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Welcome to hell. | 0:00:22 | 0:00:24 | |
Everyone here has done something very bad. | 0:00:24 | 0:00:27 | |
But enough about the rehearsal. This is Only Connect, | 0:00:27 | 0:00:30 | |
where the contestants are tortured not by flames and whips | 0:00:30 | 0:00:33 | |
but by their own synaptic limitations. | 0:00:33 | 0:00:35 | |
And then by flames and whips at the party afterwards. | 0:00:35 | 0:00:38 | |
I'm joined by two lovely teams who have already played once | 0:00:38 | 0:00:41 | |
and got unlucky, so this is literally the last chance saloon. | 0:00:41 | 0:00:44 | |
And if you think I don't mean that literally, | 0:00:44 | 0:00:46 | |
you haven't seen the bottles under my desk. Let's say hello again to, | 0:00:46 | 0:00:51 | |
on my right, Michael Reeve, | 0:00:51 | 0:00:53 | |
a business analyst with a PhD in evolutionary genetics | 0:00:53 | 0:00:57 | |
who appeared in the Olympics opening ceremony as an industrial worker. | 0:00:57 | 0:01:00 | |
Suda Perera, an award-winning egg-decorator | 0:01:00 | 0:01:04 | |
with an MA in post-war reconstruction and development | 0:01:04 | 0:01:07 | |
who enjoys blogging and playing the ukulele. | 0:01:07 | 0:01:09 | |
And their captain, Chris Clough a web production editor | 0:01:09 | 0:01:12 | |
with an interest in British birds who complies a weekly science quiz | 0:01:12 | 0:01:16 | |
for a nature website. | 0:01:16 | 0:01:18 | |
United by a talent for travel, they are the Globetrotters. | 0:01:18 | 0:01:21 | |
Welcome to Wales. How many countries has your team visited altogether? | 0:01:21 | 0:01:25 | |
We did a count and worked out it was something over 50, | 0:01:25 | 0:01:29 | |
although my two teammates account for the large majority of that. | 0:01:29 | 0:01:33 | |
Well, tonight you're going on a journey of the mind. | 0:01:33 | 0:01:37 | |
You will be encountering on that journey, on my left, | 0:01:37 | 0:01:40 | |
Simon Morgan, an airline pilot with a degree in aeronautical engineering | 0:01:40 | 0:01:44 | |
who enjoys collecting and fixing classic Land Rovers. | 0:01:44 | 0:01:47 | |
Neil Morgan, and electronic engineering graduate | 0:01:47 | 0:01:50 | |
and experimental home-brewer who has taught himself to speak Greek. | 0:01:50 | 0:01:54 | |
And their captain, Captain Paul Judge, | 0:01:54 | 0:01:57 | |
an airline pilot with a degree in aeronautics and astronautics | 0:01:57 | 0:02:00 | |
and a passion for singing karaoke. | 0:02:00 | 0:02:02 | |
United by a passion for planes, they are the Pilots. | 0:02:02 | 0:02:06 | |
So, Captain Paul, you lost to the Lasletts in your heat. What was that game like? | 0:02:06 | 0:02:10 | |
Well, I think we started off, using aviation parlance, if I may, | 0:02:10 | 0:02:15 | |
I think we took off fairly nicely, | 0:02:15 | 0:02:18 | |
got into the cruise, on autopilot, | 0:02:18 | 0:02:20 | |
then hit a little bit of turbulence in the last round, stalled and a bit of a bumpy landing | 0:02:20 | 0:02:24 | |
I love everything about that answer, | 0:02:24 | 0:02:27 | |
not least cos I thought, "Are you going to go for crash? Is he going to say crash?" | 0:02:27 | 0:02:32 | |
No, just bumpy landing. Bumpy landing. That's fine. | 0:02:32 | 0:02:35 | |
And what different tactics do you think you'll employ in this game? | 0:02:35 | 0:02:38 | |
We're going to go all out to try and win this time. | 0:02:38 | 0:02:41 | |
That's the spirit! Yes. Well, let's go all out to start the quiz with round one. | 0:02:41 | 0:02:45 | |
What's the connection between four apparently random clues? | 0:02:45 | 0:02:49 | |
Pilots, you won the toss, but you've decided to put the Globetrotters in first. | 0:02:49 | 0:02:53 | |
So, Chris, please choose an Egyptian hieroglyph. | 0:02:53 | 0:02:56 | |
We'll have Eye of Horus, please OK. What is the connection? | 0:02:56 | 0:03:01 | |
Colonial Goose. Anything? | 0:03:03 | 0:03:06 | |
THEY LAUGH | 0:03:06 | 0:03:08 | |
Oh, that's true. Yeah, it could be that. Next, please. | 0:03:08 | 0:03:11 | |
Scotch Woodcock. Oh, I've heard of that. | 0:03:13 | 0:03:16 | |
These are bad things for me. It's a type of dish, I think. | 0:03:16 | 0:03:19 | |
Erm... I think these are all things that aren't what they say they are. | 0:03:19 | 0:03:25 | |
Yeah, quite possibly. We'll go for next, then. | 0:03:25 | 0:03:28 | |
Biloxi Bacon. I think that's probably... | 0:03:30 | 0:03:33 | |
