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Hello and welcome to the final of Only Connect. | 0:00:21 | 0:00:24 | |
For both of our teams here in Cardiff tonight, | 0:00:24 | 0:00:26 | |
this is the end of a gruelling journey | 0:00:26 | 0:00:28 | |
full of nail-biting tension and heart-stopping terror... | 0:00:28 | 0:00:32 | |
but that's the M4 for you. | 0:00:32 | 0:00:34 | |
Now, this is a doubly special episode, | 0:00:34 | 0:00:36 | |
because not only is it the final, it is also our 100th show, | 0:00:36 | 0:00:39 | |
a fact of which we are all extremely proud, | 0:00:39 | 0:00:42 | |
apart from our Question Editor, | 0:00:42 | 0:00:43 | |
who points out that 100 is only considered a significant number | 0:00:43 | 0:00:46 | |
by people with ten fingers. | 0:00:46 | 0:00:48 | |
And that's why he's saving his own celebration for show number 144. | 0:00:48 | 0:00:52 | |
But I tell you what, he's a hell of a pianist. | 0:00:52 | 0:00:55 | |
In contention for championship tonight... | 0:00:55 | 0:00:59 | |
On my right, Holly Pattenden, | 0:00:59 | 0:01:01 | |
an opera fanatic who works as a strategy analyst | 0:01:01 | 0:01:04 | |
and has a phobia of light bulbs and vacuum cleaners... | 0:01:04 | 0:01:07 | |
Gareth Price, a magazine editor and member of the Islington Folk Club, | 0:01:07 | 0:01:11 | |
who enjoys listening to concertinas... | 0:01:11 | 0:01:13 | |
and their captain, Dom Tait, | 0:01:13 | 0:01:15 | |
an associate editor with an interest in natural history, | 0:01:15 | 0:01:18 | |
who loves dining out at Michelin-starred restaurants. | 0:01:18 | 0:01:22 | |
United by their love of writing, they are the Scribes. | 0:01:22 | 0:01:25 | |
Now, Dom, you beat the Ciphers, the TEFL teachers | 0:01:25 | 0:01:28 | |
and the Wordsmiths to get to the final. | 0:01:28 | 0:01:30 | |
Who's been your toughest opposition? | 0:01:30 | 0:01:32 | |
Erm, they've all presented unique challenges. | 0:01:32 | 0:01:35 | |
I guess I'd have to say the Wordsmiths. | 0:01:35 | 0:01:37 | |
They were really, really sharp | 0:01:37 | 0:01:39 | |
and we were quite grateful to prevail in the end. | 0:01:39 | 0:01:43 | |
Let's see who you're facing. On my left... | 0:01:43 | 0:01:46 | |
Andy Tucker, the first president of the Azerbaijan Cricket Federation, | 0:01:46 | 0:01:50 | |
who once played a psychopath washed up on a desert island | 0:01:50 | 0:01:53 | |
in an amateur dramatic production. | 0:01:53 | 0:01:54 | |
I would pay a lot of money to see that. | 0:01:54 | 0:01:57 | |
Steve Dodding, a dental surgeon | 0:01:57 | 0:01:58 | |
who has won over 50 CDs from the Ken Bruce show | 0:01:58 | 0:02:01 | |
and once had claustrophobia when trapped in the Great Pyramid... | 0:02:01 | 0:02:05 | |
and their captain, Iwan Thomas, | 0:02:05 | 0:02:07 | |
a freelance science editor and failed calligrapher, | 0:02:07 | 0:02:09 | |
who followed the Welsh rugby team on tour around New Zealand. | 0:02:09 | 0:02:13 | |
They've beaten the Joinees, the Numerists and the Footballers | 0:02:13 | 0:02:16 | |
on their way to the final, and they love a nice pint. | 0:02:16 | 0:02:18 | |
They are the Draughtsmen. | 0:02:18 | 0:02:20 | |
Iwan, you've had a couple of close shaves and a tie-break. | 0:02:20 | 0:02:23 | |
How a feeling about the final? | 0:02:23 | 0:02:26 | |
The tension has ramped up in every round from the previous round, | 0:02:26 | 0:02:30 | |
and the tension in the final is immense. | 0:02:30 | 0:02:33 | |
-Are your team generally people of calm temperament? -I think so. | 0:02:33 | 0:02:37 | |
I think we're reasonably calm, but tonight is the exception. | 0:02:37 | 0:02:41 | |
Well, I'll see what I can do. | 0:02:41 | 0:02:43 | |
On then with Round One. What's the connection between four clues? | 0:02:43 | 0:02:47 | |
And of course, this is the final. | 0:02:47 | 0:02:49 | |
I'm amazed if you'll be able to spot it. | 0:02:49 | 0:02:51 | |
Draughtsmen, you're being put into play first. | 0:02:51 | 0:02:53 | |
Which hieroglyph would you like? | 0:02:53 | 0:02:55 | |
-The Eye of Horus, please. -OK. | 0:02:55 | 0:02:58 | |
First question of the final | 0:02:58 | 0:02:59 | |
is about to begin. | 0:02:59 | 0:03:01 | |
Your first clue coming up now. | 0:03:01 | 0:03:02 | |
-No. -It's not Mike England? | 0:03:07 | 0:03:08 | |
Mike England played for Wales. | 0:03:08 | 0:03:10 | |
Ooh, it could be. Shall we go for it? | 0:03:10 | 0:03:13 | |
Mike England played for Wales. | 0:03:13 | 0:03:15 | |
-Was that...? -Next, then, please. | 0:03:16 | 0:03:18 | |
-Yes, it is. -BELL | 0:03:19 | 0:03:21 | |
Yes, it's international players... | 0:03:21 | 0:03:24 | |
Mike England played for Wales, | 0:03:24 | 0:03:26 | |
Alan Brazil played for Scotland. | 0:03:26 | 0:03:27 | |
They're international footballers | 0:03:27 | 0:03:29 | |
who have the surname of another country. | 0:03:29 | 0:03:31 | |
Footballers and their playing countries. | 0:03:31 | 0:03:33 | |
What a start to the final, | 0:03:33 | 0:03:34 | |
coming in after two clues. | 0:03:34 | 0:03:35 | |
