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Confusion is a terrible thing. | 0:00:21 | 0:00:24 | |
I once arranged a get-together with Sean Connery. | 0:00:24 | 0:00:26 | |
I said, let's meet for ten-ish. | 0:00:26 | 0:00:28 | |
He said, but I don't have a racket. | 0:00:28 | 0:00:31 | |
Let's hope that sort of miscommunication does not befall | 0:00:31 | 0:00:34 | |
our teams on Only Connect tonight, who are... | 0:00:34 | 0:00:37 | |
On my right, Jasmine Leonard, | 0:00:37 | 0:00:40 | |
a software engineer with a degree in | 0:00:40 | 0:00:42 | |
natural sciences who has set up a | 0:00:42 | 0:00:43 | |
company that doesn't do anything and | 0:00:43 | 0:00:45 | |
will likely cease operations quite soon. | 0:00:45 | 0:00:48 | |
Adam Ardron, an engineering graduate | 0:00:48 | 0:00:51 | |
and keen musician whose guitar stand | 0:00:51 | 0:00:53 | |
was stolen by a member of the | 0:00:53 | 0:00:55 | |
Scissor Sisters. | 0:00:55 | 0:00:56 | |
And their captain, Jenny Skene, | 0:00:56 | 0:00:59 | |
a private tutor with a degree in philosophy who owns five copies of | 0:00:59 | 0:01:02 | |
the same dress to avoid making frequent wardrobe decisions. | 0:01:02 | 0:01:06 | |
United by a fondness for | 0:01:06 | 0:01:07 | |
photography, they are the Shutterbugs. | 0:01:07 | 0:01:10 | |
How do you know your team, Jenny? | 0:01:10 | 0:01:12 | |
Jasmine and I met when we were in sixth form, | 0:01:12 | 0:01:14 | |
and Adam is married to a friend of ours, we were all at | 0:01:14 | 0:01:17 | |
university together. | 0:01:17 | 0:01:18 | |
Well, let's hope that friendship | 0:01:18 | 0:01:20 | |
doesn't end in a bitter wrangle this evening. | 0:01:20 | 0:01:23 | |
You will be playing against, on my | 0:01:23 | 0:01:25 | |
left, John Aldersey-Williams, | 0:01:25 | 0:01:28 | |
a company director with three cats | 0:01:28 | 0:01:30 | |
who has swum from Europe to Asia with 800 Turkish friends. | 0:01:30 | 0:01:34 | |
Stephen Bowden, a civil servant | 0:01:34 | 0:01:36 | |
with a degree in Anglo-Saxon, | 0:01:36 | 0:01:38 | |
Norse and Celtic, who has twice been mistaken for the artist Peter Blake. | 0:01:38 | 0:01:43 | |
And their captain, Tom Bannatyne, | 0:01:43 | 0:01:46 | |
a chemical engineering graduate who had afternoon tea with | 0:01:46 | 0:01:49 | |
the Queen Mother when he was a teenager. | 0:01:49 | 0:01:51 | |
United by their love for London, | 0:01:51 | 0:01:53 | |
they are the Highgates. | 0:01:53 | 0:01:55 | |
Tell me about your team, how long have you known each other? | 0:01:55 | 0:01:58 | |
John and Stephen grew up together in Highgate. | 0:01:58 | 0:02:00 | |
We all met at university. | 0:02:00 | 0:02:02 | |
They no longer live in Highgate, I live in Highgate, | 0:02:02 | 0:02:04 | |
married to Stephen's sister. | 0:02:04 | 0:02:06 | |
Well, let's hope you're not | 0:02:06 | 0:02:07 | |
hurrying back to Highgate too soon. | 0:02:07 | 0:02:10 | |
Let's play Round One. | 0:02:10 | 0:02:11 | |
What is the connection between these four apparently random clues? | 0:02:11 | 0:02:14 | |
Shutterbugs, you won the toss, | 0:02:14 | 0:02:15 | |
you have the dubious pleasure | 0:02:15 | 0:02:17 | |
of going first. | 0:02:17 | 0:02:18 | |
Please choose an Egyptian hieroglyph. | 0:02:18 | 0:02:21 | |
I think we'll have Water, please. | 0:02:21 | 0:02:22 | |
Water. What is the connection between these clues? | 0:02:22 | 0:02:25 | |
Here's the first. | 0:02:25 | 0:02:26 | |
Does that mean something in Icelandic? Like, hello, or...? | 0:02:28 | 0:02:32 | |
Next? | 0:02:32 | 0:02:34 | |
Next, please. | 0:02:34 | 0:02:36 | |
It could be when the phone rings. | 0:02:36 | 0:02:39 | |
-Yes, that sounds plausible. -When you knock on a door. | 0:02:39 | 0:02:42 | |
-Ah, the phone. -Shall we risk it? | 0:02:42 | 0:02:43 | |
Rap Rap is not very phoney, is it? | 0:02:45 | 0:02:48 | |
It kind of is. | 0:02:48 | 0:02:49 | |
-Rap Rap. -Do you want to guess? | 0:02:49 | 0:02:50 | |
You could go next one, it's up to you. | 0:02:50 | 0:02:53 | |
-Go next. -Next, please. | 0:02:53 | 0:02:55 | |
-Coin Coin. -Is that when you...? | 0:02:57 | 0:02:59 | |
-The ring ring. -Ring on the telephone. OK. | 0:02:59 | 0:03:01 | |
We think this is the noise that the telephone makes in these languages. | 0:03:03 | 0:03:06 | |
I'm afraid it is not. | 0:03:06 | 0:03:08 | |
So I'm going to show the fourth clue to the Highgates | 0:03:08 | 0:03:11 | |
for a possible bonus point. | 0:03:11 | 0:03:12 | |
It's the noise that a duck makes in those languages. | 0:03:12 | 0:03:15 | |
That is absolutely right. | 0:03:15 | 0:03:17 | |
Coin Coin is not a phone in France, it's a duck. | 0:03:17 | 0:03:20 | |
Bra Bra is, of course, the noise of an Icelandic duck. | 0:03:20 | 0:03:23 | |
Did you know, you're all Londoners, | 0:03:23 | 0:03:24 | |
did you know that a study at | 0:03:24 | 0:03:25 | |
Middlesex University recently found | 0:03:25 | 0:03:27 | |
