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Who wants to be a millionaire? | 0:00:21 | 0:00:23 | |
I don't. Parking a helicopter would be a nightmare for a start. | 0:00:23 | 0:00:27 | |
All that hovering around the area, looking for a vacant capital H. | 0:00:27 | 0:00:30 | |
Luckily, on this show, there are no prizes at all, | 0:00:30 | 0:00:33 | |
so our teams have nothing like that to worry about. | 0:00:33 | 0:00:36 | |
Continuing their journey towards absolutely nothing tonight | 0:00:36 | 0:00:39 | |
are, on my right... | 0:00:39 | 0:00:42 | |
Mark Smith, an archivist with a PhD in the politics of culture | 0:00:42 | 0:00:46 | |
in Nigeria 1939-1966, | 0:00:46 | 0:00:49 | |
whose great uncle Albert is coincidentally | 0:00:49 | 0:00:51 | |
the first ever Bishop of northern Nigeria. | 0:00:51 | 0:00:54 | |
Nick Holland, a freelance copywriter and keen ventriloquist who performs | 0:00:54 | 0:00:59 | |
Nessun Dorma with his tortoise puppet, Sheldon. | 0:00:59 | 0:01:03 | |
And their captain, Nick Reed, | 0:01:03 | 0:01:05 | |
a charity administrator who walked alongside the singer Billy Bragg | 0:01:05 | 0:01:09 | |
for over 15 minutes | 0:01:09 | 0:01:10 | |
without ever drumming up the courage to say hello. | 0:01:10 | 0:01:13 | |
United by a soft spot for sad singers and silent letters, | 0:01:13 | 0:01:16 | |
they are the Psmiths. | 0:01:16 | 0:01:18 | |
Now, in your journey so far you lost your most recent game against the | 0:01:18 | 0:01:21 | |
Cosmopolitans, but you get another chance now to make it through | 0:01:21 | 0:01:24 | |
to the semifinals. Do you have a game plan for tonight? | 0:01:24 | 0:01:26 | |
We do, we've had three nail-biting wins and a blowout defeat. | 0:01:26 | 0:01:30 | |
We decided we prefer the former | 0:01:30 | 0:01:32 | |
and have been trying to get into a groove | 0:01:32 | 0:01:34 | |
with the team mantra "Hello to Jason Isaacs". | 0:01:34 | 0:01:36 | |
Well, good luck with that plan tonight. | 0:01:36 | 0:01:38 | |
You'll be taking it up against, on my left... | 0:01:38 | 0:01:41 | |
Phyl Styles, | 0:01:41 | 0:01:43 | |
a secondary school teacher | 0:01:43 | 0:01:44 | |
who fainted while giving blood in France. | 0:01:44 | 0:01:47 | |
Tom Cappleman, a software engineer who's spent an hour a day playing | 0:01:47 | 0:01:51 | |
the same computer game for the past 11 years. | 0:01:51 | 0:01:54 | |
And their captain, Graeme Cole, | 0:01:54 | 0:01:57 | |
a computer sciences graduate whose great, | 0:01:57 | 0:01:59 | |
great, great, great grandfather was a Cornish smuggler with a comb-over. | 0:01:59 | 0:02:02 | |
United by a weakness for wordplay, they are the Verbivores. | 0:02:02 | 0:02:06 | |
Now, eagle-eyed viewers will have noticed that this is a rematch. | 0:02:06 | 0:02:09 | |
You actually met the Psmiths in your opening heat. | 0:02:09 | 0:02:12 | |
How are you feeling about encountering them again? | 0:02:12 | 0:02:15 | |
Well, we lost our first encounter by just two points, | 0:02:15 | 0:02:17 | |
and since then we've got steadily better on the wall, | 0:02:17 | 0:02:20 | |
but we've also got steadily worse on missing vowels. | 0:02:20 | 0:02:23 | |
Hopefully not by quite the same amount. | 0:02:23 | 0:02:26 | |
So, we'll see what happens. | 0:02:26 | 0:02:28 | |
We won't see what happens unless we play the quiz. | 0:02:28 | 0:02:30 | |
Let's start with Round One. | 0:02:30 | 0:02:32 | |
What is the connection between four apparently random clues? | 0:02:32 | 0:02:35 | |
So, two old sparring partner teams go up against each other. | 0:02:35 | 0:02:39 | |
Let's kick that off again. Psmiths, what would you like? | 0:02:39 | 0:02:41 | |
-Two Reeds, please. -Two Reeds. OK. Picture clues immediately. | 0:02:41 | 0:02:45 | |
Something connects them, what is it? | 0:02:45 | 0:02:47 | |
Here's the first. | 0:02:47 | 0:02:48 | |
NICK STIFLES LAUGHTER | 0:02:52 | 0:02:54 | |
Next. | 0:02:54 | 0:02:55 | |
I don't know that in the least. | 0:02:58 | 0:03:00 | |
Next. | 0:03:00 | 0:03:01 | |
Is that...? That's the G-Mex centre, is it? | 0:03:04 | 0:03:07 | |
-We don't... -Maybe they all start with GI... | 0:03:07 | 0:03:11 | |
Next. | 0:03:11 | 0:03:12 | |
Now that is... It's a herb, isn't it? A herb. | 0:03:15 | 0:03:18 | |
Three seconds. | 0:03:22 | 0:03:23 | |
With no confidence at all, | 0:03:26 | 0:03:27 | |
we think they might all start with G hyphen. | 0:03:27 | 0:03:30 | |
They do not all start with G hyphen. | 0:03:30 | 0:03:32 | |
So, Verbivores, you've got the chance of a bonus point. | 0:03:32 | 0:03:34 | |
-They're all sage. -They're all sage? | 0:03:34 | 0:03:36 | |
They are all sage. | 0:03:36 | 0:03:38 | |
Who is that in the second picture? Phyl, I feel sure you know. | 0:03:38 | 0:03:41 | |
-No! -Rapper Sage the Gemini? | 0:03:41 | 0:03:43 | |
Oh, that's my thing, yes. | 0:03:43 | 0:03:45 | |
And in that third picture, | 0:03:45 | 0:03:47 | |
