Browse content similar to Meeples v Belgophiles. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Good evening. Is there life after death? | 0:00:21 | 0:00:25 | |
Do our souls go on into heaven? | 0:00:25 | 0:00:27 | |
Is it possible we pass into a sort of purgatory, | 0:00:27 | 0:00:30 | |
still leaving a footprint on reality? | 0:00:30 | 0:00:32 | |
Or when we pass on, is it absolute? Do we cease to be? | 0:00:32 | 0:00:36 | |
Is there nothing but dust? | 0:00:36 | 0:00:38 | |
At which point, the man from Natwest Online Banking said that | 0:00:38 | 0:00:41 | |
the security question could only be a maximum of 18 characters. | 0:00:41 | 0:00:44 | |
I just went with my first pet's name. | 0:00:44 | 0:00:46 | |
But there are no restrictions on the complexity of the questions | 0:00:46 | 0:00:49 | |
we ask here at Only Connect, and God knows no limit to the characters. | 0:00:49 | 0:00:54 | |
Let's meet the teams. | 0:00:54 | 0:00:56 | |
On my right, Tom West, | 0:00:56 | 0:00:58 | |
a practising solicitor who once performed a can-can wearing | 0:00:58 | 0:01:01 | |
only leather hot-pants, a bow tie and fake cobwebs. | 0:01:01 | 0:01:05 | |
Hugh Trimble, an English graduate who's been pushed through | 0:01:05 | 0:01:08 | |
a glass door by his sister. | 0:01:08 | 0:01:10 | |
The team captain, Gail Trimble, | 0:01:10 | 0:01:13 | |
a classics lecturer who once lectured Boris Johnson on how | 0:01:13 | 0:01:16 | |
classical poetry might help him to run London better. | 0:01:16 | 0:01:19 | |
United by a fascination for board game figurines, | 0:01:19 | 0:01:22 | |
they are the Meeples. | 0:01:22 | 0:01:23 | |
Now, you won your opening heat against the Tequila Slammers. | 0:01:23 | 0:01:26 | |
How are you feeling about tonight's game? | 0:01:26 | 0:01:28 | |
Well, we felt a bit put through the wringer by that one, | 0:01:28 | 0:01:30 | |
so we're hoping tonight will be a bit less stressful. | 0:01:30 | 0:01:32 | |
You will be facing, on my left... | 0:01:32 | 0:01:36 | |
Helen Fasham, a keen musician who plays the clarinet, bassoon, | 0:01:36 | 0:01:39 | |
cello, piano, guitar and recorder. | 0:01:39 | 0:01:42 | |
Phil Small, a pharmaceutical worker with a degree in molecular | 0:01:42 | 0:01:46 | |
and cellular biochemistry who won a colouring | 0:01:46 | 0:01:48 | |
competition for his portrait of He-Man. | 0:01:48 | 0:01:51 | |
And their captain, Ben Fasham, a modern languages graduate who | 0:01:51 | 0:01:55 | |
has survived car crashes in Morocco, Nigeria and Rwanda. | 0:01:55 | 0:01:59 | |
United by a taste for Tintin, they're the Belgophiles. | 0:01:59 | 0:02:02 | |
Now, you beat the Lapsed Physicists. | 0:02:02 | 0:02:03 | |
What do you think about tonight's opposition? | 0:02:03 | 0:02:05 | |
We're massively respectful of their quiz credentials, | 0:02:05 | 0:02:08 | |
but we're hoping to get the wringer out. | 0:02:08 | 0:02:10 | |
Well, you won the toss, you'll be going first. | 0:02:10 | 0:02:12 | |
I like it, it's two family teams, there's real tension in the studio. | 0:02:12 | 0:02:15 | |
-What hieroglyph would you like first? -Eye of Horus, please. | 0:02:15 | 0:02:19 | |
What is the connection between these apparently random picture clues? | 0:02:19 | 0:02:24 | |
Here's the first... | 0:02:24 | 0:02:26 | |
THEY CONFER | 0:02:26 | 0:02:28 | |
Next. | 0:02:31 | 0:02:32 | |
Bee, monks, a bumblebee, bumble... | 0:02:34 | 0:02:36 | |
Bumble, monks, OK... | 0:02:38 | 0:02:40 | |
-Next? -OK, next. | 0:02:41 | 0:02:43 | |
-That's Richard Dawkins. -That's Dawkins. Erm... -Erm... | 0:02:45 | 0:02:49 | |
What did he write? | 0:02:49 | 0:02:50 | |
Selfish Gene? Blind Watchmaker? | 0:02:50 | 0:02:53 | |
-God Delusion? -God Delusion. | 0:02:53 | 0:02:55 | |
-Next. -Next. | 0:02:56 | 0:02:57 | |
Two seconds... BELL RINGS | 0:03:03 | 0:03:05 | |
Erm, the sweet stuff. | 0:03:06 | 0:03:09 | |
Lovely... But no! | 0:03:09 | 0:03:11 | |
Possible bonus chance | 0:03:11 | 0:03:13 | |
for you, Meeples. | 0:03:13 | 0:03:14 | |
-No. -Unless the... | 0:03:14 | 0:03:15 | |
No, genes... | 0:03:15 | 0:03:17 | |
Erm, they all have something to do with genes. | 0:03:17 | 0:03:20 | |
I mean, we all have something | 0:03:20 | 0:03:21 | |
to do with genes, don't we? | 0:03:21 | 0:03:22 | |
That's very true. | 0:03:22 | 0:03:24 | |
What do you recognise? | 0:03:24 | 0:03:26 | |
Er, some monks, bees... | 0:03:26 | 0:03:29 | |
Mm-hm, Bumble. Monks, Bumble... | 0:03:29 | 0:03:31 | |
Monks, Bumble... | 0:03:31 | 0:03:33 | |
Dawkins. And what's happening | 0:03:33 | 0:03:34 | |
