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Hello and welcome to Only Connect - the semifinals! | 0:00:21 | 0:00:24 | |
Our two teams tonight have been waiting for this moment for weeks - | 0:00:24 | 0:00:27 | |
or, if you're watching successive repeats on iPlayer, | 0:00:27 | 0:00:30 | |
minutes. | 0:00:30 | 0:00:31 | |
It's not just their brains but their bodies that are ready | 0:00:31 | 0:00:34 | |
in preparation for this - loins have been girded, | 0:00:34 | 0:00:36 | |
nerves steeled, and appendixes read, re-read and cross-referenced. | 0:00:36 | 0:00:40 | |
After this, we'll know who is in the final - at which point, | 0:00:40 | 0:00:43 | |
hearts will be gladdened, spleens vented, and no doubt | 0:00:43 | 0:00:46 | |
livers battered. | 0:00:46 | 0:00:48 | |
But right now, everyone is in a very sober frame of mind. | 0:00:48 | 0:00:50 | |
I say everyone - I mean, everyone else. | 0:00:50 | 0:00:53 | |
So, let's say hello to, | 0:00:53 | 0:00:55 | |
on my right, Didier Bruyere, a senior scientist | 0:00:55 | 0:00:57 | |
and William Boyd fan, who won | 0:00:57 | 0:00:59 | |
a Lyon poetry competition in his youth. | 0:00:59 | 0:01:02 | |
Scott Dawson - | 0:01:02 | 0:01:04 | |
a data processor and sudoku enthusiast | 0:01:04 | 0:01:06 | |
with a talent for making Staffordshire oatcakes. | 0:01:06 | 0:01:09 | |
And their captain, Jamie Dodding - | 0:01:09 | 0:01:11 | |
an economics and politics graduate, who could name | 0:01:11 | 0:01:14 | |
every single world capital by the age of five. | 0:01:14 | 0:01:17 | |
United by a craving for Cabernet, they are the Oenophiles. | 0:01:17 | 0:01:21 | |
You haven't dropped a game yet - what's the secret of your success? | 0:01:21 | 0:01:24 | |
I think we've been pretty lucky. We've been doing | 0:01:24 | 0:01:27 | |
things like buzzing in at the wrong time | 0:01:27 | 0:01:29 | |
and managing to scrape the answer, etc, so I think | 0:01:29 | 0:01:32 | |
-we're riding our luck, and we'll hopefully continue. -Tonight, | 0:01:32 | 0:01:35 | |
you are destined to meet, on my left, | 0:01:35 | 0:01:38 | |
Hywel Carver, an engineering graduate who is working | 0:01:38 | 0:01:41 | |
to improve access to the internet for blind people, | 0:01:41 | 0:01:44 | |
Michael Wallace, a statistics blogger and double bassist | 0:01:44 | 0:01:46 | |
who's learning to play the guitar, and their captain, | 0:01:46 | 0:01:49 | |
Jamie Karran, a fan fiction writer | 0:01:49 | 0:01:51 | |
with a degree in the history of medicine | 0:01:51 | 0:01:53 | |
and a passion for Japanese cartoons. | 0:01:53 | 0:01:56 | |
United by an appetite for Operation, | 0:01:56 | 0:01:58 | |
they are the Board Gamers. | 0:01:58 | 0:02:00 | |
Jamie, you've taken a scenic route. | 0:02:00 | 0:02:02 | |
You beat the Globetrotters, lost to the Lasletts | 0:02:02 | 0:02:04 | |
and then beat the Science Editors to get to the semifinal. | 0:02:04 | 0:02:06 | |
Which game did you enjoy most? | 0:02:06 | 0:02:08 | |
Probably the one against the Science Editors, because we were the most | 0:02:08 | 0:02:11 | |
nervous going into that game, but we still managed to scrape a victory. | 0:02:11 | 0:02:15 | |
Or, well, win. | 0:02:15 | 0:02:16 | |
We're going to start with Round One. | 0:02:16 | 0:02:17 | |
That's where I want to know simply what's | 0:02:17 | 0:02:19 | |
the connection between four apparently random clues. | 0:02:19 | 0:02:22 | |
Board Gamers, you won the toss, | 0:02:22 | 0:02:23 | |
but you decided to put the Oenophiles in first. | 0:02:23 | 0:02:26 | |
So, Oenophiles, you're choosing first. | 0:02:26 | 0:02:28 | |
What do you think the first question of the semifinal should be? | 0:02:28 | 0:02:32 | |
French translation would be quite nice, I think. | 0:02:32 | 0:02:35 | |
OK, I happen to know that one of them is that. | 0:02:35 | 0:02:37 | |
You've just got to guess which. | 0:02:37 | 0:02:38 | |
-Right. I'll guess it's "Lyon", Lion. -Right first time. | 0:02:38 | 0:02:42 | |
OK. The "Lyon", or Lion, question. | 0:02:42 | 0:02:44 | |
Oh, no, my mistake. It's Music. | 0:02:44 | 0:02:47 | |
So, what is the connection between these clues. | 0:02:47 | 0:02:50 | |
Here's the first. | 0:02:50 | 0:02:52 | |
# Hey, kids, let me tell you | 0:02:52 | 0:02:53 | |
# How I met your mum | 0:02:53 | 0:02:55 | |
# We were dancing and romancing... # | 0:02:57 | 0:02:59 | |
Next, please. | 0:02:59 | 0:03:01 | |
MUSIC: "Canon In D Major" by Pachelbel | 0:03:01 | 0:03:03 | |
It's Handel, no? | 0:03:03 | 0:03:05 | |
MUSIC DROWNS OUT SPEECH | 0:03:05 | 0:03:07 | |
-Next. -Yeah. | 0:03:10 | 0:03:13 | |
Next, please. | 0:03:13 | 0:03:14 | |
