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Hello and welcome to the final of Only Connect. | 0:00:20 | 0:00:24 | |
Like a massive 13 course banquet, | 0:00:24 | 0:00:26 | |
another series comes to an end with a feeling of exhaustion, | 0:00:26 | 0:00:30 | |
satisfaction and me belching quietly in a corner. | 0:00:30 | 0:00:33 | |
Can our sated quizzers stuff down one more round of petits fours, | 0:00:33 | 0:00:37 | |
or will they find the truffles and brandy snaps of connectivity | 0:00:37 | 0:00:41 | |
as nauseating as an overextended metaphor? | 0:00:41 | 0:00:44 | |
LAUGHTER | 0:00:44 | 0:00:45 | |
Let's meet our finalists. | 0:00:45 | 0:00:47 | |
On my right, Douglas Thompson, | 0:00:47 | 0:00:49 | |
an English graduate who once broke his arm for the second time | 0:00:49 | 0:00:53 | |
by demonstrating how he broke it the first time. | 0:00:53 | 0:00:56 | |
Khuram Rashid, | 0:00:56 | 0:00:58 | |
a technology officer with a passion for the Victoria tube line, | 0:00:58 | 0:01:01 | |
who spent three years dying his hair every colour of the rainbow. | 0:01:01 | 0:01:05 | |
And their team captain, Mark Seager, | 0:01:05 | 0:01:08 | |
an award-winning pool player | 0:01:08 | 0:01:09 | |
who once got stuck in a lift for half an hour. | 0:01:09 | 0:01:12 | |
United by a love of the continent | 0:01:12 | 0:01:14 | |
and a fear of the incontinent, | 0:01:14 | 0:01:16 | |
they are the Europhiles. | 0:01:16 | 0:01:18 | |
Welcome to the final, Mark. | 0:01:18 | 0:01:19 | |
How are you feeling about tonight's game? | 0:01:19 | 0:01:21 | |
We're feeling quite confident, | 0:01:21 | 0:01:23 | |
because we've been able to survive some very nasty rounds | 0:01:23 | 0:01:27 | |
in the past and we're due, by the law of averages, | 0:01:27 | 0:01:31 | |
to be able to get a question right | 0:01:31 | 0:01:33 | |
at some point. | 0:01:33 | 0:01:35 | |
-That's all you can ask. -Yeah. | 0:01:35 | 0:01:37 | |
In this final, you will be facing, | 0:01:37 | 0:01:39 | |
On my left, Hamish Galloway, | 0:01:39 | 0:01:41 | |
a cricket fan and maths graduate who is an enthusiastic member | 0:01:41 | 0:01:44 | |
of the Institute and Faculty of Actuaries. | 0:01:44 | 0:01:48 | |
Nick Latham, a lighting director | 0:01:48 | 0:01:49 | |
whose greatest ambition is to | 0:01:49 | 0:01:51 | |
complete the Monopoly pub crawl in London. | 0:01:51 | 0:01:53 | |
He tried it once, got as far as Trafalgar Square | 0:01:53 | 0:01:56 | |
and was too incapacitated to go further. | 0:01:56 | 0:01:59 | |
As their captain, Davina Galloway, | 0:01:59 | 0:02:01 | |
a Scrabble enthusiast who loves The Wombles, | 0:02:01 | 0:02:04 | |
music quizzes and her team-mates. | 0:02:04 | 0:02:07 | |
United by their family tree, | 0:02:07 | 0:02:09 | |
they are the Relatives. | 0:02:09 | 0:02:10 | |
Congratulations on reaching the final. | 0:02:10 | 0:02:12 | |
How do you think the family relationships | 0:02:12 | 0:02:14 | |
will hold up under the strain? | 0:02:14 | 0:02:15 | |
Well, we're a no blame culture | 0:02:15 | 0:02:17 | |
unless they get a question wrong. | 0:02:17 | 0:02:19 | |
I believe we've got a bit of | 0:02:19 | 0:02:21 | |
an Only Connect first here, | 0:02:21 | 0:02:23 | |
because these two teams already met in your first heat. | 0:02:23 | 0:02:26 | |
Do you have fond memories of that game? | 0:02:26 | 0:02:28 | |
Yes. No. | 0:02:28 | 0:02:29 | |
LAUGHTER | 0:02:29 | 0:02:31 | |
As I remember it, one of these two teams won the first heat | 0:02:31 | 0:02:34 | |
and I'm assuming one of the teams will win it again. But which? | 0:02:34 | 0:02:36 | |
We won't find out unless we play the quiz. | 0:02:36 | 0:02:39 | |
So, let's kick on with Round One. | 0:02:39 | 0:02:41 | |
What is the connection between | 0:02:41 | 0:02:42 | |
four apparently random clues? | 0:02:42 | 0:02:44 | |
Relatives, you won the toss, | 0:02:44 | 0:02:45 | |
but you've decided to put the Europhiles in first. | 0:02:45 | 0:02:48 | |
So, Mark, please choose an Egyptian hieroglyph. | 0:02:48 | 0:02:51 | |
Twisted Flax, please. | 0:02:51 | 0:02:53 | |
OK, the first question of the final will be the Twisted Flax. | 0:02:53 | 0:02:57 | |
What is the connection between these clues? | 0:02:57 | 0:02:59 | |
Here's the first. | 0:02:59 | 0:03:01 | |
Principalities. | 0:03:03 | 0:03:05 | |
-Small countries. -Yeah. Next. | 0:03:05 | 0:03:08 | |
Stoccarda. Do you know what that is? | 0:03:09 | 0:03:11 | |
No, it sounds like a music term, though. | 0:03:11 | 0:03:13 | |
You might be thinking of staccato. | 0:03:13 | 0:03:15 | |
But it could be another one. Next. | 0:03:15 | 0:03:18 | |
Colonia. That sounds like... Is that fiction? | 0:03:19 | 0:03:23 | |
It sounds like a fiction. | 0:03:23 | 0:03:25 | |