-that is a music venue, Sage Gateshead. -Yes. | 0:03:47 | 0:03:49 | |
And in the last one, the herb sage. | 0:03:49 | 0:03:51 | |
All sage. Well done for a bonus point. | 0:03:51 | 0:03:54 | |
-And you may choose a question. -Eye of Horus, please. -Eye of Horus. | 0:03:54 | 0:03:56 | |
OK. What is the connection between these clues? | 0:03:56 | 0:03:59 | |
Here's the first. | 0:03:59 | 0:04:00 | |
What acts as a question mark in Greek? | 0:04:00 | 0:04:04 | |
THEY CONFER | 0:04:04 | 0:04:06 | |
Do we want the next one, then? | 0:04:08 | 0:04:10 | |
-Yeah. -Next. | 0:04:10 | 0:04:11 | |
I think, I think you could be right. | 0:04:13 | 0:04:15 | |
Semicolon to show you've been to college. | 0:04:15 | 0:04:17 | |
-Yeah. -Shall we go with it? -Yeah. | 0:04:17 | 0:04:19 | |
Semicolons? | 0:04:21 | 0:04:22 | |
Is the right answer. | 0:04:22 | 0:04:24 | |
You didn't need to see the next two clues. | 0:04:24 | 0:04:26 | |
In English, a semicolon separates major sentence elements. | 0:04:26 | 0:04:29 | |
And in emoticons, | 0:04:29 | 0:04:30 | |
they mean a winking eye. | 0:04:30 | 0:04:32 | |
Kurt Vonnegut said, "Do not use semicolons, | 0:04:32 | 0:04:34 | |
"they are transvestite hermaphrodites | 0:04:34 | 0:04:36 | |
"representing absolutely nothing. | 0:04:36 | 0:04:38 | |
"All they do is show you've been to college." | 0:04:38 | 0:04:41 | |
I'm not sure that transvestite | 0:04:41 | 0:04:43 | |
hermaphrodites do represent | 0:04:43 | 0:04:44 | |
absolutely nothing, I think they | 0:04:44 | 0:04:45 | |
represent rather a lot. | 0:04:45 | 0:04:46 | |
But there you go, he's a novelist, | 0:04:46 | 0:04:48 | |
not me, so that was his view. | 0:04:48 | 0:04:49 | |
These are all things done by semicolons. Very well done. | 0:04:49 | 0:04:53 | |
Psmiths, what would you like? | 0:04:53 | 0:04:54 | |
-Water, please. -Water. | 0:04:54 | 0:04:56 | |
OK, what is the connection between these clues? | 0:04:56 | 0:04:58 | |
Here's the first. | 0:04:58 | 0:05:00 | |
That's Pam... That's Pamela, isn't it? | 0:05:02 | 0:05:05 | |
-OK. -Or... -INDISTINCT | 0:05:05 | 0:05:06 | |
-They might be from different famous things. -Yeah. | 0:05:06 | 0:05:09 | |
-THEY CONFER -Next. | 0:05:09 | 0:05:12 | |
That is Jessica. | 0:05:12 | 0:05:14 | |
That's... Women's names? | 0:05:14 | 0:05:17 | |
-Ending in A? -It can't be, it can't be that simple, can it? | 0:05:17 | 0:05:20 | |
It could be all... Yeah, I don't know. | 0:05:20 | 0:05:22 | |
-Maybe we ought to go for another clue, then. -Next. | 0:05:22 | 0:05:25 | |
-Former capital, Duchy of Lorraine. -That's not helpful. | 0:05:26 | 0:05:29 | |
Erm... | 0:05:29 | 0:05:30 | |
I bet it's also a woman's name. | 0:05:31 | 0:05:33 | |
-INDISTINCT -Shall we do it? | 0:05:33 | 0:05:35 | |
Are these all women's names ending in A? | 0:05:38 | 0:05:40 | |
That is not the right answer, so Verbivores, | 0:05:40 | 0:05:43 | |
I'm going to show you the last clue | 0:05:43 | 0:05:45 | |
for a possible bonus point. | 0:05:45 | 0:05:46 | |
Are they all women's names mentioned | 0:05:46 | 0:05:49 | |
in the song Mambo Number Five? | 0:05:49 | 0:05:51 | |
VICTORIA LAUGHS | 0:05:51 | 0:05:53 | |
That is a brilliant guess! | 0:05:53 | 0:05:54 | |
-But no. -Aw! | 0:05:54 | 0:05:55 | |
Which names do you think you saw? | 0:05:55 | 0:05:57 | |
Pamela? Is number one Pamela? | 0:05:57 | 0:05:59 | |
Number one is Pamela. | 0:05:59 | 0:06:01 | |
-Number two is Jessica. -Mm-hm. | 0:06:01 | 0:06:02 | |
Erm... And we don't know number three. | 0:06:02 | 0:06:05 | |
Number three doesn't actually end in A anyway. | 0:06:05 | 0:06:07 | |
-Ah. -That would be Nancee, or Nancy. | 0:06:07 | 0:06:09 | |
-Diana? -And then the last one is Diana. | 0:06:09 | 0:06:11 | |
Pamela, Jessica, Nancy, Diana? | 0:06:11 | 0:06:14 | |
Mitfords. | 0:06:14 | 0:06:15 | |
They are the Mitford sisters. | 0:06:15 | 0:06:16 | |
Yes, we didn't include the clue, | 0:06:16 | 0:06:18 | |
that which has oneness. | 0:06:18 | 0:06:20 | |
Or Unity. | 0:06:20 | 0:06:21 | |
Where was Unity Mitford conceived? | 0:06:21 | 0:06:23 | |
THEY LAUGH | 0:06:24 | 0:06:25 | |
It's lovely. Swastika, Ontario. | 0:06:25 | 0:06:28 | |
That's right. One of her relatives owned mines there. | 0:06:28 | 0:06:31 | |
So, no points there, but Verbivores, you may choose your own question. | 0:06:31 | 0:06:34 | |
-Lion, please. -Lion. OK. MUSIC TONE | 0:06:34 | 0:06:37 | |
Well, it's the music question. | 0:06:37 | 0:06:39 | |
You'll be hearing your clues, I want to know what connects them. | 0:06:39 | 0:06:41 | |
Here's the first. | 0:06:41 | 0:06:43 | |
# In the wee wee hours | 0:06:43 | 0:06:46 | |
# Your mind gets hazy... # | 0:06:46 | 0:06:49 | |
Can't actually recognise it. Next. | 0:06:49 | 0:06:51 | |
# I can't wait till I hear you say | 0:06:51 | 0:06:53 | |
# I'm going down, mayday, mayday, I'm going to clam | 0:06:53 | 0:06:55 | |
# Cos every time that the pigs have got me... # | 0:06:55 | 0:06:58 | |
Next. | 0:06:58 | 0:06:59 | |