# I was minding my business | 0:03:14 | 0:03:15 | |
# I was lifting some lead off | 0:03:15 | 0:03:17 | |
# The roof of the Holy Name church | 0:03:17 | 0:03:21 | |
# It was worthwhile living a laughable life | 0:03:21 | 0:03:25 | |
# Just to set my eyes on the blistering sight... # | 0:03:25 | 0:03:28 | |
Three seconds. | 0:03:28 | 0:03:29 | |
BELL | 0:03:29 | 0:03:31 | |
Do they all mention football managers? | 0:03:31 | 0:03:33 | |
Not it, I'm afraid. So we give a blast of the final clue | 0:03:33 | 0:03:36 | |
to the Board Gamers. | 0:03:36 | 0:03:38 | |
MUSIC: "Zadok The Priest" by Handel | 0:03:38 | 0:03:42 | |
That's probably enough. | 0:03:42 | 0:03:44 | |
So, we think these are all ranks in the clergy. | 0:03:44 | 0:03:47 | |
We've got Zadok The Priest, | 0:03:47 | 0:03:49 | |
-Pachelbel's Canon and two others. -Two other things we don't know. | 0:03:49 | 0:03:52 | |
Yes, Handel's Zadok The Priest, | 0:03:52 | 0:03:54 | |
Pachelbel's Canon In D Major, | 0:03:54 | 0:03:56 | |
and two more. Which one did you | 0:03:56 | 0:03:58 | |
think was about football managers? | 0:03:58 | 0:03:59 | |
We thought the third one might be | 0:03:59 | 0:04:01 | |
Frankly Mr Shankly by The Smiths. | 0:04:01 | 0:04:03 | |
It was actually a very good guess. | 0:04:03 | 0:04:05 | |
It is The Smiths, but it's Vicar In A Tutu. | 0:04:05 | 0:04:07 | |
And the first one, The Dean And I by 10cc. | 0:04:07 | 0:04:09 | |
Well done for the bonus point. | 0:04:09 | 0:04:11 | |
And your turn to choose a question. | 0:04:11 | 0:04:13 | |
Eye of Horus, please. | 0:04:13 | 0:04:14 | |
The Eye of Horus. | 0:04:14 | 0:04:16 | |
What is the connection between these clues? | 0:04:16 | 0:04:18 | |
Here's the first. | 0:04:18 | 0:04:19 | |
Next. | 0:04:22 | 0:04:24 | |
Maybe that's when it was Hollywoodland. | 0:04:29 | 0:04:31 | |
The sign said Hollywoodland, maybe. | 0:04:31 | 0:04:33 | |
-I think next. -I think next. | 0:04:33 | 0:04:35 | |
Next. | 0:04:35 | 0:04:36 | |
Plot to assassinate De Gaulle? | 0:04:38 | 0:04:40 | |
That must have had a nickname, but I don't know what it is. | 0:04:40 | 0:04:43 | |
-I think next, as well. -Next. | 0:04:43 | 0:04:45 | |
I think those are triffids. | 0:04:46 | 0:04:49 | |
-Are they all books by John Wyndham? -Yeah, OK. | 0:04:49 | 0:04:52 | |
I think they're "Day Of..." things. | 0:04:52 | 0:04:54 | |
Oh, yeah, Day Of The Jackal, | 0:04:54 | 0:04:55 | |
-Day Of The Triffids. -Three seconds. | 0:04:55 | 0:04:57 | |
Right, OK. Last-minute idea. Are they all "Day Of The" something? | 0:04:57 | 0:05:00 | |
Carnivorous walking plants, Day Of The Triffids by John Wyndham. | 0:05:00 | 0:05:04 | |
Plot to assassinate DeGaulle | 0:05:04 | 0:05:05 | |
we think is Day Of The Jackal, maybe. | 0:05:05 | 0:05:08 | |
Hollywood in the Depression... | 0:05:08 | 0:05:10 | |
Nathanael West's Day Of The Locust. | 0:05:10 | 0:05:13 | |
But the first clue's wrong, sorry. | 0:05:13 | 0:05:15 | |
No, I'm joking. | 0:05:15 | 0:05:16 | |
They are all "Day Of The" something. | 0:05:16 | 0:05:18 | |
The Laytons in India, 1942. | 0:05:18 | 0:05:20 | |
It's the Day Of The Scorpion from the Raj Quartet. | 0:05:20 | 0:05:22 | |
But they are all "The Day Of The" something. | 0:05:22 | 0:05:24 | |
Very well done. | 0:05:24 | 0:05:25 | |
Oenophiles, your turn for a question. | 0:05:25 | 0:05:27 | |
Two Reeds, please. | 0:05:27 | 0:05:29 | |
These are going to be pictures. | 0:05:29 | 0:05:30 | |
What do they have in common? | 0:05:30 | 0:05:32 | |
Here's the first. | 0:05:32 | 0:05:34 | |
THEY WHISPER INAUDIBLY | 0:05:35 | 0:05:37 | |
Next, please. | 0:05:37 | 0:05:39 | |
Romania in a green shirt. | 0:05:43 | 0:05:45 | |
Is it football-related? | 0:05:47 | 0:05:50 | |
Football-related... | 0:05:50 | 0:05:51 | |
Next? Next, please. | 0:05:52 | 0:05:54 | |
Black shirts? | 0:05:57 | 0:05:59 | |
Yeah, it's movements, isn't it? | 0:05:59 | 0:06:01 | |
Blue shirts? | 0:06:01 | 0:06:03 | |
But what's the link? | 0:06:04 | 0:06:06 | |
-They're all.... Blue shirts... -OK. | 0:06:06 | 0:06:09 | |
BELL | 0:06:09 | 0:06:10 | |
Are they all political movements named after shirts? | 0:06:10 | 0:06:14 | |
So, Blueshirts, Greenshirts, | 0:06:14 | 0:06:15 | |
Blackshirts in Italy. | 0:06:15 | 0:06:17 | |
So they're all...? | 0:06:17 | 0:06:18 | |
Fascist movements? | 0:06:18 | 0:06:20 | |
That's it. They're all fascist | 0:06:20 | 0:06:22 | |
political movements in those countries. | 0:06:22 | 0:06:24 | |
Well done, that's two points to you. | 0:06:24 | 0:06:25 | |
Board Gamers, it's your turn. | 0:06:25 | 0:06:27 | |
