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The ghosts of past, present and future | 0:00:21 | 0:00:24 | |
appeared to me again last night. | 0:00:24 | 0:00:26 | |
I've begged them to leave me alone, but they just keep coming. | 0:00:26 | 0:00:29 | |
They're always there. | 0:00:29 | 0:00:31 | |
Around this time of year, it feels like I'm constantly staring | 0:00:31 | 0:00:34 | |
into the hollow eyes of a weird, chilling, mismatched trio. | 0:00:34 | 0:00:39 | |
Let's meet the teams. | 0:00:40 | 0:00:42 | |
On my right, John Payne, | 0:00:42 | 0:00:44 | |
a Surrey University student who buys his clothes | 0:00:44 | 0:00:47 | |
exclusively from charity shops, | 0:00:47 | 0:00:49 | |
Richard Arthur, | 0:00:49 | 0:00:50 | |
a geography and geology teacher | 0:00:50 | 0:00:52 | |
who stood on the Krakatoa volcano while it was erupting, | 0:00:52 | 0:00:56 | |
and their captain, Sanjoy Sen, | 0:00:56 | 0:00:59 | |
a chemical engineer who had a Scottish £10 note | 0:00:59 | 0:01:01 | |
stolen from a hotel safe in Paraguay. | 0:01:01 | 0:01:04 | |
United by a weakness for walking, | 0:01:04 | 0:01:06 | |
they are the Wanderers. | 0:01:06 | 0:01:07 | |
You won your opening heat against the Pedagogues. | 0:01:07 | 0:01:10 | |
-How did that match go? -Well, we got off to a flying start, | 0:01:10 | 0:01:12 | |
and then the others came back | 0:01:12 | 0:01:14 | |
really strongly in the final round, | 0:01:14 | 0:01:16 | |
so we're just very pleased to be here. | 0:01:16 | 0:01:18 | |
Have you been practising the missing vowels since we saw you last? | 0:01:18 | 0:01:21 | |
We've done our best. | 0:01:21 | 0:01:22 | |
You are facing, this evening, on my left, | 0:01:22 | 0:01:25 | |
Luke Kelly, a European studies graduate | 0:01:25 | 0:01:28 | |
who once said, "Hello, Dolly!" to Dolly Parton in a corridor, | 0:01:28 | 0:01:33 | |
Rob Cumming, a football fanatic | 0:01:33 | 0:01:35 | |
who owns a pet rabbit named Buster, | 0:01:35 | 0:01:37 | |
and their captain, Julia Hobbs, | 0:01:37 | 0:01:40 | |
a travel enthusiast who owns over 200 bottles of nail varnish. | 0:01:40 | 0:01:44 | |
All keen quiz writers, | 0:01:44 | 0:01:45 | |
they are the Inquisitors. | 0:01:45 | 0:01:47 | |
You won your opening heat against the Cricketers. | 0:01:47 | 0:01:49 | |
Was that perfect strategy? Anything you'd do different? | 0:01:49 | 0:01:52 | |
Erm, I think we'll just play the same way we played last time. | 0:01:52 | 0:01:55 | |
We pulled together really well as a team, I thought, | 0:01:55 | 0:01:58 | |
and we'll just see how this goes. | 0:01:58 | 0:02:01 | |
I think we'll do our best to repeat that success. | 0:02:01 | 0:02:03 | |
Well, you've started well cos you've won the toss, | 0:02:03 | 0:02:06 | |
so you'll be going first. | 0:02:06 | 0:02:07 | |
Please choose | 0:02:07 | 0:02:08 | |
an Egyptian hieroglyph. | 0:02:08 | 0:02:09 | |
-Lion, please. -OK. | 0:02:09 | 0:02:11 | |
The Lion question. | 0:02:11 | 0:02:12 | |
It is the music question, | 0:02:12 | 0:02:14 | |
so that will be the first one | 0:02:14 | 0:02:15 | |
of this show. | 0:02:15 | 0:02:16 | |
You'll be hearing the clues. | 0:02:16 | 0:02:18 | |
They have something in common. What is it? | 0:02:18 | 0:02:20 | |
Time starts now. | 0:02:20 | 0:02:21 | |
# You got the money | 0:02:21 | 0:02:22 | |
# But who needs the tension? | 0:02:22 | 0:02:24 | |
# And fear's no cheaper | 0:02:24 | 0:02:25 | |
# On the old age pension | 0:02:25 | 0:02:27 | |
# There's just one thing | 0:02:27 | 0:02:28 | |
-# That I forgot to mention... # -Next, please. | 0:02:28 | 0:02:31 | |
UP-BEAT MUSIC PLAYS | 0:02:31 | 0:02:33 | |
-That's Baby Elephant Walk. -OK. | 0:02:33 | 0:02:35 | |
I don't know what it is. | 0:02:35 | 0:02:36 | |
-Another one? -Yeah. -Next, please. | 0:02:36 | 0:02:39 | |
CLASSICAL MUSIC PLAYS | 0:02:39 | 0:02:43 | |
Could it be animals? | 0:02:45 | 0:02:47 | |
HE WHISPERS | 0:02:47 | 0:02:50 | |
Animals? Another one? Next, please. | 0:02:50 | 0:02:52 | |
# Ho, the aim of our patrol | 0:02:52 | 0:02:54 | |
# Is a question rather droll | 0:02:54 | 0:02:56 | |
-# For to march and drill... # -BELL RINGS | 0:02:56 | 0:02:58 | |
-Elephants. -The answer is elephants. | 0:02:58 | 0:03:01 | |
I think you knew that quite early on. | 0:03:01 | 0:03:02 | |
After the second one, that was Baby... | 0:03:02 | 0:03:04 | |
I didn't know what the first one was, though, so... | 0:03:04 | 0:03:06 | |
-The first one - Boomtown Rats, Elephant's Graveyard. -Ah. | 0:03:06 | 0:03:09 | |
-Second one - Baby Elephant Walk. -Yeah. | 0:03:09 | 0:03:12 | |
And then the third one - the Elephant part | 0:03:12 | 0:03:13 | |
-of The Carnival Of The Animals by Saint-Saens. -Yeah. | 0:03:13 | 0:03:16 | |
What was the last one? | 0:03:16 | 0:03:17 | |
-From The Jungle Book. -That's right. | 0:03:17 | 0:03:19 | |
Colonel Hathi's March - | 0:03:19 | 0:03:20 | |
the elephant from The Jungle Book. | 0:03:20 | 0:03:22 | |
Well done for your first point. | 0:03:22 | 0:03:24 | |
Wanderers, what would you like? | 0:03:24 | 0:03:25 | |
-Water, please. -Water. | 0:03:25 | 0:03:27 | |
What is the connection between | 0:03:27 | 0:03:28 | |
these clues? Here's the first. | 0:03:28 | 0:03:30 | |