Do you want to see the last one to be sure? Why not? Next, please. | 0:03:33 | 0:03:36 | |
BELL | 0:03:37 | 0:03:40 | |
They are all food stuffs | 0:03:40 | 0:03:42 | |
that are something other than their name would suggest. | 0:03:42 | 0:03:45 | |
So Colonial Goose isn't a goose dish, | 0:03:45 | 0:03:48 | |
Rocky Mountain Oysters aren't oysters, and so on. | 0:03:48 | 0:03:51 | |
You should've come in early. Absolutely right for one point. | 0:03:51 | 0:03:54 | |
Colonial Goose, do you know what it is? No idea. Not got a clue. | 0:03:54 | 0:03:59 | |
Stuffed lamb leg is what it is. | 0:03:59 | 0:04:01 | |
Scotch Woodcock, scrambled eggs on toast with anchovies. | 0:04:01 | 0:04:04 | |
Mm! And scotch, I'm hoping. Certainly would be on my breakfast. | 0:04:04 | 0:04:09 | |
Biloxi Bacon, what do you think that is? | 0:04:09 | 0:04:11 | |
I don't know. I think I know what the oysters are. | 0:04:11 | 0:04:14 | |
I do, as well. Not sure about the bacon. Is it some vegetarian .. | 0:04:14 | 0:04:17 | |
Smoked mullet, of course. And you know the Rocky Mountain Oysters | 0:04:17 | 0:04:21 | |
Some sort of testicles. I think they're testicles. | 0:04:21 | 0:04:24 | |
Bull testicles or something? Buffalo testicles? | 0:04:24 | 0:04:27 | |
Yes, I think young bulls, it's been castrated | 0:04:27 | 0:04:31 | |
and this makes what some people consider a delicacy. | 0:04:31 | 0:04:33 | |
Put me right off my scotch. Well done for a point. | 0:04:33 | 0:04:36 | |
And it's your turn, Pilots, to choose a hieroglyph. Water again? | 0:04:36 | 0:04:39 | |
Yep. Water, please. OK. What's the connection between these clues? | 0:04:39 | 0:04:44 | |
Nimrod. Hunter. Could be an aircraft type. | 0:04:45 | 0:04:48 | |
Classical music? Could be. | 0:04:48 | 0:04:51 | |
Shall we go next? Next, please. | 0:04:51 | 0:04:53 | |
Bite yer legs. Hunter. Yeah. | 0:04:53 | 0:04:56 | |
BELL Hunter. | 0:04:56 | 0:04:59 | |
Coming in after two clues, you get three points. | 0:04:59 | 0:05:02 | |
The connection is hunter. Here are the clues you didn't need to see. | 0:05:02 | 0:05:04 | |
What can you tell me about them Nimrod was the mighty hunter. | 0:05:04 | 0:05:09 | |
That's right, in the Bible. Bite yer legs was Norman Hunter, I believe. | 0:05:09 | 0:05:13 | |
A Leeds United player? A footballer famed for his hard tackling. | 0:05:13 | 0:05:17 | |
Simon Wiesenthal was a Nazi hunter. | 0:05:17 | 0:05:20 | |
Mm-hm. And Orion was also a hunter. The hunter in the stars. | 0:05:20 | 0:05:25 | |
In Greek mythology. Absolutely right. Very well done indeed. | 0:05:25 | 0:05:29 | |
Back to you, Globetrotters, for a choice. We'll have the lion, please. | 0:05:29 | 0:05:34 | |
OK. What's the connection? Here's the first clue. | 0:05:34 | 0:05:37 | |
Right. Next. | 0:05:39 | 0:05:41 | |
Any idea? No. | 0:05:46 | 0:05:48 | |
Next. | 0:05:49 | 0:05:50 | |
Pi is... They're days that celebrate something. | 0:05:52 | 0:05:56 | |
Cos Pi Day is 3.14. Ah. So it's three. I see. | 0:05:56 | 0:05:59 | |
5-25? | 0:05:59 | 0:06:01 | |
I don't know what WiFi Day would be. | 0:06:01 | 0:06:04 | |
8-2. Is that something... | 0:06:04 | 0:06:06 | |
They're annual days. Next. | 0:06:06 | 0:06:08 | |
You talk like a pirate or something. So it's "May the 4th..." Yes | 0:06:08 | 0:06:12 | |
BELL Erm, they're all events based on .. | 0:06:12 | 0:06:17 | |
Something associated... Yeah, like Star Wars is May 4th | 0:06:17 | 0:06:20 | |
cos "May the 4th be with you." March 14th is 3.14, etc, is Pi. | 0:06:20 | 0:06:25 | |
So how would you define the connection? Erm... | 0:06:25 | 0:06:28 | |
The days that celebrate those events or things. | 0:06:28 | 0:06:32 | |
That's what it is. They are celebration days. | 0:06:32 | 0:06:35 | |
My screen says unofficial geek celebration days. | 0:06:35 | 0:06:37 | |
THEY LAUGH This is Only Connect. | 0:06:37 | 0:06:39 | |
That's the pot calling the kettle a geek. | 0:06:39 | 0:06:41 | |
Why are these celebration days? Why Towel Day? | 0:06:41 | 0:06:45 | |
That's Douglas Adams's birthday I guess. | 0:06:45 | 0:06:48 | |
It's to celebrate Douglas Adams who recommended carrying a towel | 0:06:48 | 0:06:51 | |
when you travel the universe. WiFi you don't know. | 0:06:51 | 0:06:54 | |
2-8-11 must be something. | 0:06:54 | 0:06:58 | |
It's going to be hard to spot because it's to do with | 0:06:58 | 0:07:00 | |
