | |
and the next word is MOB. | 0:17:26 | 0:17:28 | |
It's played from the M of FARM, | 0:17:28 | 0:17:30 | |
and it makes NOT and BEE, | 0:17:30 | 0:17:32 | |
using the N from HORN and the E from PASTE. | 0:17:32 | 0:17:34 | |
MOB is the next word. | 0:17:34 | 0:17:35 | |
Well done for recognising the sequence, | 0:17:35 | 0:17:37 | |
if not remembering the word. | 0:17:37 | 0:17:39 | |
So, no bonus for you, Surrealists, | 0:17:39 | 0:17:40 | |
but you may have a question, | 0:17:40 | 0:17:42 | |
the Two Reeds. | 0:17:42 | 0:17:43 | |
CHIMING | 0:17:43 | 0:17:44 | |
It's a music sequence, I'm delighted to say. | 0:17:44 | 0:17:47 | |
Which piece of music would you expect to come fourth? | 0:17:47 | 0:17:50 | |
Here's the first. | 0:17:50 | 0:17:51 | |
MUSIC: What Shall We Do With The Drunken Sailor? | 0:17:51 | 0:17:55 | |
It's the... | 0:17:57 | 0:17:58 | |
So, it's the last night of the Proms. | 0:17:58 | 0:18:01 | |
So it finishes with Land Of Hope And Glory. | 0:18:01 | 0:18:05 | |
Yeah...or God Save The Queen. | 0:18:05 | 0:18:07 | |
It finishes with Land Of Hope And Glory, surely. | 0:18:07 | 0:18:10 | |
Not sure... | 0:18:10 | 0:18:12 | |
Next, please. | 0:18:12 | 0:18:13 | |
MUSIC: Greensleeves | 0:18:13 | 0:18:15 | |
That's Greensleeves. | 0:18:15 | 0:18:17 | |
Yeah, is that not what they do? | 0:18:17 | 0:18:18 | |
Then it's Rule Britannia... | 0:18:18 | 0:18:19 | |
Or is it sea songs? | 0:18:19 | 0:18:22 | |
No, sea songs, Greensleeves... | 0:18:22 | 0:18:24 | |
Must be Land Of Hope And Glory. | 0:18:24 | 0:18:25 | |
BELL | 0:18:25 | 0:18:28 | |
Land of Hope and Glory. | 0:18:28 | 0:18:29 | |
Not the answer, I'm afraid. | 0:18:29 | 0:18:31 | |
So, I'm going to play a blast of the third piece | 0:18:31 | 0:18:34 | |
to the Verbivores for a possible bonus point. | 0:18:34 | 0:18:36 | |
MUSIC: Men of Harlech | 0:18:36 | 0:18:38 | |
Are they sea shanties. | 0:18:38 | 0:18:40 | |
What would be the fourth...? | 0:18:40 | 0:18:42 | |
That's Welsh, isn't it? | 0:18:43 | 0:18:45 | |
What else have we had? | 0:18:45 | 0:18:47 | |
I need an answer. | 0:18:47 | 0:18:48 | |
Uh...the national anthem. | 0:18:48 | 0:18:50 | |
Not it, I'm afraid. | 0:18:50 | 0:18:51 | |
-You're thinking of the Proms, aren't you? -Yeah. | 0:18:51 | 0:18:53 | |
-That's not what it is. -Not what it is. | 0:18:53 | 0:18:55 | |
It's the UK Theme. | 0:18:55 | 0:18:56 | |
-Oh... -Radio 4 always used to begin with the UK Theme. | 0:18:56 | 0:18:59 | |
Horrifically, they dropped it a while ago for, sort of, news, | 0:18:59 | 0:19:02 | |
cos we don't get enough news(!) | 0:19:02 | 0:19:04 | |
But it used to be that, and the fast section | 0:19:04 | 0:19:06 | |
is made up of What Shall We Do With The Drunken Sailor, | 0:19:06 | 0:19:08 | |
Greensleeves, Men of Harlech, | 0:19:08 | 0:19:10 | |
and then Scotland the Brave. | 0:19:10 | 0:19:13 | |
Scotland the Brave, people at home | 0:19:13 | 0:19:15 | |
will be aching to hear it, | 0:19:15 | 0:19:16 | |