You get three points. | 0:03:35 | 0:03:37 | |
You didn't need Jason Scotland, | 0:03:37 | 0:03:38 | |
who played for Trinidad and Tobago, | 0:03:38 | 0:03:40 | |
or Matt Holland who played for | 0:03:40 | 0:03:41 | |
the Republic of Ireland. Brilliant. | 0:03:41 | 0:03:43 | |
The final seems to have started, Scribes. | 0:03:43 | 0:03:45 | |
What would you like? | 0:03:45 | 0:03:47 | |
Let's go for Horned Viper, please. | 0:03:47 | 0:03:49 | |
The Horned Viper. | 0:03:49 | 0:03:50 | |
These are going to be picture clues. | 0:03:50 | 0:03:52 | |
What's the connection? | 0:03:52 | 0:03:53 | |
Here's the first. | 0:03:53 | 0:03:55 | |
It's The Girl With The Pearl Earring | 0:03:56 | 0:03:58 | |
and Vermeer. OK, next, please. | 0:03:58 | 0:04:00 | |
OK, Victoria Coren. | 0:04:01 | 0:04:03 | |
What links Victoria Coren to The Girl With The Pearl Earring? | 0:04:03 | 0:04:06 | |
Next, please. | 0:04:08 | 0:04:09 | |
What's that? A men at work... | 0:04:11 | 0:04:13 | |
She could be just, you know, a host, | 0:04:13 | 0:04:15 | |
or something like that. | 0:04:15 | 0:04:18 | |
Next, please. | 0:04:18 | 0:04:19 | |
Statue of Liberty, OK. | 0:04:20 | 0:04:22 | |
So, liberty at work... | 0:04:22 | 0:04:24 | |
Ten seconds. | 0:04:24 | 0:04:25 | |
-Liberty, work... -Liberty, work... | 0:04:25 | 0:04:27 | |
What links liberty and work | 0:04:27 | 0:04:29 | |
and Coren, or host, or Victoria? | 0:04:29 | 0:04:31 | |
Three seconds. | 0:04:31 | 0:04:32 | |
BELL | 0:04:33 | 0:04:35 | |
HE HESITATES | 0:04:35 | 0:04:37 | |
Careful. | 0:04:39 | 0:04:41 | |
Things that...appear on... | 0:04:41 | 0:04:44 | |
the US sort of... What's the word? | 0:04:44 | 0:04:47 | |
Constitution. | 0:04:47 | 0:04:48 | |
On the US Constitution?! | 0:04:48 | 0:04:51 | |
I'm going to have to investigate | 0:04:51 | 0:04:53 | |
after the show. But for now, | 0:04:53 | 0:04:54 | |
I don't accept your answer. | 0:04:54 | 0:04:55 | |
There's a possible bonus chance | 0:04:55 | 0:04:57 | |
for the Draughtsmen. | 0:04:57 | 0:04:58 | |
The names of pop groups. | 0:04:58 | 0:05:00 | |
What do you think you're looking at | 0:05:00 | 0:05:02 | |
in the second clue? | 0:05:02 | 0:05:04 | |
-A picture of you. -Yes. | 0:05:04 | 0:05:06 | |
A talented and witty hostess. | 0:05:06 | 0:05:08 | |
OK, you get the points. No. | 0:05:08 | 0:05:10 | |
Now, look at me | 0:05:10 | 0:05:12 | |
and look back at the clue. | 0:05:12 | 0:05:13 | |
These images have been | 0:05:15 | 0:05:16 | |
flipped horizontally. | 0:05:16 | 0:05:18 | |
They are not accurately portrayed. | 0:05:18 | 0:05:21 | |
The images have been flipped. | 0:05:21 | 0:05:23 | |
Two oil paintings, a roadworks sign, | 0:05:23 | 0:05:25 | |
and the Statue of Liberty, | 0:05:25 | 0:05:27 | |
all represented back-to-front. | 0:05:27 | 0:05:29 | |
No points there, then. | 0:05:29 | 0:05:31 | |
Draughtsmen, your choice. | 0:05:31 | 0:05:33 | |
Lion, please. | 0:05:33 | 0:05:35 | |
What is the connection | 0:05:35 | 0:05:36 | |
between these clues? | 0:05:36 | 0:05:37 | |
Here's the first. | 0:05:37 | 0:05:39 | |
THEY MUMBLE | 0:05:40 | 0:05:43 | |
Next, please. | 0:05:47 | 0:05:48 | |
Queen Anne's Revenge, anybody? | 0:05:50 | 0:05:52 | |
Bluebeard, or... | 0:05:52 | 0:05:55 | |
It wasn't pirates, was it? | 0:05:55 | 0:05:57 | |
Carry on, go on. | 0:05:57 | 0:05:59 | |
Next, please. | 0:05:59 | 0:06:00 | |
Barbarossa. | 0:06:02 | 0:06:03 | |
-Red Beard, they're red beards. -Yeah. | 0:06:03 | 0:06:05 | |
BELL | 0:06:05 | 0:06:07 | |
ALL: Red beards. | 0:06:07 | 0:06:09 | |
I'm afraid that's not the answer, | 0:06:09 | 0:06:10 | |
so I'll show the fourth clue | 0:06:10 | 0:06:11 | |
to the Scribes, | 0:06:11 | 0:06:12 | |
for a possible bonus. | 0:06:12 | 0:06:14 | |
Beards of different colours. | 0:06:14 | 0:06:15 | |
That's what it is! | 0:06:15 | 0:06:16 | |
Now, of course, in the final, | 0:06:16 | 0:06:18 | |
I can't be generous with anyone... | 0:06:18 | 0:06:19 | |
or, indeed, in the rest of my life. | 0:06:19 | 0:06:21 | |
Coloured beards, but not all red. | 0:06:21 | 0:06:23 | |
Barbarossa is that third one. | 0:06:23 | 0:06:24 | |
What about the other three clues? | 0:06:24 | 0:06:26 | |
Yellowbeard is Marty Feldman's last film. | 0:06:26 | 0:06:29 | |
That was his 1983 comedy. | 0:06:29 | 0:06:32 | |
Blackbeard was captain | 0:06:32 | 0:06:33 | |
-of Queen Anne's revenge. -Correct. | 0:06:33 | 0:06:35 | |
It would teach the pirate | 0:06:35 | 0:06:36 | |
known as Blackbeard. | 0:06:36 | 0:06:38 | |
And what about the last one? | 0:06:38 | 0:06:39 | |
Perrault character, that's Bluebeard. | 0:06:39 | 0:06:41 | |
Bluebeard's Castle, is it? | 0:06:41 | 0:06:43 | |
La barbe bleue, Bluebeard. | 0:06:43 | 0:06:45 | |
Very well done. | 0:06:45 | 0:06:46 | |
And thank you for admiring my French | 0:06:46 | 0:06:48 | |
with that...wonderful expression. | 0:06:48 | 0:06:50 | |
So, you get the bonus points, | 0:06:50 | 0:06:52 | |
and your own question. | 0:06:52 | 0:06:53 | |
Two Reeds, please. | 0:06:53 | 0:06:54 | |
What is the connection? | 0:06:54 | 0:06:56 | |