I know nothing about Apple. | 0:03:32 | 0:03:35 | |
Next, please. | 0:03:35 | 0:03:36 | |
Irvin? | 0:03:38 | 0:03:40 | |
-I haven't got a clue. -No. Makes sense with the... -Next. | 0:03:41 | 0:03:45 | |
Oh, it's the font or something. | 0:03:46 | 0:03:49 | |
Is it the font that's used in the...? | 0:03:49 | 0:03:51 | |
Yeah. Yeah, yeah, yeah. | 0:03:51 | 0:03:53 | |
Shall we try it? | 0:03:53 | 0:03:54 | |
BELL RINGS | 0:03:54 | 0:03:56 | |
Fonts. | 0:03:56 | 0:03:57 | |
The answer is fonts and typefaces. | 0:03:57 | 0:03:59 | |
You didn't need to see the last one. | 0:03:59 | 0:04:01 | |
The Guardian, Guardian Family. | 0:04:01 | 0:04:03 | |
That's right, they are all the fonts | 0:04:03 | 0:04:04 | |
or typefaces used | 0:04:04 | 0:04:06 | |
for the thing above. | 0:04:06 | 0:04:07 | |
Well done. | 0:04:07 | 0:04:08 | |
Inquisitors, your turn again. | 0:04:08 | 0:04:10 | |
The Eye of Horus, please. | 0:04:10 | 0:04:11 | |
The Eye of Horus. OK, what is | 0:04:11 | 0:04:13 | |
the connection between these clues? | 0:04:13 | 0:04:14 | |
Here's the first. | 0:04:14 | 0:04:16 | |
Next, please. | 0:04:20 | 0:04:21 | |
THEY CONFER QUIETLY | 0:04:23 | 0:04:25 | |
That's hygge. That's hygge, | 0:04:25 | 0:04:27 | |
-so that's got... -So, comfy? | 0:04:27 | 0:04:29 | |
Comfort. Comforting. Your comfort. | 0:04:29 | 0:04:32 | |
Yeah, that's good. | 0:04:32 | 0:04:33 | |
-Shall we go for that? -BELL RINGS | 0:04:33 | 0:04:35 | |
We're going to say comfort. | 0:04:35 | 0:04:37 | |
That is not really | 0:04:37 | 0:04:39 | |
an acceptable answer, | 0:04:39 | 0:04:40 | |
looking at the wording of the clues. | 0:04:40 | 0:04:43 | |
I can't give it to you, I'm afraid. | 0:04:43 | 0:04:44 | |
I'm going to show the next two to the Wanderers | 0:04:44 | 0:04:46 | |
for a possible bonus point. | 0:04:46 | 0:04:48 | |
Schadenfreude. Oh, it's all, | 0:04:48 | 0:04:49 | |
-like, German words. -Yeah. | 0:04:49 | 0:04:51 | |
These are all German words | 0:04:51 | 0:04:53 | |
that are used in English. | 0:04:53 | 0:04:55 | |
They are all translations | 0:04:55 | 0:04:57 | |
of the concepts behind German words. | 0:04:57 | 0:04:59 | |
What are the words? | 0:04:59 | 0:05:00 | |
-BOTH: -Schadenfreude. | 0:05:02 | 0:05:03 | |
And three other German words. | 0:05:03 | 0:05:05 | |
-Yes. -Wanderlust is the third one. | 0:05:05 | 0:05:07 | |
Yes, wanderlust is the third one. | 0:05:07 | 0:05:08 | |
Fourth one - Schadenfreude, | 0:05:08 | 0:05:10 | |
malicious enjoyment of another's misfortunes. | 0:05:10 | 0:05:12 | |
What we feel when our opponents in a quiz | 0:05:12 | 0:05:14 | |
don't get a point, it's passed over | 0:05:14 | 0:05:15 | |
for the bonus - what we feel there. | 0:05:15 | 0:05:16 | |
State of wellbeing in a cosy environment. | 0:05:16 | 0:05:18 | |
Yes, I heard you thinking about the hygge in Danish. | 0:05:18 | 0:05:20 | |
Gemutlichkeit in German. | 0:05:20 | 0:05:22 | |
And the first one, | 0:05:22 | 0:05:23 | |
magnificent - Kummerspeck. | 0:05:23 | 0:05:24 | |
Literally grief bacon. | 0:05:24 | 0:05:26 | |
Absolutely delicious. | 0:05:26 | 0:05:27 | |
Just the food one eats | 0:05:27 | 0:05:29 | |
and gaining weight | 0:05:29 | 0:05:30 | |
from emotional overeating. | 0:05:30 | 0:05:32 | |
I saw the road to comfort there, | 0:05:32 | 0:05:34 | |
but it doesn't quite hold for the clues. | 0:05:34 | 0:05:36 | |
So, much Schadenfreude for you, | 0:05:36 | 0:05:38 | |
and a point, | 0:05:38 | 0:05:39 | |
and you may choose a question. | 0:05:39 | 0:05:41 | |
-Twisted Flax, please. -Twisted Flax. | 0:05:41 | 0:05:42 | |
What is the connection | 0:05:42 | 0:05:44 | |
between these clues? | 0:05:44 | 0:05:45 | |
Here's the first. | 0:05:45 | 0:05:46 | |
THEY CONFER | 0:05:48 | 0:05:52 | |
Next, please. | 0:05:52 | 0:05:54 | |
"British TV ads - Bird's Eye Peas." | 0:05:55 | 0:05:59 | |
THEY CONFER | 0:05:59 | 0:06:02 | |
Not sure. | 0:06:02 | 0:06:04 | |
Could be a composer or something. | 0:06:04 | 0:06:06 | |
Next, please. | 0:06:06 | 0:06:07 | |
"Queen's Christmas Speech." | 0:06:07 | 0:06:09 | |
It's the first in colour | 0:06:09 | 0:06:11 | |
-or something. -Yeah. | 0:06:11 | 0:06:13 | |
-First done in colour? -Go for colour. | 0:06:13 | 0:06:15 | |
BELL RINGS | 0:06:15 | 0:06:16 | |
First time shown in colour. | 0:06:16 | 0:06:18 | |
First time shot in colour. | 0:06:18 | 0:06:20 | |
Very well done. And the last one - | 0:06:20 | 0:06:22 | |
World Cup finals in Mexico. | 0:06:22 | 0:06:23 | |
Do you know what year that was? | 0:06:23 | 0:06:25 | |
-That was in... -'70? -1970, yeah. | 0:06:25 | 0:06:27 | |
1970. Yes, you might see clips | 0:06:27 | 0:06:29 | |
of football matches from before 1970 | 0:06:29 | 0:06:31 | |
in colour, but it's either | 0:06:31 | 0:06:32 | |
little clips or amateur stuff, | 0:06:32 | 0:06:34 | |
or it's black and white footage | 0:06:34 | 0:06:35 | |
that was colourised. | 0:06:35 | 0:06:36 | |
The Hitchcock film Rope - that was the first film of | 0:06:36 | 0:06:39 | |
Hitchcock's that was shot in colour. | 0:06:39 | 0:06:40 | |
First British TV ad | 0:06:40 | 0:06:42 | |
was Bird's Eye Peas. | 0:06:42 | 0:06:43 | |
And in 1967, the Queen's Speech | 0:06:43 | 0:06:44 | |
