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Hello and welcome to the hardest game on TV. | 0:00:21 | 0:00:24 | |
In the world of quizzing, Only Connect is the SAS - | 0:00:24 | 0:00:27 | |
tough, uncompromising, and based in South Wales. | 0:00:27 | 0:00:30 | |
Now, these are lean times, and like everyone else, | 0:00:30 | 0:00:33 | |
we're on an austerity drive, we've cut all the easy questions. | 0:00:33 | 0:00:38 | |
Unfortunately, the sports car and speedboat we'd planned to give away as prizes have gone as well. | 0:00:38 | 0:00:43 | |
That's my fault for test-driving them after a couple of sherries. | 0:00:43 | 0:00:47 | |
So playing for glory only tonight, | 0:00:47 | 0:00:49 | |
we have Heidi Shaw, a part-time singing teacher | 0:00:49 | 0:00:53 | |
and former performing arts lecturer who now runs a local ladies' choir. | 0:00:53 | 0:00:57 | |
James Bedworth, a learning support advisor who is addicted to football | 0:00:57 | 0:01:01 | |
and is currently managing Lincoln FC online. | 0:01:01 | 0:01:05 | |
And their captain Jonathan Shaw, a civil servant for the Land Registry | 0:01:05 | 0:01:09 | |
who supports West Bromwich Albion and is currently reading | 0:01:09 | 0:01:13 | |
the complete works of Dickens in chronological order. | 0:01:13 | 0:01:16 | |
Online they are some of football's key managerial players, | 0:01:16 | 0:01:20 | |
off-line they are the Fantasy Footballers. | 0:01:20 | 0:01:24 | |
Jonathan, what is it about fantasy football that excites you? | 0:01:24 | 0:01:27 | |
It's better than real football where supporting West Bromwich Albion is just a hell really. | 0:01:27 | 0:01:32 | |
Do you manage a team online? | 0:01:32 | 0:01:33 | |
No, I tend to do the more orthodox through the newspaper's fantasy football leagues. | 0:01:33 | 0:01:38 | |
I think it's Jim who's the big online manager. | 0:01:38 | 0:01:40 | |
How are you getting on with reading the complete works of Dickens? | 0:01:40 | 0:01:43 | |
I'm up to Bleak House at the minute, it's only taken me seven years. | 0:01:43 | 0:01:47 | |
-You know what they always say about Dickens? -No. | 0:01:47 | 0:01:50 | |
Very funny, not enough online football in it. Behind the times. | 0:01:50 | 0:01:55 | |
Your opponents tonight are, on my left, Simon Belcher, | 0:01:55 | 0:02:00 | |
a data analyst and qualified wine taster | 0:02:00 | 0:02:03 | |
who is the proud owner of five Blue Peter badges. | 0:02:03 | 0:02:06 | |
Debbie Challis, an audience development officer | 0:02:06 | 0:02:08 | |
at a museum of Egyptian archaeology, | 0:02:08 | 0:02:11 | |
who has a flair for interior design and loves exploring old cemeteries. | 0:02:11 | 0:02:15 | |
And their captain Will Howells, a digital media manager with | 0:02:15 | 0:02:18 | |
an interest in genealogy who collects 20th century theatrical memorabilia. | 0:02:18 | 0:02:23 | |
United by their insatiable appetite for all things historical, | 0:02:23 | 0:02:27 | |
they are the Antiquarians. | 0:02:27 | 0:02:29 | |
What are the historical interests that bring you together? | 0:02:29 | 0:02:33 | |
Debbie is into Victorian literature and ancient civilisations. | 0:02:33 | 0:02:36 | |
Simon likes old buildings and English history. | 0:02:36 | 0:02:39 | |
I like Simon and Debbie and also Edwardian theatre | 0:02:39 | 0:02:43 | |
and family history. | 0:02:43 | 0:02:46 | |
You're the fellow who put a song about Only Connect on the Internet? | 0:02:46 | 0:02:51 | |
-Yes. -It is a brilliant song. | 0:02:51 | 0:02:53 | |
Look it up online. It's about dolphins and Only Connect, | 0:02:53 | 0:02:56 | |
but no time for such frivolity now because we've got a quiz to play. | 0:02:56 | 0:02:59 | |
We'll start with Round One, that's only traditional, I'm going to ask you what | 0:02:59 | 0:03:03 | |
is the connection between four clues. The fewer clues you see, the more points you get - simple as that. | 0:03:03 | 0:03:09 | |
The Antiquarians won the toss, so they'll be going first. | 0:03:09 | 0:03:12 | |
Please select an Egyptian hieroglyph. | 0:03:12 | 0:03:14 | |
Could we have Eye of Horus, please? | 0:03:14 | 0:03:16 | |
Kicking off with the Eye of Horus, your first clue is coming up now. | 0:03:16 | 0:03:20 | |
-Bob Hope impersonator. Someone who didn't win... -Think of a name. | 0:03:20 | 0:03:24 | |
One of those talent show things? | 0:03:24 | 0:03:27 | |
Or someone who didn't win a competition... | 0:03:27 | 0:03:31 | |
Next, please. | 0:03:31 | 0:03:33 | |
Did they do it on themselves? | 0:03:33 | 0:03:35 | |
Would Bob Hope be a person who injected it into himself? | 0:03:35 | 0:03:38 | |
I don't think, how does that... | 0:03:38 | 0:03:40 | |
-Bob Hope? -Shall we have another? Next one. | 0:03:40 | 0:03:45 | |
20 white kittens. They're all involved in... | 0:03:45 | 0:03:48 | |
-a medical development? -Ten seconds. -Next. | 0:03:48 | 0:03:53 | |