-Twisted Flax. -All right. | 0:06:27 | 0:06:29 | |
What do the four clues of the Twisted Flax have in common? | 0:06:29 | 0:06:32 | |
Here's the first. | 0:06:32 | 0:06:33 | |
They're all flu types. | 0:06:35 | 0:06:37 | |
H1N1 is bird flu. | 0:06:37 | 0:06:39 | |
Could it be birds? | 0:06:39 | 0:06:40 | |
Could be birds, could be flu. | 0:06:42 | 0:06:45 | |
I think they're all strains of flu. | 0:06:45 | 0:06:47 | |
No, no. I think we need more. | 0:06:47 | 0:06:49 | |
Birds or flu? | 0:06:49 | 0:06:52 | |
Really? But no, H1N1 is going to be specific to a virus. | 0:06:52 | 0:06:55 | |
It's not going to be a type of bird. | 0:06:55 | 0:06:57 | |
It's definitely bird flu. | 0:06:57 | 0:06:58 | |
It could be birds, not flu. | 0:06:58 | 0:07:00 | |
OK, next. | 0:07:00 | 0:07:01 | |
Leeloo, The Fifth Element. | 0:07:03 | 0:07:05 | |
Isn't it a Terry Pratchett...? | 0:07:05 | 0:07:06 | |
No, that's in... | 0:07:06 | 0:07:08 | |
Three seconds. | 0:07:09 | 0:07:11 | |
BELL | 0:07:11 | 0:07:13 | |
They've all been recreated from a small amount of them | 0:07:13 | 0:07:17 | |
that was found. So, Leeloo in The Fifth Element is found as just | 0:07:17 | 0:07:20 | |
a hand, and she is remade into a whole person. | 0:07:20 | 0:07:22 | |
H1N1 is a flu. Well, it's a virus. | 0:07:22 | 0:07:25 | |
So, I think that's recreated | 0:07:25 | 0:07:27 | |
from a small amount of it. | 0:07:27 | 0:07:29 | |
I can't take it. | 0:07:29 | 0:07:30 | |
That is an ingenious guess, but it's not one that I can accept. | 0:07:30 | 0:07:33 | |
So, I'm going to show the next two clues to the | 0:07:33 | 0:07:36 | |
Oenophiles for a possible bonus point. | 0:07:36 | 0:07:38 | |
LSD, Frankenstein's monster... | 0:07:38 | 0:07:41 | |
I can't let you have a long chat. | 0:07:41 | 0:07:43 | |
Do you have an answer? | 0:07:43 | 0:07:44 | |
Tested by using... | 0:07:44 | 0:07:46 | |
Created by doctors? | 0:07:46 | 0:07:47 | |
No, that's far too long. | 0:07:47 | 0:07:48 | |
They've all been created by doctors. | 0:07:48 | 0:07:50 | |
Well, that's not it. | 0:07:50 | 0:07:51 | |
No. They are all things that have | 0:07:51 | 0:07:54 | |
escaped from a laboratory | 0:07:54 | 0:07:56 | |
or can be said to have done. | 0:07:56 | 0:07:58 | |
H1N1, not bird flu, but swine flu. | 0:07:58 | 0:08:00 | |
The character played by Milla Jovovich | 0:08:00 | 0:08:02 | |
escaped from a lab, as did LSD, | 0:08:02 | 0:08:03 | |
and Frankenstein's monster, | 0:08:03 | 0:08:05 | |
of course, also made his escape | 0:08:05 | 0:08:07 | |
from a laboratory. | 0:08:07 | 0:08:08 | |
Oenophiles, it's your turn | 0:08:08 | 0:08:10 | |
to make the last choice of the round. | 0:08:10 | 0:08:12 | |
Can we have Water, please? | 0:08:12 | 0:08:13 | |
You certainly may. | 0:08:13 | 0:08:14 | |
What is the connection between these clues? | 0:08:14 | 0:08:17 | |
Here's the first. | 0:08:17 | 0:08:18 | |
Lateral thinking? | 0:08:21 | 0:08:23 | |
Lateral thinking? | 0:08:23 | 0:08:25 | |
Next, please. | 0:08:25 | 0:08:27 | |
Is it a cap? Different caps? | 0:08:30 | 0:08:33 | |
Do you have a black cap? | 0:08:33 | 0:08:35 | |
Yeah, yeah. | 0:08:36 | 0:08:37 | |
BELL | 0:08:37 | 0:08:38 | |
Is the connection caps? | 0:08:38 | 0:08:40 | |
I am going to give you one more go. | 0:08:40 | 0:08:42 | |
Coloured caps. | 0:08:42 | 0:08:44 | |
I can't give it to you, so I'll show the next two clues to | 0:08:44 | 0:08:46 | |
the Board Gamers for a possible bonus point. | 0:08:46 | 0:08:49 | |
-They're blue? -Yeah. | 0:08:49 | 0:08:50 | |
They all have blue hats. | 0:08:50 | 0:08:52 | |
It is blue hats. | 0:08:52 | 0:08:53 | |
The thing about De Bono, of course, | 0:08:53 | 0:08:54 | |
there are the six thinking hats. | 0:08:54 | 0:08:56 | |
Specifically the thinking manager | 0:08:56 | 0:08:58 | |
would be in the blue one. | 0:08:58 | 0:08:59 | |
Unlucky, Oenophiles. | 0:08:59 | 0:09:00 | |
You get the bonus point, Board Gamers, | 0:09:00 | 0:09:02 | |
and you get the last question. No choice. | 0:09:02 | 0:09:04 | |
It's got to be the Horned Viper. | 0:09:04 | 0:09:05 | |
What do these clues have in common? | 0:09:05 | 0:09:08 | |
Here's the first. | 0:09:08 | 0:09:10 | |
That the flower arranging. | 0:09:12 | 0:09:14 | |
I know that's hanami. | 0:09:14 | 0:09:15 | |
That might be fireworks. | 0:09:15 | 0:09:17 | |
Next. | 0:09:17 | 0:09:19 | |
Lester Burnham dreams. | 0:09:19 | 0:09:21 | |
Is it a poem? I don't know. | 0:09:21 | 0:09:24 | |
Next? Next. | 0:09:24 | 0:09:26 | |
Beauty And The Beast. | 0:09:27 | 0:09:29 | |
THEY WHISPER INAUDIBLY | 0:09:29 | 0:09:32 | |
What changes him? | 0:09:32 | 0:09:34 | |