was in colour for the first time. | 0:06:44 | 0:06:46 | |
Well done. | 0:06:46 | 0:06:47 | |
Inquisitors, what would you like? | 0:06:47 | 0:06:49 | |
Two Reeds, please. | 0:06:49 | 0:06:50 | |
Two Reeds. OK, these are | 0:06:50 | 0:06:51 | |
going to be picture clues. | 0:06:51 | 0:06:53 | |
They all have something in common. | 0:06:53 | 0:06:54 | |
Can you winkle it out? | 0:06:54 | 0:06:56 | |
The time starts now. | 0:06:56 | 0:06:57 | |
-Who's that? -It's Gerald Ford. -That's Gerald Ford. | 0:06:58 | 0:07:01 | |
-Next? What do you think? -Next. | 0:07:01 | 0:07:03 | |
Next, please. | 0:07:03 | 0:07:05 | |
-Ooh. -That's Betty Driver. -And...? | 0:07:07 | 0:07:10 | |
-Is Betty Ford...? -Yes! | 0:07:10 | 0:07:12 | |
They're all married to Bettys. | 0:07:12 | 0:07:14 | |
-Let's go for it. -OK. | 0:07:14 | 0:07:15 | |
BELL RINGS | 0:07:15 | 0:07:16 | |
Married to Bettys. | 0:07:16 | 0:07:17 | |
Very well done, for three points. | 0:07:17 | 0:07:19 | |
They're all married to Bettys. | 0:07:19 | 0:07:21 | |
Two clues you didn't need to see. | 0:07:21 | 0:07:23 | |
Can you talk me through the clues? | 0:07:23 | 0:07:24 | |
So, the first one is Gerald Ford, | 0:07:24 | 0:07:26 | |
who was obviously married to Betty Ford. | 0:07:26 | 0:07:28 | |
She founded the rehabilitation clinics. That's right. | 0:07:28 | 0:07:30 | |
The second one is Betty Driver. | 0:07:30 | 0:07:33 | |
I've no idea of her husband's name. | 0:07:33 | 0:07:35 | |
Billy Williams. Married to Betty Turpin, I think, | 0:07:35 | 0:07:37 | |
-more commonly known as, in Coronation Street. -Right, OK. | 0:07:37 | 0:07:40 | |
And the third one is Barney Rubble - | 0:07:40 | 0:07:42 | |
obviously married to Betty. | 0:07:42 | 0:07:44 | |
And the fourth one is Frank Spencer. | 0:07:44 | 0:07:46 | |
That's right. "Ooh, Betty!" | 0:07:46 | 0:07:47 | |
All married to Bettys. | 0:07:47 | 0:07:49 | |
Very well done. | 0:07:49 | 0:07:50 | |
And one question remains - | 0:07:50 | 0:07:51 | |
the Horned Viper. | 0:07:51 | 0:07:52 | |
That will go to you, Wanderers. | 0:07:52 | 0:07:54 | |
What's the connection between | 0:07:54 | 0:07:55 | |
these clues? Here's the first. | 0:07:55 | 0:07:57 | |
THEY CONFER | 0:08:00 | 0:08:04 | |
-Oh, erm... -Levi-Strauss is... -Yeah? | 0:08:04 | 0:08:09 | |
-United Nations, World Bank, kind of IMF. -Yeah. | 0:08:09 | 0:08:12 | |
-Shall we get the next one? -Go on. | 0:08:12 | 0:08:15 | |
Next, please. | 0:08:15 | 0:08:16 | |
-Ah, he was the... -FIFA. | 0:08:17 | 0:08:19 | |
Left in disgrace or something. | 0:08:19 | 0:08:21 | |
He was 100 when he died, and he was the ex-president of FIFA, | 0:08:21 | 0:08:23 | |
-so maybe there were... -Next, please. | 0:08:23 | 0:08:25 | |
Yeah. Yeah, let's do it. | 0:08:27 | 0:08:28 | |
-Really? -Yeah, it's 100. | 0:08:28 | 0:08:29 | |
BELL RINGS | 0:08:29 | 0:08:31 | |
They were 100 when they died. | 0:08:31 | 0:08:33 | |
These are the years when these people died, | 0:08:33 | 0:08:35 | |
aged 100. Well done. | 0:08:35 | 0:08:37 | |
Didn't need to see the last clue - | 0:08:37 | 0:08:38 | |
Bob Hope, 2003. | 0:08:38 | 0:08:40 | |
There's a great Bob Hope quote. | 0:08:40 | 0:08:41 | |
"You can always tell when | 0:08:41 | 0:08:42 | |
"a man is well-informed. | 0:08:42 | 0:08:44 | |
"His views are pretty much like yours." | 0:08:44 | 0:08:46 | |
Very well done. And I think | 0:08:46 | 0:08:48 | |
you spotted it after two clues. | 0:08:48 | 0:08:49 | |
Joao Havelange is, yeah, | 0:08:49 | 0:08:51 | |
the ex-FIFA president. | 0:08:51 | 0:08:54 | |
That's absolutely right. | 0:08:54 | 0:08:56 | |
And Levi-Strauss - a French social anthropologist. | 0:08:56 | 0:08:58 | |
Lord Denning - Master of the Rolls. | 0:08:58 | 0:09:00 | |
They all died aged 100. Well done. | 0:09:00 | 0:09:03 | |
That means, at the end of round one, | 0:09:03 | 0:09:04 | |
the Inquisitors have 4 points, | 0:09:04 | 0:09:06 | |
the Wanderers have 7. | 0:09:06 | 0:09:08 | |
Onto round two, the sequences round. What comes fourth in a sequence? | 0:09:10 | 0:09:14 | |
Inquisitors, I'll be asking you first again, | 0:09:14 | 0:09:16 | |
so please choose a hieroglyph. | 0:09:16 | 0:09:18 | |
-Lion, please. -Lion. OK. | 0:09:18 | 0:09:20 | |
These are going to be picture clues. | 0:09:20 | 0:09:22 | |
What sort of thing would you expect | 0:09:22 | 0:09:23 | |
to see in the fourth picture? | 0:09:23 | 0:09:25 | |
Here's the first. | 0:09:25 | 0:09:26 | |
THEY CONFER | 0:09:27 | 0:09:32 | |
Next, please. | 0:09:32 | 0:09:33 | |
Who's that? | 0:09:35 | 0:09:37 | |
-Don't know. -Don't know? -No. | 0:09:41 | 0:09:42 | |
Next, please. | 0:09:42 | 0:09:44 | |
Bullion. Ingots. | 0:09:46 | 0:09:48 | |
Gold. Sword. | 0:09:52 | 0:09:54 | |
Oh, are they landing beaches? | 0:09:54 | 0:09:58 | |
-Sword. -I'd like to go for it. | 0:09:58 | 0:10:01 | |
-Is that Juno? -30 seconds. BELL RINGS | 0:10:01 | 0:10:03 | |
Omaha. | 0:10:03 | 0:10:05 | |
Is the right answer. Very well done. | 0:10:05 | 0:10:08 | |
A picture of Omaha. | 0:10:08 | 0:10:09 | |
What's going on in this sequence? | 0:10:09 | 0:10:11 | |
They are the Normandy landing beaches - | 0:10:11 | 0:10:14 | |
the operation names. | 0:10:14 | 0:10:16 | |
