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Hello, and welcome at last to the final of Only Connect - | 0:00:21 | 0:00:25 | |
very exciting night! Before we start, I'd like to thank everyone | 0:00:25 | 0:00:29 | |
who works behind the scenes here, | 0:00:29 | 0:00:31 | |
often without acknowledgement, like Gethin, who operates the scoreboard, | 0:00:31 | 0:00:35 | |
painstakingly updating the computer | 0:00:35 | 0:00:37 | |
every time a contestant scores a point. | 0:00:37 | 0:00:39 | |
I've looked through the questions for tonight's final, and Gethin, you can take the night off. | 0:00:39 | 0:00:44 | |
But you never know, | 0:00:44 | 0:00:45 | |
as we have two brilliant teams here who have faced terrifying opposition | 0:00:45 | 0:00:49 | |
to get to the final, so let's say congratulations and hello again to, | 0:00:49 | 0:00:52 | |
on my right, Paul Steeples, | 0:00:52 | 0:00:56 | |
a civil servant and classical music aficionado, | 0:00:56 | 0:00:59 | |
with an interest in architectural art, | 0:00:59 | 0:01:01 | |
William De Ath, a maths graduate and business analyst | 0:01:01 | 0:01:04 | |
with a passion for motorbikes, | 0:01:04 | 0:01:06 | |
And their captain, David Lea, a political risk analyst | 0:01:06 | 0:01:09 | |
and accomplished linguist who enjoys rugby and cricket. | 0:01:09 | 0:01:13 | |
They beat the Editors, Technologists and the Trade Unionists | 0:01:13 | 0:01:17 | |
to win a place in the final - the Analysts. | 0:01:17 | 0:01:19 | |
You've had some tough opposition. Who do you think your hardest competitors were? | 0:01:19 | 0:01:23 | |
As you say, they were all pretty close games, | 0:01:23 | 0:01:26 | |
so I'm tempted to be boring and say all of them, but I'll pick | 0:01:26 | 0:01:29 | |
the Technologists, because they were very tough - | 0:01:29 | 0:01:33 | |
fast on the buzzer and we were very pleased to squeak by them by a single point. | 0:01:33 | 0:01:38 | |
Any knowledge areas you hope won't come up tonight? | 0:01:38 | 0:01:42 | |
I'm hoping not to pick a picture round. Let's just say that. | 0:01:42 | 0:01:47 | |
Well, it's a 5-1 shot. | 0:01:47 | 0:01:49 | |
Tonight, you are facing, on my left, Simon Belcher, | 0:01:49 | 0:01:53 | |
a science communications graduate | 0:01:53 | 0:01:56 | |
and enthusiastic collector of old maps, | 0:01:56 | 0:01:58 | |
Debbie Challis, a UCL academic who enjoys visiting 19th century ruins | 0:01:58 | 0:02:03 | |
and reading Gothic novels, | 0:02:03 | 0:02:05 | |
and their captain Will Howells, a digital media manager, | 0:02:05 | 0:02:08 | |
composer of the brilliant Only Connect dolphin song, | 0:02:08 | 0:02:11 | |
with an interest in Edwardian theatre. They've met | 0:02:11 | 0:02:15 | |
the Fantasy Footballers, the Social Networkers | 0:02:15 | 0:02:17 | |
and the Listeners on their journey, | 0:02:17 | 0:02:19 | |
and beaten them all. They are the Antiquarians. | 0:02:19 | 0:02:22 | |
Dolphins to you. | 0:02:22 | 0:02:23 | |
How are the Antiquarians feeling ahead of the final? | 0:02:23 | 0:02:27 | |
We started off relaxed. Then we were nervous. Now we're excited, | 0:02:27 | 0:02:32 | |
and at the end of the show, | 0:02:32 | 0:02:33 | |
we'll know what the last one in the sequence is. | 0:02:33 | 0:02:35 | |
It's not going to be an easy quiz tonight. | 0:02:35 | 0:02:37 | |
It's not going to be an easy round one. | 0:02:37 | 0:02:39 | |
Nevertheless, we have to play it. It's in the rules. | 0:02:39 | 0:02:42 | |
I just want to know, teams, | 0:02:42 | 0:02:44 | |
what's the connection between four apparently random clues? | 0:02:44 | 0:02:47 | |
Simple as that. Antiquarians, you won the toss, so you go first. | 0:02:47 | 0:02:52 | |
-Which question would you like? -Eye of Horus, please. -Good luck. | 0:02:52 | 0:02:56 | |
Your first clue is coming up now. | 0:02:56 | 0:02:58 | |
They're replacing it at the moment | 0:03:01 | 0:03:03 | |
with an egg-shaped thing that they rotate in time | 0:03:03 | 0:03:07 | |
-with the way the wheel turns. -Next? | 0:03:07 | 0:03:11 | |
It's not got tram things. It's not the same kind of car. | 0:03:11 | 0:03:16 | |
-Oh. Like a funicular railway? -Next. | 0:03:16 | 0:03:20 | |
Any idea? They don't have a 13? There's no 13th avenue, no 13th row. | 0:03:23 | 0:03:28 | |