that ducks in London have a harsher | 0:03:27 | 0:03:29 | |
quack, a sort of Cockney sound? | 0:03:29 | 0:03:31 | |
-Had you heard that, Stephen? -I had heard that, yes. | 0:03:31 | 0:03:33 | |
In order to make themselves audible | 0:03:33 | 0:03:35 | |
above the noise of London. | 0:03:35 | 0:03:36 | |
Whereas Cornish ducks communicate in | 0:03:36 | 0:03:39 | |
a softer, more relaxed quack. | 0:03:39 | 0:03:41 | |
-Do you think that's true? -Regional dialects for ducks, absolutely. | 0:03:41 | 0:03:44 | |
It's a very nice idea. | 0:03:44 | 0:03:45 | |
Well done, you get the bonus point | 0:03:45 | 0:03:47 | |
and you may choose your own question. | 0:03:47 | 0:03:49 | |
-Twisted Flax, please. -The Twisted Flax. | 0:03:49 | 0:03:51 | |
What is the connection between these clues? | 0:03:51 | 0:03:53 | |
Here's the first. | 0:03:53 | 0:03:55 | |
-No. -No. Next, please. | 0:03:58 | 0:03:59 | |
Cot... | 0:04:03 | 0:04:04 | |
-Anything? -No. -No? | 0:04:07 | 0:04:09 | |
Next, please. | 0:04:09 | 0:04:11 | |
Chira. Are they...? No. | 0:04:11 | 0:04:16 | |
-Hollandaise. -No. Chira isn't left-handedness. -Yeah. Another one? | 0:04:16 | 0:04:21 | |
-Another one. -Next, please. | 0:04:21 | 0:04:22 | |
Add an E on the end and you've got... | 0:04:24 | 0:04:27 | |
Another letter on the end and you've got a French president. | 0:04:27 | 0:04:30 | |
-President. -Yes. | 0:04:30 | 0:04:31 | |
Thank God for that. If you add | 0:04:33 | 0:04:36 | |
a letter at the end of any of them you get a French leader. | 0:04:36 | 0:04:39 | |
That is absolutely right, | 0:04:39 | 0:04:41 | |
a French president. | 0:04:41 | 0:04:42 | |
Which letters are missing from which presidents? | 0:04:42 | 0:04:45 | |
Hollande and Bonaparte have an E each. | 0:04:45 | 0:04:47 | |
Chirac has a C, and Cot probably has a Y, maybe. | 0:04:47 | 0:04:50 | |
Coty, Renee Coty, the second and | 0:04:50 | 0:04:53 | |
last president of the Fourth French Republic. | 0:04:53 | 0:04:55 | |
-Him, yeah! -Back to you, | 0:04:55 | 0:04:57 | |
Shutterbugs, for a choice. | 0:04:57 | 0:04:58 | |
-Two Reeds, please. -The Two Reeds. | 0:04:58 | 0:05:00 | |
Ah, it's the music question. THEY LAUGH | 0:05:00 | 0:05:02 | |
You'll be hearing your clues. There is a hidden link between them. | 0:05:02 | 0:05:05 | |
Are you laughing with delight? | 0:05:05 | 0:05:07 | |
-Yes, absolutely. -OK. | 0:05:07 | 0:05:08 | |
-We love it. -Well, good luck with it. | 0:05:08 | 0:05:10 | |
Your first piece of music is coming in now. | 0:05:10 | 0:05:13 | |
# Come on, baby Tell me, what's the word? | 0:05:13 | 0:05:16 | |
# Word up | 0:05:16 | 0:05:18 | |
# Everybody say... # | 0:05:18 | 0:05:19 | |
Next, please. | 0:05:19 | 0:05:21 | |
# When she is lonely and the longing gets too much | 0:05:21 | 0:05:26 | |
# She sends a cable coming in from above... # | 0:05:26 | 0:05:28 | |
Next, please. | 0:05:28 | 0:05:30 | |
# And I talk to the filth and I walk to the door | 0:05:30 | 0:05:33 | |
# I'm knee deep in myself | 0:05:33 | 0:05:35 | |
# But I want to get more of that stuff... # | 0:05:35 | 0:05:37 | |
Next, please. | 0:05:37 | 0:05:39 | |
# It's just another manic Monday... # | 0:05:39 | 0:05:41 | |
-Days of the week? -What was the first one? | 0:05:41 | 0:05:43 | |
# I wish it were Sunday... # | 0:05:43 | 0:05:45 | |
Days of the week? Days of the week? Days of the week. | 0:05:45 | 0:05:48 | |
# Cos that's my fun day... # | 0:05:48 | 0:05:49 | |
-Days of the week. -Which one? -I don't know. | 0:05:49 | 0:05:51 | |
Two seconds. | 0:05:51 | 0:05:52 | |
We're going to go for accessories, like jewellery. | 0:05:52 | 0:05:56 | |
Is the right answer. | 0:05:56 | 0:05:57 | |
Very well done. What did you hear? | 0:05:57 | 0:05:59 | |
We only know that we heard The Bangles, really, at the end. | 0:05:59 | 0:06:02 | |
It was The Bangles at the end. | 0:06:02 | 0:06:03 | |
Did you recognise anything else, over there? | 0:06:03 | 0:06:05 | |
-We were going... -Golden Earring, and Cameo. | 0:06:05 | 0:06:08 | |
Golden Earring and Cameo. | 0:06:08 | 0:06:10 | |
The third was Jesus and Mary Chain. | 0:06:10 | 0:06:12 | |
A real selection of great music and terrible. | 0:06:12 | 0:06:15 | |
If we ever brought out an album | 0:06:15 | 0:06:16 | |
from this show, it'd be really weird. Yes. | 0:06:16 | 0:06:18 | |
Cameo, Golden Earring, Jesus and Mary Chain, The Bangles, | 0:06:18 | 0:06:21 | |
the artists' names all contain | 0:06:21 | 0:06:22 | |
jewellery. Well done. | 0:06:22 | 0:06:24 | |
Over to you, Highgates, for a question. | 0:06:24 | 0:06:26 | |
We'll have the Lion, please. | 0:06:26 | 0:06:27 | |
The Lion. What is the connection between these clues? | 0:06:27 | 0:06:30 | |
Here's the first. | 0:06:30 | 0:06:31 | |
THEY WHISPER | 0:06:35 | 0:06:38 | |
Next, please. | 0:06:38 | 0:06:40 | |
THEY WHISPER INDISTINCTLY | 0:06:43 | 0:06:46 | |
Next, please. | 0:06:51 | 0:06:53 | |
-Yes. -Characters? | 0:06:53 | 0:06:55 | |