in the last picture? | 0:03:34 | 0:03:35 | |
-Dancing? -Chubby Checker there doing the twist. | 0:03:35 | 0:03:38 | |
Monks, Bumble, Dawkins, Twist. | 0:03:38 | 0:03:40 | |
They're characters | 0:03:40 | 0:03:41 | |
in the novel Oliver Twist! | 0:03:41 | 0:03:43 | |
Mr Bumble the beadle, Dawkins, | 0:03:43 | 0:03:45 | |
that's the name of the Artful Dodger, Jack Dawkins. | 0:03:45 | 0:03:47 | |
Oliver Twist, of course. | 0:03:47 | 0:03:48 | |
Monks, well, he's not | 0:03:48 | 0:03:50 | |
in the musical, Monks. | 0:03:50 | 0:03:51 | |
I think he's Oliver's half-brother. | 0:03:51 | 0:03:53 | |
There's something in the will where if Oliver becomes a criminal, he | 0:03:53 | 0:03:57 | |
doesn't get the money, so Monks | 0:03:57 | 0:03:58 | |
is a very sinister chap who pays | 0:03:58 | 0:04:00 | |
Fagin to criminalise the boy | 0:04:00 | 0:04:02 | |
to get his hands on some money. | 0:04:02 | 0:04:04 | |
Monks, Bumble, Dawkins, Twist, | 0:04:04 | 0:04:06 | |
all characters in Dickens' | 0:04:06 | 0:04:07 | |
Oliver Twist. | 0:04:07 | 0:04:08 | |
No bonus point, then, Meeples, | 0:04:08 | 0:04:09 | |
but your own question. What would you like? | 0:04:09 | 0:04:11 | |
-Twisted Flax, please. -The Twisted Flax. | 0:04:11 | 0:04:13 | |
What is the connection between these clues? | 0:04:13 | 0:04:15 | |
Here's the first... | 0:04:15 | 0:04:16 | |
-Do you know what Bernanos is? -No. -No, OK, next. | 0:04:19 | 0:04:21 | |
Well, where does home...? | 0:04:24 | 0:04:27 | |
Yeah, there's also, there's the band. | 0:04:27 | 0:04:29 | |
Oh, yeah, there is. OK, fine. Erm, next. | 0:04:29 | 0:04:31 | |
Ooh... | 0:04:33 | 0:04:34 | |
Song Of Oneself? No. | 0:04:35 | 0:04:37 | |
No, that's something else entirely. | 0:04:37 | 0:04:39 | |
-Erm... -THEY CONFER QUIETLY | 0:04:39 | 0:04:41 | |
Next. | 0:04:41 | 0:04:43 | |
-Hell is... -Yeah. -Yeah, OK. | 0:04:44 | 0:04:46 | |
-BELL RINGS -Hell is... | 0:04:46 | 0:04:48 | |
They are definitions of hell. | 0:04:48 | 0:04:50 | |
You recognised that last one, | 0:04:50 | 0:04:51 | |
L'enfer, c'est les autres. | 0:04:51 | 0:04:53 | |
Do you recognise any of the other clues? | 0:04:53 | 0:04:56 | |
No, not even now. | 0:04:56 | 0:04:57 | |
"Hell is oneself", probably true if | 0:04:57 | 0:04:59 | |
you're TS Eliot, that was his quote. | 0:04:59 | 0:05:01 | |
Hell Is Home is a song by Judas Priest, 2001 song. | 0:05:01 | 0:05:05 | |
And, "To love no longer", | 0:05:05 | 0:05:06 | |
George Bernanos, | 0:05:06 | 0:05:08 | |
a French philosophical writer. | 0:05:08 | 0:05:10 | |
All definitions of hell. | 0:05:10 | 0:05:12 | |
What would you like next, | 0:05:12 | 0:05:13 | |
-Belgophiles? -Horned Viper, please. | 0:05:13 | 0:05:15 | |
OK. | 0:05:15 | 0:05:17 | |
-It's the music question. -Great. | 0:05:17 | 0:05:19 | |
Sighing with pleasure. | 0:05:19 | 0:05:20 | |
You will be hearing your clues, | 0:05:20 | 0:05:21 | |
they all have something in common, what is it? | 0:05:21 | 0:05:23 | |
The time starts now. | 0:05:23 | 0:05:25 | |
CLASSICAL PIANO MUSIC PLAYS | 0:05:25 | 0:05:27 | |
-I don't know what that is. -OK. Next. | 0:05:30 | 0:05:33 | |
# Musical demon Set your honey a-dreamin' | 0:05:33 | 0:05:36 | |
# Won't you play me some rag? # | 0:05:36 | 0:05:37 | |
Next. | 0:05:38 | 0:05:40 | |
BIG BAND JAZZ PLAYS | 0:05:40 | 0:05:42 | |
THEY CONFER QUIETLY | 0:05:47 | 0:05:49 | |
-Next. -# Oh, my love... # | 0:05:49 | 0:05:51 | |
-Oh, that's... -Unchained Melody. -Unchained Melody, so melodies? | 0:05:51 | 0:05:54 | |
-Unchained Melody... -Chains? -Chains? -Righteous Brothers? | 0:05:54 | 0:05:57 | |
What about brothers? | 0:05:57 | 0:05:59 | |
-Don't know. -Chains. -Yeah, I don't know, so... | 0:05:59 | 0:06:01 | |
BELL RINGS | 0:06:01 | 0:06:03 | |
-Chains. -I'm afraid that's not it. | 0:06:03 | 0:06:06 | |
Bonus chance again for you, Meeples. | 0:06:06 | 0:06:08 | |
-Melodies. -I'm afraid you jumped | 0:06:09 | 0:06:11 | |
the wrong way, it is melodies. | 0:06:11 | 0:06:12 | |
-What did we hear? -Well, the last one was Unchained Melody. -Mm-hm. | 0:06:12 | 0:06:16 | |
Erm, yeah, I mean the second one sounded like it was also | 0:06:16 | 0:06:19 | |
talking about being music but, no, we don't really know. | 0:06:19 | 0:06:22 | |
The first one, | 0:06:22 | 0:06:23 | |
Melody In F, Rubinstein. | 0:06:23 | 0:06:25 | |
Play A Simple Melody was the second one, Irving Berlin. | 0:06:25 | 0:06:28 | |
And the third one, Broadway Melody, from the film. | 0:06:28 | 0:06:31 | |