Here's the first clue. | 0:06:56 | 0:06:58 | |
Anything about Meissa? | 0:07:00 | 0:07:01 | |
M-E-I-S-S-A? | 0:07:01 | 0:07:03 | |
Next, please. | 0:07:03 | 0:07:04 | |
It looks like some kind of... | 0:07:06 | 0:07:08 | |
messing around with letters. | 0:07:08 | 0:07:10 | |
"Manilla," looks like. | 0:07:10 | 0:07:11 | |
Yes... | 0:07:11 | 0:07:13 | |
But head and belt buckle? | 0:07:13 | 0:07:14 | |
Next, please. | 0:07:14 | 0:07:16 | |
Left leg. What's that an anagram of? | 0:07:16 | 0:07:18 | |
It clearly is, isn't it? | 0:07:18 | 0:07:20 | |
Unless I'm doing something... Regal! | 0:07:20 | 0:07:22 | |
Orion's Belt... | 0:07:22 | 0:07:23 | |
It's all parts of Orion, the star. | 0:07:23 | 0:07:27 | |
BELL | 0:07:27 | 0:07:28 | |
Names of stars in the parts of Orion. | 0:07:28 | 0:07:31 | |
That's exactly what it is. | 0:07:31 | 0:07:33 | |
Star positions on the body | 0:07:33 | 0:07:34 | |
of Orion the Hunter. | 0:07:34 | 0:07:36 | |
The shoulder there was Betelgeuse. | 0:07:36 | 0:07:37 | |
Each star matched with | 0:07:37 | 0:07:38 | |
the position you'd find it | 0:07:38 | 0:07:40 | |
on the body of the Hunter. | 0:07:40 | 0:07:41 | |
Very well done. | 0:07:41 | 0:07:42 | |
Back to you, Draughtsmen, | 0:07:42 | 0:07:44 | |
to make a choice. | 0:07:44 | 0:07:45 | |
Water? Water, please. | 0:07:45 | 0:07:47 | |
OK. What is the connection? | 0:07:47 | 0:07:49 | |
Here's the first clue. | 0:07:49 | 0:07:50 | |
-Aldaniti. -Ridden by Bob Champion. | 0:07:53 | 0:07:55 | |
A champion ridden by Champion? | 0:07:55 | 0:07:58 | |
Shall we go for it? | 0:07:58 | 0:07:59 | |
It was champion ridden by Champion. | 0:08:01 | 0:08:02 | |
OK, yeah. | 0:08:02 | 0:08:03 | |
Well, Bob Champion was the jockey. | 0:08:03 | 0:08:05 | |
That's not Aldaniti. | 0:08:05 | 0:08:06 | |
No, go for the next one. | 0:08:06 | 0:08:08 | |
Next one, please. | 0:08:08 | 0:08:09 | |
It told of Pennywise... | 0:08:11 | 0:08:13 | |
-No, I don't know. -Oh, that was... | 0:08:13 | 0:08:15 | |
Pennywise the clown, it's in that... | 0:08:15 | 0:08:17 | |
horror film, isn't it? What is it? | 0:08:17 | 0:08:19 | |
-Chuckie. -Ten seconds. | 0:08:19 | 0:08:22 | |
-Next one. -Next, please. | 0:08:22 | 0:08:23 | |
-That's... -Hastings. | 0:08:24 | 0:08:26 | |
Three seconds. | 0:08:26 | 0:08:27 | |
BELL | 0:08:27 | 0:08:29 | |
I need an answer. | 0:08:30 | 0:08:32 | |
No, I'm afraid that's too long. | 0:08:33 | 0:08:35 | |
I have to throw it to the Scribes | 0:08:35 | 0:08:36 | |
for a possible bonus. | 0:08:36 | 0:08:37 | |
The answer is in the statement. | 0:08:37 | 0:08:39 | |
Champion of the 1981 Grand National | 0:08:39 | 0:08:41 | |
is Champion. "It" is the book It, | 0:08:41 | 0:08:42 | |
which told of Pennywise the clown... | 0:08:42 | 0:08:44 | |
Battle is where... | 0:08:44 | 0:08:45 | |
Battle is where Battle Abbey lies... | 0:08:45 | 0:08:46 | |
and the hit with Killer Queen | 0:08:46 | 0:08:48 | |
-is Queen. -That exactly is it. | 0:08:48 | 0:08:49 | |
You get to see the fourth clue. | 0:08:49 | 0:08:51 | |
Had a 1974 hit with Killer Queen | 0:08:51 | 0:08:52 | |
was Queen. | 0:08:52 | 0:08:53 | |
Well come in, Scribes. | 0:08:53 | 0:08:55 | |
And the last question is yours, | 0:08:55 | 0:08:56 | |
the Twisted Flax. | 0:08:56 | 0:08:58 | |
As you perhaps might have guessed, | 0:08:58 | 0:09:00 | |
it will be the music question. | 0:09:00 | 0:09:02 | |
What's the connection? | 0:09:02 | 0:09:04 | |
First clue coming in now. | 0:09:04 | 0:09:05 | |
# You made me love you | 0:09:05 | 0:09:09 | |
# I didn't want to do it, I didn't want to do it | 0:09:09 | 0:09:13 | |
# You made me... # | 0:09:13 | 0:09:16 | |
Next, please. | 0:09:16 | 0:09:17 | |
WOMAN SINGS OPERA | 0:09:17 | 0:09:20 | |
THEY MURMUR | 0:09:20 | 0:09:22 | |
-Is it? -It's Mozart... | 0:09:22 | 0:09:24 | |
But is it...? Is the first one...? | 0:09:25 | 0:09:28 | |
Next, please. | 0:09:30 | 0:09:31 | |
# Everything you say is real... # | 0:09:31 | 0:09:32 | |
This is Stan, by Eminem. | 0:09:32 | 0:09:34 | |
# My girlfriend's jealous cos I... # | 0:09:34 | 0:09:36 | |
-Ten seconds. -Epistolary songs? | 0:09:36 | 0:09:37 | |
-Ooh. -Yes? Are you sure? | 0:09:37 | 0:09:39 | |
# They don't know what it was like | 0:09:39 | 0:09:41 | |
# For people like us growing up... # | 0:09:41 | 0:09:42 | |
BELL | 0:09:42 | 0:09:44 | |
Epistolary songs. | 0:09:44 | 0:09:45 | |
Yes! They are songs | 0:09:45 | 0:09:46 | |
told through letter writing. | 0:09:46 | 0:09:48 | |
You didn't need to hear | 0:09:48 | 0:09:49 | |
Hello, Muddah! Hello, Fadduh! | 0:09:49 | 0:09:51 | |
From Allan Sherman. | 0:09:51 | 0:09:52 | |
-What did you hear? -Stan, Eminem. | 0:09:52 | 0:09:55 | |
I'll do my level | 0:09:55 | 0:09:56 | |
and let these guys do the... | 0:09:56 | 0:09:57 | |
Eminem writing to a crazed fan, | 0:09:57 | 0:10:00 | |
I think, in Stan. What else? | 0:10:00 | 0:10:02 | |
Canzonetta sull'aria was the second. | 0:10:02 | 0:10:04 | |
That's right. And the first one? | 0:10:04 | 0:10:06 | |
That was Judy Garland. | 0:10:06 | 0:10:07 | |