-They're all played by Pythons. -OK. | 0:06:55 | 0:06:57 | |
They're all roles played by members of the Monty Python team. | 0:06:59 | 0:07:01 | |
What would you expect to see in the fourth clue? | 0:07:01 | 0:07:04 | |
John Cleese, Basil Fawlty. | 0:07:04 | 0:07:06 | |
It's Brian Stimpson of Clockwise in place 4. | 0:07:06 | 0:07:09 | |
John Cleese did play him. | 0:07:09 | 0:07:11 | |
They're actually all films, but that is right, | 0:07:11 | 0:07:13 | |
they are roles taken by members of the Python team. | 0:07:13 | 0:07:16 | |
John Cleese would have been the fourth one. | 0:07:16 | 0:07:18 | |
All non-Python roles | 0:07:18 | 0:07:20 | |
played by Pythons in films. | 0:07:20 | 0:07:21 | |
Well done. | 0:07:21 | 0:07:23 | |
Back to you, Shutterbugs. What would you like? | 0:07:23 | 0:07:25 | |
Eye of Horus, I think, please. | 0:07:25 | 0:07:27 | |
Eye of Horus. What is the connection between these clues? | 0:07:27 | 0:07:30 | |
Here's the first. | 0:07:30 | 0:07:31 | |
-Film or magazine? -Magazine. | 0:07:33 | 0:07:35 | |
Next, please. | 0:07:35 | 0:07:37 | |
OK. When they went bust or when they went free? | 0:07:38 | 0:07:41 | |
When they went offline? | 0:07:41 | 0:07:43 | |
Some of them went freesheet, didn't they? Some of them went online. | 0:07:43 | 0:07:46 | |
-I don't know. -Shall we have another? | 0:07:46 | 0:07:48 | |
Next, please. | 0:07:48 | 0:07:51 | |
-Dandy? -That has ceased. -Stopped. -That stopped. -OK. | 0:07:51 | 0:07:53 | |
We think these are magazines and the year that they ceased publication. | 0:07:55 | 0:07:59 | |
I'm going to take it. Can you be any more specific? | 0:07:59 | 0:08:01 | |
The year that they...in paper form. | 0:08:01 | 0:08:04 | |
They ceased paper or print | 0:08:04 | 0:08:05 | |
publication, went online-only. | 0:08:05 | 0:08:07 | |
Last one would have been the Encyclopaedia Britannica in 2010. | 0:08:07 | 0:08:10 | |
Yes, they all exist online except, I think, | 0:08:10 | 0:08:12 | |
the Dandy which tried for | 0:08:12 | 0:08:14 | |
about six months and went under. | 0:08:14 | 0:08:15 | |
2016 is the year that Penthouse became more difficult to | 0:08:15 | 0:08:18 | |
find in a hedge. | 0:08:18 | 0:08:19 | |
Well done. And the last question of the round goes to you, Highgates. | 0:08:20 | 0:08:23 | |
-That's the Horned Viper. -Lovely, we'll have the Horned Viper, please. | 0:08:23 | 0:08:26 | |
It will be picture clues because we haven't seen those yet. | 0:08:26 | 0:08:28 | |
What connects them? Here's the first. | 0:08:28 | 0:08:32 | |
-I don't know who that is. -Do you? -No. -No. Next, please. | 0:08:32 | 0:08:35 | |
THEY WHISPER | 0:08:39 | 0:08:42 | |
-Could be. Another one? -Yeah. -Next, please. | 0:08:42 | 0:08:45 | |
THEY CONFER | 0:08:45 | 0:08:47 | |
Another one. Next. | 0:08:52 | 0:08:53 | |
Adrian...Lester. | 0:08:55 | 0:08:59 | |
-Ripon. -Towns, cities. -Leicester. -Yeah. | 0:08:59 | 0:09:03 | |
They all have names that are homophones | 0:09:05 | 0:09:07 | |
of towns or cities in the UK. | 0:09:07 | 0:09:09 | |
That's exactly right. | 0:09:09 | 0:09:10 | |
-Who are we looking at? -Angela Rippon and Adrian Lester, | 0:09:10 | 0:09:12 | |
-and some other people. -Do you know who that first one is? | 0:09:12 | 0:09:16 | |
He was in Flight Of The Conchords, wasn't he? | 0:09:16 | 0:09:18 | |
It's the New Zealand comedian Rhys Darby from Flight Of The Conchords. | 0:09:18 | 0:09:21 | |
And the second one is the lovely Jennifer Ehle. | 0:09:21 | 0:09:23 | |
-Yep. -You don't remember her from Pride And Prejudice? | 0:09:23 | 0:09:25 | |
Jennifer Ehle. They all have surnames | 0:09:25 | 0:09:27 | |
which are homophones for English cities. | 0:09:27 | 0:09:29 | |
Well done. | 0:09:29 | 0:09:31 | |
That means at the end of Round One | 0:09:31 | 0:09:32 | |
the Shutterbugs have three points, the Highgates have five. | 0:09:32 | 0:09:36 | |
On to Round Two, the sequences round, | 0:09:39 | 0:09:40 | |
where the teams must work out the connection | 0:09:40 | 0:09:42 | |
and then tell me what would be the fourth clue in the sequence. | 0:09:42 | 0:09:46 | |
Shutterbugs, you'll be going first again, | 0:09:46 | 0:09:48 | |
which hieroglyph would you like? | 0:09:48 | 0:09:50 | |
Horned Viper, please. | 0:09:50 | 0:09:51 | |
OK, you are about to see the first in a sequence, | 0:09:51 | 0:09:54 | |
what would you expect to come fourth? | 0:09:54 | 0:09:56 | |
Time starts now. | 0:09:56 | 0:09:57 | |
Lead or leed. | 0:09:58 | 0:09:59 | |
Next, please. | 0:10:01 | 0:10:02 | |
A copper? | 0:10:02 | 0:10:05 | |
A policeman? | 0:10:05 | 0:10:06 | |
-Or a coin. -Or a coin. | 0:10:06 | 0:10:09 | |
What's the sequence, in terms of the periodic table? | 0:10:09 | 0:10:12 | |
Yeah, I'm trying to think of that. | 0:10:12 | 0:10:14 | |
Next, please. | 0:10:16 | 0:10:17 | |
Palladium, so that has another meaning as well. | 0:10:17 | 0:10:21 | |
Yeah, I think it's a theatre. What's the...? Is it Pd? | 0:10:21 | 0:10:26 | |