M&Ms, no brown ones. Are they all in a certain country? | 0:03:53 | 0:03:56 | |
-Have they got a certain... -Three seconds. | 0:03:56 | 0:03:59 | |
-I think we're going to have to go. -BELL | 0:03:59 | 0:04:01 | |
-Yes? -Something to do with things people have done to themselves. | 0:04:01 | 0:04:06 | |
Er...I was going to ask what you mean by that and I realise we could end up | 0:04:06 | 0:04:11 | |
going in a terrible direction. I'll just say that is not the answer. | 0:04:11 | 0:04:14 | |
Fantasy Footballers, a chance of a bonus. | 0:04:14 | 0:04:17 | |
We think they're on bands' riders, items on bands' riders. | 0:04:17 | 0:04:20 | |
They are items, genuinely, that have appeared on riders | 0:04:20 | 0:04:24 | |
for performing artists. | 0:04:24 | 0:04:25 | |
Can you link them with any specific people? | 0:04:25 | 0:04:28 | |
I think no brown M&Ms is Van Halen, isn't it? | 0:04:28 | 0:04:30 | |
Van Halen have it on their rider and people think they're fussy, | 0:04:30 | 0:04:34 | |
but it's a test to see if people are reading their contracts. | 0:04:34 | 0:04:38 | |
If they haven't noticed the brown M&Ms, | 0:04:38 | 0:04:40 | |
perhaps they've missed other things. 20 white kittens is Mariah Carey. | 0:04:40 | 0:04:43 | |
There's a lot of urban myths about things Mariah Carey's asked for, | 0:04:43 | 0:04:47 | |
but when she was switching on the Christmas lights | 0:04:47 | 0:04:50 | |
at the Westfield shopping centre, she asked for 20 white kittens | 0:04:50 | 0:04:54 | |
-to be playing around her feet and 100 doves to be released. -God! | 0:04:54 | 0:04:57 | |
It was turned down, which is a pity because that could have been carnage. | 0:04:57 | 0:05:02 | |
The Bob Hope impersonator, that's Iggy Pop, he asks for that - | 0:05:02 | 0:05:06 | |
I don't think anyone ever provides it. | 0:05:06 | 0:05:08 | |
And the physician to inject vitamin B12 - Prince has that on his rider. | 0:05:08 | 0:05:11 | |
Well done. That's a bonus point to you, Footballers. | 0:05:11 | 0:05:14 | |
-Please, pick your own question. -Twisted Flax, please. | 0:05:14 | 0:05:18 | |
OK, your first clue is coming up now. | 0:05:18 | 0:05:21 | |
That was King James. | 0:05:21 | 0:05:23 | |
Is it books by monarchs? Do you want another one first? | 0:05:23 | 0:05:25 | |
Next one, please. | 0:05:25 | 0:05:27 | |
No I don't think that was written by a monarch. | 0:05:27 | 0:05:29 | |
Prince William was stationed there. | 0:05:29 | 0:05:31 | |
-He was, yeah. -The first one was James I. | 0:05:31 | 0:05:34 | |
Next one, please. | 0:05:34 | 0:05:36 | |
Krapp's Last Tape was Beckett. Beckett, Russell, James. | 0:05:36 | 0:05:42 | |
Next one, please. | 0:05:42 | 0:05:44 | |
You've got ten seconds. | 0:05:49 | 0:05:52 | |
-Who wrote Shirley Valentine? -Willy Russell. | 0:05:52 | 0:05:57 | |
Three seconds if you want to have a guess. | 0:05:57 | 0:05:59 | |
-No, it's gone. -Out of time. It's a shame. | 0:05:59 | 0:06:02 | |
I like it when people guess, it's usually something ridiculous. | 0:06:02 | 0:06:05 | |
No points there. A chance for a bonus, Antiquarians. | 0:06:05 | 0:06:08 | |
Are they one-person plays? | 0:06:08 | 0:06:10 | |
That's right, they're all one-person shows. | 0:06:10 | 0:06:13 | |
You hear other characters recorded but just one person on the stage. | 0:06:13 | 0:06:17 | |
As written by Chekhov, Willy Russell wrote Shirley Valentine, | 0:06:17 | 0:06:20 | |
Beckett, Krapp's Last Tape, and Tell Me On a Sunday | 0:06:20 | 0:06:23 | |
is an Andrew Lloyd Webber thing, but all one-person shows. | 0:06:23 | 0:06:26 | |
-That's a bonus point to you. Please, pick a question. -Lion. | 0:06:26 | 0:06:30 | |
Lion, OK. You're going to have four clues, if you need all four, | 0:06:30 | 0:06:35 | |
and the first one is coming up now. | 0:06:35 | 0:06:37 | |
Is it an award or a medal? | 0:06:37 | 0:06:38 | |
An inscription on a coin? | 0:06:38 | 0:06:41 | |
No, I don't think... Next, please. | 0:06:41 | 0:06:46 | |
Gentle way? Is it a Latin term for these or something? | 0:06:46 | 0:06:49 | |
Could be Latin terms, yeah. | 0:06:49 | 0:06:52 | |
Next. | 0:06:52 | 0:06:53 | |
Oh, that means karate, so they're martial art terms, do you think? | 0:06:53 | 0:06:58 | |
-Yeah. -Yes, I'd go for that. -BELL | 0:06:58 | 0:07:00 | |
English translations of martial arts. | 0:07:00 | 0:07:04 | |
Exactly. English translations of martial arts disciplines. | 0:07:04 | 0:07:08 | |
You recognised empty hand is karate. Do you know any of the others? | 0:07:08 | 0:07:12 | |
-No. -Tai chi is gentle way. | 0:07:12 | 0:07:15 | |
Is the way of the sword Samurai? | 0:07:15 | 0:07:17 | |
No, you're just thinking of swords. | 0:07:17 | 0:07:20 | |
No, achievement through great effort is kung fu. The next one, | 0:07:20 | 0:07:24 | |
gentle way, that's judo in Japanese. | 0:07:24 | 0:07:26 | |
Karate, and kendo is the way of the sword. | 0:07:26 | 0:07:28 | |