how the date would be written in American, 80211, | 0:07:00 | 0:07:04 | |
which is the international standard for WiFi, that's what that is | 0:07:04 | 0:07:07 | |
Pi obviously March 14th because it's to do with the numbers there. | 0:07:07 | 0:07:10 | |
And Star Wars, "May the 4th be with you." | 0:07:10 | 0:07:14 | |
So well done, you get another point there. Pilots, make a choice | 0:07:14 | 0:07:17 | |
Two reeds? Two reeds, please. | 0:07:17 | 0:07:19 | |
BELL Well, well, well. | 0:07:19 | 0:07:22 | |
You'll hear the clues. What's the connection? Here's the first. | 0:07:22 | 0:07:27 | |
# She's a brick and I'm drowning slowly | 0:07:27 | 0:07:31 | |
# Off the coast and I'm headed.. Next, please. | 0:07:31 | 0:07:35 | |
# If ya getting down, baby | 0:07:35 | 0:07:37 | |
# I want it now, baby | 0:07:37 | 0:07:39 | |
# Come and get it on, baby... Next, please. | 0:07:39 | 0:07:43 | |
# I'm feeling glad all over | 0:07:43 | 0:07:46 | |
# Yes, I'm-a glad all over | 0:07:46 | 0:07:49 | |
# Baby, I'm... Next, please. | 0:07:49 | 0:07:52 | |
# Take me by the tongue and I'll know you | 0:07:52 | 0:07:56 | |
That's Maroon Five. # Kiss me till you're drunk... | 0:07:56 | 0:07:58 | |
BELL Five. | 0:07:58 | 0:08:00 | |
The connection is five. | 0:08:00 | 0:08:02 | |
Who did you hear? The first one was 5ive, wasn't it? | 0:08:02 | 0:08:05 | |
Is it? The only last two I recognise was Maroon Five for the last one | 0:08:05 | 0:08:10 | |
and the one before that, the penultimate one, I suppose, | 0:08:10 | 0:08:13 | |
is Dave Clark Five. That's right. | 0:08:13 | 0:08:15 | |
My learned friend on the left here, who's the music buff, | 0:08:15 | 0:08:18 | |
seems to think... I think it was by the band 5ive | 0:08:18 | 0:08:21 | |
That was the second piece, by the band 5ive. | 0:08:21 | 0:08:24 | |
Did you recognise the first one over there? Ben Folds. | 0:08:24 | 0:08:27 | |
The Ben Folds Five. Exactly right. So you get a point, Pilots. | 0:08:27 | 0:08:31 | |
Globetrotters, back to you for a hieroglyphic choice. Twisted flax. | 0:08:31 | 0:08:35 | |
OK. What's the connection between these clues? Here's the first. | 0:08:35 | 0:08:38 | |
Sour tasting. Next. | 0:08:39 | 0:08:41 | |
Tray planted. | 0:08:43 | 0:08:45 | |
Seeds? | 0:08:46 | 0:08:48 | |
Next. | 0:08:51 | 0:08:53 | |
Oh! Oh, they're the names for, erm, Japanese words. | 0:08:54 | 0:08:58 | |
Kamikaze... Yeah. | 0:08:58 | 0:09:00 | |
BELL | 0:09:00 | 0:09:02 | |
They are the English translations of Japanese terms used in English. | 0:09:02 | 0:09:08 | |
Two points to you. Here's the last clue. | 0:09:08 | 0:09:10 | |
Can you tell me what any of them would be? | 0:09:10 | 0:09:12 | |
The first one is umami. It's actually sushi. | 0:09:12 | 0:09:15 | |
Oh, is it sushi? Yes. Divine wind is kamikaze. Yep. | 0:09:15 | 0:09:20 | |
Empty orchestra is karaoke. Mm-hm. Tray planted, I don't know. Bonsai? | 0:09:20 | 0:09:23 | |
Oh, bonsai. That is bonsai. | 0:09:23 | 0:09:26 | |
Would you have known that, Captain Paul? | 0:09:26 | 0:09:28 | |
Certainly the empty orchestra I would've known, yeah. | 0:09:28 | 0:09:31 | |
Yeah, I would've got those. | 0:09:31 | 0:09:33 | |
What's your favourite thing to sing? | 0:09:33 | 0:09:35 | |
I'd liked to say that my Billy Idol and George Michael are legendary | 0:09:35 | 0:09:38 | |
in my pub, but not necessarily in a good way. | 0:09:38 | 0:09:41 | |
That I would genuinely pay good money to hear. | 0:09:41 | 0:09:44 | |
It's actually on the internet if you want to find it. | 0:09:44 | 0:09:47 | |
Don't think I won't. | 0:09:47 | 0:09:50 | |
Well done, Globetrotters. And the final question, Pilots, | 0:09:50 | 0:09:53 | |
I suspect is going to be the picture question. | 0:09:53 | 0:09:56 | |
OK, horned viper, please. I think so indeed. Here's your first clue. | 0:09:56 | 0:10:00 | |
Who's that? Is that a young Michael... Martin Broderick? | 0:10:02 | 0:10:05 | |
Could be. Next, please. | 0:10:05 | 0:10:07 | |
Wallace and Gromit. Yeah. OK. | 0:10:09 | 0:10:11 | |
Next, please. | 0:10:11 | 0:10:14 | |
You've got Wallace and Gromit.. | 0:10:19 | 0:10:22 | |
Er, next, please. | 0:10:22 | 0:10:25 | |
Clay pigeon shooting. Clays? | 0:10:25 | 0:10:28 | |
Plasticine... Clay court, clay plasticine. | 0:10:29 | 0:10:33 | |
BELL Clay. | 0:10:33 | 0:10:36 | |
The connection is clay. You recognised clay pigeons | 0:10:36 | 0:10:38 | |
