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Many people say that quizzing is the new rock'n'roll. | 0:00:21 | 0:00:25 | |
Sorry? | 0:00:25 | 0:00:27 | |
Is it? | 0:00:27 | 0:00:28 | |
I'm so sorry. | 0:00:28 | 0:00:30 | |
Nobody says that quizzing is the new rock'n'roll. | 0:00:30 | 0:00:34 | |
But it could be the new musical theatre. | 0:00:34 | 0:00:37 | |
This quiz, for example, is enigmatic, | 0:00:37 | 0:00:40 | |
it's problematic, | 0:00:40 | 0:00:42 | |
it's mathematic. | 0:00:42 | 0:00:43 | |
Why it's... I'm going to stop there before someone gets hurt! | 0:00:43 | 0:00:46 | |
Let's meet two new teams starting on the road to possible championship. | 0:00:46 | 0:00:51 | |
On my right, Emily Phillips, | 0:00:51 | 0:00:54 | |
a puzzles compiler and modern languages graduate, | 0:00:54 | 0:00:57 | |
who speaks French, Spanish, Portuguese, German and Finnish | 0:00:57 | 0:01:00 | |
Richard Colfer, a physics and computing graduate | 0:01:00 | 0:01:04 | |
with a passion for science fiction and a talent for playing Peggle | 0:01:04 | 0:01:07 | |
And their captain, Robin Seavill, | 0:01:07 | 0:01:10 | |
a modern languages graduate with an interest in creative writing | 0:01:10 | 0:01:13 | |
who once performed a duet with Rowan Atkinson. | 0:01:13 | 0:01:16 | |
They all work as puzzle compilers for the press association. | 0:01:16 | 0:01:21 | |
So, Robin, that sounds like a solid team of puzzlers, | 0:01:21 | 0:01:23 | |
but how good is the team's general knowledge? | 0:01:23 | 0:01:25 | |
We spend a lot of time compiling puzzles and proofing puzzles, | 0:01:25 | 0:01:29 | |
so I would like to think that we know more than we think! | 0:01:29 | 0:01:32 | |
And tell me honestly. In all your years of puzzling investigation and research, | 0:01:32 | 0:01:37 | |
have you ever come across one that's cleverer than Only Connect? Never! | 0:01:37 | 0:01:41 | |
This is the pinnacle! | 0:01:41 | 0:01:42 | |
A right answer immediately! You're going to do well! | 0:01:42 | 0:01:46 | |
You're facing tonight, on my left, | 0:01:46 | 0:01:48 | |
Tim Spain, a research scientist with a PhD in physics | 0:01:48 | 0:01:52 | |
who enjoys making bread. | 0:01:52 | 0:01:54 | |
Matt Rowbotham, a tax lawyer and keen marathon runner, | 0:01:54 | 0:01:57 | |
with a talent for pumpkin carving! | 0:01:57 | 0:01:59 | |
And their captain Peter Steggle | 0:01:59 | 0:02:01 | |
a speech writer and former civil servant who enjoys visiting historical buildings | 0:02:01 | 0:02:05 | |
and baking crumbles. | 0:02:05 | 0:02:07 | |
United by their love of the culinary arts, they are The Bakers. | 0:02:07 | 0:02:11 | |
Peter, what's been the highlight of your baking career? | 0:02:11 | 0:02:14 | |
I think I made a pear crumble a couple of years ago | 0:02:14 | 0:02:17 | |
with a very nice almond topping Interesting. | 0:02:17 | 0:02:19 | |
A liquid, was it, or a sort of dry, scattered almond topping? | 0:02:19 | 0:02:23 | |
Well, you replace half of the flour with ground almond dust | 0:02:23 | 0:02:27 | |
and use that to make a lovely crunchy top. Interesting. | 0:02:27 | 0:02:31 | |
My granny used to make a chocolate cake with ground hazelnuts instead of flour. | 0:02:31 | 0:02:34 | |
Dense! But delicious, I'm sure | 0:02:34 | 0:02:36 | |
It is delicious. Let's get on with the quiz. | 0:02:36 | 0:02:39 | |
In Round One, I simply want to know what's the connection between four apparently random clues. | 0:02:39 | 0:02:44 | |
The fewer clues you need to see before giving me the right answer, the more points you get. | 0:02:44 | 0:02:48 | |
Press Gang, you won the toss, so you go first. | 0:02:48 | 0:02:51 | |
Which hieroglyph would you like | 0:02:51 | 0:02:52 | |
Water, please. OK. | 0:02:52 | 0:02:55 | |
What is the connection between these clues? | 0:02:55 | 0:02:57 | |
Here's the first. | 0:02:57 | 0:02:58 | |
Sol et lumiere? | 0:03:00 | 0:03:02 | |