So very well done, you get the points there. | 0:07:28 | 0:07:31 | |
-Fantasy Footballers, your turn. -Water, please. | 0:07:31 | 0:07:34 | |
OK. This is going to be the music question. | 0:07:34 | 0:07:37 | |
You'll be hearing your clues and the first one is coming in now. | 0:07:37 | 0:07:41 | |
LADIES DUET | 0:07:41 | 0:07:43 | |
Next one, please. | 0:07:47 | 0:07:49 | |
# When the twilight is gone | 0:07:49 | 0:07:55 | |
-# You come into my... # -Next one, please. | 0:07:55 | 0:07:57 | |
# Lead us to a place | 0:07:57 | 0:08:01 | |
# Guide us with your grace Give us faith so we'll be safe... # | 0:08:01 | 0:08:08 | |
It's the prayer. | 0:08:08 | 0:08:10 | |
-Ten seconds. -Prayers. -Go for it. -BELL | 0:08:10 | 0:08:15 | |
All to do with prayers. | 0:08:15 | 0:08:17 | |
Absolutely right. You get two points. | 0:08:17 | 0:08:19 | |
All to do with prayers. You heard Evening Prayer | 0:08:19 | 0:08:22 | |
from Hansel and Gretel, then My Prayer by The Platters. | 0:08:22 | 0:08:25 | |
You noticed "twilight." This is where if you hear | 0:08:25 | 0:08:28 | |
the word "twilight" that's the one thing it's not going to be. | 0:08:28 | 0:08:31 | |
You would have heard Like A Prayer by Madonna, but you came in | 0:08:31 | 0:08:34 | |
at Bocelli and Celine Dion singing The Prayer. Very well done. | 0:08:34 | 0:08:38 | |
Antiquarians, up to you. | 0:08:38 | 0:08:39 | |
Horned Viper. | 0:08:39 | 0:08:41 | |
The Horned Viper, the first clue is coming up now. | 0:08:41 | 0:08:44 | |
-In the UK. -It could be a symbol saying. -Next one. | 0:08:46 | 0:08:50 | |
-Yes. -Next. | 0:08:50 | 0:08:52 | |
A warning sign? | 0:08:52 | 0:08:56 | |
-Circular symbols. -Yeah. | 0:08:56 | 0:09:00 | |
A circle with an A in it is anarchy. | 0:09:00 | 0:09:03 | |
-Shall we just go for letters in circles? -Letters in circles. | 0:09:03 | 0:09:06 | |
-Shall we go? -BELL | 0:09:06 | 0:09:08 | |
They're represented by circles with letters in. | 0:09:08 | 0:09:10 | |
Yes, they are, very well done. | 0:09:10 | 0:09:13 | |
Coming in after just two clues, you get three points. | 0:09:13 | 0:09:16 | |
Anarchy is an A in a circle, dry cleaning is F in a circle. | 0:09:16 | 0:09:19 | |
You would have seen heliport, which is a big H in a circle, | 0:09:19 | 0:09:23 | |
and copyright is C in a circle. Well gambled. Extra points to you. | 0:09:23 | 0:09:27 | |
Footballers, there is just one question remaining, the two reeds, | 0:09:27 | 0:09:31 | |
and you'll know to expect picture clues as we haven't had those yet. | 0:09:31 | 0:09:34 | |
Your first picture is coming up now. | 0:09:34 | 0:09:37 | |
-Fish. -Carp. | 0:09:39 | 0:09:43 | |
Next one, please. | 0:09:43 | 0:09:45 | |
-Snake eyes. -Could be seven... Are they lucky? | 0:09:45 | 0:09:51 | |
I don't know. Next one, please. | 0:09:51 | 0:09:55 | |
-They kissed his head. -BELL | 0:09:55 | 0:09:58 | |
You kiss them for luck. | 0:09:58 | 0:09:59 | |
That is right. You didn't see the fourth clue, | 0:09:59 | 0:10:01 | |
which would have been | 0:10:01 | 0:10:03 | |
the Blarney Stone. What was it you recognised? | 0:10:03 | 0:10:06 | |
-Fabien Barthez's head. -That's absolutely right. | 0:10:06 | 0:10:10 | |
They're all kissed for luck - | 0:10:10 | 0:10:11 | |
a hooked fish you kiss for luck, | 0:10:11 | 0:10:13 | |
the dice when you're playing craps, | 0:10:13 | 0:10:15 | |
but I've noticed those dice are on seven, | 0:10:15 | 0:10:17 | |
which is something you don't want to see in craps. | 0:10:17 | 0:10:19 | |
Well done, that takes us to the end of Round One and looking at the scores | 0:10:19 | 0:10:23 | |
the Fantasy Footballers have got five points, | 0:10:23 | 0:10:26 | |
the Antiquarians are in the lead with six. | 0:10:26 | 0:10:28 | |
Round Two is about sequences, this time I'm going to ask the teams | 0:10:30 | 0:10:33 | |
what is fourth in a sequence, | 0:10:33 | 0:10:36 | |
they may see one, two, or three clues before giving me an answer. | 0:10:36 | 0:10:40 | |
Antiquarians, you'll be going first again, please pick a hieroglyph. | 0:10:40 | 0:10:44 | |
We'll have Eye of Horus, please. | 0:10:44 | 0:10:46 | |
OK, I want to know what is fourth in this sequence, | 0:10:46 | 0:10:49 | |
you're going to see the first one now. | 0:10:49 | 0:10:52 | |
Chuck? How much wood would a woodchuck chuck? | 0:10:52 | 0:10:55 | |
Um... next. | 0:10:58 | 0:11:00 | |
It's parts of... It's cuts of beef. | 0:11:02 | 0:11:05 | |
Cuts of beef. Oh, yeah, yeah. | 0:11:05 | 0:11:07 | |
Shall we take the next one and see where it goes? Do we know...? | 0:11:07 | 0:11:10 | |
-Get another one, just to check. -Next. | 0:11:10 | 0:11:13 | |
-Yeah, so it's cuts of beef. -Oxtail? Topside? | 0:11:13 | 0:11:16 | |
Chuck is under then ribs, then loin. | 0:11:16 | 0:11:19 | |
-Where's loin? -Backwards, I'd have thought. | 0:11:19 | 0:11:21 | |