-That could be right, yeah. -Shall we take the last one? | 0:03:28 | 0:03:32 | |
I say go for it. | 0:03:32 | 0:03:33 | |
BELL | 0:03:33 | 0:03:34 | |
There's no number 13. | 0:03:34 | 0:03:36 | |
You're absolutely right. | 0:03:36 | 0:03:38 | |
The last clue would have been One Canada Square. | 0:03:38 | 0:03:41 | |
There's no 13th floor there. No 13th capsule on the London Eye. | 0:03:41 | 0:03:44 | |
There are 32 of them, but they're numbered 1-33, with no 13. | 0:03:44 | 0:03:47 | |
Avenue in San Francisco - | 0:03:47 | 0:03:49 | |
between 12th and 14th, they usually give them a name. | 0:03:49 | 0:03:53 | |
And on Lufthansa, no 13th row. | 0:03:53 | 0:03:55 | |
Well done, you have two points. Your turn, Analysts, to pick a question. | 0:03:55 | 0:03:59 | |
Two reeds, please. | 0:03:59 | 0:04:02 | |
I'm afraid it's bad news, Analysts. This is going to be picture clues. | 0:04:02 | 0:04:06 | |
The first one is coming up now. | 0:04:06 | 0:04:09 | |
That's the tarot card of justice. | 0:04:12 | 0:04:14 | |
Next, please. | 0:04:17 | 0:04:18 | |
-An organisation? -I don't think so. | 0:04:23 | 0:04:26 | |
OK. Next, please. | 0:04:26 | 0:04:30 | |
Justice... | 0:04:33 | 0:04:34 | |
Union Jack... | 0:04:34 | 0:04:35 | |
Next, please. | 0:04:39 | 0:04:41 | |
Five seconds. | 0:04:44 | 0:04:46 | |
-Right way up? -I'm afraid you're out of time, so there's a possible bonus | 0:04:48 | 0:04:51 | |
-for the Antiquarians. -We think they're bad or unlucky | 0:04:51 | 0:04:54 | |
-if they're upside down. -You're absolutely right. | 0:04:54 | 0:04:57 | |
Luck is the theme again. These are things | 0:04:57 | 0:05:00 | |
held to be unlucky if upside down. | 0:05:00 | 0:05:02 | |
-Do you know what the first picture is? -A tarot card. | 0:05:02 | 0:05:05 | |
That one's specifically the Justice card. If it's upside down, | 0:05:05 | 0:05:09 | |
it's supposed to be injustice. What about a union flag? | 0:05:09 | 0:05:12 | |
A ship in distress is told it should fly its Union Flag upside down. | 0:05:12 | 0:05:16 | |
That's a signal of distress. And a horseshoe - | 0:05:16 | 0:05:18 | |
if you hang that upside down, the luck falls out. | 0:05:18 | 0:05:21 | |
Some people think that's lucky, | 0:05:21 | 0:05:22 | |
because the luck falls on you. What are these people, fools? | 0:05:22 | 0:05:25 | |
Obviously, that's unlucky. | 0:05:25 | 0:05:27 | |
And thumbs down is a bad sign. They all mean | 0:05:27 | 0:05:29 | |
something bad when upside down. | 0:05:29 | 0:05:31 | |
You're the right way up at the moment. | 0:05:31 | 0:05:33 | |
Which question would you like? | 0:05:33 | 0:05:35 | |
The twisted flax, please. | 0:05:35 | 0:05:37 | |
Your first clue is coming up now. | 0:05:37 | 0:05:39 | |
June 4th. | 0:05:41 | 0:05:42 | |
Next. | 0:05:46 | 0:05:47 | |
Is that a slogan for something? Are they political parties? | 0:05:48 | 0:05:52 | |
-June 4th, it's not a Labour thing? -Next. -I don't think so. | 0:05:52 | 0:05:56 | |
Falun Gong, a cult? They were trying to overthrow... | 0:05:56 | 0:06:03 | |
-Next. -Aren't they parties? | 0:06:03 | 0:06:05 | |
Are they all in China? Chinese political parties? | 0:06:05 | 0:06:09 | |
-They could be political... -Are there that many in China? | 0:06:09 | 0:06:12 | |
Five seconds. | 0:06:14 | 0:06:15 | |
BELL | 0:06:15 | 0:06:17 | |
Chinese political parties. | 0:06:17 | 0:06:18 | |
That is not what they are. | 0:06:18 | 0:06:20 | |
There's a bonus chance for the Analysts. | 0:06:20 | 0:06:23 | |
-Banned Chinese dissident movements? -That's not it either. | 0:06:23 | 0:06:28 | |
You're both in the right area. | 0:06:28 | 0:06:30 | |
These are search terms on the internet banned by China. | 0:06:30 | 0:06:33 | |
Falun Gong is a belief system banned in China, | 0:06:33 | 0:06:37 | |
as is the Tibet Independence Movement. | 0:06:37 | 0:06:39 | |
Reform Through Labour is a controversial practice. | 0:06:39 | 0:06:42 | |
It's a sort of hard labour practice by the Chinese. | 0:06:42 | 0:06:45 | |
-Why would June 4th be banned? -Tiananmen Square. | 0:06:45 | 0:06:48 | |
June 4th was the date of the 1989 protest in Tiananmen Square. | 0:06:48 | 0:06:53 | |
-Analysts, pick a question. -Lion, please. | 0:06:53 | 0:06:56 | |
Your first clue coming up now. | 0:06:56 | 0:06:58 | |