Did you know that Irving Berlin | 0:06:31 | 0:06:33 | |
only liked to use the black keys | 0:06:33 | 0:06:34 | |
on the piano, so most of his pieces were in F sharp? | 0:06:34 | 0:06:37 | |
He said once, "The key of C | 0:06:37 | 0:06:38 | |
"is for people who study music." | 0:06:38 | 0:06:40 | |
All melodies, well done. | 0:06:41 | 0:06:43 | |
And you get your own choice | 0:06:43 | 0:06:44 | |
of question, what's it to be? | 0:06:44 | 0:06:46 | |
-Two Reeds, please. -Two Reeds. | 0:06:46 | 0:06:47 | |
What is the connection between these clues? | 0:06:47 | 0:06:49 | |
Here's the first... | 0:06:49 | 0:06:50 | |
That was Arthur Sullivan's brother. No, he was... | 0:06:52 | 0:06:55 | |
OK, we don't know who he is. Next. | 0:06:55 | 0:06:57 | |
Erm, there's like pesto secco or something... | 0:07:00 | 0:07:05 | |
-Yeah, OK. -Next. | 0:07:05 | 0:07:07 | |
Yes, not pret-a-manger? | 0:07:10 | 0:07:13 | |
They're all... Are they all like trans...? | 0:07:13 | 0:07:15 | |
-Well, yeah, I don't know, it could be. -Could be. | 0:07:15 | 0:07:18 | |
-Further on? -Shall I just go for next? Yeah, OK, next. | 0:07:18 | 0:07:21 | |
-The opposite way. They look like pop groups, don't they? -Yeah, they do. | 0:07:24 | 0:07:28 | |
Two seconds. | 0:07:28 | 0:07:29 | |
BELL RINGS | 0:07:29 | 0:07:32 | |
It's the opposite. | 0:07:32 | 0:07:33 | |
Er, Hugh. | 0:07:34 | 0:07:36 | |
It's the opposite. Eve the Ants, it's like Adam and the Ants. | 0:07:36 | 0:07:39 | |
-It's the opposite. -Dried is | 0:07:39 | 0:07:40 | |
the opposite of paste, of course. | 0:07:40 | 0:07:42 | |
Absolutely, cos you have to have | 0:07:42 | 0:07:43 | |
wet paste, otherwise it's just... | 0:07:43 | 0:07:45 | |
It can't exist. | 0:07:45 | 0:07:46 | |
Nice try, but I'm afraid | 0:07:46 | 0:07:47 | |
I can't accept it. | 0:07:47 | 0:07:48 | |
Belgophiles, your chance for a bonus. | 0:07:48 | 0:07:50 | |
We haven't got one. | 0:07:52 | 0:07:54 | |
I said nobody would get this, | 0:07:54 | 0:07:55 | |
I thought this was really difficult. | 0:07:55 | 0:07:57 | |
I hoped someone would get it | 0:07:57 | 0:07:58 | |
so I wouldn't have to explain it. | 0:07:58 | 0:08:00 | |
They are pairs of balancing phrases, | 0:08:00 | 0:08:02 | |
but we've taken out the joint bit. | 0:08:02 | 0:08:03 | |
So, Adam and Eve, Adam and the Ants. | 0:08:03 | 0:08:06 | |
Take out Adam Ant, | 0:08:06 | 0:08:07 | |
you get Eve the Ants. | 0:08:07 | 0:08:09 | |
Gilbert and George, | 0:08:09 | 0:08:10 | |
Gilbert and Sullivan. | 0:08:10 | 0:08:11 | |
Cut and dried, cut and paste. | 0:08:11 | 0:08:13 | |
Rough and tumble, rough and ready. | 0:08:13 | 0:08:15 | |
Take out the matching bit, | 0:08:15 | 0:08:16 | |
that's what's left behind, | 0:08:16 | 0:08:18 | |
a fiendish word puzzle. | 0:08:18 | 0:08:20 | |
So you don't get the bonus, Belgophiles, | 0:08:20 | 0:08:22 | |
-but what would you like next? -Water, please. -The Water question. | 0:08:22 | 0:08:25 | |
What is the connection between these clues? Here's the first... | 0:08:25 | 0:08:28 | |
THEY CONFER QUIETLY | 0:08:31 | 0:08:33 | |
Next. | 0:08:33 | 0:08:34 | |
Words with a lot of similar letters. | 0:08:36 | 0:08:38 | |
-I can't think of anything. -Yeah, OK. Next. | 0:08:41 | 0:08:45 | |
THEY CONFER QUIETLY | 0:08:47 | 0:08:49 | |
-Is it they're not allowed to... Not allowed to vote? -No way, no. | 0:08:49 | 0:08:54 | |
Not allowed to take... | 0:08:54 | 0:08:55 | |
-There's something they're not allowed to do. -OK. Next. | 0:08:55 | 0:08:58 | |
THEY CONFER QUIETLY | 0:09:00 | 0:09:02 | |
Two seconds. BELL RINGS | 0:09:05 | 0:09:07 | |
Er, they are not allowed to play the lottery. | 0:09:08 | 0:09:11 | |
Au pairs, not allowed to play | 0:09:13 | 0:09:15 | |
the lottery? That would be cruel. | 0:09:15 | 0:09:16 | |
Good guess, but I'm afraid | 0:09:16 | 0:09:18 | |
that's not the answer. | 0:09:18 | 0:09:19 | |
Meeples, you can have a go for a bonus point? | 0:09:19 | 0:09:21 | |
Are they all exempt from jury service? | 0:09:21 | 0:09:23 | |
That would be a bit harsh if, er, | 0:09:23 | 0:09:24 | |
everyone who was self-employed | 0:09:24 | 0:09:25 | |
could get out of jury service and all employed people couldn't. | 0:09:25 | 0:09:28 | |
Another reasonable guess, but no. | 0:09:28 | 0:09:30 | |
These are people | 0:09:30 | 0:09:31 | |
who are not entitled | 0:09:31 | 0:09:32 | |
to the national living wage. | 0:09:32 | 0:09:34 | |
Minimum wage, people sometimes say, | 0:09:34 | 0:09:37 | |
but erroneously. | 0:09:37 | 0:09:38 | |