-Ten seconds. -I don't know which direction it's going. | 0:11:21 | 0:11:25 | |
Ribs are there, loin's there. Rump? | 0:11:25 | 0:11:27 | |
-BELL -Rump. | 0:11:27 | 0:11:29 | |
The answer is rump, why is that? | 0:11:29 | 0:11:31 | |
They are cuts of beef, working down the body, we think. | 0:11:31 | 0:11:35 | |
Or across the body. | 0:11:35 | 0:11:36 | |
Going backwards along a cow's back, that is absolutely right. | 0:11:36 | 0:11:41 | |
-Footballers, your turn to pick a squiggle. -Two reeds, please. | 0:11:41 | 0:11:44 | |
OK, first in the sequence coming up. What's fourth? Time starts now. | 0:11:44 | 0:11:48 | |
Next one, please. | 0:11:50 | 0:11:52 | |
They're vehicles. | 0:11:55 | 0:11:56 | |
Yeah, but what's the sequence? | 0:11:58 | 0:12:00 | |
I think it might be an elephant and a howdah, | 0:12:00 | 0:12:03 | |
I think it's to do with round the world with Charley Boorman. | 0:12:03 | 0:12:06 | |
Next one, please. | 0:12:06 | 0:12:08 | |
That's the thing you stand on, so it's got to be a unicycle. | 0:12:10 | 0:12:14 | |
Tuk-tuk's got three, Segway's got two. | 0:12:14 | 0:12:16 | |
Unicycle. | 0:12:16 | 0:12:18 | |
Unicycle is the right answer. | 0:12:18 | 0:12:19 | |
For what reason? | 0:12:19 | 0:12:21 | |
The amount of wheels in descending order. | 0:12:21 | 0:12:24 | |
They are vehicles with four, three, two, and one wheel. | 0:12:24 | 0:12:27 | |
What did I hear about an elephant? | 0:12:27 | 0:12:29 | |
I thought... | 0:12:29 | 0:12:30 | |
The opening sequence to that around the world thing | 0:12:30 | 0:12:34 | |
with Charley Boorman, he was riding on different vehicles | 0:12:34 | 0:12:38 | |
and there's a bit with him on a howdah on an elephant. | 0:12:38 | 0:12:41 | |
OK. I mean, can I just say, | 0:12:41 | 0:12:43 | |
having reduced the noble cow | 0:12:43 | 0:12:45 | |
to four cuts of beef, an elephant is not a vehicle. | 0:12:45 | 0:12:48 | |
It is if you're riding on the back of it. | 0:12:48 | 0:12:50 | |
That doesn't make it a vehicle. | 0:12:50 | 0:12:52 | |
A cow is not just beef, | 0:12:52 | 0:12:53 | |
an elephant is not a vehicle. | 0:12:53 | 0:12:55 | |
we need more respect for the animal kingdom on this show. | 0:12:55 | 0:12:58 | |
But Surrey, tuk-tuk, Segway, and unicycle are vehicles, | 0:12:58 | 0:13:00 | |
so that's right. | 0:13:00 | 0:13:02 | |
Back to the Antiquarians | 0:13:02 | 0:13:03 | |
-for a question. -Respectfully, a lion, please. | 0:13:03 | 0:13:07 | |
I like your respect for the noble lion. | 0:13:07 | 0:13:10 | |
OK. First clue in the sequence is coming up now. | 0:13:10 | 0:13:14 | |
It's a French word, isn't it? | 0:13:16 | 0:13:18 | |
Laertes? | 0:13:18 | 0:13:19 | |
-It's a bird. -Yeah. | 0:13:19 | 0:13:21 | |
Next. | 0:13:21 | 0:13:23 | |
Passions. | 0:13:23 | 0:13:24 | |
They're not things in Christ's life, are they? | 0:13:24 | 0:13:27 | |
Stages in his life, Easter... | 0:13:27 | 0:13:29 | |
But then that would go... I'd go for the next one to check. | 0:13:29 | 0:13:32 | |
Next. | 0:13:32 | 0:13:33 | |
-Palm Sunday. -Palm, yeah. | 0:13:34 | 0:13:36 | |
-Easter. -Passion Sunday, Palm Sunday. | 0:13:36 | 0:13:37 | |
I would go for Easter, yeah. | 0:13:37 | 0:13:40 | |
-BELL -Easter. | 0:13:40 | 0:13:41 | |
That's right. | 0:13:41 | 0:13:43 | |
Sundays in the Christian calendar. Easter would be next. | 0:13:43 | 0:13:46 | |
Laetare or Rose Sunday followed by Passion, Palm, and Easter Sunday. | 0:13:46 | 0:13:49 | |
Well done. Footballers, what do you want? | 0:13:49 | 0:13:51 | |
We'll go for a twisted flax, please. | 0:13:51 | 0:13:53 | |
OK, these will be picture clues. | 0:13:53 | 0:13:55 | |
What would you expect to see | 0:13:55 | 0:13:57 | |
in the fourth picture? Time starts now. | 0:13:57 | 0:14:01 | |
Strawberries. | 0:14:01 | 0:14:02 | |
Hang on. It's the regal... it's the signs | 0:14:02 | 0:14:06 | |
-for different orders of the baronetcy. -Right. | 0:14:06 | 0:14:10 | |
Four strawberries, but I can't remember... | 0:14:10 | 0:14:12 | |
Next one, please. | 0:14:12 | 0:14:14 | |
Three plums. | 0:14:15 | 0:14:17 | |
Are these not on a fruit machine? Strawberries, plums... | 0:14:17 | 0:14:19 | |
-You have a single bar. -The sequence. | 0:14:19 | 0:14:21 | |
Next one, please. | 0:14:21 | 0:14:23 | |
Two pears. | 0:14:23 | 0:14:24 | |
It's going to be bar, isn't it? | 0:14:24 | 0:14:26 | |
Three plums, two pears... Why? | 0:14:26 | 0:14:27 | |
-Cos it's on a fruit machine. -But it's a sequence. | 0:14:27 | 0:14:30 | |
Ten seconds. BELL | 0:14:30 | 0:14:32 | |
Bar. | 0:14:32 | 0:14:33 | |
I love your thinking but it's wrong. | 0:14:33 | 0:14:36 | |
Ah. | 0:14:36 | 0:14:37 | |
Antiquarians, a chance of a bonus. | 0:14:37 | 0:14:39 | |
-An apple? -Yeah. An apple. | 0:14:39 | 0:14:42 | |
Yes, it is an apple, do you know why? | 0:14:42 | 0:14:45 | |
We think it might be a fruit machine thing but we have no idea. | 0:14:45 | 0:14:48 | |
