Browse content similar to Korfballers v Channel Islanders. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello, and welcome to Only Connect, | 0:00:21 | 0:00:23 | |
where you take the high road and I'll take the low road - | 0:00:23 | 0:00:26 | |
because I've heard there is planned maintenance on the high road. | 0:00:26 | 0:00:30 | |
But who will get where afore whom | 0:00:30 | 0:00:32 | |
in tonight's Only Connect, | 0:00:32 | 0:00:33 | |
which is the last of the opening heats in this half of the draw? | 0:00:33 | 0:00:36 | |
So, the last chance for these teams to make it through to Round Two, | 0:00:36 | 0:00:39 | |
or win a place in our highest scoring runners-up matches, | 0:00:39 | 0:00:43 | |
which have been introduced this year to my befuddlement. | 0:00:43 | 0:00:47 | |
In contention this evening are, on my right, Taissa Csaky, | 0:00:47 | 0:00:51 | |
a classics graduate, who enjoys cooking historical recipes | 0:00:51 | 0:00:55 | |
and has presented a symposium paper on venison pasties. | 0:00:55 | 0:00:58 | |
Niall Sheekey, a librarian and retired Irish dancer, | 0:00:58 | 0:01:02 | |
who is on a quest to visit every Anglican Cathedral in England | 0:01:02 | 0:01:05 | |
before his 30th birthday. | 0:01:05 | 0:01:07 | |
And their captain Michael Jelley, | 0:01:07 | 0:01:10 | |
a maths graduate and Leicester City supporter | 0:01:10 | 0:01:12 | |
whose great-great uncle was responsible for drawing | 0:01:12 | 0:01:15 | |
the Fox's Glacier Mint polar bear. | 0:01:15 | 0:01:17 | |
United by their devotion to the Dutch sport of korfball, | 0:01:17 | 0:01:20 | |
they are the Korfballers. | 0:01:20 | 0:01:21 | |
Michael, you're not the first Jelley to appear on this show, I think. | 0:01:21 | 0:01:24 | |
No, my brother was one of the Technologists in series five, | 0:01:24 | 0:01:28 | |
and they won the Wall game. | 0:01:28 | 0:01:30 | |
So, I've got quite a lot to live up to. | 0:01:30 | 0:01:32 | |
Do you have a competitive relationship? | 0:01:32 | 0:01:34 | |
If you finish with no points, will he be kind or laugh? | 0:01:34 | 0:01:36 | |
No, he will be brutal. | 0:01:36 | 0:01:38 | |
And rightly so. | 0:01:38 | 0:01:39 | |
Well, I hope there will be no opportunity for him to be brutal. | 0:01:39 | 0:01:42 | |
-Thank you! -You are facing tonight, on my left... | 0:01:42 | 0:01:45 | |
Sean McManus, | 0:01:45 | 0:01:46 | |
a semiretired teacher who likes his allotment | 0:01:46 | 0:01:48 | |
and once took the Eggheads on a tour of Guernsey. | 0:01:48 | 0:01:52 | |
Caroline McManus, | 0:01:52 | 0:01:53 | |
a maths and French graduate who has seven grandchildren | 0:01:53 | 0:01:56 | |
and once bumped into Barry Manilow on the Southbank. | 0:01:56 | 0:01:59 | |
And their captain, Tabitha Osborne, | 0:01:59 | 0:02:02 | |
a junior doctor who's a member of the National Trust | 0:02:02 | 0:02:05 | |
and, as an infant, was the cover star of the Baby Boots catalogue. | 0:02:05 | 0:02:09 | |
United by a love of Guernsey, they are the Channel Islanders. | 0:02:09 | 0:02:11 | |
Now, you're not just Channel Islanders - | 0:02:11 | 0:02:13 | |
-you're also a family team, I think. -We are. -How does that work? | 0:02:13 | 0:02:16 | |
That's right. Caroline is my mum, | 0:02:16 | 0:02:18 | |
and Sean is her husband, so, my stepfather. | 0:02:18 | 0:02:21 | |
Two families, in fact, could be torn apart this evening | 0:02:21 | 0:02:25 | |
-if this goes go wrong. -Could be. -The stakes are high. | 0:02:25 | 0:02:28 | |
Good luck, everyone. Korfballers, you won the toss, | 0:02:28 | 0:02:30 | |
but you've decided to put your opponents in first. | 0:02:30 | 0:02:33 | |
Very tactical. So, Channel Islanders, | 0:02:33 | 0:02:35 | |
please choose an Egyptian hieroglyph. | 0:02:35 | 0:02:38 | |
Eye of Horus, please. | 0:02:38 | 0:02:39 | |
The Eye of Horus. | 0:02:39 | 0:02:41 | |
What is the connection between four apparently random clues? | 0:02:41 | 0:02:43 | |
If you can tell me the answer | 0:02:43 | 0:02:44 | |
after seeing fewer than four, | 0:02:44 | 0:02:46 | |
you'll get more points. | 0:02:46 | 0:02:47 | |
Here's the first. | 0:02:47 | 0:02:48 | |
THEY CONFER | 0:02:50 | 0:02:51 | |
-I don't know anything. -I know nothing at all. | 0:02:51 | 0:02:54 | |
Next, please. | 0:02:54 | 0:02:55 | |
THEY CONFER | 0:02:55 | 0:02:59 | |
Are they sports with...? | 0:02:59 | 0:03:01 | |
They'll be a first of something. | 0:03:01 | 0:03:03 | |
They'll be a first something, isn't it? | 0:03:03 | 0:03:04 | |
SHE WHISPERS | 0:03:04 | 0:03:05 | |
-Next one. -Can we have the next, please? | 0:03:05 | 0:03:08 | |
SHE WHISPERS | 0:03:09 | 0:03:10 | |
Next, please. | 0:03:18 | 0:03:19 | |
-He was a really good rugby union player in the '70s. -Yeah. -OK. | 0:03:21 | 0:03:24 | |
Three seconds. | 0:03:24 | 0:03:26 | |
The first change to something...? | 0:03:26 | 0:03:28 | |
-The first... -Did they change from one sport to another? | 0:03:28 | 0:03:30 | |
..change discipline. They changed from one sport to another. | 0:03:30 | 0:03:33 | |
They did not all change from one sport to another. | 0:03:33 | 0:03:36 | |
That does not apply to all the clues. | 0:03:36 | 0:03:38 | |