-I don't know what the sequence is. -No. | 0:10:26 | 0:10:29 | |
Copper. | 0:10:29 | 0:10:31 | |
Three seconds. | 0:10:33 | 0:10:34 | |
-Gold. -Not an acceptable answer, I'm afraid. | 0:10:38 | 0:10:40 | |
Highgates, do you want to have a go for a bonus point? | 0:10:40 | 0:10:43 | |
Er, is it a gym class at school? | 0:10:43 | 0:10:45 | |
Would be an acceptable answer. | 0:10:45 | 0:10:46 | |
We've phrased that as physical education. | 0:10:46 | 0:10:49 | |
-Why? -It's Pb, PC, Pd and PE. | 0:10:49 | 0:10:51 | |
That's right. I think you had all the pieces there. | 0:10:51 | 0:10:54 | |
There's a nasty trick in this question. | 0:10:54 | 0:10:56 | |
So, lead has the chemical symbol Pb. | 0:10:56 | 0:10:59 | |
It's not copper, it's a copper, a policeman, PC. | 0:10:59 | 0:11:02 | |
Palladium has the symbol Pd | 0:11:02 | 0:11:04 | |
and we need something denoted by the letters PE. | 0:11:04 | 0:11:06 | |
Well done, then, Highgates, you get the bonus point, | 0:11:06 | 0:11:09 | |
and your chance to choose. | 0:11:09 | 0:11:11 | |
-Eye of Horus, please. -The Eye of Horus. | 0:11:11 | 0:11:13 | |
What will come fourth in this sequence? | 0:11:13 | 0:11:16 | |
Here's the first. | 0:11:16 | 0:11:17 | |
Looks like a word... | 0:11:19 | 0:11:20 | |
Another one? Next, please. | 0:11:23 | 0:11:25 | |
Websites? | 0:11:26 | 0:11:28 | |
-Could be. -Another one? | 0:11:28 | 0:11:29 | |
Yeah, next. | 0:11:29 | 0:11:31 | |
Google... | 0:11:31 | 0:11:32 | |
Yeah, but it's not going to be that, is it? | 0:11:34 | 0:11:37 | |
Netflix is the biggest... | 0:11:37 | 0:11:39 | |
-Increasing bandwidth. -Yeah. | 0:11:39 | 0:11:40 | |
Yes, that would be it. | 0:11:40 | 0:11:42 | |
-Netflix. -Why would that be? | 0:11:44 | 0:11:46 | |
Um, sort of internet platforms in order of bandwidth taken up by... | 0:11:46 | 0:11:52 | |
I mean, that sounds so impressive but I'm afraid it's not a sequence! | 0:11:53 | 0:11:56 | |
I can't accept that answer. | 0:11:56 | 0:11:57 | |
Shutterbugs, you have a chance now for a bonus point. | 0:11:57 | 0:11:59 | |
We think the answer is Alphabet. | 0:11:59 | 0:12:01 | |
That is the answer. | 0:12:01 | 0:12:03 | |
-And why? -Each is the parent company of the previous. | 0:12:03 | 0:12:06 | |
So Alphabet owns Google, Google owns YouTube, etc. | 0:12:06 | 0:12:09 | |
That is exactly right. | 0:12:09 | 0:12:10 | |
RightsFlow is owned by YouTube, owned by Google, owned by Alphabet. | 0:12:10 | 0:12:13 | |
I'd never heard of Alphabet till I saw this question, | 0:12:13 | 0:12:16 | |
which I find incredibly sinister. | 0:12:16 | 0:12:18 | |
I've heard of all the other things that gather your information, | 0:12:18 | 0:12:22 | |
everything that somehow magically knows where you live, what you buy, | 0:12:22 | 0:12:25 | |
but apparently it's all ultimately owned by a very friendly sounding | 0:12:25 | 0:12:28 | |
company I've never heard of. | 0:12:28 | 0:12:29 | |
They have our best interests at heart, I'm sure(!) | 0:12:29 | 0:12:31 | |
I'm sure they do! Very well done, you get the bonus point, | 0:12:31 | 0:12:34 | |
and your chance to choose. | 0:12:34 | 0:12:35 | |
-Lion, please. -Lion. | 0:12:35 | 0:12:37 | |
What would be the fourth in this sequence? | 0:12:37 | 0:12:39 | |
Here's the first. | 0:12:39 | 0:12:40 | |
Presidents? | 0:12:42 | 0:12:44 | |
Boris? | 0:12:44 | 0:12:45 | |
Percy Johnson, Boris Johnson. | 0:12:45 | 0:12:47 | |
Another Johnson? | 0:12:47 | 0:12:48 | |
OK. Next, please. | 0:12:50 | 0:12:51 | |
OK, so this is... | 0:12:51 | 0:12:54 | |
It's a rugby question. | 0:12:54 | 0:12:57 | |
So are these the highest capped or something like that? | 0:12:57 | 0:13:00 | |
First equals... | 0:13:00 | 0:13:03 | |
The most caps? | 0:13:03 | 0:13:04 | |
-Jonny Wilkinson? -Shall we try that? -Yeah, yeah. | 0:13:06 | 0:13:09 | |
-Jonny Wilkinson. -First equals... -First equals Jonny Wilkinson. | 0:13:11 | 0:13:14 | |
I'm afraid that is not the answer. | 0:13:14 | 0:13:16 | |
So I'm going to show the third in the sequence to the Highgates. | 0:13:16 | 0:13:20 | |
Do you want to have a go for a bonus point? | 0:13:20 | 0:13:22 | |
First, Leonard. | 0:13:22 | 0:13:23 | |
Is the right answer. | 0:13:23 | 0:13:25 | |
Once again I think you had most of it over there, | 0:13:25 | 0:13:27 | |
but what's the actual sequence? | 0:13:27 | 0:13:29 | |
It's international appearances by England rugby players. | 0:13:29 | 0:13:32 | |
That's right, it's the most capped England rugby union players and | 0:13:32 | 0:13:35 | |
third equal there, Rory Underwood and Lawrence Dallaglio, | 0:13:35 | 0:13:38 | |
first - Jason Leonard. | 0:13:38 | 0:13:40 | |
So you get the bonus point that time, | 0:13:40 | 0:13:42 | |
and which question would you like? | 0:13:42 | 0:13:43 | |
We'll have Twisted Flax, please. | 0:13:43 | 0:13:45 | |
Twisted Flax. OK, these are going to be picture clues, | 0:13:45 | 0:13:47 | |