How dissolute you all are! | 0:14:48 | 0:14:49 | |
Nothing to do with fruit machines - | 0:14:49 | 0:14:51 | |
it's children's literature. | 0:14:51 | 0:14:53 | |
They are things the Very Hungry Caterpillar ate. | 0:14:53 | 0:14:56 | |
Four strawberries, three plums, two pears and one apple. | 0:14:56 | 0:14:59 | |
Doesn't it look delicious? | 0:14:59 | 0:15:00 | |
Reminds me of what I ate only today. | 0:15:00 | 0:15:03 | |
Except it wasn't fruit, it was gin. | 0:15:03 | 0:15:05 | |
Bonus point for you, Antiquarians. | 0:15:05 | 0:15:07 | |
You may now pick a question. | 0:15:07 | 0:15:09 | |
Water, please. | 0:15:09 | 0:15:10 | |
Water, OK. First in a sequence coming up, what's fourth? | 0:15:10 | 0:15:14 | |
Time starts now. | 0:15:14 | 0:15:15 | |
There's Carson Daly, there's John Carson. | 0:15:17 | 0:15:20 | |
-Matt Carson as well. -Yeah. | 0:15:20 | 0:15:23 | |
-The next one. -Next. | 0:15:23 | 0:15:25 | |
-Leno. -Leno. | 0:15:25 | 0:15:27 | |
Presenters of Tonight? | 0:15:27 | 0:15:29 | |
Letterman, er, all the biggest... | 0:15:29 | 0:15:33 | |
-Shall we take the next one? -It's good, yes. -Next. | 0:15:33 | 0:15:36 | |
Shall we have Letterman? Who took over from O'Brien? | 0:15:36 | 0:15:38 | |
O'Brien got sacked recently | 0:15:38 | 0:15:40 | |
and someone took over from him. But it wasn't... | 0:15:40 | 0:15:43 | |
People presenting it. | 0:15:43 | 0:15:45 | |
-Ten seconds. -It could be the size of the show they're on. | 0:15:45 | 0:15:49 | |
-I can't remember who took over. -BELL | 0:15:49 | 0:15:51 | |
Letterman. | 0:15:51 | 0:15:53 | |
That's not the answer I'm after. | 0:15:53 | 0:15:54 | |
So, Footballers, what do you think it is? | 0:15:54 | 0:15:56 | |
We'll go for Leno again. | 0:15:56 | 0:15:58 | |
You're absolutely right. You were in the right area, | 0:15:58 | 0:16:00 | |
they were successive hosts | 0:16:00 | 0:16:02 | |
of the Tonight Show - Johnny Carson, Jay Leno, | 0:16:02 | 0:16:04 | |
but after Conan O'Brien, | 0:16:04 | 0:16:06 | |
Jay Leno again. So very well done for the bonus point | 0:16:06 | 0:16:09 | |
and one question remains for you, which is the Horned Viper, | 0:16:09 | 0:16:12 | |
first in the sequence coming up now. | 0:16:12 | 0:16:15 | |
120 could be anything. | 0:16:15 | 0:16:17 | |
Next one, please. | 0:16:17 | 0:16:18 | |
Six 20s, ten 12s, two 12s... I'd do the rest, I think. | 0:16:21 | 0:16:27 | |
Next one, please. | 0:16:27 | 0:16:28 | |
6. | 0:16:31 | 0:16:33 | |
Perfect numbers. | 0:16:33 | 0:16:34 | |
Yeah, so what are they? | 0:16:34 | 0:16:36 | |
1, I think. | 0:16:36 | 0:16:38 | |
-BELL -1. | 0:16:38 | 0:16:40 | |
1 is not the correct answer, | 0:16:40 | 0:16:41 | |
Another bonus chance for you. | 0:16:41 | 0:16:44 | |
2. | 0:16:44 | 0:16:45 | |
It is 2. Why is it 2? | 0:16:45 | 0:16:47 | |
It's 5 factorial, 4 factorial, 3 factorial. | 0:16:47 | 0:16:50 | |
so the last one's 2 factorial, which is 2x1. | 0:16:50 | 0:16:52 | |
That's absolutely right. | 0:16:52 | 0:16:54 | |
factorial numbers, 5x4x3x2x1... | 0:16:54 | 0:16:56 | |
and so on. Do you kick yourselves | 0:16:56 | 0:16:58 | |
when you hear the answer there? | 0:16:58 | 0:17:00 | |
-No, wouldn't have had a clue. -Not your world. | 0:17:00 | 0:17:02 | |
That's what it means if you see | 0:17:02 | 0:17:04 | |
a five with an exclamation mark. | 0:17:04 | 0:17:05 | |
It means five factorial, not "FIVE!" | 0:17:05 | 0:17:08 | |
And they are 5, 4, 3 and 2 factorial, | 0:17:08 | 0:17:11 | |
The last one would be 2. So very well done for the bonus. | 0:17:11 | 0:17:14 | |
Looking at the scores, then, at the end of Round Two. | 0:17:14 | 0:17:16 | |
Fantasy Footballers have got 8 points. | 0:17:16 | 0:17:20 | |
The Antiquarians are in the lead with 12. | 0:17:20 | 0:17:22 | |
Time for the Connecting Wall. | 0:17:24 | 0:17:26 | |
There are still groups of connected clues | 0:17:26 | 0:17:28 | |
but this time, they're jumbled together. | 0:17:28 | 0:17:30 | |
The teams have to find the groups | 0:17:30 | 0:17:32 | |
and get extra points for the connections. | 0:17:32 | 0:17:34 | |
Fantasy Footballers, it will be your turn to go first | 0:17:34 | 0:17:37 | |
and you've got a choice between the Lion Wall and the Water Wall. | 0:17:37 | 0:17:40 | |
-Lion, please, Victoria. -OK, you need to sort these clues | 0:17:40 | 0:17:43 | |
into four connected groups of four and your time starts... | 0:17:43 | 0:17:48 | |
now. | 0:17:48 | 0:17:50 | |
An adze is a tool to stripping wood | 0:17:50 | 0:17:52 | |
and I can't think of what else it could be. A tomahawk is like an axe. | 0:17:52 | 0:17:57 | |
South Korea, South Dakota, South America, South Atlantic? | 0:17:57 | 0:18:01 | |
-Do you want to try those? -Yes, let's try them. | 0:18:01 | 0:18:03 | |
-BUZZ -There's also South Shields. | 0:18:03 | 0:18:05 | |
Tonight, Maria, and America are in West Side Story. | 0:18:05 | 0:18:08 | |