Next, please. | 0:03:04 | 0:03:05 | |
It could be a colour? | 0:03:07 | 0:03:09 | |
Lumiere is a candlestick. | 0:03:09 | 0:03:11 | |
I don't know what colour the.. | 0:03:11 | 0:03:13 | |
Next, please? | 0:03:13 | 0:03:14 | |
The sorting hat. They can all talk. | 0:03:14 | 0:03:17 | |
They can all talk. They are inanimate objects that can talk | 0:03:18 | 0:03:23 | |
Well done. You didn't need to see the last clue. | 0:03:23 | 0:03:25 | |
The Queen's mirror in Snow White which talks in the cartoon. | 0:03:25 | 0:03:28 | |
Tell me about that first one. | 0:03:28 | 0:03:30 | |
The candlestick from Beauty and the Beast. | 0:03:30 | 0:03:33 | |
Yes, a talking candlestick. | 0:03:33 | 0:03:34 | |
And Dora the Explorer's backpack. | 0:03:34 | 0:03:36 | |
What's its name? Fred? David? | 0:03:36 | 0:03:40 | |
No, sorry. I've no idea. | 0:03:40 | 0:03:42 | |
It's Backpack! Its name is Backpack. | 0:03:42 | 0:03:44 | |
Imaginative(!) Like a rock star s child, it's called Backpack. | 0:03:44 | 0:03:49 | |
Well done. You're off the blocks with two points. | 0:03:49 | 0:03:51 | |
Over to The Bakers to pick a question. | 0:03:51 | 0:03:53 | |
Lion, please. OK, lion. | 0:03:53 | 0:03:55 | |
What is the connection here? First clue coming up now. | 0:03:55 | 0:03:58 | |
Next, please. | 0:04:02 | 0:04:04 | |
Next, please. | 0:04:12 | 0:04:14 | |
Heads of state from other countries? | 0:04:20 | 0:04:22 | |
One more. Next, please. | 0:04:24 | 0:04:26 | |
We think they're all founders of countries. | 0:04:33 | 0:04:36 | |
That's exactly what they are. Founding fathers of nations. | 0:04:36 | 0:04:40 | |
Which nations? Bernardo O'Higgins, I believe, is Chile. | 0:04:40 | 0:04:43 | |
That's right. Freed Chile from Spanish rule. | 0:04:43 | 0:04:46 | |
Kemal Ataturk is Turkey. Absolutely. | 0:04:46 | 0:04:49 | |
And Prince William I of Orange would be the Netherlands. | 0:04:49 | 0:04:51 | |
Right. And Jose Rizal? | 0:04:51 | 0:04:54 | |
No. Philippines, in fact. | 0:04:55 | 0:04:57 | |
A Filipino nationalist. | 0:04:57 | 0:04:59 | |
All founding fathers. Well done to you. | 0:04:59 | 0:05:01 | |
Back to the Press Gang to pick a question. | 0:05:01 | 0:05:03 | |
Twisted flax, please. Absolutely. | 0:05:03 | 0:05:05 | |
What is the connection between these clues? Here's the first. | 0:05:05 | 0:05:08 | |
Next, please. | 0:05:14 | 0:05:15 | |
Is it something you get from some sort of food or drink? | 0:05:20 | 0:05:24 | |
Shall we move on? Next, please | 0:05:24 | 0:05:26 | |
Gosh, this is... Waves? Something waves? | 0:05:30 | 0:05:33 | |
Shall we go for waves? I'm not sure. | 0:05:36 | 0:05:39 | |
Next, please. | 0:05:39 | 0:05:40 | |
That's waves. | 0:05:42 | 0:05:43 | |
These are all waves. | 0:05:43 | 0:05:46 | |
Can you tell me any more than that? | 0:05:46 | 0:05:48 | |
With a cyclic motion. | 0:05:48 | 0:05:50 | |
They come and they go. Sine waves? | 0:05:50 | 0:05:54 | |
I'll take it. I can't bear this misery. We've only just started | 0:05:54 | 0:05:56 | |
They're based on sine waves. Were you saying that, Richard? | 0:05:56 | 0:05:59 | |
Like my voice in the morning! Sinusoidal. | 0:05:59 | 0:06:02 | |
On oscillating or repetitive waves. | 0:06:02 | 0:06:05 | |
Well done. You get a point. Back to The Bakers for a question. | 0:06:05 | 0:06:08 | |
Two reeds, please. These are going to be picture clues. | 0:06:08 | 0:06:11 | |
What connects them? First one coming up now. | 0:06:11 | 0:06:14 | |
Next, please. | 0:06:19 | 0:06:20 | |
It may be white card and white rhino? | 0:06:27 | 0:06:29 | |
White card and white rhino? | 0:06:29 | 0:06:30 | |
US registration. So we need more, yeah? | 0:06:30 | 0:06:34 | |
Next, please. | 0:06:34 | 0:06:35 | |
Ah. It's the Red Sea. | 0:06:37 | 0:06:39 | |
The Red Sea, OK. | 0:06:39 | 0:06:41 | |
They're all... It's black rhino green card, red sea. | 0:06:43 | 0:06:47 | |
So a colour thing? | 0:06:47 | 0:06:50 | |