THEY CONFER | 0:07:02 | 0:07:05 | |
Next please. | 0:07:05 | 0:07:06 | |
-About the same time. -Was he born outside Ireland? | 0:07:10 | 0:07:15 | |
Yes. He was born in the US. | 0:07:15 | 0:07:18 | |
-Do you want to try it? -Let's go for it. | 0:07:18 | 0:07:22 | |
BELL | 0:07:22 | 0:07:23 | |
Leaders of countries who were born outside the country. | 0:07:23 | 0:07:27 | |
That is exactly the connection. | 0:07:27 | 0:07:29 | |
Country leaders born outside the countries they led. | 0:07:29 | 0:07:32 | |
Can you tell me about the two clues you saw? | 0:07:32 | 0:07:34 | |
-Bonar Law was born in Canada. -Yeah. | 0:07:34 | 0:07:36 | |
He was and he was a briefly | 0:07:36 | 0:07:37 | |
serving British Prime Minister. | 0:07:37 | 0:07:39 | |
And Dev was born in the United States. | 0:07:39 | 0:07:41 | |
The Irish Taoiseach was actually born in America. | 0:07:41 | 0:07:44 | |
Julia Gillard from Australia, | 0:07:44 | 0:07:46 | |
but born in Wales. | 0:07:46 | 0:07:48 | |
And Adolf Hitler of course Austrian. | 0:07:48 | 0:07:52 | |
Well done. Coming in after just | 0:07:52 | 0:07:53 | |
two clues, you get three points. | 0:07:53 | 0:07:55 | |
Back to The Antiquarians. | 0:07:55 | 0:07:56 | |
-Water please. -What is the connection here? First clue coming up now. | 0:07:56 | 0:08:00 | |
THEY CONFER | 0:08:03 | 0:08:08 | |
Next. | 0:08:08 | 0:08:10 | |
It looks like it's something from the letters. | 0:08:12 | 0:08:15 | |
Is it they all move one along on the keyboard? | 0:08:15 | 0:08:18 | |
-Maybe. -Yeah, that's what it is. | 0:08:18 | 0:08:20 | |
BELL | 0:08:20 | 0:08:21 | |
The first word becomes the second word if you move it | 0:08:21 | 0:08:23 | |
one letter to the right on a typewriter keyboard. | 0:08:23 | 0:08:26 | |
Brilliant. | 0:08:26 | 0:08:28 | |
This is a very tough question. | 0:08:28 | 0:08:29 | |
If you retype all of these words one key to the right | 0:08:29 | 0:08:32 | |
they become the next one. | 0:08:32 | 0:08:34 | |
We would have seen, | 0:08:34 | 0:08:35 | |
I think my favourite clue, | 0:08:35 | 0:08:36 | |
WAXIER becomes ESCORT. | 0:08:36 | 0:08:38 | |
SWEET becomes DERRY. Yes. Retype them one key to the right, | 0:08:38 | 0:08:41 | |
that's what they become. | 0:08:41 | 0:08:42 | |
Very good for three points. Back to you, Analysts. | 0:08:42 | 0:08:44 | |
Only one question remaining. | 0:08:44 | 0:08:47 | |
The music question. | 0:08:47 | 0:08:49 | |
You will be hearing | 0:08:49 | 0:08:51 | |
some musical clues starting now. | 0:08:51 | 0:08:54 | |
# You hear laughter cracking through the walls... # | 0:08:54 | 0:08:58 | |
-Is that Siouxsie? -Yes. | 0:08:59 | 0:09:01 | |
Next please. | 0:09:01 | 0:09:03 | |
# Every time you kiss me I'm still not certain... # | 0:09:03 | 0:09:06 | |
-Suspicion. -Is it? -Yeah. | 0:09:06 | 0:09:09 | |
-"Suspicion torments my heart", yeah. -OK. Will we go for it? | 0:09:09 | 0:09:14 | |
-No. -OK. | 0:09:14 | 0:09:15 | |
Next please. | 0:09:15 | 0:09:17 | |
# It's dark, the jungle is your head... # | 0:09:17 | 0:09:21 | |
Elevation. What's the Siouxsie song? | 0:09:21 | 0:09:25 | |
Next please. | 0:09:25 | 0:09:26 | |
# Notorious... # | 0:09:26 | 0:09:29 | |
-30 seconds. -Hitchcock films. | 0:09:29 | 0:09:31 | |
BELL | 0:09:31 | 0:09:33 | |
Hitchcock films. | 0:09:33 | 0:09:35 | |
The titles of those songs are also the titles | 0:09:35 | 0:09:37 | |
of Alfred Hitchcock films. | 0:09:37 | 0:09:40 | |
Very well done. What did you hear? | 0:09:40 | 0:09:42 | |
Siouxsie And The Banshees was the first one. | 0:09:42 | 0:09:46 | |
We were not sure about that. | 0:09:46 | 0:09:47 | |
The song is called Spellbound. | 0:09:47 | 0:09:49 | |
-Yes. -Suspicion. | 0:09:49 | 0:09:51 | |
Elvis Presley, Suspicion. | 0:09:51 | 0:09:53 | |
-Elevation by U2. -Ooh. Vertigo. -Was it? OK. | 0:09:53 | 0:09:56 | |
-Sorry. And Notorious. -Notorious by Duran Duran. | 0:09:56 | 0:10:02 | |
All share their titles with Hitchcock movies. Well done. | 0:10:02 | 0:10:05 | |
Looking at the scores | 0:10:05 | 0:10:07 | |
at the end of round one | 0:10:07 | 0:10:09 | |
of the final, | 0:10:09 | 0:10:10 | |
The Analysts have got four points | 0:10:10 | 0:10:12 | |
but The Antiquarians are ahead with six. | 0:10:12 | 0:10:14 | |
Round two is about sequences. | 0:10:16 | 0:10:19 | |