and a clay tennis court. Wallace and Gromit, obviously, made of clay. | 0:10:38 | 0:10:41 | |
What about that first clue? I'm afraid we don't know that one. | 0:10:41 | 0:10:44 | |
I think it's Clay Aiken, who won American Idol at some point. | 0:10:44 | 0:10:48 | |
That's right. You can just see the logo of American Idol | 0:10:48 | 0:10:50 | |
behind him. That is Clay Aiken. | 0:10:50 | 0:10:52 | |
Pilots, you get the point. Very good. | 0:10:52 | 0:10:55 | |
At the end of round one, the Globetrotters have got four points, | 0:10:55 | 0:10:59 | |
the Pilots are ahead with five. | 0:10:59 | 0:11:01 | |
Round two, the teams will remember, is about sequences. | 0:11:03 | 0:11:07 | |
I want to know what comes fourth. Globetrotters, you're first again. | 0:11:07 | 0:11:11 | |
What would you like? We'll have the lion, please. | 0:11:11 | 0:11:14 | |
OK. What would be the fourth in this sequence? Here's the first. | 0:11:14 | 0:11:18 | |
Next. | 0:11:21 | 0:11:23 | |
Trey. | 0:11:23 | 0:11:24 | |
THEY WHISPER | 0:11:26 | 0:11:28 | |
Is it possibly... Five and four. . | 0:11:29 | 0:11:33 | |
Next. | 0:11:33 | 0:11:35 | |
Deuce. Oh! Oh, yeah, so it would be ace next, then? | 0:11:35 | 0:11:39 | |
Certainly deuce and trey are, like, card slang for two and three. | 0:11:39 | 0:11:44 | |
It's going down so I'll try ace Yeah. | 0:11:44 | 0:11:46 | |
BELL We'll try ace. | 0:11:46 | 0:11:49 | |
Ace is the answer. And why's that? | 0:11:49 | 0:11:51 | |
It's playing card nicknames, I guess. | 0:11:51 | 0:11:55 | |
Playing cards going down. So deuce is a two, | 0:11:55 | 0:11:57 | |
trey is a three, presumably cater is a four, I've never heard of that. | 0:11:57 | 0:12:01 | |
And ace... Yes, cater's a four. Used more often in dice than cards. | 0:12:01 | 0:12:05 | |
But it's numbers. They've come through Middle English | 0:12:05 | 0:12:08 | |
from Old French, so it's quatre trois, deux and ace. | 0:12:08 | 0:12:12 | |
It's playing cards or dice, | 0:12:12 | 0:12:15 | |
the numbers going down, and ace would be the number one. Well done. | 0:12:15 | 0:12:18 | |
Pilots, what would you like? | 0:12:18 | 0:12:20 | |
Stick to water. Water, please. | 0:12:20 | 0:12:23 | |
OK. What would be the fourth in this sequence? Here's the first. | 0:12:23 | 0:12:26 | |
Er, next, please. | 0:12:34 | 0:12:36 | |
Oh, this is commands at Tower of London. | 0:12:37 | 0:12:40 | |
Halt! Who comes there? Friend or foe? | 0:12:40 | 0:12:42 | |
OK. Erm... I don't know how it finishes. | 0:12:42 | 0:12:45 | |
But basically, it's the changing of the keys. | 0:12:45 | 0:12:48 | |
So we need to know what the fourth thing is. Halt! Who comes there? | 0:12:48 | 0:12:51 | |
The keys. Shall we go next one? Next one. Next, please. | 0:12:51 | 0:12:55 | |
Whose keys? My keys. The Queen's keys. | 0:12:57 | 0:12:59 | |
Yeah. Yeah. BELL | 0:12:59 | 0:13:02 | |
The Queen's keys? | 0:13:04 | 0:13:06 | |
I'll accept it. At the moment, Queen Elizabeth's keys. | 0:13:06 | 0:13:08 | |
I think you know, this is the ceremony of the keys | 0:13:08 | 0:13:11 | |
at the Tower of London. It's an exchange between guards | 0:13:11 | 0:13:14 | |
Who comes there? The keys. Whose keys? Queen Elizabeth's keys. | 0:13:14 | 0:13:18 | |
It's definitely not at all silly. Definitely not at all. | 0:13:18 | 0:13:21 | |
Well done, Pilots. Back to you, Globetrotters, for a choice. | 0:13:21 | 0:13:25 | |
Eye of Horus, please. OK. What's the fourth in this sequence? | 0:13:25 | 0:13:29 | |
The smallest hardest crossword. | 0:13:30 | 0:13:33 | |
Oh, is that... What's that called? | 0:13:33 | 0:13:35 | |
Next. | 0:13:35 | 0:13:37 | |
Celebrity Squares board. | 0:13:37 | 0:13:39 | |
Is this... Ah. Are they things with increasing numbers of squares? Yeah. | 0:13:39 | 0:13:43 | |
Or even decreasing. No, cos Celebrity Squares board has nine. | 0:13:43 | 0:13:47 | |
And I think smallest hardest crossword is 2x2. | 0:13:47 | 0:13:50 | |
So I think it's going up. So that's 3x3. | 0:13:50 | 0:13:53 | |
So it's 4x4, 5x5. | 0:13:53 | 0:13:55 | |
Do you want to go next? Next. | 0:13:55 | 0:13:57 | |
Yeah. Oh, that's 2x2. So it's just a square of some sort. | 0:13:58 | 0:14:02 | |
Erm, yeah. BELL | 0:14:02 | 0:14:05 | |
Erm, a single square of some sort. | 0:14:05 | 0:14:08 | |
Erm... A square crisp. A square crisp, yeah. | 0:14:08 | 0:14:12 | |
Oh, yes. We've gone with the face of a cube, | 0:14:12 | 0:14:14 | |