# My name's Smiley Culture... | 0:06:59 | 0:07:01 | |
# Where do you think you're coming from? | 0:07:01 | 0:07:03 | |
# Like from seeing my mother | 0:07:03 | 0:07:05 | |
# What's the registration number of the car? | 0:07:05 | 0:07:06 | |
# I can't remember... # | 0:07:06 | 0:07:08 | |
Next. | 0:07:08 | 0:07:09 | |
# We never had the love that every child ought to get | 0:07:09 | 0:07:11 | |
# We ain't no delinquents, we're misunderstood | 0:07:11 | 0:07:14 | |
-# Deep down inside us there is good! -# There is good! | 0:07:14 | 0:07:18 | |
# There is good, there is good... # | 0:07:18 | 0:07:20 | |
Three seconds. | 0:07:20 | 0:07:22 | |
Based on almost nothing at all...names. | 0:07:22 | 0:07:25 | |
I think your problem is that "names" | 0:07:25 | 0:07:27 | |
applies to literally every song | 0:07:27 | 0:07:29 | |
ever written or recorded, | 0:07:29 | 0:07:30 | |
so I can't accept that as an answer. | 0:07:30 | 0:07:33 | |
Psmiths, your chance for a bonus point now. | 0:07:33 | 0:07:35 | |
We think the connection is the police. | 0:07:35 | 0:07:38 | |
The connection is the police. | 0:07:38 | 0:07:40 | |
What did we hear? | 0:07:40 | 0:07:41 | |
Going backwards, we had Gee, | 0:07:41 | 0:07:43 | |
Officer Krupke from West Side Story. | 0:07:43 | 0:07:45 | |
That's right. | 0:07:45 | 0:07:46 | |
Police Officer by Smiley Culture. | 0:07:46 | 0:07:48 | |
Mm-hm. What else? | 0:07:48 | 0:07:49 | |
A song expressing distaste for the police by NWA. | 0:07:49 | 0:07:54 | |
No, it's Ice Cube. Ghetto Bird. | 0:07:54 | 0:07:56 | |
He's addressing police in a helicopter. | 0:07:56 | 0:07:57 | |
It wasn't easy to find a bit of that song that was broadcast-able, | 0:07:57 | 0:08:00 | |
but we found a bit. And what about the first one? | 0:08:00 | 0:08:02 | |
Don't know. | 0:08:02 | 0:08:04 | |
That was Bruce Springsteen, | 0:08:04 | 0:08:05 | |
State Trooper. | 0:08:05 | 0:08:06 | |
All songs addressed to police officers. | 0:08:06 | 0:08:08 | |
Well done. So you get the bonus there and it's your choice. | 0:08:08 | 0:08:12 | |
-Twisted Flax, please. -Twisted Flax. | 0:08:12 | 0:08:14 | |
What is the connection between these clues? | 0:08:14 | 0:08:16 | |
Here's the first. | 0:08:16 | 0:08:17 | |
THEY CONFER | 0:08:19 | 0:08:21 | |
Next. | 0:08:21 | 0:08:22 | |
I think it's these previous names of Google or something? | 0:08:25 | 0:08:29 | |
Next. | 0:08:29 | 0:08:31 | |
Brands that have changed their names from this to something a lot more... | 0:08:36 | 0:08:39 | |
Erm, it's tempting, isn't it? I mean, we need a... | 0:08:39 | 0:08:42 | |
Shall we have a fourth? Next. | 0:08:42 | 0:08:44 | |
-That was a... -Are they...? | 0:08:45 | 0:08:48 | |
That was a famous Internet failure, wasn't it? | 0:08:48 | 0:08:50 | |
Maybe they all are. | 0:08:50 | 0:08:52 | |
We think these are all, erm, | 0:08:54 | 0:08:55 | |
much-hyped internet companies that failed. | 0:08:55 | 0:08:58 | |
That's absolutely right, they are dot com bubble casualties. | 0:08:58 | 0:09:02 | |
What did they do? Tell me about those websites. | 0:09:02 | 0:09:04 | |
Boo.com was... | 0:09:06 | 0:09:07 | |
-Gifts? -Clothes and gifts and things? | 0:09:07 | 0:09:09 | |
Yeah, sort of a fashion store, yes, | 0:09:09 | 0:09:11 | |
with a virtual hostess | 0:09:11 | 0:09:13 | |
called Miss Boo. | 0:09:13 | 0:09:14 | |
It was a pet supply company, you might imagine, Pets.com. | 0:09:14 | 0:09:16 | |
TheGlobe.com | 0:09:16 | 0:09:18 | |
was an American social network. | 0:09:18 | 0:09:20 | |
Think Tools was a Swiss IT company. | 0:09:20 | 0:09:22 | |
All much-hyped companies | 0:09:22 | 0:09:24 | |
that famously crashed. | 0:09:24 | 0:09:26 | |
Verbivores, what would you like? | 0:09:26 | 0:09:28 | |
-Horned Viper, please. -The Horned Viper. | 0:09:28 | 0:09:30 | |
OK. What is the connection between these clues? | 0:09:30 | 0:09:32 | |
Here's the first. | 0:09:32 | 0:09:34 | |
Flying balloon girl: West Bank. | 0:09:35 | 0:09:37 | |
Is this Banksy graffiti? | 0:09:37 | 0:09:40 | |
-Is it? -I think so. | 0:09:40 | 0:09:42 | |
I think there's a picture of someone, a girl with balloons. | 0:09:42 | 0:09:45 | |
-Do you want to go with that? -Yeah. | 0:09:45 | 0:09:48 | |
These are artworks by Banksy? | 0:09:50 | 0:09:51 | |
Coming in after one clue, | 0:09:53 | 0:09:55 | |
I'm going to give you five points. | 0:09:55 | 0:09:57 | |
They are all works by Banksy. | 0:09:57 | 0:09:59 | |
Let's have a look at them. | 0:09:59 | 0:10:01 | |
You recognised immediately, Tom, | 0:10:01 | 0:10:04 | |
the Flying Balloon Girl, which is on the West Bank. | 0:10:04 | 0:10:07 | |
Man Hanging From A Window, that's in Bristol, | 0:10:07 | 0:10:09 | |
it's outside a window ledge, | 0:10:09 | 0:10:11 | |
the idea is that the chap is just slipping out of the premises. | 0:10:11 | 0:10:14 | |