-Judy Garland... -Judy Garland. | 0:10:07 | 0:10:09 | |
That is a fantastic song, | 0:10:09 | 0:10:10 | |
if you haven't heard it. | 0:10:10 | 0:10:11 | |
Dear Mr Gable, in which | 0:10:11 | 0:10:13 | |
she sings a letter to Clark Gable, | 0:10:13 | 0:10:15 | |
and it's rather amazing. | 0:10:15 | 0:10:16 | |
There's a bit where she stops | 0:10:16 | 0:10:17 | |
and reads the letter. | 0:10:17 | 0:10:18 | |
She sounds like a little child. | 0:10:18 | 0:10:20 | |
"Oh, gee, Mr Gable..." | 0:10:20 | 0:10:21 | |
and then sings like Judy Garland. | 0:10:21 | 0:10:22 | |
It's incredible. | 0:10:22 | 0:10:23 | |
All told through letter writing. | 0:10:23 | 0:10:26 | |
Very well done. | 0:10:26 | 0:10:27 | |
That means, at the end of Round One, | 0:10:27 | 0:10:29 | |
the Draughtsmen have got three points, | 0:10:29 | 0:10:31 | |
but the Scribes are ahead with six. | 0:10:31 | 0:10:33 | |
Round Two is the sequences round. | 0:10:36 | 0:10:38 | |
Teams, I want to know what would be the fourth in a sequence. | 0:10:38 | 0:10:41 | |
You may see, of course, a maximum of three clues | 0:10:41 | 0:10:44 | |
before giving me the answer. | 0:10:44 | 0:10:46 | |
Draughtsmen, you'll be going first again. | 0:10:46 | 0:10:48 | |
Please choose a hieroglyph. | 0:10:48 | 0:10:49 | |
-Horned Viper, please. -All right. | 0:10:49 | 0:10:51 | |
Work out the connection first, please, | 0:10:51 | 0:10:53 | |
and tell me what would be fourth. | 0:10:53 | 0:10:55 | |
Here's the first. | 0:10:55 | 0:10:56 | |
Oh, yes, it'll be... | 0:10:59 | 0:11:01 | |
That's...Scottish... | 0:11:01 | 0:11:02 | |
There's a Scottish flag. | 0:11:02 | 0:11:04 | |
-Yeah. -So, what's it...? Scotland... | 0:11:04 | 0:11:07 | |
Shall we go onto the next one? | 0:11:07 | 0:11:09 | |
Next, please. | 0:11:09 | 0:11:10 | |
It'll be...argent cross gule | 0:11:13 | 0:11:16 | |
is the English flag. | 0:11:16 | 0:11:18 | |
And it's the name of the saint, | 0:11:19 | 0:11:21 | |
so it will be G equals... | 0:11:21 | 0:11:23 | |
BELL | 0:11:23 | 0:11:25 | |
G equals argent cross gule. | 0:11:25 | 0:11:26 | |
I'm afraid that's not the answer, | 0:11:26 | 0:11:28 | |
so I'm going to show the third | 0:11:28 | 0:11:30 | |
in the sequence to the Scribes. | 0:11:30 | 0:11:32 | |
You have a chance for a bonus point. | 0:11:32 | 0:11:34 | |
P equals... | 0:11:34 | 0:11:36 | |
Oh, God... | 0:11:36 | 0:11:37 | |
OK. Gule... | 0:11:39 | 0:11:40 | |
I'm going to put you | 0:11:41 | 0:11:43 | |
out of your misery. | 0:11:43 | 0:11:44 | |
Now, Draughtsmen, unfortunately, | 0:11:44 | 0:11:46 | |
what you didn't do is see | 0:11:46 | 0:11:47 | |
the exact sequence. | 0:11:47 | 0:11:49 | |
It is the patron saints' flags, | 0:11:49 | 0:11:51 | |
expressed in heraldic terms, | 0:11:51 | 0:11:53 | |
but in alphabetical order. | 0:11:53 | 0:11:54 | |
A for Andrew, D for David, | 0:11:54 | 0:11:56 | |
G for St George, | 0:11:56 | 0:11:57 | |
so fourth in the sequence, | 0:11:57 | 0:11:59 | |
St Patrick, and that would be | 0:11:59 | 0:12:00 | |
Argent a saltire gules, | 0:12:00 | 0:12:02 | |
which means...red diagonal cross | 0:12:02 | 0:12:04 | |
on a white background. | 0:12:04 | 0:12:06 | |
So, very close, | 0:12:06 | 0:12:07 | |
but you don't get the points. | 0:12:07 | 0:12:09 | |
Scribes, your turn | 0:12:09 | 0:12:10 | |
to choose a question. | 0:12:10 | 0:12:12 | |
Eye of Horus, please. | 0:12:12 | 0:12:13 | |
OK. What would be the fourth | 0:12:13 | 0:12:14 | |
in this sequence? | 0:12:14 | 0:12:15 | |
Here's the first. | 0:12:15 | 0:12:16 | |
OK, interesting. Things taken | 0:12:18 | 0:12:20 | |
on the Scott expedition? | 0:12:20 | 0:12:22 | |
Next, please. | 0:12:22 | 0:12:23 | |
I've heard of her name, | 0:12:23 | 0:12:25 | |
but I can't think what... | 0:12:25 | 0:12:27 | |
-Oh... -Is it Miss Moneypenny? | 0:12:27 | 0:12:30 | |
No, yeah... | 0:12:30 | 0:12:31 | |
Next, please. | 0:12:31 | 0:12:32 | |
Lord Snot. | 0:12:34 | 0:12:35 | |
Lord Snot was... | 0:12:35 | 0:12:37 | |
Oh, it's the...Scumbag College. | 0:12:37 | 0:12:40 | |
So, who's next? BELL | 0:12:40 | 0:12:41 | |
-Hello. -These are the... | 0:12:45 | 0:12:46 | |
These are the members of the... | 0:12:46 | 0:12:48 | |
What would be the fourth | 0:12:48 | 0:12:49 | |
in this sequence? | 0:12:49 | 0:12:51 | |
Cuthbert? | 0:12:51 | 0:12:52 | |
-I'm afraid not. -SHE LAUGHS | 0:12:52 | 0:12:54 | |
I'm afraid not. | 0:12:54 | 0:12:55 | |
So, Draughtsmen, | 0:12:55 | 0:12:56 | |
you have the chance of a bonus. | 0:12:56 | 0:12:58 | |
Desperate Dan... | 0:13:01 | 0:13:02 | |
No! That's far too long. | 0:13:02 | 0:13:03 | |
So, this is the Young Ones | 0:13:03 | 0:13:05 | |
go on University Challenge | 0:13:05 | 0:13:06 | |
and the Scumbag's team | 0:13:06 | 0:13:08 | |
play the Footlights College team, | 0:13:08 | 0:13:09 | |
and next along, | 0:13:09 | 0:13:11 | |
Hugh Laurie plays Lord Monty. | 0:13:11 | 0:13:14 | |
Draughtsmen, back to you | 0:13:14 | 0:13:16 | |
for a choice. | 0:13:16 | 0:13:17 | |
-Two reeds, please. -OK. | 0:13:17 | 0:13:19 | |