but a simple square is absolutely right. And why is that? | 0:14:14 | 0:14:17 | |
It is decreasing. So the smallest hardest crossword is 4x4. | 0:14:17 | 0:14:22 | |
It is, in the Daily Mail. Ah, right. | 0:14:22 | 0:14:24 | |
Celebrity Squares is 3x3 and Battenberg is 2x2, | 0:14:24 | 0:14:27 | |
so the last one would just be 1x . | 0:14:27 | 0:14:30 | |
That's right, a very simple grid of 1x1. | 0:14:30 | 0:14:33 | |
I thought you'd be too young to remember Celebrity Squares. | 0:14:33 | 0:14:36 | |
It was Michael who knew it. | 0:14:36 | 0:14:38 | |
Older than I look. THEY LAUGH | 0:14:38 | 0:14:41 | |
I used to love that show. It was Bob Monkhouse | 0:14:41 | 0:14:43 | |
and they had celebrities. It was always Kenny Everett | 0:14:43 | 0:14:46 | |
and Suzanne Danielle, a funny guy and some sexy actress | 0:14:46 | 0:14:50 | |
you'd never heard of. Yeah. | 0:14:50 | 0:14:52 | |
Definitely time that came back. Pilots, which hieroglyph? | 0:14:52 | 0:14:55 | |
Twisted flax? Twisted flax, please. | 0:14:55 | 0:14:58 | |
OK. What would be the fourth in this sequence? Here's the first. | 0:14:58 | 0:15:01 | |
Report stage. Could be anything, couldn't it? | 0:15:04 | 0:15:06 | |
Next, please. | 0:15:06 | 0:15:09 | |
Third reading. Reports... | 0:15:09 | 0:15:12 | |
OK. Report, third reading... | 0:15:12 | 0:15:15 | |
It being passed? An act being passed? | 0:15:15 | 0:15:18 | |
What are we going to say, an act being passed? | 0:15:18 | 0:15:21 | |
Report stage, third reading. | 0:15:21 | 0:15:24 | |
Pass in the end? Law? | 0:15:24 | 0:15:27 | |
Yeah. Passed into law. | 0:15:27 | 0:15:29 | |
BELL Passed into law. | 0:15:29 | 0:15:33 | |
Not it, I'm afraid. So I'm going to show the third in the sequence | 0:15:33 | 0:15:36 | |
to the Globetrotters. We think Royal Assent. | 0:15:36 | 0:15:39 | |
It is Royal Assent. | 0:15:39 | 0:15:41 | |
I think you knew this is the passing of a bill through parliament | 0:15:41 | 0:15:44 | |
It goes through various readings in both houses, | 0:15:44 | 0:15:47 | |
but once it's got to consideration of amendments, it's done both | 0:15:47 | 0:15:50 | |
and Royal Assent is what it needs before it can pass. | 0:15:50 | 0:15:53 | |
So well done, Globetrotters, for the bonus. What would you like? | 0:15:53 | 0:15:55 | |
We'll have two reeds, please. | 0:15:55 | 0:15:58 | |
OK. These are going to be picture clues. | 0:15:58 | 0:16:00 | |
What would you expect to see in the fourth picture? Here's the first. | 0:16:00 | 0:16:03 | |
Next, please. | 0:16:06 | 0:16:09 | |
Knees. Dirty knees. | 0:16:10 | 0:16:12 | |
Oh, is it... | 0:16:12 | 0:16:14 | |
Are they dirty knees? I don't know... | 0:16:14 | 0:16:18 | |
Shall we go next? Yeah. Yeah, next. | 0:16:18 | 0:16:21 | |
Chicks. Oh, it's legs 11. | 0:16:23 | 0:16:25 | |
So it's... A pair of pants must be... | 0:16:25 | 0:16:28 | |
Cos legs 11, two fat ladies... Er, two ducks is 22. | 0:16:28 | 0:16:32 | |
So it's whatever 33 is. OK, so, erm... | 0:16:32 | 0:16:36 | |
I don't know what. Yeah. BELL | 0:16:36 | 0:16:39 | |
Erm, we think it's bingo slang for 33. | 0:16:39 | 0:16:44 | |
Not the answer, I'm afraid. Possible bonus chance for the Pilots | 0:16:44 | 0:16:47 | |
For the first one... We'll go for, erm... Legs 11? | 0:16:47 | 0:16:51 | |
I need an answer. Legs. A pair of legs. | 0:16:51 | 0:16:55 | |
It is legs 11! | 0:16:55 | 0:16:57 | |
Where you got confused over there, Globetrotters, | 0:16:57 | 0:17:00 | |
is that that second one is dirty knees for 33. | 0:17:00 | 0:17:03 | |
33. And I was tempted to think about whether you could have it for legs, | 0:17:03 | 0:17:07 | |
but the first one wouldn't fit. That first one... I was too distracted | 0:17:07 | 0:17:10 | |
thinking, "How did they get into my own photo album?" It represents | 0:17:10 | 0:17:14 | |
droopy drawers, 44. Right. | 0:17:14 | 0:17:16 | |
So we're coming downwards. Dirty knees, 33, two little ducks, 22 | 0:17:16 | 0:17:20 | |
and then next would be a pair of legs for legs 11 in bingo. | 0:17:20 | 0:17:24 | |
Your turn, Pilots, for the final question, the horned viper. | 0:17:24 | 0:17:27 | |
Left till last again. Why does nobody like this one? | 0:17:27 | 0:17:29 | |
That's for you. What is the fourth in this sequence? Here's the first. | 0:17:29 | 0:17:34 | |
Turkana. Ring any bells? | 0:17:36 | 0:17:40 | |
Next, please. | 0:17:41 | 0:17:43 | |
Malawi. | 0:17:43 | 0:17:45 | |
Countries that have... | 0:17:45 | 0:17:47 | |