So, then Sword, Juno, Gold | 0:10:16 | 0:10:19 | |
-and Omaha, I think. -That's right. | 0:10:19 | 0:10:21 | |
We're going east to west, | 0:10:21 | 0:10:22 | |
the Normandy landing beaches. | 0:10:22 | 0:10:24 | |
And the bloodiest of all - Omaha - | 0:10:24 | 0:10:26 | |
fourth. Well done. | 0:10:26 | 0:10:28 | |
Wanderers, what would you like? | 0:10:28 | 0:10:30 | |
-Horned Viper, please. -OK. | 0:10:30 | 0:10:32 | |
The snake is yours. What would | 0:10:32 | 0:10:33 | |
come fourth in this sequence? | 0:10:33 | 0:10:35 | |
Here's the first. | 0:10:35 | 0:10:36 | |
Erm, next. | 0:10:39 | 0:10:40 | |
Hump. | 0:10:41 | 0:10:42 | |
No? Next. | 0:10:45 | 0:10:46 | |
Skin. | 0:10:48 | 0:10:49 | |
HE EXHALES | 0:10:52 | 0:10:54 | |
THEY CONFER | 0:10:54 | 0:10:58 | |
Skin - I don't know. Erm, could be | 0:11:02 | 0:11:05 | |
something to do with camels? | 0:11:05 | 0:11:07 | |
Erm, it could be the Just So tales. | 0:11:07 | 0:11:10 | |
We can go for spots. | 0:11:10 | 0:11:12 | |
-Try spots. -BELL RINGS | 0:11:12 | 0:11:14 | |
-Spots. -Is the right answer. | 0:11:14 | 0:11:17 | |
Richard, I think | 0:11:17 | 0:11:18 | |
-you recognised that. -Yeah. | 0:11:18 | 0:11:19 | |
What's going on here? | 0:11:19 | 0:11:21 | |
Is it how the animals got their... | 0:11:21 | 0:11:23 | |
From Rudyard Kipling? | 0:11:23 | 0:11:26 | |
It is the Just So Stories. That's right. | 0:11:26 | 0:11:27 | |
It's just in order of chapters. | 0:11:27 | 0:11:29 | |
So, what are the animals? | 0:11:29 | 0:11:31 | |
I couldn't remember the throat one, | 0:11:31 | 0:11:33 | |
but the camel got the hump, | 0:11:33 | 0:11:35 | |
and leopard got the spots and I.... | 0:11:35 | 0:11:37 | |
That's why it took us so long to get it. | 0:11:37 | 0:11:39 | |
It's how the whale got his throat, | 0:11:39 | 0:11:40 | |
and how the rhinoceros got his skin. | 0:11:40 | 0:11:43 | |
Do you know how the rhinoceros got his skin? | 0:11:43 | 0:11:45 | |
-No idea. -No. | 0:11:45 | 0:11:46 | |
It was a smooth creature at the beginning of the story, | 0:11:46 | 0:11:48 | |
and it had crumbs scattered on it, so it was all itchy, | 0:11:48 | 0:11:51 | |
and it rubbed itself against a tree and went wrinkly. | 0:11:51 | 0:11:54 | |
That's how the rhinoceros got his skin. | 0:11:54 | 0:11:55 | |
Next along, leopard and spots. Well done. | 0:11:55 | 0:11:58 | |
Back to you, Inquisitors, | 0:11:58 | 0:11:59 | |
-for a choice. -Twisted Flax, please. | 0:11:59 | 0:12:02 | |
The Twisted Flax. OK. | 0:12:02 | 0:12:03 | |
What comes fourth in this sequence? | 0:12:03 | 0:12:05 | |
Here's the first. | 0:12:05 | 0:12:07 | |
THEY CONFER | 0:12:08 | 0:12:13 | |
Next, please. | 0:12:13 | 0:12:15 | |
THEY CONFER | 0:12:16 | 0:12:20 | |
-What, next? -Well, that's 22 squared. | 0:12:23 | 0:12:26 | |
No, sorry. Try the next one. | 0:12:26 | 0:12:28 | |
Next, please. | 0:12:28 | 0:12:29 | |
Hmm. Are you both...? | 0:12:31 | 0:12:33 | |
I'm not... Anything? | 0:12:33 | 0:12:35 | |
THEY CONFER | 0:12:37 | 0:12:43 | |
Three seconds. | 0:12:43 | 0:12:44 | |
BELL RINGS | 0:12:44 | 0:12:46 | |
0.0001. | 0:12:46 | 0:12:50 | |
Not the answer, I'm afraid. So, | 0:12:50 | 0:12:51 | |
a bonus chance for you, Wanderers. | 0:12:51 | 0:12:53 | |
I thought we knew it. I'm sorry. | 0:12:53 | 0:12:55 | |
No, you don't know? It is 0.0005. | 0:12:56 | 0:13:03 | |
This is a nasty hidden question. | 0:13:03 | 0:13:05 | |
They are the decimals of pi. | 0:13:05 | 0:13:08 | |
-ALL: -Oh! -So, 3.1415 and so on, | 0:13:08 | 0:13:13 | |
but we've taken out all the numbers, | 0:13:13 | 0:13:14 | |
apart from the decimals moving along | 0:13:14 | 0:13:17 | |
one, two, three and four. | 0:13:17 | 0:13:18 | |
So, 0.0005 is what I needed to hear. | 0:13:18 | 0:13:21 | |
Isn't that horrible? | 0:13:21 | 0:13:22 | |
-What a nasty quiz. -Yeah. | 0:13:22 | 0:13:24 | |
So, no bonus points for you, Wanderers, | 0:13:24 | 0:13:26 | |
but you may choose a question. | 0:13:26 | 0:13:28 | |
-Two Reeds, please. -Two Reeds. | 0:13:28 | 0:13:29 | |
What will come fourth in this | 0:13:29 | 0:13:31 | |
sequence? Here's the first. | 0:13:31 | 0:13:32 | |
THEY CONFER | 0:13:34 | 0:13:39 | |
-In the Olympics, for the first time... -So, it'll be...? | 0:13:43 | 0:13:47 | |
-So, what will we go for? -Next. | 0:13:47 | 0:13:50 | |
No, no. No, no, no, no. | 0:13:51 | 0:13:53 | |
I don't need... | 0:13:53 | 0:13:54 | |
THEY CONFER QUIETLY | 0:13:54 | 0:13:58 | |
-Golf? -Do you want to do it? | 0:13:58 | 0:13:59 | |
-Was it South Korea? -No, no, golf. | 0:13:59 | 0:14:02 | |
Oh, it's long jump. Oh, sorry. | 0:14:02 | 0:14:03 | |
-I didn't see that. Oh, no. -Next. | 0:14:03 | 0:14:05 | |
Sorry. Grenada. | 0:14:05 | 0:14:07 | |
It's when they won their first medals. | 0:14:07 | 0:14:09 | |
BELL RINGS | 0:14:09 | 0:14:11 | |
2016 and... | 0:14:11 | 0:14:12 | |
Central African Republic. | 0:14:14 | 0:14:15 | |
I can't give you long. | 0:14:15 | 0:14:16 | |
No, I can't, sorry. | 0:14:16 | 0:14:18 | |
Central African Republic. | 0:14:18 | 0:14:19 | |
No, that's not it. | 0:14:19 | 0:14:20 | |
Inquisitors, do you want | 0:14:20 | 0:14:21 | |
to have a go for a bonus point? | 0:14:21 | 0:14:23 | |
-Go on. -2016 - | 0:14:23 | 0:14:25 | |