but we don't have it to play. | 0:19:16 | 0:19:17 | |
I think, though, | 0:19:17 | 0:19:18 | |
-we might whistle it. -Yes! | 0:19:18 | 0:19:20 | |
What do you think? | 0:19:20 | 0:19:21 | |
Can we whistle Scotland the Brave? | 0:19:21 | 0:19:22 | |
-Yes. -That's right, | 0:19:22 | 0:19:23 | |
have a sip of water, get yourself | 0:19:23 | 0:19:25 | |
ready for the whistling. | 0:19:25 | 0:19:26 | |
-Warm up! -Warm up. | 0:19:26 | 0:19:28 | |
OK, one, two, three... | 0:19:28 | 0:19:30 | |
THEY HUM AND WHISTLE SCOTLAND THE BRAVE | 0:19:30 | 0:19:34 | |
We're all in a different key. | 0:19:44 | 0:19:45 | |
I mean, I could let this go | 0:19:45 | 0:19:47 | |
till the end of the show. | 0:19:47 | 0:19:48 | |
Absolutely lovely. | 0:19:48 | 0:19:49 | |
Scotland the Brave, there. | 0:19:49 | 0:19:51 | |
Scottish viewers will be thrilled. | 0:19:51 | 0:19:52 | |
LAUGHTER | 0:19:52 | 0:19:54 | |
The rousing sound | 0:19:54 | 0:19:55 | |
of that beautiful whistling. | 0:19:55 | 0:19:57 | |
No points, though, unfortunately, but I can tell you that at the end of round two, | 0:19:57 | 0:20:00 | |
the Verbivores have 7, | 0:20:00 | 0:20:02 | |
the Surrealists have 10. | 0:20:02 | 0:20:04 | |
On to the Connecting Wall, now, | 0:20:06 | 0:20:08 | |
and the Surrealists will be going first this time. | 0:20:08 | 0:20:10 | |
So, please choose - Lion or Water? | 0:20:10 | 0:20:12 | |
-Lion, please. -Lion. | 0:20:12 | 0:20:14 | |
Two-and-a-half minutes to solve the Lion Wall, starting now. | 0:20:14 | 0:20:17 | |
-Um... -Fish. -Right... | 0:20:19 | 0:20:21 | |
Fugu, dace, bass...hoki. | 0:20:21 | 0:20:26 | |
Vaux, or... | 0:20:31 | 0:20:33 | |
No. Dace... | 0:20:34 | 0:20:36 | |
Must be... | 0:20:38 | 0:20:40 | |
You can pluck courage, you can pluck flowers... | 0:20:41 | 0:20:44 | |
You can... | 0:20:45 | 0:20:47 | |
Courage is a bitter. | 0:20:47 | 0:20:48 | |
So is that, so is that. | 0:20:48 | 0:20:50 | |
-Castle? -Vaux, as well. | 0:20:50 | 0:20:53 | |
It's a drink. It is a beer. | 0:20:53 | 0:20:55 | |
-Castle? -Try that, yeah. | 0:20:55 | 0:20:56 | |
Volva? | 0:20:56 | 0:20:59 | |
They may be... | 0:20:59 | 0:21:01 | |
They may all be drinks. | 0:21:01 | 0:21:02 | |
There is a Dutch...oven, Dutch auction... | 0:21:02 | 0:21:06 | |
-Dutch courage. -Dutch cap? | 0:21:06 | 0:21:07 | |
No. | 0:21:07 | 0:21:09 | |
Volva...umbo... | 0:21:13 | 0:21:15 | |
There must be... | 0:21:15 | 0:21:17 | |
-What's the stalk? -Beanstalk... | 0:21:17 | 0:21:20 | |
What did you say? Dutch cap, Dutch courage, Dutch auction... | 0:21:20 | 0:21:24 | |
Fly leaf... | 0:21:24 | 0:21:26 | |
Jumbo...umbo... | 0:21:26 | 0:21:28 | |
What is stalk? | 0:21:30 | 0:21:32 | |
Parts of flowers? Stalk, umbo, leaf, cap. | 0:21:32 | 0:21:36 | |
What's the wordplay? | 0:21:39 | 0:21:41 | |
Come on, time... | 0:21:46 | 0:21:47 | |
Beanstalk...stalk... | 0:21:49 | 0:21:51 | |
30 seconds. | 0:21:51 | 0:21:53 | |
I don't know. | 0:21:54 | 0:21:56 | |