Colours. Keep talking. | 0:06:53 | 0:06:56 | |
They are... They're all a colour something. So Green Card, Red Sea, | 0:06:56 | 0:07:02 | |
and black rhino. On this occasion | 0:07:02 | 0:07:04 | |
I'm afraid I can't take it and that's partly because there's been a mistake in your gloss of the answer. | 0:07:04 | 0:07:09 | |
So I'll show the fourth clue to the Press Gang for a possible bonus point. | 0:07:09 | 0:07:13 | |
Yes, they're not the colour... They're not the colour they are called. | 0:07:13 | 0:07:17 | |
A black rhino is not black, the Red Sea is not red, | 0:07:17 | 0:07:19 | |
the black box is not black | 0:07:19 | 0:07:21 | |
and the Green Card is white, not green. | 0:07:21 | 0:07:23 | |
They have colours in their name that do not apply to what they are. | 0:07:23 | 0:07:27 | |
It's actually a white rhino. Had you known the name, it might have helped. | 0:07:27 | 0:07:31 | |
But so many things have colours in their names, but they're misnomers. | 0:07:31 | 0:07:35 | |
Colour misnomers. | 0:07:35 | 0:07:36 | |
So you get the bonus point. Well done, Press Gang. | 0:07:36 | 0:07:39 | |
And your choice of a question. Eye of Horus, please. | 0:07:39 | 0:07:41 | |
Eye of Horus. What connects these clues? Here's the first. | 0:07:41 | 0:07:45 | |
Next, please. | 0:07:50 | 0:07:52 | |
I don't know. It's just a guess | 0:07:57 | 0:08:00 | |
Next, please. | 0:08:00 | 0:08:01 | |
Knock three times. You have to knock three times. | 0:08:03 | 0:08:07 | |
Precisely the answer. | 0:08:07 | 0:08:08 | |
The final clue was Black Rod summoning the MPs. | 0:08:08 | 0:08:11 | |
You knock three times to achieve these things. | 0:08:11 | 0:08:15 | |
Well done. Back to you, Bakers One more question. | 0:08:15 | 0:08:18 | |
It's the horned viper. | 0:08:18 | 0:08:20 | |
Music question, cos we haven't had that yet. | 0:08:20 | 0:08:22 | |
Shout "next" when you want to hear the next clue. Here's the first | 0:08:22 | 0:08:24 | |
STIRRING ORCHESTRAL PIECE | 0:08:24 | 0:08:28 | |
Next, please. | 0:08:30 | 0:08:32 | |
SLOW HARMONIOUS PIECE | 0:08:32 | 0:08:35 | |
Next, please. | 0:08:43 | 0:08:44 | |
# Like a circle in a spiral | 0:08:44 | 0:08:46 | |
# Like a wheel within a wheel | 0:08:46 | 0:08:48 | |
# Never ending or beginning | 0:08:48 | 0:08:50 | |
# On an ever spinning wheel... # | 0:08:50 | 0:08:51 | |
Next, please. | 0:08:51 | 0:08:53 | |
# I saw a mouse! Where? | 0:08:53 | 0:08:55 | |
# There on the stair! | 0:08:55 | 0:08:57 | |
# Where on the stair? # | 0:08:57 | 0:09:00 | |
Windmills. | 0:09:00 | 0:09:01 | |
Windmills is the link. You recognised the last two. | 0:09:01 | 0:09:04 | |
Do you know what the first two were? | 0:09:04 | 0:09:06 | |
I couldn't even begin! | 0:09:06 | 0:09:08 | |
The first one was Don Quixote's Madness: A Battle with the Windmill. | 0:09:08 | 0:09:12 | |
That piece is called. And the second was The Song for Moulin Rouge. | 0:09:12 | 0:09:16 | |
The theme for Moulin Rouge, The Red Windmill. | 0:09:16 | 0:09:18 | |
But you get the point. Well done. | 0:09:18 | 0:09:20 | |
At the end of Round One, The Bakers have two points. | 0:09:20 | 0:09:23 | |
The Press Gang are ahead with six. | 0:09:23 | 0:09:25 | |
Round Two is sequences. | 0:09:28 | 0:09:29 | |
There are still four connected clues, but the fourth is invisible because that is the answer. | 0:09:29 | 0:09:33 | |
The teams may see up to three before buzzing in. | 0:09:33 | 0:09:36 | |
Press Gang, you're first again | 0:09:36 | 0:09:38 | |
Which hieroglyph would you like | 0:09:38 | 0:09:40 | |
Lion, please. OK. What is the fourth | 0:09:40 | 0:09:42 | |
in this sequence? Here's the first. | 0:09:42 | 0:09:44 | |
Next, please. | 0:09:54 | 0:09:55 | |
Next, please. | 0:10:06 | 0:10:07 | |
Two cuts, four pieces. Is the right answer. And why? | 0:10:21 | 0:10:25 | |
Richard? Just going by the number sequence. | 0:10:25 | 0:10:28 | |