Think Tank, that's a Blur album cover, | 0:10:14 | 0:10:16 | |
and If Graffiti Changed Anything... | 0:10:16 | 0:10:18 | |
is a piece of graffiti or a graffito in Fitzrovia. | 0:10:18 | 0:10:22 | |
I should probably say it's not confirmed that they are by Banksy. | 0:10:22 | 0:10:25 | |
They are rumoured to be | 0:10:25 | 0:10:26 | |
by the artist Banksy. | 0:10:26 | 0:10:28 | |
Very well done. | 0:10:28 | 0:10:29 | |
That means at the end of Round One that the Psmiths | 0:10:29 | 0:10:32 | |
have two points, | 0:10:32 | 0:10:33 | |
the Verbivores have nine. | 0:10:33 | 0:10:34 | |
Sequences now, and Psmiths, you'll be going first again, | 0:10:37 | 0:10:40 | |
so please choose a sequential hieroglyph. | 0:10:40 | 0:10:42 | |
-Two Reeds, please. -Two Reeds. | 0:10:42 | 0:10:44 | |
OK, I'll be showing you the first in a series of clues, | 0:10:44 | 0:10:46 | |
what would you expect to come fourth? | 0:10:46 | 0:10:48 | |
Time starts now. | 0:10:48 | 0:10:50 | |
-Rivers, Washington. -Um, no. Next. | 0:10:53 | 0:10:56 | |
Longest rivers? The Nile? | 0:11:00 | 0:11:02 | |
No, no, no. | 0:11:02 | 0:11:04 | |
Potomac: 1, Congo: 2. | 0:11:04 | 0:11:06 | |
Next. | 0:11:08 | 0:11:10 | |
Nile three? | 0:11:10 | 0:11:12 | |
Is this to do with the tributaries, or... | 0:11:14 | 0:11:17 | |
Or the dates on which their sources were found? | 0:11:17 | 0:11:20 | |
Amazon... | 0:11:23 | 0:11:25 | |
Mississippi, the Mississippi. | 0:11:25 | 0:11:27 | |
BELL | 0:11:27 | 0:11:28 | |
Mississippi, four. | 0:11:30 | 0:11:31 | |
Not the right answer, I'm afraid, so a bonus chance for you, Verbivores. | 0:11:31 | 0:11:34 | |
-Danube, four? -Is the right answer. | 0:11:34 | 0:11:37 | |
My goodness. And why is that? | 0:11:37 | 0:11:39 | |
They're the number of capital cities that these rivers go through? | 0:11:39 | 0:11:43 | |
That is very well calculated. | 0:11:43 | 0:11:45 | |
Which capital cities do these rivers flow through? | 0:11:45 | 0:11:48 | |
Potomac is Washington, DC. | 0:11:48 | 0:11:51 | |
Congo probably Kinshasa and Brazzaville. | 0:11:51 | 0:11:54 | |
-That's right. -Nile is Khartoum, Cairo and... | 0:11:54 | 0:11:58 | |
I don't know the other one. | 0:11:58 | 0:12:00 | |
Juba in South Sudan. | 0:12:00 | 0:12:01 | |
And what about the Danube? That is the only river to go through four | 0:12:01 | 0:12:04 | |
capital cities. Do you know what they are? | 0:12:04 | 0:12:06 | |
-Budapest. -Of course. | 0:12:06 | 0:12:07 | |
Vienna. Bucharest. | 0:12:07 | 0:12:09 | |
Bratislava and Belgrade in Serbia. | 0:12:09 | 0:12:12 | |
It is increasing numbers of capital cities on rivers, | 0:12:12 | 0:12:15 | |
and the right one is Danube, well done. | 0:12:15 | 0:12:17 | |
So you get a bonus and a choice. | 0:12:17 | 0:12:19 | |
-Twisted Flax, please. -Twisted Flax. | 0:12:19 | 0:12:21 | |
OK. What will come fourth in this sequence? | 0:12:21 | 0:12:23 | |
Here's the first. | 0:12:23 | 0:12:25 | |
What was he in 2005-2010? | 0:12:27 | 0:12:29 | |
Shadow Chancellor? | 0:12:29 | 0:12:30 | |
Yes, it could have been McDonnell 2015... | 0:12:30 | 0:12:33 | |
He's Corbyn's... | 0:12:34 | 0:12:36 | |
Is that going to be right? | 0:12:36 | 0:12:37 | |
-Don't go rash. -Shall we go next? | 0:12:37 | 0:12:40 | |
Next. | 0:12:41 | 0:12:42 | |
-I think you've got it. -Yeah... | 0:12:43 | 0:12:46 | |
-So. McDonnell... -2015. | 0:12:46 | 0:12:47 | |
2015 to present. | 0:12:47 | 0:12:48 | |
BELL | 0:12:48 | 0:12:50 | |
McDonnell, 2015 to present. | 0:12:50 | 0:12:52 | |
Not the answer, I'm afraid, | 0:12:52 | 0:12:54 | |
so I'm going to show the third in the sequence to the Psmiths | 0:12:54 | 0:12:57 | |
for a possible bonus point. | 0:12:57 | 0:12:58 | |
I can't give you long. | 0:13:02 | 0:13:03 | |
No, that's too long, I'm afraid. | 0:13:05 | 0:13:07 | |
Now, you are right, these are successive Shadow Chancellors, | 0:13:07 | 0:13:10 | |
but you forgot Alan Johnson, | 0:13:10 | 0:13:12 | |
then, of course, Ed Balls was | 0:13:12 | 0:13:14 | |
Shadow Chancellor 2011-2015. | 0:13:14 | 0:13:16 | |
How could you forget Alan Johnson? | 0:13:16 | 0:13:19 | |
One of the greatest politicians of our time. | 0:13:19 | 0:13:21 | |
Have you read his book? | 0:13:21 | 0:13:23 | |
My father-in-law has. | 0:13:23 | 0:13:24 | |
Well, that's... | 0:13:24 | 0:13:25 | |
My father-in-law's done a lot of | 0:13:25 | 0:13:28 | |
things I haven't. | 0:13:28 | 0:13:29 | |
Nobody read his book? | 0:13:29 | 0:13:30 | |
It's a wonderful book. | 0:13:30 | 0:13:31 | |
Yes, successive Shadow Chancellors, | 0:13:31 | 0:13:33 | |
and the one we were looking for was Ed Balls. | 0:13:33 | 0:13:36 | |
No bonus, then, Psmiths, but what would you like? | 0:13:36 | 0:13:38 | |
-Water, please. -Water. | 0:13:38 | 0:13:39 | |
OK, what would come fourth in this picture sequence? | 0:13:39 | 0:13:43 | |