-What about other flower...? -Volva. | 0:21:57 | 0:22:00 | |
Go for the beers, then. | 0:22:05 | 0:22:06 | |
No... | 0:22:10 | 0:22:11 | |
Bass... | 0:22:11 | 0:22:13 | |
-No... -10 seconds. | 0:22:13 | 0:22:15 | |
That's it, the time is up, | 0:22:22 | 0:22:24 | |
the Wall has frozen. | 0:22:24 | 0:22:25 | |
But you've found a group in this difficult semifinal Wall. | 0:22:25 | 0:22:27 | |
What can you tell me about this blue group, starting fugu? | 0:22:27 | 0:22:30 | |
They are all fish, types of fish. | 0:22:30 | 0:22:33 | |
They are all fish. You can still get points | 0:22:33 | 0:22:35 | |
for the connections in the groups you didn't find, | 0:22:35 | 0:22:37 | |
so let's resolve the wall. | 0:22:37 | 0:22:38 | |
There we go. | 0:22:38 | 0:22:40 | |
Stalk, umbo, cap, volva. | 0:22:40 | 0:22:43 | |
Parts of a flower? | 0:22:43 | 0:22:45 | |
No, it's not a flower, | 0:22:45 | 0:22:46 | |
but a mushroom. | 0:22:46 | 0:22:47 | |
I think a flower doesn't have an umbo, | 0:22:47 | 0:22:49 | |
but all bits of a mushroom. | 0:22:49 | 0:22:51 | |
-Dutch... -And the pink group - | 0:22:51 | 0:22:53 | |
oven, courage, auction, leaf. | 0:22:53 | 0:22:55 | |
They can all follow the word Dutch. | 0:22:55 | 0:22:59 | |
You can put "Dutch" before all of them. | 0:22:59 | 0:23:01 | |
And the last turquoise group, | 0:23:01 | 0:23:03 | |
starting "Vau", or "Vox", or "Vaux... | 0:23:03 | 0:23:05 | |
-Breweries. -Beers or breweries. | 0:23:05 | 0:23:08 | |
They are beers, and the breweries that make them. | 0:23:08 | 0:23:11 | |
That's absolutely right. | 0:23:11 | 0:23:12 | |
So, you found one group and told me three connections, | 0:23:12 | 0:23:14 | |
that is a total of four. | 0:23:14 | 0:23:15 | |
Let's bring in the Verbivores, now, | 0:23:15 | 0:23:17 | |
give them the other Connecting Wall and see what they can do with it. | 0:23:17 | 0:23:20 | |
Two-and-a-half minutes to solve the Water Wall, starting now. | 0:23:20 | 0:23:24 | |
-Sargasso Sea? -Sargasso Sea. | 0:23:26 | 0:23:28 | |
Any other seas? Irish Sea, Dog Sea? Or have I made that up? | 0:23:28 | 0:23:31 | |
-Bothnian Sea. -Bothnian Sea. -Labrador? | 0:23:31 | 0:23:34 | |
No... Is there a Labrador Sea? | 0:23:37 | 0:23:39 | |
Seaweed, maybe? Irish moss. | 0:23:39 | 0:23:41 | |
It has... | 0:23:41 | 0:23:43 | |
Oh, Sargasso is a seaweed as well, yes. | 0:23:43 | 0:23:45 | |
Wrack, Irish moss... | 0:23:45 | 0:23:46 | |
Any other weeds? Tangleweed? | 0:23:46 | 0:23:48 | |
-Oh! -Well done. -Right, so... Labrador, Dog... | 0:23:48 | 0:23:51 | |
The Isle of Dogs, perhaps? | 0:23:51 | 0:23:52 | |
Are these Kings? Larry King, Carole King, Stephen King... | 0:23:52 | 0:23:55 | |
Oh, I thought you were meaning there was a King Larry! | 0:23:55 | 0:23:58 | |
-LAUGHING: -Larry King, Carole King... -Rodney King? Any other Kings? | 0:23:58 | 0:24:02 | |
There might be an Earl King, mightn't there? | 0:24:02 | 0:24:04 | |