Minimum wage is actually technically | 0:09:38 | 0:09:40 | |
if you're 24 and under. | 0:09:40 | 0:09:41 | |
Once you're 25 it's the same thing | 0:09:41 | 0:09:43 | |
but they call it the national | 0:09:43 | 0:09:44 | |
living wage, but, er, all of these | 0:09:44 | 0:09:46 | |
people don't have to get it, | 0:09:46 | 0:09:48 | |
so no bonus points there either. | 0:09:48 | 0:09:50 | |
One question remains - Lion. | 0:09:50 | 0:09:52 | |
What is the connection between these clues? | 0:09:53 | 0:09:55 | |
Here's the first... | 0:09:55 | 0:09:57 | |
Margarine, yellow, sounds like Yellow Submarine. Next. | 0:09:58 | 0:10:01 | |
Well, red four-star petrol. | 0:10:05 | 0:10:07 | |
The colour of the... What's 1948 got to do with it? Next. | 0:10:09 | 0:10:12 | |
Oh, it's... For St Patrick's Day, it's dyed that colour! | 0:10:15 | 0:10:17 | |
-Is it...? -Yeah. -Yeah, just... OK. | 0:10:17 | 0:10:20 | |
BELL RINGS | 0:10:20 | 0:10:22 | |
Things that have been dyed the colour that they're appearing in. | 0:10:22 | 0:10:25 | |
Absolutely right, you didn't need | 0:10:25 | 0:10:27 | |
to see the last clue... | 0:10:27 | 0:10:28 | |
What can you tell us about the stories behind these clues? | 0:10:30 | 0:10:32 | |
Well, the Saturday in mid-March must be St Patrick's Day, | 0:10:32 | 0:10:36 | |
or the nearest Saturday they must dye the river green in Chicago. | 0:10:36 | 0:10:39 | |
That's right. | 0:10:39 | 0:10:40 | |
Margarine, I guess, has to be dyed yellow to look more like butter. | 0:10:40 | 0:10:43 | |
And no doubt there's some amazing rationing story about red petrol. | 0:10:43 | 0:10:47 | |
Well, it was that red dye was | 0:10:47 | 0:10:49 | |
put into petrol that could only | 0:10:49 | 0:10:51 | |
be used for commercial vehicles | 0:10:51 | 0:10:52 | |
in the Motor Spirit Act, 1948. | 0:10:52 | 0:10:54 | |
Yes, margarine certainly doesn't have to be dyed yellow, | 0:10:54 | 0:10:56 | |
it was a decision that was taken | 0:10:56 | 0:10:58 | |
in the 19th century | 0:10:58 | 0:10:59 | |
to make it more appetizing | 0:10:59 | 0:11:00 | |
for people to sell more. | 0:11:00 | 0:11:01 | |
By the way, I will be singing | 0:11:01 | 0:11:03 | |
"We all live in a yellow margarine" | 0:11:03 | 0:11:05 | |
for the rest of the night, thank you for that. | 0:11:05 | 0:11:07 | |
And Marge Simpson dyes her hair | 0:11:07 | 0:11:09 | |
with blue dye number 56. | 0:11:09 | 0:11:11 | |
Homer Simpsons said, "She's been | 0:11:11 | 0:11:13 | |
grey as a mule since she was 17." | 0:11:13 | 0:11:15 | |
All dyed the colour of the text, well done. | 0:11:15 | 0:11:17 | |
That means at the end of Round One, | 0:11:17 | 0:11:19 | |
the Meeples have four points, | 0:11:19 | 0:11:21 | |
the Belgophiles are yet to score. | 0:11:21 | 0:11:22 | |
On to Round Two, the sequences round. | 0:11:25 | 0:11:27 | |
What comes fourth in a sequence, I will be asking the teams, | 0:11:27 | 0:11:30 | |
and Belgophiles are going first again. | 0:11:30 | 0:11:32 | |
Which hieroglyph would you like? | 0:11:32 | 0:11:33 | |
Eye of Horus, please. | 0:11:33 | 0:11:34 | |
The Eye of Horus, OK. | 0:11:34 | 0:11:36 | |
You'll be seeing the first in a sequence, | 0:11:36 | 0:11:38 | |
I want to know what comes fourth. | 0:11:38 | 0:11:40 | |
The time starts now... | 0:11:40 | 0:11:42 | |
Next. | 0:11:49 | 0:11:50 | |
This is Philip K Dick, Man In The High Castle, is it not? | 0:11:55 | 0:11:58 | |
No, there's no sequence, is there? | 0:11:58 | 0:12:00 | |
Next. | 0:12:02 | 0:12:04 | |
Two seconds. BELL RINGS | 0:12:19 | 0:12:21 | |
Tina Mountain. | 0:12:21 | 0:12:22 | |
I love that guess. Wouldn't you be | 0:12:24 | 0:12:26 | |
-amazed if it was right, though? -Yes. | 0:12:26 | 0:12:28 | |
I'm afraid it isn't. Meeples, | 0:12:28 | 0:12:29 | |
do you want to have a go for a bonus? | 0:12:29 | 0:12:31 | |
No. | 0:12:31 | 0:12:32 | |
Is this ringing no bells with you? | 0:12:32 | 0:12:34 | |
-Not really. -No. | 0:12:34 | 0:12:36 | |
Not even the name Dinah? | 0:12:36 | 0:12:37 | |
-No? -Shore? | 0:12:38 | 0:12:40 | |
The Island Of Adventure, | 0:12:40 | 0:12:41 | |
The Castle Of Adventure, | 0:12:41 | 0:12:42 | |
-The Valley Of Adventure! -Oh... | 0:12:42 | 0:12:45 | |
Those Enid Blyton books, | 0:12:45 | 0:12:46 | |
the sequence is the adventure | 0:12:46 | 0:12:48 | |
books going forward and the children getting younger. | 0:12:48 | 0:12:51 | |
Jack, Philip, Dinah, Lucy-Ann, and The Sea Of Adventure. | 0:12:51 | 0:12:55 | |
The name Dinah I really thought | 0:12:55 | 0:12:57 | |