..gained independence? | 0:17:48 | 0:17:50 | |
It's a sequence. Malawi's quite an old... | 0:17:50 | 0:17:53 | |
Yeah. Shall we go next? Next, please. | 0:17:53 | 0:17:56 | |
Tanganyika. Are they landlocked | 0:17:57 | 0:18:00 | |
Yeah, but there's a sequence, isn't there? That's the thing. | 0:18:00 | 0:18:03 | |
So Turkana, Malawi, Tanganyika.. | 0:18:03 | 0:18:06 | |
Somewhere like Ghana, it's gained independence. | 0:18:06 | 0:18:09 | |
BELL Ghana. | 0:18:11 | 0:18:14 | |
Not the answer, I'm afraid. A bonus chance for you, Globetrotters | 0:18:14 | 0:18:17 | |
Victoria? Yes? THEY LAUGH | 0:18:17 | 0:18:20 | |
The answer is Victoria. The answer is Victoria, absolutely right. Why? | 0:18:20 | 0:18:25 | |
It's the African great lakes in order of increasing size. | 0:18:25 | 0:18:28 | |
That is it. Africa's largest natural lakes in increasing order of size. | 0:18:28 | 0:18:32 | |
If you had to, Pilots, if you had to, | 0:18:32 | 0:18:35 | |
do you think you could land a jumbo jet on one of those? | 0:18:35 | 0:18:38 | |
Erm, if we had to. | 0:18:38 | 0:18:40 | |
If we had to then I guess we'd have to, yes. And you could. | 0:18:40 | 0:18:44 | |
You could ditch, certainly. Excellent. | 0:18:44 | 0:18:47 | |
I love pilots who know what they're doing! | 0:18:47 | 0:18:50 | |
At the end of round two, the Pilots have got eight points, | 0:18:50 | 0:18:53 | |
the Globetrotters are ahead with ten. | 0:18:53 | 0:18:55 | |
Time for the Connecting Wall now, the frenzied mass of clues | 0:18:57 | 0:19:00 | |
that need to be sorted into neat little ranks of four by four. | 0:19:00 | 0:19:04 | |
Pilots, you're going first. Would you like Lion or Water? | 0:19:04 | 0:19:08 | |
I think we'll take the Water Wall, please. | 0:19:08 | 0:19:10 | |
OK. You have got two and a half minutes to solve it, starting now. | 0:19:10 | 0:19:15 | |
Mrs McClusky. Right. Zammo. | 0:19:16 | 0:19:19 | |
This is, erm... Grange Hill. Grange Hill. | 0:19:19 | 0:19:21 | |
So Mr McClusky. Tucker. | 0:19:21 | 0:19:23 | |
Tucker. Roly was. | 0:19:23 | 0:19:25 | |
And so was Gripper. OK. Shall I go with those? | 0:19:25 | 0:19:28 | |
Yeah, go with that. What else have we got? Bulrush, reed... | 0:19:28 | 0:19:31 | |
Erm... Done it. | 0:19:31 | 0:19:33 | |
Morrison, Reed. Oh, Velvet Underground, yeah. | 0:19:33 | 0:19:36 | |
Morrison, Reed, Tucker and Cale | 0:19:36 | 0:19:40 | |
Fantastic, right. Three strikes and you're out now. | 0:19:40 | 0:19:42 | |
So, we've got Le Mans. No. | 0:19:42 | 0:19:45 | |
That's a snake, isn't it? Chester-le-Street. | 0:19:45 | 0:19:49 | |
Chester-le-Street, Le Mans. | 0:19:49 | 0:19:51 | |
Bulrush. Are they hieroglyphics | 0:19:51 | 0:19:53 | |
Hm. I'm not sure. | 0:19:53 | 0:19:56 | |
Wake. Cattail. | 0:19:56 | 0:19:59 | |
Hat... | 0:20:00 | 0:20:02 | |
Is arrowhead a root or a spice? That's arrowroot. | 0:20:02 | 0:20:06 | |
Oh, right. So a word that goes after? Sedgefield, Chesterfield | 0:20:06 | 0:20:10 | |
Yeah. Mansfield. Hatfield. | 0:20:10 | 0:20:12 | |
Or could be Wakefield. So we've got Hat, Sedge... | 0:20:12 | 0:20:17 | |
What are the others first? | 0:20:17 | 0:20:19 | |
Mans... So we're left with bulrush, cattail and arrowhead. | 0:20:19 | 0:20:23 | |
These could be some kind of reed. | 0:20:23 | 0:20:26 | |
There's three. We need to make a fourth. Sedge | 0:20:26 | 0:20:28 | |
Sedge could be... OK. We'll take that one out. Wake. | 0:20:28 | 0:20:32 | |
And then it could be Chesterfield. Then you've got cattail, | 0:20:32 | 0:20:35 | |
bulrush, arrowhead and sedge Yeah, shall we do it? Yeah, before... | 0:20:35 | 0:20:39 | |
That's it. You've solved the wall. | 0:20:39 | 0:20:42 | |
You were just saying, "Before you do that..." It was too late | 0:20:42 | 0:20:45 | |
he'd solved it. Absolutely. It s good news. Four points immediately. | 0:20:45 | 0:20:48 | |
Let's look for the connections. Mrs McClusky, Roly, Gripper, Zammo. | 0:20:48 | 0:20:53 | |
Characters from Grange Hill. Yes | 0:20:53 | 0:20:55 | |
Were you fans of Grange Hill? Very much so. Not at all. Really | 0:20:55 | 0:20:59 | |
I used to love that show. I loved it. | 0:20:59 | 0:21:01 | |
"I really want to help you, Roland." HE LAUGHS | 0:21:01 | 0:21:03 | |
But already, these seem to me late characters. | 0:21:03 | 0:21:06 | |
Tucker was a red herring, but that was the glory days. Indeed. | 0:21:06 | 0:21:11 | |