A rose. Flowers, rose, in a jar. | 0:09:34 | 0:09:38 | |
Shall we say flowers? | 0:09:38 | 0:09:39 | |
Shall we do next? | 0:09:39 | 0:09:41 | |
Next. | 0:09:41 | 0:09:43 | |
So that's poppies... | 0:09:43 | 0:09:46 | |
Three seconds. | 0:09:46 | 0:09:47 | |
BELL | 0:09:47 | 0:09:49 | |
OK. Flowers is the connection. | 0:09:49 | 0:09:51 | |
Tell me something else. | 0:09:51 | 0:09:52 | |
Is Lester Burnham in American Beauty? | 0:09:52 | 0:09:55 | |
-He is. -Covered in rose petals. | 0:09:55 | 0:09:57 | |
That's it. I'm going to take red flowers. | 0:09:57 | 0:09:59 | |
Or petals, actually. Falling petals. | 0:09:59 | 0:10:01 | |
But the Japanese tradition of hanami, I think | 0:10:01 | 0:10:03 | |
you got confused about flower arranging. | 0:10:03 | 0:10:05 | |
This is a festival at the beginning | 0:10:05 | 0:10:07 | |
of April to do with | 0:10:07 | 0:10:09 | |
cherry blossoms and rose petals. | 0:10:09 | 0:10:10 | |
Lester Burnham in American Beauty | 0:10:10 | 0:10:12 | |
dreams about the falling rose petals. | 0:10:12 | 0:10:14 | |
Beauty And The Beast, of course, about the red roses. | 0:10:14 | 0:10:16 | |
And poppies in the Festival of Remembrance. So, red flowers. | 0:10:16 | 0:10:19 | |
I will take flowers or petals. Well done. | 0:10:19 | 0:10:22 | |
At the end of Round One, then, | 0:10:22 | 0:10:24 | |
the Oenophiles have got two points, the Board Gamers have four. | 0:10:24 | 0:10:28 | |
Round Two is about sequences. | 0:10:30 | 0:10:32 | |
The teams may see a maximum of three clues before telling me, | 0:10:32 | 0:10:35 | |
I hope, what comes fourth. | 0:10:35 | 0:10:37 | |
Oenophiles, you'll be going first again. | 0:10:37 | 0:10:39 | |
Which question would you like? | 0:10:39 | 0:10:40 | |
-Twisted Flax, please. -Twisted Flax. | 0:10:40 | 0:10:42 | |
What would the fourth clue be | 0:10:42 | 0:10:44 | |
in this sequence? Here's the first. | 0:10:44 | 0:10:46 | |
Something about genetics? | 0:10:51 | 0:10:53 | |
Next, please. | 0:10:53 | 0:10:54 | |
It's not a song title of any sort, is it? | 0:10:56 | 0:10:59 | |
Tricks or something? | 0:10:59 | 0:11:01 | |
-Say next. -Next, please. | 0:11:04 | 0:11:07 | |
-Parrots. -Monty Python. -Parrots. | 0:11:09 | 0:11:12 | |
The Norwegian parrot sketch. | 0:11:12 | 0:11:15 | |
Shuffled off this mortal coil? | 0:11:15 | 0:11:17 | |
-Yes. -Is it? | 0:11:17 | 0:11:19 | |
BUZZ | 0:11:19 | 0:11:21 | |
Is it shuffled off this mortal coil? | 0:11:21 | 0:11:22 | |
I'm afraid it's not. A bonus chance for the Board Gamers. | 0:11:22 | 0:11:25 | |
-We think it's ex. -Ex-parrot. | 0:11:25 | 0:11:27 | |
Well, ex. It's the Monty Python dead parrot sketch. | 0:11:27 | 0:11:30 | |
It is, but that's not it. | 0:11:30 | 0:11:31 | |
It is the next line in the Monty Python dead parrot sketch, | 0:11:31 | 0:11:34 | |
but it would be, "Expired and gone to meet its maker." | 0:11:34 | 0:11:38 | |
-Tough. -So, no points there. | 0:11:38 | 0:11:40 | |
Board Gamers, your turn to choose. | 0:11:40 | 0:11:41 | |
-The Horned Viper, please. -OK. | 0:11:41 | 0:11:43 | |
What's the fourth in this snaky sequence? | 0:11:43 | 0:11:46 | |
Here's the first. | 0:11:46 | 0:11:47 | |
We have to go with next. Next. | 0:11:51 | 0:11:53 | |
Four cards equals settlement? | 0:11:54 | 0:11:56 | |
Is that not Settlers of Catan? | 0:11:56 | 0:11:59 | |
Yeah, it does. Three cards is something else. | 0:11:59 | 0:12:02 | |
What's two cards? | 0:12:02 | 0:12:03 | |
A road. | 0:12:03 | 0:12:05 | |
-Really? Are we really...? -Yes. | 0:12:05 | 0:12:06 | |
-Is five a city? -Yes, five is a city. | 0:12:06 | 0:12:09 | |
Three or two wheat. I promise you. | 0:12:09 | 0:12:11 | |
-It's two cards - road. -OK. | 0:12:11 | 0:12:13 | |
-Are you sure? -Yeah. | 0:12:13 | 0:12:15 | |
OK. We'll have to... | 0:12:15 | 0:12:16 | |
THEY WHISPER INAUDIBLY | 0:12:16 | 0:12:18 | |
BELL | 0:12:20 | 0:12:21 | |
OK, well, we think this is a board game one. | 0:12:21 | 0:12:23 | |
I'll throw it over to Mr Carver. | 0:12:23 | 0:12:25 | |
It's 2 cards: Road. | 0:12:25 | 0:12:26 | |
-The answer is 2 cards: Road. -Nice! | 0:12:26 | 0:12:29 | |
This is very nice for you! | 0:12:29 | 0:12:30 | |
You've managed to get a games question. | 0:12:30 | 0:12:32 | |
Which game is it about? | 0:12:32 | 0:12:34 | |
-Settlers of Catan. -Of course it is! | 0:12:34 | 0:12:36 | |
Your favourite, the Settlers of Catan. That's it. | 0:12:36 | 0:12:38 | |
And going down from five cards to two in the sequence, | 0:12:38 | 0:12:41 | |
for two cards, you can build a road. | 0:12:41 | 0:12:43 | |
Well done. | 0:12:43 | 0:12:45 | |