-Fiji (Rugby sevens). -A perfect answer. | 0:14:25 | 0:14:27 | |
-That's the one we chose ourselves, actually. -Well done. | 0:14:27 | 0:14:30 | |
So, I think you know what this is | 0:14:30 | 0:14:31 | |
over there, which is | 0:14:31 | 0:14:33 | |
first Olympic golds. | 0:14:33 | 0:14:34 | |
The years in which these countries | 0:14:34 | 0:14:36 | |
won their first golds. I needed | 0:14:36 | 0:14:37 | |
to hear one of the countries | 0:14:37 | 0:14:38 | |
that won its first gold in 2016, | 0:14:38 | 0:14:40 | |
for example Fiji in the rugby sevens. | 0:14:40 | 0:14:42 | |
So, very well done. | 0:14:42 | 0:14:43 | |
That's a bonus point to you, Inquisitors. | 0:14:43 | 0:14:45 | |
Which question would you like? | 0:14:45 | 0:14:46 | |
-Eye of Horus, please. -Eye of Horus. | 0:14:46 | 0:14:48 | |
What would come fourth | 0:14:48 | 0:14:49 | |
in this sequence? Here's the first. | 0:14:49 | 0:14:51 | |
THEY CONFER | 0:14:53 | 0:14:54 | |
Next, please. | 0:14:56 | 0:14:57 | |
THEY CONFER | 0:14:59 | 0:15:01 | |
Next, please. | 0:15:08 | 0:15:09 | |
THEY CONFER | 0:15:11 | 0:15:14 | |
-Countries... -It could be countries, it could be countries... | 0:15:14 | 0:15:17 | |
-Countries in... -Yeah, cos all the islands count as North America. | 0:15:17 | 0:15:20 | |
-So, what's the next...? -I think it's going to have to be... | 0:15:20 | 0:15:23 | |
Um... | 0:15:23 | 0:15:25 | |
It's going down. | 0:15:25 | 0:15:26 | |
THEY CONFER | 0:15:26 | 0:15:28 | |
Three seconds. | 0:15:28 | 0:15:29 | |
Oh, I'm afraid the time's run out, | 0:15:31 | 0:15:33 | |
and that's the end of your go. | 0:15:33 | 0:15:35 | |
Wanderers, another bonus chance. | 0:15:35 | 0:15:37 | |
Antarctica, zero. | 0:15:37 | 0:15:39 | |
Is the right answer. | 0:15:39 | 0:15:40 | |
-Oh! -No, honestly... | 0:15:40 | 0:15:41 | |
And why is that? | 0:15:41 | 0:15:43 | |
This is the number of countries | 0:15:43 | 0:15:44 | |
in each one of those continents in descending order. | 0:15:44 | 0:15:47 | |
That's right, it's continents | 0:15:47 | 0:15:49 | |
by number of countries, going down. | 0:15:49 | 0:15:51 | |
And which continent has the most countries? | 0:15:51 | 0:15:54 | |
Africa. | 0:15:54 | 0:15:55 | |
It is Africa - and most people would guess Europe. | 0:15:55 | 0:15:57 | |
Do you know many countries are in Africa? | 0:15:57 | 0:15:59 | |
57. | 0:15:59 | 0:16:00 | |
It's 54. 54, though! | 0:16:00 | 0:16:02 | |
Countries in Africa. | 0:16:02 | 0:16:03 | |
People would guess Europe, | 0:16:03 | 0:16:05 | |
because they think it's sort of a blizzard of countries, but no. | 0:16:05 | 0:16:07 | |
Quite surprising. | 0:16:07 | 0:16:08 | |
If you put this in a pub quiz, | 0:16:08 | 0:16:09 | |
you'd see a lot of people crossing it out | 0:16:09 | 0:16:11 | |
and then going, "Wait, hang on, which...?" | 0:16:11 | 0:16:13 | |
Trying to write them all down. | 0:16:13 | 0:16:14 | |
Good luck trying to write down the 54 African countries, | 0:16:14 | 0:16:17 | |
if you're trying to do that now. | 0:16:17 | 0:16:18 | |
I used to work with a lady | 0:16:18 | 0:16:19 | |
who could recite the list of African countries. | 0:16:19 | 0:16:21 | |
I was most impressed. | 0:16:21 | 0:16:23 | |
That's my kind of work colleague. | 0:16:23 | 0:16:25 | |
-How the hours must have flown by. -Indeed. | 0:16:25 | 0:16:27 | |
I'm not even joking. | 0:16:27 | 0:16:28 | |
I'm not even joking. | 0:16:28 | 0:16:30 | |
So, very well done, | 0:16:30 | 0:16:31 | |
and one question remains. | 0:16:31 | 0:16:32 | |
Again, the Water question, | 0:16:32 | 0:16:33 | |
that is yours, Wanderers. | 0:16:33 | 0:16:35 | |
What would come fourth | 0:16:35 | 0:16:36 | |
in this sequence? Here's the first. | 0:16:36 | 0:16:38 | |
Next. | 0:16:41 | 0:16:42 | |
-Oh, that's... -HE WHISPERS | 0:16:43 | 0:16:46 | |
It's a pantomime... | 0:16:46 | 0:16:47 | |
Er, next. | 0:16:49 | 0:16:50 | |
The number of girls in each one. | 0:16:53 | 0:16:54 | |
So, there's four, three, two... | 0:16:54 | 0:16:56 | |
So, what's the name of the other one? | 0:16:56 | 0:16:59 | |
One girl, one woman... | 0:16:59 | 0:17:00 | |
-What, is it two in The Liver Birds? -Yes. | 0:17:00 | 0:17:02 | |
Miranda. | 0:17:05 | 0:17:06 | |
Exactly what we chose ourselves, correct. | 0:17:06 | 0:17:10 | |
And why is that? | 0:17:10 | 0:17:11 | |
These are sitcoms with women in them in descending order - | 0:17:11 | 0:17:15 | |
so, four, three, two and one. | 0:17:15 | 0:17:18 | |
That's right. Girls, the American TV show, | 0:17:18 | 0:17:19 | |
there are four central characters. | 0:17:19 | 0:17:21 | |
Do you know their names? | 0:17:21 | 0:17:22 | |
No. | 0:17:22 | 0:17:23 | |
Hannah Horvath, Marnie Michaels, Jessa Johansson, Shoshanna Shapiro. | 0:17:23 | 0:17:29 | |
Four title characters in Girls. | 0:17:29 | 0:17:30 | |
Babes In The Wood was that show set in St John's Wood | 0:17:30 | 0:17:34 | |
in London, there were three central characters. | 0:17:34 | 0:17:36 | |
The Liver Birds, two, of course, | 0:17:36 | 0:17:37 | |
so, we needed a show with one central female character - | 0:17:37 | 0:17:40 | |
The Vicar Of Dibley, you might have said, | 0:17:40 | 0:17:42 | |
Miranda was an acceptable answer. | 0:17:42 | 0:17:44 | |