What about this next one, Tucker, Reed, Cale, Morrison? | 0:21:11 | 0:21:15 | |
One of my favourite bands, The Velvet Underground. | 0:21:15 | 0:21:17 | |
Ah! Happy with that, Captain? Absolutely. | 0:21:17 | 0:21:21 | |
But you don't sing them at karaoke? Bit more difficult to sing, I think. | 0:21:21 | 0:21:24 | |
Billy Idol's a lot easier than Lou Reed. | 0:21:24 | 0:21:27 | |
You should try Metal Machine Music next time. I'll try that one. | 0:21:27 | 0:21:30 | |
I'll look out for that on the internet. | 0:21:30 | 0:21:32 | |
What about this? Wake, Chester, Hat, Mans. | 0:21:32 | 0:21:37 | |
They're all places if you put field at the end of it, it makes a town. | 0:21:37 | 0:21:42 | |
That's right. English towns and cities when you add field. | 0:21:42 | 0:21:44 | |
And this one, sedge, bulrush, arrowhead, cattail? | 0:21:44 | 0:21:49 | |
Types of grasses. Sedge grass.. Reeds. Plants. | 0:21:49 | 0:21:55 | |
Well, I'll take it. They're all plants and grasses | 0:21:55 | 0:21:57 | |
that grow on wetlands, marshlands. | 0:21:57 | 0:22:00 | |
Sedgefield, of course, was the red herring for the previous group. | 0:22:00 | 0:22:03 | |
Tony Blair's old constituency. You didn't fall for it. | 0:22:03 | 0:22:05 | |
Four points for the groups, four points for the connections | 0:22:05 | 0:22:09 | |
and two points for getting it all right. A maximum of ten. | 0:22:09 | 0:22:12 | |
Very well done. Time to bring their opponents in now and give them a fresh connecting wall | 0:22:12 | 0:22:16 | |
to solve as meticulously as they possibly can. | 0:22:16 | 0:22:19 | |
That's you, Globetrotters. You've got the Lion Wall to unpick. | 0:22:19 | 0:22:22 | |
Two and a half minutes to do that starting now. | 0:22:22 | 0:22:26 | |
We've got... Er... | 0:22:28 | 0:22:30 | |
Yeah, we'll... We've got Schiller, Mann, Hesse. German writers. | 0:22:30 | 0:22:35 | |
So who's the other one? Grimm? | 0:22:35 | 0:22:37 | |
There we go. Quaffle and bludger and broomstick are quidditch. | 0:22:37 | 0:22:41 | |
And snitch. Right, shall we go for that, then? Let's try it | 0:22:41 | 0:22:46 | |
Beater's bat is the other one. Do you want to do that? Let's look. | 0:22:46 | 0:22:48 | |
Er... OK, so... | 0:22:48 | 0:22:51 | |
Right, OK. Three strikes and you're out now. Plenty of time. | 0:22:51 | 0:22:54 | |
Snitch, sneak... And grass. Oh, yeah. And shop. | 0:22:54 | 0:22:57 | |
Things you... Right, so let's pause for now, take our time. | 0:22:57 | 0:23:00 | |
So we've got journalism, graph, synthesis and taxis. | 0:23:00 | 0:23:04 | |
Or tax-is. Oh. | 0:23:04 | 0:23:06 | |
Photosynthesis, photojournalism phototaxis and photograph. | 0:23:06 | 0:23:10 | |
Right, so let's just pause for a minute and just check everything. | 0:23:10 | 0:23:13 | |
So we've got German writers, authors. | 0:23:13 | 0:23:17 | |
Things in... What's that game? Quidditch. Quidditch. Right. | 0:23:17 | 0:23:21 | |
And then... Shall we do it? Yeah. | 0:23:21 | 0:23:24 | |
Grass, snitch, shop and sneak. | 0:23:24 | 0:23:27 | |
Happy? Are we sure that's... What are we calling that? | 0:23:27 | 0:23:30 | |
Erm, ways of... Telling on people. Yeah, exactly. That'll do. | 0:23:30 | 0:23:35 | |
That's it, you've solved the wall, so four points for the groups | 0:23:36 | 0:23:39 | |
Let's look for the connections. Hesse, Schiller, Grimm, Mann. | 0:23:39 | 0:23:43 | |
They're all German writers, authors. | 0:23:43 | 0:23:46 | |
That is it. All German writers Can you tell me their first names? | 0:23:46 | 0:23:49 | |
Hermann Hesse. Mm-hm. | 0:23:49 | 0:23:51 | |
Mac Schiller, isn't it? It's Friedrich von Schiller. | 0:23:51 | 0:23:55 | |
Jacob Grimm? Brothers Grimm. Yes! It's brothers. | 0:23:55 | 0:23:58 | |
Jacob and Wilhelm. And Thomas Mann. | 0:23:58 | 0:24:01 | |
Thomas Mann, that's it. Manfred | 0:24:01 | 0:24:04 | |
Yes, Manfred Mann, yeah. | 0:24:04 | 0:24:05 | |
He wrote funnier stuff. So that's it, German writers. | 0:24:05 | 0:24:09 | |
The next group, broomstick, quaffle, beater's bat, bludger. | 0:24:09 | 0:24:13 | |
Erm, nominate someone to take it It's equipment that's used | 0:24:13 | 0:24:16 | |
in the game of quidditch from Harry Potter. | 0:24:16 | 0:24:19 | |
Exactly right. Have you read all the Harry Potters? Not even one | 0:24:19 | 0:24:21 | |
Haven't read or seen any. I've read all of them. There we go. | 0:24:21 | 0:24:25 | |
Our resident Harry Potter specialist. | 0:24:25 | 0:24:28 | |