I'm going to throw it over to the Korfballers | 0:03:38 | 0:03:40 | |
for a possible bonus point. | 0:03:40 | 0:03:41 | |
Were they the first | 0:03:41 | 0:03:43 | |
openly gay members of each sport? | 0:03:43 | 0:03:45 | |
Well, that is a moot point, | 0:03:45 | 0:03:47 | |
because openly gay and gay in the press, who knows? | 0:03:47 | 0:03:50 | |
But they are certainly all | 0:03:50 | 0:03:51 | |
sportsmen who have come out. | 0:03:51 | 0:03:52 | |
Which is an oddly rare thing. | 0:03:52 | 0:03:54 | |
There are suspiciously few | 0:03:54 | 0:03:56 | |
gay sportspeople to the naked eye, | 0:03:56 | 0:03:58 | |
and there must be more, | 0:03:58 | 0:04:00 | |
but these brave people | 0:04:00 | 0:04:01 | |
have all made that public. | 0:04:01 | 0:04:02 | |
So, well done. | 0:04:02 | 0:04:03 | |
You get the bonus point. | 0:04:03 | 0:04:04 | |
Which question would you like? | 0:04:04 | 0:04:06 | |
I am under duress to say Two Reeds. | 0:04:06 | 0:04:08 | |
Two Reeds, OK. | 0:04:08 | 0:04:09 | |
Let's see if you have anyone to blame or praise after this. | 0:04:09 | 0:04:12 | |
First clue coming up now. | 0:04:12 | 0:04:14 | |
-It's a film... -Also a book. -It was a book before... | 0:04:16 | 0:04:19 | |
Next, please. | 0:04:19 | 0:04:21 | |
-Cathedral. -Cathedral... | 0:04:23 | 0:04:26 | |
I... | 0:04:26 | 0:04:27 | |
HE WHISPERS | 0:04:27 | 0:04:29 | |
-I really don't know. -Shall we get another one? | 0:04:29 | 0:04:31 | |
We're not going to get it from this. | 0:04:31 | 0:04:32 | |
Next, please. | 0:04:32 | 0:04:34 | |
-Slade... Oh... -It's an art college. | 0:04:34 | 0:04:36 | |
-They're not prisons, are they? -Yeah. | 0:04:36 | 0:04:38 | |
-Fictional prisons. -I don't know... | 0:04:38 | 0:04:40 | |
There is a prison in Cold Mountain, | 0:04:40 | 0:04:41 | |
but Slade is Porridge, isn't it? | 0:04:41 | 0:04:43 | |
Slade is Porridge. | 0:04:43 | 0:04:44 | |
-I think that's worth a go. -Next, please. | 0:04:44 | 0:04:47 | |
-Yep. -Yes. | 0:04:47 | 0:04:49 | |
We think they are fictional prisons. | 0:04:50 | 0:04:52 | |
You think rightly. | 0:04:52 | 0:04:53 | |
You could have come in | 0:04:53 | 0:04:54 | |
after three clues. They are fictional prisons. | 0:04:54 | 0:04:56 | |
What are the fictions? | 0:04:56 | 0:04:57 | |
I know the last one | 0:04:57 | 0:04:58 | |
is obviously Harry Potter. | 0:04:58 | 0:05:00 | |
-Slade was Porridge. -That's right. | 0:05:00 | 0:05:02 | |
-I'm not sure of the other two. -No. | 0:05:02 | 0:05:04 | |
Is Cold Mountain from Cold Mountain? | 0:05:04 | 0:05:06 | |
No. It's in the film The Green Mile. | 0:05:06 | 0:05:08 | |
-Oh! -OK. -The Cold Mountain correctional facility. | 0:05:08 | 0:05:11 | |
And Lichfield is in | 0:05:11 | 0:05:12 | |
Orange Is The New Black. | 0:05:12 | 0:05:14 | |
-Oh, OK. -Right. -Well done - | 0:05:14 | 0:05:15 | |
all fictional prisons. Channel Islanders, | 0:05:15 | 0:05:17 | |
back to you for a choice. | 0:05:17 | 0:05:18 | |
-Lion, please. -Lion. | 0:05:18 | 0:05:20 | |
What is the connection between these clues? | 0:05:20 | 0:05:22 | |
Here's the first. | 0:05:22 | 0:05:24 | |
I don't know. No idea. | 0:05:25 | 0:05:27 | |
THEY WHISPER | 0:05:27 | 0:05:29 | |
Next, please. | 0:05:31 | 0:05:32 | |
Must be something to do with security. Security. | 0:05:34 | 0:05:37 | |
Mm. | 0:05:37 | 0:05:39 | |
THEY CONFER | 0:05:39 | 0:05:41 | |
Next, please. | 0:05:45 | 0:05:46 | |
Oh... | 0:05:47 | 0:05:49 | |
Appears on money... | 0:05:49 | 0:05:51 | |
Next, please. | 0:05:52 | 0:05:54 | |
Was going to say a banknote, but... | 0:05:55 | 0:05:57 | |
THEY WHISPER | 0:05:57 | 0:06:00 | |
Three seconds. | 0:06:00 | 0:06:02 | |
They appear on the new £20 note? | 0:06:02 | 0:06:04 | |
They do not all appear | 0:06:04 | 0:06:05 | |
on the new £20 note. | 0:06:05 | 0:06:06 | |
So, Korfballers, | 0:06:06 | 0:06:07 | |
you have another bonus chance. | 0:06:07 | 0:06:09 | |
Ways of making documents secure. | 0:06:09 | 0:06:12 | |
-Or...stamps... -Security devices. | 0:06:12 | 0:06:14 | |
In a way, yes, but that's not | 0:06:14 | 0:06:16 | |
specific enough for a bonus point. | 0:06:16 | 0:06:18 | |
If it were your question, | 0:06:18 | 0:06:19 | |
I might have asked you to tell me more. | 0:06:19 | 0:06:21 | |
It's, very specifically, things that feature on the new UK passport. | 0:06:21 | 0:06:25 | |
-Oh! -It would be lovely if banknotes | 0:06:25 | 0:06:27 | |
did contain an image of the holder. | 0:06:27 | 0:06:29 | |
The Queen on one side | 0:06:29 | 0:06:30 | |
and your own self on the other. | 0:06:30 | 0:06:32 | |
Might be a bit expensive to produce is the only thing. | 0:06:32 | 0:06:36 | |
But, yes, the perforated number, three-dimensional waterworks, | 0:06:36 | 0:06:39 | |
that image of Ada Lovelace | 0:06:39 | 0:06:40 | |
and the sculptor Anish Kapoor, | 0:06:40 | 0:06:42 | |
that's a drawing on one of the pages to make it harder to copy. | 0:06:42 | 0:06:46 | |
So, no bonus, Korfballers, but you may choose a question. | 0:06:46 | 0:06:48 | |
I'd like the Twisted Flax, please. | 0:06:48 | 0:06:50 | |
Then you may have the Twisted Flax. | 0:06:50 | 0:06:52 | |
And it will be a musical question. | 0:06:52 | 0:06:53 | |
You'll be hearing your clues, what connects them. | 0:06:53 | 0:06:55 | |