was the giveaway one there | 0:12:57 | 0:12:58 | |
because who's called Dinah apart from the girl in the book? | 0:12:58 | 0:13:01 | |
Yes, now, we are going with, | 0:13:01 | 0:13:02 | |
by the way, Enid Blyton enthusiasts | 0:13:02 | 0:13:04 | |
may want to know, Philip's opinion | 0:13:04 | 0:13:06 | |
that Jack is the oldest child. | 0:13:06 | 0:13:08 | |
Philip says he thinks that | 0:13:08 | 0:13:09 | |
Jack is the oldest one, | 0:13:09 | 0:13:10 | |
and we're getting younger as we go through the books. | 0:13:10 | 0:13:12 | |
People at home will have been | 0:13:12 | 0:13:14 | |
shouting at the screen there, I think. | 0:13:14 | 0:13:16 | |
No bonus points, then, Meeples, | 0:13:16 | 0:13:17 | |
but what would you like? | 0:13:17 | 0:13:18 | |
-Horned Viper, please. -The Horned Viper. | 0:13:18 | 0:13:20 | |
What would come fourth in this sequence? Here's the first... | 0:13:20 | 0:13:23 | |
Next. | 0:13:25 | 0:13:26 | |
Next. | 0:13:31 | 0:13:32 | |
Two seconds. | 0:14:01 | 0:14:03 | |
BELL RINGS | 0:14:03 | 0:14:05 | |
21. | 0:14:05 | 0:14:06 | |
And why would that be? | 0:14:06 | 0:14:09 | |
It's a number featuring some numbers that are on the screen. | 0:14:09 | 0:14:11 | |
You've not persuaded me | 0:14:11 | 0:14:12 | |
that's a sequence, I'm afraid, | 0:14:12 | 0:14:14 | |
-so Belgophiles, another bonus chance. -We think it's 1. | 0:14:14 | 0:14:17 | |
The answer is 1, | 0:14:17 | 0:14:18 | |
and why would that be? | 0:14:18 | 0:14:19 | |
This is the history of Central London phone codes | 0:14:19 | 0:14:23 | |
without zero. | 0:14:23 | 0:14:25 | |
That's exactly what it is, | 0:14:25 | 0:14:27 | |
and of course, 020 | 0:14:27 | 0:14:28 | |
and 01 was all of London but we're | 0:14:28 | 0:14:30 | |
going through the Central Line. | 0:14:30 | 0:14:32 | |
020, 0171, 071, and going backwards it was previously 01. | 0:14:32 | 0:14:37 | |
You forgot the old adage, when you | 0:14:37 | 0:14:39 | |
don't know in a number question | 0:14:39 | 0:14:41 | |
in a quiz, just say 1! It usually is 1! | 0:14:41 | 0:14:43 | |
But you reasoned correctly, Belgophiles. | 0:14:43 | 0:14:45 | |
Well done, and you get the bonus point. | 0:14:45 | 0:14:47 | |
What question would | 0:14:47 | 0:14:49 | |
you like for yourselves? | 0:14:49 | 0:14:50 | |
-Water, please. -Water, OK. | 0:14:50 | 0:14:52 | |
What would come fourth in this sequence? Here's the first... | 0:14:52 | 0:14:55 | |
Next. | 0:15:01 | 0:15:02 | |
BELL RINGS | 0:15:22 | 0:15:23 | |
-Blair, zero. -Is the right answer. | 0:15:23 | 0:15:26 | |
Very well done for three points. | 0:15:26 | 0:15:28 | |
What is the sequence? | 0:15:28 | 0:15:29 | |
These are Labour leaders, the number of elections they lost. | 0:15:29 | 0:15:33 | |
That's right, Labour leaders | 0:15:33 | 0:15:34 | |
in order of general elections lost, | 0:15:34 | 0:15:36 | |
and Tony Blair lost none. | 0:15:36 | 0:15:37 | |
Of course, there's other | 0:15:37 | 0:15:39 | |
leaders who didn't lose | 0:15:39 | 0:15:40 | |
an election by virtue of not having contested one. | 0:15:40 | 0:15:42 | |
Margaret Beckett, Keir Hardie... | 0:15:42 | 0:15:45 | |
Various Labour leaders who didn't lose a general election. | 0:15:46 | 0:15:48 | |
Blair is the one that we went with, well done. | 0:15:48 | 0:15:51 | |
Meeples, what would you like? | 0:15:51 | 0:15:52 | |
-Two Reeds, please. -Two Reeds, OK. | 0:15:52 | 0:15:54 | |
What would come fourth in this sequence? Here's the first. | 0:15:54 | 0:15:57 | |
Next... | 0:16:01 | 0:16:02 | |
Next... | 0:16:09 | 0:16:11 | |
Two seconds. BELL RINGS | 0:16:34 | 0:16:36 | |
1st - Mary (1920). | 0:16:38 | 0:16:40 | |
And why would that be? | 0:16:40 | 0:16:42 | |
Big ocean liners, we've decided. | 0:16:42 | 0:16:45 | |
I like it, you have a reasoning, but | 0:16:45 | 0:16:47 | |
I'm afraid that's not a sequence. | 0:16:47 | 0:16:49 | |
So, Belgophiles, | 0:16:49 | 0:16:50 | |
you've got another bonus chance. | 0:16:50 | 0:16:52 | |
Winston, 1945. | 0:16:52 | 0:16:54 | |
That would be amazing. But no. | 0:16:54 | 0:16:57 | |
That would require Winston to be the first | 0:16:57 | 0:17:00 | |
child of Her Majesty Queen Elizabeth II, which he is not. | 0:17:00 | 0:17:03 | |
Now, this is fiendish. | 0:17:03 | 0:17:05 | |
It's the Queen's children, | 0:17:05 | 0:17:07 | |
but fourth refers not just to the | 0:17:07 | 0:17:09 | |
number of the child but the name. | 0:17:09 | 0:17:10 | |
So the fourth name of the Queen's | 0:17:10 | 0:17:12 | |
fourth child is Louis, third name of | 0:17:12 | 0:17:14 | |