The cuts are going down one each time. | 0:10:28 | 0:10:30 | |
The pieces are going down five then four, then three. | 0:10:30 | 0:10:33 | |
I haven't recognised what it's from. | 0:10:33 | 0:10:35 | |
You're not recognising it as a piece of maths? No. | 0:10:35 | 0:10:38 | |
Are you familiar with this, Bakers? | 0:10:38 | 0:10:40 | |
I think it's the maximum number of pieces you can get | 0:10:40 | 0:10:42 | |
from making that number of cuts in a thing. | 0:10:42 | 0:10:45 | |
That's exactly right. It's a mathematical thing. | 0:10:45 | 0:10:47 | |
If you cut a circle, it's the maximum number of pieces you can make. | 0:10:47 | 0:10:50 | |
Known as the lazy caterer's sequence! | 0:10:50 | 0:10:53 | |
But you as bakers would know, if you actually cut up a cake | 0:10:53 | 0:10:56 | |
five times and made 16 pieces, | 0:10:56 | 0:10:58 | |
some people would be short-changed on the pieces! | 0:10:58 | 0:11:01 | |
A nice big piece for me, and strange little cuts for everyone else! | 0:11:01 | 0:11:04 | |
But well done for the point. Bakers, it's your question. Water, please. | 0:11:04 | 0:11:08 | |
OK. These are picture clues. What would you expect to see in the fourth picture? | 0:11:08 | 0:11:14 | |
Next, please. | 0:11:20 | 0:11:22 | |
A minty sweet. | 0:11:37 | 0:11:39 | |
A round one with a hole in. | 0:11:39 | 0:11:40 | |
Are you trying to say Polo mint Yes! That is allowed. | 0:11:40 | 0:11:43 | |
I'll accept it as an answer. We chose a doughnut! | 0:11:43 | 0:11:45 | |
I'm surprised you didn't. Can you explain the logic? | 0:11:45 | 0:11:47 | |
A button has four holes, a bowling ball, three, | 0:11:47 | 0:11:51 | |
your mask there has two, and a doughnut just the one. | 0:11:51 | 0:11:53 | |
Something with one hole, we chose a delicious sugary doughnut. | 0:11:53 | 0:11:56 | |
Yum, yum, yum. You get the points. Back to Press Gang to choose a question. | 0:11:56 | 0:12:00 | |
Eye of Horus, please. Eye of Horus. | 0:12:00 | 0:12:03 | |
What is the fourth in this sequence? | 0:12:03 | 0:12:05 | |
Next, please. | 0:12:14 | 0:12:15 | |
Next, please. | 0:12:25 | 0:12:27 | |
Could be by populations. Yep. | 0:12:28 | 0:12:30 | |
So the next one would be bigger or smaller? | 0:12:30 | 0:12:33 | |
Greater London. | 0:12:37 | 0:12:38 | |
Is the right answer. And why? | 0:12:38 | 0:12:40 | |
Populations of these areas. | 0:12:42 | 0:12:44 | |
Decreasing in size, or increasing in size! | 0:12:44 | 0:12:47 | |
That's right - cover everything | 0:12:47 | 0:12:50 | |
It works whether you do it by population or surface area. | 0:12:50 | 0:12:52 | |
They are the largest urban areas in the UK going upwards. | 0:12:52 | 0:12:57 | |
Bakers, your turn. Horned viper, please. | 0:12:57 | 0:13:00 | |
What's the fourth in this sequence? | 0:13:00 | 0:13:03 | |
Next, please. | 0:13:08 | 0:13:10 | |
1: outstanding. | 0:13:19 | 0:13:21 | |
An outstanding answer for three points. Why is that? | 0:13:21 | 0:13:24 | |
I believe it's the grades in Ofsted reports. | 0:13:24 | 0:13:27 | |
That's exactly what it is. Ofsted grades. | 0:13:27 | 0:13:30 | |
Number three, "requires improvement". Do you know what that used to be? | 0:13:30 | 0:13:33 | |
I could say, but probably not on TV at this time! | 0:13:33 | 0:13:35 | |
It was "satisfactory", | 0:13:35 | 0:13:38 | |
but then someone decided that "satisfactory" meant "requires improvement"! | 0:13:38 | 0:13:41 | |
Not in my dictionary! | 0:13:41 | 0:13:43 | |
But yes, beloved Ofsted, hello to you! | 0:13:43 | 0:13:46 | |
Outstanding would be number 1. | 0:13:46 | 0:13:49 | |
Press Gang, your turn. Two reeds, please. | 0:13:49 | 0:13:51 | |
What's the fourth in this sequence? | 0:13:51 | 0:13:54 | |
We need more than that. Next, please. | 0:13:56 | 0:13:59 | |
Four, um... Four. | 0:14:07 | 0:14:09 | |
No, A Good Day To... I'm afraid I can't accept this. I can't. | 0:14:09 | 0:14:14 | |