what sort of thing would you expect to see in the fourth picture? | 0:13:47 | 0:13:50 | |
Here's the first. | 0:13:50 | 0:13:52 | |
No idea who that is. | 0:13:54 | 0:13:55 | |
Next, please. | 0:13:57 | 0:13:58 | |
Next. | 0:14:02 | 0:14:03 | |
What's that, the Great Seal? | 0:14:06 | 0:14:08 | |
That's...that's... | 0:14:08 | 0:14:11 | |
Eagle? | 0:14:11 | 0:14:12 | |
It's something that's America. | 0:14:12 | 0:14:14 | |
The first one looks like a ballet dancer. | 0:14:17 | 0:14:19 | |
It does, doesn't it? Just. | 0:14:19 | 0:14:20 | |
-Lion, lamb, eagle, man? -Hm? | 0:14:22 | 0:14:24 | |
Lion, lamb, eagle and man. | 0:14:24 | 0:14:27 | |
OK. | 0:14:27 | 0:14:28 | |
A man. | 0:14:29 | 0:14:31 | |
Would not work as a sequence, I'm afraid. | 0:14:31 | 0:14:33 | |
Well, maybe it would. What would you think the sequence would be? | 0:14:33 | 0:14:36 | |
Stephen's got a very good idea. | 0:14:36 | 0:14:37 | |
The symbols of the Four Evangelists? | 0:14:37 | 0:14:39 | |
I'm afraid they're not. | 0:14:39 | 0:14:41 | |
I like your thinking, but no. | 0:14:41 | 0:14:43 | |
So a bonus chance again for the Shutterbugs. | 0:14:43 | 0:14:45 | |
Erm, a lion. | 0:14:45 | 0:14:47 | |
Not a lion. Are you going for the same sequence in the other | 0:14:47 | 0:14:50 | |
-direction? -We're just hitchhiking on their idea! | 0:14:50 | 0:14:52 | |
That would have been mean, wouldn't it? | 0:14:52 | 0:14:54 | |
If I'd gone, "That's absolutely not it. Yes, it is it." | 0:14:54 | 0:14:56 | |
No, now... | 0:14:56 | 0:14:58 | |
The person in the first picture is the author Dodie Smith, | 0:14:58 | 0:15:02 | |
who wrote 101 Dalmatians. | 0:15:02 | 0:15:04 | |
The second picture is Dodi Fayed, | 0:15:04 | 0:15:07 | |
the son of Mohamed al-Fayed and the boyfriend of Princess Diana. | 0:15:07 | 0:15:10 | |
-That third one is the symbol... -Department of Defense. | 0:15:10 | 0:15:13 | |
Department of Defense, DOD. | 0:15:13 | 0:15:14 | |
So we're going, Dodie with an E, take it off, just Dodi with an I, | 0:15:14 | 0:15:17 | |
take that off, DOD. So I want to hear D-O. | 0:15:17 | 0:15:20 | |
We've gone with, obviously, the note do. | 0:15:20 | 0:15:22 | |
Not as in "doe, a deer," because then you'd have to add an E, | 0:15:22 | 0:15:24 | |
-something that always annoyed me about that song. -Yeah. | 0:15:24 | 0:15:27 | |
But do without the E, not a deer, the musical note, | 0:15:27 | 0:15:30 | |
would have been an acceptable answer. | 0:15:30 | 0:15:33 | |
Not to rub it in, but it would have been. | 0:15:33 | 0:15:35 | |
Shutterbugs, you don't get the bonus that time but you do get the choice. | 0:15:35 | 0:15:38 | |
-Two Reeds, please. -Two Reeds. | 0:15:38 | 0:15:40 | |
What would be the fourth in this sequence? | 0:15:40 | 0:15:42 | |
Here's the first. | 0:15:42 | 0:15:44 | |
Oscar, isn't it? Or something like that? It's an award. | 0:15:46 | 0:15:49 | |
-Er, OK. -Maybe. Anyway, think of a sequence. | 0:15:49 | 0:15:51 | |
Next, please. | 0:15:51 | 0:15:53 | |
-OK. -Best actor. | 0:15:53 | 0:15:55 | |
So, what is the...? | 0:15:55 | 0:15:57 | |
Are these what they used to be called at the Oscars | 0:15:57 | 0:15:59 | |
and we've now got Best Picture? | 0:15:59 | 0:16:01 | |
Could they be out of date? | 0:16:03 | 0:16:04 | |
It might be the new name, the current name. | 0:16:05 | 0:16:07 | |
Have we got any other ideas? | 0:16:07 | 0:16:09 | |
Are we going to have our minds changed by the next clue? | 0:16:09 | 0:16:11 | |
-We could go next. -Is it going to change our minds? | 0:16:11 | 0:16:14 | |
Next, please. | 0:16:14 | 0:16:15 | |
-So Best Picture. -Is it Best Film? | 0:16:17 | 0:16:19 | |
No. | 0:16:19 | 0:16:20 | |
Two seconds. | 0:16:20 | 0:16:23 | |
-Best Picture. -You could have buzzed one clue earlier, | 0:16:23 | 0:16:26 | |
the answer is Best Picture, as I heard you saying. | 0:16:26 | 0:16:29 | |
These are the successive names of the Oscar | 0:16:29 | 0:16:31 | |
that goes to the best film. | 0:16:31 | 0:16:32 | |
It was once Outstanding Production, currently Best Picture. | 0:16:32 | 0:16:35 | |
Very well done. | 0:16:35 | 0:16:37 | |
Highgates, there is one question remaining, it's the Water question. | 0:16:37 | 0:16:40 | |
What would be the fourth in this sequence? | 0:16:40 | 0:16:42 | |
Here's the first. | 0:16:42 | 0:16:43 | |
THEY MUTTER | 0:16:46 | 0:16:48 | |
Next, please. | 0:16:49 | 0:16:50 | |
Next. | 0:16:56 | 0:16:58 | |
Are they forts? | 0:17:01 | 0:17:02 | |
They must be the capitals. | 0:17:04 | 0:17:06 | |
-Is it? -THEY MUTTER | 0:17:06 | 0:17:08 | |
-Palma. -Is the right answer. | 0:17:13 | 0:17:15 | |
Well done. And why is that? | 0:17:15 | 0:17:17 | |
Capital cities of Balearic Islands. | 0:17:17 | 0:17:19 | |
That's right, and what's the sequence? | 0:17:19 | 0:17:21 | |
Smallest to largest. | 0:17:21 | 0:17:22 | |
That's right. What are the islands? | 0:17:22 | 0:17:25 | |
Palma's Majorca, that's the first one. | 0:17:25 | 0:17:27 | |