There are still four clues but the teams may see a maximum of three | 0:10:19 | 0:10:22 | |
because I want to know what comes fourth in the sequence. | 0:10:22 | 0:10:25 | |
Antiquarians, you go first. | 0:10:25 | 0:10:27 | |
Which question would you like? | 0:10:27 | 0:10:29 | |
-Eye of Horus please. -Eye of Horus. | 0:10:29 | 0:10:32 | |
OK. What do you think is fourth in this sequence? Here's the first. | 0:10:32 | 0:10:37 | |
THEY CONFER | 0:10:39 | 0:10:41 | |
Next. | 0:10:43 | 0:10:44 | |
THEY CONFER | 0:10:45 | 0:10:47 | |
-Shakespeare or something. -The next. | 0:10:52 | 0:10:55 | |
The Matchmaker. Are they particular adaptations? | 0:10:55 | 0:10:58 | |
THEY CONFER | 0:10:58 | 0:11:02 | |
Ten seconds. | 0:11:07 | 0:11:09 | |
What could be the next? | 0:11:09 | 0:11:10 | |
Three seconds. | 0:11:12 | 0:11:14 | |
No? Analysts do you want | 0:11:17 | 0:11:19 | |
to have a go for a bonus point? | 0:11:19 | 0:11:20 | |
Fiddler On The Roof. | 0:11:20 | 0:11:22 | |
No, that is not right, | 0:11:22 | 0:11:24 | |
but why do you say so? | 0:11:24 | 0:11:25 | |
We think there is some sort of Jewish, Yiddish connection. | 0:11:25 | 0:11:30 | |
I think you probably had | 0:11:30 | 0:11:32 | |
the right idea. | 0:11:32 | 0:11:33 | |
They are successive adaptations of the same work. | 0:11:33 | 0:11:36 | |
If I tell you that Einen Jux will er sich machen | 0:11:36 | 0:11:39 | |
is a play by Johann Nestroy, it's translated as He Will Go On A Spree, | 0:11:39 | 0:11:44 | |
Thornton Wilder adapted this into | 0:11:44 | 0:11:46 | |
The Merchant Of Yonkers, | 0:11:46 | 0:11:47 | |
He adapted it again into | 0:11:47 | 0:11:48 | |
The Matchmaker and that story was turned by Jerry Herman into | 0:11:48 | 0:11:52 | |
-a musical, Hello, Dolly! -Hello, Dolly! Yes. -Hello, Dolly! | 0:11:52 | 0:11:55 | |
They are successive adaptations of the same story. | 0:11:55 | 0:11:57 | |
No points there. Analysts, you may choose | 0:11:57 | 0:11:59 | |
your own question. | 0:11:59 | 0:12:01 | |
-Lion, then, please. -I can't tell you anything good here, I'm afraid. | 0:12:01 | 0:12:06 | |
You'll see some pictures. What will you see in the fourth picture? | 0:12:06 | 0:12:10 | |
The first one is coming up now. | 0:12:10 | 0:12:12 | |
-Stein. -OK. Next, please. | 0:12:14 | 0:12:17 | |
Oh, I know. It's football managers. | 0:12:22 | 0:12:25 | |
-Busby. -Um... -Scottish? European football managers. | 0:12:25 | 0:12:31 | |
Stein, Busby, Paisley... | 0:12:31 | 0:12:33 | |
-There's somebody else, after Busby, before... -Oh, Clough? | 0:12:37 | 0:12:41 | |
-OK. -10 seconds. | 0:12:41 | 0:12:43 | |
-Do you want to see the next one or not? -Yeah... | 0:12:43 | 0:12:46 | |
It must be Clough, mustn't it? | 0:12:46 | 0:12:49 | |
-Brian Clough. -A picture of a Clough. | 0:12:49 | 0:12:54 | |
-A picture of what? -A Clough. -A Clough. | 0:12:54 | 0:12:59 | |
A Clough being...? | 0:12:59 | 0:13:01 | |
-We're not quite sure. -I'm toying with you | 0:13:01 | 0:13:04 | |
like a cat with a mouse, as I so enjoy, | 0:13:04 | 0:13:06 | |
especially at the final stage, I am going to give you the points. | 0:13:06 | 0:13:10 | |
British winning managers of the European cup. | 0:13:10 | 0:13:12 | |
A stein for Jock Stein. Busby for Matt Busby, | 0:13:12 | 0:13:16 | |
and then Bob Paisley. He won twice, so I would have accepted Paisley. | 0:13:16 | 0:13:20 | |
But I was hoping for somebody who shared a name with Brian Clough. | 0:13:20 | 0:13:25 | |
We went with Clough Williams Ellis, | 0:13:25 | 0:13:27 | |
-who was, of course... -He designed Portmeirion. -He did. | 0:13:27 | 0:13:31 | |
You get three points, very well done. Back to the Antiquarians. | 0:13:31 | 0:13:35 | |
-Two reeds. -The first in the sequence is going to be shown, | 0:13:35 | 0:13:39 | |
I want to know what's fourth. Time starts now. | 0:13:39 | 0:13:42 | |
I hope it's not just the sequence of stars. Or it's the letter? Next. | 0:13:44 | 0:13:49 | |
-Getting bigger? -I'd say white dwarf is probably... | 0:13:51 | 0:13:55 | |
They go from main sequence to red supergiant? | 0:13:55 | 0:13:58 | |
-Yeah. -Shall we get the next one first? | 0:13:58 | 0:14:00 | |
-No, go for white dwarf. -Are you sure? | 0:14:00 | 0:14:02 | |