It's been too long. I'm going to show the third in the sequence to The Bakers. | 0:14:14 | 0:14:17 | |
For a possible bonus point. | 0:14:17 | 0:14:18 | |
A Good Day 2. 2013. | 0:14:18 | 0:14:22 | |
I'm not going to accept it. Can you talk me through your thinking? | 0:14:22 | 0:14:25 | |
I think these are the Die Hard sequels. | 0:14:25 | 0:14:29 | |
It is the Die Hard sequels, as I think you all know, | 0:14:29 | 0:14:32 | |
but it is the last word in the title. That's what makes it exact. | 0:14:32 | 0:14:35 | |
Die Hard 2, Die Hard: With A Vengeance, | 0:14:35 | 0:14:38 | |
Die Hard 4.0 and in 2013, | 0:14:38 | 0:14:41 | |
A Good Day to Die Hard. | 0:14:41 | 0:14:44 | |
So you got the film right, but not the exact sequence. | 0:14:44 | 0:14:47 | |
"Hard" was the answer. | 0:14:47 | 0:14:48 | |
Nevertheless, your turn for a question. Only one left, | 0:14:48 | 0:14:51 | |
so you get the twisted flax. | 0:14:51 | 0:14:53 | |
What's the fourth in the sequence? | 0:14:53 | 0:14:55 | |
Next, please. | 0:14:58 | 0:14:59 | |
Next, please. | 0:15:07 | 0:15:08 | |
CONFER QUIETLY | 0:15:11 | 0:15:13 | |
Three seconds. | 0:15:31 | 0:15:33 | |
1st: Janis Joplin. | 0:15:33 | 0:15:35 | |
That's so spectacularly wrong. | 0:15:35 | 0:15:39 | |
But thank you! Over to Press Gang for a possible bonus point. | 0:15:39 | 0:15:43 | |
1st: Sandy Shaw. | 0:15:45 | 0:15:47 | |
That I can accept. We actually had first Bucks Fizz. | 0:15:47 | 0:15:50 | |
Why is it? These are people who represented Britain in the Eurovision Song Contest | 0:15:50 | 0:15:56 | |
and won - or Sandy Shaw won, as did Bucks Fizz. | 0:15:56 | 0:15:59 | |
And probably not many others. | 0:15:59 | 0:16:01 | |
It's UK placings in the Eurovision Song Contest. | 0:16:01 | 0:16:04 | |
People that came fourth, third second and first. | 0:16:04 | 0:16:06 | |
I could have taken Lulu or Katrina and the Waves. | 0:16:06 | 0:16:09 | |
Janis Joplin, I'm as certain as I can be, | 0:16:09 | 0:16:11 | |
never represented the UK in Eurovision. I'm sure she was a fan! | 0:16:11 | 0:16:14 | |
That would have been an amazing year! | 0:16:14 | 0:16:17 | |
But no. At the end of Round Two | 0:16:17 | 0:16:19 | |
The Bakers are up to eight points | 0:16:19 | 0:16:20 | |
but Press Gang are ahead with 1 . | 0:16:20 | 0:16:23 | |
Time for the Connecting Wall, a plethora of clues. | 0:16:25 | 0:16:29 | |
16 all jumbled up and need sorting into four connected groups of four. | 0:16:29 | 0:16:34 | |
Bakers, you go first this time Your choice is lion or water. | 0:16:34 | 0:16:38 | |
Water, please. OK. | 0:16:38 | 0:16:40 | |
Two and a half minutes you've got to solve the water wall. | 0:16:40 | 0:16:42 | |
Starting now. | 0:16:42 | 0:16:45 | |
Types of rice. These are Disney princesses. | 0:16:46 | 0:16:52 | |
They are American Ivy League colleges. | 0:16:55 | 0:16:59 | |
There are types of rice. | 0:16:59 | 0:17:01 | |
Is chout a kind of rice? | 0:17:15 | 0:17:18 | |
No. I don't think it's a princess. | 0:17:19 | 0:17:21 | |
..we've tried. | 0:17:29 | 0:17:31 | |
What other princesses are there | 0:17:31 | 0:17:33 | |
What is Arborio? Merida. Merida as a princess, do you think? | 0:17:36 | 0:17:40 | |
That sounds promising. | 0:17:40 | 0:17:42 | |
Well done. Remember, it's three strikes and you're out. OK. | 0:17:45 | 0:17:48 | |
So we've got arborio and basmati, definitely rices. | 0:17:48 | 0:17:52 | |
Yep. Chout, trapeze, popcorn. | 0:17:52 | 0:17:55 | |
Romeo and Juliet, Cinderella. Shall we select the two rices that we know? | 0:17:55 | 0:18:01 | |
We think those are rices. OK. | 0:18:01 | 0:18:03 | |
And the others seem to be... Are these films? | 0:18:03 | 0:18:05 | |
Trapeze, Romeo and Juliet, Cinderella, Popcorn? | 0:18:05 | 0:18:08 | |
Certainly a number of them are | 0:18:08 | 0:18:10 | |
That would leave chout and bomba, | 0:18:10 | 0:18:12 | |
which seem quite plausible. Yep As a kind of rice. | 0:18:12 | 0:18:16 | |