Here's the first. | 0:06:55 | 0:06:57 | |
# This is England on a winter's afternoon | 0:06:57 | 0:07:01 | |
# And there's no sun... # | 0:07:01 | 0:07:02 | |
Next, please. | 0:07:02 | 0:07:03 | |
# Getting late | 0:07:03 | 0:07:05 | |
-# I'm making my way over... # -That's Rihanna. | 0:07:05 | 0:07:07 | |
# I'm making my way over to my favourite place... # | 0:07:07 | 0:07:09 | |
Don't Stop The Music. Next, please. | 0:07:09 | 0:07:12 | |
# Whoo! # | 0:07:12 | 0:07:13 | |
OK, "Don't Stop"... | 0:07:13 | 0:07:14 | |
THEY CONFER | 0:07:14 | 0:07:16 | |
Don't Stop. | 0:07:17 | 0:07:19 | |
Well, I have to, you pressed the buzzer. So... | 0:07:19 | 0:07:22 | |
That is indeed the answer. | 0:07:22 | 0:07:24 | |
Very well done. | 0:07:24 | 0:07:25 | |
You didn't need to hear the last clue, | 0:07:25 | 0:07:27 | |
Don't Stop Moving by S Club 7, | 0:07:27 | 0:07:28 | |
-we would have heard. -Oh, shame(!) | 0:07:28 | 0:07:30 | |
What did we hear? | 0:07:30 | 0:07:31 | |
We had Rihanna, | 0:07:31 | 0:07:33 | |
Don't Stop The Music. | 0:07:33 | 0:07:34 | |
Michael Jackson, | 0:07:34 | 0:07:35 | |
Don't Stop Till You Get Enough. | 0:07:35 | 0:07:37 | |
And something I didn't recognise. | 0:07:37 | 0:07:39 | |
The Alan Price Set, | 0:07:39 | 0:07:40 | |
Don't Stop The Carnival. | 0:07:40 | 0:07:42 | |
-Oh! -Don't Stop applied to the titles | 0:07:42 | 0:07:44 | |
of all of those pieces of music. | 0:07:44 | 0:07:45 | |
Very well done. Channel Islanders, | 0:07:45 | 0:07:47 | |
what would you like? | 0:07:47 | 0:07:49 | |
-Water, please. -OK, the Water question. | 0:07:49 | 0:07:51 | |
These are going to be picture clues. | 0:07:51 | 0:07:52 | |
Something connects them. What is it? | 0:07:52 | 0:07:54 | |
Here's the first. | 0:07:54 | 0:07:56 | |
Next, please. | 0:08:00 | 0:08:01 | |
THEY WHISPER | 0:08:04 | 0:08:07 | |
Next. | 0:08:07 | 0:08:08 | |
Oh, that's... That's, um... | 0:08:11 | 0:08:14 | |
I don't know. | 0:08:14 | 0:08:15 | |
I'm Sorry I Haven't A Clue, isn't it? | 0:08:15 | 0:08:18 | |
SHE WHISPERS | 0:08:18 | 0:08:21 | |
Next, please. | 0:08:21 | 0:08:22 | |
-That's Carrie. -THEY WHISPER | 0:08:23 | 0:08:26 | |
Three seconds. | 0:08:30 | 0:08:31 | |
THEY WHISPER | 0:08:31 | 0:08:34 | |
Um...Carrie, I don't know. | 0:08:34 | 0:08:36 | |
Not the connection, I'm afraid. | 0:08:37 | 0:08:39 | |
So, Korfballers, | 0:08:39 | 0:08:40 | |
another bonus chance. | 0:08:40 | 0:08:41 | |
We are looking at Samantha | 0:08:41 | 0:08:43 | |
from I'm Sorry I Haven't A Clue, | 0:08:43 | 0:08:44 | |
who is very beautiful... | 0:08:44 | 0:08:47 | |
but not physically, because I think she's only pretend. | 0:08:47 | 0:08:50 | |
VICTORIA LAUGHS | 0:08:50 | 0:08:51 | |
SHE COUGHS | 0:08:51 | 0:08:53 | |
I'm sorry, there was interference on the line. | 0:08:53 | 0:08:55 | |
In that image of Samantha, she's not there. | 0:08:55 | 0:08:57 | |
She's obviously perhaps just popped out | 0:08:57 | 0:08:59 | |
-for an ice cream and was busy... -Clearly. | 0:08:59 | 0:09:00 | |
..licking the nuts off a large Neapolitan. | 0:09:00 | 0:09:02 | |
Something like that. Not available | 0:09:02 | 0:09:04 | |
when the picture was taken, | 0:09:04 | 0:09:05 | |
-but that is the chair of Samantha... -And that's Carrie. | 0:09:05 | 0:09:08 | |
-We think possibly splattered in blood. -And Carrie. | 0:09:08 | 0:09:10 | |
-So, Carrie and Samantha. -Mm-hm. | 0:09:10 | 0:09:12 | |
Oh, oh... | 0:09:12 | 0:09:13 | |
It's too late now, | 0:09:13 | 0:09:14 | |
but you can tell me if you like. | 0:09:14 | 0:09:16 | |
Carrie and Samantha, | 0:09:16 | 0:09:17 | |
the second image is Charlotte, North Carolina. | 0:09:17 | 0:09:20 | |
The first one, illustrations from the Tempest. | 0:09:20 | 0:09:22 | |
That is Miranda, the daughter of Prospero. | 0:09:22 | 0:09:24 | |
Miranda, Charlotte, Samantha, Carrie - | 0:09:24 | 0:09:26 | |
characters from Sex And The City. | 0:09:26 | 0:09:28 | |
-Saw it too late. -I am ashamed. | 0:09:28 | 0:09:31 | |
I'm quite glad I didn't get that. | 0:09:31 | 0:09:33 | |
Well, you have got another chance to score some points this round | 0:09:33 | 0:09:36 | |
-with the final question - the Horned Viper. -Excellent. | 0:09:36 | 0:09:38 | |
What is the connection between these clues? | 0:09:38 | 0:09:40 | |
Here's the first. | 0:09:40 | 0:09:42 | |
Character in a song. | 0:09:44 | 0:09:45 | |
Next? | 0:09:45 | 0:09:47 | |
Next, please. | 0:09:47 | 0:09:49 | |
Delilah. She is also a character in a song. | 0:09:49 | 0:09:51 | |
But is that the point? | 0:09:51 | 0:09:52 | |
It seems a little bit... | 0:09:52 | 0:09:54 | |
"Why, Why, Why"? | 0:09:54 | 0:09:55 | |
-Maybe Tom Jones. -Let's have another one. | 0:09:55 | 0:09:57 | |
Next, please. | 0:09:57 | 0:09:59 | |
Rebecca. | 0:09:59 | 0:10:01 | |
The eponymous heroines of something. | 0:10:01 | 0:10:04 | |
Or biblical - Rebecca, downfall of a man. | 0:10:04 | 0:10:08 | |
Er, yeah... And Rebecca is... | 0:10:09 | 0:10:11 | |
-Next one? -Yeah. -Next, please. | 0:10:11 | 0:10:14 | |
Weekend At Bernie's, oh, Lord. | 0:10:15 | 0:10:16 | |
Three seconds. | 0:10:18 | 0:10:19 | |
Is it something about pretending to be dead? | 0:10:22 | 0:10:25 | |