Here's the first. | 0:13:43 | 0:13:44 | |
Is it some... | 0:13:46 | 0:13:48 | |
It's the letter A. | 0:13:48 | 0:13:50 | |
It could be variants on the letter A until it | 0:13:50 | 0:13:51 | |
becomes...starts out as an ox and turns into letter A. | 0:13:51 | 0:13:54 | |
-Shall we try one? -We should definitely. | 0:13:54 | 0:13:56 | |
Next. | 0:13:56 | 0:13:57 | |
Yeah, I think these are building towards a capital A. | 0:13:57 | 0:14:01 | |
We need some points. | 0:14:01 | 0:14:02 | |
BELL | 0:14:02 | 0:14:03 | |
Is it simply a capital A? | 0:14:05 | 0:14:06 | |
It is simply a capital A, | 0:14:06 | 0:14:09 | |
very well done. | 0:14:09 | 0:14:11 | |
Talk me through these clues. | 0:14:11 | 0:14:13 | |
I believe the A starts out as a stylised picture of an ox. | 0:14:13 | 0:14:17 | |
It's a Sinai ox, it's an Egyptian | 0:14:17 | 0:14:18 | |
hieroglyph, really, isn't it? | 0:14:18 | 0:14:20 | |
That's the ox, representing A. | 0:14:20 | 0:14:22 | |
Then what? | 0:14:22 | 0:14:24 | |
Then things that look gradually less like an ox | 0:14:24 | 0:14:26 | |
and more like a capital A. | 0:14:26 | 0:14:27 | |
It's a Phoenician aleph | 0:14:28 | 0:14:30 | |
in the second clue, | 0:14:30 | 0:14:31 | |
then the old Greek alpha, getting towards the Roman A. | 0:14:31 | 0:14:35 | |
Verbivores, what would you like? | 0:14:35 | 0:14:37 | |
-Horned Viper, please. -The Horned Viper. | 0:14:37 | 0:14:39 | |
OK, what will come fourth in this sequence? | 0:14:39 | 0:14:41 | |
Here's the first. | 0:14:41 | 0:14:43 | |
Britain A, Germany A. | 0:14:45 | 0:14:47 | |
Let's see the next one. | 0:14:47 | 0:14:48 | |
Next. | 0:14:48 | 0:14:50 | |
Oh, right, yeah, they're different in Germany, aren't they? | 0:14:51 | 0:14:54 | |
So, in Britain it's... | 0:14:54 | 0:14:55 | |
It's going to be a D... | 0:14:55 | 0:14:57 | |
-It's not the national anthem, is it? -No, no, no, | 0:14:57 | 0:14:59 | |
it's the scales, in Germany they use an H somewhere. | 0:14:59 | 0:15:02 | |
If this is going to be C? | 0:15:02 | 0:15:04 | |
-No, the fourth. -Yeah, so A, B flat, B, C... | 0:15:05 | 0:15:08 | |
But what's it going to be in Germany? | 0:15:08 | 0:15:10 | |
A, B, H, C, is it? | 0:15:10 | 0:15:14 | |
I think, I think they, I think it's H. | 0:15:14 | 0:15:16 | |
I don't know. | 0:15:17 | 0:15:18 | |
Or, C, D? | 0:15:19 | 0:15:21 | |
BELL | 0:15:21 | 0:15:22 | |
A British flag with a letter C, | 0:15:22 | 0:15:24 | |
and a German flag with the letter... | 0:15:24 | 0:15:28 | |
C? | 0:15:30 | 0:15:31 | |
Is the right answer. | 0:15:31 | 0:15:33 | |
A Union flag with a C, a German flag with a C. | 0:15:34 | 0:15:37 | |
That is right. And what is the sequence? | 0:15:37 | 0:15:39 | |
They're the musical notes. | 0:15:39 | 0:15:41 | |
In Germany, they do it differently, | 0:15:41 | 0:15:43 | |
they have an H where you'd least expect one. | 0:15:43 | 0:15:46 | |
We couldn't quite remember where it was, but luckily we guessed right. | 0:15:46 | 0:15:49 | |
That's absolutely right, the British | 0:15:49 | 0:15:51 | |
system is perfectly logical, | 0:15:51 | 0:15:52 | |
the notes go A-G with flats, | 0:15:52 | 0:15:54 | |
except C and F don't have flats, | 0:15:54 | 0:15:55 | |
but that just stands to reason. | 0:15:55 | 0:15:57 | |
Whereas in Germany, they don't have a B flat, | 0:15:57 | 0:16:00 | |
and because they're then missing a note, | 0:16:00 | 0:16:02 | |
they shove in a quick H | 0:16:02 | 0:16:03 | |
on their way to C. | 0:16:03 | 0:16:05 | |
But we arrive at C and C in both musical scales. | 0:16:05 | 0:16:08 | |
Well guessed. Back to you, Psmiths, | 0:16:08 | 0:16:11 | |
-for a choice. -Eye of Horus, please. | 0:16:11 | 0:16:13 | |
Eye of Horus, OK. | 0:16:13 | 0:16:15 | |
What would come fourth in this sequence? | 0:16:15 | 0:16:17 | |
Here's the first. | 0:16:17 | 0:16:18 | |
Next. | 0:16:21 | 0:16:22 | |
-This is going to be about writing, I think. -Yeah. | 0:16:28 | 0:16:30 | |
Next. | 0:16:30 | 0:16:32 | |
Border? | 0:16:32 | 0:16:34 | |
Is it headlines, bits of newspapers? | 0:16:34 | 0:16:36 | |
It's got to have an order. | 0:16:36 | 0:16:38 | |
Content, padding, border... | 0:16:40 | 0:16:42 | |
-Headline? -Is it, is it like | 0:16:42 | 0:16:45 | |
how you make a mattress, | 0:16:45 | 0:16:46 | |
or a pillow or something? | 0:16:46 | 0:16:48 | |
Or parcel? | 0:16:49 | 0:16:51 | |
-Envelope? -Pillowcase? No. | 0:16:51 | 0:16:54 | |
BELL | 0:16:55 | 0:16:56 | |
Envelope? | 0:16:56 | 0:16:58 | |
Not the right answer, I'm afraid. | 0:16:58 | 0:17:01 | |
So, Verbivores, what do you think? | 0:17:01 | 0:17:03 | |
-Margin. -Is the right answer. | 0:17:03 | 0:17:05 | |
And why is that? | 0:17:05 | 0:17:06 | |
They're coming from | 0:17:06 | 0:17:07 | |
the innards of a page going out, | 0:17:07 | 0:17:10 | |
what the layout... | 0:17:10 | 0:17:12 | |
The bits you call the layout, and the margin is on the sides. | 0:17:12 | 0:17:16 | |