Oenophiles, let's hope the next one's a wine question. | 0:12:45 | 0:12:47 | |
If I wrote them, they all would be. So, you never know. | 0:12:47 | 0:12:49 | |
-We'll go for Two Reeds, then. -Two Reeds. | 0:12:49 | 0:12:51 | |
These are going to be picture clues. | 0:12:51 | 0:12:54 | |
What would you expect to see in the last picture? Here's the first. | 0:12:54 | 0:12:57 | |
A keyboard. | 0:12:59 | 0:13:02 | |
Is it a Commodore keyboard? | 0:13:02 | 0:13:04 | |
Could be. | 0:13:04 | 0:13:06 | |
OK, next. | 0:13:06 | 0:13:07 | |
Next, please. | 0:13:07 | 0:13:09 | |
-What would be next? -I'm not sure. | 0:13:14 | 0:13:17 | |
The Devil Wears Prada. Next, please. | 0:13:19 | 0:13:21 | |
A tape deck. | 0:13:24 | 0:13:26 | |
A cassette? | 0:13:27 | 0:13:29 | |
Keyboard. | 0:13:29 | 0:13:30 | |
-Looks like a hard disk, or a cassette. -Three seconds. | 0:13:32 | 0:13:35 | |
BELL | 0:13:36 | 0:13:38 | |
We'll go for a hard drive. | 0:13:38 | 0:13:40 | |
Not the answer, I'm afraid. | 0:13:40 | 0:13:41 | |
So, a possible bonus point for the Board Gamers. | 0:13:41 | 0:13:44 | |
Hmm. We think the last one will be | 0:13:44 | 0:13:45 | |
something which connotates eight. | 0:13:45 | 0:13:47 | |
So a spider with eight legs. | 0:13:47 | 0:13:49 | |
You are not correct, but why do you think that? | 0:13:49 | 0:13:51 | |
Cos we think that's a Commodore 64, | 0:13:51 | 0:13:53 | |
then that is a 32-year-old woman, | 0:13:53 | 0:13:56 | |
a 16-bit game and then a spider. | 0:13:56 | 0:13:59 | |
Oh, I see. I like your thinking. | 0:13:59 | 0:14:01 | |
Where you went wrong is in that horrible second clue. It's so nasty. | 0:14:01 | 0:14:05 | |
It denotes the film 27 Dresses. | 0:14:05 | 0:14:08 | |
So, it's 64, 27. | 0:14:08 | 0:14:10 | |
-Then you've got an eight track cassette. -Oh, man! | 0:14:10 | 0:14:13 | |
So, 64, 27, 8 is cubed numbers. | 0:14:13 | 0:14:14 | |
Four cubed, three cubed, | 0:14:14 | 0:14:16 | |
two cubed and, of course | 0:14:16 | 0:14:17 | |
one cubed would be one. | 0:14:17 | 0:14:19 | |
We've got a picture of The One Show. | 0:14:19 | 0:14:21 | |
Board Gamers, see if you can find something as horrible in there. | 0:14:21 | 0:14:24 | |
-Yes, Lion. -Lion. OK. | 0:14:24 | 0:14:26 | |
What's the fourth in this sequence? | 0:14:26 | 0:14:28 | |
Here's the first. | 0:14:28 | 0:14:29 | |
THEY WHISPER INAUDIBLY | 0:14:34 | 0:14:36 | |
We need time to think. Next. | 0:14:38 | 0:14:40 | |
Have we got to go next, to give us time to think? | 0:14:45 | 0:14:48 | |
Next. | 0:14:48 | 0:14:49 | |
25 to 10? | 0:14:53 | 0:14:55 | |
HE WHISPERS INAUDIBLY | 0:14:55 | 0:14:58 | |
The number of... The way they're written, | 0:14:58 | 0:15:00 | |
it's got to be clocks or the number of arrows, | 0:15:00 | 0:15:03 | |
the number of things that are... | 0:15:03 | 0:15:04 | |
-It's the number of things... -Three seconds. | 0:15:04 | 0:15:08 | |
BELL | 0:15:08 | 0:15:10 | |
-You have to answer this. -I think it's 8, then a right arrow, then 7. | 0:15:10 | 0:15:15 | |
That is the right answer. | 0:15:15 | 0:15:18 | |
Why is it 8 arrow 7? | 0:15:18 | 0:15:21 | |
Unless it's a massive coincidence, I think | 0:15:21 | 0:15:24 | |
it's the number of lines that make up the numbers, | 0:15:24 | 0:15:29 | |
so there are seven of those lines to make up 8 | 0:15:29 | 0:15:31 | |
and then eight lines in 10 and ten lines in 25. | 0:15:31 | 0:15:35 | |
That's it, it's segments, is what you would say. | 0:15:35 | 0:15:37 | |
Well done, you worked that out, really, with one second to go. | 0:15:37 | 0:15:40 | |
Very well done. | 0:15:40 | 0:15:41 | |
Back to you, Oenophiles, to pick a question. | 0:15:41 | 0:15:44 | |
-Water, please. -Water, OK. | 0:15:44 | 0:15:46 | |
What is the fourth in this sequence? Here is the first. | 0:15:46 | 0:15:49 | |
-Any idea what that is? -No. | 0:15:52 | 0:15:53 | |
Next, please. | 0:15:53 | 0:15:54 | |
Oh, God. What do you think? | 0:15:57 | 0:16:00 | |
-Harry Potterish. Don't really know. -No, no idea. | 0:16:00 | 0:16:03 | |
It's not, erm... | 0:16:03 | 0:16:05 | |
What do you call it, quidditch? | 0:16:05 | 0:16:07 | |
The first one's not "sorting hat". | 0:16:11 | 0:16:14 | |
Next, please. | 0:16:14 | 0:16:16 | |
Is this the name of each of the films? | 0:16:19 | 0:16:21 | |
So Severus Snape was the Half-Blood Prince, | 0:16:21 | 0:16:23 | |
what was the last film called? | 0:16:23 | 0:16:25 | |
Three seconds. | 0:16:26 | 0:16:28 | |
BELL | 0:16:28 | 0:16:30 | |
Um, something that represents The Deathly Hallows. | 0:16:31 | 0:16:35 | |
Which would be what? | 0:16:35 | 0:16:37 | |
Some sort of object that has magical connotations? | 0:16:37 | 0:16:42 | |