Tell me something else. | 0:10:25 | 0:10:27 | |
Not to be dead. | 0:10:27 | 0:10:28 | |
-Niall, please. -Making someone who is dead appear alive. | 0:10:28 | 0:10:32 | |
That is not the answer, I'm afraid. | 0:10:32 | 0:10:34 | |
So, Channel Islanders, | 0:10:34 | 0:10:35 | |
your last chance for points this round. | 0:10:35 | 0:10:37 | |
You can have a bonus if you tell me the connection. | 0:10:37 | 0:10:39 | |
So, their eponymous character is dead. | 0:10:39 | 0:10:43 | |
The title character is dead. | 0:10:43 | 0:10:44 | |
In Weekend At Bernie's, there is a corpse | 0:10:44 | 0:10:47 | |
that they pretend is alive. | 0:10:47 | 0:10:48 | |
In the others - Rebecca, that's the Daphne Du Maurier novel. | 0:10:48 | 0:10:51 | |
She is just dead, you never see her. | 0:10:51 | 0:10:53 | |
Delilah, the Tom Jones song, | 0:10:53 | 0:10:54 | |
it's about how he killed his lover. | 0:10:54 | 0:10:56 | |
Annabel Lee is | 0:10:56 | 0:10:58 | |
an Edgar Allan Poe poem | 0:10:58 | 0:10:59 | |
about someone who has been buried. | 0:10:59 | 0:11:01 | |
At the end of Round One, | 0:11:01 | 0:11:03 | |
the Channel Islanders have one point. | 0:11:03 | 0:11:05 | |
The Korfballers have four. | 0:11:05 | 0:11:07 | |
On to Round Two, the Sequences round. | 0:11:09 | 0:11:11 | |
This time, there are still four connected clues, | 0:11:11 | 0:11:13 | |
but the fourth one is hidden. | 0:11:13 | 0:11:15 | |
The teams have to tell me what it is. | 0:11:15 | 0:11:17 | |
Channel Islanders, you'll be going first again. | 0:11:17 | 0:11:19 | |
Please choose a hieroglyph. | 0:11:19 | 0:11:22 | |
-Whatever. -Two Reeds, please. | 0:11:22 | 0:11:23 | |
OK, the first in a series is coming up. | 0:11:23 | 0:11:26 | |
What would you expect to come forth? | 0:11:26 | 0:11:27 | |
Time starts now. | 0:11:27 | 0:11:29 | |
THEY CONFER | 0:11:30 | 0:11:32 | |
Next, please. | 0:11:33 | 0:11:34 | |
THEY WHISPER | 0:11:36 | 0:11:38 | |
Next, please. | 0:11:45 | 0:11:48 | |
-Dong. -That's Vietnam - so, what's next? | 0:11:48 | 0:11:50 | |
What's the sequence, then? | 0:11:50 | 0:11:51 | |
China, is it? | 0:11:51 | 0:11:53 | |
-Is it China? Yeah? -I think so. | 0:11:53 | 0:11:55 | |
Yuan. | 0:11:57 | 0:11:58 | |
Is the right answer for two points. | 0:11:58 | 0:12:00 | |
-And why is that? -So, they are currencies. | 0:12:00 | 0:12:03 | |
And we think they are going geographically... | 0:12:03 | 0:12:05 | |
-Towards China. -West to east. | 0:12:05 | 0:12:07 | |
That's right, west to east towards China. | 0:12:07 | 0:12:09 | |
They are the currencies of Thailand, Cambodia, Vietnam, | 0:12:09 | 0:12:11 | |
and the last would be | 0:12:11 | 0:12:12 | |
the currency of China itself, Yuan. | 0:12:12 | 0:12:14 | |
Well done. | 0:12:14 | 0:12:15 | |
Korfballers, what would you like? | 0:12:15 | 0:12:17 | |
-The Lion, please. -The Lion. | 0:12:17 | 0:12:19 | |
What would you expect to come fourth in this sequence? | 0:12:19 | 0:12:21 | |
Here's the first. | 0:12:21 | 0:12:22 | |
Next, please. | 0:12:25 | 0:12:26 | |
Quantity of fighters... What number? | 0:12:29 | 0:12:32 | |
-Quantity of fights is five, quantity of fighters is four... -Oh... | 0:12:32 | 0:12:35 | |
One, two, three... | 0:12:35 | 0:12:37 | |
Is it going to be something like one more... | 0:12:37 | 0:12:39 | |
-Like boxing. -Isn't it going to be less? | 0:12:39 | 0:12:42 | |
Next, please. | 0:12:42 | 0:12:43 | |
Cessation of fighting, three... | 0:12:44 | 0:12:46 | |
Um... | 0:12:48 | 0:12:50 | |
I'd say that is like crossword clues... | 0:12:50 | 0:12:52 | |
So, there's... | 0:12:52 | 0:12:54 | |
No, they're not. | 0:12:54 | 0:12:56 | |
So, are they words in boxing? | 0:12:57 | 0:12:59 | |
Three seconds. | 0:12:59 | 0:13:02 | |
-OK, I have an idea. -Say it. | 0:13:03 | 0:13:05 | |
-Say it. -So... | 0:13:05 | 0:13:08 | |
Fall Of Fighter: 2. | 0:13:08 | 0:13:10 | |
Colon 2. | 0:13:10 | 0:13:11 | |
Why would that be? | 0:13:11 | 0:13:13 | |
I'm guessing, quite wildly, that these are boxing terms. | 0:13:13 | 0:13:15 | |
-And the first one has five letters, four letters, three letters. -I see. | 0:13:15 | 0:13:19 | |
No, that's very clever. | 0:13:19 | 0:13:20 | |
And I'm marking it down mentally | 0:13:20 | 0:13:21 | |
as a possible future question, but no. | 0:13:21 | 0:13:24 | |
There are no terms where that number of letters that would apply. | 0:13:24 | 0:13:26 | |
Channel Islanders, | 0:13:26 | 0:13:27 | |
would you like a bonus point? | 0:13:27 | 0:13:29 | |
Well, I suppose you would. But can you have one? | 0:13:29 | 0:13:31 | |
-We'd like to try. -I think it's from Fight Club. | 0:13:31 | 0:13:33 | |
The film and the book Fight Club, by Palahniuk, | 0:13:33 | 0:13:35 | |
and I think it is that everyone must fight on the first occasion. | 0:13:35 | 0:13:38 | |
Unlucky, because you are absolutely right about the sequence, | 0:13:38 | 0:13:41 | |
but not what comes fourth. | 0:13:41 | 0:13:43 | |
Which would be Secrecy: 2. | 0:13:43 | 0:13:45 | |
It's not the quantity of fights: 5, | 0:13:45 | 0:13:46 | |
in the sense there are five fights, | 0:13:46 | 0:13:48 | |
-it's the rule number. -Yes. | 0:13:48 | 0:13:50 | |
So, rule five of Fight Club, | 0:13:50 | 0:13:52 | |