Mahon is Minorca. | 0:17:27 | 0:17:28 | |
-That's right. -So Ibiza must be Vila d'Eivissa. | 0:17:28 | 0:17:32 | |
-That's right, it's actually Catalan for Ibiza Town. -Yeah, of course. | 0:17:32 | 0:17:35 | |
-And the first one, Sant Francesc? -And the other one. -The other one! | 0:17:35 | 0:17:38 | |
The other one. | 0:17:38 | 0:17:39 | |
So, moving on... | 0:17:39 | 0:17:40 | |
Formentera, Formentera is that first one. | 0:17:40 | 0:17:43 | |
Balearic capitals by size, very well done. | 0:17:43 | 0:17:45 | |
That means, at the end of Round Two, the Shutterbugs have six points, | 0:17:45 | 0:17:48 | |
the Highgates have nine. | 0:17:48 | 0:17:50 | |
Time now for the fiendish 16-clue Connecting Wall that the teams have | 0:17:53 | 0:17:56 | |
to sort into four connected groups of four. | 0:17:56 | 0:17:59 | |
Highgates, you get to go first this time, | 0:17:59 | 0:18:01 | |
so please choose Lion or Water. | 0:18:01 | 0:18:03 | |
We'd like the Water wall, please. | 0:18:03 | 0:18:05 | |
The Water wall. You have two-and-a-half minutes to solve it, | 0:18:05 | 0:18:08 | |
starting now. | 0:18:08 | 0:18:09 | |
Daphne du Maurier... | 0:18:11 | 0:18:14 | |
and The Birds? | 0:18:14 | 0:18:16 | |
Must be another one. | 0:18:16 | 0:18:18 | |
Rivers. Axe, Exe, Tamar, Torridge. | 0:18:18 | 0:18:20 | |
-Dart. -Dart. -So... | 0:18:20 | 0:18:22 | |
It could, of course, be, erm... | 0:18:26 | 0:18:28 | |
It could also be, erm... | 0:18:30 | 0:18:31 | |
..Hitchcock films, as opposed to... | 0:18:33 | 0:18:37 | |
That one, that one. | 0:18:37 | 0:18:38 | |
-The Scapegoat is a... -What do you think Scapegoat is? | 0:18:40 | 0:18:43 | |
It's a river, I think, isn't it? | 0:18:43 | 0:18:46 | |
Bathsheba is... | 0:18:49 | 0:18:50 | |
..in, that's in Hardy. | 0:18:52 | 0:18:54 | |
There's got to be another Daphne du Maurier, I think. | 0:18:58 | 0:19:02 | |
OK, so... | 0:19:02 | 0:19:04 | |
-Try Tamar. -Let's look elsewhere as well. | 0:19:04 | 0:19:07 | |
Cheque, what's that? | 0:19:07 | 0:19:08 | |
It's the Czech Republic. Sounds like cheque. | 0:19:08 | 0:19:11 | |
Any others that sounds like... Axe, Exe? No. | 0:19:11 | 0:19:15 | |
Dart. | 0:19:15 | 0:19:17 | |
Things that bounce? Things you write? | 0:19:17 | 0:19:20 | |
Things you throw? | 0:19:20 | 0:19:21 | |
Throw a dart. | 0:19:22 | 0:19:23 | |
Things that are the beginning of something? | 0:19:26 | 0:19:28 | |
Jam...? | 0:19:28 | 0:19:29 | |
The Scapegoat's a Pre-Raphaelite painting... | 0:19:29 | 0:19:32 | |
-You've got a minute left. -OK. | 0:19:32 | 0:19:33 | |
-Done these? -Yeah. | 0:19:37 | 0:19:38 | |
OK. | 0:19:40 | 0:19:42 | |
Things... | 0:19:43 | 0:19:46 | |
-Are they not places in...? -Frenchman's Creek is in Cornwall. | 0:19:46 | 0:19:49 | |
-OK, places in Cornwall. -Torridge? | 0:19:49 | 0:19:52 | |
Torridge in Cornwall, Tamar is in Cornwall. | 0:19:52 | 0:19:55 | |
Otter? | 0:19:55 | 0:19:57 | |
Theatre? What's theatre? | 0:20:00 | 0:20:01 | |
Safe harbour, safe theatre? Safe... | 0:20:03 | 0:20:06 | |
Safe route? | 0:20:06 | 0:20:07 | |
Can we get a letter on the front of Potter? | 0:20:09 | 0:20:11 | |
-Eve, Axe and Exe. -Nope. | 0:20:11 | 0:20:12 | |
Dart, Axe... | 0:20:14 | 0:20:16 | |
National Theatre? | 0:20:17 | 0:20:19 | |
Ten seconds. | 0:20:20 | 0:20:21 | |
Amphitheatre? Dartmouth? | 0:20:23 | 0:20:26 | |
Chequebook? | 0:20:26 | 0:20:29 | |
And that's it. | 0:20:30 | 0:20:31 | |
Horrid wall! | 0:20:31 | 0:20:33 | |
The time has frozen. Absolutely horrible wall | 0:20:33 | 0:20:35 | |
but you can get points for the connections anyway. | 0:20:35 | 0:20:37 | |
So let's resolve this nasty wall. | 0:20:37 | 0:20:40 | |
This is how it should have looked. So, the first group. | 0:20:40 | 0:20:42 | |
Frenchman's Creek, Jamaica Inn, The Birds, The Scapegoat. | 0:20:42 | 0:20:46 | |
They're works by Daphne du Maurier. | 0:20:46 | 0:20:48 | |
They are, yes. You were putting Rebecca in that category every time | 0:20:48 | 0:20:52 | |
but, no, The Scapegoat is also a Daphne du Maurier novel. | 0:20:52 | 0:20:55 | |
And the green group - Eve, Rebecca, Bathsheba, Tamar or Tay-mar. | 0:20:55 | 0:21:01 | |
Thomas Hardy heroines? | 0:21:01 | 0:21:03 | |
They're actually not, they are simply women in the Old Testament. | 0:21:03 | 0:21:06 | |
Yes, women from the Bible is all that is. | 0:21:06 | 0:21:09 | |
So they are rivers. | 0:21:09 | 0:21:10 | |
Otter, Exe, Torridge, Dart. | 0:21:10 | 0:21:13 | |
-Well, rivers in south-west England. -Rivers, yeah, rivers in Devon. | 0:21:13 | 0:21:16 | |
That's right, rivers in Devon. | 0:21:16 | 0:21:18 | |
And the last one. | 0:21:18 | 0:21:19 | |
Harbour, cheque, theatre, axe. | 0:21:19 | 0:21:22 | |
No, you're not seeing it. | 0:21:24 | 0:21:25 | |
This is that nasty old snake, | 0:21:25 | 0:21:28 | |
words that are spelt differently in America. | 0:21:28 | 0:21:31 | |
Yes, no U in harbour, check with a CK, ER in theatre, no E in axe. | 0:21:31 | 0:21:36 | |