I've explained that brilliantly - again! | 0:17:16 | 0:17:18 | |
What sort of page? | 0:17:18 | 0:17:20 | |
A page of text, | 0:17:20 | 0:17:22 | |
-a newspaper page? -A web page. | 0:17:22 | 0:17:24 | |
It's elements for HTML. | 0:17:24 | 0:17:26 | |
They are layers of HTML elements on web pages. | 0:17:26 | 0:17:29 | |
The questioner had to explain this | 0:17:29 | 0:17:31 | |
to me, I was so bored he had to explain it about seven times | 0:17:31 | 0:17:33 | |
and I slept through all of them. | 0:17:33 | 0:17:34 | |
But as I understand it, | 0:17:34 | 0:17:35 | |
you get content in the middle of a page, then the padding, then border, | 0:17:35 | 0:17:39 | |
then right on the outside is margin. | 0:17:39 | 0:17:42 | |
That completes the page. | 0:17:42 | 0:17:43 | |
So, well guessed again. | 0:17:43 | 0:17:45 | |
And you're going to get the last | 0:17:45 | 0:17:47 | |
question of the round, the Lion. | 0:17:47 | 0:17:48 | |
What would come fourth in this sequence? | 0:17:48 | 0:17:50 | |
Here's the first. | 0:17:50 | 0:17:51 | |
Next. | 0:17:53 | 0:17:55 | |
-Five... -It is a comma, but... | 0:17:59 | 0:18:01 | |
Fibonacci sequence. | 0:18:01 | 0:18:03 | |
-It is a comma. -Shall we go next? | 0:18:03 | 0:18:05 | |
Is it between... No, no... | 0:18:05 | 0:18:08 | |
Next. | 0:18:08 | 0:18:09 | |
-Primes. -It's going to be | 0:18:12 | 0:18:13 | |
the next four primes, which is... | 0:18:13 | 0:18:16 | |
-Next four primes. -17, 19, 23 and 29. | 0:18:16 | 0:18:18 | |
29. | 0:18:18 | 0:18:19 | |
BELL | 0:18:19 | 0:18:21 | |
Four, brackets, 17, 19, 23, 29. | 0:18:21 | 0:18:28 | |
I'm afraid you didn't close the brackets, | 0:18:30 | 0:18:31 | |
so I can't give it to you... | 0:18:31 | 0:18:33 | |
That is the right answer. | 0:18:33 | 0:18:34 | |
They are bunches of prime numbers. | 0:18:34 | 0:18:36 | |
The first is two, the next two are | 0:18:36 | 0:18:38 | |
three and five, the next three, | 0:18:38 | 0:18:39 | |
seven, 11, 13, and the next four | 0:18:39 | 0:18:41 | |
17, 19, 23, 29. | 0:18:41 | 0:18:43 | |
Very well done. | 0:18:43 | 0:18:45 | |
Well, that means at the end of Round Two | 0:18:45 | 0:18:48 | |
the Psmiths have five points, | 0:18:48 | 0:18:49 | |
the Verbivores have 16. | 0:18:49 | 0:18:51 | |
Time now for the Connecting Wall, | 0:18:54 | 0:18:56 | |
and Verbivores, you'll be going first. | 0:18:56 | 0:18:57 | |
Would you like Lion or Water? | 0:18:57 | 0:19:00 | |
-Water, please. -OK. | 0:19:00 | 0:19:01 | |
Two-and-a-half minutes to solve the Water wall, starting now. | 0:19:01 | 0:19:04 | |
Sexy MF? | 0:19:06 | 0:19:08 | |
Oh, things on a... | 0:19:09 | 0:19:12 | |
Tomato... | 0:19:12 | 0:19:13 | |
Yeah, they've got things... | 0:19:13 | 0:19:15 | |
Yeah, we've got things on a, | 0:19:15 | 0:19:16 | |
on a gambling machine. | 0:19:16 | 0:19:17 | |
Cherry, 7, Bell, Plum. | 0:19:17 | 0:19:19 | |
BUZZ | 0:19:19 | 0:19:20 | |
And Grape and Bar. | 0:19:20 | 0:19:22 | |
Oh, well! | 0:19:22 | 0:19:23 | |
Shall we... If you spot anything else. | 0:19:24 | 0:19:26 | |
What were you... | 0:19:26 | 0:19:28 | |
-Beefsteak tomato, Cherry tomato, Plum tomato... -Grape. | 0:19:28 | 0:19:32 | |
Oh, well done. | 0:19:32 | 0:19:33 | |
-Go for the... -Seven, Bell, Bar... | 0:19:33 | 0:19:36 | |
-A clock? -BUZZ | 0:19:39 | 0:19:41 | |
They're things, symbols on fruit machines. | 0:19:41 | 0:19:43 | |
Shot? | 0:19:43 | 0:19:44 | |
BUZZ | 0:19:44 | 0:19:46 | |
Yeah, well, I'll just try all of these, then. | 0:19:46 | 0:19:49 | |
BUZZ | 0:19:49 | 0:19:50 | |
Stop me if you see anything else. | 0:19:50 | 0:19:52 | |
I'm going to find out it's none of them. | 0:19:52 | 0:19:53 | |
BUZZ | 0:19:53 | 0:19:56 | |
I've seen Sexy MF on a fruit machine! | 0:19:56 | 0:19:58 | |
BUZZ | 0:19:58 | 0:19:59 | |
BUZZ | 0:19:59 | 0:20:01 | |
Right, well, that was a waste of time! | 0:20:01 | 0:20:03 | |
Sexy MF? Is it like a... I don't know. | 0:20:04 | 0:20:09 | |
Are some of these drinks? | 0:20:11 | 0:20:12 | |
Is it Kiss FM? Kiss FM, 7... | 0:20:12 | 0:20:14 | |
Sexy MF. | 0:20:15 | 0:20:17 | |
Late, Tonic.... | 0:20:17 | 0:20:19 | |
Can you have a late drink? | 0:20:19 | 0:20:21 | |
Yes, I suppose. | 0:20:21 | 0:20:22 | |
Shot, um... | 0:20:23 | 0:20:24 | |
What about towers? | 0:20:27 | 0:20:28 | |
Clock Tower, yeah, I think you're right. | 0:20:28 | 0:20:30 | |
Bell tower, Cooling tower, Clock Tower... | 0:20:30 | 0:20:32 | |
-Bar? -Bar tower? | 0:20:34 | 0:20:35 | |
BUZZ Got a minute left. | 0:20:35 | 0:20:37 | |
-Sexy MF, I'm going to keep pressing Sexy MF for ever. -Shot. | 0:20:37 | 0:20:39 | |
Shot tower. Well, there we are. | 0:20:39 | 0:20:41 | |
Right, is Tope a colour? | 0:20:41 | 0:20:43 | |
It's not spelled like that, but cream's a colour. | 0:20:43 | 0:20:45 | |
Yeah, cream... | 0:20:45 | 0:20:47 | |
-Tonic water... -Tonic. | 0:20:47 | 0:20:49 | |