there must be only one fight at once. | 0:13:52 | 0:13:53 | |
Rule four, there must be no more than two fighters. | 0:13:53 | 0:13:56 | |
Rule three, the fight will stop | 0:13:56 | 0:13:58 | |
if somebody shouts stop | 0:13:58 | 0:14:00 | |
or they pass out. | 0:14:00 | 0:14:01 | |
And rule two, you do not talk about Fight Club. | 0:14:01 | 0:14:03 | |
And rule one, you do not talk about Fight Club. | 0:14:03 | 0:14:05 | |
So, well done for spotting | 0:14:05 | 0:14:07 | |
the connection there, Sean. | 0:14:07 | 0:14:08 | |
But not the answer, I'm afraid. | 0:14:08 | 0:14:09 | |
Nevertheless, | 0:14:09 | 0:14:10 | |
you may have your own question. | 0:14:10 | 0:14:12 | |
Twisted Flax, please. | 0:14:12 | 0:14:13 | |
The Twisted Flax. These are picture clues. | 0:14:13 | 0:14:15 | |
What would you expect to see in the fourth picture? | 0:14:15 | 0:14:17 | |
Here's the first. | 0:14:17 | 0:14:18 | |
Next, please. | 0:14:21 | 0:14:22 | |
That's John Hannah. | 0:14:25 | 0:14:26 | |
THEY WHISPER | 0:14:26 | 0:14:28 | |
Next, please. | 0:14:30 | 0:14:31 | |
Hannah Gordon... | 0:14:33 | 0:14:34 | |
Gordon Burns. | 0:14:34 | 0:14:35 | |
-Gordon anybody. -Gordon Brown. | 0:14:37 | 0:14:39 | |
Would be an acceptable answer. | 0:14:39 | 0:14:40 | |
We've actually got his furry friend, | 0:14:40 | 0:14:42 | |
Gordon The Gopher. | 0:14:42 | 0:14:43 | |
But Gordon Brown is equally acceptable - why? | 0:14:43 | 0:14:46 | |
So, the names are progressing. | 0:14:46 | 0:14:49 | |
So, Elton John. John Hannah. | 0:14:49 | 0:14:50 | |
Hannah Gordon. Gordon the Gopher. | 0:14:50 | 0:14:52 | |
That's exactly right. | 0:14:52 | 0:14:53 | |
It's just overlapping names. | 0:14:53 | 0:14:55 | |
Well spotted. | 0:14:55 | 0:14:56 | |
Back to you, Korfballers, for a question. | 0:14:56 | 0:14:58 | |
I'm going to go rogue | 0:14:58 | 0:15:00 | |
and say Eye of Horus again, please. | 0:15:00 | 0:15:02 | |
Out on a limb, there, with the Eye of Horus. | 0:15:02 | 0:15:04 | |
Let's see if you live to regret it. | 0:15:04 | 0:15:06 | |
First in a sequence coming up. | 0:15:06 | 0:15:07 | |
What's fourth? The time starts now. | 0:15:07 | 0:15:09 | |
Kings... | 0:15:12 | 0:15:13 | |
Looks like the king's men... | 0:15:13 | 0:15:15 | |
Next, please. | 0:15:15 | 0:15:18 | |
-Kings dead... -Dead kings... | 0:15:18 | 0:15:20 | |
Left the building... | 0:15:20 | 0:15:21 | |
Things that are longer. | 0:15:21 | 0:15:23 | |
The King is dead... | 0:15:23 | 0:15:25 | |
Next, please. | 0:15:25 | 0:15:26 | |
Oh... | 0:15:28 | 0:15:29 | |
Is it Robert Zimmerman? | 0:15:29 | 0:15:30 | |
Yes, Bob Dylan. | 0:15:30 | 0:15:32 | |
Oh, yes... | 0:15:32 | 0:15:34 | |
But Elvis wasn't... | 0:15:34 | 0:15:35 | |
THEY WHISPER | 0:15:35 | 0:15:37 | |
No. Kings... | 0:15:41 | 0:15:43 | |
Oh... | 0:15:43 | 0:15:44 | |
Three seconds. | 0:15:46 | 0:15:47 | |
Jones, with a line through it. | 0:15:50 | 0:15:52 | |
Not the answer, I'm afraid, | 0:15:52 | 0:15:53 | |
so your chance for a bonus, | 0:15:53 | 0:15:55 | |
Islanders. | 0:15:55 | 0:15:56 | |
-Mm... -Just try Dylan. | 0:15:56 | 0:15:57 | |
Dylan, not crossed out. | 0:15:57 | 0:15:59 | |
-You're thinking about the same sort of thing. -Yeah. | 0:15:59 | 0:16:01 | |
People having changed their names. But, no. | 0:16:01 | 0:16:03 | |
It's something you'll know or you won't. | 0:16:03 | 0:16:05 | |
It's one of those, because it's a song. | 0:16:05 | 0:16:07 | |
It's the John Lennon song, God. | 0:16:07 | 0:16:08 | |
It's the things he doesn't believe in. | 0:16:08 | 0:16:10 | |
"I don't believe in kings, I don't believe in Elvis, | 0:16:10 | 0:16:12 | |
"I don't believe in Zimmerman, I don't believe in the Beatles." | 0:16:12 | 0:16:15 | |
That's what would come there. | 0:16:15 | 0:16:16 | |
So, no bonus point for you, Channel Islands, | 0:16:16 | 0:16:18 | |
-but you may choose a question. -Water, please. | 0:16:18 | 0:16:20 | |
Water. What is the fourth in the sequence? | 0:16:20 | 0:16:22 | |
Here's the first. | 0:16:22 | 0:16:23 | |
Next, please. | 0:16:26 | 0:16:28 | |
Next. | 0:16:32 | 0:16:33 | |
Oh, um... | 0:16:34 | 0:16:36 | |
So, it's either... | 0:16:36 | 0:16:37 | |
THEY WHISPER | 0:16:37 | 0:16:39 | |
Lilibet. | 0:16:44 | 0:16:45 | |
Is the right answer. Well done. | 0:16:45 | 0:16:47 | |
And why is that? | 0:16:47 | 0:16:48 | |
So, they're pet names or nicknames of sequential monarchs. | 0:16:48 | 0:16:52 | |
That's absolutely right. | 0:16:52 | 0:16:53 | |
They are the family names | 0:16:53 | 0:16:55 | |
of George V, | 0:16:55 | 0:16:56 | |
Edward VIII, George VI | 0:16:56 | 0:16:58 | |
and Queen Elizabeth II, | 0:16:58 | 0:17:00 | |
as they were known at home. | 0:17:00 | 0:17:01 | |
That leaves one question, | 0:17:01 | 0:17:02 | |
the Horned Viper, that will go to you, Korfballers. | 0:17:02 | 0:17:05 | |
What comes fourth in the sequence? | 0:17:05 | 0:17:06 | |
Here's the first. | 0:17:06 | 0:17:08 | |
Next, please. | 0:17:11 | 0:17:13 | |
So, that's Bolivia. | 0:17:15 | 0:17:16 | |
La Paz is very high. | 0:17:19 | 0:17:20 | |
Yeah... | 0:17:20 | 0:17:22 | |
-Buenos Aires is quite... -Next, please. | 0:17:22 | 0:17:25 | |
That's not a capital. | 0:17:27 | 0:17:28 | |