Could trapeze be other than... | 0:18:16 | 0:18:19 | |
What films... Romeo and Juliet. . Um... | 0:18:19 | 0:18:23 | |
Is it Baz Luhrmann films, maybe | 0:18:23 | 0:18:26 | |
Baz Luhrmann? No, cos that's Juliet, isn't it? | 0:18:26 | 0:18:28 | |
I'm not sure. I think it is. You're right. | 0:18:28 | 0:18:30 | |
So shall we try bomba? | 0:18:30 | 0:18:32 | |
No. OK. | 0:18:32 | 0:18:34 | |
Arborio and basmati we think are rices. | 0:18:37 | 0:18:39 | |
They may not be, of course. | 0:18:39 | 0:18:41 | |
Cinderella. Popcorn artists. No | 0:18:42 | 0:18:44 | |
Arborio. Popcorn rice. | 0:18:44 | 0:18:47 | |
I don't know. Are they words from Italian? | 0:18:50 | 0:18:54 | |
Let's try these fellows. | 0:19:00 | 0:19:03 | |
You've got ten seconds now. | 0:19:03 | 0:19:05 | |
That's the same as we just tried. Let's try that one. | 0:19:05 | 0:19:07 | |
That's it! You've solved the wall with a few seconds to spare. | 0:19:07 | 0:19:10 | |
That's four points immediately and bonus points for the groups | 0:19:10 | 0:19:13 | |
So the first one. Brown, Columbia, Yale, Cornell. | 0:19:13 | 0:19:18 | |
They're US schools. Any more? Ivy League. | 0:19:18 | 0:19:21 | |
Ivy League American universities. | 0:19:21 | 0:19:23 | |
What about this now? Snow White | 0:19:23 | 0:19:25 | |
Pocahontas, Merida and Jasmine | 0:19:25 | 0:19:28 | |
We think these are Disney princesses. | 0:19:28 | 0:19:31 | |
They are Disney princesses. Which one didn't you know? | 0:19:31 | 0:19:34 | |
Merida. From Brave. | 0:19:34 | 0:19:36 | |
One of the more obscure ones. | 0:19:36 | 0:19:38 | |
OK, next group. Romeo and Juliet, | 0:19:38 | 0:19:41 | |
Chout, Trapeze, Cinderella. | 0:19:41 | 0:19:44 | |
We think they're Baz Luhrmann films. | 0:19:44 | 0:19:46 | |
They are not Baz Luhrmann films They are Prokofiev ballets. | 0:19:46 | 0:19:51 | |
Ah! More cartoons than ballet in your life, clearly! Maybe, yes | 0:19:51 | 0:19:56 | |
Starting to look like it. What about the last group? | 0:19:56 | 0:19:58 | |
Basmati, Bomba, Popcorn, Arborio. | 0:19:58 | 0:20:01 | |
We think it's rice. | 0:20:01 | 0:20:03 | |
They are types of rice. | 0:20:03 | 0:20:05 | |
Which ones bamboozled you there | 0:20:05 | 0:20:07 | |
Bomba and popcorn are both a bit tricky. | 0:20:07 | 0:20:09 | |
I think I've heard of popcorn rice, but not bomba. | 0:20:09 | 0:20:11 | |
Bomba is a sort of Spanish paella rice. | 0:20:11 | 0:20:14 | |
Popcorn, not actually popcorn, | 0:20:14 | 0:20:15 | |
it's a Louisiana pecan rice, I think it's known as. | 0:20:15 | 0:20:19 | |
It smells like popcorn when cooked. | 0:20:19 | 0:20:21 | |
But you do get four points for the groups you found. | 0:20:21 | 0:20:23 | |
Three more bonus points for the connections. | 0:20:23 | 0:20:25 | |
That's a total of seven. | 0:20:25 | 0:20:27 | |
We're going to bring back the Press Gang to have a go at a connecting wall. | 0:20:27 | 0:20:31 | |
16 more scrambled clues still need unscrambling | 0:20:31 | 0:20:33 | |
into four neat groups of four. | 0:20:33 | 0:20:36 | |
Have you all played the walls online? | 0:20:36 | 0:20:38 | |
Umpteen times. Is this going to be a strong round for you? | 0:20:38 | 0:20:41 | |
We hope so! Let's find out. You get the lion wall because water's been taken. Good. | 0:20:41 | 0:20:46 | |
You've got two and a half minutes to solve it, starting now. | 0:20:46 | 0:20:51 | |
Romantic... Cheeses? | 0:20:52 | 0:20:54 | |
Caesar salad. Caesar salad. | 0:20:54 | 0:20:56 | |
Blue cheese salad. | 0:20:56 | 0:20:58 | |
I don't know. West Side Story. | 0:20:58 | 0:21:00 | |
Toy Story. Bedtime Story. | 0:21:00 | 0:21:02 | |
Love Story. Any more stories? | 0:21:02 | 0:21:04 | |
No. L.A. Story, that's a film. | 0:21:09 | 0:21:11 | |
That's a film, that's a film. | 0:21:11 | 0:21:13 | |
And that's a film. | 0:21:13 | 0:21:15 | |
OK. Go for that. | 0:21:15 | 0:21:17 | |
Did we have Toy? | 0:21:19 | 0:21:22 | |