I think we need to take the risk. I will be killed if we get it wrong. | 0:14:02 | 0:14:06 | |
It could be black hole. We'll go for white dwarf? | 0:14:06 | 0:14:11 | |
OK, you're the astronomy GCSE person! | 0:14:11 | 0:14:13 | |
Simon, who is doing astronomy GCSE, says that it's a white dwarf, | 0:14:15 | 0:14:18 | |
-so I'm going to trust him. -You're not doing it soon, are you? | 0:14:18 | 0:14:22 | |
That's not the answer. Possible bonus to the Analysts. | 0:14:22 | 0:14:25 | |
You may see the third one. | 0:14:25 | 0:14:27 | |
And can you tell me what's fourth? | 0:14:27 | 0:14:31 | |
If it's large enough, it will collapse to... | 0:14:31 | 0:14:34 | |
It depends how big it is, either a neutron star | 0:14:34 | 0:14:36 | |
or a black hole, depending on the size of the star involved. | 0:14:36 | 0:14:40 | |
Black hole. | 0:14:40 | 0:14:43 | |
I'm going to accept it. | 0:14:44 | 0:14:46 | |
We went with neutron star, but it could be either. | 0:14:46 | 0:14:49 | |
These are stages in the life cycle of a massive star or large sun, | 0:14:49 | 0:14:53 | |
and so I'm going to give you the points for black hole. | 0:14:53 | 0:14:56 | |
-You're doing what, astronomy GCSE? -Yes, at Greenwich. | 0:14:56 | 0:15:00 | |
That's rather brilliant. | 0:15:00 | 0:15:02 | |
This is the contestant we like, they do voluntary GCSEs in astronomy. | 0:15:02 | 0:15:06 | |
I'm now in a very good mood. | 0:15:06 | 0:15:07 | |
Bonus points to you, Analysts, you may pick your own question. | 0:15:07 | 0:15:10 | |
-Twisted flax, please. -Twisted flax, first in a sequence coming up now. | 0:15:10 | 0:15:15 | |
Next, please. | 0:15:20 | 0:15:22 | |
HE MUMBLES | 0:15:28 | 0:15:31 | |
Next, please. | 0:15:31 | 0:15:32 | |
-10 seconds. -OK. | 0:15:46 | 0:15:48 | |
THEY CONFER QUIETLY | 0:15:50 | 0:15:52 | |
Three seconds. | 0:15:52 | 0:15:54 | |
TWS = 10. | 0:15:54 | 0:15:56 | |
I'm afraid that's not the answer. | 0:15:56 | 0:15:58 | |
-So now it's the Antiquarians who have the chance of a bonus. -TWS = 5. | 0:15:58 | 0:16:04 | |
You're both wrong. That's amazing, because it is TWS, but TWS = 8. | 0:16:04 | 0:16:08 | |
And I will tell you why. This is to do with Scrabble. | 0:16:08 | 0:16:12 | |
Double letter scores, 24 on a Scrabble board. | 0:16:12 | 0:16:15 | |
Double word scores, there are 17, triple letter scores, 12, | 0:16:15 | 0:16:18 | |
and triple word scores, there are eight. | 0:16:18 | 0:16:20 | |
You both went TWS without knowing why. | 0:16:20 | 0:16:24 | |
-Well, it was DLS, DWS, TLS, TWS. -Makes no sense to me at all. | 0:16:24 | 0:16:28 | |
Lucky I'm not on either of the teams. Right, Antiquarians, | 0:16:28 | 0:16:32 | |
-your turn to choose a question. -Horned viper. | 0:16:32 | 0:16:35 | |
First in the sequence coming up now. | 0:16:35 | 0:16:38 | |
Is this Civilisation, the game Civilisation, | 0:16:38 | 0:16:41 | |
-stages of... -Could be that, or it could be...um... | 0:16:41 | 0:16:46 | |
Next. | 0:16:46 | 0:16:47 | |
Oh, is it not what Marx calls the stages of civilisation? | 0:16:48 | 0:16:52 | |
-Go for the next one. -Next. | 0:16:52 | 0:16:54 | |
Socialism, yeah, then he says it's Marxism. Or it's communism. | 0:16:55 | 0:17:00 | |
-You sure? -Yeah, he calls it a feudal state, capitalist state. | 0:17:00 | 0:17:04 | |
-So communism? -Yeah, unless you think it's something else. -Communism. | 0:17:04 | 0:17:10 | |
This is Marx's analysis of society's development, | 0:17:10 | 0:17:14 | |
moving inexorably to communism. | 0:17:14 | 0:17:16 | |
After that, of course, the McDonald's era. | 0:17:16 | 0:17:18 | |
And the final question | 0:17:18 | 0:17:20 | |
will go to the analysts, it's water. | 0:17:20 | 0:17:24 | |
What would be fourth in this sequence? Here's the first. | 0:17:24 | 0:17:27 | |
Where's that? | 0:17:29 | 0:17:31 | |
Next, please. | 0:17:33 | 0:17:35 | |
Are we moving down? | 0:17:38 | 0:17:40 | |
-We don't know where that is. -I think we are. | 0:17:40 | 0:17:43 | |
-OK. -Next. | 0:17:43 | 0:17:45 | |
Next, please. | 0:17:45 | 0:17:48 | |
Oh, this is terrible. | 0:17:48 | 0:17:50 | |
I don't know... I don't know! | 0:17:50 | 0:17:53 | |
They're not states, are they? | 0:17:53 | 0:17:55 | |
Well, Illinois's got four stars on it. | 0:17:55 | 0:17:58 | |
-It's not right, cos that's red. -Five seconds. | 0:18:00 | 0:18:03 | |