Oh... Could they be, like, millions of population? | 0:17:28 | 0:17:31 | |
THEY WHISPER | 0:17:31 | 0:17:32 | |
Oh, heck. | 0:17:35 | 0:17:37 | |
Order of foundation... No. | 0:17:37 | 0:17:38 | |
Los Angeles or something with six? | 0:17:38 | 0:17:41 | |
As having the number of airports, it could be? | 0:17:41 | 0:17:43 | |
La Paz is tiny, though. | 0:17:43 | 0:17:44 | |
Three seconds. | 0:17:44 | 0:17:45 | |
Shanghai, six. | 0:17:48 | 0:17:50 | |
I'm afraid that does not work | 0:17:50 | 0:17:52 | |
in our sequence. | 0:17:52 | 0:17:53 | |
So, Channel Islanders, | 0:17:53 | 0:17:54 | |
last chance for a bonus point. | 0:17:54 | 0:17:56 | |
We're going to try New Orleans and six. | 0:17:56 | 0:17:58 | |
That would be an acceptable answer. | 0:17:58 | 0:18:00 | |
We've actually got | 0:18:00 | 0:18:01 | |
the Galapagos Islands and six, | 0:18:01 | 0:18:02 | |
but New Orleans would work. | 0:18:02 | 0:18:03 | |
-And why? -We're... Yeah, Sean. | 0:18:03 | 0:18:05 | |
We think it's hours | 0:18:05 | 0:18:08 | |
behind London time. | 0:18:08 | 0:18:10 | |
That's right. It's time difference from the UK. | 0:18:10 | 0:18:12 | |
-Going west. -From Greenwich Meantime. | 0:18:12 | 0:18:15 | |
And it's just the sequence. | 0:18:15 | 0:18:16 | |
It's just numbers, actually. | 0:18:16 | 0:18:17 | |
Three hours difference, Buenos Aires, four, La Paz, | 0:18:17 | 0:18:20 | |
five, New York and somewhere that was six hours | 0:18:20 | 0:18:22 | |
time difference from the UK - | 0:18:22 | 0:18:23 | |
New Orleans, that would apply. | 0:18:23 | 0:18:25 | |
So, well done. | 0:18:25 | 0:18:26 | |
That means, at the end of Round Two, | 0:18:26 | 0:18:28 | |
the Korfballers have four points, | 0:18:28 | 0:18:30 | |
the Channel Islanders have eight. | 0:18:30 | 0:18:32 | |
On now to the horrors of the Connecting Wall - | 0:18:34 | 0:18:36 | |
and you'll be going first this time, Korfballers. | 0:18:36 | 0:18:38 | |
You've got the choice, Lion or Water? | 0:18:38 | 0:18:41 | |
We'll have the Water Wall please, Victoria. | 0:18:41 | 0:18:43 | |
The Water Wall. You have two and a half minutes to solve it, | 0:18:43 | 0:18:45 | |
starting now. | 0:18:45 | 0:18:47 | |
OK, colleges... | 0:18:48 | 0:18:50 | |
Balliol or Scottish monarchs... | 0:18:50 | 0:18:52 | |
Corpus Christi. | 0:18:52 | 0:18:54 | |
Those... | 0:18:54 | 0:18:55 | |
-Exeter. -Yeah, Regent's Park, as well. | 0:18:55 | 0:18:57 | |
Cities in Texas. | 0:18:57 | 0:18:59 | |
Austin, Dallas, Amarillo. | 0:18:59 | 0:19:00 | |
-Houston. -Yeah. | 0:19:00 | 0:19:03 | |
There must be another one. | 0:19:03 | 0:19:04 | |
-Corpus Christi. -Corpus Christi. | 0:19:04 | 0:19:06 | |
Brilliant. OK... | 0:19:08 | 0:19:10 | |
Oh, do we want to...? | 0:19:10 | 0:19:11 | |
-Hang on... -Merton. Yes, there is one. | 0:19:12 | 0:19:14 | |
Let's give this answer before we have to go and guess them all. | 0:19:14 | 0:19:17 | |
-Yes. -We have a limited three lives. | 0:19:17 | 0:19:19 | |
OK. | 0:19:21 | 0:19:23 | |
Three strikes and you're out, now. | 0:19:23 | 0:19:25 | |
Mm... British Lion. | 0:19:25 | 0:19:27 | |
Eastern Standard Time, or something. | 0:19:28 | 0:19:32 | |
We have... Mm... | 0:19:32 | 0:19:34 | |
Ripley in Alien. | 0:19:35 | 0:19:37 | |
Oh, and there's also The Fantastic Mr Ripley. | 0:19:39 | 0:19:43 | |
-Talented Mr Ripley. -Talented Mr Ripley. | 0:19:43 | 0:19:46 | |
Mr... Mr...Lambert. | 0:19:46 | 0:19:48 | |
Mr Lambert, is he...? | 0:19:48 | 0:19:49 | |
Daniel Lambert is the fattest man in...um... | 0:19:49 | 0:19:52 | |
There are British Lions. | 0:19:52 | 0:19:54 | |
Mountain Range. Mountain Ash. | 0:19:54 | 0:19:56 | |
Mountain Lion. Mountain Bike. | 0:19:56 | 0:19:58 | |
-Oh, yes. -Yeah? Shall we try it? | 0:19:58 | 0:20:00 | |
Yes, just put three in. Hold on. | 0:20:00 | 0:20:02 | |
And then... | 0:20:02 | 0:20:03 | |
What is this Standard Time? | 0:20:03 | 0:20:05 | |
-I was thinking standard... -It could be Mountain Standard Time. | 0:20:05 | 0:20:08 | |
I think we should try it, because we then have time to do it again | 0:20:08 | 0:20:10 | |
if it's Mountain Range. | 0:20:10 | 0:20:11 | |
BUZZ Two goes now. | 0:20:11 | 0:20:13 | |
So, shall we just do this again and do Range, | 0:20:13 | 0:20:14 | |
-or do you want to wait and think about the others? -Whoa... | 0:20:14 | 0:20:17 | |
Let's think about the others. Otherwise we'll only get one go. | 0:20:17 | 0:20:19 | |
You've got 30 seconds. | 0:20:19 | 0:20:21 | |
Ripley... No. | 0:20:21 | 0:20:23 | |
Agent? Agents? | 0:20:23 | 0:20:25 | |
-Agent something. -Let's try that. | 0:20:25 | 0:20:27 | |
-BUZZ One more go. -Agh! | 0:20:27 | 0:20:29 | |
-OK, so, leave out... -Maybe leave out ash. -Leave out ash. | 0:20:29 | 0:20:32 | |
-Yeah, happy? -Yeah. Try it. -Bit of a guess. | 0:20:32 | 0:20:35 | |
That's it, you solved the wall. | 0:20:35 | 0:20:37 | |
Very well done. And what about the points for the connections? | 0:20:37 | 0:20:40 | |
The first group, Houston or Houston, Amarillo, Austin, Corpus Christi. | 0:20:40 | 0:20:44 | |
All places in Texas. | 0:20:44 | 0:20:46 | |
Towns in Texas. | 0:20:46 | 0:20:48 | |
And the second, green group, starting Exeter. | 0:20:48 | 0:20:50 | |