Cream, you can have in a drink, can't you? | 0:20:49 | 0:20:51 | |
We have to say something, guess something. | 0:20:52 | 0:20:54 | |
30 seconds. | 0:20:56 | 0:20:58 | |
INDISTINCT CONVERSATION | 0:20:58 | 0:21:00 | |
The others aren't going to be... | 0:21:04 | 0:21:06 | |
Shall we just try something? | 0:21:06 | 0:21:07 | |
Let's try something. | 0:21:07 | 0:21:09 | |
Kiss, I'm guessing radio stations. | 0:21:09 | 0:21:10 | |
-Late FM, perhaps. -Tonic. | 0:21:10 | 0:21:12 | |
BUZZ | 0:21:12 | 0:21:13 | |
Let's try seven. Seven. | 0:21:13 | 0:21:15 | |
-BUZZ -No, one more guess. | 0:21:15 | 0:21:17 | |
-Ten seconds. -Ten seconds. | 0:21:17 | 0:21:19 | |
You, you, you and you. | 0:21:21 | 0:21:23 | |
Not it, I'm afraid. | 0:21:25 | 0:21:26 | |
And that's it, your three lives are up and the wall has frozen. | 0:21:26 | 0:21:29 | |
But you found two groups. | 0:21:29 | 0:21:30 | |
What about the connections? | 0:21:30 | 0:21:31 | |
Tell me about the first blue group, starting Cherry. | 0:21:31 | 0:21:33 | |
They are types of tomato. | 0:21:33 | 0:21:35 | |
Cherry tomato, Plum tomato, Beefsteak tomato, and Grape tomato. | 0:21:35 | 0:21:39 | |
And the second green group, starting Cooling. | 0:21:39 | 0:21:42 | |
-Tower. -Cooling tower, Bell tower, Clock tower, Shot tower. | 0:21:42 | 0:21:45 | |
It is correct. And you can still get points for the connections in the | 0:21:45 | 0:21:48 | |
groups you didn't find, so let's resolve the wall. | 0:21:48 | 0:21:50 | |
There we go, tell me about the pink group, starting Late. | 0:21:50 | 0:21:54 | |
Are they to do with drinks? | 0:22:00 | 0:22:01 | |
No, you're not seeing it. Iso. | 0:22:01 | 0:22:03 | |
Isolate, isotope, isobar, isotonic. | 0:22:03 | 0:22:07 | |
That's what you put before all of those. | 0:22:07 | 0:22:09 | |
And the turquoise group. | 0:22:09 | 0:22:10 | |
7, Cream, Kiss, Sexy MF. | 0:22:10 | 0:22:13 | |
Are these radio stations? | 0:22:13 | 0:22:15 | |
Really? None of you? | 0:22:15 | 0:22:17 | |
Not one of you? | 0:22:17 | 0:22:19 | |
They are songs, all by Prince. | 0:22:19 | 0:22:22 | |
And, as you suspected, there was a complete false group in there, | 0:22:22 | 0:22:25 | |
the fruit machines. The next wall has a whole false group as well, | 0:22:25 | 0:22:28 | |
I'm looking forward to them heading down that blind alley. | 0:22:28 | 0:22:31 | |
But you did find two groups and give me two connections, | 0:22:31 | 0:22:33 | |
that is a total of four. | 0:22:33 | 0:22:35 | |
Let's bring in the Psmiths now, give them the other Connecting Wall, | 0:22:35 | 0:22:38 | |
and see what happens to them. | 0:22:38 | 0:22:40 | |
Welcome back, Psmiths, you will be getting the Lion wall, | 0:22:40 | 0:22:43 | |
and two-and-a-half minutes to solve it. | 0:22:43 | 0:22:44 | |
Starting now. | 0:22:44 | 0:22:47 | |
Publishers. | 0:22:49 | 0:22:51 | |
Publishers. Bloomsbury, | 0:22:51 | 0:22:53 | |
Penguin, Puffin. | 0:22:53 | 0:22:54 | |
-Toucan? -BUZZ | 0:22:54 | 0:22:56 | |
-Ladybird. OK, so you've missed... -BUZZ | 0:22:56 | 0:22:57 | |
Children's books. | 0:22:57 | 0:22:58 | |
-Ladybird, Toucan, Puffin... -BUZZ | 0:22:58 | 0:23:02 | |
Orion's a publisher. | 0:23:02 | 0:23:04 | |
-OK. -BUZZ | 0:23:04 | 0:23:07 | |
Bloomsbury's got... | 0:23:07 | 0:23:09 | |
Snoopy is a cartoon dog. | 0:23:09 | 0:23:12 | |
Swann with double N. | 0:23:12 | 0:23:15 | |
-Cricketer? -Is it a cricketer or character from Proust? | 0:23:15 | 0:23:19 | |
Erm... | 0:23:19 | 0:23:20 | |
Turner, we've got prizes, are any of the others prizes? | 0:23:20 | 0:23:23 | |
-Is there a Bloomsbury prize? -I think there is. | 0:23:23 | 0:23:25 | |
Maybe Pegasus. | 0:23:25 | 0:23:27 | |
BUZZ | 0:23:31 | 0:23:32 | |
OK. | 0:23:32 | 0:23:33 | |
BUZZ | 0:23:41 | 0:23:42 | |
BUZZ | 0:23:45 | 0:23:47 | |
No, no, OK. I'll just keep going | 0:23:47 | 0:23:49 | |
through publishers while | 0:23:49 | 0:23:50 | |
we try and... | 0:23:50 | 0:23:52 | |
BUZZ | 0:23:53 | 0:23:54 | |
Mighty Sparrow. | 0:23:54 | 0:23:55 | |
Comic. Are there comics in here? | 0:23:58 | 0:24:00 | |
What else could Snoopy be? | 0:24:05 | 0:24:07 | |
Oh, types of road crossing. | 0:24:10 | 0:24:12 | |
Puffin, Toucan, Zebra... | 0:24:12 | 0:24:13 | |
Pegasus crossing. | 0:24:17 | 0:24:18 | |
-OK. -OK. | 0:24:19 | 0:24:21 | |
So does that make the publishers easier to do? | 0:24:21 | 0:24:23 | |
-Not considering Puffin. -Do you want to give it a go? | 0:24:23 | 0:24:25 | |
Bloomsbury, Penguin, what else have we got? Doubleday and Orion. | 0:24:25 | 0:24:27 | |
-BUZZ -OK. What have we missed? | 0:24:27 | 0:24:29 | |
-30 seconds. -Ladybird? -Ladybird, OK, so we're missing Orion. | 0:24:29 | 0:24:32 | |
-Great. -Well done. -OK, so what does Orion come with? -Three lives. | 0:24:32 | 0:24:36 | |
Orion and Aquarius go together. | 0:24:36 | 0:24:38 | |
Barbossa, what could that be? | 0:24:38 | 0:24:39 | |
Snoopy... | 0:24:45 | 0:24:47 | |