The flag of Panama or something. | 0:18:03 | 0:18:05 | |
The flag of Panama. | 0:18:07 | 0:18:10 | |
I believe your team-mate told you to say the flag of Panama or something. | 0:18:10 | 0:18:14 | |
-Yes, I did. -It is the flag of Panama. Why is it? | 0:18:14 | 0:18:20 | |
We think it's moving down central America, | 0:18:20 | 0:18:23 | |
one coast or t'other, I'm not sure which one. | 0:18:23 | 0:18:26 | |
Exactly, countries in the isthmus of central America moving south. | 0:18:26 | 0:18:29 | |
I didn't think you'd get that and you suddenly did. | 0:18:29 | 0:18:32 | |
Well done. At the end of Round Two, then. | 0:18:32 | 0:18:35 | |
The Antiquarians have eight points, | 0:18:35 | 0:18:37 | |
but the Analysts, despite several picture questions, have got 10. | 0:18:37 | 0:18:41 | |
Time for a fiendish final Connecting Wall, | 0:18:43 | 0:18:46 | |
and if you're feeling spiky, you can play it simultaneously at home. | 0:18:46 | 0:18:50 | |
The Analysts are playing first here. I'm going to offer you the choice. | 0:18:50 | 0:18:53 | |
-Lion or water? -Lion, please. | 0:18:53 | 0:18:56 | |
OK, you have got 2.5 minutes to solve the wall starting now. | 0:18:56 | 0:19:02 | |
So, we've got Pope. | 0:19:04 | 0:19:05 | |
-Was he deposed? -Not sure. | 0:19:09 | 0:19:11 | |
There's somebody who was deposed. | 0:19:11 | 0:19:14 | |
-Farouk was deposed as well. -Idi Amin was deposed. | 0:19:14 | 0:19:18 | |
-BUZZ -Try Pius, maybe? | 0:19:22 | 0:19:25 | |
Were any popes deposed? | 0:19:25 | 0:19:27 | |
-OK. Serpico, that's a film. -Yes. | 0:19:27 | 0:19:32 | |
Are they true crime ones? Cos Zodiac was that thing about | 0:19:32 | 0:19:36 | |
-the Son of Sam. -Blow? -Precious was based on a true story. | 0:19:36 | 0:19:40 | |
Blow possibly was. | 0:19:40 | 0:19:42 | |
So's Buster though, actually. Try Zodiac though. | 0:19:42 | 0:19:45 | |
BUZZ OK. | 0:19:45 | 0:19:47 | |
We left Buster out. | 0:19:47 | 0:19:50 | |
BUZZ | 0:19:52 | 0:19:54 | |
Aureus, that's a coin. | 0:19:54 | 0:19:55 | |
That's a coin, that's a coin. | 0:19:55 | 0:19:57 | |
-A Napoleon's a coin, isn't it? -Yeah. | 0:19:57 | 0:19:59 | |
You've used one minute, and you've got three attempts. | 0:20:03 | 0:20:06 | |
Omar... | 0:20:06 | 0:20:08 | |
Who's Omar? | 0:20:08 | 0:20:10 | |
The only one I can think of was from whatsitsname. | 0:20:10 | 0:20:13 | |
-The Wire? -The Wire. -Yeah. | 0:20:13 | 0:20:15 | |
-Ohhh... -We've still got this crime thing though, haven't we? | 0:20:15 | 0:20:19 | |
-What are the nominees? -Well, there's crime ones and true stories ones. | 0:20:19 | 0:20:23 | |
Zodiac, Blow, Precious, Serpico, Buster. | 0:20:23 | 0:20:26 | |
-Melody, Moses, Omar not. -Not that I'm aware of. | 0:20:26 | 0:20:28 | |
What possible set are they? | 0:20:28 | 0:20:30 | |
-We can't afford to... -No. | 0:20:32 | 0:20:34 | |
You've got a minute left. | 0:20:34 | 0:20:36 | |
-Um... -Well, Ser.... | 0:20:36 | 0:20:39 | |
Precious McKenzie...um... | 0:20:43 | 0:20:46 | |
Douglas? No. | 0:20:46 | 0:20:48 | |
Which one's not... Precious is not crime particularly, though, is it? | 0:20:57 | 0:21:00 | |
No, it's a true story, though. | 0:21:00 | 0:21:02 | |
I don't know whether Serpico necessarily is a true story? | 0:21:02 | 0:21:05 | |
You got 30 seconds. | 0:21:05 | 0:21:07 | |
That's it. | 0:21:09 | 0:21:11 | |
You've solved the wall. Well done. | 0:21:11 | 0:21:13 | |
Four points then for the groups. What about the connections? | 0:21:13 | 0:21:15 | |
Pius VI, King Farouk, Idi Amin, James II. | 0:21:15 | 0:21:19 | |
I want nice, precise answers. | 0:21:19 | 0:21:22 | |
They all died in exile? | 0:21:22 | 0:21:24 | |
That's what I wanted to hear. Next group. | 0:21:24 | 0:21:26 | |
Napoleon, Sequin, Double Eagle, Aureus. | 0:21:26 | 0:21:29 | |
Em, coins. | 0:21:29 | 0:21:31 | |
A valuable gold coin? | 0:21:31 | 0:21:32 | |
They're all types of gold coin. | 0:21:32 | 0:21:34 | |
The Napoleon you didn't recognise? It's a French one. | 0:21:34 | 0:21:37 | |
It was worth 20 Francs. | 0:21:37 | 0:21:38 | |
And the next one. Zodiac, Buster, Blow, Serpico. | 0:21:38 | 0:21:42 | |
Em... Crime movies | 0:21:43 | 0:21:47 | |
based on true stories? | 0:21:47 | 0:21:48 | |
Crime films based on true crimes. Know the crimes or criminals? | 0:21:48 | 0:21:51 | |