the third child Christian, second of the second child Elizabeth. | 0:17:14 | 0:17:17 | |
So first, Charles, Prince Charles' first name, | 0:17:17 | 0:17:19 | |
followed by Anne Elizabeth Alice Louise, | 0:17:19 | 0:17:22 | |
Andrew Albert Christian Edward, | 0:17:22 | 0:17:24 | |
and Prince Edward, | 0:17:24 | 0:17:25 | |
the fourth child, his name | 0:17:25 | 0:17:27 | |
is Edward Anthony Richard Louis, | 0:17:27 | 0:17:29 | |
easily remembered | 0:17:29 | 0:17:30 | |
because he has the initials EARL - | 0:17:30 | 0:17:32 | |
The Earl of Wessex. Names of the | 0:17:32 | 0:17:34 | |
Queen's children going towards | 0:17:34 | 0:17:35 | |
1st - Charles. | 0:17:35 | 0:17:37 | |
So again no bonus points, but | 0:17:37 | 0:17:38 | |
Belgophiles, what would you like? | 0:17:38 | 0:17:40 | |
-Twisted Flax, please. -Twisted Flax, how twisted is this one going to be? | 0:17:40 | 0:17:43 | |
They are picture clues. | 0:17:43 | 0:17:44 | |
What sort of thing would you expect to see in the fourth picture? | 0:17:44 | 0:17:48 | |
Here's the first... | 0:17:48 | 0:17:49 | |
Next. | 0:17:55 | 0:17:56 | |
BELL RINGS | 0:18:07 | 0:18:08 | |
Erm, Desmond Dekker. | 0:18:08 | 0:18:11 | |
-And why would that be? -We have A-A, B-B there, so D-D. | 0:18:11 | 0:18:14 | |
I'll accept it. | 0:18:16 | 0:18:17 | |
For a perfect answer, | 0:18:17 | 0:18:19 | |
I'd have wanted | 0:18:19 | 0:18:20 | |
a D and a D, for example | 0:18:20 | 0:18:21 | |
Dick and Dom that we went with, | 0:18:21 | 0:18:22 | |
but you've solved the puzzle. | 0:18:22 | 0:18:24 | |
We are looking at Anni-Frid and Agnetha, Bjorn and Benny, | 0:18:24 | 0:18:27 | |
we went with Cheech and Chong | 0:18:27 | 0:18:29 | |
in the third one, and D-D, | 0:18:29 | 0:18:31 | |
so Dick and Dom or Desmond Dekker, | 0:18:31 | 0:18:33 | |
I'm glad you didn't name me | 0:18:33 | 0:18:34 | |
a page three model | 0:18:34 | 0:18:35 | |
going by those measurements. | 0:18:35 | 0:18:37 | |
-Well done. -Thanks. | 0:18:37 | 0:18:39 | |
There is one question remaining, | 0:18:39 | 0:18:40 | |
and that will go to you, Meeples. | 0:18:40 | 0:18:42 | |
It's the Lion question. | 0:18:42 | 0:18:43 | |
What will come fourth in this sequence? | 0:18:43 | 0:18:45 | |
Here's the first... | 0:18:45 | 0:18:46 | |
Next. | 0:18:51 | 0:18:52 | |
Next. | 0:19:05 | 0:19:06 | |
BELL RINGS | 0:19:13 | 0:19:15 | |
We = All Together. | 0:19:15 | 0:19:16 | |
Is the right answer, | 0:19:16 | 0:19:17 | |
and why is that? | 0:19:17 | 0:19:18 | |
Because I Am The Walrus. | 0:19:18 | 0:19:20 | |
Exactly. | 0:19:20 | 0:19:21 | |
I am he, and you are he, and you are me, and we are all together. | 0:19:21 | 0:19:24 | |
It continues... | 0:19:24 | 0:19:25 | |
See how they run like pigs from a gun, see how they fly? | 0:19:25 | 0:19:29 | |
See how they fly, I'm crying! | 0:19:29 | 0:19:31 | |
Magnificent. | 0:19:31 | 0:19:32 | |
-Would you like to sing it? -It's not really got a melody at that stage. | 0:19:32 | 0:19:37 | |
Well, it's early in the competition, | 0:19:37 | 0:19:39 | |
I'll let you off. | 0:19:39 | 0:19:40 | |
Very good answer, and that means, | 0:19:40 | 0:19:41 | |
at the end of Round Two, | 0:19:41 | 0:19:43 | |
the Meeples have six points, | 0:19:43 | 0:19:44 | |
the Belgophiles have seven. | 0:19:44 | 0:19:46 | |
Time now for the Connecting Wall. And, Meeples, | 0:19:48 | 0:19:51 | |
it's your turn to go first, so please choose - Lion or Water? | 0:19:51 | 0:19:55 | |
Water, please. | 0:19:55 | 0:19:56 | |
OK, you've got two-and-a-half minutes to solve the Water wall, | 0:19:56 | 0:19:59 | |
starting now. | 0:19:59 | 0:20:00 | |
OK, vinegar, so balsamic, sherry, spirit, and white wine. | 0:20:03 | 0:20:07 | |
So, oh, yeah, exactly, so I'll keep circulating. | 0:20:07 | 0:20:09 | |
BUZZ | 0:20:09 | 0:20:11 | |
Prydz... | 0:20:11 | 0:20:13 | |
Er, Prydz and Guetta and Tong are all DJs, | 0:20:13 | 0:20:16 | |
so's Cox and possibly Oakenfold? | 0:20:16 | 0:20:19 | |
Sherry you got, did you? | 0:20:21 | 0:20:22 | |
There must be another kind of vinegar, | 0:20:22 | 0:20:24 | |
so maybe it's Panam or something. | 0:20:24 | 0:20:25 | |
-OK. -Panam-A, Chin-A, Malt-A, Tong-A... | 0:20:25 | 0:20:30 | |
OK, erm... | 0:20:30 | 0:20:33 | |
There are airlines, United, Delta... | 0:20:33 | 0:20:34 | |
-Oh, yeah, Delta, American airlines, Frontier? -Could be, could well be. | 0:20:34 | 0:20:39 | |
And... | 0:20:39 | 0:20:40 | |
-Well done, good work. -OK, so does that...? | 0:20:42 | 0:20:44 | |
Three lives now. | 0:20:44 | 0:20:45 | |