That means, at the end of round two, | 0:17:44 | 0:17:46 | |
the Inquisitors have 7 points, | 0:17:46 | 0:17:48 | |
the Wanderers have 12. | 0:17:48 | 0:17:50 | |
Time now for the Connecting Wall, where four groups of four | 0:17:52 | 0:17:55 | |
have been jumbled up to make 16 random looking clues. | 0:17:55 | 0:17:58 | |
The teams must sort them back into their perfect sets. | 0:17:58 | 0:18:02 | |
You'll be going first, this time, Wanderers, | 0:18:02 | 0:18:04 | |
so, please choose Lion or Water. | 0:18:04 | 0:18:06 | |
-Lion, please. -OK. | 0:18:06 | 0:18:08 | |
You have two and a half minutes to solve the Lion Wall, starting now. | 0:18:08 | 0:18:12 | |
-Right... -There's castles in Scotland... | 0:18:14 | 0:18:16 | |
Falkland... | 0:18:16 | 0:18:18 | |
-Linlithgow, yeah, Dunfermline... -Either Scone or Holyrood. | 0:18:18 | 0:18:21 | |
Holyrood, yeah, OK. | 0:18:21 | 0:18:22 | |
Right, so, which one...? | 0:18:22 | 0:18:25 | |
Holyrood... Into Linlithgow. | 0:18:25 | 0:18:27 | |
Yeah, OK, there's, er... | 0:18:28 | 0:18:30 | |
The... Neverwhere is one, American Gods, | 0:18:30 | 0:18:35 | |
Good Omens... | 0:18:35 | 0:18:37 | |
Stardust, Neverwhere... | 0:18:37 | 0:18:39 | |
American Gods, Good Omens. | 0:18:39 | 0:18:41 | |
Three lives now. | 0:18:41 | 0:18:42 | |
-So, there's Marks... -'70s singers. | 0:18:42 | 0:18:45 | |
-Bryan Ferry... -Right, before we do it... -Noddy Holder. -Right. | 0:18:45 | 0:18:48 | |
-Iggy Pop. -OK... | 0:18:48 | 0:18:50 | |
-Bryan Ferry... -These are so different, though. | 0:18:50 | 0:18:52 | |
-Controversy, Scone, Uranus... -OK... | 0:18:52 | 0:18:54 | |
-URanus or urANus... -Yeah. -So, we've got BOW-ie or BO-ie. -Yeah. | 0:18:54 | 0:18:57 | |
Hang on, so... | 0:18:57 | 0:18:58 | |
-So, we've got Holder, Noddy Holder, Bryan Ferry, Iggy Pop. -Right. -Yeah? | 0:18:58 | 0:19:03 | |
And the others are pronunciation differences. | 0:19:03 | 0:19:06 | |
That'll do. | 0:19:08 | 0:19:10 | |
You've solved the Wall, very impressive stuff. | 0:19:10 | 0:19:13 | |
So, that's 4 points, immediately, for the groups. | 0:19:13 | 0:19:15 | |
Let's look for the connections. | 0:19:15 | 0:19:17 | |
The first, blue, group, starting Falkland. | 0:19:17 | 0:19:20 | |
These are palaces in Scotland. | 0:19:20 | 0:19:22 | |
They are Scottish palaces. | 0:19:22 | 0:19:24 | |
-Cos you initially said castles when you were playing the Wall... -Yeah. | 0:19:27 | 0:19:31 | |
..but I couldn't have accepted it. | 0:19:31 | 0:19:33 | |
No, they're not castles, they are all palaces. | 0:19:33 | 0:19:35 | |
And the next, green, group... | 0:19:35 | 0:19:37 | |
They are novels by the superb Neil Gaiman. | 0:19:42 | 0:19:45 | |
I'm very impressed. | 0:19:46 | 0:19:47 | |
You see, I suppose that's something you've either read or you haven't. | 0:19:47 | 0:19:50 | |
-Mm. -You're obviously a fan. -Very good, yeah. | 0:19:50 | 0:19:51 | |
And the next, pink or purple, group, | 0:19:51 | 0:19:53 | |
or whatever colour you see at home, starting Holder. What's that? | 0:19:53 | 0:19:56 | |
'70s pop star surnames. | 0:19:57 | 0:19:59 | |
So, Noddy Holder, Bryan Ferry, Iggy Pop, Marc Bolan. | 0:19:59 | 0:20:03 | |
They are 1970s singers, or glam rock stars. | 0:20:03 | 0:20:06 | |
And the last, turquoise, group, starting Bowie. | 0:20:06 | 0:20:09 | |
Um... So, these were... | 0:20:09 | 0:20:11 | |
Have differences in pronunciation, | 0:20:11 | 0:20:13 | |
depending on where you come from or who you listen to. | 0:20:13 | 0:20:16 | |
Well, that's right. | 0:20:16 | 0:20:17 | |
I mean, of course, there is only one way of saying each of these things - | 0:20:17 | 0:20:20 | |
Bowie, scone, controversy, Uranus, of course, | 0:20:20 | 0:20:22 | |
but they are contentious because a lot of people make mistakes | 0:20:22 | 0:20:25 | |
and pronounce them the wrong way. | 0:20:25 | 0:20:27 | |
So, I'll accept your answer. | 0:20:27 | 0:20:29 | |
You found all four groups for 4 points, | 0:20:29 | 0:20:31 | |
you gave me all the connections for 4 points, | 0:20:31 | 0:20:32 | |
I'll give you a bonus of 2 for getting it all right. | 0:20:32 | 0:20:34 | |
That is the maximum of 10. | 0:20:34 | 0:20:36 | |
Let's bring in the Inquisitors now, and give them | 0:20:36 | 0:20:39 | |
the other Connecting Wall, see what they can do about solving it. | 0:20:39 | 0:20:41 | |
I can't remember - how did the Wall go in your first heat? | 0:20:41 | 0:20:44 | |
It was very frustrating. | 0:20:44 | 0:20:45 | |
It was quite frustrating - we got the first two groups quite quickly, | 0:20:45 | 0:20:48 | |
and then there were lots of things that would fit into the third group, | 0:20:48 | 0:20:51 | |
and we just kept putting the wrong things in. | 0:20:51 | 0:20:53 | |
-Oh, that's right. -Yeah. -You left yourselves with about nine clues. | 0:20:53 | 0:20:56 | |
We left ourselves with lots, yeah, so - better this time, hopefully. | 0:20:56 | 0:20:59 | |
-I wish you better luck on this Wall. -Thank you. | 0:20:59 | 0:21:01 | |
You have two and a half minutes, of course, | 0:21:01 | 0:21:04 | |
to solve it, starting now. | 0:21:04 | 0:21:06 | |
Ooh, God. | 0:21:06 | 0:21:07 | |