What is the fourth in this sequence? | 0:13:19 | 0:13:21 | |
Here's the first. | 0:13:21 | 0:13:22 | |
Someone is buried there, | 0:13:27 | 0:13:29 | |
but I can't think... Next. | 0:13:29 | 0:13:30 | |
Is that where...? | 0:13:37 | 0:13:38 | |
Next. | 0:13:41 | 0:13:43 | |
Ten seconds. | 0:13:51 | 0:13:53 | |
Murders. Is it Dickens? | 0:13:54 | 0:13:56 | |
Three seconds. | 0:13:59 | 0:14:00 | |
BELL | 0:14:00 | 0:14:02 | |
-Eight... -Eight... | 0:14:02 | 0:14:03 | |
The Hoax on the Thames. | 0:14:03 | 0:14:04 | |
Not the answer, I'm afraid. | 0:14:04 | 0:14:06 | |
So, Scribes, you could come in | 0:14:06 | 0:14:07 | |
for a bonus here. | 0:14:07 | 0:14:09 | |
Eight: Newgate prison. | 0:14:09 | 0:14:11 | |
Not it. | 0:14:11 | 0:14:12 | |
These are the last of the locations | 0:14:12 | 0:14:15 | |
in A Rake's Progress, | 0:14:15 | 0:14:16 | |
the Hogarth cartoons. | 0:14:16 | 0:14:18 | |
And eight would be | 0:14:18 | 0:14:19 | |
Bethlehem Hospital, known as Bedlam. | 0:14:19 | 0:14:21 | |
All right, Scribes, it's your | 0:14:21 | 0:14:23 | |
own question now. Which one? | 0:14:23 | 0:14:25 | |
Lion, please. | 0:14:25 | 0:14:26 | |
What is the fourth in this sequence? | 0:14:26 | 0:14:28 | |
Here's the first. | 0:14:28 | 0:14:30 | |
Probably butane... | 0:14:34 | 0:14:35 | |
Oh, yeah. OK. Next, please. | 0:14:35 | 0:14:37 | |
-So, that's... -But, no... | 0:14:39 | 0:14:41 | |
Let's go... Shall we go...? | 0:14:41 | 0:14:43 | |
Next, please. | 0:14:43 | 0:14:44 | |
I think you're on it. | 0:14:44 | 0:14:45 | |
What's the production of ethylene? | 0:14:47 | 0:14:48 | |
You should know this, shouldn't you? | 0:14:48 | 0:14:50 | |
Ethane? Butane? | 0:14:50 | 0:14:52 | |
Is it going down to methane? | 0:14:52 | 0:14:54 | |
Yes, methane's going to be... | 0:14:54 | 0:14:55 | |
OK, so...what shall I say? | 0:14:55 | 0:14:57 | |
Marsh gas, or something? | 0:14:57 | 0:14:58 | |
No, methane, just say... | 0:14:58 | 0:15:00 | |
Ten seconds. | 0:15:00 | 0:15:01 | |
BELL | 0:15:01 | 0:15:02 | |
Methane. | 0:15:02 | 0:15:03 | |
I mean, have a look | 0:15:03 | 0:15:04 | |
at the way the others are phrased... | 0:15:04 | 0:15:06 | |
I know. Marsh gas? | 0:15:06 | 0:15:07 | |
-Is that all right? -I'll take that. | 0:15:07 | 0:15:09 | |
These are places where | 0:15:09 | 0:15:10 | |
you would find alkane gases, | 0:15:10 | 0:15:11 | |
or where they'd be used, | 0:15:11 | 0:15:13 | |
and they're getting simpler, | 0:15:13 | 0:15:14 | |
so we're looking at butane, propane, | 0:15:14 | 0:15:16 | |
ethane... Simplest would be methane. | 0:15:16 | 0:15:18 | |
Somewhere you'd find methane, | 0:15:18 | 0:15:20 | |
and marsh gas will do. | 0:15:20 | 0:15:22 | |
Back to you, then, Draughtsmen. | 0:15:22 | 0:15:23 | |
There are two questions left, | 0:15:23 | 0:15:25 | |
so what's your final choice? | 0:15:25 | 0:15:26 | |
Twisted Flax, please. | 0:15:26 | 0:15:28 | |
These are going to be picture clues. | 0:15:28 | 0:15:30 | |
What would you expect to see | 0:15:30 | 0:15:31 | |
in the last picture? | 0:15:31 | 0:15:32 | |
Here's the first. | 0:15:32 | 0:15:34 | |
Nuts. | 0:15:35 | 0:15:37 | |
No, is that a tamarind seed? | 0:15:37 | 0:15:39 | |
Tamarind...yeah. | 0:15:39 | 0:15:40 | |
-Oh, gosh. -Is it monkeys? Apes? | 0:15:43 | 0:15:46 | |
No. We don't know, | 0:15:46 | 0:15:47 | |
it's got to be a sequence... | 0:15:47 | 0:15:48 | |
Yeah, I know, but... | 0:15:48 | 0:15:50 | |
Next, please. | 0:15:50 | 0:15:51 | |
That a tamarin monkey, isn't it? | 0:15:51 | 0:15:53 | |
OK, we have a tamarind. | 0:15:53 | 0:15:55 | |
Tamarind. Tamarind, tamarin... | 0:15:55 | 0:15:58 | |
Would that give us the Tamar? | 0:15:58 | 0:16:00 | |
-The River Tamar? -Tamar. | 0:16:00 | 0:16:01 | |
Yeah, go on then. | 0:16:01 | 0:16:02 | |
-Shall we go for it? -Yeah. -BELL | 0:16:02 | 0:16:04 | |
A picture of the River Tamer. | 0:16:04 | 0:16:06 | |
That's exactly what comes fourth. | 0:16:06 | 0:16:08 | |
-And why is that? -The first one is | 0:16:08 | 0:16:10 | |
tamarind, with a D on the end. | 0:16:10 | 0:16:12 | |
The next is a tamarin monkey, | 0:16:12 | 0:16:13 | |
without the D. | 0:16:13 | 0:16:15 | |
Presumably, the third is tamari... | 0:16:15 | 0:16:18 | |
Tamari soy sauce, | 0:16:18 | 0:16:19 | |
you didn't need to see it. | 0:16:19 | 0:16:20 | |
And Tamar, the river | 0:16:20 | 0:16:22 | |
dividing Devon and Cornwall, | 0:16:22 | 0:16:24 | |
and you take one letter off | 0:16:24 | 0:16:25 | |
-each time. -Excellent. | 0:16:25 | 0:16:27 | |
Taking a letter of the end | 0:16:27 | 0:16:28 | |
each time, you arrive at Tamar, | 0:16:28 | 0:16:29 | |
and the River Tamar | 0:16:29 | 0:16:31 | |
is exactly what we chose. | 0:16:31 | 0:16:32 | |
Thank you very much. | 0:16:32 | 0:16:33 | |
One remaining question, Scribes, | 0:16:33 | 0:16:35 | |
the Water question. | 0:16:35 | 0:16:37 | |
That'll be for you. | 0:16:37 | 0:16:38 | |
First in the sequence coming up now. | 0:16:38 | 0:16:40 | |
North North North East, presumably. | 0:16:43 | 0:16:45 | |
Next, please. | 0:16:45 | 0:16:46 | |