-I don't know. -Next. | 0:03:25 | 0:03:27 | |
Berlino. | 0:03:28 | 0:03:30 | |
Are they, like... | 0:03:30 | 0:03:34 | |
Are they... | 0:03:34 | 0:03:36 | |
Oh, Colonia... | 0:03:36 | 0:03:37 | |
Three seconds. | 0:03:37 | 0:03:39 | |
BELL | 0:03:39 | 0:03:41 | |
Are these Spanish names | 0:03:41 | 0:03:45 | |
for residents of various cities? | 0:03:45 | 0:03:49 | |
They are not Spanish names for residents. | 0:03:49 | 0:03:52 | |
So, Relatives, you've got the chance of a bonus point. | 0:03:52 | 0:03:55 | |
I was going for them being Roman provinces or names | 0:03:55 | 0:03:59 | |
given by the Romans to peoples outside the Roman Empire. | 0:03:59 | 0:04:04 | |
That's not it either. | 0:04:04 | 0:04:05 | |
You were thrashing around in the | 0:04:05 | 0:04:07 | |
right direction, Europhiles, | 0:04:07 | 0:04:08 | |
and you've edged a bit closer. | 0:04:08 | 0:04:10 | |
If you were a team of six, you'd be nearly there, | 0:04:10 | 0:04:12 | |
if I gave you another go. | 0:04:12 | 0:04:13 | |
They're Italian names | 0:04:13 | 0:04:15 | |
for German cities. | 0:04:15 | 0:04:17 | |
Monaco is the trick. | 0:04:17 | 0:04:19 | |
It's not Monaco, | 0:04:19 | 0:04:20 | |
it's the Italian word for Munich. | 0:04:20 | 0:04:22 | |
Stoccarda is Stuttgart, | 0:04:22 | 0:04:24 | |
Colonia Cologne, of course, | 0:04:24 | 0:04:25 | |
and Berlino Berlin. | 0:04:25 | 0:04:27 | |
OK, Relatives, your turn to choose a question. | 0:04:27 | 0:04:30 | |
Eye of Horus, please. | 0:04:30 | 0:04:31 | |
The Eye of Horus. What is the connection between these clues? | 0:04:31 | 0:04:34 | |
Here's the first. | 0:04:34 | 0:04:36 | |
-Take another one. -Next, please. | 0:04:39 | 0:04:41 | |
Moroccan seaport. Town. | 0:04:43 | 0:04:45 | |
No, don't know. | 0:04:45 | 0:04:48 | |
-The Rabat. -Go next. -Say next. | 0:04:48 | 0:04:51 | |
Next, please. | 0:04:51 | 0:04:52 | |
Is it types of fruit? | 0:04:54 | 0:04:56 | |
Jaffa, maybe. | 0:04:56 | 0:05:00 | |
Chinese civil servant is mandarin... | 0:05:00 | 0:05:03 | |
Do you want to go for that? | 0:05:03 | 0:05:05 | |
SHE SPEAKS INAUDIBLY | 0:05:05 | 0:05:07 | |
I'd go for it now. | 0:05:07 | 0:05:10 | |
BELL | 0:05:10 | 0:05:11 | |
We think they're types of fruit. | 0:05:11 | 0:05:14 | |
Like a mandarin, Jaffa oranges. | 0:05:14 | 0:05:16 | |
I'll accept it. They gave their names to different types of fruit. | 0:05:16 | 0:05:18 | |
Citrus fruit, in fact. It's even more specific than that. | 0:05:18 | 0:05:21 | |
Last one would have been Clement Rodier, | 0:05:21 | 0:05:23 | |
who devised the clementine. | 0:05:23 | 0:05:25 | |
He worked in an orphanage | 0:05:25 | 0:05:26 | |
and sort of created the clementine | 0:05:26 | 0:05:28 | |
using trees in the garden. | 0:05:28 | 0:05:30 | |
So, well done, you get two points. | 0:05:30 | 0:05:31 | |
Europhiles, your chance to choose a question. | 0:05:31 | 0:05:33 | |
-Lion, please. -Lion. | 0:05:33 | 0:05:35 | |
What's the connection between | 0:05:35 | 0:05:37 | |
these picture clues? | 0:05:37 | 0:05:39 | |
Here's the first. | 0:05:39 | 0:05:40 | |
It's the Dalai Lama and... | 0:05:42 | 0:05:43 | |
-That's Mahatma Gandhi. -Oh, yes! | 0:05:43 | 0:05:45 | |
Sorry! Is that oil? Next. | 0:05:45 | 0:05:50 | |
-OK, that's... -Is that Vera Duckworth? | 0:05:51 | 0:05:54 | |
Yes. What's that on the left? | 0:05:54 | 0:05:57 | |
It's a veranda or something. | 0:05:57 | 0:05:59 | |
Oh, Vera, veranda. | 0:05:59 | 0:06:01 | |
Oh, so that's Gandhi... | 0:06:01 | 0:06:03 | |
That's ghi, isn't it? Next. | 0:06:03 | 0:06:07 | |
That's a cocktail and a coat-tail? | 0:06:08 | 0:06:11 | |
Oh, a coconut! | 0:06:11 | 0:06:12 | |
-They begin with the same three letters? -Yes. | 0:06:12 | 0:06:15 | |
BELL | 0:06:15 | 0:06:16 | |
Each pair of pictures begins with | 0:06:16 | 0:06:19 | |
the same three letters. | 0:06:19 | 0:06:20 | |
Each pair of pictures does NOT begin with the same three letters, | 0:06:20 | 0:06:23 | |
so I'll show the fourth clue to | 0:06:23 | 0:06:25 | |
the Relatives for a possible bonus point. | 0:06:25 | 0:06:27 | |
Times of the day. | 0:06:27 | 0:06:28 | |
Absolutely not times of the day. | 0:06:28 | 0:06:30 | |
I thought you were going to get this one, Europhiles. | 0:06:30 | 0:06:33 | |
You recognised the veranda, what about the lady next to it? | 0:06:33 | 0:06:35 | |
It's Vera. | 0:06:35 | 0:06:37 | |
Vera. | 0:06:37 | 0:06:38 | |
So, how do you get from veranda to Vera? | 0:06:38 | 0:06:41 | |
Ver-and-a. | 0:06:41 | 0:06:42 | |
You take out the word "and", | 0:06:42 | 0:06:44 | |
as you do to get from Gandhi to ghi, | 0:06:44 | 0:06:45 | |
from shandy to shy - a coconut shy - | 0:06:45 | 0:06:49 | |
and from panda to Pa Larkin. | 0:06:49 | 0:06:50 | |