-OK, Van der Graaf Generator, Curette... -Prog rock bands, as well. | 0:21:07 | 0:21:10 | |
-OK, go for it, then. -Um... | 0:21:10 | 0:21:12 | |
-Focus... -Traffic... -Procol Harum... | 0:21:12 | 0:21:14 | |
-Van der Graaf Generator... -Traffic. -Traffic? | 0:21:14 | 0:21:16 | |
No. | 0:21:16 | 0:21:18 | |
-Yes. -Yes! Procol Harum, Van der Graaf Generator, Focus... | 0:21:18 | 0:21:21 | |
Yep. | 0:21:21 | 0:21:22 | |
-Lancet... -Lancet, caliper, curette... -Curette. | 0:21:24 | 0:21:27 | |
-Retractor. -Retractor. | 0:21:27 | 0:21:28 | |
No. | 0:21:28 | 0:21:29 | |
Well, keep going. | 0:21:29 | 0:21:30 | |
-Retractor... -Retractor. -..Lancet, curette - it's maybe not caliper. | 0:21:30 | 0:21:33 | |
Er... | 0:21:33 | 0:21:35 | |
Oh, OK, what are they? | 0:21:35 | 0:21:36 | |
-Do you know? -Three lives now. | 0:21:36 | 0:21:38 | |
-Plenty of time. -OK. -So, we've got... | 0:21:38 | 0:21:40 | |
Caliper is something that supports... | 0:21:40 | 0:21:42 | |
Are there any wordy things here? | 0:21:42 | 0:21:44 | |
Could this be a U-turn? | 0:21:44 | 0:21:45 | |
U-turn... No. | 0:21:45 | 0:21:47 | |
You got disc and drum are types of brakes, aren't they, in a car? | 0:21:47 | 0:21:51 | |
-Hydraulic brakes? -Hydraulic brakes, yes. | 0:21:51 | 0:21:54 | |
Oh, no... Disc... | 0:21:54 | 0:21:56 | |
Disc, drum, hydraulic - so, what are we left with, then? | 0:21:56 | 0:21:59 | |
-Possibly caliper. -But then what have we got with these? | 0:21:59 | 0:22:02 | |
-Egg... -Egg, system, traffic and U. | 0:22:02 | 0:22:06 | |
-U... -Is a caliper brake really a thing? | 0:22:06 | 0:22:09 | |
-Traffic lights... -Egg... But, oh, no, cos... | 0:22:09 | 0:22:12 | |
No, cos we're only on one of three lives. | 0:22:12 | 0:22:15 | |
EG... | 0:22:15 | 0:22:17 | |
-Cal... -No. | 0:22:17 | 0:22:19 | |
-I'm not seeing anything in there. -What's U? | 0:22:19 | 0:22:22 | |
-U-turn, U-bend... -U-bend. | 0:22:22 | 0:22:25 | |
Nothing else, really, that's bend. | 0:22:25 | 0:22:28 | |
U... Egg... | 0:22:30 | 0:22:32 | |
-Boil... -Boiled egg. Egg cup. -Timer. -Egg timer. | 0:22:32 | 0:22:35 | |
-Egg... -Traffic... | 0:22:35 | 0:22:37 | |
-Traffic light... -Traffic light, traffic jam... | 0:22:37 | 0:22:39 | |
Egg jam... | 0:22:39 | 0:22:41 | |
-I feel like it... -I don't know. | 0:22:41 | 0:22:43 | |
-OK, I think we need to go for it, and... -Caliper? -Yeah, and just... | 0:22:43 | 0:22:46 | |
No, it's not it. | 0:22:46 | 0:22:48 | |
That's not it. I don't... | 0:22:48 | 0:22:50 | |
Oh... | 0:22:50 | 0:22:51 | |
-No. -One life left. | 0:22:51 | 0:22:52 | |
-We've got one life left! -Oh, of course, sorry! Oh, dear. | 0:22:52 | 0:22:55 | |
System... | 0:22:57 | 0:22:58 | |
-Disc jockey... -Disc jockey. No. | 0:22:58 | 0:23:01 | |
-Eardrum. -Eardrum... | 0:23:01 | 0:23:04 | |
Caliper, caliper... | 0:23:04 | 0:23:06 | |
Slipped disc, slipped... | 0:23:06 | 0:23:08 | |
Brake system... | 0:23:09 | 0:23:10 | |
-Hydraulic, drum... Traffic... System... -U brake. -U brake? | 0:23:10 | 0:23:16 | |
-20 seconds. -Did we not do that one? -No, we didn't. | 0:23:16 | 0:23:20 | |
OK, well, give it a go. | 0:23:20 | 0:23:22 | |
-No. -No. -That's your third life, and the Wall has frozen - | 0:23:22 | 0:23:25 | |
but you found two groups. This is like last time, isn't it? | 0:23:25 | 0:23:27 | |
-Yeah, exactly like last time. -You got two groups. | 0:23:27 | 0:23:30 | |
Well, let's see about the connections. | 0:23:30 | 0:23:32 | |
Procol Harum and so forth, at the top. | 0:23:32 | 0:23:35 | |
-They are prog rock bands. -They are - and you got back quickly. -Yeah. | 0:23:35 | 0:23:38 | |
Who's the prog rock fan? | 0:23:38 | 0:23:39 | |
I'm not a fan, but I know that Van der Graaf Generator | 0:23:39 | 0:23:42 | |
are a prog rock band. | 0:23:42 | 0:23:44 | |
My brother was a big prog fan. | 0:23:44 | 0:23:45 | |
The next, green, group. Rongeur, lancet, curette, retractor. | 0:23:45 | 0:23:50 | |
-They're medical instruments. -Medical instruments. | 0:23:50 | 0:23:53 | |
-They're all medical instruments. -Yeah. -Do you know what they do? | 0:23:53 | 0:23:55 | |
A lancet is a long needle, isn't it? | 0:23:55 | 0:23:57 | |
It makes little incisions, yeah. | 0:23:57 | 0:23:58 | |
A retractor opens you up - | 0:23:58 | 0:23:59 | |
once they've sliced you, it puts your apart... | 0:23:59 | 0:24:01 | |
-Ooh! -..to keep you... -How nice! -Cheery for the viewers. Lovely. | 0:24:01 | 0:24:04 | |
-This is Grey's Anatomy at work, here. -Lovely. | 0:24:04 | 0:24:06 | |
-A curette's really horrible. -A curette is something that cuts. | 0:24:06 | 0:24:09 | |
-A curette cuts. -Slices. -It scrapes. -We'll gloss over that one. | 0:24:09 | 0:24:11 | |
-Rongeur? -No idea what a rongeur is. -I don't know what a rongeur is. | 0:24:11 | 0:24:14 | |
Heavy-duty forceps for removing small pieces of bone. | 0:24:14 | 0:24:16 | |
Medical equipment - and you can still get points | 0:24:16 | 0:24:18 | |
for the connections in the groups you didn't find. | 0:24:18 | 0:24:20 | |
So, let's resolve the Wall. | 0:24:20 | 0:24:22 | |
There you go. | 0:24:22 | 0:24:23 | |
Caliper, U, hydraulic, disc. | 0:24:23 | 0:24:26 | |
OK. | 0:24:26 | 0:24:27 | |
-I think they're... -It's got to the brakes. | 0:24:27 | 0:24:29 | |