-That's true, have we got another one? -Erm... | 0:18:08 | 0:18:12 | |
-Cool. -Cool, yes. Do you want to try that? -Yeah. | 0:18:12 | 0:18:15 | |
Very good. OK. | 0:18:15 | 0:18:18 | |
Let's try this South, then. | 0:18:18 | 0:18:20 | |
South Dakota, South Shields, South Korea, South Atlantic. | 0:18:20 | 0:18:23 | |
-All right, OK. -What's McTwist? | 0:18:23 | 0:18:26 | |
A chopper... an adze, and a tomahawk. | 0:18:26 | 0:18:28 | |
Careful, now, cos it's three strikes and you're out. | 0:18:28 | 0:18:31 | |
-A Fakie Ollie's a skateboard move, isn't it? -A skateboard move. | 0:18:31 | 0:18:34 | |
So skateboard. | 0:18:34 | 0:18:36 | |
-There's a McTwist one as well. -Yeah, I reckon it must be. | 0:18:36 | 0:18:39 | |
Do you want to try those? A Shifty is, I think. | 0:18:39 | 0:18:41 | |
So what would the others be? | 0:18:41 | 0:18:43 | |
A Tomahawk, I'd say. | 0:18:43 | 0:18:45 | |
Well, Wildcat doesn't fit in. | 0:18:45 | 0:18:48 | |
I reckon one of those two if they're axes, do you want to try one? | 0:18:48 | 0:18:51 | |
What would the other one be left? | 0:18:51 | 0:18:54 | |
Well, one of those two might be some sort of... | 0:18:54 | 0:18:57 | |
So we'd have axes and we've have skateboard moves? | 0:18:57 | 0:19:00 | |
-Yes, shall we try? -Which one are we going for? | 0:19:00 | 0:19:02 | |
I fancy a tom... No that's not a Wildcat, is it? | 0:19:02 | 0:19:07 | |
You've solved the Wall. Well done. | 0:19:07 | 0:19:10 | |
That is four points for the groups you found. | 0:19:10 | 0:19:12 | |
There are bonus points for the connections. If you get them all, there's two more. | 0:19:12 | 0:19:16 | |
So let's start with the first group, America, Tonight, Cool, Maria. | 0:19:16 | 0:19:20 | |
They're all songs from West Side Story. | 0:19:20 | 0:19:23 | |
They are from the Bernstein and Sondheim musical West Side Story, | 0:19:23 | 0:19:26 | |
they're songs from that. | 0:19:26 | 0:19:27 | |
Next group, Korea, Shields, Atlantic, Dakota. | 0:19:27 | 0:19:31 | |
South something - | 0:19:31 | 0:19:32 | |
South Korea, South Shields, South Atlantic, South Dakota. | 0:19:32 | 0:19:36 | |
-Not quite as happy as I could be. -Oh, North. | 0:19:36 | 0:19:39 | |
They can be preceded by South or North. | 0:19:39 | 0:19:41 | |
They are divided into North OR South. North and South Korea, | 0:19:41 | 0:19:44 | |
North and South Shields, North and South Atlantic. | 0:19:44 | 0:19:47 | |
And Dakota. It's North and South. | 0:19:47 | 0:19:49 | |
Next group, McTwist, Shifty, Wildcat, Fakie Ollie. | 0:19:49 | 0:19:54 | |
We think they're skateboard moves or skateboard stunts. | 0:19:54 | 0:19:57 | |
Or BMX. | 0:19:59 | 0:20:01 | |
Would you prefer BMX? | 0:20:01 | 0:20:03 | |
Do you know, you're in the right universe but I'm afraid it's neither. | 0:20:03 | 0:20:07 | |
-You're awfully close, what they are is snowboarding tricks. -Oh! | 0:20:07 | 0:20:11 | |
Having been generous on the North and South, I won't give you that one, | 0:20:11 | 0:20:15 | |
but the last group - adze, chopper, tomahawk, ono, or o-no. | 0:20:15 | 0:20:19 | |
-They're all axe-like. -Yes, they're all axe-like tools. | 0:20:19 | 0:20:23 | |
Tools for dealing with wood. | 0:20:23 | 0:20:24 | |
Yeah, they're axes, they're just sorts of axe. | 0:20:24 | 0:20:26 | |
Adze, the first one, with or without E - | 0:20:26 | 0:20:28 | |
all Scrabble players are familiar with that. Very useful. | 0:20:28 | 0:20:31 | |
Chopper, people think of as just a slang term for an axe, | 0:20:31 | 0:20:34 | |
actually, it's not, you can chop a rock and it leaves behind | 0:20:34 | 0:20:37 | |
a sort of cutting tool, that's a chopper. | 0:20:37 | 0:20:40 | |
Tomahawk, everyone knows. | 0:20:40 | 0:20:41 | |
The last one is a sort of giant Japanese battleaxe. | 0:20:41 | 0:20:44 | |
I must ring my mother. | 0:20:44 | 0:20:46 | |
Yes, very well done. That's four points for the groups | 0:20:46 | 0:20:49 | |
and another three points for the connections, so that's a total of seven. Very well done. | 0:20:49 | 0:20:53 | |
Time to bring back the Antiquarians and see what they can do with their Connecting Wall. | 0:20:53 | 0:20:57 | |
Pausing only to stress my mother is not a massive Japanese battleaxe. | 0:20:57 | 0:21:02 | |
I don't know why I said that, I'm simply nervous. | 0:21:02 | 0:21:04 | |
Not one of those three descriptors applies to my mother, | 0:21:04 | 0:21:07 | |
who is, in fact, a delicate Hungarian anaesthetist. | 0:21:07 | 0:21:10 | |
That won't mean anything to you, Antiquarians, but the Water Wall | 0:21:10 | 0:21:14 | |
is what you've got - 16 clues to be sorted | 0:21:14 | 0:21:17 | |
into four connected groups of four. | 0:21:17 | 0:21:19 | |
Your time starts...now. | 0:21:19 | 0:21:22 | |
Lathe and Finishing from Coventry, maybe? Alison Steadman? | 0:21:22 | 0:21:26 | |
Steadman is a number, I think, as well. | 0:21:26 | 0:21:29 | |