Words that are different in US spelling. | 0:21:36 | 0:21:39 | |
Nevertheless, you get two points for the connections that you found. | 0:21:39 | 0:21:42 | |
Let's bring in their opponents now and give them a horrible Connecting | 0:21:42 | 0:21:45 | |
Wall and see if they can sort it out into four connected groups of four. | 0:21:45 | 0:21:49 | |
You'll be getting the Lion wall because the Water's been taken. | 0:21:49 | 0:21:52 | |
You have two-and-a-half minutes to solve it, starting now. | 0:21:52 | 0:21:55 | |
OK. Well, that's interesting. | 0:21:56 | 0:21:58 | |
Atom-probe-field-ion, electron. | 0:21:58 | 0:22:01 | |
Yep, so shall we go for... Not many others. | 0:22:01 | 0:22:05 | |
Things with a charge. OK, what else? | 0:22:05 | 0:22:07 | |
-What's proxy? Proxy's how you vote. -The internet. | 0:22:07 | 0:22:10 | |
Internet proxy, any of those? | 0:22:10 | 0:22:12 | |
-Grit and ash are things... -Yes. | 0:22:12 | 0:22:13 | |
Do you want to start pressing stuff and see if anything falls out? | 0:22:13 | 0:22:17 | |
-No? -Which...? | 0:22:17 | 0:22:19 | |
Nerve ending, anything else that's got an ending? | 0:22:19 | 0:22:22 | |
Electron ending. | 0:22:22 | 0:22:23 | |
Go on, then, do it. Yeah. What other charges? Nerves have electricity... | 0:22:23 | 0:22:27 | |
Well, yeah. | 0:22:27 | 0:22:28 | |
OK. | 0:22:29 | 0:22:30 | |
Dishwasher charge? | 0:22:31 | 0:22:34 | |
-Dishwasher fluid. -Dishwasher fluid. | 0:22:34 | 0:22:35 | |
Dishwater, it's not dishwasher, dishwater. | 0:22:35 | 0:22:39 | |
Dull as ditchwater... | 0:22:39 | 0:22:41 | |
Oh, gosh. | 0:22:41 | 0:22:42 | |
-Dissecting...table. -Yeah. | 0:22:44 | 0:22:47 | |
Grit, true grit, true pluck? | 0:22:47 | 0:22:49 | |
True proxy? | 0:22:49 | 0:22:51 | |
Shall we try these, these are all things like pluck, aren't they? | 0:22:51 | 0:22:54 | |
Yeah. | 0:22:54 | 0:22:55 | |
Things that you can what? | 0:22:55 | 0:22:56 | |
Grit and pluck and spunk, these are, like, things that you are | 0:22:57 | 0:23:01 | |
-if you're strong. -Yes! -Lovely. | 0:23:01 | 0:23:03 | |
Right, so. About halfway through, what can we get? | 0:23:03 | 0:23:07 | |
-Strawberry fair? -Strawberry birthmark? | 0:23:08 | 0:23:12 | |
Platinum is like... | 0:23:12 | 0:23:14 | |
You've got a minute left. | 0:23:14 | 0:23:15 | |
What's Arizona? Raising Arizona. | 0:23:15 | 0:23:17 | |
Raising Platinum? Platinum is a catalyst, any other catalysts? | 0:23:19 | 0:23:24 | |
-Ash? -Phoenix, Arizona, things that rise from the... | 0:23:24 | 0:23:28 | |
-Rise from the ashes. -OK, go on, then. | 0:23:28 | 0:23:31 | |
Keep talking, keep talking, just keep pressing now. | 0:23:35 | 0:23:38 | |
Is there a Platinum Strawberry Fields? | 0:23:38 | 0:23:39 | |
It's River Phoenix but Phoenix isn't on here, Arizona is! | 0:23:39 | 0:23:43 | |
Crossing and dissecting. | 0:23:43 | 0:23:45 | |
I don't know, I'm pressing stuff randomly, | 0:23:45 | 0:23:48 | |
somebody come up with something! | 0:23:48 | 0:23:52 | |
-Any ideas? What's simple? -You've got ten seconds. | 0:23:52 | 0:23:55 | |
Not complex. No. | 0:23:55 | 0:23:57 | |
-Simple protocol? -No. | 0:23:58 | 0:24:00 | |
No idea at all. | 0:24:00 | 0:24:02 | |
I'm afraid your time is up but well done, | 0:24:02 | 0:24:06 | |
you found a group and I will give you a point if you can tell me what | 0:24:06 | 0:24:09 | |
connects bottle, nerve, pluck, spunk. | 0:24:09 | 0:24:13 | |
So these are things you have if you've got strength of character. | 0:24:13 | 0:24:16 | |
Well, courage, certainly. | 0:24:16 | 0:24:18 | |
I mean, I say quite a moral ruling, strength of character, | 0:24:18 | 0:24:21 | |
but I'll take it and you can still get points for the connections in | 0:24:21 | 0:24:24 | |
the groups you didn't find, so let's resolve the wall. | 0:24:24 | 0:24:27 | |
There you go. Dishwater, ash, platinum, strawberry. | 0:24:27 | 0:24:32 | |
Are these shades of blonde? | 0:24:32 | 0:24:33 | |
They are types of blonde. | 0:24:33 | 0:24:35 | |
The next pink group, crossing, grit, Arizona, proxy. | 0:24:35 | 0:24:39 | |
Shall we go with the Phoenix? | 0:24:39 | 0:24:41 | |
Something to do with Phoenixes? | 0:24:41 | 0:24:43 | |
It's not. Now, you mentioned the film Raising Arizona. | 0:24:43 | 0:24:47 | |
That is the key. They are films by the Coen brothers. | 0:24:47 | 0:24:49 | |
That's right. Miller's Crossing, True Grit, Raising Arizona, | 0:24:49 | 0:24:53 | |
The Hudsucker Proxy. | 0:24:53 | 0:24:54 | |
Last words of Coen Brothers titles. | 0:24:54 | 0:24:57 | |
And the last group, atom-probe-field-ion, | 0:24:57 | 0:24:59 | |
or atom-poh-beh-feld-ee-on, | 0:24:59 | 0:25:02 | |
dissecting, simple, electron. | 0:25:02 | 0:25:04 | |
Are these beams? | 0:25:04 | 0:25:07 | |
Something to do with lasers? | 0:25:07 | 0:25:08 | |
Oh, beam? | 0:25:08 | 0:25:09 | |
I'm afraid they are microscopes. | 0:25:10 | 0:25:13 | |