Cox, Prydz, Guetta and someone else, | 0:20:47 | 0:20:49 | |
Oakenfold, I think, are DJs. | 0:20:49 | 0:20:51 | |
And then that would give you | 0:20:51 | 0:20:53 | |
Kombucha vinegar, | 0:20:53 | 0:20:54 | |
-which is worth a go. -Yeah, Cox is definitely a DJ, | 0:20:54 | 0:20:56 | |
so are we going to go for DJs? | 0:20:56 | 0:20:57 | |
-Any other ideas? -Well, you know... | 0:20:57 | 0:20:59 | |
-Not keen on DJs? -No, no, just... | 0:20:59 | 0:21:01 | |
Well, do the DJs first, yeah, OK. | 0:21:01 | 0:21:03 | |
-Songs and things. -Right. | 0:21:03 | 0:21:05 | |
It could be electronic artists or something. | 0:21:05 | 0:21:08 | |
You've solved the wall, my goodness! | 0:21:08 | 0:21:10 | |
Like me with a lunch, you made short work of it! | 0:21:10 | 0:21:12 | |
So, four points immediately for the groups, what about the connections? | 0:21:12 | 0:21:16 | |
Chin, Tong, Panam, Malt? | 0:21:16 | 0:21:19 | |
If you put A on the end of them you get the name of a country. | 0:21:19 | 0:21:21 | |
Countries without As - China, Tonga, Panama, Malta. | 0:21:21 | 0:21:25 | |
And the green group, Frontier, United, Delta, Spirit? | 0:21:25 | 0:21:28 | |
-All airlines in the US. -They are American airlines. | 0:21:28 | 0:21:32 | |
-White wine, Kombucha, I suppose, Balsamic, Sherry? -Kinds of vinegar. | 0:21:32 | 0:21:38 | |
They are kinds of vinegar, like my lunch - | 0:21:38 | 0:21:40 | |
just different kinds of vinegar! | 0:21:40 | 0:21:42 | |
And the turquoise group - Cox, Guetta... I give up! | 0:21:42 | 0:21:46 | |
-DJs? -They are club DJs, a specialist subject of yours? -Er... No. | 0:21:48 | 0:21:53 | |
Better watch him, although it's lovely to see these elderly | 0:21:53 | 0:21:56 | |
-High Court judges discussing popular music. -What do DJs do? | 0:21:56 | 0:21:59 | |
I literally don't understand what they are, | 0:21:59 | 0:22:01 | |
so I'm glad you used the word DJs, because yes! | 0:22:01 | 0:22:04 | |
So you get all the points for the connections as well, | 0:22:04 | 0:22:07 | |
and the bonus for getting it all right, that is a maximum of ten. | 0:22:07 | 0:22:10 | |
Let's bring in the Belgophiles now, give them the other | 0:22:10 | 0:22:13 | |
Connecting Wall, the Lion wall, see what they can do about solving it. | 0:22:13 | 0:22:16 | |
You have two-and-a-half minutes, starting now. | 0:22:16 | 0:22:19 | |
Right, cities in Italy... | 0:22:21 | 0:22:23 | |
THEY CONFER | 0:22:25 | 0:22:27 | |
-Madeleine's a cake. Fairy cake. -Fairy cakes... -Fairy cake... | 0:22:29 | 0:22:32 | |
-Genoa is a cake. -Genoa cake... | 0:22:32 | 0:22:34 | |
-Dundee cake. -Dundee. -Yeah, try those. | 0:22:36 | 0:22:38 | |
OK... | 0:22:40 | 0:22:42 | |
Sly and the Family Stone, Florence and the Machine. | 0:22:45 | 0:22:47 | |
-Doctor and the Medics. -Katrina and the Waves. -Yeah... | 0:22:47 | 0:22:51 | |
Venice, Bari, Milan, Rome... | 0:22:52 | 0:22:55 | |
Get them out the way. | 0:22:55 | 0:22:56 | |
-Do you want them out the way? -Yeah. | 0:22:56 | 0:22:59 | |
Three lives, now, plenty of time. | 0:23:00 | 0:23:02 | |
-Pap, Tang - I think there's a word in here. -Julie... | 0:23:03 | 0:23:07 | |
Hang on, you can add a letter on the end and you get | 0:23:07 | 0:23:10 | |
something in the NATO phonetic alphabet. | 0:23:10 | 0:23:13 | |
Papa, Tango, Juliet | 0:23:13 | 0:23:15 | |
and probably Romeo. | 0:23:15 | 0:23:16 | |
-Yeah. -But then, what are the others? | 0:23:17 | 0:23:19 | |
-Italian cities. -Yeah, got ya. | 0:23:19 | 0:23:21 | |
You've solved the wall, very good. Quick quizzing. | 0:23:23 | 0:23:25 | |
So that's four points immediately for the groups | 0:23:25 | 0:23:28 | |
and I'll give you more if you can tell me the connections - | 0:23:28 | 0:23:31 | |
Genoa, Madeleine, Fairy, Dundee? | 0:23:31 | 0:23:34 | |
-Cakes. -That's right. | 0:23:34 | 0:23:35 | |
Simply an assortment of different cakes. | 0:23:37 | 0:23:39 | |
Doctor, Florence, Sly, Katrina? | 0:23:39 | 0:23:43 | |
The first words of musical acts that follow on with "and the". | 0:23:43 | 0:23:47 | |
That's right. How would the acts be completed? | 0:23:47 | 0:23:49 | |
Doctor and the Medics. Florence and the Machine. | 0:23:49 | 0:23:51 | |
Sly and the Family Stone. Katrina and the Waves. | 0:23:51 | 0:23:54 | |
Excellent. Do you know the surname of Katrina? | 0:23:54 | 0:23:57 | |
Wave! No. | 0:23:57 | 0:23:59 | |
I wish I hadn't asked you that question, now that I see it's | 0:23:59 | 0:24:01 | |
Leskanich. What year did they win the Eurovision Song Contest? | 0:24:01 | 0:24:07 | |