-James Corden? -They're all in Gavin and Stacey - Larry Lamb. | 0:21:29 | 0:21:32 | |
So Horne, Corden, Lamb, Stacey? | 0:21:32 | 0:21:35 | |
-That's a group. -So oilseed rape? | 0:21:35 | 0:21:37 | |
-Deaf ear? -Grammar, Kelsey Grammer. | 0:21:37 | 0:21:40 | |
No. Lathe and Finishing are... | 0:21:40 | 0:21:43 | |
It's woodworking. | 0:21:43 | 0:21:44 | |
Actually, a rape... I think it might be a woodworking tool. | 0:21:44 | 0:21:47 | |
-Corner as well? -Try those, yeah. | 0:21:47 | 0:21:50 | |
-Nope. Anything else it could be? -BUZZ | 0:21:50 | 0:21:52 | |
-Hundred is represented by C. -Riding, the Ridings of Yorkshire. | 0:21:52 | 0:21:55 | |
Riding is a division of a county, a Hundred is a division of a county. | 0:21:55 | 0:21:59 | |
A Sunday, a Page, a Rape... Erm... | 0:21:59 | 0:22:04 | |
BUZZ | 0:22:04 | 0:22:05 | |
What else could those be? Anything, ape, age... | 0:22:05 | 0:22:09 | |
-The. -Dance music. | 0:22:09 | 0:22:12 | |
Dance music, corner, corner in boxing. | 0:22:12 | 0:22:15 | |
You have a Sunday Dance. | 0:22:15 | 0:22:17 | |
Grammar school, Finishing school, Riding school. | 0:22:17 | 0:22:20 | |
-Oh, yes, Sunday School. -Or Dance School? | 0:22:20 | 0:22:22 | |
-Yeah. -Any others? | 0:22:22 | 0:22:24 | |
BUZZ | 0:22:24 | 0:22:25 | |
Try those ones. | 0:22:28 | 0:22:30 | |
Don't panic. You've got about half the time left and you got two groups. | 0:22:30 | 0:22:34 | |
Lathe and a Rape, I think, are both woodworking. | 0:22:34 | 0:22:37 | |
Age, Ding. Hundred can be represented by C. | 0:22:37 | 0:22:40 | |
Profit. Small profit, quick return, also means prophet with a ph. | 0:22:40 | 0:22:46 | |
-There's Rape of the Lock. -Fear. | 0:22:46 | 0:22:49 | |
Dread. | 0:22:49 | 0:22:51 | |
You've got a minute left. | 0:22:51 | 0:22:54 | |
-Corner. -Page, you turn a Page. | 0:22:54 | 0:22:57 | |
-You turn a Corner. -You turn a Lathe. | 0:22:57 | 0:22:59 | |
You turn a Profit, and you turn a Lathe. | 0:22:59 | 0:23:01 | |
Now, if it was those, what would these be? | 0:23:01 | 0:23:03 | |
Hundred, what's Deaf Ear? | 0:23:03 | 0:23:05 | |
-Oilseed. -Oh, grape, no. -Erm... | 0:23:06 | 0:23:10 | |
-I don't think it's for letters. -Rape of the Lock, South Riding. | 0:23:11 | 0:23:14 | |
Turn a Deaf Ear, turn a blind ear... | 0:23:14 | 0:23:17 | |
Turn a Deaf Ear, I've heard of. | 0:23:17 | 0:23:19 | |
I think we need to check to see if we are right. | 0:23:19 | 0:23:21 | |
Go on. | 0:23:21 | 0:23:23 | |
There you go, you've solved the Wall. Very well done. | 0:23:23 | 0:23:26 | |
Four points for the groups you found | 0:23:26 | 0:23:28 | |
and now there's bonus points for the connections. | 0:23:28 | 0:23:30 | |
So the first one - Corden, Horne, Lamb, Steadman. | 0:23:30 | 0:23:33 | |
-They're all actors in Gavin and Stacey. -That's right - | 0:23:33 | 0:23:36 | |
James Corden, Matthew Horne, Larry Lamb, | 0:23:36 | 0:23:38 | |
Alison Steadman from Gavin and Stacey. | 0:23:38 | 0:23:41 | |
Next, Finishing, Dance, Grammar, Sunday. | 0:23:41 | 0:23:43 | |
They're types of school. | 0:23:43 | 0:23:45 | |
Types of school, that's it, not Kelsey Grammer, | 0:23:45 | 0:23:47 | |
he spells it with an E. | 0:23:47 | 0:23:49 | |
Next group - Page, Corner, Profit, Deaf Ear. | 0:23:49 | 0:23:51 | |
They're things you can turn. | 0:23:51 | 0:23:53 | |
Things that can be turned, that's right. | 0:23:53 | 0:23:55 | |
and the last one - Lathe, Riding, Hundred, Rape. | 0:23:55 | 0:23:58 | |
Are we going to go for parts of a county? Or...? | 0:23:58 | 0:24:02 | |
I think that's worth a punt. | 0:24:02 | 0:24:03 | |
OK, we'll try parts of a county, areas. | 0:24:03 | 0:24:06 | |
They are subdivisions of a county. That's right. | 0:24:06 | 0:24:08 | |
Lathe is a division of Kent, Riding, Yorkshire, | 0:24:08 | 0:24:10 | |
You mentioned Rape, those are divisions in Sussex, | 0:24:10 | 0:24:13 | |
and Hundred as in the Chiltern Hundreds, | 0:24:13 | 0:24:16 | |
which I think people know because MPs take offices of profit there | 0:24:16 | 0:24:19 | |
as a sort of indirect way of resigning. | 0:24:19 | 0:24:21 | |
That is right. So you got four points for the groups you found, | 0:24:21 | 0:24:24 | |
four points for the connections. | 0:24:24 | 0:24:26 | |
You get a bonus two points for getting it all correct. | 0:24:26 | 0:24:29 | |
Let's see what that does to the scores at the end of Round Three. | 0:24:29 | 0:24:33 | |
The Fantasy Footballers have got 15 points | 0:24:33 | 0:24:36 | |
but the Antiquarians are ahead with 22 points. | 0:24:36 | 0:24:39 | |
If you're gnashing your teeth in frustration as you want Connecting Walls everywhere, | 0:24:40 | 0:24:44 | |
not just the television, you'll find them on the Internet. | 0:24:44 | 0:24:47 | |
Not enough on the Internet? Why not make your own your own? | 0:24:47 | 0:24:50 | |
That's also an option. The web address is on the screen now. | 0:24:50 | 0:24:53 | |