OK. We've got some stories. | 0:21:22 | 0:21:23 | |
Pastoral. Is it a type of poetry? | 0:21:23 | 0:21:26 | |
Romantic poetry. Tragic? | 0:21:26 | 0:21:29 | |
Tragic. Symphony. Pastoral symphony. | 0:21:29 | 0:21:32 | |
Romantic symphony? Romantic symphony? Italian, perhaps? | 0:21:32 | 0:21:34 | |
Someone's done an Italian symphony. Salads. Ranch dressing? | 0:21:34 | 0:21:39 | |
OK. Blue cheese dressing, maybe | 0:21:39 | 0:21:42 | |
Utility. What's that? Utility room. | 0:21:42 | 0:21:44 | |
Heroes. Dogs, maybe? Toy dog. Hound dog. | 0:21:44 | 0:21:47 | |
Utility dog? Toy dog. Is there a fourth dog? | 0:21:47 | 0:21:50 | |
No, there isn't. | 0:21:50 | 0:21:52 | |
What's Heroes? Got any idea for that? | 0:21:52 | 0:21:54 | |
That's a show or something. | 0:21:54 | 0:21:56 | |
So should we try some of these. . | 0:21:56 | 0:22:00 | |
Let's try something. Let's try the dogs. | 0:22:00 | 0:22:02 | |
Do we know the dogs? Are there four dogs? | 0:22:02 | 0:22:03 | |
Utility. Toy. Hound dog? | 0:22:03 | 0:22:07 | |
Yes, try that. | 0:22:07 | 0:22:09 | |
No. | 0:22:10 | 0:22:12 | |
Shall we do these symphonies, then? | 0:22:12 | 0:22:16 | |
Oh, that's a shame. | 0:22:21 | 0:22:22 | |
Wafu. Does that mean anything to anybody? | 0:22:22 | 0:22:25 | |
No. No. | 0:22:25 | 0:22:27 | |
OK. Let's try and leave that to the fourth round. | 0:22:27 | 0:22:29 | |
Did we do... | 0:22:31 | 0:22:32 | |
Salads. Go on. Caesar salad. | 0:22:34 | 0:22:36 | |
Go ahead. Press it. Italian salad? | 0:22:36 | 0:22:39 | |
Ranch salad? Ranch is a dressing. | 0:22:39 | 0:22:42 | |
Maybe this is a salad? | 0:22:42 | 0:22:45 | |
Wafu. | 0:22:45 | 0:22:47 | |
Well done. | 0:22:47 | 0:22:48 | |
Tragic. Definitely. Two or three dogs. | 0:22:49 | 0:22:52 | |
You've got 30 seconds. | 0:22:52 | 0:22:54 | |
I'm not seeing any dogs. | 0:22:54 | 0:22:56 | |
Go, go, go. Come on. | 0:22:56 | 0:22:57 | |
What does that leave us? | 0:23:01 | 0:23:02 | |
An Italian dog? | 0:23:02 | 0:23:04 | |
Have we done Italian symphony? | 0:23:04 | 0:23:07 | |
Yes. | 0:23:07 | 0:23:09 | |
About ten seconds. | 0:23:09 | 0:23:11 | |
Just a couple of lives. | 0:23:11 | 0:23:13 | |
Try that, then. | 0:23:13 | 0:23:14 | |
Toy Symphony. | 0:23:14 | 0:23:16 | |
Five seconds and one more go. | 0:23:16 | 0:23:18 | |
No, that's it. Your three lives are out. The wall's frozen. | 0:23:18 | 0:23:21 | |
But two points for the groups you've found, | 0:23:21 | 0:23:24 | |
and more points for the connections. | 0:23:24 | 0:23:26 | |
Love, Bedtime, L.A., West Side | 0:23:26 | 0:23:29 | |
Films which end in Story. | 0:23:29 | 0:23:32 | |
Yes. Put Story on the end of them and you get a film title. | 0:23:32 | 0:23:35 | |
And this one. Ranch, Blue cheese, | 0:23:35 | 0:23:37 | |
Wafu, Caesar. | 0:23:37 | 0:23:40 | |
I think we said salads or dressings? | 0:23:40 | 0:23:42 | |
Types of salad. Salad dressings | 0:23:42 | 0:23:44 | |
No. Which of those is your answer? | 0:23:44 | 0:23:46 | |
Types of salad. | 0:23:46 | 0:23:48 | |
I'm afraid I just can't take it | 0:23:48 | 0:23:51 | |
They are dressings. | 0:23:51 | 0:23:53 | |
Wafu is really not a salad. | 0:23:53 | 0:23:56 | |
It's a vinaigrette made with soy sauce, popular in Japan. | 0:23:56 | 0:23:59 | |
You're close, but I can't take it. | 0:23:59 | 0:24:01 | |
You can still get points for the connections in the groups you didn't find. | 0:24:01 | 0:24:04 | |
Let's resolve the wall. | 0:24:04 | 0:24:06 | |
Utility, Pastoral, Toy, Hound. | 0:24:06 | 0:24:10 | |
Dogs, then? | 0:24:10 | 0:24:11 | |
Pastoral? I think so. | 0:24:11 | 0:24:14 | |
Types. OK? I'm going to say it | 0:24:14 | 0:24:16 | |
Types of dog. Absolutely. | 0:24:16 | 0:24:17 | |
They are Kennel Club groups of dog. | 0:24:17 | 0:24:19 | |
Pastoral, you didn't know. It's dogs bred to work with livestock. | 0:24:19 | 0:24:23 | |
Collies, a Welsh corgi I think is a pastoral. So they are dogs. | 0:24:23 | 0:24:26 | |