They are all Oxford colleges. | 0:20:50 | 0:20:52 | |
They are colleges of Oxford University. | 0:20:52 | 0:20:55 | |
And the third group, Bike, Lion, Range, Standard Time. | 0:20:55 | 0:20:59 | |
We think that those can all be preceded by Mountain. | 0:20:59 | 0:21:04 | |
They can. And, yes, a time zone between Pacific and Central, | 0:21:04 | 0:21:07 | |
the Mountain Standard Time, that is. | 0:21:07 | 0:21:09 | |
-Somewhere around the Rockies. -They can all follow Mountain. | 0:21:09 | 0:21:11 | |
And the last, turquoise group, starting Ash. | 0:21:11 | 0:21:14 | |
Characters in Alien? | 0:21:15 | 0:21:17 | |
They are all characters in Alien. | 0:21:17 | 0:21:18 | |
-Excellent. -So, you found all the groups | 0:21:18 | 0:21:21 | |
and you got all the connections. | 0:21:21 | 0:21:22 | |
-So, I can give you the maximum of 10 points. -Thank you very much. | 0:21:22 | 0:21:25 | |
The Lion Wall remains. We'll be giving that to the Channel Islanders. | 0:21:25 | 0:21:28 | |
Very similar principle. | 0:21:28 | 0:21:29 | |
Can they sort it out into four connected groups of four? | 0:21:29 | 0:21:33 | |
You have two and a half minutes, Channel Islanders, | 0:21:33 | 0:21:35 | |
to solve the Lion Wall... | 0:21:35 | 0:21:37 | |
starting now. | 0:21:37 | 0:21:38 | |
-So, OK, that's... -That's a type of orange... | 0:21:41 | 0:21:45 | |
Jaffa... | 0:21:45 | 0:21:47 | |
-BUZZ -OK, so, what's the others, then? | 0:21:47 | 0:21:50 | |
Oh, blood. | 0:21:50 | 0:21:51 | |
-BUZZ -So, they're oranges. | 0:21:51 | 0:21:54 | |
I've done that one, haven't I? | 0:21:54 | 0:21:55 | |
-BUZZ -You keep looking while I do this. | 0:21:55 | 0:21:58 | |
Santander, Alicante... | 0:21:58 | 0:22:00 | |
OK, so... Sword of Damascus. | 0:22:02 | 0:22:06 | |
Cadiz... | 0:22:06 | 0:22:07 | |
-Hm... -Spanish ports. Cadiz, Santander... | 0:22:09 | 0:22:11 | |
Barcelona. | 0:22:11 | 0:22:14 | |
-Alicante. -What's X Pro II? -I don't know. | 0:22:14 | 0:22:17 | |
-OK, so... -Three strikes and you're out, now. | 0:22:17 | 0:22:19 | |
Plenty of time. | 0:22:19 | 0:22:21 | |
Valencia. | 0:22:21 | 0:22:24 | |
-So, we've got Toaster... -Jaffa... | 0:22:24 | 0:22:27 | |
-Lion's. -Lion's Mane? | 0:22:27 | 0:22:28 | |
-Lion's Den. -Lion's Den. | 0:22:28 | 0:22:30 | |
-Sword... -X Pro II, I know nothing about. | 0:22:30 | 0:22:32 | |
-It sounds like it should be a game, or something. -Dung. -Dung Heap. | 0:22:32 | 0:22:35 | |
Is there a Damascus cake? | 0:22:35 | 0:22:36 | |
-No... -No. | 0:22:36 | 0:22:38 | |
Dung... | 0:22:38 | 0:22:39 | |
-Orange... -1977 is a | 0:22:39 | 0:22:42 | |
Golden Jubilee year, it's... | 0:22:42 | 0:22:45 | |
Virginia Wade won... | 0:22:45 | 0:22:47 | |
Toaster. What could Toaster be? | 0:22:47 | 0:22:49 | |
-Damascus. Road To. -Road To Damascus. | 0:22:51 | 0:22:53 | |
Road To. | 0:22:53 | 0:22:54 | |
-Road To Toaster?! -Lion's den. | 0:22:54 | 0:22:56 | |
This apostrophe S, it's got to be something - | 0:22:56 | 0:22:58 | |
-Lion's something. -Lion's Mane, | 0:22:58 | 0:23:00 | |
Lion's... | 0:23:00 | 0:23:02 | |
Is there a brand, Lion's something? | 0:23:02 | 0:23:04 | |
-I don't know. -Lyon's Cakes. -That's with a Y. -There's a Y. | 0:23:04 | 0:23:08 | |
So, X Pro II. I think that must be some sort of computer. | 0:23:08 | 0:23:11 | |
Surely, that's got to go with that somehow. | 0:23:11 | 0:23:14 | |
-Maybe... -These are places in... | 0:23:14 | 0:23:16 | |
One, two, three are all places. | 0:23:17 | 0:23:19 | |
-Do you want me to take those? -But what else can you put them with? | 0:23:19 | 0:23:22 | |
I think...that. | 0:23:23 | 0:23:24 | |
That is some kind of computer. | 0:23:24 | 0:23:26 | |
Just go for something. | 0:23:27 | 0:23:28 | |
See what we can get, if we can get a connection. Try it. | 0:23:28 | 0:23:31 | |
BUZZ You've got 30 seconds to go. | 0:23:31 | 0:23:33 | |
Well, let's go for your one, then. | 0:23:34 | 0:23:36 | |
-And put something else in. -I don't know, what do you think? | 0:23:36 | 0:23:39 | |
-BUZZ -Ugh! Oh, dear. | 0:23:40 | 0:23:42 | |
This is not good, is it? | 0:23:42 | 0:23:44 | |
I can't see... | 0:23:45 | 0:23:47 | |
Dung.. I can't think of anything. | 0:23:47 | 0:23:50 | |
-Dung. Dung heap. -Ten seconds... BUZZ | 0:23:50 | 0:23:52 | |
..but that's it. That was your third strike and the Wall has frozen. | 0:23:52 | 0:23:56 | |
Can you tell me the connections in that first, blue group? | 0:23:56 | 0:23:59 | |
They're all types of orange. | 0:23:59 | 0:24:02 | |
Simply types of orange, that's right. | 0:24:02 | 0:24:03 | |
And the green group - | 0:24:03 | 0:24:05 | |
Cadiz, Santander, Alicante, Barcelona. | 0:24:05 | 0:24:07 | |
All Spanish ports. | 0:24:07 | 0:24:08 | |
All Spanish ports. And you can get points for the connections | 0:24:08 | 0:24:10 | |
in the groups you didn't find. | 0:24:10 | 0:24:12 | |
So, let's resolve the wall. | 0:24:12 | 0:24:13 | |
That's how it should have been. | 0:24:13 | 0:24:15 | |
Lion's, Damascus, Dung, Jaffa. | 0:24:15 | 0:24:18 | |
Um... | 0:24:18 | 0:24:19 | |
Cake. | 0:24:19 | 0:24:21 | |
Cake, did you say? | 0:24:21 | 0:24:22 | |
Cake. | 0:24:22 | 0:24:23 | |
I was just checking you didn't say "gate", | 0:24:23 | 0:24:25 | |