OK, Relatives, | 0:06:50 | 0:06:52 | |
your turn to choose a question. | 0:06:52 | 0:06:53 | |
Two Reeds, please. | 0:06:53 | 0:06:55 | |
Two Reeds. | 0:06:55 | 0:06:56 | |
What's the connection between these clues? | 0:06:56 | 0:06:58 | |
Here's the first. | 0:06:58 | 0:07:01 | |
I Puritani. | 0:07:01 | 0:07:03 | |
Next, please. | 0:07:03 | 0:07:04 | |
Children of the New Forest. | 0:07:06 | 0:07:08 | |
Is that The Borrowers? | 0:07:08 | 0:07:10 | |
I don't know. | 0:07:10 | 0:07:12 | |
OK, we'll take the next. | 0:07:12 | 0:07:14 | |
Next, please. | 0:07:14 | 0:07:15 | |
Is that a painting? | 0:07:17 | 0:07:19 | |
-Shall we go for the next? -Go for the next. -Next, please. | 0:07:22 | 0:07:25 | |
Witchfinder General. | 0:07:27 | 0:07:28 | |
That was MacArthur. | 0:07:28 | 0:07:31 | |
Which one did you know? | 0:07:32 | 0:07:35 | |
-Just... -No, just... | 0:07:35 | 0:07:37 | |
BELL | 0:07:37 | 0:07:39 | |
We'll just go for paintings, please. | 0:07:39 | 0:07:41 | |
Not paintings, I'm afraid. | 0:07:41 | 0:07:42 | |
So there's a bonus chance for you now, Europhiles. | 0:07:42 | 0:07:45 | |
I think they're | 0:07:45 | 0:07:46 | |
historical paintings by Delacroix. | 0:07:46 | 0:07:48 | |
That's not it. | 0:07:48 | 0:07:50 | |
The children of the New Forest is actually a book. | 0:07:50 | 0:07:52 | |
These are all things connected with | 0:07:52 | 0:07:55 | |
the English Civil War. | 0:07:55 | 0:07:57 | |
I Puritani is an opera, Bellini opera, with a libretto | 0:07:57 | 0:08:00 | |
based on a French book about the Cavaliers and the Roundheads. | 0:08:00 | 0:08:02 | |
Children of the New Forest, a novel | 0:08:02 | 0:08:04 | |
set in the English Civil War. | 0:08:04 | 0:08:06 | |
And When Did You Last See Your Father? | 0:08:06 | 0:08:07 | |
That is a painting showing, I think, | 0:08:07 | 0:08:09 | |
the son of a Royalist being | 0:08:09 | 0:08:11 | |
questioned by a parliamentarian. | 0:08:11 | 0:08:13 | |
And the Witchfinder General? | 0:08:13 | 0:08:15 | |
Matthew Hopkins. Matthew Hopkins, | 0:08:15 | 0:08:16 | |
Witchfinder General. | 0:08:16 | 0:08:17 | |
So, your turn, Europhiles. | 0:08:17 | 0:08:19 | |
What would you like? | 0:08:19 | 0:08:20 | |
-Water, please. -OK. | 0:08:20 | 0:08:21 | |
-NOTES PLAY -Oh, it's the music question. | 0:08:21 | 0:08:23 | |
What connects these music clues? | 0:08:23 | 0:08:25 | |
Here's the first. | 0:08:25 | 0:08:27 | |
CHORAL MUSIC PLAYS | 0:08:27 | 0:08:30 | |
Do you know what that is? | 0:08:30 | 0:08:32 | |
-It's familiar. -Religious music. | 0:08:32 | 0:08:35 | |
Could be Miserere or something. | 0:08:35 | 0:08:37 | |
OK. Next. | 0:08:37 | 0:08:40 | |
# When Lester took him a wife... # | 0:08:40 | 0:08:42 | |
Oh, is this Strange Fruit? | 0:08:42 | 0:08:44 | |
# Arm and arm went black and white... # | 0:08:44 | 0:08:47 | |
It sounds like Billie Holiday. Next. | 0:08:47 | 0:08:49 | |
# Gonna be some sweet sounds | 0:08:49 | 0:08:51 | |
# Coming down... # | 0:08:51 | 0:08:53 | |
I think this is Lionel Richie. I'm not sure. Next. | 0:08:53 | 0:08:57 | |
# Did you write the book of love... # | 0:08:57 | 0:09:00 | |
That's American Pie. | 0:09:00 | 0:09:01 | |
# Do you have faith in God above... # | 0:09:01 | 0:09:04 | |
Three seconds. | 0:09:04 | 0:09:05 | |
# If the Bible... # | 0:09:05 | 0:09:07 | |
No, that's it. Time is up. | 0:09:07 | 0:09:08 | |
So there's a bonus chance for you, Relatives. | 0:09:08 | 0:09:11 | |
We think they're songs | 0:09:11 | 0:09:13 | |
written about other people. | 0:09:13 | 0:09:15 | |
Tributes to other people. | 0:09:15 | 0:09:16 | |
Well, that's right. | 0:09:16 | 0:09:17 | |
Again, you could be more specific. | 0:09:17 | 0:09:19 | |
They were tributes songs to Marvin Gaye, | 0:09:19 | 0:09:22 | |
Nightshift by the Commodores. | 0:09:22 | 0:09:23 | |
That's it. They're tributes to dead people | 0:09:23 | 0:09:25 | |
who were also musicians. | 0:09:25 | 0:09:27 | |
So American Pie, that's Don McLean | 0:09:27 | 0:09:29 | |
singing about Buddy Holly. | 0:09:29 | 0:09:30 | |
Did you recognise the first piece? | 0:09:30 | 0:09:32 | |
No, unfortunately. | 0:09:32 | 0:09:34 | |
That is Josquin's elegy for Johannes Ockeghem. | 0:09:34 | 0:09:37 | |
What about the second one? | 0:09:37 | 0:09:38 | |
-We'll go onto the third one, if you like. -What's the third one? | 0:09:38 | 0:09:41 | |
-Nightshift by the Commodores, which is about... -Marvin Gaye. | 0:09:41 | 0:09:45 | |
Marvin Gaye and Jackie Wilson. That's it. | 0:09:45 | 0:09:47 | |
The second one was Goodbye Pork Pie Hat - | 0:09:47 | 0:09:49 | |
Joni Mitchell singing about Lester Young. | 0:09:49 | 0:09:51 | |
So you get the bonus point, Relatives, | 0:09:51 | 0:09:53 | |
and you get the last question, | 0:09:53 | 0:09:55 | |