It must be. Are they braking systems? | 0:24:29 | 0:24:31 | |
They are brakes. I heard you asking, "Is a caliper really a brake?" | 0:24:31 | 0:24:33 | |
-It is, on a bicycle. -Oh, OK. -Rim brake on a bicycle. -OK. | 0:24:33 | 0:24:36 | |
And the last, turquoise, group. | 0:24:36 | 0:24:38 | |
Drum, egg, traffic, system. | 0:24:38 | 0:24:40 | |
Anything? | 0:24:42 | 0:24:43 | |
-No. -No. Things you beat? | 0:24:44 | 0:24:47 | |
-It is things you beat! -Oh, wow! | 0:24:47 | 0:24:49 | |
-Where did that come from? -Just sort of, beat an egg, beat a drum, | 0:24:49 | 0:24:52 | |
-beat traffic... -Beat the traffic, beat the system. | 0:24:52 | 0:24:54 | |
-Oh, well done! -Oh, God! | 0:24:54 | 0:24:56 | |
-Things you can beat. Very well done, at the last minute. -Wow. | 0:24:56 | 0:24:59 | |
So, you found two groups | 0:24:59 | 0:25:01 | |
and you told me all four connections. | 0:25:01 | 0:25:03 | |
That's a total of 6. | 0:25:03 | 0:25:04 | |
Let's have a look at the scores going into the final round. | 0:25:04 | 0:25:07 | |
The Inquisitors have 13 points, the Wanderers have 22. | 0:25:08 | 0:25:12 | |
If you'd like to take part in the next series of Only Connect, | 0:25:14 | 0:25:17 | |
then why not go to the website... | 0:25:17 | 0:25:18 | |
..to find out how to apply? | 0:25:21 | 0:25:22 | |
Missing vowels time, now, teams. | 0:25:23 | 0:25:25 | |
Of course, this is round two, you can't be knocked out. | 0:25:25 | 0:25:28 | |
You simply aren't able to leave. | 0:25:28 | 0:25:29 | |
The doors are locked, you're here until well into next year - | 0:25:29 | 0:25:32 | |
but we might as well play it. What do you think? | 0:25:32 | 0:25:34 | |
-Yeah, let's do it. -Pass the time. | 0:25:34 | 0:25:35 | |
So, we will take well-known names, phrases and sayings, | 0:25:35 | 0:25:38 | |
we will take out the vowels, squidge up the consonants, | 0:25:38 | 0:25:40 | |
and I want to know, what are those disguised clues? | 0:25:40 | 0:25:43 | |
If you get it wrong by so much as a single letter, | 0:25:43 | 0:25:46 | |
I'll take a point away. | 0:25:46 | 0:25:47 | |
Fingers on buzzers, teams. | 0:25:47 | 0:25:49 | |
The first group are all... | 0:25:49 | 0:25:50 | |
Inquisitors. | 0:25:56 | 0:25:57 | |
-Plum and Victoria. -Correct. | 0:25:57 | 0:25:58 | |
Wanderers. | 0:26:03 | 0:26:04 | |
Apple and Cox's Orange Pippin. | 0:26:04 | 0:26:06 | |
Correct. | 0:26:06 | 0:26:07 | |
Inquisitors. | 0:26:11 | 0:26:12 | |
Avocado and Hess. | 0:26:12 | 0:26:15 | |
I can't give it to you. | 0:26:15 | 0:26:16 | |
Wanderers, do you know? | 0:26:16 | 0:26:17 | |
Avocado and...Hiss. | 0:26:17 | 0:26:19 | |
It's Avocado and Hass, that's the variety. | 0:26:19 | 0:26:22 | |
Next clue. | 0:26:22 | 0:26:23 | |
Inquisitors. | 0:26:25 | 0:26:26 | |
-Banana and Dwarf Cavendish. -Very well done. | 0:26:26 | 0:26:29 | |
Next category... | 0:26:29 | 0:26:30 | |
Wanderers. | 0:26:33 | 0:26:34 | |
-Personal assistant. -Correct. | 0:26:34 | 0:26:36 | |
Wanderers. | 0:26:38 | 0:26:39 | |
-Pennsylvania. -Correct. | 0:26:39 | 0:26:41 | |
Inquisitors. | 0:26:43 | 0:26:45 | |
-Pascal. -Correct. | 0:26:45 | 0:26:46 | |
Inquisitors. | 0:26:48 | 0:26:49 | |
-Press Association. -Correct. | 0:26:49 | 0:26:52 | |
Next category. | 0:26:52 | 0:26:53 | |
Inquisitors. | 0:26:57 | 0:26:58 | |
Twenty Four Hours From Tulsa. | 0:26:58 | 0:26:59 | |
Correct. | 0:26:59 | 0:27:00 | |
Inquisitors. | 0:27:02 | 0:27:03 | |
-Walk On By. -Yes, it is. | 0:27:03 | 0:27:05 | |
Inquisitors. | 0:27:08 | 0:27:09 | |
-Alfie. -Very good. | 0:27:09 | 0:27:11 | |
Inquisitors. | 0:27:13 | 0:27:15 | |
-What's New Pussycat? -If only we had time to sing them all. | 0:27:15 | 0:27:17 | |
Next category... | 0:27:17 | 0:27:19 | |
Inquisitors. | 0:27:23 | 0:27:24 | |
Tiananmen and Beijing. | 0:27:24 | 0:27:25 | |
Correct. | 0:27:25 | 0:27:27 | |
Inquisitors. | 0:27:30 | 0:27:31 | |
-Oh... -TIME UP JINGLE | 0:27:31 | 0:27:34 | |
I'm afraid we're going to have to take a point away, | 0:27:36 | 0:27:38 | |
even though the bell has gone. | 0:27:38 | 0:27:39 | |
You clearly didn't know that one, | 0:27:39 | 0:27:41 | |
which was Tahrir in Cairo... | 0:27:41 | 0:27:45 | |
..but it does not affect the final outcome. | 0:27:45 | 0:27:47 | |
I can tell you that the winners, | 0:27:47 | 0:27:49 | |
and through to the next round, with 25 points, | 0:27:49 | 0:27:52 | |
are the Wanderers, | 0:27:52 | 0:27:54 | |
and, in an excellent second place, | 0:27:54 | 0:27:56 | |
with 20 points, the Inquisitors - | 0:27:56 | 0:27:58 | |
but you're not going home, | 0:27:58 | 0:28:00 | |
you're either through to the next round or a sub-round, | 0:28:00 | 0:28:02 | |
or still in this round, or going back to the first round. | 0:28:02 | 0:28:05 | |
I simply don't know. | 0:28:05 | 0:28:06 | |
We'll be meeting you again - | 0:28:06 | 0:28:07 | |
and you, very well played. | 0:28:07 | 0:28:10 | |
Thank you for watching. | 0:28:10 | 0:28:11 | |
I'm off to Cambridge, now, to visit the Seeley Library. | 0:28:11 | 0:28:13 | |
I don't know why they call it that - | 0:28:13 | 0:28:15 | |
it seems perfectly sensible to me. | 0:28:15 | 0:28:18 | |
Thank you. | 0:28:18 | 0:28:19 | |
Goodnight. | 0:28:19 | 0:28:21 |