The others aren't names, are they? | 0:24:04 | 0:24:06 | |
Let's do it. | 0:24:06 | 0:24:07 | |
Oh, we've got one... | 0:24:11 | 0:24:12 | |
Three lives, now. | 0:24:12 | 0:24:14 | |
Right. Pink, Stephen... | 0:24:14 | 0:24:16 | |
Irish terrier? | 0:24:16 | 0:24:18 | |
Um... | 0:24:18 | 0:24:20 | |
Dog Star? Um... | 0:24:22 | 0:24:24 | |
What's Wadden? | 0:24:26 | 0:24:28 | |
I don't know what Wadden is. | 0:24:28 | 0:24:29 | |
Is it a surname, or...? | 0:24:29 | 0:24:32 | |
Imperial... Imperial March? | 0:24:32 | 0:24:34 | |
We could still have seas. Bothnian Sea, Irish Sea... | 0:24:34 | 0:24:37 | |
Wadden Sea might be... | 0:24:37 | 0:24:38 | |
Bothnian, Irish, Wadden, Labrador? | 0:24:38 | 0:24:40 | |
-Might be, yes. -It sounds plausible. | 0:24:40 | 0:24:43 | |
What do we think the others might be? | 0:24:43 | 0:24:46 | |
Mint? Is dog mint a thing? | 0:24:46 | 0:24:48 | |
Dog mint, pink mint, Stephen Mint? | 0:24:48 | 0:24:50 | |
-Well, can we try Labrador? -Yeah. | 0:24:50 | 0:24:53 | |
-Oh! -That's it, you've solved the Wall, very well done. | 0:24:53 | 0:24:56 | |
So, that's four points for the groups, | 0:24:56 | 0:24:58 | |
and I'm going to ask you about the connections, | 0:24:58 | 0:25:00 | |
and I will be wanting specific answers in this semifinal. | 0:25:00 | 0:25:03 | |
Tell me about the first group, starting Irish moss. | 0:25:03 | 0:25:06 | |
Types of seaweed? | 0:25:06 | 0:25:09 | |
They are types of seaweed or marine algae, well done. | 0:25:09 | 0:25:13 | |
And the green group - Earl, Larry, Rodney, Carol. | 0:25:13 | 0:25:16 | |
King. | 0:25:16 | 0:25:17 | |
They are all kings. | 0:25:17 | 0:25:19 | |
What about the next pink group? | 0:25:19 | 0:25:21 | |
They are seas. | 0:25:21 | 0:25:22 | |
-I need more. -They are seas... | 0:25:22 | 0:25:25 | |
Around the British Isles? | 0:25:25 | 0:25:26 | |
Are they European? | 0:25:26 | 0:25:28 | |
They are around Europe. | 0:25:29 | 0:25:31 | |
They are not, the Labrador Sea | 0:25:31 | 0:25:33 | |
is between Canada and Greenland. | 0:25:33 | 0:25:34 | |
They are seas of the North Atlantic. | 0:25:34 | 0:25:36 | |
-Oh, right. -That's what I needed to hear. | 0:25:36 | 0:25:38 | |
And the turquoise group, starting dog. | 0:25:38 | 0:25:41 | |
-Mint? -Let's say Mint. | 0:25:41 | 0:25:44 | |
The word is not mint, but pound. | 0:25:44 | 0:25:46 | |
Dog pound, Imperial pound, | 0:25:46 | 0:25:48 | |
pink pound and Stephen Pound, | 0:25:48 | 0:25:50 | |
who is an MP. | 0:25:50 | 0:25:51 | |
You found all four groups, you told me two connections, | 0:25:51 | 0:25:53 | |
that is a total of six. | 0:25:53 | 0:25:55 | |
Let's have a look at the overall scores. | 0:25:55 | 0:25:57 | |
The Verbivores have 13 points, | 0:25:58 | 0:26:00 | |
the Surrealists have 14. | 0:26:00 | 0:26:02 | |
So, it could be anyone's game | 0:26:03 | 0:26:05 | |
as we go into the Missing Vowels round | 0:26:05 | 0:26:07 | |
that will decide the first place in the final. | 0:26:07 | 0:26:10 | |