which is the Horned Viper. | 0:09:55 | 0:09:56 | |
What's the connection between these clues? | 0:09:56 | 0:09:58 | |
Here's the first. | 0:09:58 | 0:10:01 | |
The beast. It's got a number. | 0:10:01 | 0:10:03 | |
Next, please. | 0:10:03 | 0:10:05 | |
Small letters. | 0:10:07 | 0:10:08 | |
SHE SPEAKS INAUDIBLY | 0:10:08 | 0:10:11 | |
I don't know the number of the monk. Try next. | 0:10:11 | 0:10:13 | |
-Next, please. -Why are they all small letters? | 0:10:13 | 0:10:15 | |
Don't know. The prose... | 0:10:15 | 0:10:17 | |
-I don't know that. -No, try... | 0:10:20 | 0:10:22 | |
Next, please. | 0:10:22 | 0:10:24 | |
SHE SPEAKS INAUDIBLY | 0:10:27 | 0:10:28 | |
The beast, the monk, the prose and the passion. | 0:10:28 | 0:10:31 | |
I can only guess the Passion is of Christ, but... | 0:10:31 | 0:10:35 | |
BELL | 0:10:36 | 0:10:38 | |
-Do you want to? -No, you... | 0:10:38 | 0:10:39 | |
To do with Christ. | 0:10:39 | 0:10:41 | |
They are NOT all to do with Christ. | 0:10:41 | 0:10:42 | |
Europhiles, you have the chance of a bonus point. | 0:10:42 | 0:10:45 | |
The name of. | 0:10:45 | 0:10:46 | |
No, that's not it either. | 0:10:46 | 0:10:48 | |
I must say, teams, | 0:10:48 | 0:10:49 | |
I'm disappointed you didn't get this. | 0:10:49 | 0:10:51 | |
I'm going to read you a quote. | 0:10:51 | 0:10:52 | |
We haven't heard this in full in nine series, | 0:10:52 | 0:10:55 | |
so let's have it now. | 0:10:55 | 0:10:56 | |
This is Margaret Schlegel in Howards End. | 0:10:56 | 0:10:58 | |
"Only connect, that was the whole of her sermon. | 0:10:58 | 0:11:02 | |
"Only connect the prose and the passion | 0:11:02 | 0:11:04 | |
"and both will be exalted | 0:11:04 | 0:11:06 | |
"and human love will be seen at its height. | 0:11:06 | 0:11:08 | |
"Live in fragments no longer. | 0:11:08 | 0:11:09 | |
"Only connect, and the beast and the monk, | 0:11:09 | 0:11:11 | |
"robbed of the isolation that is life to either, will die." | 0:11:11 | 0:11:15 | |
From which we take our name. | 0:11:15 | 0:11:17 | |
It is the things that | 0:11:17 | 0:11:18 | |
Margaret Schlegel dreams of connecting | 0:11:18 | 0:11:22 | |
in the EM Forster novel Howards End. | 0:11:22 | 0:11:24 | |
What? | 0:11:24 | 0:11:26 | |
LAUGHTER | 0:11:26 | 0:11:27 | |
So, at the end of Round One, | 0:11:27 | 0:11:28 | |
the Europhiles have yet to score, | 0:11:28 | 0:11:30 | |
the Relatives have three points. | 0:11:30 | 0:11:31 | |
On to Round Two, sequences. | 0:11:34 | 0:11:35 | |
This time, the teams must work out the connections and then tell me | 0:11:35 | 0:11:39 | |
what comes fourth in a sequence. | 0:11:39 | 0:11:40 | |
Europhiles will be going first this time. | 0:11:40 | 0:11:43 | |
Which hieroglyph would you like? | 0:11:43 | 0:11:45 | |
-Two Reeds, please. -Two Reeds. | 0:11:45 | 0:11:47 | |
What will be fourth in this sequence? | 0:11:47 | 0:11:49 | |
Here's the first. | 0:11:49 | 0:11:50 | |
-Do you know what it is? -No. -Next. | 0:11:54 | 0:11:57 | |
English. Second... | 0:11:58 | 0:12:01 | |
HE SPEAKS INAUDIBLY | 0:12:01 | 0:12:03 | |
English, OK. | 0:12:03 | 0:12:05 | |
Not seeing anything. Next. | 0:12:05 | 0:12:08 | |
Japanese... | 0:12:09 | 0:12:11 | |
Oh, is it... Is that... | 0:12:18 | 0:12:20 | |
THEY SPEAK INAUDIBLY | 0:12:20 | 0:12:22 | |
Five seconds. | 0:12:25 | 0:12:27 | |
-Catalan? -Basque. | 0:12:27 | 0:12:29 | |
BELL | 0:12:29 | 0:12:31 | |
Basque. | 0:12:31 | 0:12:32 | |
Not the answer, I'm afraid. | 0:12:32 | 0:12:33 | |
Another bonus chance for you, Relatives. | 0:12:33 | 0:12:36 | |
-Hamish? -We'll go eg Kiwi. Or Maori. | 0:12:36 | 0:12:39 | |
No, I can't take those either. | 0:12:39 | 0:12:41 | |
I would have taken Arabic, | 0:12:41 | 0:12:43 | |
I would have taken Hebrew, | 0:12:43 | 0:12:44 | |
Yiddish, Persian, Syriac. | 0:12:44 | 0:12:46 | |
I'll tell you why. | 0:12:46 | 0:12:48 | |
It's to do with the direction in which these languages are written. | 0:12:48 | 0:12:52 | |
Imagine you're going round a clock face. | 0:12:52 | 0:12:54 | |
Hanuno'o, if that's how you say it, | 0:12:54 | 0:12:56 | |
is written bottom to top. | 0:12:56 | 0:12:58 | |
English left to right, | 0:12:58 | 0:12:59 | |
Japanese top to bottom. | 0:12:59 | 0:13:01 | |
So I want to hear something | 0:13:01 | 0:13:02 | |
that's written right to left - | 0:13:02 | 0:13:04 | |
backwards - for example, Arabic. | 0:13:04 | 0:13:06 | |
That's what I was looking for there. | 0:13:06 | 0:13:07 | |
Welcome to the final. Isn't it horrid? | 0:13:07 | 0:13:10 | |
OK, Relatives, your turn. | 0:13:10 | 0:13:12 | |
-Eye of Horus, please. -Eye of Horus. | 0:13:12 | 0:13:15 | |
What would come fourth in this sequence? | 0:13:15 | 0:13:17 | |
Here's the first. | 0:13:17 | 0:13:18 | |