Buster Edwards was the Great Train Robber. | 0:21:51 | 0:21:53 | |
Serpico was | 0:21:55 | 0:21:57 | |
a true life detective in New Zealand, I think? | 0:21:57 | 0:22:00 | |
He was a policeman who blew the whistle on corruption. | 0:22:00 | 0:22:03 | |
Zodiac was a serial killer - in California, I think. | 0:22:03 | 0:22:06 | |
The Zodiac Killer, that's absolutely right. And Blow? | 0:22:06 | 0:22:09 | |
Something to do with drug importing, I think. | 0:22:09 | 0:22:11 | |
-Blow was about the cocaine market in the 1970s. -OK. | 0:22:11 | 0:22:14 | |
All films based on true crime. | 0:22:14 | 0:22:16 | |
And the last group. Melody, Precious, Moses and Omar. | 0:22:16 | 0:22:20 | |
We'll say characters from The Wire. | 0:22:20 | 0:22:24 | |
SHE LAUGHS | 0:22:24 | 0:22:25 | |
That's so beautifully close and yet so incredibly far away. | 0:22:25 | 0:22:29 | |
There are characters from Come Fly With Me, | 0:22:29 | 0:22:32 | |
the Matt Lucas and David Walliams spoof airline series. | 0:22:32 | 0:22:35 | |
Pretty much on the same level(!) | 0:22:35 | 0:22:37 | |
It's a similar tone to The Wire, but I'm saying it's different | 0:22:37 | 0:22:41 | |
-as it's a British show. -Fair enough. -Nevertheless, an excellent score for a final. | 0:22:41 | 0:22:45 | |
You found four groups, you told me three connections. That's a total of seven. | 0:22:45 | 0:22:49 | |
Let's see what the Antiquarians can do with the Connecting Wall. | 0:22:49 | 0:22:53 | |
It'll be equally difficult, but it will still feature | 0:22:53 | 0:22:56 | |
16 jumbled-up clues which they must sort back into four groups. | 0:22:56 | 0:22:59 | |
OK, Antiquarians. It's the Water Wall for you. | 0:22:59 | 0:23:02 | |
You've got two and a half minutes to solve it - starting now. | 0:23:02 | 0:23:06 | |
-Car Wash is a dance. -Foxing - is that when cloth wears away? | 0:23:08 | 0:23:12 | |
-Caryatid is a statue. -Yeah. | 0:23:12 | 0:23:14 | |
Are they things you have on the side of books? | 0:23:16 | 0:23:20 | |
-Bookworm... -Something that eats books. | 0:23:20 | 0:23:23 | |
-Dog ears and books? -Yeah, try those. | 0:23:23 | 0:23:26 | |
Oh yeah, Dog eared will be the same as Foxing then. | 0:23:26 | 0:23:28 | |
Because that's another word for wearing away. | 0:23:28 | 0:23:31 | |
BUZZ What else might you do in a book? | 0:23:31 | 0:23:34 | |
BUZZ Caryatid is a statue. | 0:23:34 | 0:23:38 | |
-BUZZ -Piloti - isn't he an architect? | 0:23:38 | 0:23:41 | |
Piloti - is that the name of a font? | 0:23:41 | 0:23:45 | |
Are these characters in something? | 0:23:45 | 0:23:47 | |
Dr B Ching, Remote Controller, Super Fly... | 0:23:47 | 0:23:50 | |
BUZZ | 0:23:52 | 0:23:53 | |
Foxy Brown's a character in something. | 0:23:53 | 0:23:55 | |
-Shaft is as well. -Car Wash is a song. Is that in that film? -Car Wash... | 0:23:55 | 0:24:01 | |
What else is a song? | 0:24:01 | 0:24:03 | |
-They're characters in something. -I think they're songs. | 0:24:05 | 0:24:09 | |
You've used a minute. | 0:24:09 | 0:24:10 | |
Dog eared and Foxing | 0:24:10 | 0:24:13 | |
-is when something starts to fray at the edges. -OK. | 0:24:13 | 0:24:16 | |
Damages to different things, like books. OK, right... | 0:24:16 | 0:24:20 | |
That's a statue. | 0:24:20 | 0:24:22 | |
Yeah. Try Piloti, that... | 0:24:22 | 0:24:25 | |
The statue of a woman - it's used in an architectural standing. | 0:24:25 | 0:24:29 | |
Pilaster is another... | 0:24:29 | 0:24:31 | |
-Try Pilaster and Stanchion and just see... -We only have three goes. | 0:24:31 | 0:24:35 | |
What are these? Are those songs or are they characters in something? | 0:24:37 | 0:24:41 | |
I think they're bands, aren't they? | 0:24:41 | 0:24:43 | |
Shaft and Super Fly? | 0:24:43 | 0:24:46 | |
Car Wash is a type of dance. | 0:24:46 | 0:24:48 | |
-Shall we go for Stanchion? -Try that. -Yeah. | 0:24:48 | 0:24:53 | |
You've solved the wall. Very well done. | 0:24:53 | 0:24:55 | |
With one confident, final press, you solved the wall. | 0:24:55 | 0:24:58 | |
That's four points and you can get more, of course, | 0:24:58 | 0:25:01 | |
for telling me the connections. | 0:25:01 | 0:25:02 | |
Super Fly, Foxy Brown, Car Wash, Shaft. | 0:25:02 | 0:25:06 | |
They're kind of disco things, aren't they? | 0:25:06 | 0:25:09 | |