-Not the answer, I'm afraid, so Board Gamers, do you know it? -Yes. | 0:16:42 | 0:16:46 | |
A wand, an invisibility cloak and a ring | 0:16:46 | 0:16:49 | |
are the three Deathly Hallows. | 0:16:49 | 0:16:51 | |
That is it, a wand, a cloak and a ring, | 0:16:51 | 0:16:53 | |
or a stone that's found in a ring. | 0:16:53 | 0:16:55 | |
What can I do? It's for a place in the final. | 0:16:55 | 0:16:58 | |
It's a double thing you need to know. | 0:16:58 | 0:16:59 | |
It's not just items in the title of Harry Potter books or films. | 0:16:59 | 0:17:04 | |
Also, what are they? Who is the Half-Blood Prince? Severus Snape. | 0:17:04 | 0:17:07 | |
What are the Deathly Hallows? | 0:17:07 | 0:17:09 | |
An invisibility cloak, a wand and a stone set in a ring. | 0:17:09 | 0:17:12 | |
Good knowledge, Board Gamers. | 0:17:12 | 0:17:14 | |
You also get to have the final question of the round, | 0:17:14 | 0:17:17 | |
which is the Eye of Horus. | 0:17:17 | 0:17:19 | |
What is the fourth in this sequence? Here's the first. | 0:17:19 | 0:17:22 | |
THEY CONFER | 0:17:24 | 0:17:26 | |
Next. | 0:17:26 | 0:17:28 | |
Next. | 0:17:35 | 0:17:37 | |
-Could it just be income? -Income? | 0:17:41 | 0:17:43 | |
What have we got? We've got VAT, income... | 0:17:46 | 0:17:48 | |
That's mostly likely. | 0:17:50 | 0:17:52 | |
It's the things that are going to be taxed. | 0:17:52 | 0:17:54 | |
"Profits from trade or profession" is income, so it's got to be VAT, right? | 0:17:54 | 0:17:57 | |
No, no, cos it's things... | 0:17:57 | 0:18:00 | |
Three seconds. | 0:18:00 | 0:18:01 | |
-BELL -It's not profits. | 0:18:01 | 0:18:02 | |
-Er, income. -Have another go. | 0:18:04 | 0:18:07 | |
-Salary, pay... -Money for work done. | 0:18:07 | 0:18:10 | |
I can take "salaries", because it's all income. | 0:18:10 | 0:18:12 | |
-Do you know what the connection is? -They are tax and a letter. | 0:18:12 | 0:18:16 | |
Tax schedules. | 0:18:16 | 0:18:18 | |
Taxing on certain sorts of income and E would be "salaries", | 0:18:18 | 0:18:21 | |
that specific part of income. | 0:18:21 | 0:18:23 | |
Well done. | 0:18:23 | 0:18:24 | |
So, at the end of Round Two, the Oenophiles have been a bit unlucky. | 0:18:24 | 0:18:27 | |
They've got two points. The Board Gamers are ahead with 12. | 0:18:27 | 0:18:30 | |
I know what you're thinking. | 0:18:33 | 0:18:34 | |
You're thinking, "This show's too easy." | 0:18:34 | 0:18:36 | |
Don't worry, it's about to get harder. | 0:18:36 | 0:18:38 | |
16 clues this time - it's the Connecting Wall. | 0:18:38 | 0:18:41 | |
Your turn to go first now, Board Gamers, | 0:18:41 | 0:18:43 | |
and you've got a choice, Lion or Water? | 0:18:43 | 0:18:45 | |
OK, I think as a big cat lover, I have to go for Lion. | 0:18:45 | 0:18:49 | |
You do usually choose the Lion. That again. | 0:18:49 | 0:18:51 | |
You've got two and a half minutes to solve it, | 0:18:51 | 0:18:53 | |
starting now. | 0:18:53 | 0:18:55 | |
Is Libertador type of a matador-type thing? No, no. | 0:18:58 | 0:19:01 | |
Ig Nobel's a prize, the Darwin Prize, these are bad awards. | 0:19:01 | 0:19:04 | |
Golden Raspberry's a bad award. | 0:19:04 | 0:19:07 | |
So it's got to be those four plus something else, I think. | 0:19:07 | 0:19:11 | |
Turnip?! | 0:19:11 | 0:19:12 | |
No, no, Golden Raspberry and Darwin, Ig Nobel, | 0:19:12 | 0:19:14 | |
those three plus something else. We'll look for something else. | 0:19:14 | 0:19:17 | |
Turnip sounds like a thing you'd get for bad. | 0:19:17 | 0:19:19 | |
No, no, we know these three are bad awards. | 0:19:19 | 0:19:21 | |
-Pigasus is one letter off Pegasus, isn't it? -Yep. | 0:19:21 | 0:19:24 | |
-El Cid? -El Salvador. -Yep, keep going, keep going. | 0:19:24 | 0:19:28 | |
El Greco is a painter. | 0:19:30 | 0:19:32 | |
El Cordobes, maybe? | 0:19:32 | 0:19:34 | |
You haven't got Golden Raspberry in there. | 0:19:34 | 0:19:36 | |
Oh, sorry. | 0:19:36 | 0:19:38 | |
Shall we try the "els"? | 0:19:38 | 0:19:39 | |
OK, El Cid, El Greco, El Salvador. | 0:19:42 | 0:19:45 | |
And then El Libertador? Nope. | 0:19:45 | 0:19:47 | |
-Sorry, you're the presser. -Goose Green. | 0:19:47 | 0:19:51 | |
Quick, quick, quick, press these groups. | 0:19:51 | 0:19:53 | |
El Salvador and then something else. | 0:19:53 | 0:19:54 | |
Goose Green. | 0:19:56 | 0:19:58 | |
-What about ports? -Darwin, Stanley was an explorer, | 0:19:58 | 0:20:02 | |
Darwin was an explorer, El Cid was an explorer - possibly. | 0:20:02 | 0:20:05 | |
It could be cities in Australia. | 0:20:05 | 0:20:08 | |
We've got Port Douglas and Port Stanley... | 0:20:08 | 0:20:11 | |