THEY SPEAK INAUDIBLY | 0:13:20 | 0:13:22 | |
-Take the next. -Take the next. -Next, please. | 0:13:22 | 0:13:25 | |
-What's that? An L? -Yeah, I don't know. -Any idea? | 0:13:27 | 0:13:30 | |
-Nothing at all. -Next, please. | 0:13:30 | 0:13:32 | |
-What have you got? -I haven't got anything. | 0:13:37 | 0:13:40 | |
Medium or large? | 0:13:40 | 0:13:42 | |
Yeah, that's the only thing I'm going with. | 0:13:42 | 0:13:44 | |
-Small, medium and large. -So XL? | 0:13:44 | 0:13:46 | |
I would say large X, small L. | 0:13:46 | 0:13:50 | |
Just go XL. | 0:13:50 | 0:13:52 | |
BELL | 0:13:55 | 0:13:56 | |
XL? | 0:13:56 | 0:13:58 | |
Not the answer, I'm afraid. | 0:13:58 | 0:13:59 | |
So a bonus chance for you now, Europhiles. | 0:13:59 | 0:14:01 | |
Is it a capital L? | 0:14:01 | 0:14:03 | |
It's not a capital L. | 0:14:03 | 0:14:05 | |
-Nobody here keen on physics? -ALL: No. | 0:14:05 | 0:14:09 | |
These are quantum numbers, | 0:14:09 | 0:14:10 | |
going backwards towards | 0:14:10 | 0:14:12 | |
the principal quantum number, | 0:14:12 | 0:14:14 | |
which is represented by n. | 0:14:14 | 0:14:15 | |
Not entirely sure | 0:14:15 | 0:14:16 | |
what the sequence is, | 0:14:16 | 0:14:18 | |
but I'm reliably informed they're | 0:14:18 | 0:14:20 | |
getting more quantumy each time. So the most quantumy | 0:14:20 | 0:14:23 | |
of quantum numbers would be represented by an n. | 0:14:23 | 0:14:25 | |
OK, Europhiles, your turn to choose. | 0:14:25 | 0:14:28 | |
-OK, Water, please. -Water. | 0:14:28 | 0:14:30 | |
What will be fourth in this sequence? | 0:14:30 | 0:14:32 | |
Here's the first. | 0:14:32 | 0:14:33 | |
THEY SPEAK INAUDIBLY | 0:14:37 | 0:14:39 | |
Next. | 0:14:39 | 0:14:40 | |
-Guiteau. You know what that is? -No. | 0:14:42 | 0:14:44 | |
-No? -It's somebody, but I can't remember who. | 0:14:44 | 0:14:48 | |
Next. | 0:14:48 | 0:14:50 | |
-Czolgoz. -Oh, um... | 0:14:50 | 0:14:52 | |
Lethal assassins of US presidents. | 0:14:52 | 0:14:54 | |
-So it's... -John Wilkes Booth? | 0:14:54 | 0:14:56 | |
-No, it's Oswald. -Oswald? OK. | 0:14:56 | 0:14:59 | |
BELL | 0:14:59 | 0:15:00 | |
Oswald. | 0:15:00 | 0:15:02 | |
You're off the blocks at last. | 0:15:02 | 0:15:03 | |
The answer is Oswald. | 0:15:03 | 0:15:04 | |
And what's the reason? | 0:15:04 | 0:15:06 | |
It's assassins of US presidents | 0:15:06 | 0:15:08 | |
and Oswald killed Kennedy. | 0:15:08 | 0:15:09 | |
That's it. Presidential assassins | 0:15:09 | 0:15:11 | |
in chronological order. Well done. | 0:15:11 | 0:15:14 | |
Back to you, Relatives, for a choice. | 0:15:14 | 0:15:16 | |
Twisted Flax, please. | 0:15:16 | 0:15:18 | |
Twisted Flax. | 0:15:18 | 0:15:19 | |
These are going to be picture clues. | 0:15:19 | 0:15:21 | |
What would you expect to see in the fourth picture? | 0:15:21 | 0:15:23 | |
Here's the first. | 0:15:23 | 0:15:25 | |
That's gold. | 0:15:26 | 0:15:29 | |
-Gold? Oh, yeah. -In the thing, so... | 0:15:29 | 0:15:31 | |
Next, please. | 0:15:31 | 0:15:32 | |
They haven't given us... | 0:15:35 | 0:15:38 | |
A valley. Golden spear. | 0:15:38 | 0:15:42 | |
Is it from Jerusalem? | 0:15:42 | 0:15:45 | |
Next, please. | 0:15:45 | 0:15:47 | |
That's Siegfried & Roy, isn't it? | 0:15:50 | 0:15:53 | |
Siegfried & Roy. | 0:15:53 | 0:15:54 | |
So which one's Roy? | 0:15:54 | 0:15:56 | |
-Is that Roy or Siegfried? -Siegfried, I'm guessing. | 0:15:56 | 0:15:59 | |
-Then it's... -Three seconds. -It's... | 0:15:59 | 0:16:02 | |
BELL | 0:16:02 | 0:16:04 | |
I'll ask you to answer. | 0:16:04 | 0:16:05 | |
It's the four things | 0:16:05 | 0:16:08 | |
in the Ring Cycle. So it's the... | 0:16:08 | 0:16:11 | |
I need an answer. | 0:16:11 | 0:16:13 | |
It's Der Rosenkavalier. | 0:16:13 | 0:16:16 | |
Not the answer, I'm afraid. | 0:16:16 | 0:16:18 | |
Europhiles, there's a bonus chance. | 0:16:18 | 0:16:20 | |
Is it Gotterdammerung? | 0:16:20 | 0:16:22 | |
It is Gotterdammerung. | 0:16:22 | 0:16:23 | |
You're absolutely right that it is the Ring Cycle, | 0:16:23 | 0:16:26 | |
but next is Gotterdammerung. | 0:16:26 | 0:16:27 | |
So, well done, Europhiles, | 0:16:27 | 0:16:28 | |
you get the bonus point there | 0:16:28 | 0:16:30 | |
and you get the chance to choose a question. | 0:16:30 | 0:16:32 | |
-Horned Viper, please. -Horned Viper. | 0:16:32 | 0:16:34 | |
What would be the fourth in this sequence? | 0:16:34 | 0:16:36 | |
Here's the first. | 0:16:36 | 0:16:38 | |
Kabul. Could be anything. | 0:16:38 | 0:16:40 | |
Oh, isn't Afghanistan first alphabetically? | 0:16:40 | 0:16:43 | |
OK, yes. | 0:16:43 | 0:16:44 | |
So it would be Andorra la Vella? | 0:16:44 | 0:16:46 | |
OK. Next. | 0:16:46 | 0:16:48 | |
It's Albania. So, yes, it would be... | 0:16:50 | 0:16:53 | |
Then it's Algeria, | 0:16:53 | 0:16:54 | |