which is, I'm afraid the answer. | 0:24:25 | 0:24:26 | |
They are not cakes, they are gates | 0:24:26 | 0:24:28 | |
in the wall of Jerusalem. | 0:24:28 | 0:24:29 | |
Jerusalem wall gates. | 0:24:29 | 0:24:31 | |
And the last group - | 0:24:31 | 0:24:33 | |
-1977, Toaster, Valencia, X Pro II. -It was a weird one... | 0:24:33 | 0:24:38 | |
No number on it. | 0:24:38 | 0:24:39 | |
Early computers. | 0:24:39 | 0:24:41 | |
Let me tell you, if I hadn't looked at the answer, | 0:24:41 | 0:24:43 | |
I could stand with your team for 47 years and not get this. | 0:24:43 | 0:24:47 | |
They are filters on Instagram. | 0:24:47 | 0:24:49 | |
-Oh. -So, I don't blame you for not getting that. -Shame. | 0:24:49 | 0:24:51 | |
But you do get four points | 0:24:51 | 0:24:53 | |
for the groups and connections you found. | 0:24:53 | 0:24:54 | |
Let's have a look at the scores going into the final round. | 0:24:54 | 0:24:57 | |
The Channel Islanders have 12 points, the Korfballers have 14. | 0:24:58 | 0:25:03 | |
So, tonight's game will be decided in Round Four, | 0:25:04 | 0:25:06 | |
the Missing Vowels round. | 0:25:06 | 0:25:08 | |
But remember, this is the final heat in this half of the draw. | 0:25:08 | 0:25:11 | |
There are 12 more teams to come, | 0:25:11 | 0:25:13 | |
but tonight we will decide not just who goes through to Round Two, | 0:25:13 | 0:25:17 | |
but who is the highest scoring second-place finisher. | 0:25:17 | 0:25:20 | |
We've got that to play for, as well. | 0:25:20 | 0:25:23 | |
So, buzz with care, teams. Fingers on the buzzers, please. | 0:25:23 | 0:25:26 | |
I can tell you that the first group are all... | 0:25:26 | 0:25:29 | |
Korfballers. | 0:25:34 | 0:25:36 | |
-Count Dracula. -Correct. | 0:25:36 | 0:25:37 | |
Korfballers. | 0:25:41 | 0:25:42 | |
-Viscount Greystoke. -Correct. | 0:25:42 | 0:25:44 | |
Korfballers. | 0:25:47 | 0:25:48 | |
-The Count Of Monte Cristo. -Correct. | 0:25:48 | 0:25:50 | |
Korfballers. | 0:25:52 | 0:25:53 | |
Baron Greenback. | 0:25:53 | 0:25:54 | |
Good round. Next category... | 0:25:54 | 0:25:56 | |
Islanders. | 0:26:00 | 0:26:01 | |
-Cruise. -Correct. | 0:26:01 | 0:26:03 | |
Korfballers. | 0:26:05 | 0:26:06 | |
-News. -Correct. | 0:26:06 | 0:26:07 | |
Islanders. | 0:26:10 | 0:26:11 | |
-Zoo. -Zoo. | 0:26:11 | 0:26:12 | |
That just doesn't rhyme with clues, I'm afraid. | 0:26:12 | 0:26:14 | |
I can't take it. Korfballers. | 0:26:14 | 0:26:16 | |
-Ooze. -Ooze is the word. | 0:26:16 | 0:26:17 | |
Next clue. | 0:26:17 | 0:26:18 | |
Korfballers. | 0:26:20 | 0:26:21 | |
Cock-a-doodle-doos. | 0:26:21 | 0:26:22 | |
Correct. Next category. Things where... | 0:26:22 | 0:26:25 | |
Islanders. | 0:26:28 | 0:26:29 | |
-Strikes in baseball. -Correct. | 0:26:29 | 0:26:31 | |
Korfballers. | 0:26:34 | 0:26:35 | |
-Handicap in golf. -Correct. | 0:26:35 | 0:26:37 | |
Korfballers. | 0:26:41 | 0:26:42 | |
Points on a driving licence. | 0:26:42 | 0:26:44 | |
Correct. | 0:26:44 | 0:26:45 | |
Korfballers. | 0:26:48 | 0:26:49 | |
-Complaints to Ofcom. -I'll say. | 0:26:49 | 0:26:50 | |
Next category, types of... | 0:26:50 | 0:26:52 | |
Korfballers. | 0:26:55 | 0:26:56 | |
Health. | 0:26:56 | 0:26:57 | |
Correct. | 0:26:57 | 0:26:58 | |
Islanders. | 0:27:00 | 0:27:01 | |
END OF ROUND JINGLE | 0:27:01 | 0:27:03 | |
Too late to give me the answer, | 0:27:04 | 0:27:06 | |
which would be public liability, | 0:27:06 | 0:27:07 | |
because the bell has gone | 0:27:07 | 0:27:09 | |
for the end of the quiz. | 0:27:09 | 0:27:10 | |
And I can tell you that after a very impressive Round Four, | 0:27:10 | 0:27:13 | |
the winners, and through to Round Two with 25 points, | 0:27:13 | 0:27:17 | |
are the Korfballers. APPLAUSE | 0:27:17 | 0:27:19 | |
Finishing in second place with a creditable 13 points, | 0:27:19 | 0:27:23 | |
the Channel Islanders. | 0:27:23 | 0:27:24 | |
Now, Channel Islanders, this is the last of our heats | 0:27:25 | 0:27:28 | |
and I can tell you that, with 13 points, you are... | 0:27:28 | 0:27:32 | |
equal in score | 0:27:32 | 0:27:33 | |
with our previous highest scoring second-place finishers. | 0:27:33 | 0:27:38 | |
So, I'm now going to look at the combined Round One and Two scores. | 0:27:38 | 0:27:43 | |
I can tell you that the other people scored in Rounds One and Two | 0:27:43 | 0:27:46 | |
a combined total of four. You scored eight. | 0:27:46 | 0:27:48 | |
You're still in the competition. | 0:27:48 | 0:27:50 | |
By virtue of those early rounds. APPLAUSE | 0:27:50 | 0:27:53 | |
-Very well done. -Thank you. -Not through to Round Two, of course. | 0:27:53 | 0:27:56 | |
You must play another game to get there - | 0:27:56 | 0:27:58 | |
but you still have a chance. | 0:27:58 | 0:28:00 | |
Utterly baffling. | 0:28:00 | 0:28:01 | |
You thought the questions were difficult. | 0:28:01 | 0:28:03 | |
Just try getting your head around the structure. | 0:28:03 | 0:28:06 | |
Still, if you can face it, | 0:28:06 | 0:28:08 | |
join me again next week for another episode | 0:28:08 | 0:28:10 | |
of the show that produces more head-scratching | 0:28:10 | 0:28:13 | |
than Mongolian super nits. And I should know. | 0:28:13 | 0:28:16 | |
Goodbye. | 0:28:16 | 0:28:17 |