But one point for the group that you did find | 0:25:13 | 0:25:15 | |
and two for the connections. | 0:25:15 | 0:25:17 | |
That is a total of three. | 0:25:17 | 0:25:19 | |
-Shall we have a look at the scores? -Yeah. | 0:25:19 | 0:25:22 | |
The Shutterbugs have nine points, | 0:25:22 | 0:25:24 | |
the Highgates have 11. | 0:25:24 | 0:25:25 | |
Great relief for both teams, as they discover | 0:25:28 | 0:25:30 | |
that the other side also had a horrible wall! | 0:25:30 | 0:25:31 | |
LAUGHTER | 0:25:31 | 0:25:33 | |
Let's see what happens in Round Four - | 0:25:33 | 0:25:34 | |
the missing vowels round. | 0:25:34 | 0:25:37 | |
Now, tension is high, because teams are not only trying to win tonight, | 0:25:37 | 0:25:40 | |
they are trying, if they don't win, | 0:25:40 | 0:25:41 | |
to be the highest scoring of our second-placed finishers. | 0:25:41 | 0:25:45 | |
But, of course, if you buzz in with a wrong answer in this round, | 0:25:45 | 0:25:47 | |
I will take a point away. | 0:25:47 | 0:25:49 | |
So gamble with care. | 0:25:49 | 0:25:51 | |
Fingers on buzzers, teams. | 0:25:51 | 0:25:53 | |
I can tell you that the first group are all... | 0:25:53 | 0:25:56 | |
breeds of British sheep. | 0:25:56 | 0:25:58 | |
Highgates? | 0:26:01 | 0:26:02 | |
Jacob. | 0:26:02 | 0:26:03 | |
Correct. | 0:26:03 | 0:26:04 | |
Shutterbugs? | 0:26:05 | 0:26:06 | |
Cheviot. | 0:26:06 | 0:26:07 | |
Correct. | 0:26:07 | 0:26:08 | |
Highgates? | 0:26:12 | 0:26:13 | |
Blackfaced Leicester. | 0:26:13 | 0:26:14 | |
Not it, I'm afraid. You lose a point. Shutterbugs, do you know? | 0:26:14 | 0:26:16 | |
Blackfaced...Lancaster? | 0:26:16 | 0:26:18 | |
Wrong, it's Bluefaced Leicester. | 0:26:18 | 0:26:20 | |
We haven't got a CK. Next clue. | 0:26:20 | 0:26:22 | |
Highgates? | 0:26:24 | 0:26:25 | |
Oh, Dorset Shorthorn. | 0:26:25 | 0:26:26 | |
I'm afraid that's not it. Shutterbugs, do you know? | 0:26:26 | 0:26:28 | |
Dorset Horn? | 0:26:28 | 0:26:30 | |
It's just Dorset Horn. | 0:26:30 | 0:26:31 | |
Next category - | 0:26:31 | 0:26:32 | |
brand names for food with holes. | 0:26:32 | 0:26:35 | |
Shutterbugs? | 0:26:37 | 0:26:38 | |
Warburtons crumpets. | 0:26:38 | 0:26:39 | |
Correct. | 0:26:39 | 0:26:40 | |
Highgates? | 0:26:41 | 0:26:43 | |
Cheerios. | 0:26:43 | 0:26:44 | |
Correct. | 0:26:44 | 0:26:45 | |
Highgates? | 0:26:47 | 0:26:48 | |
Oreos. | 0:26:48 | 0:26:49 | |
I'm afraid they don't have holes | 0:26:49 | 0:26:51 | |
and we don't have an S. Shutterbugs, do you know? | 0:26:51 | 0:26:53 | |
Aero. | 0:26:53 | 0:26:54 | |
Is the right answer. Next clue... | 0:26:54 | 0:26:56 | |
Highgates? | 0:26:59 | 0:27:00 | |
Polo Fruits. | 0:27:00 | 0:27:01 | |
Correct. | 0:27:01 | 0:27:02 | |
Next category - times of day. | 0:27:02 | 0:27:03 | |
Shutterbugs? | 0:27:06 | 0:27:07 | |
Eleven o'clock. | 0:27:07 | 0:27:08 | |
Correct. | 0:27:08 | 0:27:09 | |
Highgates? | 0:27:11 | 0:27:12 | |
Twenty-five to five. | 0:27:12 | 0:27:13 | |
Correct. | 0:27:13 | 0:27:14 | |
Highgates? | 0:27:17 | 0:27:18 | |
Eight hundred hours. | 0:27:18 | 0:27:19 | |
I'm afraid that's not it. Shutterbugs, do you know? | 0:27:19 | 0:27:22 | |
Eighteen hundred hours. | 0:27:22 | 0:27:23 | |
It's EIGHTEEN hundred hours. | 0:27:23 | 0:27:24 | |
END OF ROUND JINGLE | 0:27:24 | 0:27:25 | |
The bell has gone for the end of the quiz. | 0:27:29 | 0:27:31 | |
And, looking at the final scores, | 0:27:31 | 0:27:33 | |
the winners, and through to the next round with 15 points | 0:27:33 | 0:27:37 | |
are the Shutterbugs. | 0:27:37 | 0:27:38 | |
THEY SIGH AND LAUGH | 0:27:38 | 0:27:39 | |
And in second place, with 11 points, | 0:27:39 | 0:27:42 | |
it's the Highgates. | 0:27:42 | 0:27:44 | |
Now, terrible news, Highgates. | 0:27:44 | 0:27:46 | |
I'm afraid, with a score of 11, | 0:27:46 | 0:27:48 | |
you are not going to make | 0:27:48 | 0:27:50 | |
our highest-scoring second place finishers | 0:27:50 | 0:27:52 | |
in this half of the draw. | 0:27:52 | 0:27:54 | |
I think you did the right thing, | 0:27:54 | 0:27:56 | |
coming in and gambling there on Round Four, | 0:27:56 | 0:27:58 | |
but a couple of errors and a horrible wall, | 0:27:58 | 0:28:00 | |
I'm afraid, mean we have to say goodbye. | 0:28:00 | 0:28:03 | |
-But thank you for playing. It was lovely to meet you all. -Thank you. | 0:28:03 | 0:28:05 | |
And I look forward to seeing you all again in Round Two. | 0:28:05 | 0:28:09 | |
And that is the end of the show. | 0:28:09 | 0:28:11 | |
Which means, according to the findings of focus groups, | 0:28:11 | 0:28:14 | |
that you're no longer listening to what I'm saying, | 0:28:14 | 0:28:17 | |
so it doesn't matter what I say. | 0:28:17 | 0:28:18 | |
It could be anything. | 0:28:18 | 0:28:20 | |
Vaccinations are the devil's work. | 0:28:20 | 0:28:22 | |
QUIET LAUGHTER | 0:28:22 | 0:28:23 | |
Praise Hitler. | 0:28:23 | 0:28:24 | |
Always put water on a fat fire. | 0:28:24 | 0:28:27 | |
Hello! | 0:28:27 | 0:28:28 |