What do you think of making your own Connecting Walls? | 0:24:53 | 0:24:56 | |
Would you fancy it? | 0:24:56 | 0:24:57 | |
You have a high score - think you can make your own? | 0:24:57 | 0:25:00 | |
It's the first thing we'll do when we get home. | 0:25:00 | 0:25:02 | |
I do it all the time, I'm always trying to make the Connecting Walls. | 0:25:02 | 0:25:06 | |
I don't like holidays, I go home and sit making Connecting Walls in my head... | 0:25:06 | 0:25:09 | |
drinking hard. | 0:25:09 | 0:25:11 | |
Round four, well-known names, phrases, and sayings. | 0:25:11 | 0:25:15 | |
Vowels are out of them, what are they, teams? | 0:25:15 | 0:25:17 | |
You'll lose a point if you make any mistakes so be very careful. | 0:25:17 | 0:25:21 | |
The first group of clues are all cities purpose-built as capitals. | 0:25:21 | 0:25:26 | |
-BELL Footballers. -New Delhi. -Correct. | 0:25:29 | 0:25:32 | |
BELL | 0:25:34 | 0:25:35 | |
-Footballers. -Islamabad. -In Pakistan, correct. | 0:25:35 | 0:25:38 | |
BELL | 0:25:38 | 0:25:40 | |
-Footballers. -Belmopan. -Yes, it is, in Belize. | 0:25:40 | 0:25:42 | |
BELL | 0:25:44 | 0:25:45 | |
-Footballers. -Baja. | 0:25:45 | 0:25:46 | |
-I'm afraid that's not right. Possible bonus, Antiquarians? -Abuja. | 0:25:46 | 0:25:50 | |
That is correct, in Nigeria. You lose a point, Footballers, | 0:25:50 | 0:25:53 | |
but there's a new category, the next ones are all Legumes. | 0:25:53 | 0:25:57 | |
BELL | 0:25:59 | 0:26:00 | |
-Antiquarians. -Puy lentil. -Yes, it is. | 0:26:00 | 0:26:02 | |
BELL | 0:26:04 | 0:26:05 | |
-Antiquarians. -Mangetout. -Yes. | 0:26:05 | 0:26:07 | |
BELL | 0:26:09 | 0:26:10 | |
-Footballers? -Adzuki bean. -Yes, it is. | 0:26:10 | 0:26:13 | |
BELL | 0:26:15 | 0:26:16 | |
-Antiquarians. -Petit pois. -Correct. | 0:26:16 | 0:26:19 | |
Next category, the tallest bird on its home continent. | 0:26:19 | 0:26:23 | |
BELL | 0:26:24 | 0:26:25 | |
-Footballers. -Rhea. -In South America, correct. | 0:26:25 | 0:26:28 | |
BELL | 0:26:30 | 0:26:31 | |
-Footballers. -Emperor penguin. -In Antarctica, correct. | 0:26:31 | 0:26:35 | |
BELL | 0:26:35 | 0:26:36 | |
-Footballers. -Whooping crane. -In North America, correct. | 0:26:36 | 0:26:39 | |
BELL | 0:26:40 | 0:26:41 | |
-Footballers. -Emu. -In Australia, correct. | 0:26:41 | 0:26:44 | |
Next category, Footballers' wives. | 0:26:44 | 0:26:48 | |
BELL | 0:26:48 | 0:26:49 | |
-Footballers. -Sheree Murphy. -Yes, the wife of Harry Kewell. | 0:26:49 | 0:26:53 | |
BELL | 0:26:53 | 0:26:54 | |
-Footballers. -Alex Curran. -Mrs Steven Gerrard, correct. | 0:26:54 | 0:26:58 | |
A tricky one this, she's fictional - Tanya Turner from Footballers' Wives. | 0:27:02 | 0:27:08 | |
BELL | 0:27:10 | 0:27:11 | |
-Antiquarians. -Louise Redknapp. | 0:27:11 | 0:27:13 | |
That is correct, just as time runs out, | 0:27:13 | 0:27:16 | |
meaning it's the end of the quiz. | 0:27:16 | 0:27:18 | |
Looking at the scores, then, | 0:27:18 | 0:27:20 | |
after a fantastic Round Four for the Fantasy Footballers, | 0:27:20 | 0:27:23 | |
they've moved up to 24 points. | 0:27:23 | 0:27:24 | |
But pipping them at the post with 27 points, it's the Antiquarians. | 0:27:24 | 0:27:29 | |
That means, Footballers, | 0:27:29 | 0:27:31 | |
you're going home despite that valiant performance. | 0:27:31 | 0:27:34 | |
Sorry about that, thank you very much for coming. | 0:27:34 | 0:27:36 | |
Antiquarians, you're through to the quarter-finals. | 0:27:36 | 0:27:40 | |
Now, I'm thinking... | 0:27:40 | 0:27:42 | |
Now you're in to the quarter-finals, | 0:27:42 | 0:27:44 | |
surely this calls for a celebratory chorus | 0:27:44 | 0:27:47 | |
of the Only Connect Internet song. | 0:27:47 | 0:27:50 | |
I think we can do that if you'd really like. | 0:27:50 | 0:27:52 | |
Do you happen to have brought a ukulele? | 0:27:52 | 0:27:55 | |
It so happens that down there is a ukulele. | 0:27:55 | 0:27:58 | |
Thank goodness for that. Come on, let's hear it. | 0:27:58 | 0:28:02 | |
# Dolphins - they're so intelligent | 0:28:02 | 0:28:05 | |
# Dolphins - smarter than men | 0:28:05 | 0:28:08 | |
# Dolphins - the sea's Carol Vorderman | 0:28:08 | 0:28:11 | |
# They solve sudoku though they can't use a pen | 0:28:11 | 0:28:15 | |
# So why aren't there dolphins on Only Connect? | 0:28:15 | 0:28:19 | |
# I'm sure they would get all the answers correct | 0:28:19 | 0:28:22 | |
# They might need translating from squeaky sea frequencies | 0:28:22 | 0:28:26 | |
# But they would know what the last in the sequence is | 0:28:26 | 0:28:31 | |
# Why aren't there dolphins on Only Connect? # | 0:28:31 | 0:28:34 | |
Marvellous performance, both in the quiz and the song. | 0:28:38 | 0:28:43 | |
Dolphins! | 0:28:43 | 0:28:44 | |
Goodnight. | 0:28:45 | 0:28:46 | |
Subtitles by Red Bee Media Ltd | 0:29:05 | 0:29:08 | |
Email [email protected] | 0:29:08 | 0:29:11 |