-then it's Andorra. -OK. | 0:16:54 | 0:16:55 | |
BELL | 0:16:55 | 0:16:56 | |
Andorra la Vella. | 0:16:56 | 0:16:58 | |
You should have come in after one clue. | 0:16:58 | 0:17:00 | |
It is Andorra la Vella. | 0:17:00 | 0:17:01 | |
And why is that? | 0:17:01 | 0:17:03 | |
These are the capitals of the first four countries | 0:17:03 | 0:17:05 | |
if you put all the countries in the world alphabetically. | 0:17:05 | 0:17:07 | |
That's absolutely right. | 0:17:07 | 0:17:09 | |
The capitals of Afghanistan, Albania, Algeria | 0:17:09 | 0:17:11 | |
and the next alphabetically would be Andorra | 0:17:11 | 0:17:14 | |
and its capital Andorra City, | 0:17:14 | 0:17:15 | |
or Andorra la Vella. | 0:17:15 | 0:17:17 | |
Very well done. OK, Relatives, | 0:17:17 | 0:17:18 | |
one question left for you. | 0:17:18 | 0:17:19 | |
It's the Lion. | 0:17:19 | 0:17:21 | |
What is the fourth in this sequence? | 0:17:21 | 0:17:23 | |
Here's the first. | 0:17:23 | 0:17:24 | |
4th - play slowly... | 0:17:24 | 0:17:28 | |
Next, please. | 0:17:28 | 0:17:30 | |
Adagio. It's adagio. | 0:17:32 | 0:17:35 | |
-Play slowly... -Yeah, next. -Next, please. | 0:17:35 | 0:17:38 | |
Lend to... Lent. | 0:17:43 | 0:17:46 | |
Something Len. It's Len, | 0:17:46 | 0:17:47 | |
-so put something... Have Len Fairclough. -OK. | 0:17:47 | 0:17:51 | |
BELL | 0:17:51 | 0:17:52 | |
Len Fairclough? | 0:17:52 | 0:17:54 | |
That's not it, I'm afraid. | 0:17:54 | 0:17:56 | |
There's a bonus chance for you, Europhiles. | 0:17:56 | 0:17:58 | |
-Lego. -Lego? | 0:17:59 | 0:18:01 | |
And why would that be? | 0:18:01 | 0:18:03 | |
Play slowly is largo, | 0:18:03 | 0:18:05 | |
Trellick Tower is Erno Goldfinger, | 0:18:05 | 0:18:09 | |
something bestowed is a legacy. | 0:18:09 | 0:18:11 | |
Aw. You see, you're edging around | 0:18:13 | 0:18:14 | |
in such a good way, | 0:18:14 | 0:18:16 | |
but then you veered off down a different track. | 0:18:16 | 0:18:18 | |
Play slowly is largo, | 0:18:18 | 0:18:20 | |
Trellick Tower architect is Goldfinger, | 0:18:20 | 0:18:22 | |
something bestowed is a grant, | 0:18:22 | 0:18:24 | |
like Red Grant in From Russia with Love. | 0:18:24 | 0:18:27 | |
We're talking about Bond villains! | 0:18:27 | 0:18:28 | |
We're going backwards towards Dr No. | 0:18:28 | 0:18:31 | |
I wanted to hear something | 0:18:31 | 0:18:33 | |
indicating a negative response. | 0:18:33 | 0:18:35 | |
So no points there. | 0:18:35 | 0:18:36 | |
Looking at the scores at the end of Round Two, | 0:18:36 | 0:18:38 | |
the Relatives have three points, | 0:18:38 | 0:18:40 | |
the Europhiles have six. | 0:18:40 | 0:18:42 | |
Time now for a gruesome pair of final Connecting Walls. | 0:18:44 | 0:18:48 | |
And the first will be offered to you, Relatives. | 0:18:48 | 0:18:50 | |
Would you like Lion or Water? | 0:18:50 | 0:18:53 | |
-Lion, please. -OK. | 0:18:53 | 0:18:55 | |
You have two and a half minutes | 0:18:55 | 0:18:57 | |
to solve the final Lion wall. | 0:18:57 | 0:18:59 | |
Starting now. | 0:18:59 | 0:19:01 | |
Beast, Eats. They're anagrams. | 0:19:03 | 0:19:05 | |
-Take them... -Seat. | 0:19:05 | 0:19:08 | |
There's six of them. | 0:19:08 | 0:19:10 | |
Well, find the other two, please. | 0:19:10 | 0:19:12 | |
Let's try them... | 0:19:15 | 0:19:17 | |
You try them while we look at other things. | 0:19:19 | 0:19:22 | |
Have you gone through them all yet? | 0:19:27 | 0:19:29 | |
-You can... -We are, we are. | 0:19:31 | 0:19:34 | |
We're not seeing anything. | 0:19:34 | 0:19:36 | |
Thank you, OK. | 0:19:39 | 0:19:40 | |
Tom's Diner, Tom... | 0:19:42 | 0:19:44 | |
Sate is backwards. | 0:19:44 | 0:19:47 | |
SEAT is a type of car. | 0:19:47 | 0:19:49 | |
Ship, it's an anagram of ship. | 0:19:49 | 0:19:52 | |
Love's got room... | 0:19:52 | 0:19:53 | |
There's nothing at tennis. | 0:19:53 | 0:19:55 | |
Toms... | 0:19:55 | 0:19:57 | |
I don't know what Tom is. | 0:19:57 | 0:19:58 | |
Smot backwards. | 0:19:58 | 0:20:00 | |
That's the word backwards. | 0:20:00 | 0:20:02 | |
That's a word backwards. | 0:20:02 | 0:20:05 | |
That is teas backwards. | 0:20:06 | 0:20:08 | |
No, it's not. | 0:20:08 | 0:20:10 | |
Smot... | 0:20:11 | 0:20:13 | |
Keep going for other things. | 0:20:13 | 0:20:15 | |
We are. We are trying. | 0:20:15 | 0:20:17 | |
SHE SPEAKS INAUDIBLY | 0:20:20 | 0:20:23 | |
That's what I'm trying to think of. | 0:20:23 | 0:20:25 | |
What's that? Which is that? | 0:20:28 | 0:20:29 | |
-Rhos? -Rhos... | 0:20:29 | 0:20:32 | |
That sounds like another word. | 0:20:32 | 0:20:34 | |
Phis. | 0:20:34 | 0:20:36 | |
Etas, Seat, SEAT. | 0:20:36 | 0:20:39 | |
-Love, Pate... -Psis. | 0:20:39 | 0:20:43 | |
-Psis. -File, Room, Toms. | 0:20:43 | 0:20:45 | |
What's the other one we had? | 0:20:47 | 0:20:49 | |