North East East... OK, let's try and think outside the letters... | 0:16:48 | 0:16:51 | |
Yeah... Next, please. | 0:16:54 | 0:16:56 | |
THEY MURMUR | 0:16:56 | 0:16:58 | |
East East South East... | 0:17:01 | 0:17:03 | |
Is it going to be the fourth | 0:17:06 | 0:17:08 | |
on a very particular...? | 0:17:08 | 0:17:10 | |
Ten seconds. | 0:17:10 | 0:17:11 | |
Is it what you think? | 0:17:15 | 0:17:16 | |
Three seconds. | 0:17:17 | 0:17:18 | |
Try it, we'll try it. BELL | 0:17:18 | 0:17:20 | |
-SSSW. -I'm afraid that's not correct, | 0:17:20 | 0:17:23 | |
so there's a bonus chance | 0:17:23 | 0:17:24 | |
for the Draughtsmen. | 0:17:24 | 0:17:25 | |
-No. -SSES. | 0:17:25 | 0:17:26 | |
Yeah, sort of. If we were playing | 0:17:26 | 0:17:28 | |
the board game Mastermind, you'd get | 0:17:28 | 0:17:30 | |
a couple of black pegs or white pegs | 0:17:30 | 0:17:32 | |
for the right thing in the wrong place. | 0:17:32 | 0:17:33 | |
They're pairs of compass points | 0:17:33 | 0:17:35 | |
going clockwise. | 0:17:35 | 0:17:36 | |
So, we're looking at... | 0:17:36 | 0:17:37 | |
North and North North East, | 0:17:37 | 0:17:39 | |
North East and East North East, | 0:17:39 | 0:17:41 | |
East and East South East | 0:17:41 | 0:17:43 | |
and next would be | 0:17:43 | 0:17:44 | |
South East and South South East, | 0:17:44 | 0:17:46 | |
represented by SESSE. | 0:17:46 | 0:17:49 | |
We're going around the compass. | 0:17:49 | 0:17:51 | |
So, close, but not quite right. | 0:17:51 | 0:17:53 | |
That means, then, at the end of Round Two, | 0:17:53 | 0:17:56 | |
the Draughtsmen are up to 6 points, | 0:17:56 | 0:17:58 | |
but the Scribes are ahead with eight. | 0:17:58 | 0:18:00 | |
Pounding onwards through the final. | 0:18:03 | 0:18:05 | |
Oh, dear, we've crashed into a wall, a Connecting Wall to be precise, | 0:18:05 | 0:18:10 | |
and Scribes, you'll be going first this time. | 0:18:10 | 0:18:12 | |
Let me offer you a choice. Lion or Water? | 0:18:12 | 0:18:15 | |
-Lion, please. -OK. | 0:18:15 | 0:18:17 | |
You've got two and a half minutes to solve the Lion wall, | 0:18:17 | 0:18:20 | |
starting...now. | 0:18:20 | 0:18:22 | |
Jack Ketch, Jack Frost. Jack Sprat... | 0:18:25 | 0:18:27 | |
Yeah, but also...boats. | 0:18:27 | 0:18:30 | |
Yawl and Ketch are... | 0:18:30 | 0:18:31 | |
These are types of...salmon, something like that. | 0:18:33 | 0:18:36 | |
-They're the names for salmon... -Codling... | 0:18:36 | 0:18:39 | |
-Oh, yes, no, it's just... -Baby fish. -Young fish. | 0:18:39 | 0:18:42 | |
-OK. -Levin? -I don't know if that is. | 0:18:42 | 0:18:44 | |
I'm going to leave that and then try... | 0:18:44 | 0:18:47 | |
OK, so that's young fish. | 0:18:50 | 0:18:52 | |
Then we've got Jack. | 0:18:52 | 0:18:54 | |
So, Snow and Frost are both TV presenters... | 0:18:54 | 0:18:57 | |
Jack Snow and Jack Frost... | 0:18:57 | 0:18:58 | |
Yawl and ketch are ships. | 0:18:58 | 0:19:00 | |
Brigantine, I think is. Is a Buss? | 0:19:00 | 0:19:03 | |
No. Is a Levin? | 0:19:04 | 0:19:06 | |
No. | 0:19:06 | 0:19:07 | |
Jack Sprat, Jack Frost, Jack Snow and Jack Ketch? | 0:19:09 | 0:19:12 | |
Levin? Is it Jack Levin? | 0:19:13 | 0:19:15 | |
-Willie Rushton, perhaps. -Mormon. | 0:19:15 | 0:19:17 | |
What would connect Mormon, here? | 0:19:17 | 0:19:19 | |
Do we know what Brigantine specifically is? | 0:19:20 | 0:19:23 | |
-Some kind of parachute, or something... -OK. | 0:19:25 | 0:19:27 | |
You are halfway through the time. | 0:19:29 | 0:19:32 | |
-Buss was a painting as well. -OK. OK. | 0:19:32 | 0:19:35 | |
Let's... Shall I try and see if I can get these Jacks? | 0:19:35 | 0:19:38 | |
What...? | 0:19:38 | 0:19:39 | |
Did you say there was a Jack Snow? | 0:19:41 | 0:19:43 | |
-Not that I know of. -Oh, OK. | 0:19:43 | 0:19:44 | |
OK. We need...snow. | 0:19:48 | 0:19:49 | |
What connects snow...? | 0:19:49 | 0:19:50 | |
Have we got...? | 0:19:50 | 0:19:51 | |
John Snow, perhaps. | 0:19:51 | 0:19:52 | |
Blunderbuss... | 0:19:52 | 0:19:54 | |
Is there anyone else apart from Willie Rushton? | 0:19:55 | 0:19:57 | |
I think I'm going to keep going on this, | 0:19:57 | 0:19:59 | |
just in case I've missed something really stupid. | 0:19:59 | 0:20:01 | |
Bernard Levin? | 0:20:04 | 0:20:06 | |
-Sort of writers. -Philosophers... | 0:20:06 | 0:20:08 | |
These are... | 0:20:08 | 0:20:09 | |
-That Was The Week That Was. -Oh, OK. -Frost... | 0:20:09 | 0:20:12 | |
OK, I think you might be onto something there. | 0:20:12 | 0:20:15 | |
30 seconds. | 0:20:15 | 0:20:17 | |
OK. I'd better keep looking at these... | 0:20:19 | 0:20:21 | |
-Is Martin involved? -Yeah. | 0:20:21 | 0:20:23 | |
Maybe Frost is the... Oh, great. | 0:20:27 | 0:20:30 | |
Three lives now.... | 0:20:30 | 0:20:31 | |
-Jack Frost, Jack Snow... -Jack Ketch? | 0:20:31 | 0:20:34 | |
-OK. -Jack Sprat. -I think we've tried that. | 0:20:34 | 0:20:36 | |
Two lives and ten seconds. | 0:20:36 | 0:20:39 | |
Yawl, Ketch, Brigantine... | 0:20:39 | 0:20:40 | |
I think I've tried this as well. | 0:20:40 | 0:20:42 | |