-'97? -Yes, but you shouldn't have to think that long! | 0:24:07 | 0:24:10 | |
Every self-respecting quizzer can do every Eurovision win, | 0:24:10 | 0:24:13 | |
going back hundreds of years. | 0:24:13 | 0:24:15 | |
That's right, they are musical acts and the something. | 0:24:15 | 0:24:18 | |
And the next group - the one I always say pink and then | 0:24:18 | 0:24:21 | |
people at home say, "No, it's maroon..." | 0:24:21 | 0:24:23 | |
Add a letter on to the end of it and you get the NATO, | 0:24:26 | 0:24:29 | |
letters in the NATO alphabet. | 0:24:29 | 0:24:30 | |
That's right. So, | 0:24:30 | 0:24:32 | |
Romeo, Papa, Juliet, Tango. | 0:24:32 | 0:24:34 | |
I think sometimes Juliet is spelt with two Ts | 0:24:34 | 0:24:36 | |
but more commonly with one T. | 0:24:36 | 0:24:38 | |
Take the letter off the end to get the NATO alphabet. | 0:24:38 | 0:24:41 | |
And Milan, Ancona, Bari, Venice? | 0:24:41 | 0:24:44 | |
-Cities in Italy. -They are cities in Italy. Can you be more specific? | 0:24:45 | 0:24:48 | |
-Cities on the sea? -No... | 0:24:50 | 0:24:52 | |
It doesn't matter, you can have it for cities | 0:24:52 | 0:24:55 | |
but they are actually all regional capitals. | 0:24:55 | 0:24:57 | |
Italian regional capitals. | 0:24:57 | 0:24:58 | |
So that is four more points for the connections, | 0:24:58 | 0:25:00 | |
plus I can give you a bonus of two for getting it all right. | 0:25:00 | 0:25:03 | |
That's the maximum of ten points. | 0:25:03 | 0:25:05 | |
Let's have a look at the scores going into the final round. | 0:25:05 | 0:25:09 | |
And if you were shouting, "Yes, yes, best known for their cover | 0:25:15 | 0:25:18 | |
"of Norman Greenbaum's Spirit in the Sky," then perhaps you'd like | 0:25:18 | 0:25:21 | |
to take part in the next series of Only Connect. | 0:25:21 | 0:25:23 | |
Go to... | 0:25:23 | 0:25:24 | |
..to find out how to apply. | 0:25:26 | 0:25:28 | |
But things are neck and neck here, | 0:25:28 | 0:25:29 | |
it will be decided in the missing vowels round. | 0:25:29 | 0:25:32 | |
And when I say it will be decided, I mean nothing will be decided | 0:25:32 | 0:25:35 | |
cos you've both won matches already, you won't be knocked out, | 0:25:35 | 0:25:38 | |
it's all, ultimately, meaningless. | 0:25:38 | 0:25:40 | |
But enjoying ourselves, we've taken the vowels out of well-known names, | 0:25:40 | 0:25:44 | |
phrases and sayings, squidged up the consonants | 0:25:44 | 0:25:46 | |
and I want to know what are the disguised clues. | 0:25:46 | 0:25:48 | |
On the plus side, I will tell you the connections upfront, | 0:25:48 | 0:25:51 | |
on the minus side, if you get it wrong by so much as one letter, | 0:25:51 | 0:25:54 | |
I will take a point away. So, buzz with care. | 0:25:54 | 0:25:57 | |
Fingers on buzzers, teams, the first group are all... | 0:25:58 | 0:26:01 | |
In Dubai. | 0:26:07 | 0:26:09 | |
In Kuala Lumpur. | 0:26:14 | 0:26:15 | |
In London. | 0:26:20 | 0:26:21 | |
In New York City, correct. | 0:26:26 | 0:26:27 | |
Next category... | 0:26:27 | 0:26:29 | |
Next category... | 0:26:53 | 0:26:55 | |
Too long, I'm afraid. | 0:27:18 | 0:27:19 | |
Meeples, do you know? | 0:27:19 | 0:27:21 | |
No, it's a tricky one... | 0:27:21 | 0:27:22 | |
Next clue... | 0:27:23 | 0:27:25 | |
Well spotted. | 0:27:28 | 0:27:30 | |
Next category... | 0:27:30 | 0:27:31 | |
END OF GAME JINGLE | 0:27:33 | 0:27:35 | |
Too late to tell me... | 0:27:37 | 0:27:41 | |
Because the buzzer's gone for the end of the quiz. | 0:27:41 | 0:27:43 | |
And looking at the final scores... | 0:27:43 | 0:27:45 | |
The winners and through to the next round with 22 points are | 0:27:45 | 0:27:49 | |
the Belgophiles. | 0:27:49 | 0:27:51 | |
And also the winners - cos nobody's | 0:27:51 | 0:27:53 | |
going home - with 21 points, | 0:27:53 | 0:27:54 | |
it's the Meeples. | 0:27:54 | 0:27:55 | |
I don't know if you're through to the next round | 0:27:55 | 0:27:58 | |
or stay in this round, or go back to an earlier round, | 0:27:58 | 0:28:00 | |
no-one's explained it to me, | 0:28:00 | 0:28:02 | |
but never mind, we'll be seeing you again, which is great news, | 0:28:02 | 0:28:04 | |
and well done, Belgophiles, on an excellent victory. | 0:28:04 | 0:28:07 | |
Thank you for watching and please join me next time, | 0:28:07 | 0:28:09 | |
for another episode of the quiz so labyrinthine that if a | 0:28:09 | 0:28:12 | |
Minotaur were on one of the teams, then, for once, | 0:28:12 | 0:28:15 | |
I wouldn't be the hairiest person here. Goodnight. | 0:28:15 | 0:28:18 |