-Port Stella? Port Libertador? -Darwin is a port, probably. | 0:20:11 | 0:20:17 | |
-Have we really tried all of the bad awards? -Yes. | 0:20:17 | 0:20:20 | |
I'm pretty confident it's going to be... Er, it's going to be... | 0:20:20 | 0:20:26 | |
No, I think it's going to be Turnip. | 0:20:26 | 0:20:30 | |
-Estella... Stella is a drink. -Pigasus! Right. | 0:20:30 | 0:20:35 | |
-El Salvador, El Greco... -I've done that. | 0:20:35 | 0:20:40 | |
Have you mashed up everything for that? | 0:20:40 | 0:20:42 | |
No, I haven't, but we've not got much time. | 0:20:42 | 0:20:44 | |
THEY TALK OVER EACH OTHER | 0:20:46 | 0:20:49 | |
30 seconds. | 0:20:49 | 0:20:51 | |
I think if we see any groups with Stanley | 0:20:53 | 0:20:54 | |
and Darwin, we should go for explorers. | 0:20:54 | 0:20:56 | |
Those are all names, Orlando also sounds like a name, Stella... | 0:20:56 | 0:21:00 | |
So what's our fourth group? | 0:21:03 | 0:21:05 | |
Cos we've got two more groups. | 0:21:06 | 0:21:08 | |
Goose Green sounds like a place | 0:21:08 | 0:21:10 | |
but Grinling sounds like | 0:21:10 | 0:21:11 | |
a monster or something. | 0:21:11 | 0:21:12 | |
Goose Green is another word | 0:21:12 | 0:21:14 | |
-for something. -Bad, it's going bad. | 0:21:14 | 0:21:18 | |
And that's it, your time is up. | 0:21:18 | 0:21:21 | |
So, you found a group, that's a point, what about the connection? | 0:21:21 | 0:21:24 | |
Turnip, Golden Raspberry, Pigasus, Ig Nobel, or Ignoble. | 0:21:24 | 0:21:29 | |
-They're all negative awards. -Or alternative awards. | 0:21:29 | 0:21:33 | |
Yes, they're sarcastic or tongue-in-cheek prizes. | 0:21:33 | 0:21:36 | |
Ig Nobel's not so bad, it's for slightly daft research. | 0:21:36 | 0:21:39 | |
-Noodle floppiness and things. -That sort of thing. | 0:21:39 | 0:21:41 | |
But you can get extra points for connections | 0:21:41 | 0:21:43 | |
in the groups you didn't find, so let's resolve the wall. | 0:21:43 | 0:21:46 | |
-No, no, places in Australia, I think. -OK. | 0:21:50 | 0:21:54 | |
No, ports. | 0:21:54 | 0:21:56 | |
Don't worry, they're neither - they're settlements | 0:21:56 | 0:21:59 | |
-in the Falkland Islands. -Brilliant(!) -That's what they are. | 0:21:59 | 0:22:02 | |
-Going to go ports again? -No, I think we should go with explorers, | 0:22:06 | 0:22:09 | |
because we think the next one is El. | 0:22:09 | 0:22:10 | |
-Explorers? -Don't worry, they're neither. | 0:22:10 | 0:22:12 | |
It's people with the surname Gibbons. | 0:22:12 | 0:22:15 | |
And what about this last group - Libertador, Cordobes, Greco, Cid. | 0:22:15 | 0:22:19 | |
Merely based on El Greco and El Cid, | 0:22:19 | 0:22:21 | |
we think those are "El" people. | 0:22:21 | 0:22:22 | |
That is right, people with the | 0:22:22 | 0:22:24 | |
nickname "El" known to the English. | 0:22:24 | 0:22:27 | |
So one point you get for the group you found and two for the | 0:22:27 | 0:22:30 | |
connections, a total of three - not bad at this stage of the game. | 0:22:30 | 0:22:33 | |
Time to bring back the Oenophiles now, | 0:22:33 | 0:22:35 | |
see if we can find equally horrible clues for them. | 0:22:35 | 0:22:37 | |
16 new ones still need sorting into four groups of four. | 0:22:37 | 0:22:41 | |
OK, winos, the other team took the Lion wall, | 0:22:41 | 0:22:43 | |
so you've got Water, your favourite. | 0:22:43 | 0:22:45 | |
Two and a half minutes to solve it, starting...now. | 0:22:45 | 0:22:49 | |
Wolfenden Report... | 0:22:50 | 0:22:52 | |
THEY MURMUR | 0:22:52 | 0:22:55 | |
Do we know who Stroupach is? | 0:22:59 | 0:23:01 | |
Could it be people working...? Nanny, footman, butler... | 0:23:03 | 0:23:08 | |
O'Hara... | 0:23:10 | 0:23:12 | |
Stroupach, isn't it? | 0:23:13 | 0:23:15 | |
-Do you want to go for...? I'll put some in and you keep looking. -OK. | 0:23:15 | 0:23:20 | |
INCORRECT BUZZER | 0:23:20 | 0:23:21 | |
Another one, char... | 0:23:23 | 0:23:25 | |
OK, let's just get another one out the way, then. Cuppa, char, brew... | 0:23:28 | 0:23:34 | |
-Maybe Rosie? -Yeah - no. | 0:23:34 | 0:23:36 | |
INCORRECT BUZZER | 0:23:36 | 0:23:37 | |
Wolfenden Report, Butler Report... | 0:23:42 | 0:23:47 | |
-Hutton Report. -What? -Hutton Report. | 0:23:47 | 0:23:51 | |
And Taylor Report. INCORRECT BUZZER | 0:23:51 | 0:23:53 | |
Let's go for them again, | 0:23:53 | 0:23:54 | |
Franks Report. INCORRECT BUZZER | 0:23:54 | 0:23:57 | |
Wolfenden Report's got to be one. Franks Report has got to be one. | 0:23:57 | 0:24:00 | |
-Hutton... -There was a Taylor Report. | 0:24:01 | 0:24:06 | |
That's one done, right. | 0:24:06 | 0:24:09 | |
So we've got these brews again. A cup of Rosie, a cuppa, a brew, a char. | 0:24:09 | 0:24:17 | |