Fingers on buzzers, teams. | 0:26:10 | 0:26:12 | |
I can tell you that the first group are all... | 0:26:12 | 0:26:14 | |
BELL | 0:26:20 | 0:26:21 | |
Verbivores? | 0:26:21 | 0:26:22 | |
Mastering The Art Of French Cooking. | 0:26:22 | 0:26:24 | |
BELL | 0:26:27 | 0:26:28 | |
-Surrealists? -The Naked Chef. | 0:26:28 | 0:26:29 | |
Don't know this one? | 0:26:38 | 0:26:39 | |
It's One Is Fun. Next clue. | 0:26:39 | 0:26:42 | |
BELL Surrealists? | 0:26:45 | 0:26:47 | |
How To Be A Domestic Goddess. | 0:26:47 | 0:26:49 | |
Next category... | 0:26:49 | 0:26:51 | |
BELL Verbivores? | 0:26:58 | 0:26:59 | |
High School Musicalifornia. | 0:26:59 | 0:27:01 | |
Well done. | 0:27:01 | 0:27:02 | |
BELL Surrealists? | 0:27:04 | 0:27:06 | |
There's Something About Maryland. | 0:27:06 | 0:27:08 | |
BELL Surrealists? | 0:27:10 | 0:27:12 | |
The Night Before Christmassachusetts. | 0:27:12 | 0:27:14 | |
I'm afraid it's not. Verbivores, do you know? | 0:27:14 | 0:27:16 | |
The Night Before Christmas... | 0:27:16 | 0:27:17 | |
That's not it, either. | 0:27:17 | 0:27:18 | |
It's The Nightmare Before Christmassachusetts. | 0:27:18 | 0:27:21 | |
Next clue. | 0:27:21 | 0:27:23 | |
BELL Surrealists? | 0:27:25 | 0:27:26 | |
Gone With The Wind... | 0:27:26 | 0:27:29 | |
Too long, I'm afraid. Verbivores? | 0:27:29 | 0:27:31 | |
Gone With The Windiana. | 0:27:31 | 0:27:32 | |
Gone With The Windiana. | 0:27:32 | 0:27:33 | |
Next category... | 0:27:33 | 0:27:34 | |
BELL Verbivores? | 0:27:37 | 0:27:38 | |
Sedimentary. | 0:27:38 | 0:27:39 | |
END-OF-ROUND JINGLE | 0:27:39 | 0:27:42 | |
Sedimentary is the right answer. | 0:27:42 | 0:27:44 | |
And after an exciting and hotly contested ground four, | 0:27:44 | 0:27:47 | |
I can reveal that the winners, | 0:27:47 | 0:27:49 | |
and through to the final with 17 points, | 0:27:49 | 0:27:51 | |
are the Verbivores. | 0:27:51 | 0:27:53 | |
Very well done to you, and a close second, | 0:27:53 | 0:27:56 | |
with 15 points, it's the Surrealists. | 0:27:56 | 0:27:59 | |
Very unlucky, Surrealists. | 0:27:59 | 0:28:00 | |
You've been a brilliant team and a pleasure to have here. | 0:28:00 | 0:28:03 | |
-OK. -I'm sorry to say goodbye. | 0:28:03 | 0:28:05 | |
Well done to you, Verbivores. | 0:28:05 | 0:28:07 | |
You are through to the final. | 0:28:07 | 0:28:08 | |
So unexpected! | 0:28:08 | 0:28:10 | |
Good luck, there. | 0:28:10 | 0:28:12 | |
And before we go, I'm excited to reveal that Only Connect | 0:28:12 | 0:28:14 | |
has just come second in a poll to name the greatest quiz shows | 0:28:14 | 0:28:18 | |
of all time, second only to the classic Bullseye. | 0:28:18 | 0:28:21 | |
We are honoured to be in such exalted company and, | 0:28:21 | 0:28:23 | |
as a tribute to that great show, next week, | 0:28:23 | 0:28:25 | |
the teams will be competing for a small Bronze Bully. | 0:28:25 | 0:28:29 | |
That's right, I'm getting a fake tan. | 0:28:29 | 0:28:31 | |
Goodbye. | 0:28:31 | 0:28:32 |