That's it, you've solved the wall, | 0:24:47 | 0:24:49 | |
very well done, with just ten seconds to go. | 0:24:49 | 0:24:52 | |
And what about the connections? | 0:24:52 | 0:24:54 | |
Zebra, Pegasus, Puffin, Toucan. | 0:24:54 | 0:24:57 | |
These are types of road crossing. | 0:24:57 | 0:24:58 | |
They are road crossings. | 0:24:58 | 0:25:00 | |
And the Green group, starting Ladybird? | 0:25:00 | 0:25:02 | |
They, along with everything else on this, are publishers. | 0:25:02 | 0:25:05 | |
Ladybird, Bloomsbury, Penguin, Doubleday, all publishers. | 0:25:05 | 0:25:08 | |
And the pink group, starting Eagle? | 0:25:08 | 0:25:10 | |
They are... | 0:25:10 | 0:25:12 | |
codenames in the Second World War. | 0:25:12 | 0:25:14 | |
Lovely. Sadly not the answer. | 0:25:14 | 0:25:17 | |
Eagle, Orion, Aquarius, Snoopy | 0:25:17 | 0:25:19 | |
are lunar landing craft. | 0:25:19 | 0:25:22 | |
They are spacecraft that went to the moon. | 0:25:22 | 0:25:24 | |
And the turquoise group, | 0:25:24 | 0:25:26 | |
Sparrow, Swann, Turner, Barbossa. | 0:25:26 | 0:25:28 | |
Are they... Pirates called Jack? | 0:25:28 | 0:25:31 | |
I am sorry, the specific thing I needed to hear was that they are in | 0:25:31 | 0:25:34 | |
Pirates Of The Caribbean. | 0:25:34 | 0:25:37 | |
Nevertheless, you found all four groups | 0:25:37 | 0:25:39 | |
and you gave me two connections, | 0:25:39 | 0:25:40 | |
that is a total of six. | 0:25:40 | 0:25:41 | |
Let's have a look at the overall scores. | 0:25:41 | 0:25:43 | |
The Psmiths have 11 points, | 0:25:43 | 0:25:46 | |
the Verbivores have 20. | 0:25:46 | 0:25:48 | |
So, the place in the semifinals will be determined in the Missing Vowels | 0:25:51 | 0:25:54 | |
Round. Fingers on buzzers, teams. | 0:25:54 | 0:25:57 | |
I can tell you that the first group | 0:25:57 | 0:25:59 | |
all feature a Shakespearean character | 0:25:59 | 0:26:02 | |
and their killer. | 0:26:02 | 0:26:03 | |
-Verbivores. -Mercutio and Tybalt. | 0:26:05 | 0:26:07 | |
Correct. | 0:26:07 | 0:26:08 | |
-Verbivores. -Regan and Goneril. | 0:26:11 | 0:26:14 | |
Correct. | 0:26:14 | 0:26:15 | |
-Verbivores. -Hamlet and Laertes. | 0:26:17 | 0:26:20 | |
Correct. | 0:26:20 | 0:26:21 | |
-Psmiths. -Desdemona and Othello. | 0:26:23 | 0:26:25 | |
Correct. Next category, geographic features of Australia. | 0:26:25 | 0:26:28 | |
-Psmiths. -Uluru. | 0:26:30 | 0:26:32 | |
Correct. | 0:26:32 | 0:26:33 | |
Psmiths. | 0:26:37 | 0:26:39 | |
-Cape York Peninsula. -Correct. | 0:26:39 | 0:26:40 | |
-Psmiths. -The Australian Alps. | 0:26:44 | 0:26:46 | |
Not it, I'm afraid, | 0:26:46 | 0:26:48 | |
Verbivores, do you know? | 0:26:48 | 0:26:49 | |
Australian Alps. | 0:26:49 | 0:26:50 | |
Australian Alps is the right answer. | 0:26:50 | 0:26:52 | |
Next clue. | 0:26:52 | 0:26:53 | |
-Psmiths. -Great Australian Bight. | 0:26:53 | 0:26:56 | |
Correct. Next category, sources we trust on Only Connect. | 0:26:56 | 0:26:59 | |
-Psmiths. -Debrett's. | 0:27:01 | 0:27:03 | |
Correct. | 0:27:03 | 0:27:04 | |
-Verbivores. -Oxford English Dictionary. | 0:27:06 | 0:27:09 | |
Correct. | 0:27:09 | 0:27:10 | |
END OF ROUND BELL | 0:27:19 | 0:27:20 | |
I'm tempted not to say what that one | 0:27:23 | 0:27:25 | |
is and just leave people to pause | 0:27:25 | 0:27:27 | |
their televisions and stare for ages | 0:27:27 | 0:27:29 | |
trying to work out New Grove Dictionary Of Music And Musicians. | 0:27:29 | 0:27:33 | |
But I have given it now and the bell | 0:27:33 | 0:27:34 | |
has gone for the end of the quiz. | 0:27:34 | 0:27:36 | |
Looking at the final scores I can tell you that the winners, | 0:27:36 | 0:27:39 | |
and through to the semifinal with 25 points | 0:27:39 | 0:27:42 | |
are the Verbivores. | 0:27:42 | 0:27:43 | |
And in second place with 15, | 0:27:43 | 0:27:45 | |
it's the Psmiths. | 0:27:45 | 0:27:47 | |
Very well done on the semifinal. | 0:27:47 | 0:27:48 | |
Psmiths, I'm afraid in this sort of quarter, | 0:27:48 | 0:27:50 | |
in ways I don't even really understand, you need to go home. | 0:27:50 | 0:27:54 | |
Thank you very much for playing, | 0:27:54 | 0:27:55 | |
you've been a lovely team and you've | 0:27:55 | 0:27:57 | |
brightened up the series. | 0:27:57 | 0:27:59 | |
So, thanks for coming along. | 0:27:59 | 0:28:01 | |
Please join me next time for another episode of Only Connect, | 0:28:01 | 0:28:04 | |
or OC, as some people call it. | 0:28:04 | 0:28:06 | |
Don't confuse it with another TV show called The OC, though, | 0:28:06 | 0:28:09 | |
that's very different. One is a drama of life, love, | 0:28:09 | 0:28:13 | |
rivalry and shimmering sexual tension - | 0:28:13 | 0:28:15 | |
I genuinely don't know if I'm going to reverse this comparison or not - | 0:28:15 | 0:28:18 | |
..set in Orange County California. | 0:28:18 | 0:28:20 | |
No, I'm not. | 0:28:20 | 0:28:21 | |
The other is Only Connect. Goodbye. | 0:28:21 | 0:28:24 |