Disco. | 0:25:09 | 0:25:11 | |
I think you're a bit young. | 0:25:11 | 0:25:12 | |
I think it maybe is a bit before your time. | 0:25:12 | 0:25:14 | |
-They are Blaxploitation movies - from the 1970s. -Oh... | 0:25:14 | 0:25:18 | |
Next one - Foxing, Sunned, Marginalia, Dog ears. | 0:25:18 | 0:25:22 | |
They're ways that books can be damaged. | 0:25:22 | 0:25:25 | |
Right. Ways in which books can be damaged. | 0:25:25 | 0:25:27 | |
We don't approve of that, but give you the point. | 0:25:27 | 0:25:29 | |
What about this one? | 0:25:29 | 0:25:31 | |
Piloti, Pilaster, Stanchion, Caryatid. | 0:25:31 | 0:25:33 | |
They're architectural items. | 0:25:33 | 0:25:35 | |
They're sculptural things in architecture. | 0:25:35 | 0:25:38 | |
Sculptured architecture? | 0:25:38 | 0:25:40 | |
Tell me precisely what you mean. | 0:25:40 | 0:25:42 | |
-Caryatid is... -Think figures. -Caryatid is used in architecture. | 0:25:42 | 0:25:47 | |
It is not just a figure, it's used to keep something up. | 0:25:47 | 0:25:50 | |
-So supports. -Ornamental architectural forms. | 0:25:50 | 0:25:52 | |
-We're all over the place! -You've fumbled your way | 0:25:52 | 0:25:54 | |
towards some sort of answer I accept. Architectural supports. | 0:25:54 | 0:25:58 | |
And the last one. | 0:25:58 | 0:25:59 | |
Slicker, Bookworm, Dr B Ching, Remote Controller. | 0:25:59 | 0:26:04 | |
-I think they're villains. -Fictional villains. -All villains? | 0:26:04 | 0:26:08 | |
I suppose in a way they are. They are columnists in Private Eye. | 0:26:08 | 0:26:12 | |
-Oh... -Of course. | 0:26:12 | 0:26:14 | |
You get four points for the groups you found | 0:26:14 | 0:26:17 | |
and two extra points for the connections. That's a total of six. | 0:26:17 | 0:26:20 | |
Let's see what it does to the scores going into Round Four. | 0:26:20 | 0:26:23 | |
The Antiquarians have got 14 points, | 0:26:23 | 0:26:26 | |
but the Analysts are ahead with 17. | 0:26:26 | 0:26:29 | |
Just a three point gap then as we go into the missing vowels round. | 0:26:31 | 0:26:35 | |
This is where the championship will be decided. | 0:26:35 | 0:26:37 | |
Fingers on buzzers, teams. | 0:26:37 | 0:26:40 | |
The first category are all... | 0:26:41 | 0:26:44 | |
oxymorons. | 0:26:44 | 0:26:45 | |
-Analysts. -Definite maybe. -Correct. | 0:26:48 | 0:26:50 | |
-Analysts. -Open secret. -Correct. | 0:26:53 | 0:26:56 | |
-Analysts. -Resident alien. -Correct. | 0:27:00 | 0:27:03 | |
Don't know this one? It's exact estimate. | 0:27:09 | 0:27:11 | |
Next category...strategies. | 0:27:11 | 0:27:13 | |
-Analysts. -Queen sacrifice. | 0:27:15 | 0:27:17 | |
In chess, correct. | 0:27:17 | 0:27:19 | |
Analysts. | 0:27:21 | 0:27:23 | |
-Mutual assured destruction. -From nuclear politics, correct. | 0:27:23 | 0:27:26 | |
More obscure, this one. | 0:27:32 | 0:27:33 | |
It's a cake cutting strategy - I cut, you choose. | 0:27:33 | 0:27:37 | |
Next clue. | 0:27:37 | 0:27:38 | |
-Analysts. -Feint. -In military tactics, correct. | 0:27:41 | 0:27:43 | |
Next category, 15-letter words. | 0:27:43 | 0:27:47 | |
-Analysts. -Entrepreneurial. -Yes, it is. | 0:27:51 | 0:27:54 | |
-Analysts. -Ophthalmologists. -Correct. | 0:27:56 | 0:27:59 | |
END-OF-ROUND BUZZER | 0:28:00 | 0:28:03 | |
That final clue is unascertainable, but I think the result might not be. | 0:28:06 | 0:28:11 | |
In second place, very credible result, not easy on this show, | 0:28:11 | 0:28:16 | |
with 14 points, it's the Antiquarians. | 0:28:16 | 0:28:19 | |
But the winners and new champions of Only Connect, with 25 points, | 0:28:19 | 0:28:23 | |
it's the Analysts. | 0:28:23 | 0:28:25 | |
THEY CLAP | 0:28:25 | 0:28:27 | |
Very well done, Analysts. | 0:28:27 | 0:28:28 | |
You get a beautiful trophy to take home. Well done to you, Antiquarians. | 0:28:28 | 0:28:32 | |
You've been a brilliant team. And it's all over. | 0:28:32 | 0:28:35 | |
The main tournament is finished. | 0:28:35 | 0:28:37 | |
Still a few specials to come, | 0:28:37 | 0:28:39 | |
but, for tonight, all that remains | 0:28:39 | 0:28:41 | |
is our multi-million-pound closing ceremony. | 0:28:41 | 0:28:44 | |
Always the best bit. Goodbye. | 0:28:44 | 0:28:47 | |
Subtitles by Red Bee Media Ltd | 0:29:04 | 0:29:07 | |
E-mail [email protected] | 0:29:07 | 0:29:09 |