I don't know. Moor. | 0:20:49 | 0:20:52 | |
30 seconds now. | 0:20:52 | 0:20:54 | |
Take them off. | 0:20:58 | 0:20:59 | |
Rhos sounds like something else, | 0:21:03 | 0:21:04 | |
Psis sounds like something else. | 0:21:04 | 0:21:07 | |
E-T-A, that's not... | 0:21:07 | 0:21:10 | |
I'm pretty sure | 0:21:10 | 0:21:11 | |
that's a Greek letter. | 0:21:11 | 0:21:12 | |
Ten seconds. | 0:21:12 | 0:21:14 | |
Three strikes in five seconds. | 0:21:16 | 0:21:20 | |
That's it. Your time is up, | 0:21:22 | 0:21:23 | |
the wall has frozen, | 0:21:23 | 0:21:25 | |
but you found two groups, so that's two points. | 0:21:25 | 0:21:27 | |
What about the connections? | 0:21:27 | 0:21:29 | |
East, Eats, Seta, Teas. | 0:21:29 | 0:21:31 | |
They're all anagrams of the same letters. | 0:21:31 | 0:21:33 | |
That's it. They're anagrams of each other. | 0:21:33 | 0:21:36 | |
And the next group - | 0:21:36 | 0:21:37 | |
Rhos, Psis, Phis, Etas. | 0:21:37 | 0:21:39 | |
More than one Greek letter. | 0:21:39 | 0:21:41 | |
They are plurals of Greek letters. | 0:21:41 | 0:21:43 | |
You can get points for the connections in the groups | 0:21:43 | 0:21:45 | |
you didn't find. So let's resolve the wall. | 0:21:45 | 0:21:48 | |
Kite, Seat, Room, File. | 0:21:48 | 0:21:50 | |
-Box. -You can put box in front of all of them. | 0:21:50 | 0:21:53 | |
Box kite, box seat, box room, box file. | 0:21:53 | 0:21:55 | |
That's it. And the last one, | 0:21:55 | 0:21:57 | |
Pate or Pate, Love, Toms, Mize. | 0:21:57 | 0:22:01 | |
They're American golfers. | 0:22:01 | 0:22:02 | |
They're American Major-winning golfers. | 0:22:02 | 0:22:04 | |
So two points for the groups you found | 0:22:04 | 0:22:06 | |
and four points for the connections. That's a total of six. | 0:22:06 | 0:22:08 | |
Time to bring in the Europhiles, give them an equally horrible | 0:22:08 | 0:22:11 | |
final Connecting Wall and see what they can do with it. | 0:22:11 | 0:22:14 | |
It's the Water wall for you, Europhiles. | 0:22:14 | 0:22:16 | |
You have, of course, two and a half minutes | 0:22:16 | 0:22:18 | |
to solve it, starting now. | 0:22:18 | 0:22:21 | |
Right, OK. | 0:22:21 | 0:22:23 | |
We've got anagrams again. | 0:22:23 | 0:22:25 | |
Spot, Post, Stop, Tops. | 0:22:25 | 0:22:27 | |
-Is that all? -Oh, hang on... | 0:22:27 | 0:22:29 | |
Pots, Tops, Stop, Post. | 0:22:31 | 0:22:34 | |
Try without Post. | 0:22:34 | 0:22:36 | |
Try without Stop. | 0:22:36 | 0:22:38 | |
Try without Tops. | 0:22:39 | 0:22:41 | |
Oh, there's Opts as well, yes. | 0:22:42 | 0:22:44 | |
Oh, that's Wart... | 0:22:44 | 0:22:47 | |
OK, shall we come back to that? | 0:22:47 | 0:22:50 | |
OK, Mole? | 0:22:50 | 0:22:52 | |
Oh, is there units of measurement? | 0:22:54 | 0:22:57 | |
Like Mole or... | 0:22:57 | 0:22:58 | |
OK, Test, Pock. | 0:22:58 | 0:23:00 | |
Pockmark! | 0:23:00 | 0:23:02 | |
Pockmark, postmark... | 0:23:02 | 0:23:05 | |
Pole mark? | 0:23:08 | 0:23:10 | |
Pots mark? | 0:23:10 | 0:23:12 | |
Stop mark? | 0:23:12 | 0:23:15 | |
Test and Race and Post are | 0:23:15 | 0:23:17 | |
all stages in sporting competition. | 0:23:17 | 0:23:20 | |
Race, Post. | 0:23:20 | 0:23:21 | |
-Where's Test? -You've already... | 0:23:21 | 0:23:24 | |
No, no. What's Test? | 0:23:24 | 0:23:25 | |
Cricket. | 0:23:25 | 0:23:27 | |
But that's not a stage. | 0:23:27 | 0:23:28 | |
Hole. | 0:23:29 | 0:23:31 | |
Hole, Pole, Mole... | 0:23:31 | 0:23:33 | |
OK, second post, second rate, | 0:23:36 | 0:23:38 | |
second test... | 0:23:38 | 0:23:41 | |
Second pole? | 0:23:41 | 0:23:44 | |
Where's pole? | 0:23:44 | 0:23:46 | |
Pole position. | 0:23:47 | 0:23:49 | |
Oh, Poll could be part of a... | 0:23:51 | 0:23:54 | |
Race, Post. | 0:23:55 | 0:23:57 | |
OK. Mast, Prop. | 0:23:59 | 0:24:02 | |
Oh, prop is a... | 0:24:02 | 0:24:04 | |
THEY SPEAK INAUDIBLY | 0:24:06 | 0:24:09 | |
Stop, Spot, Pots... | 0:24:09 | 0:24:11 | |
Post, Stop, Opts. | 0:24:11 | 0:24:14 | |
Try them with Opts, cos we didn't spot it. | 0:24:14 | 0:24:17 | |
Last post? | 0:24:24 | 0:24:26 | |
20 seconds. | 0:24:27 | 0:24:28 | |
Could be Hole and Test are... | 0:24:28 | 0:24:31 | |
-Ten seconds. -Parts of sport again. | 0:24:35 | 0:24:39 | |
Prop... Oh, Prop, Mast... | 0:24:40 | 0:24:44 | |
That's it, you're out of time. | 0:24:46 | 0:24:47 | |
Bamboozled by the wall and I can't say I blame you. | 0:24:47 | 0:24:50 | |
But that is OK, cos you can still get up to four points | 0:24:50 | 0:24:52 | |
for connections in the groups you didn't find. | 0:24:52 | 0:24:55 | |
So, let's resolve the wall. | 0:24:55 | 0:24:57 | |
There we go. Opts, Stop, Tops, Pots. | 0:24:57 | 0:25:00 | |
They're all anagrams of each other. | 0:25:00 | 0:25:02 | |