INCORRECT BUZZER | 0:24:17 | 0:24:18 | |
Sorry, you keep going, guys. | 0:24:24 | 0:24:26 | |
-Cuppa, char, brew... -General Butler. | 0:24:27 | 0:24:33 | |
INCORRECT BUZZER | 0:24:33 | 0:24:34 | |
Is Footman a butterfly or something? | 0:24:34 | 0:24:36 | |
No, a footman, a valet, a butler. | 0:24:36 | 0:24:41 | |
Butler Report, we could lose that one, possibly. What's a Stroupach? | 0:24:41 | 0:24:45 | |
We've had that a couple of times. A char is... | 0:24:48 | 0:24:55 | |
-Char lady. -Char lady. | 0:24:55 | 0:24:58 | |
Nanny, butler, char... | 0:24:59 | 0:25:01 | |
INCORRECT BUZZER | 0:25:01 | 0:25:03 | |
Ten seconds. | 0:25:03 | 0:25:06 | |
Oh, Wilkes! Gone With The Wind, | 0:25:07 | 0:25:10 | |
O'Hara, Hamilton, Butler... | 0:25:10 | 0:25:14 | |
That's it, you're out of time. | 0:25:14 | 0:25:16 | |
But you found a group, I'll give you another point | 0:25:16 | 0:25:19 | |
if you can tell me what connects Franks, Hutton, Wolfenden, Taylor. | 0:25:19 | 0:25:22 | |
-They're all reports. -They are all UK government reports. | 0:25:22 | 0:25:24 | |
And more points available for the connections | 0:25:24 | 0:25:26 | |
in the groups you didn't find. | 0:25:26 | 0:25:28 | |
Let's resolve the wall. | 0:25:28 | 0:25:29 | |
All characters from Gone With The Wind. | 0:25:33 | 0:25:35 | |
They are, you spotted that too late, | 0:25:35 | 0:25:37 | |
the nightmare is Butler just skittering about between the groups. | 0:25:37 | 0:25:40 | |
All servant-type roles. | 0:25:43 | 0:25:45 | |
That's it, they're domestic servants of the old school. | 0:25:45 | 0:25:48 | |
They're all nicknames for tea. | 0:25:51 | 0:25:54 | |
They mean tea, it was that second clue, it's a Scottish term for tea. | 0:25:54 | 0:25:58 | |
But well done, you found a group and you got four more connections, | 0:25:58 | 0:26:02 | |
so that is a total of five. | 0:26:02 | 0:26:04 | |
Let's have a look at the scores going into the final round. | 0:26:04 | 0:26:07 | |
If you want to play Connecting Walls, you will find them | 0:26:13 | 0:26:16 | |
on our website, where you can also write your own. | 0:26:16 | 0:26:18 | |
But we are going to decide who is making the final | 0:26:18 | 0:26:21 | |
and who is going home by Missing Vowel, of course, | 0:26:21 | 0:26:24 | |
a difficult Missing Vowel semifinal game. | 0:26:24 | 0:26:29 | |
Fingers on buzzers, teams. The first group are all... | 0:26:29 | 0:26:32 | |
-Gamers. -Wallander. | 0:26:36 | 0:26:38 | |
-Gamers. -The Bridge. -Correct. | 0:26:41 | 0:26:43 | |
Don't know this one, it's Matador, next clue. | 0:26:49 | 0:26:52 | |
-Gamers. -Borgen. -Correct. | 0:26:53 | 0:26:55 | |
Next category... | 0:26:55 | 0:26:57 | |
-Gamers. -James Taylor Swift. -That's correct. | 0:27:01 | 0:27:04 | |
-Gamers. -George Michael Buble. -Yes, it is. | 0:27:07 | 0:27:10 | |
-Gamers. -Craig David Gray. -Yup. | 0:27:12 | 0:27:14 | |
-Oenophiles. -Elton John Denver. -Correct. Next category... | 0:27:18 | 0:27:22 | |
-Gamers. -Boolean algebra. | 0:27:26 | 0:27:29 | |
-Gamers. -Newton-Raphson method. -Correct. | 0:27:33 | 0:27:36 | |
-Oenophiles. -Euclidean geometry. -Yes, it is. | 0:27:40 | 0:27:43 | |
-Gamers. -Mandelbrot set. -Correct. Next category... | 0:27:45 | 0:27:48 | |
-Oenophiles. -Luncheon On The Grass. -Correct. | 0:27:52 | 0:27:56 | |
END-OF-GAME JINGLE | 0:27:56 | 0:27:58 | |
Didn't have time to shout The Absinthe Drinker, but that's | 0:28:00 | 0:28:03 | |
all right, I've had that shouted at me four times today already. | 0:28:03 | 0:28:06 | |
And after a brilliant series, they've been lots of fun, | 0:28:06 | 0:28:10 | |
but with ten points, it's time to say goodbye to the Oenophiles. | 0:28:10 | 0:28:14 | |
With 24 points and impressively through to the final, | 0:28:14 | 0:28:17 | |
it is the Board Gamers. | 0:28:17 | 0:28:19 | |
We'll be seeing you again for the final. | 0:28:19 | 0:28:22 | |
Oenophiles, I'm sorry to lose you, you've been a brilliant team, | 0:28:22 | 0:28:25 | |
and perhaps we'll have a glass of wine later on. | 0:28:25 | 0:28:29 | |
So that's it for Only Connect this week, over like another Christmas. | 0:28:29 | 0:28:33 | |
Have an Alka-Seltzer for the headache | 0:28:33 | 0:28:35 | |
and start taking down the decorations. | 0:28:35 | 0:28:37 | |
I assume you decorate your house for the show. | 0:28:37 | 0:28:39 | |
See you next week, when once again I'll be coming down the chimney | 0:28:39 | 0:28:42 | |
chuckling, "Name the Siberian lakes in reverse order of depth." Goodbye. | 0:28:42 | 0:28:46 | |
Subtitles by Red Bee Media Ltd | 0:28:47 | 0:28:50 |