I've read them all. I really enjoyed them. | 0:24:28 | 0:24:30 | |
I get a hard time from my brother, who thinks grownups are not | 0:24:30 | 0:24:33 | |
supposed to read. Didn't he read them for I've Never Seen Star Wars? | 0:24:33 | 0:24:38 | |
Oh, he might have done, yes. I m sure he would take the opportunity. | 0:24:38 | 0:24:42 | |
I genuinely have never seen Star Wars, | 0:24:42 | 0:24:44 | |
much to the horror of Only Connect viewers. I have read Harry Potter. | 0:24:44 | 0:24:48 | |
Anyway, let's press on. Grass, shop, snitch, sneak. | 0:24:48 | 0:24:51 | |
They're all ways of telling on someone, essentially. | 0:24:51 | 0:24:55 | |
Meaning to betray, really, isn't it? That's right. | 0:24:55 | 0:24:58 | |
And graph, synthesis, journalism, taxis. | 0:24:58 | 0:25:02 | |
They can all be preceded by photo. | 0:25:02 | 0:25:05 | |
Yes. Photograph, photosynthesis, photojournalism. What's phototaxis? | 0:25:05 | 0:25:08 | |
It's moving towards light, so growing towards light with plants | 0:25:08 | 0:25:11 | |
is the usual explanation. That's it. | 0:25:11 | 0:25:13 | |
Responses of cells or organisms to light. Very well done. | 0:25:13 | 0:25:17 | |
Four points for the groups, four more points for the connections | 0:25:17 | 0:25:20 | |
two points more for getting it all right. That is the maximum of ten. | 0:25:20 | 0:25:23 | |
Let's have a look at the scores | 0:25:23 | 0:25:25 | |
The Pilots have 18 points, | 0:25:25 | 0:25:28 | |
the Globetrotters have 20. | 0:25:28 | 0:25:30 | |
If you'd like to have a go at a Connecting Wall, | 0:25:32 | 0:25:34 | |
you'll find them on our website, where you can also write your own. | 0:25:34 | 0:25:37 | |
But we are going to play the Missing Vowels round. | 0:25:37 | 0:25:39 | |
You'll remember this. We've taken the vowels out of sentences, | 0:25:39 | 0:25:42 | |
sayings or names, squidged up the consonants, | 0:25:42 | 0:25:45 | |
and I want to know, what are those clues? | 0:25:45 | 0:25:47 | |
Fingers on buzzers, teams. | 0:25:47 | 0:25:51 | |
The first category are all... | 0:25:51 | 0:25:53 | |
BELL Gary Oldman. Correct. | 0:25:58 | 0:26:00 | |
BELL Christopher Lee. Correct. | 0:26:02 | 0:26:05 | |
BELL Leslie Nielsen. Correct. | 0:26:09 | 0:26:12 | |
BELL Bela Lugosi. Correct. | 0:26:14 | 0:26:17 | |
Next category... | 0:26:17 | 0:26:19 | |
BELL Montego Bay. Correct. | 0:26:22 | 0:26:26 | |
BELL Dar Es Salaam. Correct. | 0:26:28 | 0:26:31 | |
BELL Hook Of Holland. Correct. | 0:26:34 | 0:26:37 | |
BELL Port Said. Correct. | 0:26:39 | 0:26:43 | |
Next category... | 0:26:43 | 0:26:44 | |
BELL Can We Fix It? From Bob The Builder. | 0:26:47 | 0:26:51 | |
BELL Hello, Goodbye. The Beatles. | 0:26:53 | 0:26:56 | |
No? This is Whitney Houston's I Will Always Love You. Next clue. | 0:27:02 | 0:27:07 | |
BELL Stay Another Day. From East 17. | 0:27:10 | 0:27:13 | |
Next category... | 0:27:13 | 0:27:15 | |
BELL Amusement Arcade. Correct. | 0:27:18 | 0:27:21 | |
BELL Amphitheatre. Correct. | 0:27:24 | 0:27:26 | |
BELL Opera House. Correct. | 0:27:30 | 0:27:32 | |
BELL Bingo Hall. Yes, it is. | 0:27:34 | 0:27:37 | |
Next category... | 0:27:37 | 0:27:39 | |
THEME MUSIC | 0:27:40 | 0:27:43 | |
Well, that one was black spot, but it's the end of the quiz | 0:27:44 | 0:27:48 | |
and the Pilots finish with 25 points | 0:27:48 | 0:27:52 | |
but the winners with 28 are the Globetrotters. | 0:27:52 | 0:27:55 | |
Unlucky, Pilots. Why would you know about ports? Ports? | 0:27:55 | 0:27:59 | |
Going by boat? Why would anyone do that? We fly over them. | 0:27:59 | 0:28:03 | |
The 21st century! Who would know? | 0:28:03 | 0:28:05 | |
What a shame. It was lovely to have you here, Pilots. | 0:28:05 | 0:28:08 | |
You have been a brilliant team. It's been good fun. | 0:28:08 | 0:28:11 | |
Thank you. Thank you very much for coming and goodbye. | 0:28:11 | 0:28:14 | |
Globetrotters, you're still in it, still in contention, you could still make the final | 0:28:14 | 0:28:19 | |
Very well done for putting that back on track. We'll see you again. | 0:28:19 | 0:28:23 | |
Sadly, I'm afraid that's all we've got time for. | 0:28:23 | 0:28:25 | |
That's actually a lie. We've got plenty of time. We've got all night. | 0:28:25 | 0:28:29 | |
We cleared our schedules. But this is all they'll broadcast. Aghhh! | 0:28:29 | 0:28:33 | |
Subtitles by Red Bee Media Ltd | 0:28:35 | 0:28:39 | |
. | 0:28:39 | 0:28:39 |