Those are the ones that are anagrams of each other. | 0:25:02 | 0:25:05 | |
And the next one - | 0:25:05 | 0:25:06 | |
Post, Mast, Prop, Pole. | 0:25:06 | 0:25:08 | |
-They'll all, like... -Freestanding wooden... | 0:25:08 | 0:25:12 | |
Things for supporting things. | 0:25:12 | 0:25:13 | |
They're supporting structures. | 0:25:13 | 0:25:15 | |
That's it. | 0:25:15 | 0:25:17 | |
And the next one - | 0:25:17 | 0:25:18 | |
Rate, Race, Hole, Test. | 0:25:18 | 0:25:20 | |
-No. -You can put "card" after all of them. | 0:25:21 | 0:25:25 | |
Rate card, racecard, | 0:25:25 | 0:25:27 | |
hole card, test card. | 0:25:27 | 0:25:29 | |
And the last group - | 0:25:29 | 0:25:31 | |
Spot, Wart, Mole, Pock. | 0:25:31 | 0:25:32 | |
Things you may find on your face. | 0:25:32 | 0:25:34 | |
Pockmark, a mole, a wart, a spot. | 0:25:34 | 0:25:36 | |
That's it. | 0:25:36 | 0:25:38 | |
Literally like a description of me | 0:25:38 | 0:25:39 | |
before I go into make-up. | 0:25:39 | 0:25:40 | |
They're skin blemishes. | 0:25:40 | 0:25:42 | |
No points for the groups, unfortunately, | 0:25:42 | 0:25:44 | |
but you do get three points for the connections. | 0:25:44 | 0:25:46 | |
Let's have a look at the scores going into the Final Round. | 0:25:46 | 0:25:50 | |
The Relatives have nine points, | 0:25:50 | 0:25:52 | |
the Europhiles have nine points. | 0:25:52 | 0:25:55 | |
Now, here is a thing that I've just found out. We've got a website! | 0:25:55 | 0:25:58 | |
I'm so sorry I didn't mention that before! I've only just heard. | 0:25:58 | 0:26:01 | |
But it's not too late. | 0:26:01 | 0:26:02 | |
You can go there, you can play walls, | 0:26:02 | 0:26:04 | |
you can write your own... It sounds brilliant! | 0:26:04 | 0:26:07 | |
I'm going to hurry away and do that straight after the show. | 0:26:07 | 0:26:09 | |
But first, let's decide the champion of the series. | 0:26:09 | 0:26:14 | |
Fingers on buzzers, teams. | 0:26:14 | 0:26:16 | |
The first group are all people | 0:26:16 | 0:26:19 | |
who have switched on | 0:26:19 | 0:26:21 | |
Blackpool illuminations. | 0:26:21 | 0:26:24 | |
-Europhiles. -Steps. -Correct. | 0:26:27 | 0:26:28 | |
Europhiles. | 0:26:30 | 0:26:32 | |
-The Stig. -Correct. | 0:26:32 | 0:26:33 | |
Relatives. | 0:26:35 | 0:26:36 | |
-Red Rum. -Not a person that time. Correct. | 0:26:36 | 0:26:40 | |
Europhiles. | 0:26:40 | 0:26:41 | |
Kermit the Frog. | 0:26:41 | 0:26:42 | |
Nor that time. Correct. | 0:26:42 | 0:26:43 | |
Next category - | 0:26:43 | 0:26:44 | |
mothers and daughters. | 0:26:44 | 0:26:46 | |
Europhiles. | 0:26:49 | 0:26:51 | |
Tippi Hedren and Melanie Griffith. | 0:26:51 | 0:26:52 | |
Correct. | 0:26:52 | 0:26:54 | |
Europhiles? | 0:26:56 | 0:26:57 | |
-Lois and Meg Griffin. -Yes. | 0:26:57 | 0:26:59 | |
An older one here. | 0:27:08 | 0:27:10 | |
It is Queen Telephassa and Europa. | 0:27:10 | 0:27:12 | |
Next clue. | 0:27:12 | 0:27:13 | |
No? Maureen O'Sullivan and Mia Farrow. | 0:27:19 | 0:27:23 | |
Next category, they are represented by or abbreviated to | 0:27:23 | 0:27:26 | |
consecutive letters of the alphabet. | 0:27:26 | 0:27:29 | |
Europhiles? | 0:27:34 | 0:27:35 | |
Joule and Kelvin. | 0:27:35 | 0:27:37 | |
For J and K. Correct. | 0:27:37 | 0:27:38 | |
Europhiles? | 0:27:43 | 0:27:44 | |
Austria and Belgium. | 0:27:44 | 0:27:45 | |
A and B. Correct. | 0:27:45 | 0:27:46 | |
MUSIC PLAYS | 0:27:49 | 0:27:52 | |
No time to give me that last one. | 0:27:53 | 0:27:55 | |
Uranium and vanadium. | 0:27:55 | 0:27:57 | |
But that bell means it's the end of the quiz. | 0:27:57 | 0:28:01 | |
And, after a brilliant run, finishing in honourable | 0:28:01 | 0:28:04 | |
second place with ten points, | 0:28:04 | 0:28:06 | |
it's the Relatives. | 0:28:06 | 0:28:08 | |
But our winners, | 0:28:08 | 0:28:09 | |
with 16 points, are the Europhiles. | 0:28:09 | 0:28:11 | |
Many congratulations to you guys. | 0:28:11 | 0:28:14 | |
And to you guys, | 0:28:14 | 0:28:16 | |
you've also quizzed very well. | 0:28:16 | 0:28:18 | |
Brilliant stuff. | 0:28:18 | 0:28:19 | |
So, we have new champions and, in a moment, | 0:28:19 | 0:28:22 | |
we'll have our fantastic closing ceremony. | 0:28:22 | 0:28:25 | |
But first, I need to tell you that | 0:28:25 | 0:28:27 | |
that was our last show for BBC Four. | 0:28:27 | 0:28:30 | |
Like 16th century explorers, | 0:28:30 | 0:28:31 | |
we're setting sail for distant lands, | 0:28:31 | 0:28:34 | |
in our case BBC Two, where we're | 0:28:34 | 0:28:35 | |
hoping to plunder the local gold | 0:28:35 | 0:28:37 | |
and spread disease among the natives. | 0:28:37 | 0:28:40 | |
But I can't deny, I'm a bit worried I'm going to get eaten. | 0:28:40 | 0:28:43 | |
Thank you for watching. | 0:28:43 | 0:28:45 | |
See you on the other side. | 0:28:45 | 0:28:47 |