One more life. | 0:20:42 | 0:20:43 | |
OK, I'd better just quickly do something. | 0:20:43 | 0:20:45 | |
No, that's it, your time is up and the wall's frozen. | 0:20:45 | 0:20:49 | |
So, two groups there. What about the connections? | 0:20:49 | 0:20:51 | |
Fry, Smolt, Alevin, Codling? | 0:20:51 | 0:20:53 | |
The young of fish. | 0:20:53 | 0:20:55 | |
Young fish. Well done. | 0:20:55 | 0:20:57 | |
And the Green group? Levin, Martin, Rushton, Percival. | 0:20:57 | 0:21:00 | |
-That Was The Week That Was? -That's absolutely right. | 0:21:00 | 0:21:03 | |
Bernard Levin, Millicent Martin, | 0:21:03 | 0:21:04 | |
Willie Rushton and Lance Percival, | 0:21:04 | 0:21:06 | |
regulars on That Was The Week That Was. | 0:21:06 | 0:21:08 | |
You can still get points for the groups you didn't find, | 0:21:08 | 0:21:11 | |
so let's fix the wall... | 0:21:11 | 0:21:12 | |
Mormon, Ketch, Frost, Sprat. | 0:21:13 | 0:21:16 | |
Would they be preceded by Jack? | 0:21:16 | 0:21:18 | |
They can. They are metaphorical Jacks. | 0:21:18 | 0:21:21 | |
A lapsed Mormon is known as a Jack Mormon. | 0:21:21 | 0:21:23 | |
I think that the one you couldn't spot there. | 0:21:23 | 0:21:25 | |
And the last one, Snow, Brigantine, Buss, Yawl... | 0:21:25 | 0:21:29 | |
Based on yawl, | 0:21:29 | 0:21:30 | |
I think I'd better go for...they're kind of boats. | 0:21:30 | 0:21:33 | |
-Do you want more? -I'll take it. | 0:21:33 | 0:21:34 | |
-I'd like to hear more, it is the final. -Sailing boats? | 0:21:34 | 0:21:37 | |
Yeah, they're two-masted sailing boats, in fact, | 0:21:37 | 0:21:40 | |
but they are boats, so I'll accept it. | 0:21:40 | 0:21:42 | |
So, you found two groups and four connections, | 0:21:42 | 0:21:44 | |
that's six points. | 0:21:44 | 0:21:46 | |
Time to bring in their opponents to see what they can do | 0:21:46 | 0:21:48 | |
with their own Connecting Wall. | 0:21:48 | 0:21:50 | |
Different clues must be solved in the same way. | 0:21:50 | 0:21:52 | |
Now, I'm afraid I have to say, Draughtsmen, | 0:21:52 | 0:21:54 | |
like a stern barman, it's Water for you. | 0:21:54 | 0:21:57 | |
You've got two and a half minutes to solve this wall, | 0:21:57 | 0:22:00 | |
starting...now. | 0:22:00 | 0:22:02 | |
American Graffiti... | 0:22:05 | 0:22:07 | |
-Black Bag job... -Tinribs... | 0:22:07 | 0:22:10 | |
They're both robots. | 0:22:10 | 0:22:11 | |
Tinribs and Mr Logic. Both robots. | 0:22:11 | 0:22:13 | |
I can't see any more. Candelabra? | 0:22:15 | 0:22:17 | |
-Eight Ace, Black Bag...? -Candelabra? | 0:22:17 | 0:22:20 | |
Burnistoun? | 0:22:20 | 0:22:22 | |
Burnistoun sounds Scottish... | 0:22:22 | 0:22:24 | |
Eight Ace is a Viz character, isn't it? | 0:22:24 | 0:22:26 | |
-Right... -Mr Logic's a Viz character... -Right... | 0:22:26 | 0:22:30 | |
-Tinribs, is that...? -Tinribs is a Viz character as well, yes. | 0:22:31 | 0:22:35 | |
And, what else have we got? | 0:22:35 | 0:22:38 | |
-Black Bag. Black Bag is. -Oh, well done. | 0:22:38 | 0:22:41 | |
We got an exchange, I think, possibly. | 0:22:41 | 0:22:44 | |
-Employment exchange, data exchange... -Hang on. | 0:22:44 | 0:22:47 | |
Consumer, opera... no. Coast... | 0:22:47 | 0:22:49 | |
Agenda, Sportscene... Sportscene's a TV programme, isn't it? Yeah. | 0:22:53 | 0:22:58 | |
River City sounds like it's a TV programme. | 0:22:58 | 0:23:00 | |
Candelabra could be a TV programme... | 0:23:02 | 0:23:04 | |
-Wasn't River City in the Music Man? -Was it? | 0:23:06 | 0:23:09 | |
Burnistoun, River City... | 0:23:11 | 0:23:13 | |
We'll go for places, possibly? | 0:23:13 | 0:23:14 | |
Gold Coast... | 0:23:14 | 0:23:16 | |
I'm just thinking American Graffiti... | 0:23:16 | 0:23:18 | |
You're about halfway through the time. | 0:23:18 | 0:23:20 | |
Hidden agenda? Graffito, graffiti... | 0:23:21 | 0:23:24 | |
Something, data, graffiti, agenda... | 0:23:24 | 0:23:27 | |
-Opera. -Opera... | 0:23:27 | 0:23:28 | |
Ah! | 0:23:28 | 0:23:30 | |
-Candelabra. -Candelabria. | 0:23:30 | 0:23:31 | |
Candelabra, agenda, data... | 0:23:31 | 0:23:35 | |
Do...do graffiti. | 0:23:35 | 0:23:37 | |
-Right. -Candelabra, data... | 0:23:39 | 0:23:41 | |
No, it wouldn't be that simple. | 0:23:41 | 0:23:42 | |
-I think that's what you're going for though, isn't it? -Yeah. | 0:23:45 | 0:23:47 | |
What's Burnistoun? I was thinking... | 0:23:49 | 0:23:52 | |
Agenda, graffiti, data... | 0:23:52 | 0:23:56 | |
We've not got any hidden words in here, have we? | 0:23:56 | 0:23:58 | |
30 seconds, now. | 0:24:03 | 0:24:05 | |
Leave that one out. | 0:24:05 | 0:24:07 | |
-River City? -On the coast... | 0:24:07 | 0:24:09 | |
Consumer... | 0:24:12 | 0:24:14 | |
-Consumer programme... -Landward? | 0:24:14 | 0:24:16 | |
-River City Blues, is that? -Ten seconds. | 0:24:21 | 0:24:24 | |
Graffiti blues, employment blues... | 0:24:25 | 0:24:27 | |
And that's it, you're out of time, but you found a group. | 0:24:33 | 0:24:35 | |
I'll give you a point if you can tell me the connection. | 0:24:35 | 0:24:38 | |
Eight Ace, Mr Logic, Tinribs, Black Bag. | 0:24:38 | 0:24:40 | |