The last one. | 0:24:26 | 0:24:28 | |
Romantic, Italian, Heroes and Tragic. | 0:24:28 | 0:24:33 | |
At least three of those are symphonies, so we hope the fourth one is, too. | 0:24:33 | 0:24:37 | |
They are all symphonies. | 0:24:37 | 0:24:39 | |
They've actually got something even more in common than that, you could guess for. | 0:24:39 | 0:24:42 | |
I only know one of them. | 0:24:42 | 0:24:45 | |
Um, written by Russians. | 0:24:45 | 0:24:47 | |
No, they're all 4th symphonies | 0:24:47 | 0:24:50 | |
I'm assuming Heroes is the one you didn't know. Yes. | 0:24:50 | 0:24:54 | |
Philip Glass's 4th symphony. | 0:24:54 | 0:24:57 | |
Heroes. | 0:24:57 | 0:24:57 | |
But they're all symphonies. So, two points for the groups you've found. | 0:24:57 | 0:25:01 | |
Three more points for the connections. That's a total of five. | 0:25:01 | 0:25:04 | |
Let's see what that does to the scores going into the final round. | 0:25:04 | 0:25:07 | |
So it's all very close. Speaking of close, | 0:25:15 | 0:25:17 | |
look at your laptop, just over there. | 0:25:17 | 0:25:19 | |
On it, you'll find our website with many more connecting walls to play. | 0:25:19 | 0:25:23 | |
If that's not enough, you can write your own. | 0:25:23 | 0:25:25 | |
Meanwhile, we'll play the Missing Vowels Round. | 0:25:25 | 0:25:28 | |
Well-known sentences, phrases, names or titles | 0:25:28 | 0:25:30 | |
from which we've removed the vowels and re-spaced the consonants. | 0:25:30 | 0:25:33 | |
What are those hidden clues? | 0:25:33 | 0:25:35 | |
Put your fingers on the buzzers please, teams. | 0:25:35 | 0:25:37 | |
Speak carefully - you'll lose a point for getting things wrong | 0:25:37 | 0:25:41 | |
The first group are all styles of cooking. | 0:25:41 | 0:25:44 | |
Fusion. Correct. | 0:25:48 | 0:25:50 | |
Nouvelle cuisine. Correct. | 0:25:53 | 0:25:55 | |
Molecular gastronomy. Correct. | 0:25:59 | 0:26:03 | |
Southern Italian. Delicious! | 0:26:07 | 0:26:10 | |
Next category: | 0:26:10 | 0:26:11 | |
Broken heart. Yes. | 0:26:16 | 0:26:18 | |
Funny Bone. Yes. | 0:26:21 | 0:26:23 | |
Butterflies in the stomach. Correct. | 0:26:26 | 0:26:29 | |
Adam's apple. Correct. | 0:26:32 | 0:26:34 | |
Next category: | 0:26:34 | 0:26:36 | |
Waterloo. Correct. | 0:26:40 | 0:26:42 | |
Grand Central. Of course. | 0:26:45 | 0:26:46 | |
A tricky one. In Tokyo, it's Shinjuku. | 0:26:54 | 0:26:57 | |
Next clue. | 0:26:57 | 0:26:58 | |
Gare du Nord. No. It is Gare du Nord. Correct. | 0:27:04 | 0:27:07 | |
Next category: | 0:27:07 | 0:27:10 | |
Stuart Little. Correct. | 0:27:13 | 0:27:15 | |
Rastamouse. Yes, it is. | 0:27:18 | 0:27:21 | |
Reepicheep. Yes, it is. | 0:27:26 | 0:27:28 | |
Don't know this one? It's Angelina Ballerina. | 0:27:36 | 0:27:39 | |
Next category: | 0:27:39 | 0:27:41 | |
Press Gang? | 0:27:44 | 0:27:45 | |
END OF ROUND JINGLE | 0:27:45 | 0:27:48 | |
What would you have said? Happy Days. And you'd have been right | 0:27:48 | 0:27:51 | |
But too late. It's the end of the quiz. | 0:27:51 | 0:27:53 | |
Looking at the final scores. Press Gang finish with 21 points | 0:27:53 | 0:27:58 | |
but ahead with 24, it's The Bakers. | 0:27:58 | 0:27:59 | |
Well done, Bakers. You're now on the fast track towards the semi-final. | 0:27:59 | 0:28:04 | |
Press Gang, you move on to the more scenic route. | 0:28:04 | 0:28:07 | |
But you can still get there. | 0:28:07 | 0:28:09 | |
Thank you all very much for playing. Thanks for watching. | 0:28:09 | 0:28:11 | |
Join me next time for another episode of Only Connect, | 0:28:11 | 0:28:14 | |
the quiz which is definitely a case of what you know, not who you know. | 0:28:14 | 0:28:17 | |
Unless you're friendly with one of our question setters! | 0:28:17 | 0:28:19 | |
But, to be honest, I've met them, and that's extremely unlikely! | 0:28:19 | 0:28:23 | |
Goodbye! | 0:28:23 | 0:28:24 | |
Subtitles by Red Bee Media Ltd | 0:28:46 | 0:28:49 |