Characters in Viz comic. | 0:24:40 | 0:24:42 | |
They are in Viz cartoon strips, that's right. | 0:24:42 | 0:24:44 | |
More points available for the connections, | 0:24:44 | 0:24:46 | |
so let's resolve the wall. | 0:24:46 | 0:24:48 | |
River City, Landward, Burnistoun, Sportscene. | 0:24:48 | 0:24:51 | |
Scottish TV programmes. | 0:24:54 | 0:24:56 | |
That is absolutely it! | 0:24:56 | 0:24:58 | |
-TV programmes commissioned by BBC Scotland. -Oh, my word! | 0:24:58 | 0:25:00 | |
Sportscene was right! | 0:25:00 | 0:25:02 | |
-You plucked that out of the air. -We did. -Now, what about this one? | 0:25:02 | 0:25:05 | |
Coast, employment, data, consumer. | 0:25:05 | 0:25:07 | |
They can all be followed by protection. | 0:25:07 | 0:25:09 | |
That's right, Protection Acts. | 0:25:09 | 0:25:11 | |
They all have Protection Acts after those names. | 0:25:11 | 0:25:14 | |
And the last one, graffiti, opera, agenda, candelabra. | 0:25:14 | 0:25:17 | |
ALL: They are all plural forms. | 0:25:17 | 0:25:20 | |
They are all plural forms, but widely used in the singular. | 0:25:20 | 0:25:23 | |
I must tell you, you put data in that group every time, | 0:25:23 | 0:25:26 | |
and it was never there. | 0:25:26 | 0:25:28 | |
But you did find one group | 0:25:28 | 0:25:29 | |
and you got four rather miraculous connection points, | 0:25:29 | 0:25:32 | |
that's a total of five. | 0:25:32 | 0:25:33 | |
Let's see what that does to the scores | 0:25:33 | 0:25:35 | |
as we go into the final round. | 0:25:35 | 0:25:38 | |
The Draughtsmen have got 11 points, but the Scribes are ahead with 14. | 0:25:38 | 0:25:42 | |
In a shocking piece of late breaking news, | 0:25:44 | 0:25:46 | |
it turns out we've got a website. | 0:25:46 | 0:25:48 | |
We had it all along, | 0:25:48 | 0:25:49 | |
and you can play Connecting Walls | 0:25:49 | 0:25:50 | |
on there. Marvellous. | 0:25:50 | 0:25:52 | |
But we're going to play Round Four, the Missing Vowels Round, | 0:25:52 | 0:25:55 | |
which I think will decide the champion of Only Connect. | 0:25:55 | 0:26:00 | |
So, fingers on buzzers, teams. | 0:26:00 | 0:26:02 | |
Enunciate with care. | 0:26:02 | 0:26:05 | |
The first group are all things that good children do. | 0:26:05 | 0:26:09 | |
-Scribes? -Keep their elbows off the table. -Correct. | 0:26:14 | 0:26:17 | |
-Scribes? -Say please and thank you. -Correct. | 0:26:20 | 0:26:23 | |
-Draughtsmen? -Respect their elders. -Quite right. | 0:26:26 | 0:26:29 | |
-Scribes? -Eat their greens. -Correct. | 0:26:32 | 0:26:35 | |
Next category, wooden objects and their traditional wood. | 0:26:35 | 0:26:39 | |
-Draughtsmen? -Cricket bat and willow. -Correct. | 0:26:42 | 0:26:45 | |
-Scribes? -Electric chair and oak. -Correct. | 0:26:49 | 0:26:51 | |
-Draughtsmen? -The temple and cedar. -I'm afraid you lose a point. | 0:26:57 | 0:27:00 | |
Scribes, do you know it? | 0:27:00 | 0:27:02 | |
Too long. Totem pole and cedar. Next clue. | 0:27:02 | 0:27:06 | |
-Scribes? -Longbow and yew. -Correct. | 0:27:08 | 0:27:11 | |
Next category, three consecutive months. | 0:27:11 | 0:27:14 | |
-Scribes? -December, January, February. -Correct. | 0:27:17 | 0:27:20 | |
-Draughtsmen? -June, July, August. -I'm afraid you lose a point. | 0:27:23 | 0:27:26 | |
Scribes? | 0:27:26 | 0:27:27 | |
Too long. It is Juin, Juillet, Aout. Next clue. | 0:27:27 | 0:27:32 | |
Don't know this one? | 0:27:38 | 0:27:40 | |
From the French Revolutionary calendar, | 0:27:40 | 0:27:42 | |
Prairial, Messidor, Thermidor. Next clue. | 0:27:42 | 0:27:45 | |
THEME MUSIC PLAYS | 0:27:48 | 0:27:51 | |
Draughtsmen, you buzzed in, but too late. | 0:27:53 | 0:27:56 | |
The as was, in Spanish, Marzo, Abril, Mayo. | 0:27:56 | 0:27:59 | |
But the bell's gone off, | 0:27:59 | 0:28:01 | |
which means it's the end of the quiz. | 0:28:01 | 0:28:03 | |
And after a brilliant tournament performance, | 0:28:03 | 0:28:05 | |
the Draughtsmen finish with 11 points. | 0:28:05 | 0:28:09 | |
But the winners and new champions of Only Connect, with 20 points, | 0:28:09 | 0:28:13 | |
it's the Scribes. | 0:28:13 | 0:28:15 | |
Very well done to you, absolutely brilliant quizzing. | 0:28:15 | 0:28:18 | |
Actually, all the teams. Really terrific. | 0:28:18 | 0:28:20 | |
And what a great episode to become champions in, | 0:28:20 | 0:28:23 | |
because, of course, it's our 100th show, | 0:28:23 | 0:28:25 | |
and I want to say a sincere thank you | 0:28:25 | 0:28:27 | |
to everyone here in Cardiff and elsewhere, | 0:28:27 | 0:28:29 | |
including the viewers, for helping us get to our centenary, | 0:28:29 | 0:28:32 | |
especially our brilliantly devious Question Editor, Mr Bodycombe, | 0:28:32 | 0:28:36 | |
with his multiple fingers. | 0:28:36 | 0:28:37 | |
And teams, to mark our 100th, | 0:28:37 | 0:28:39 | |
we've got seven lovely glasses of sherry here. | 0:28:39 | 0:28:42 | |
So I'm just going to give out the trophy, | 0:28:42 | 0:28:44 | |
and then get on with drinking them. Goodbye. | 0:28:44 | 0:28:47 | |
APPLAUSE | 0:28:51 | 0:28:53 | |
Subtitles by Red Bee Media Ltd | 0:28:59 | 0:29:05 |